#independent photographer street photography contest

[sheltiechicago]

“Vivid Conversation” – Cairo, Egypt

Photographer: Maude Bardet

Independent Photographer Street Photography Contest

[ardn716viviandoan]

Week 4: Edit Writing

Personal feedback from last week

(Add a big section on how the project relates to my future campaign and how it helps informing my vision)

(Currently 496 words)

Needs to meet word count (600-800)

Grammarly check everything

Use APA reference

(Moolman, 2016) “The one thing I will never do is disempower a person in my imagery, I always try to empower people. I will never try to make them look like any stereotype that people may have about us here” 

To gain inspiration for my upcoming campaign, I'm examining the case study of "2026." This photographic project was created by the talented duo of photographer Kristin-Lee Moolman and stylist Ib Kamara, who come from different creative backgrounds but share a passion for pushing boundaries and celebrating uniqueness. To assess the project's impact, I'm analyzing its visual impact, conceptual depth, artist collaboration, and potential influence on future young creatives.

In an interview with Dazed titled "How London is fuelling an African youthquake," I got more insights into the project. (Kamara, 2016) stated the subject of the project: “They’re young African men with dreams. They love clothing; fashion is too big a context. They appreciate clothing, they’re very secure with who they are, and open to new ideas. They’re not intimidated by the West. For 2026 to work, they had to have a strong identity and a sense of who they were first. Clothing doesn’t have to define who are all the time.” The project centers around young African men who have a deep appreciation for clothing and are secure in their identities. Looking at the photographs, I feel a sense of self-expression and independence from clothes. Kamara and Moolman displayed a clear sense of direction in selecting subjects for their campaign, ensuring that they were individuals with genuine stories to share. They prioritised authenticity, aiming to maintain a natural and fully consensual approach throughout the project. Location-wise, photographed in the streets of London and London's art gallery, Somerset House. The photographs were taken in various locations in London, including the streets and Somerset House art gallery. In my opinion, the project beautifully combines the rawness of street photography with the traditional elegance of an art gallery setting. This contrast highlights the boundary-pushing aspects of the project, challenging established norms within both the art world and society as a whole which creates a strong visual impact on viewers. 

The collaboration between them is based on their common goal of showcasing diverse narratives and defying traditional standards in fashion and societal norms. This shared commitment is evident in their effort to bring "2026" to life. (Moolman,2016) “I’m not making work that’s gonna change our political system or contest anything, it’s more a celebration of people and a utopian approach to the future”. The work aims to celebrate diversity and reflect their creative vision rather than serve as a tool for political activism or critique. My key takeaway from their collaboration is their aim to create a future where attitudes towards the Black male body are deconstructed, and self-expression is embraced and celebrated. Kamara's vision as a stylist and Moolman's approach as a photographer combine to create images that not only showcase fashion but also convey a powerful message of empowerment and freedom of expression. 

Their partnership is truly inspiring to me as an observer. It showcases the power of bringing together artists who share the same passions and vision. Moolman's captivating photography and Kamara's bold styling blend seamlessly to create images that ignite important conversations. Their commitment to celebrating diversity and pushing the boundaries of the creative industry shines through in every aspect of their work, from subject selection to location choices. As an artist myself, their collaboration motivates me to seek out like-minded individuals and explore the endless possibilities that arise when people unite to pursue a common goal.

For my project, "Painted Vision," I aim to deliver a powerful message not only through the images but also through authentic interviews, much like the ones Dazed conducted with Moolman and Kamara. These interviews provide valuable insights into their intentions and creative process, infusing the campaign with meaningful and authentic dialogue. They play a crucial role in informing and contextualising the perspectives portrayed in the photographs, adding depth and authenticity to the overall message. I refuse to convey my message in a superficial or disconnected manner. Instead, my focus is on prioritising the desires and preferences of the subject or model. What they choose to wear or how they choose to express themselves is entirely up to them. I envision this project as a collaborative effort between myself and the subject, where I use my photography skills to help them present themselves authentically to the world. There's no need for them to conform to any pre-existing ideals or expectations. My goal for this campaign is to remain completely transparent and authentic.

[wongweihimphoto]

https://tofucollective.com/exhibition/wong-wei-him-cream-of-life/

“There’s nothing worth getting in this world that you can get easily.  But, when you put in that much time and effort, if you do achieve that difficult thing it becomes the area of your life.” – Cream by Haruki Murakami, 2019

“I got into photography because of my work as an architect. For many years I used my camera to research spaces and to collect inspiration for my design proces. I always had a camera in my hand in case I passed architectural work worth perpetuating. Later in life I gained interest in street photography. I was particularly a big fan of French-American Magnum photographer Elliott Erwitt and Japanese street photographer Shin Noguchi. I found their ways of reflecting culture and humanity in their photographs very intriguing. They always had their camera by hand to be ready to documents gripping moments in everyday life – much like I was already doing with my photography… So one day, I decided to point the camera down on the street in stead of up in the sky. Since that day street photography has been my biggest passion.” – Wong Wei-him

In 2015 Wong Wei-him participated in his first photo contest and have since been a finalist for FotoFete by Asia Society Hong Kong, The Independent Photographer Street Photography Award 2018, National Geographic Wheelock Hong Kong Photo Contest 2018, WMA Masters London 2019/20 and Italian Street Photo Festival 2020.  

[buffleheadcabin]

[The Washington Post] Perspective | Here are the winners of the Independent Photographer’s Black & White Photo Award

Perspective | Here are the winners of the Independent Photographer’s Black & White Photo Award

By Kenneth Dickerman

[architectnews]

Singapore Houses: Residential Properties

Singapore House Images, Residential Architecture South East Asia, Architects, Property Designs

Singapore Houses : Properties

Key Residential Buildings in Singapore, Contemporary South East Asia Homes

post updated 20 Feb 2021

New Houses in Singapore

e-architect cover interesting and high quality completed Singapore Houses and proposed new residential properties across Singapore. Our focus is on contemporary South East Asian residences.

Singapore Residences

South East Asia Residential Architecture News

28 Sep 2020 Fluidity on the Hill Design: Aamer Architects photograph : Skewedeye Pte Ltd Fluidity on the Hill Fluidity on the Hill sits on a steep odd-shaped hill with existing large trees, this seven bedrooms multi-generational house meanders fluidly upwards over five floors diverting around the very mature trees. Broken down into parts, the massing reduces as it goes higher. The house is intended to stand out whilst not overpowering the context.

13 Mar 2020 Canvas House, Blair Road Design: Ministry of Design Architects (MOD) image courtesy of architects studio Canvas House Blair Road: Heritage Shophouse MOD has newly completed an all-white Canvas House for co-living, set in a heritage shophouse in Singapore along Blair Road.

