#indian meditation music

[mysticalblizzardcolor]

ETERNAL LOVE- Indian Meditation Music-Mystical Sitar -Krishna Consciousn...

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10 Minutes of Powerful and Dynamic Shamanic Drumming ✨ Let the Spirits G...

[leela2498]

BEST KRISHNA Flute Music | Flute Meditation And Relax Music | Indian Fl...

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Lord krishna flute music-Positive Vibration, Cleanse Negative Energy, Deep Meditation

[burst-of-iridescent]

South Asian and Hindu Influences in ATLA (Part 2)

disclaimer: i was raised culturally and religiously hindu, and though i've tried to do my research for this post and pair it with my own cultural knowledge, i'm not an expert on hinduism by any means. should i mess up, please let me know.

please also be aware that many of the concepts discussed in this post overlap heavily with religions such as buddhism and jainism, which might have different interpretations and representations. as i'm not from those religions or cultures, i don't want to speak on them, but if anyone with that knowledge wishes to add on, please feel free.

Part 1

In the previous post, I discussed some of the things ATLA got right in its depictions of desi and hindu cultures. unfortunately, they also got plenty of things wrong - often in ways that leaned towards racist caricatures - so let's break them down, starting with...

Guru Pathik

both the word "guru" and name "pathik" come from sanskrit. pathik means "traveler" or "he who knows the way" while guru is a term for a guide or mentor, similar to a teacher.

gurus were responsible for the very first education systems in ancient india, setting up institutions called gurukuls. students, referred to as disciples, would often spend years living with and learning from their gurus in these gurukuls, studying vedic and buddhist texts, philosophy, music and even martial arts.

however, their learning was not limited merely to academic study, as gurus were also responsible for guiding the spiritual evolution of their disciples. it was common for disciples to meditate, practice yoga, fast for days or weeks, and complete mundane household chores every day in order to instill them with self-discipline and help them achieve enlightenment and spiritual awareness. the relationship between a guru and his disciple was considered a sacred, holy bond, far exceeding that of a mere teacher and student.

aang's training with guru pathik mirrors some of these elements. similar to real gurus, pathik takes on the role of aang's spiritual mentor. he guides aang in unblocking his chakras and mastering the avatar state through meditation, fasting, and self-reflection - all of which are practices that would have likely been encouraged in disciples by their gurus.

pathik's design also takes inspiration from sadhus, holy men who renounced their worldly ties to follow a path of spiritual discipline. the guru's simple, nondescript clothing and hair are reflective of the ascetic lifestyle sadhus are expected to lead, giving up material belongings and desires in order to achieve spiritual enlightenment and, ultimately, liberation from the reincarnation cycle.

unfortunately, this is where the respectful references end because everything else about guru pathik was insensitive at best and stereotypical at worst.

it is extremely distasteful that the guru speaks with an overexaggerated indian accent, even though the iranian-indian actor who plays him has a naturally british accent. why not just hire an actual indian voice actor if the intention was to make pathik sound authentic? besides, i doubt authenticity was the sole intention, given that the purposeful distortion of indian accents was a common racist trope played for comedy in early 2000s children's media (see: phineas and ferb, diary of a wimpy kid, jessie... the list goes on).

furthermore, while pathik is presented a wise and respected figure within this episode, his next (and last) appearance in the show is entirely the opposite.

in the episode nightmares and daydreams, pathik appears in aang's nightmare with six hands, holding what appears to be a veena (a classical indian music instrument). this references the iconography of the hindu deity Saraswati, the goddess of wisdom and knowledge. the embodiment of divine enlightenment, learning, insight and truth, Saraswati is a member of the Tridevi (the female version of the Trimurti), one of the most respected and revered goddesses in the Hindu pantheon... and her likeness is used for a cheap laugh on a character who's already treated as a caricature.

that's bad enough on its own, but when you consider that guru pathik is the only explicitly south asian coded character in the entire show, it's downright insulting. for a show that took so many of its foundational concepts from south asia and hinduism and yet provided almost no desi representation in return, this is just rubbing salt in the wound.

