#in s1 AND s2 every plot he's in is just delightful to watch

[willosword]

YEEEEEAAAAHHHHHH IZZY TRAINING STEDE <3 <3 THEY'RE GONNA BE CATTY BFFS IN NO TIME

[twig-tea]

TWIG! Friend! I couldn't help but notice your tags in my excitement post about getting to La Pluie -- I see that you and I are YYY mutuals. :) Let's call YYY... say... zany or offbeat -- off the beaten path of the usual romance-dominated field of Thai BLs. What are some other "zanier" BLs (not just Thailand, but everywhere in Asia) that you love and would recommend for an off-the-wall experience? And, why?

@waitmyturtles I'm so sorry you sent this a million years ago and then I kept letting it languish. And it's extra rude because I love this question! It's so hard to add something like YYY to a rec list without a billion caveats, so this is a great chance to shout out some of the series & shorts that don't get as much attention. A few of these I know you've seen but I have to include them for completeness.

First, for the sake of other people reading this, as Turtles has written about, Cheewin brings his own kind of zaniness to almost everything he works on; my faves of his other than YYY are Make It Right and Secret Crush on You (the exception is Bed Friend, which is not in any way zany but I still liked it).

Also going to mention that since Turtles asked for off the beaten path zany, I won't be mentioning any of the popular comedies (in case you're wondering why I Became the Lead in A BL Drama or Man Who Defies the World of BL aren't on this list).

Alright now that's out of the way, let's get into the other recs!

Zany lesser-known BLs other than YYY

Ossan's Love Franchise (Japanese, 2016-2024, GagaOOLala)

It is... less true now that this series is lesser-known than it was when I started writing this draft (in uh... August 2023) but I shall persist! The franchise details alone for this series are complete crack:

A 2016 45-minute short [skippable imo];

The 2018 original series which builds the short into a zany 7-episode comedy series about a man in his late 20s who suddenly finds himself the love interest of his older boss (in his ~50s) and his coworker/roommate (in his mid-20s);

The sequel film Ossan's Love: Love or Dead (2019)which turns into an action film halfway through for no clear reason but also remains a romantic comedy in which the mains from the original season decide if they want to stay together

The AU season Ossan's Love: In the Sky (2019) which has the same characters of the lead and his boss from S1 and the short, but this time they work in an airport and all of the surrounding cast is different and leads to a very confusing love rhombus. Incredible 10/10 no notes [people hate this because they like the mains from S1 & the film but I loved the mess]

The sequel season to S1 and the film, Ossan's Love Returns (2024) which you can absolutely watch in isolation and is about the main couple re-establishing their relationship and their found family friend group after being long distance for a few years.

It's truly excellent comedy, and gets better every outing; there are some barriers that might prevent some enjoying the earlier seasons but the most recent one is really delightful. You can hear me talk more about this series with @bengiyo and @shortpplfedup on The Conversation podcast!

Diary of Tootsies (Thai, 2017, grey/Netflix (for the movie))

I love Diary of Tootsies and the follow-ups so much. SO much. One of the best laughs of my life was the opening to the movie, and I cannot be in a long car ride without thinking about the purse incident in s1. This show doesn't get a lot of BL fandom attention because the romance arcs are not typical for BL (but that's one of the things I love about them). And the friendship in this series is truly what sells it. Season 1 is self-contained, a lot of people dislike the romance plot of S2; I really like the arc across s2 to the movie (as established above, I tend to be less invested in a particular ship across a franchise or multiple franchises). The movie plot is all about reconciling who you thought you wanted and who you are with (amongst all kinds of shenanigans).

HeHe and He (Hong Kong, 2018-ongoing, YouTube)

This mockumentary sitcom-style series does tackle some serious topics and is also absolutely hilarious nonsense across its 3 seasons. The very simple premise is that a gay guy ("hehe" is slang for gay) and a straight guy who are old friends become roommates when the gay friend breaks up with his longterm boyfriend and needs a place to stay, and hijinks ensue. They do direct-to-camera confessionals spliced in with scenes from their lives. I love this show so much, and it would actually be high up in my indie BL rankings if it were completed. I lose it at least once an episode. It's very queer (if you want a show that tackles everything from hookups to turning everything into a joke to being so, so mean to each other while also loving each other dearly to even chemsex, look no further), and I am in love with all of the wacky characters that have formed a love-hate found family that is deeply relatable. The creators posted a video a few months ago saying they're struggling to end it in a way that they're happy with so I'm not sure we'll ever get an ending for the show. But if you like comedy and queer content it's worth a watch even incomplete! I've been very patiently following this project since 2018 and it's legitimately one of my favourite shows.

Rainbow Prince the Series (Filippino, 2022, YouTube)

This is a musical; it is a lot of campy nonsense. There is royalty, political intrigue, a dog, kidnappings, and so. much. singing. The songs are surprisingly catchy and it's all extremely good fun. Also a lot of the dialogue is very clearly improvised.