4 Mar 2020 Raw & Refine House Design: Aamer Architects photo : Sanjay Kewlani The Forever House in Serangoon This new property is a reconstruction of a small bungalow house. The design is attracting attention from the community for its dynamic form and interesting use of materials.

1 Mar 2020 Seductive Simplicity House Design: Aamer Architects photograph : Skewedeye Pte Ltd Seductive Simplicity House Designed to fit snugly into a tight bungalow plot in the East of Singapore, this residential project stands out for its austere simplicity and unpretentious timelessness.

28 Feb 2020 Ninety 7 House, Siglap Hill Design: Aamer Architects photograph : Patrick Bingham-Hall Ninety 7 House One of those stimulating occasions where owner and architect are effectively collaborating, in sync, resulting in a pleasant process & cool project. The Ninety 7 House sits on Siglap Hill, the highest point in a residential suburb in Singapore, the site is breezy and enjoys spectacular views of the city skyline and the surrounding low-rise neighbourhood.

More contemporary Singapore Houses online soon

Singapore Houses 2019

30 May 2019 The Forever House, Serangoon Architects: Wallflower Architecture + Design photo : Marc Tey Photography The Forever House in Serangoon For the client, their dream residence would also be their definiteive family home. It had to have an urban presence, while having an open yet secure exterior space with sufficient privacy from the street.

29 May 2019 Lambda Residential Villa Architect: Mercurio Design Lab, Italy image courtesy of architecture studio Lambda Residential Villa The inspiration behind the radical shape of Lambda originated from a scale model of a Lamborghini Gallardo.

29 May 2019 59B House, Bukit Timah Architect: ONG&ONG Pte Ltd photo : Photographer: Derek Swalwell F59B House This was an additions and alterations property project on an existing house in Bukit Timah. The owner’s father built the original house and the building was in an awkward position on the plot.

18 May 2019 Fish House Design: Guz Architects photo : Patrick Bingham Hall Fish House A modern tropical bungalow encapsulating the essence of living in the hot and humid climate of Singapore by creating open spaces which encourage natural ventilation and offer residents views to the ocean.

More new Singapore Houses welcome for consideration on e-architect

Singapore Houses 2018

13 Feb 2018 Pearl Bank Apartments, Pearl’s Hill, Chinatown photo courtesy of CapitaLand Pearl Bank Apartments, Chinatown Prime site atop Pearl’s Hill to be rejuvenated with an iconic high-rise residential development, by CapitaLand Limited.

15 Jul 2017 House 24 Design: Park + Associates photo : Edward Hendricks © Park + Associates Pte Ltd House 24

1 Nov 2016 Secret Garden House, Bukit Timah Design: Wallflower Architecture + Design photo : Marc Tey Photos Secret Garden House Singapore The Secret Garden House, designed by Singapore based Wallflower Architecture + Design, is situated in the good class bungalow area of Bukit Timah. The owner’s brief was to have a luxurious, tropical, contemporary family home. Being the owners of a construction company and by building it themselves, it would also showcase their professional capabilities.

13 Oct 2016 65BTP Residence Design: ONG&ONG photo : Derek Swalwell 65BTP House This is a home surrounded by a vast garden that converges at a colossal pre-war rain tree with such magnificence that its presence is ingrained within the very architecture of the house itself.

Recent Singapore House Designs

19 May 2014 Bukit Timah House in Singapore Design: Wallflower Architecture + Design photograph : Marc Tey Ge Wai Bukit Timah House in Singapore This house sits on high ground, and the rear of the site has wonderful views overlooking the greener and more affluent residential addresses in Singapore. Our client’s brief was to design a home of two stories, with an attic, and importantly a roof terrace facing the rear and overlooking the valley.

11 Dec 2013 One Tree Hill House Design: ONG&ONG Architects photograph : See Chee Keong One Tree Hill House This house at One Tree Hill is designed to cater to the homeowner’s unique needs. The architectural layout includes a double volume space in the living area that opens out into a beautiful garden and water feature.

20 Aug 2013 Wind Vault House Design: Wallflower Architecture + Design photo : Jeremy San Wind Vault House As the brief was substantial, the overall form of the house needed to be pushed to the envelope limits. Naturally, there are also other considerations; the context and proximity of neighbouring homes, the daily sun path and the prevailing winds. Conceptually, the house is a raised reinforced concrete tube whose open ends are oriented in a general north-south direction.

20 Aug 2013 The Wall House Design: FARM, Architects photo : Bryan van der Beek and Edward Hendricks The Wall House This is a tale of two houses – similar looking, yet independent and coming together to form a coherent whole. The two blocks sit on a sprawling piece of land, belonging respectively to the retired parents and one of their children.

25 Jul 2013 Nest House Design: WOHA photo : Patrick Bingham-Hall Nest House Singapore Another delightfully sensitive and articulate design from this world-famous Singapore architects studio. This house is part of a family compound, and expresses the owner’s close relationship with her grandfather who has his own house within the compound. The design reflects the close bond between the grandfather and granddaughter by orientating the main spaces towards his house and gardens.

10 Oct 2012 The Winged House Architect: K2LD Architects Pte photo : Patrick Bingham Hall Winged House A private family residence situated on a uniquely shaped triangular plot, the Winged House frames the site with two prominent forms – the trapeziums. These forms open towards the main view at the back of the site where 3 existing majestic palms are, and of lush greenery.

9 Oct 2012 JKC1 Singapore Architect: ONG&ONG Pte Ltd photo from architects JKC1 Singapore This is one of three ‘good class bungalow’ plots carved from a larger plot developed by the Keck Seng Group. The house sits on a slight incline and overlooks a pool in the front yard, following the feng shui belief of balancing the “mountain” and “water” elements.

Nassim Villas Design: Zaha Hadid Architects picture from architects Nassim Villas Flanked by huge luscious tropical hardwood trees on either sides and diagonally facing the Singapore Botanical gardens sits one of the most breathtaking and desirable sites in Singapore. The intention of this design is to mimic the landscape, allow the architecture to be part of it, thereby accentuating the locale and its prominence.

Botannia Design: MKPL Architects picture from FD Botannia Singapore Singapore—an island of just 710 square kilometres with a growing 4.9 million population— projects herself as city in a garden, no mean feat, since most Singaporeans live in high-rise public housing while others live in low-rise enclaves or condominiums where ratios of total floor area to site area range from 1.4 to 2.8.