Chakras

"chakra", meaning "circle" or "wheel of life" in sanskrit, refers to sources of energy found in the human body. chakra points are aligned along the spine, with energy flowing from the lowest to the highest point. the energy pooled at the lowest chakra is called kundalini, and the aim is to release this energy to the highest chakra in order to achieve spiritual enlightenment and consciousness.

the number of chakras varies in different religions, with buddhism referencing five chakras while hinduism has seven. atla draws from the latter influence, so let's take a look at the seven chakras:

Muladhara (the Root Chakra). located at the base of the spine, this chakra deals with our basest instincts and is linked to the element of earth.

Swadhisthana (the Sacral Chakra). located just below the navel, this chakra deals with emotional intensity and pleasure and is linked to the element of water.

Manipura (the Solar Plexus Chakra). located in the stomach, this chakra deals with willpower and self-acceptance and is linked to the element of fire.

Anahata (the Heart Chakra). located in the heart, this chakra deals with love, compassion and forgiveness and is linked to the element of air. in the show, this chakra is blocked by aang's grief over the loss of the air nomads, which is a nice elemental allusion.

Vishudda (the Throat Chakra). located at the base of the throat, this chakra deals with communication and honesty and is linked to the fifth classical element of space. the show calls this the Sound Chakra, though i'm unsure where they got that from.

Ajna (the Third Eye Chakra). located in the centre of the forehead, this chakra deals with spirituality and insight and is also linked to the element of space. the show calls it the Light Chakra, which is fairly close.

Sahasrara (the Crown Chakra). located at the very top of the head, this chakra deals with pure cosmic consciousness and is also linked to the element of space. it makes perfect sense that this would be the final chakra aang has to unblock in order to connect with the avatar spirit, since the crown chakra is meant to be the point of communion with one's deepest, truest self.

the show follows these associations and descriptions almost verbatim, and does a good job linking the individual chakras to their associated struggles in aang's arc.

Cosmic Energy

the idea of chakras is associated with the concept of shakti, which refers to the life-giving energy that flows throughout the universe and within every individual.

the idea of shakti is a fundamentally unifying one, stating that all living beings are connected to one another and the universe through the cosmic energy that flows through us all. this philosophy is referenced both in the swamp episode and in guru pathik telling aang that the greatest illusion in the world is that of separation - after all, how can there be any real separation when every life is sustained by the same force?

this is also why aang needing to let go of katara did not, as he mistakenly assumed, mean he had to stop loving her. rather, the point of shedding earthly attachment is to allow one to become more attuned to shakti, both within oneself and others. ironically, in letting go of katara and allowing himself to commune with the divine energy of the universe instead, aang would have been more connected to her - not less.

The Avatar State

according to hinduism, there are five classical elements known as pancha bhuta that form the foundations of all creation: air, water, earth, fire, and space/atmosphere.

obviously, atla borrows this concept in making a world entirely based on the four classical elements. but looking at how the avatar spirit is portrayed as a giant version of aang suspended in mid-air, far above the earth, it's possible that this could reference the fifth liminal element of space as well.

admittedly this might be a bit of a reach, but personally i find it a neat piece of worldbuilding that could further explain the power of the avatar. compared to anyone else who might be able to master only one element, mastering all five means having control of every building block of the world. this would allow the avatar to be far more attuned to the spiritual energy within the universe - and themselves - as a result, setting in motion the endless cycle of death and rebirth that would connect their soul even across lifetimes.

[successfulgoddess333]

WHO AM I??

Hi baby

I’m going to talk a little bit about myself

I don’t wanna reveal too much

My face and everything else will remain anonymous for safety and privacy💕

Name:

My name is Honey(yes this is my birth name lol)

You can call me by my name or honeybee

Or even honeycomb

Do NOT call me beehive 😡

Unless it’s related to Beyoncè💕

Age: 23

Topics:

I discuss the void state, Law of assumption,Reality Shifting (I haven’t talked about this yet but will if you need more info)

And All kinds of Manifestation methods

How to talk to Honey!!!

Just dm me any questions I don’t take asks anymore so if you have any questions just feel free to dm me

Ethnicity/Nationality

My mom is Afro Peruvian, Indian,and Haitian

My dad is Jamaican

Sooo

I’m black hehe🤟🏾

I don’t do these I’m super private it’s soooo weird omg

What do I like??

