#in spain we call it soledad

[restauratricedanime]

In Spain we say "qué coño hago"

[haveyoulistenedtothisalbum-poll]

Tracklist:

In Spain We Call it Soledad • Ay Mamá • Perra • Canciones de Amor a Ti • Julio Iglesias • A Todos Mis Amantes • Así Bailaba • Que Cristo Baje • Tú y Yo • Too Many Drugs • Que Vivir Sea un Jardín • La Emperatriz

Spotify ♪ Bandcamp ♪ Youtube

[glittertrail]

I was tagged by @myhusbandharryhamilton @ladycamdens and @rottapoika (🫶🏻) to pick a song for each letter of my url 😊

G - good luck, babe! - chapell roan

L - letra menúa - maría pelae

I - idk how to talk to girls - beth mccarthy

T - this is what heartbreak feels like - jvke

T - take me out - franz ferdinand

E - ese tema de mecano - k!ngdom

R - run for cover - the killers

T - tofu delivery - orslok & rojuu

R - relax le plexus - miel de montagne

A - ain't no mountain high enough - marvin gaye

I - in spain we call it soledad - rigoberta bandini

L - l'oiseau - vanille

(no pressure) tags: @holywaterzzz @jackredfieldwasmyjacob @minglana @missjanjie and @somestrangedelight

[relecturas]

In Spain we call it soledad In Spain we say "it's amargura" In Spain we say "ay, me desangro" In Spain we say "qué coño hago" In Spain we say "joder qué largo"

[jackredfieldwasmyjacob]

the monica naranjo moment of in spain we call it soledad is sooo #girl #slay you wouldn't even know

[autistic-britta-perry]

In spain we call it soledad maxo animatic do u see the vision

[honeylavender91]

In Spain we call it Soledad

[evoldir]

Fwd: Course: Barcelona.GeometricsMorphometrics.Jul3-7

Begin forwarded message: > From: evoldir@evol.biology.mcmaster.ca > Subject: Course: Barcelona.GeometricsMorphometrics.Jul3-7 > Date: 14 April 2023 at 08:17:41 BST > To: rdmpage@gmail.com > > > Dear colleagues, > > Transmitting Science Onsite courses are back! > > Transmitting Science is organizing an ONSITE course on Introduction to > Geometric Morphometrics. > > Dates: July 3rd-7th, 2023. > > Place: Museum of the Institut Catal� de Paleontologia M. C. (Sabadell, > Barcelona, Spain). > > Instructor: Dr. Chris Klingenberg (Manchester University, UK). > > Program: > Size and shape > Landmarks & data collection > Procrustes superimposition > Visualising shape changes > Principal component analysis > Distinguishing groups > Symmetry and asymmetry > Morphometrics in a messy world > Regression and allometry > Partial least squares: covariation between > Phylogeny & comparative methods > Short-presentations > > Software that will be used during the course: MorphoJ, TPS, ImageJ. > > More information: > https://ift.tt/MuoLT5A > or writing to courses@transmittingscience.com > > Best wishes > > Sole > > > Soledad De Esteban-Trivigno, PhD > Director > Transmitting Science > https://ift.tt/ySur1eQ > > Twitter @SoleDeEsteban > Orcid: https://ift.tt/gTGawj8 > > Under the provisions of current regulations on the protection of > personal data, Regulation (EU) 2016/679 of 27 April 2016 (GDPR), we > inform you that personal data and email address, collected from the data > subject will be used by TRANSMITTING SCIENCE SL to manage communications > through email and properly manage the professional relationship with > you. The data are obtained based on a contractual relationship or the > legitimate interest of the Responsible, likewise the data will be kept > as long as there is a mutual interest for it. The data will not be > communicated to third parties, except for legal obligations. We inform > you that you can request detailed information on the processing as well > as exercise your rights of access, rectification, portability and > deletion of your data and those of limitation and opposition to its > treatment by contacting Calle Gardenia, 2 Urb. Can Claramunt de Piera > CP: 08784 (Barcelona) or sending an email to > info@transmittingscience.com or > https://ift.tt/sOUKBLG. If you consider that > the processing does not comply with current legislation, you can > complain with the supervisory authority at www. aepd.es . > Confidentiality. - The content of this communication, as well as that of > all the attached documentation, is confidential and is addressed to the > addressee. If you are not the recipient, we request that you indicate > this to us and do not communicate its contents to third parties, > proceeding to its destruction. > > > Soledad De Esteban-Trivigno