Singapore Properties

Major Singapore Residential Architecture, alphabetical:

Beach Road – New mixed-use district Foster + Partners Beach Road Singapore : Design Contest

Farrer Court – residential development Zaha Hadid Architects Farrer Court Singapore

The Interlace Singapore Development Ole Scheeren of OMA The Interlace Singapore Complex

Moulmein residential tower WOHA Architects Singapore tower building

Newton Suites WOHA Architects Newton Suites

Pinnacle @ Duxton Design: ARC Studio Architecture + Urbanism image © C)ARCStudio Pinnacle @ Duxton

Residential Complex, Alexandra Road OMA Singapore development

Scotts Tower – Residential tower building Rem Koolhaas Architects / OMA Singapore Tower : iconic architecture

Tangga House Design: Guz Architects picture : Patrick Bingham Hall Tangga House

More Singapore Houses online soon

New Architecture in this South East Asian City

Singapore Architecture Designs – chronological list

Singapore Architecture News

Singapore Architecture

Singapore Architecture Tours

Singapore Building Photos : images of recent buildings

Singapore Buildings – no images

New Houses

Capella Singapore – luxury hotel, Sentosa Island Foster + Partners Capella Singapore

Buildings in East Asian Countries

Hong Kong Architecture

Malaysian Architecture

Chinese Architecture

Thailand Buildings

Houses / photos for the Singapore Residential Architecture page welcome

Website: Visit Singapore

The post Singapore Houses: Residential Properties appeared first on e-architect.

[is6621]

The Rise of Influencer Marketing, by Brigid O’Leary

Over the past couple years, with the increased popularity of instagram, we’ve seen a rise in “influencers.” Influencer marketing is now a billion dollar industry and 84% of marketers anticipate launching at least one influencer campaign within the next year. What is an influencer? While a celebrity can definitely be an influencer, an influencer does not have to be a celebrity. An influencer is a well-known individual within a specific niche community with a loyal following that trusts their opinion. Or in other worlds, the influencer is a person that influences their followers… hence the name. These influencers are most commonly found on Instagram or YouTube and can be found in almost any community you can imagine: fashion, nutrition, beauty, motherhood, makeup, photography, food, etc.  Brands will then partner with these influencers to get them to promote their products, which allows them to directly target their intended audience and demographic that’s already proven their engagement with the influencer. In fact, studies show that 75% of consumers are more likely to buy something if they see a reference to it on social media.  Influencer marketing can be thought as simply the evolution of word-of-mouth marketing. One individual trusts the opinion of another, despite never having actually met. 

Influencers operate independently and own their own business and associated content. The amount they are paid to promote a product is based on the size of their social following as well as the platform they are using. One estimate suggests that an influencer earns $1,000 per 100,000 followers as a baseline, which then can be adjusted depending on reach and relevance of the influencer. On YouTube, the standard price is $100 per 1,000 views.  In return, businesses generate an average of $6.50 for every $1 they pay out in influencer marketing.   Influencers are commonly broken out into tiers based on their follower count, and business should consider these tiers when planning their influencer approach. Mega-influencers are celebrities or other social media icons with over 1 million followers.  Although they provide exposure to a high quantity of followers, their engagement rates are typically around 2-5% and their ads typically have low conversion rates. Macro influencers have 10K - 1 million followers and have higher engagement than mega-influencers and provide a level of relatability that the superstars may lack. Finally, micro-influencers are the niche influencers with typically less than 10,000. These influencers are typically industry specific experts, which results in high engagement rates, often hovering around 25%. While it may be tempting to get Kylie Jenner to advertise Flat Tummy Tea to her 115 million followers, the company may get more engagement using 30 micro-influencers in the nutrition and fitness space as this may drive more engagement and ad conversions.

While an influencer may promote products that they have extensive knowledge on, such as a photographer promoting a specific camera lens, that is not always necessarily the case. Sometimes brands rely on their influencers appeal to sell a product completely unrelated to their following. This is where brands need to be careful, as consumers can become wary of these influencers continually pushing new and unrelated products and it can come across as disingenuous.  For example, the Bachelor and Bachelorette produces a whole class of influencers each season. Shortly after the final rose is given out, the prior season’s cast can be seen promoting how long their hair is after Sugar Bear Hair vitamins or how cute their latest FabFitFun box is. In fact, it has become so commonplace that contestants are now going on the show just for the guaranteed endorsements post show and the phenomenon has been written about extensively and is a running joke in the franchise. It is in times like these that makes a user wonder, what does this random reality show contestant have to do with the teeth whitening product that they are advertising and does it really work or are they just cashing in on their 15 minutes of fame?

Influencer marketing is a two way street. Both sides stand to benefit, but both also have a lot at risk. Influencer marketing allows brands direct access to an engaged user base, however they must make sure the influencer’s content aligns with their brand and that there is no reputational risk. On the other hand, the influencer has built a strong following and they must carefully balance genuine recommendations and paid advertisements otherwise they risk losing the very followers that made the brand partnerships possible. 

[klphotoawards]

A Personal Observation

How The Winning Portraits Were Selected for KLPA – Fly-on-the-wall Feedback

The Kuala Lumpur International Photoawards (KLPA) exhibition for 2018 is currently open from 8th to 17th September at White Box, Publika. For those of you who are going to visit the exhibition, you may be wondering how the winners and finalists portraits were chosen by the judges. You may be curious to know perhaps because you may find that some of the photos are not generally what would be considered ‘beautiful’. Or you may be interested in submitting your photos for next year’s contest (which is typically around February to April). Knowing something about the judging process and what the judges are looking for would be advantageous if you intend to join the contest.

A few months ago, I was fortunate to be chosen to be the only independent observer at the judging session for this year’s contest by being selected via a lucky draw. As a fly-on-the-wall attending the judging session held over two days over the weekend of 19-20 May, I had the opportunity to see how the judges came to their decision in selecting the finalists and winners that are now being exhibited.

This is the tenth year of the KLPA and every year there are five judges. These were Silke Schmickl from Germany who is a curator at the National Gallery Singapore; Julia Durkin who is a photo festival director for the Auckland Festival of Photography in New Zealand; Ihiro Hayami, director of Tokyo Institute of Photography in Japan; Gwen Lee, co-founder of the Singapore International Photography Festival, and Fadhil Kamarudin, a lecturer at the Faculty of Art & Design, UiTM Malaysia. As in past years, the judges were a mix of local and foreign nationals but all with strong credentials.

It was an enlightening experience to spend two full days at KL Journal Hotel listening to the discussions and sometimes enthusiastic exchanges as the judges defended their favorite photos. Apart from the five judges gathered around a table with a 27-inch iMac monitor in the darkened meeting room, there were also three KLPA organisers including founder Steven Lee and Nurul Munira ‘Moon’ Rohaizan who I must thank for giving me this unique opportunity.

For the KLPA contest submissions, in previous years there were occasionally theme-specific categories, such as Stillness and Distance for 2016 and Defining Family for 2017, together with an Open category but this being the tenth anniversary, there was no specific theme this year so the scope was wide open. There was no chief judge so every judge had equal say although of course as in any group discussion there were a few who are more vocal than others but ultimately consensus prevailed.