Music food animals

Did I say music because

MUSIC!!!!!!

My favorite artists

I love all kinds of music

Even death metal occasionally

I like Harry Styles,Kid Cudi,Lady Gaga The Beatles,Ice Spice and many moreeeee

I also love movies

Literally almost any kind

But anyways

Let’s talk about something more interesting!!

Now that you know me(kind of)

I want you to know about this technique I discovered

It’s not new at all

In fact ppl on here have already talked about it I’m just late

As usual 😔

Anywayyyyyy

There’s a technique I want you all to try

It’s called the

“Wim hof breathing”

Method

No methods are needed But if you really want one

Then here you go pookie

(Found this on a website but it won’t let me copy the link😔)

WIM HOF BREATHING METHOD

Find a comfortable position.

Breathe in deeply through the nose or mouth and through the belly to the chest. Then let the breath go unforced.

Exhale through the mouth, then immediately breathe in again.

Take 30–40 such breaths in short bursts.

Take one final, deep inhalation then let the air out and stop inhaling. Hold the breath until you feel the urge to breathe again.

Inhale very deeply to full capacity and hold for 15 seconds, then let it go. This completes the first round.

Repeat the whole process, steps #2-6, 3-4 times.

After completion take time to meditate and enjoy the state of deep relaxation

After the very last step you should be a deep trance like state you should be really relaxed

I recommend that you let your next subliminal play

Which should be

Either a theta or epilson wave track or pink noise

Make sure your desired subliminal that plays after is Not a guided meditation you wanna still be in a trance

Start affirming in that point

And don’t stop

Just feel how relaxed you are feel that powerless body but powerful mind

Your body is at ease your soul and mind collide in such ways that allows you to breathe freely without any stress no harm

In the void state

Your main goal should be getting peace

Because if you’re entering just affirm

You’ll likely put it on a pedestal you’ll get frustrated and give up

It is not a wish granter bitch

It’s you

Baby you are powerful

Baby you are pretty

Baby you can tap in the void

And make the bring the 4D to your 3D and make it your home

Don’t use the void as a wish granter

Use it for peace

Don’t treat the 3D like the enemy

Treat it like a friend

After all it exists the way it does because of your assumptions

Whether you say this is hard or this is easy

Sugar, you’re right either way

Because if you assume something then that’s how it’ll be

If you think you’re pretty you’re pretty

But if you think you’re broke

Then you’re broke

If you think you’re rich

Then you’re rich baby

You could have wings

Superpowers

Be the biggest singer or rapper in the world

Star in the next Dune Movie

Be best friends with Ariana Grande

Be a Scientist

Be smarter than Albert Einstein(I mean was he actually super intelligent if he lacked common sense)

You could be get a bigger butt!!

I mean didn’t necessarily have a pancake ass

But I definitely didn’t have a Nicki Minaj

BUT I DO NOW!!!!

And bestie you can too!

Plastic surgery who???

Do we look like a Kardashian-Jenner?? I think the f not🙄

The void is our plastic surgeon

You wanna a smaller nose?

Got it

Tig ole biddies?

Got it

Nicki Minaj butt?

Got it

Floor length hair?

Got it?

Whatever you want to change about yourself

Got it!

And for the last time babies

You ALWAYS ENTER THE VOID EVERYTIME YOU SLEEP

Mentally just be

Physically sleep

In that moment baby

Forget the 3D and its fuck ass bob

Because the 3Ds not your enemy but its your puppet

You’re a ventriloquist CONTROL THAT MF

The 4D is you

The void is you

Quit saying what you can’t do babe

You CAN BECAUSE YOU ALREADY DID AND YOU STILL DO

“HoNEy I StiLL didNT gET inTO tHe vOiD”

YES YOU DID!!!!!!