Hey! First Love (Vietnamese, 2019, YouTube)

This series of shorts are mostly just silly fluff. The very tenuous plot is that these shorts are slice-of-life moments from a young established couple, but it's all really just excuses for Vietnamese comedy and BL romance tropes. If you haven't watched anything from Vietnam, this is a very low-stakes commitment (I think it's under 30 minutes of content all told; there are 4 "episodes" which are spliced together shorts, each of which has a tiny plot but there is not much of an overarching narrative, and then a Q&A with the actors at the end) and gives you a sense of the Vietnamese sense of humour. Both of these actors have gone on to continue to be in other Vietnamese BLs, so if you have watched Vietnamese BL you may recognize them! The production quality on this is charmingly low.

Shubh Mangal Zyada Saavdhan (India, 2019, Amazon Prime)

This film was such a joy to experience in a live theatre. Billed "the first Gay Bollywood RomCom", this movie was a riot of chaos, dance numbers, shenanigans, hilarity, and cuteness. I loved the way this film incorporated the very real legal change to decriminalize homosexuality in its story. Arguably not "BL" as it very much fits in the bollywood tradition not the BL tradition, but OP did ask for all of Asia!

Like Love (China, 2014-15, grey)

And no I don't mean censored--this is from before China started censoring its BLs. This show has kisses as shown in the gif, and even (poorly cropped) sex scenes. It also is super bizarre. I was so confused by this show, the characterization, the fourth wall breaks, and how disjointed it was so I went to read the source material and...it turns out it's one of the most perfect adaptations I've ever seen, the book is in fact exactly like this. The characters are caricatures, there is no bridging between scenes, and the plot is the most absurd take on 'loserfail no-thoughts-head-empty character who doesn't admit he's gay but still ends up in a dedicated and loving relationship with a rich handsome domineering man ' I've ever seen. It's a bewildering experience. Note the sound quality on this one is suuuper miserable. I like s2 way more than s1 (s1 is getting together and includes a lot of the bullying-teasing and I'm-not-gay-I-just-need-him-to-pay-attention-to-me stuff, s2 is the honeymoon phase + getting the homophobic parents on board) but S1 is definitely the zanier of the two. That being said, if you wanted, I think you can dive right in to s2 (there's a direct-to-camera explanation of what happened in s1 at the start of it). Note that they set up a cliffhanger at the end of 2 in anticipation of s3 which was going to be made in 2016 but was cancelled because of the political changes in China in 2016 (this is one of the reasons I went to read the source material; they do get a happy ending in the books).

This is an extremely silly but also touching franchise with a lot of tropes I don't love, but also a lot of things I do (and just neat to see some stuff so early in BL: Underwater kiss? Helicopter ride? Femme fatale becomes friend of the faen? Supportive grandparent? It's all here). There are some fantastic speeches in s2 about supporting your gay children; I liked how in this the kids didn't give up on their parents but try to reconcile their filial piety with their dedication to each other. If you do watch S1, highly recommended you watch the series version rather than the film. For "S2"/the follow-up film, make sure you look for the uncensored film version.

The Lover Room 709 Cut (Korean/Japanese, 2016, grey)

This starts extremely silly, plays with BL tropes, and gets a little bit serious at the end but is mostly just full of puns and innuendos. Includes one of the most hilarious takes on kabedon, and egregious use of the soundtrack from Brokeback Mountain. Also: fart jokes. Folks worried it was going to stay teasing the audience but it does commit and we do get an actual resolution that is satisfying. I admit I've never seen the whole series (which includes stories of 3 other couples in the apartment building) but the BL cut is readily available if you search. Make sure you look for the deleted scene with the lotion application--this scene walked so IFYLITA could run (I'm kidding, but it's very funny seeing this scene now and thinking about that one).

The Boy Next Door (Korean, 2018, YouTube)

This is another older series playing with censorship (similar to The Lover) in which the two characters end up in BL romance tropes but are not actually in love...or are they? The shenanigans are very fun. This one is left more ambiguous than The Lover, which is one of the reasons it's further down the list.

Go! Go! G-Boys (Taiwan, 2006, grey)

I debated between this and another quirky comedy from Taiwan in the early 2000s, Formula 17, but while that's unequivocally a better movie, this one is lesser known and more zany, so it technically better fits the bill for this ask (but if you haven't, go watch Formula 17!). The plot is a bit cringe--straight boy signs up to gay beauty contest to pay off his girlfriend's debts (accompanied by his gay childhood friend who is in love with him) and finds his truth. Meanwhile a homophobic police officer has also infiltrated the contest for investigative purposes. Amongst all that admittedly not great setup, however, are several bizarre sequences including the incredible Lord of the Rings recreation scene (complete with Gatchaman of course), a killer soundtrack, a random delivery of poultry, someone slapping a cake, and, most absurdly unbelievable at all: police taking harassing death threats to the gay contest seriously. It does a great job of setting up what should be a dramatic scene and then immediately undercutting the tension with something absurd. It's not narratively good, but it is a fun ride! And yes, there is a happy ending. Stick around for a fourth wall break (literally) after the credits.