There were 925 single photo submissions. Initial judging was by a process of elimination with the photos being projected and tagged in Lightroom as Yes, No or Maybe. The single images were quite quickly reduced to around 100 images as the judges were unanimous in rejecting the obvious ones that did not make the grade. After that began the more serious discussions about the quality of the selected images to whittle it down to 30 images. The description of the images was also delved into if an image was interesting enough to warrant further study but the first impression of an image in terms of subject and technical quality was of paramount importance. There were times an image was interesting enough but the judges quickly lost interest if the image didn’t say anything beyond being a good portrait.

A similar process was conducted for judging the photo stories of which there were 120 submissions. A photo story for KLPA submission should be between 5 to 12 images. The difference in judging was that the titles and descriptions were much more critical compared to judging the single images. The stories behind the photos had to add real meaning to the photos. This was where a well-written description made a significant difference in getting the attention of the judges. Who, what, when, where, why and how should be sufficiently described the photo. A catchy or insightful title also helps instead of one that only describes what the viewer can already see. After the first round of elimination, about 40 photo stories made the cut.

Then on the second day, the finalists and winners were chosen. After deciding on the finalists, there were more heated debates as judges first came up with their own short list of at least 5 images. A few strong images readily stood out as contenders by being the common choice among many of the judges. Finally, the most difficult part was for the judges to defend their choices and find a common ground to arrive at the winners as well for the ranking for both the singles images and photo stories.  

I understand that many photographers who have seen the photos of the KLPA finalists and winners over the years would immediately be struck by what seems like odd choices being selected and may be puzzled why some of the photos were chosen. I would say that this could be primarily due to the fact that salon photography, which has been widely practiced in Malaysia for a long time, tends to promote the beautiful as well as compositionally and technically excellent images as the main benchmark for what makes for a great image and the main criteria for selection for local contests and exhibitions. However, the photos selected for KLPA tends toward photography that is more representative of what is being exhibited in photo exhibitions in art galleries internationally. The background of the judges, who are familiar with curation for international exhibitions, is an indication of the type of images that they tend to favor. These are not photos that are merely eye candy, beautiful for the sake for showing beauty, but photos that represent something deeper, making a personal statement, highlight something newsworthy or depicting a different angle to a common subject.

In the first elimination round, images would be reviewed quickly so it is the impactful, unusual or quirky images that tended to attract attention but then again images that were too weird to the point of not making sense were also rejected. Striking the right balance means that images should be intriguing enough to pique the judges curiosity so that they want to know more about the subject.

Judges were also quick to discard images that were considered glamorous or too commercial, looking like fashion shots or staged purely for its aesthetics. Wedding photos and studio shots, especially with plain backgrounds, were also quickly out of contention. Of course, compositionally weak images, not correctly framed, with distracting backgrounds would be dismissed even if the actual portrait itself was good.

Processing of the images that was overdone was another feature that the judges were quite opposed to. However, it is not that post-processing was not allowed but it should suit the images and not be too obvious that it overshadows the subject. That being said, the judges can sometimes excuse a slight lack of technical quality in preferring a powerful and meaningful image over one that is purely technically excellent.

Photos that are too clichéd or have recurring themes also tend to be rejected as being too repetitive. An observation was made that there were many submissions of photos of hair as a prominent subject. Just because photos of people with unique hair featured in previous winners’ photos, submitting similar photos isn’t always the best strategy when others are thinking the same. Being unique stands a much better chance of being selected.

Lighting and posing the subject well is very important and slight nuances of facial expression conveying emotion can make or break an image. In terms of the presentation of the facial expression, the tendency has been toward the deadpan aesthetic which seems to be popular internationally. I suppose smiling for no apparent reason makes it look like a holiday shot. Staging is not frowned upon as long as there is a purpose to it and relates to the backstory of the photograph and not merely to compose a beautiful image purely for that in mind.

KLPA is a portraiture photo contest but the definition of portraiture accepted by the judges is quite wide and is open to interpretation so it is not just the classic close-up or three-quarter shot of a person facing the camera. More often it would be an environmental portrait shot which creates a story together with the accompanying title and description. In terms of definition, the images could overlap with what would be considered photojournalistic, travel, street, conceptual or even landscape photography as long as there is an element conveying a sense of people in the images with the environment playing a supporting role and does not overwhelm the portrait of the person depicted in the photo.

However, for the photo stories category, there is some liberty as to how the photos can qualify as a portraiture series since although not every single photo needs to have a prominent portrait of a person, the photos overall should give the viewer a deeper sense about the person, their situation and the place they inhabit. It’s a fine balance because including too few portraits in the series will also get the photo story rejected.

Submission for the photo stories is more difficult than the single images since it is not just the selection of photos that are important but sequencing of the images is key. A simple linear sequence would not usually be the best choice. A strong establishing image, pacing the sequence by giving the stronger images a break and a suitable concluding image makes for a more interesting story. Alternatively, a typological sequence, for example, something supposedly as simple as passport photographs, is another type of photo story that the judges liked but it must be accompanied with a really strong backstory.

Although the maximum number of photos for the photo story is 12, sometimes fewer images can make for a stronger story. A series sometimes failed to be selected just because it included photos which were not as compelling or did not tie in well with the overall story. Had the story been 7 images instead of 10, the judges would have liked it better. In this case, less is more.

Please note that the above comments are merely my personal observations and what I gathered as I witnessed the judging process this year with these particular judges. It obviously would be somewhat different from year to year with different judges but having followed KLPA since its inception 10 years ago and seen the photos of the finalists and winners over the years, I hope the points I have noted would be beneficially for all of us in seeking to tailor our photography towards the types of photos suitable for submission for KLPA. For those who are keen on submitting your photos next year, you would well be advised to download and study the past years’ exhibition catalogues which are all available online at https://www.klphotoawards.com/past-winners. Good luck!