You did it

You just didn’t know

Bro the void is just recognizing you’re asleep

And getting in contact with your mind

Which is where you already go when you go to sleep

So ha

Billie

There’s your answer

When we fall asleep

That’s where we go

The mf Void State

The only thing your cute ass has to do baby

Is just be aware

When Neville Goddard says just “BE”

Bitch just BE

That’s it

Be aware

Like that SpongeBob episode

“Be the crane”

Be the Void

It’s just you love

So why you stressing

Why complicate something YOU created?!

Baby girl make it make sense

Own your power bitch

I love you My darlings

Month is almost over

Bring me my success stories

Or I’ll be your sleep paralysis demon 😈

(Just kidding)

Or am I;)

NOW BITCH LOOK!!!!

YAYYYY

Imma keep pressuring you to listen to this(NOTE YOU DO NOT NEED SUBLIMINALS)

But I like this one🫠

Wrong emoji

I can’t find that cute one at the moment I’m rushing cuz I wanna eat my burger!

SLADE:

https://youtu.be/oKU8YIicYQg?feature=shared

THIS

because it’s soooo peaceful

Slade is the best

BYE BITCH GO GET THAT DREAM LIFE NOW!!!

I love you ⭐️💕

[muzaktomyears]

George Harrison remained an enigma to many people, even those who were close to him. For a man who lectured passionately about karma and the meaning of existence, he seemed self-protective and closed off. Witty when called upon, there were also moments when he could be quite boorish. Perhaps it was because he was only twenty years old when the Beatles became a global sensation. That might not seem particularly young in today’s world of social media fame, but at the time, it was uncharted territory for the kind of adulation he was experiencing.

It was also difficult living in the shadow of Paul and John. In the beginning, they were openly dismissive of him. Paul said he always thought of George as a little brother. At first, John pretended not to know his name and sardonically referred to him as “that kid’’. Ironically, one of George’s compositions, Something, became the most covered song in the Beatles catalogue.

This interview was conducted at George Harrison’s palatial home, Friar Park, in Henley-on-Thames, on November 5, 1980. George was gracious but cool. He made a pot of tea in the drafty, vast kitchen of his 120-room estate, and spent two hours lecturing about Transcendental Meditation and the details of a limited edition of his autobiography, I Me Mine, which is certainly how he must have felt getting out on his own.

In 2000, George was diagnosed with oropharyngeal cancer. George died on November 29, 2001, in the company of his wife, Olivia; his son, Dhani; musician Ravi Shankar; and Hare Krishna devotees who chanted verses from the Bhagavad Gita. He was 58 years old and left nearly $100 million in his will. George told Olivia that he didn’t want to be remembered for being a Beatle, he wanted to be remembered for being a good gardener.

‘It was a transcendental experience that was beyond the mind’

On taking LSD

LSD was just such a violent, big experience. Before it I was totally ignorant, and afterward I knew I was totally ignorant and I was now on my way to having some sort of knowledge. I related it to the childhood experience of Catholicism and going to church on a Sunday and seeing all that phoney baloney. The moment I’d taken LSD, it just made me laugh because I understood it inside, just in a flash. I understood what the whole concept of God or religion was just by seeing it. I could see it in the grass in the trees.

It was an absolute truth; like a light going ching. I took three very powerful trips — big, very important — and then it left me a bit unsure because I had to try and figure something out. By that time I had gotten into Indian music and spent time in India, [and] there was so much about it that felt like home to me. Not the surface that you see — all this poverty and the flies and the shit everywhere — [it] went beyond all that. Smells in the atmosphere and the people’s attitude and the music, the food, the religion, everything about it … home.

‘I’d hear his voice wailing at five in the morning’

On the death of Brian Jones of the Rolling Stones

I liked Brian a lot, and later on, I realised it was probably because we were both Pisces. We both had similar natures. He was also similar in that he had a Keith and a Mick, whereas I had a John and a Paul. We both had that problem of two mighty egos to deal with in order just to try and survive. I was very susceptible to dope, and Brian [Jones] was even more susceptible. He’d come [to my house], and I’d just hear his voice wailing at like five in the morning: “George, Geeooorrgggeeee.” So I’d wake up, see what was going on, and I’d look out the window, and he’d be all white and just shattered walking around the garden — just looking for somewhere to be.