[toranochi]

After Benidorm Fest

[eskamtrash]

I was just taking a walk

In this deepness we belong to

In Spain we call it "soledad"

[laleydeefe]

In Spain we say It’s amargura

In Spain we say ay me desangro

In Spain we say qué coño hago

In Spain we say joder qué largo

[musictomyremember]

Rigoberta Bandini en directo para el Museo Thyssen

[glittertrail]

tagged by @baldwinpdf to shuffle one of my playlists and share the first ten songs. i choose my january playlist for this bc i have not made one yet for february lol

(no pressure) tags: @palominojacoby @milk-caramel @purplejan @sweetlikesunflowersandhoney @filmstar1997 @jackredfieldwasmyjacob @goldenliartrash @gardenarcana @amillcitygirl @junosjukebox @myhusbandharryhamilton @veronicasanders

[maximumphilosopheranchor]

Catalina Micaela of Austria, Philip II of Spain’s younger surviving daughter, and her husband Carlo Emanuele I, Duke of Savoy

“While Catalina’s letters certainly could be used to analyze her political or official roles, they also document her affectionate relationship with Carlo. Catalina missed the duke dreadfully; she referred constantly to her solitude [soledad], especially her solitude in bed. For example, she wrote the duke that she had “dined at 7 and now I have prayed and I will go to bed shortly and with so much solitude in everything and in bed,” noting also that the duke had been gone one month, though it seemed a hundred thousand years. A month later she wrote him: “So as not to detain Loaysa [the bearer of the letter, García de Loaysa, guarda dama and servant of Catalina’s camarera mayor, Doña Sancha de Guzmán] I have not wanted to get dressed before writing you and I write this one to remind you of your promise to see me tomorrow and take me there [to Revello, where the duke was] shortly because if this is not so, I will die of solitude such as I had yesterday and tonight, not having my life [i.e. the duke] in bed, which cost me many tears.” She often told Carlo that she spent the night crying, thinking of him, and in turn the duke told her that he also cried and missed her. As Carlo wrote her on November 12, 1588, no doubt in response to her many references to how much she missed him: “I have much greater solitude than you and no fewer tears at night; goodbye my life and remember that no one loves you more than I.” In early October 1588, Catalina responded to Carlo after she had finally heard from him after eight days without receiving a letter. She told Carlo that she had feared he had forgotten her, but then had received a letter from him expressing similar fears that she would forget him. Analyzing their mutual anxiety she concluded, “all this comes from loving each other so much.” We might question the sincerity of these effusive references to solitude and tears, as well as their calling each other “mi vida” [my life] or “mi alma” [my soul] within the body of a letter and beginning each letter with such terms as señor/señora de mis ojos [lord/lady of my eyes] or señor/señora de mi alma [lord/lady of my soul]. Although these may have been conventional ways of referring to a loved one and describing absence from a spouse, taken in conjunction with other aspects of Catalina’s and the duke’s letters, they indicate a relationship that was rooted in daily intimacy and sensual pleasure. (..)

The correspondence is sometimes concerned with Catalina’s official duties as Carlo’s lieutenant, but the private nature of their letters suggests that they were not meant to be shared with anyone else. Each probably kept the other’s letters because of their sentimental value – as keepsakes and tokens of affection – giving further proof of the close bonds between the infanta and the duke. Catalina’s case suggests that although a dynastic union was arranged for political reasons, it could also be a loving marriage of true minds.”

Magdalena S. Sánchez, ‘“Lord of my soul”: The Letters of Catalina Micaela, Duchess of Savoy, to Her Husband, Carlo Emanuele I’. In Early Modern Habsburg Women by Anne J. Cruz (ed.), Maria Galli Stampino (ed.)

[jackredfieldwasmyjacob]

rigoberta bandini my beloved