Raja Indra Putra

7 September 2018

KLPA2018 WINNERS & FINALISTS EXHIBITION

8 to 17 September 2018, Whitebox @Publika Kuala Lumpur

Daily 10am - 7pm

[asiaphotoreview]

Dépaysement Exhibition: Edas Wong

Dépaysement Exhibition: Edas Wong

Name Edas Wong Submission Title Street Is My Playground Country China, Hong Kong Photographer Bio

Awards:

Brussels Street Photography Festival International Singles Public Prize 2017 Honorary Mention, The Independent Photographer, Street Photography Award, September 2017 Juror’s Pick, LensCulture Street Photography Awards 2016 Second prize, X Prime (Leica X1/X2) Contest 2014

Finalists:

[gabrielkovats]

I’m happy to announce that I’m among the finalists of “2019 Street Photo Awards” organized by The Independent Photographer and judged by IMagnum photographer Nikos Economopoulos #repost @theindependentphoto ・・・ 2019 Street Photo Contest // Announcing the results of the award judged by renowned Magnum photographer @nikoseconomopoulos⁠ -⠀⁠ Finalist: Congratulations to Gabriel Kovats! (@gabrielkovats)⁠ -⁠ Title: Untitled 1 - Dobrogea, Romania 2018⁠ -⠀⁠ visit us at www.independent-photo.com/winners to discover all the winning images & competition feedback!⁠ -⁠ #independentphoto #beauty #instagram #street #dog #photo #picoftheday #composition #life #streetstyle #photographer #photography #candid #moment #people #photochallenge #streetphotography #urban #contrast #colours #graphic #color #colour #colors #colorful #portrait #children #streetlife #shadow #romania https://www.instagram.com/p/B3pfsihne3P/?igshid=1r0pat0stcswo

[sheltiechicago]

“A cup of juxtaposition” – Galata Bridge, Istanbul, Turkey

Photographer: Gokhan Arer

Independent Photographer Street Photography Contest

[ardn716viviandoan]

Week 3: Diving deeper into the topic/ Draft Writing

From my research and mood board on different photographic campaigns last week I find myself being very interested in "2026" by photographer and stylist duo Kristin-Lee Moolman and Ib Kamara.

Not only that I'm interested in the overall concept of this project. "2026" received considerable attention and acclaim back in 2016. With ample research and a decent amount of articles and artist interviews available about the project, having real evidence-based resources that speak about the artist's intentions will help me deepen my writing and topic better.

Draft 600-800 words writing:

Introduction:

“The one thing I will never do is disempower a person in my imagery, I always try to empower people. I will never try to make them look like any stereotype that people may have about us here” – Kristin-Lee Moolman

To inform my vision for my future campaign I look at case study "2026". A photographic campaign by photographer and stylist duo Kristin-Lee Moolman and Ib Kamara. Coming from two different creative industries, they share the same love and desire to challenge societal norms and celebrate individuality. In order to evaluate the project. I'd like to go more in depth on "2026" visual impact, conceptual depth, artists collaboration and the longevity and influence of the project on future young creatives.

In an interview with Dazed titled "How London is fuelling an African youthquake," I got more insights into the project. The project centers around young African men who have a deep appreciation for clothing and are secure in their identities. Looking at the photographs, I feel a sense of self, independent of clothing from the men being photographed. Location wise, photographed in the streets of London and the London's art gallery, Somerset House. In my perspective, the project kept that street photography style but I appreciate the concept of placing their subjects in an art gallery setting, as it contrasts the unconventional nature of the project with the formal, traditional environment of the gallery. This contrast highlights the boundary-pushing aspects of the project, challenging established norms within both the art world and society as a whole.

Their shared commitment to portraying diverse narratives and challenging conventional standards in both fashion and societal norms underscores their collaboration in bringing "2026" to life. “I’m not making work that’s gonna change our political system or contest anything, it’s more a celebration of people and a utopian approach to the future” – Kristin-Lee Moolman. The work aims to celebrate diversity and reflect their creative vision rather than serve as a tool for political activism or critique. My key takeaway from their collaboration is their aim to create a utopian future where attitudes towards the Black male body are deconstructed, and self-expression is embraced and celebrated. Kamara's vision as a stylist and Moolman's approach as a photographer combine to create images that not only showcase fashion but also convey a message of empowerment and freedom of expression.

As an observer, I am deeply inspired by their partnership. It exemplifies the power of empowering artists with shared interests and visions. By joining forces, Moolman and Kamara compliments each other's strengths, combining Moolman's captivating photography with Kamara's bold styling to create images that spark dialogue. Their shared passion for celebrating diversity and pushing boundaries in the creative industry shown through in every aspect of their work, from the selection of subjects to the choice of locations. As an artist myself, witnessing their collaboration inspires me to find like minded creatives and explore the possibilities that arise when individuals unite to pursue a common vision.

(Add a big section on how the project relates to my future campaign and how it helps informing my vision)

(496 words)

Needs to meet word count (600-800)

Grammarly check everything

Use APA reference

[anime-matchmaker-blog]

Heey, can I pls request a match up ? So I'm 5'7 and into photography and basketball. I'm also a straight A student as I rlly love to learn(betcha don't hear that often) I'm always described as the sweet one between my friends. I love to help anybody I can! I'm really sarcastic and into weird things like conspiracy theories and horror stories , a big fan of rock music as well but I do have a sensitive side and can cry really easy which is something I'm insecure about, I just can't hold the tears

Oh and the ask didn’t fit so it’s haikyuu and a male match ( I’m the crybaby from before) Ur blog is so amazing, keep doing what ur doing 🖖🏼 

Hey, Anon-san! I hope you enjoy your match-ups! :3 Thank you for requesting!

As the provocation master, he also possesses an edge of sarcasm, to which you respond well to. He isn’t necessarily sassy to you, just matter-of-fact and somewhat dry and smug, especially when he scores higher than you by a marginal amount. His competitive spirit can be easily squashed in the face of someone in need, however, and you’re surprised by how nice he could be. The two of you don’t compete to see who could fulfill the most good deeds though - instead, you two help each other rescue strays, help elderly people cross the street, and free balls trapped in trees.

In your down time, you find yourself take photos of Kuroo while playing volleyball, or Kuroo in general - he’s surprisingly photogenic. Whenever you have a basketball game, he always shows up with majority of his team in tow to show off his team spirit and cheer you on. You do the same for him if he has a volleyball match, making it the perfect opportunity to snap photos of him while in action. Kuroo will definitely find your passion for conspiracy theories and horror stories amusing - he claims he isn’t easily spooked but after hearing one particular story of yours, he’s shaking in tears. It’s a memory you like to remind him once in a while, especially if he acts a bit too obnoxious.

It can be difficult to remember he has a much softer, caring side of him and it only surfaces when the situation calls for it. He gives out excellent hugs and comforting words. He knows exactly what to say to comfort you, to reassure you you’re wonderful the way you are, and to remind you that you aren’t alone and he’ll help you any way possible.

Yamaguchi Tadashi - The first impression you have of Yamaguchi is he’s quiet and independent. He hangs around with Tsukishima all the time and doesn’t seem to have his own voice. Whenever you catch him on his own, however, you can’t help but snap a photo of him. There’s something about him that makes him look angelic, peaceful. He doesn’t seem to notice until he catches you in the act one day. He’s embarrassed and flattered you even considered photographing him and when you ask him if he’s okay with you continuing taking photos of him, he has no problems.

As he’s always in a college prep class, his grades are also perfect. He rarely asks for help from anyone and whenever he studies, it’d be by himself or with Tsukishima. He also seems to be the most approachable person in the class so if there isn’t anything you didn’t know, you would ask Yamaguchi before the teacher. The two of you would puzzle it out together to reach a solution, although there are times when you’d have to ask Tsukishima for his opinion. Your sarcasm acts as a sturdy shield against his sharp tongue and Yamaguchi is the one who keeps the peace between the two of you, scolding Tsukishima every time to be nicer.