I would always meet him at that time of day and just try to calm him down. And I saw him a lot before he died in that sort of circumstance. The last time I saw him, I think, was when I’d been in hospital to have my tonsils out and he came to see me in hospital and the next week he was gone. He was like all of them who kicked the bucket — it was sad because there were too many pressures, really. Not just the pressure of being famous and having the press hounding you day and night and young fans hounding you day and night. Plus the drugs hounding you day and night.

‘F*** it — I could do better than that’

On his childhood inspiration, Cliff Richard

I remember being a kid of about twelve, dreaming of big motorboats and tropical islands and things which had nothing to do with Liverpool, which was dark and cold. I remember going to see Cliff Richard and thinking, f*** it — I could do better than that.

‘I think being Elvis was lonelier than being one of the Fab Four’

On fame — and Elvis Presley

We kept realising we were getting bigger and bigger until we all realised we couldn’t go anywhere —you couldn’t pick up a paper or turn on a radio or TV without seeing yourself. I mean, it became too much. We became trapped, and that’s why it had to end, is what I think … We were like monkeys in a cage. I think it was helped a bit by the fact that it was four of us, who shared the experience. I mean, there was more than four of us, there was Peter Brown and Brian Epstein, but there was only four of us who were actually the Fab Four — whereas Elvis had an entourage and maybe 15 guys, friends of his, but there was only one man having that experience of what it was like to be Elvis Presley. I think that was far lonelier than being one of the Fab Four because at least we could keep each other laughing or crying or whatever we did to each other. It was definitely an asset being in a group.

(source)

[zilabee]

Tony Bramwell, on the Death of Happiness:

- Perhaps it was the world’s press taking them too seriously and asking silly questions about the deeper meaning of their songs and about where the words came from that changed them from being simple songwriters. Songwriting became a “creative art” and was reinvented as being difficult.

- For John and Paul, songs were suddenly something that were “crafted” and then taken off to Abbey Road like a half-finished jigsaw puzzle for George Martin to work his alchemy on. It all became serious and expensive.

- Things changed. The passion went. […] I came to see on a regular basis how the four of them would be slumped in a corner at Abbey Road, with cups of coffee and bits of paper and cigarettes and joints, not doing a thing. George Martin and the new engineer, Geoff Emerick (who had replaced Norman Smith), would be sitting in the control room, or the canteen, bored out of their minds.

- I will always remember the twelve empty boxes [Magic Alex] made for George. They contained nothing and didn’t actually do anything, but George told John that they contained some kind of light ray that could recognize bad vibes. “Really? I’ll have some of those,” said John. “Yeah, me too. In fact, I’ll have two dozen. Put ’em on my bill,” said Ringo who was the most cynical of all the Beatles. Alex produced dozens and in all seriousness, they were lined up in key points around the Beatles’ homes, where, as far as I could tell, they continued to do nothing at all.

- The Beatles were under a lot of pressure at that time to prove themselves in the aftermath of Brian’s death. Consequently, the people who worked for them, or for Apple, were under a lot of pressure not to take the piss out of even the smallest of the Beatles’ bright ideas, including their involvement with the Maharishi, Alexis Mardas, or the Fool. They’re looking at you saying: “Go on. Say it. Say what you’re thinking! I can take it.” And you’re going, “No fucking way. One: you can’t take it. Secondly: I like it here!” To disagree would prove you were not tuned in and turned on.

- Denis left for the ashram, where he discovered that the Beatles were too high up in the clouds, literally, to care about films. George so desperately wanted to believe in this new religion that he called Denis into his hut and made him watch while he sat down cross-legged and levitated. When I asked Denis if he actually saw any space between George’s bottom and the concrete floor, he said evasively, “I’m not sure. George was wearing a robe, and it was very dark in his hut.” Denis was always very diplomatic.

- It seemed to me—and from what they said—that they were very earnest about meditation and Indian music, but found the Maharishi a faintly repulsive figure. They argued about it, but in the end they decided to give him the benefit of the doubt just in case he was some kind of magician

- [on hearing Jumping Jack Flash for the first time on the radio, Paul sends Tony to immediately request the station play it again.] There was a very funny look on Paul’s face as I went off to find the phone. As if, not only was the whole world on his shoulders, but now the Stones were about to hit their stride.