Outside of class, you and Yamaguchi are often busy with your own extracurricular activities. On evenings both of you are free, he’s often seen tutoring the two idiots in his club and you join in on the occasion. When you need a companion to join you for photography walks, Yamaguchi always make time to go with you. The walks themselves are entertaining because the two of you swap conspiracy theories and ghost stories, even in broad daylight. He also has a fair amount of rock music to recommend and vice versa. His smiles are bright and his laughs are soft - there;s not much that doesn’t make him angelic.

Yamaguchi shines bright during times of despair. He knows how it feels to be insecure, to be weak and vulnerable. He is also very sensitive to his weaknesses but he doesn’t let them rule him and he knows how to reassure you of the same thing. You have wonderful talents and a bright mind, he likes to remind you. When words aren’t enough, his hugs are and they make you feel like you’re in the safest place in the world.

[mealha]

These are the 2020 World Press Photo nominees

World Press Photo has announced the nominees for its 63rd annual photography contest. Started in 1955, this annual contest celebrates the most powerful stories from the world of visual journalism. The contest received entries from 4,282 photographers from 125 countries who entered a total of 73,996 images this year.

Entries were judged by an independent jury of 17 photo professionals who are charged with selecting the best pictures from the year. It’s no surprise that this year protest photography and environmental stories played a large role. Ultimately, the judges selected 44 photographers from 24 countries to become nominees. In 2019 World Press Photo debuted a new category called Story of the Year which focuses on a sequence of images about a single issue or event, rather than a single frame.

The nominees for Story of the Year are:

Students cross a road to school after participating in a human-chain rally, in Hong Kong, on 12 September 2019. (© Nicolas Asfouri, Denmark, Agence France-Presse/) Relatives hold a photograph of a victim of the crash of Ethiopian Airlines Flight ET302 at a mass funeral at the Holy Trinity Cathedral in Addis Ababa, Ethiopia, on 17 March 2019. (© Mulugeta Ayene, Ethiopia, Associated Press/) A young man carries a trumpet in Bab el-Oued, Algiers, Algeria, and immediately generates a crowd. Nobody knows how to play the instrument, but there is widespread enthusiasm. (© Romain Laurendeau, France/)

Six photographers have been shortlisted for Photo of the Year, they are:

A relative of a victim of the crash of Ethiopian Airlines Flight ET302 throws dirt in her face as she grieves at the crash site of Ethiopian Airlines Flight ET302, outside Addis Ababa, Ethiopia, on 14 March 2019. (© Mulugeta Ayene, Ethiopia, Associated Press/) Students scuffle with riot police during an anti-government demonstration in Algiers, Algeria, on 21 May. (© Farouk Batiche, Algeria, Deutsche Presse-Agentur/) A young man, illuminated by mobile phones, recites protest poetry while demonstrators chant slogans calling for civilian rule, during a blackout in Khartoum, Sudan, on 19 June. (© Yasuyoshi Chiba, Japan, Agence France-Presse/) Ewa, 15-year-old Armenian girl who has recently woken from catatonic state brought on by Resignation Syndrome, sits in a wheelchair, flanked by her parents, in a refugee reception center in Podkowa Leśna, Poland. (© Tomek Kaczor, Poland, for Duży Format, Gazeta Wyborcza/) Ahmed Ibrahim (18), an SDF fighter badly burned in conflict with Turkish forces, is visited by his girlfriend at a hospital in Al-Hasakah, on 20 October. She had at first been unable to enter the room, as she was horrified by his injuries, but a nurse encouraged her to go in to hold Ahmed’s hand and have a short conversation. (© Ivor Prickett, Ireland, for The New York Times/) A businessman locks away a pair of anti-tank grenade launchers at the end of an exhibition day, at the International Defence Exhibition and Conference (IDEX) in Abu Dhabi, United Arab Emirates, on 18 February. (© Nikita Teryoshin, Russia/)

The winners of World Press Photo will be announced in April during the World Press Photo Festival in Amsterdam. Winners of Story of the Year and Photo of the Year will be awarded a 10,000 euro prize. In addition to these top nominations, the jury has nominated three single images and three stories across eight categories: Contemporary Issues, General News, Environment, Nature, Long-Term Projects, Portraits, Spot News and Sports. We’ve highlighted some of our favorites below, more work from the nominees can be found on the World Press Photo site.

A political and socio-economic crisis in Venezuela, from 2016 onwards, led to an increasing outflow of migrants from the country. Venezuelans said they were compelled to leave for reasons of insecurity and violence, lack of access to food, medicine and essential services, and loss of income due to the political situation. (© Nicolò Filippo Rosso, Italy/) Between 5,000 and 10,000 tigers live in captivity in the US. Roadside zoos and other businesses breed tigers and charge guests to pet and pose with them. Staff in the swimming pool with tigers. 4 week old liger cubs. (© Steve Winter, United States, for National Geographic/) Firefighters battle the Marsh Complex Fire, near the town of Brentwood, California, USA on 3 August. (© Noah Berger, United States, for Associated Press/) For centuries, industrialized countries have followed a take-make-waste linear economy: raw materials are gathered and transformed into products that are sold and then discarded as waste. Value is created in this economic system by producing and selling as many products as possible. (© Luca Locatelli, Italy, for National Geographic/) After a successful hunt, Josiah Olemaun, a young whaling crew member takes a break from moving and stacking whale meat into his family’s ice cellar in Utqiagvik, Alaska. (© Katie Orlinsky, United States, for National Geographic/) Inside the house, relatives of Juan Gomez Sambrano are taking part of a wake in his honor. Juan Gomez was murdered at 19 by Guatemalan Army together with several members of his village, Chisis, in Cotzal municipality, in February 1982 (© Daniele Volpe, Italy/) A greater roadrunner approaches the border wall at Naco, Arizona, USA on 28 April. (© Alejandro Prieto, Mexico/) Fahzren is undergoing a routine medical check. Junior vet Miuthya (r) and senior vet Yenny (l) left examine the orangutan. Fahzren is 30 years old and comes from a zoo in Malaysia where he has lived since he was a baby. His medical condition is fine but he does not have the skills to survive in the wild. (© Alain Schroeder, Belgium, for National Geographic/) Belinda Qaqamba Ka-Fassie, a drag artist and activist, poses at a shisanyama—a community space where women cook and sell meat—in Khayelitsha, a township located on the Cape Flats, near Cape Town, South Africa. (© Lee-Ann Olwage, South Africa/) Fans of Brazil’s Flamengo football team cheer as Gabriel Barbosa scores a goal against defending champions River Plate of Argentina, in the final of the Copa Libertadores, broadcast on a giant screen during a watch party at Maracanã Stadium in Rio de Janeiro, Brazil, on 23 November 2019. (© Silvia Izquierdo, Peru, Associated Press/) In two years, the footballers from the village of Gouande, in northern Benin, have made their mark and blazed new trails. Refusing to be confined to the status of women who are fragile, incompetent or solely dedicated to motherhood, they have come together to defend their place on all the fields. (© Olivier Papegnies, Belgium/) A destroyed car on a street corner in Conjola Park. The fire was so hot in the town that the aluminium in several cars melted. Pure aluminium melts at 1221 Fahrenheit or 660.3 degrees Celsius. Two people died and at least 70 properties have been lost in Conjola Park, NSW. (© Matthew Abbott, Australia, Panos Pictures, for The New York Times/) from Popular Photography | RSS https://ift.tt/2VLkZuU