- As the sixties gave way to the seventies, the fun left. It was like a carousel on a merry-go-round slowly grinding to a halt, with the music dying and the lights going dim.

- Klein couldn’t have known that John was sensitive about being slightly dyslexic, but he had guessed correctly that John resented being seen as the junior partner.

- Not only was it hard work drumming up sufficient Krishnas to placate George when he wanted them around, but we were all bored to death at having to go along with the bunch of dropouts who marched up and down, chanting, clanging bells and begging for money.

- Previously, the Beatles had tried to get along; now there were factions. It was like walking on a knife-edge of conspiracies and backbiting. I watched the madness and the slow disintegration of Apple as barriers went up and years of lawsuits and wrangling began. […] People who worked for the Beatles and Apple were supposed to be totally faithful, but it was impossible to be loyal to everybody.

[mysticalblizzardcolor]

Indian Meditation Music for Positive Energy Flute Music Indian Krishna I...

[rrcraft-and-lore]

Monkey Man and why I loved the heck out of it

At it's core, it's a Bollywood flick presented to the West with familiar nods to previous action films - I definitely picked up hints of Tony Jaa's influence on Asian action flicks throughout.

It's heavily focused on police corruption, something commented a lot about in India, and here, more importantly, Indian films. Just like America has its love affair with mobster flicks, Bollywood has a long history featuring films that showcase police corruption, sometimes tied into political extremism, fanatical or greedy religious leaders, and Monkey Man comments on all this as well and pays nods to that commonality. We've got televangelists and religious leaders in the states funnelling money, preaching prosperity gospel, and using it to influence politics and fund lavish lifestyles here.

Monkey Man shows this happening in India, and is filled with Indian culture and symbolism through out. The focus on Hanuman, the god and one worshiped by the strong, chaste, wrestlers, champions, and fighters. It's a common thing to have a household deity if you will. Some families might choose to focus worship on Ganesh, others Hanuman, some might do Mata Rani or Lakshmi. Here, it's the divine Vanara (monkey people race) - one of the Chiranjivi - immortals/forever-lived.

Hanuman. Themes of rebirth, common in South Asian history and mythology are present from Kid being a ringer, beat up fighter getting whooped for money to being reborn and facing his trauma through a ritual/meditate process that I don't want to get too much into to not spoil the movie. Post that, he begins his own self alchemy to really become the true Monkey Man. Nods to Ramayama, and an unapologetically Indian story featuring dialogues throughout in Hindi - don't worry, there are subtitles.

And of course a love for action flicks before it, all the way back to Bruce Lee. A beautiful use tbh of an autorickshaw (and you might know them as tuk-tuks in Thailand) which are popular in India with an added kick...I swear, that thing had to be modified with a hayabusa motor. Which is an actual thing people do - modding those dinky rickshaws with motorcycle engines, and considering they weigh nothing at all, they can REALLY FLY once you do that.

Monkey Man brings to the big screen other elements of India people might not know about, such as the gender non conforming and trans community that has a long history in India, presenting them as action stars as they go up against a system of corrupt elites oppressing part of the city, marginalized communities, and minority voices as depicted in the film. I'm not sure if people are going to get all of that without having the context, but I love that it does it without holding anyone's hands.

It's a fun action flick to see in the age of superhero films, and I say that as an obvious superhero/sff nerd. Also loved that Dev included a little bit about Hanuman's own story in the film, and the loss of his powers - almost mirrored by Kid's own loss of self/skills, strength until he confronts his trauma and is reborn, and in fact, remade (not necessarily the same). Also, the use of music was brilliant, including one scene with a tabla (the paired hand drums of south asia) - and Indian music is central to Indian stories.

This is a culture with evidence going back to the Paleolithic with cave murals showing art of Indian dance nearly 30,000 years ago. Yeah, that far back. As well as Mesolithic period art depicting musical instruments such as gongs, lyres, and more.