[dulwichdiverter]

East Dulwich on display

From cutting-edge street art to a serene bowling green to a fox jumping on a trampoline, the eclectic series of photographs pictured on these pages depict a variety of scenes from daily life in East Dulwich. 

They are among the 20 winning images that were picked as part of the “Me and ED” photography competition, which was launched last year by the East Dulwich Action Group (EDAG). 

The contest attracted more than 400 entries from local residents, workers and visitors, who were asked to submit snaps which they felt encapsulated life in East Dulwich. 

A panel of independent judges then whittled down the entries to choose 20 winners, whose photographs are set to be displayed as large-scale banners on a series of lamp posts in the area. 

EDAG is a voluntary group made up of local businesspeople, traders and residents who got together to make a difference to the community, using a grant from Southwark Council’s High Street Challenge initiative. 

The team has implemented two other projects in the area in addition to the photography competition. The first was a mural at East Dulwich Station, which was created by Alphabetics Anonymous and Blue Shop Cottage, a hub for art, music and culture based in Denmark Hill. They transformed a nondescript wall into a colourful and eyecatching welcome to the area. 

The second initiative has seen EDAG help to establish a community stall at North Cross Road Market, which local groups can make use of. 

Those entering the photography contest were invited to submit their best images of East Dulwich via email or through Facebook and Instagram, using the hashtag “Me and ED”. 

“We got quite a few photos of Ed Sheeran on there, but I don’t suspect they were looking for us”, said EDAG’s Claire Lovegrove. “But we did have 411 entries in the end and we were completely overwhelmed with the response. There were some really beautiful shots.” 

The winning photographs are currently being transformed into banners, which will be fixed to lamp posts running from East Dulwich Station to Goose Green, down Lordship Lane and into North Cross Road by the end of January. They will be on display for three years, coming down temporarily each year to make way for the Christmas lights. 

“What’s been really interesting has been the amount of absolutely brilliant feedback we’ve had from people,” Claire said of the local reaction. “It was the same with the mural – people love it. 

“The sense of community spirit I’ve felt from being part of the photography competition project has been really lovely. People have really got on board with it and it’s been such a brilliant thing to deliver. 

“We had an exhibition at Jeannie Avent Gallery on North Cross Road [on a weekend in early January] and the photos looked amazing – they just formed this wave of images on the wall and so many people were peeking through the windows as we were putting them up. 

“Among the entries we’ve got people, we’ve got parks, we’ve got places – there’s a real variety. We’ve even got a fox jumping on a trampoline. 

“We’ve got the blossom on the trees, which makes you think of spring, and the ducks in the snow as well, so it covers all seasons. It’s a real mix and a really good cross-section of the local area.” To view more of the photographs, go to loveeastdulwich.com/ me-ed-photo-competition

[vntodaynews]

Global urgent issues such as terrorism, pollution and the refugee crisis are reflected through photos displayed at the World Press Photo Exhibition in Hanoi.

Man on fire: The winning photo taken by Venezuelan photographer Ronaldo Schemidt at the World Press Photo Exhibition 2018

The exhibition opened yesterday, marking its second appearance in Vietnam, the first being 15 years ago. The exhibition this year consists of 130 photographs, in a number of categories such as contemporary issues, environment, general news, nature, people and sports. The winners were chosen by an independent jury that reviewed more than 73,000 photographs entered by 4,548 photographers from 125 countries. The 2018 winners were announced at the World Press Photo Awards Show on April 12 in Amsterdam, where Venezuelan photographer Ronaldo Schemidt was honoured for his jaw-dropping contribution. Schemidt was born in Caracas, Venezuela, in 1971. In 2006 he joined AFP in their Mexico City office as a staff photographer. Since then he has covered sports, social conflicts and drug trafficking. Alongside other international stories, he has covered some of the most important events in Venezuela in recent years including the death of President Hugo Chavez in 2013, President Nicolas Maduro’s election, the development of the political and economic crisis and the violent social conflicts between the government and opposition protestors. The winning photo captured Jose Victor Salazar Balza, 28, who caught fire amid violent clashes with riot police during a protest against President Maduro. In the category of nature, National Geographic photographer Thomas P Peschak from Germany impressed with a series of photos documenting both the beauty and fragility of the world’s oceans. Founded in 1955 in Amsterdam, the World Press Photo Foundation is a global platform connecting professionals and audiences through trustworthy visual journalism and storytelling. It is a world renowned exhibition which collects the best and most memorable press photographs from around the globe. The exhibitions showcase stories that make people stop, feel, think and act, Ambassador Nienke Trooster stressed. The annual contest has grown into the world’s most prestigious photo competition. This year, the exhibition will come to other Asian destinations such as Singapore, Tokyo, Kyoto, and Macau. The World Press Photo Exhibition visits over 100 major cities around the world, and attracts some 4 million visitors every year. The Netherlands – in co-operation with the Vietnam Journalists’ Association (VJA) – is organising this exhibition on the occasion of 45 years of diplomatic relations with Vietnam. A number of other events to celebrate this occasion will be organised in Hanoi, HCM City, Đà Nẵng, Đà Lạt, Hải Phòng and Cần Thơ. To penguinity and beyond: Rockhopper penguins live up to their name as they navigate the rugged coastline of Marion Island in the Indian Ocean. Photo taken by Thomas P Peschak won second prize for single photo in the category Nature. “The celebration of 45 years of diplomatic relations are not just about looking back, but will also generate new opportunities for stronger relations and expanding networks in the future,” said Trooster. “Our bilateral trade and investment ties have been growing rapidly, but perhaps equally important is the increase in people-to-people exchange. I am confident that the last 45 years is just the beginning of a future of long-lasting and positive ties, not just between our countries, but also between our peoples.” The exhibition will run until July 6 at the Vietnam Fine Art University, located at 42 Yết Kiêu Street, Hanoi. In co-operation with photography platform Matca.vn, the Netherlands Embassy will organise a portfolio review (9-12am) and panel discussion on photojournalism (2-5.30pm) on June 17. In addition, there will be guided tours provided in the exhibition on the three weekends from June 16 to July 6. Previous winners whose works were included in the World Press Photo Exhibition, and who might be known to the Vietnamese audiences, include: Vietnamese-American photographer Nick Út, who took the famous photo of Phan Thị Kim Phúc, otherwise know as ‘napalm girl’ (1972); German photographer Carsten Peter who documented one of the first expeditions into Sơn Đoòng cave (2010); and Vietnamese photographer Maika Elan who focused on the personal life of gay couples in Vietnam in her story The Pink Choice (2013).

dtinews sports

The post World Press Photo on show in Hanoi appeared first on VNtoday news.

[demitgibbs]

What’s Hot South Florida: Jan. 11– Jan. 17

Thursday, January 11

Starting today and going through Feb11, Island City Stage presents Zanna Don’t, a musical fairy tale. To purchase tickets go to IslandCityStage.org and use promo code ‘Hotspots’ for a 10% discount.

Friday, January 12

From Mascara, Mirth & Mayhem: Independence Day on Fire Island – Photography by Susan Kravitz opens at the Stonewall National Museum – Wilton Manors Gallery 2157 Wilton Drive from  6 – 8 p.m. This event is free to attend, but they have a suggested donation $5. Refreshments provided courtesy of Barefoot Wine & Bubbly. An exhibition talk with photographer Susan Kravitz will take place on at 7 p.m.

Twist presents their monthly “Flamboyance” event starring superstar DJ Power Infiniti.

Palm Beach County Human Rights Council presents “My Kinda 60s: An Evening With Charles Busch” at the Palm Beach Dramaworks. Charles Busch is an actor, playwright, cabaret artist, and of course, drag legend. Tickets are $75 by calling (561) 514-4042, ext. 2 or by going to: palmbeachdramaworks.org/outstage.

Saturday, January 13

Miami Beach Botanical Garden presents Make Your Own Bonsai Seminar & Workshop from 10 a.m. to noon.  Seminar and demonstration is taught by Bonsai expert Jason Morehead of Best Bonsai. Learn about the best trees and techniques you can use to create a living art form. At 11 AM apply what you’ve learned and create your own potted Bonsai.  To purchase tickets go to: MbGarden.org/calendar/tickets.

Photographer Ron Amato to sign copies of his sexy, sensual photo book The Box at The Pride Factory, from 2-4 p.m. “Most of my artwork explores issues of sexuality. The enigma of attraction has been an ongoing question,” says Amato. “With The Box I was able to explore those themes more deeply, helping me develop a better understanding of myself as a gay man and the larger gay universe.”

Ramrod presents their monthly “Underground Invasion” (2nd Saturday of every month) with this month’s guest DJ Daniel Kristopherre.

The Club Fort Lauderdale presents their monthly Cumunion party from 3 to 7 p.m.

Sunday, January 14

Chardees Lounge is starting Champagne Sundays, where they invite you to relax, rewind, and enjoy some bubbly. They have great deals on champagne bottles, so go check it out. Today and next Sunday (Jan 21) from 5 to 8 p.m. check out the talents of Michael McAssey.

A Night with Janis Joplin celebrates the queen of rock and roll and her biggest musical influences including Aretha Franklin, Etta James, Odetta, Nina Simone and Bessie Smith at Parker Playhouse at 2 p.m. and 7:30 p.m. Rock classics fueling the show include “Me and Bobby McGee,” “Piece of My Heart,” “Mercedes Benz” and “Cry Baby.” Tickets are $33–$63 online at ParkerPlayhouse.com and Ticketmaster.com; by phone at 954.462.0222.

Monday, January 15

Jennifer McClain’s Cast Party Mondays will be featuring a special Cabaret benefit for Kids In Distress featuring members of the national touring company of NETworks presents “A Gentleman’s Guide To Love and Murder.” The event starts at 9 p.m. and features live music, a silent auction and raffle prizes.

Tuesday, January 16

The GFLGLCC (Greater Fort Lauderdale Gay and Lesbian Chamber of Commerce) presents their January mixer at Mellow Mushroom (525 N federal Highway) from 5:30-7:30p.m. Admission is complimentary for Chamber members and only $10 for future members, and includes a complimentary Reyka Vodka drink, and Hors d’oeuvres.  For event info or membership email Ronny@GFLGLCC.org.

Wednesday, January 17

Starting tonight Lips premieres a new Wednesday night promotion entitled: “Twisted Broadway” hosted by the twisted Nicole Halliwell. The weekly show will dazzle attendees with creative costumes, additional lighting and synchronized stage productions.  A colorful cast of characters, including Twat La Rouge, Calypso Monroe Lords, Chocolata and Selena Jimenez, will take creative liberties to portray a collection of memorable characters with an added element of surprise as only the ladies of Lips can do. Lips’ “Twisted Broadway” dinner show package is $20.95 for a three course pre-fixe menu which includes the show.  Reservations are strongly encouraged by calling Lips at (954) 567-0987.

Hot Stuff

Miss and Mr. Noche Latina 2018 (an official preliminary to Miss F.I. and Mr. M.E. Florida 2018/19) – will be celebrating their 15th year anniversary and moves back to Fort Lauderdale at Lips on Monday, Jan 22. The pageant will star Angie Ovahness Pryce, Tonny Morales Glez and Olga Dantelly (Miss, Mr. and Miss at Large Noche Latina 2017) as well as Kalah Mendoza and Antonio Edwards (Miss F.I. and Mr. M.E. Florida 2017/18). The opening for formers is themed Egyptian and the category for contestants are: Evening Wear, Q&A, Swimwear, and Talent. For more information call 954-478-4587.

Go by 815 NE 13th street and check out Kult Men’s Clothing, Buck & Beard Barbershop, Gufo Antiques and Design or Milk Money and mention you saw their ad in Hotspots for 10% off.

This is HOT

If you know me, you know I love the Tango, so I am so excited to see The Tango Fire Company of Buenos Aires bringing the smoldering art form and an all-new production of Tango Fire to the Parker Playhouse on Saturday January 13 at 8 p.m. A dozen spectacular dancers and a quartet of brilliant musicians trace the history of the art form from its origin on the streets of Buenos Aires through its evolution into contemporary ballroom styles. Tickets are $43–$73 online at ParkerPlayhouse.com and Ticketmaster.com; by phone at 954.462.0222.

from Hotspots! Magazine https://hotspotsmagazine.com/2018/01/10/whats-hot-south-florida-jan-11-jan-17/ from Hot Spots Magazine https://hotspotsmagazine.tumblr.com/post/169550318680