Indian music is some of the earliest we can find that has high developed beat and rhythm structures such as 5, 7, 9 and now the extremely common and known 4/4 and 3/4 - which so much of Western music is built upon. The foundations and experimentation of/in Jazz. John Coltrane and John Cage were heavily inspired by Indian music and incorporated a lot from it into their works. And Monkey Man blends Eastern and Western music through the narrative as comfortably as it does an Indian story in a very familiar Western accessible structure.

Dev did a wonderful job. And thanks to Jordan Peele for bringing it to screens.

[leela2498]

KRISHNA FLUTE MUSIC FOR POSITIVE ENERGY |MEDITATION &RELAXING FLUTE MUSI...

[soulfulrelaxingaudio]

Flute music for positive energy,Meditation Relaxing music,Morning flute, Healing Waves

[talonabraxas]

Mandala of the Moon God Chandra 🌕 Talon Abraxas

Chandra (Sanskrit चन्द्र lit. “shining”) is a lunar deity in Hinduism.

Chandra is also identified with the Vedic Lunar deity Soma (lit. “juice”).

The Soma name refers particularly to the juice of sap in the plants and thus makes the Moon the lord of plants and vegetation.

On the inner level on consciousness, Chandra is the reflective light of the mind, and Soma is the sacred nectar of higher states of awareness.

Chandra is also the word in Sanskrit, Hindi and other Indian languages for moon and means ‘shining’.

Originally a feminine deity, representing the goddess or the female archetype in general, Chandra has been depicted in a male form in many sculptures and images as a symptom of patriarchal dominance in the the Hindu society.

Chandra is described as young, beautiful, fair; two-armed and having in it’s hands a club and a lotus.

Chandra rides on a chariot across the sky every night, pulled by ten white horses or an antelope.

She is connected with dew, and as such, is representative of fertility which draws back to it’s origins as the mother goddess of the universe.

The Hindu god Shiva, ‘lord of the universe’, has a crescent moon (Chandra) as an adornment on his head, representing his eternal union with the goddess Shakti within, thus allowing him to maintain the supreme state. This representation of Chandra is also associated with it’s form as the divine nectar (Soma.)

In Vedic astrology Chandra represents the subconscious mind, emotions, intuition, higher perception, sensitivity, softness, imagination, queen and mother.

Traditionally, the mother goddess in pre-Vedic religion was always associated with the worship of the moon.

On the elemental level, Chandra represents the water, and the infinite flow which binds and seperates all existence.

Chandra is the aspect of the psyche that allows us to feel, perceive, and understand the world in a subtle and gentle way.

Moon is associated with the functionality of mind. It is believed that the moon controls the power of mind and versatility. It is also believed to provide power of meditation, concentration and resistance against cold diseases.

Moon is the presiding deity of the element water, and rules over the tides of the sea.

The sphere of the Moon is the reservoir of rainwater and thus Moon is the ruler of plants and the vegetable kingdom.

The color of Moon is white. Its nature is wise, and learned.

It rules peace of mind, comfort, general well-being, and also the fortune of a person. It shows its influence around twenty-four to twenty-five years of age.

The Moon gives illumination, intuitive nature, sensuality, taste, youth, love of poetry, fine arts and music, love of jewelry, attractive appearance, wealth and good fortune. It makes us moody, emotional, and sensitive.

It rules milk, grains, liquids, growth, fertility, impregnation, and conception.

It influences the infant stage of an individual, which guides his behavior in the later in the later part of his life. It is cold and moist. It also influence childbirth and rules the left nostril, eyesight, the breasts, and the brain (memory).

Moon influences travelers, human, fisherman, prostitutes, cooks, nurses, and caterers.

Sun, Mars, and Jupiter and the Moon's natural friends, and Mercury, Venus, and Saturn are its natural enemies.

In Rohini, Hast, Shravan, Punarvasu, Vishakha, and Purva Bhadrapad nakshatras it gives good and beneficial effect.

It also gives favorable effects if it is in Kritika, Uttra Phalguni, Ashlekha, Jyestha, Uttra Khad, and Revati nakshatras.

Favourite Colour : White Favourite Day : Monday Favourite God / Deity : Lord Shiva Chandra the Lunar Deity:

[13lunarstar]

Vastu Shastra

Vastu Shastra is the ancient Indian science of architectural design and spatial configuration which assigns specific Earth directions to each planet. This practice aims to harmonize the living environment with pure cosmic energies, enhancing well-being, prosperity, and overall harmony.

Directions and Associated Planets in Vastu Shastra

East

Associated Planet: Sun (Surya)

Significance: The east direction is governed by the Sun, representing vitality, growth, health, and energy. It is considered a highly auspicious direction

Best use: it is recommended for the main entrance of a house, clean living rooms with big windows and open space for better air ventilation, and places where important activities are conducted.

What to avoid: staircases, bedrooms (Solar energy is too active for relaxation and sleeping), bathroom or a toilet or a closed storage space

West

Associated Planet: Saturn (Shani)

Significance: The west direction is governed by Saturn, representing discipline, hard work, and stability

Best Use: It is suitable for storage areas, bathrooms, and spaces requiring calm and concentration

What to avoid: excessive furniture, kitchens and fireplaces, big openings in a room or a living area ( the Eastern, i.e., solar energy isn't stored in the West if there are big openings. Solar Energy rises from the East and sets in the West, hence it will spoil the prospect of income with big openings in the Western direction)

North

Associated Planet: Mercury (Budha)

Significance: The north direction is governed by Mercury, symbolizing intellect, knowledge, communication, and business. It is considered favourable for business activities, cash flow, and studies

Best Use: Minimalistic offices, open study rooms, and places for financial transactions

What to avoid: bedrooms, storage rooms, toilets, heavy structures, fire elements ( might cause accidents)

South

Associated Planet: Mars

Significance: The south direction is governed by Mars, representing energy, strength, and courage. It is recommended for areas that require protection and fortification

Best Use: Closed areas with thick walls (e.g., storerooms), workshop areas (especially for fire-related works) and kitchens (close to the fire and heating elements)

What to avoid: placing other elements (unfriendly to fire), bedrooms, office and study areas

Northeast

Associated Planet: Jupiter (Guru)

Significance: The northeast direction is governed by Jupiter, representing wisdom, spirituality, prosperity and growth. It is highly auspicious and should be kept clean and open, with minimal construction

Best Use: Prayer rooms, minimalistic meditation spaces, water elements, all kinds of quiet corners, home libraries, home gardens and clean living rooms

What to avoid: assembling toilets, heavy structures, kitchen and storage areas, places with excessive electronic devices

Northwest

Associated Planet: Moon (Chandra)

Significance: The northwest direction is governed by the Moon, symbolizing emotions, psyche, care, nutrition ( especially milk and dairy products), relationships and travel. It is suitable for guest rooms, kitchens, and storage areas

Best Use: Guest rooms, children's bedrooms, calm places, bathrooms and water elements, kitchens (dining area where the meal is served), organized storage areas, study rooms with

What to avoid: heavy storage, places with excessive electronic devices, workout zones ( too active for Moon energy), open spaces with direct sunlight

Southeast

Associated Planet: Venus (Shukra)

Significance: The southeast direction is governed by Venus, representing feelings, leisure, arts, style, pleasures, wealth, luxury, and harmony

Best Use: marital bedrooms (enhances marital harmony, romantic relationships), living rooms, dressing rooms, kitchen (dining) area, art studios, music rooms

What to avoid: calm places for meditation, guest rooms (better for the Moon energy and the northwestern direction)

Southwest

Associated Planet: Rahu (Upagraha - a shadow planet or a Nothern Lunar Node)

Significance: The southwest direction is governed by Rahu, known for its intense and transformative energies. Rahu represents power, material desires, and nighttime. It has a profound influence on the physical and psychological aspects of an individual's life. A well-arranged zone can boost confidence, popularity and wealth. A badly arranged zone can cause behavioural issues (anxiety, depression), feeling low and energy loss.

Best Use: Master bedrooms on a high floor, organized storerooms and wardrobes; areas requiring stability, structure, confidence, grounding and protection

What to avoid: main entrances, water elements (including aquariums), bathrooms, children's areas (might be too overwhelming for kids), and lightweight furniture (this area benefits from solid and substantial structures)