Something Crunchy Crunchy (Korean, 2018, GagaOOLala)

Extremely bizarre little musical short in which snacks are anthropomorphized as hot guys and they sing songs about being eaten and wanting to be eaten. Played entirely sincerely, but the concept is screamingly funny. Fascinating. Also, kind of poly?

Dom (Korean, 2016, GagaOOLala)

Another hilarious and weird Korean short, this time in which we see the protagonist's sex life from the perspective of the condom boxes that are anthropomorphized and given personalities based on their brands.

And since we can't leave out the ladies,

A few zany GLs:

Lily Fever (Korean, 2015, YouTube)

I wrote about this one a little in my GL rec list; it is absolutely bonkers nonsense. There is not really a plot, it's a fever dream of a show. Chaos! Not so much a romance as an excuse to see cute girls flirt and make out.

Legend of Yunqian (China, 2020, grey)

I debated including this one because only the middle is really the zany part, it's sandwiched with more serious xianxia drama. But in the middle of this miniseries is an extremely cute interlude in which xianxia characters time travel to present day for ~reasons. It's censored but there is very little uncertainty about feelings, and manages to be absolutely charming. Worth the short runtime for this kitten quickcut (subbed "Whomst?!" in the show for ultimate comedy). Warning for character death (but it's ok because time travel to reincarnated character!) Subtitled by the indispensable @douqi7s [see their pinned post for links].

BetCin (Filippino, 2022, WeTV)

A lesbian couple with a YouTube following decide to break up but then find out there's a contest for couples, and they decide to pretend to still be together to try and win the contest rather than tell their fans they've broken up. This series does some really interesting things by starting with a breakup and then looking at how two people who are no longer dating manage BGP while also managing their feelings. There's a lot going on in this show, and the hijinks definitely ensue!

Perfect One Night Stand (Korean, 2020, GagaOOLala)

This is a cute Strongberry GL short in which a friend agrees to help her other friend find a girl to have sex with before the day is over; they go through several quirky candidates looking for the titular perfect one night stand.

[k-s-morgan]

Many people share recs with their favorite TV shows, movies or books with me. I'm moving through them slowly, sometimes in a random order, but it's happening, so in this post, I'll cover the shows that were recommended to me and which I’ve watched. I hope you won't get upset or offended if I didn't like the show you recced: after all, such things are impossible to predict! We all have our unique preferences and perceptions.

Now, on to the list and my thoughts:

Stranger Things: Unfortunately, this show didn't work for me. I watched all seasons, but I only enjoyed S1. I appreciated its atmosphere, I liked the characters, and while I didn't think it was anything special, the plot kept me engaged. Other seasons bored me, though, and I found the arcs getting more and more impossible while also staying repetitive.

What We Do in the Shadows: At first, I couldn't get into it, but with each season, my interest increased, and by the end, I grew to love the characters and adore their dumb adventures :D I ship Nandor and Guillermo and I can't wait to see what they do with them in S4. The humor is too sexual for me at times, but once I became fond of these idiot vampires, I started to dote on everything they do. Watching them do nothing but bicker is fascinating now, lol.  

Succession: Oh, this was a hell of a ride. I got second-hand embarrassment so many times that I had to constantly hit pause to scream. Contrary to what I expected, I didn't end up shipping Tom and Greg. I'm interested in their relationship, but Greg is so shallow and his entire personality is basically centered on being embarrassing and greedy - I think Tom deserves better. The complexity, the music (ooh, the music in it), the twists and turns are brilliant, though. I think the show got a little repetitive, but I still enjoyed it a lot and I anticipate the next season.    

Wednesday: Loved it! Which is strange since I was never a fan of the Addams Family. I loved the idea of them, but the execution never appealed to me much. This show is enjoyable, has very good acting, and it presented me with a surprise ship. At first, I thought I’d end up shipping Wednesday with Enid - they have an excellent dynamic of opposites attract, but with each episode, I grew increasingly interested in Wednesday/Xavier. Loved the obsessive element of it and I hope to see more of it in S2.    

Luther: I watched only S1 because unfortunately, this show didn't appeal to me! I felt like it was very disjointed and that there were three writers working on it without consulting each other. Each arc is potentially interesting: brutal crimes, Luther as an explosive, clever, protective but abusive character, and the arc of him and Alice becoming frenemies & perhaps more. But together, they just didn't work in my eyes. Alice's involvement in Luther's life felt awkward and forced; the crimes were astonishingly violent and epic, but their resolutions seemed rushed, trivial and unimpressive; Luther's decisions often made little sense to me, and these three elements didn't seem to mix well. I watched it with my family: my Mom shared my thoughts, but my Dad loved it and he’s watching other seasons right now. 

Interview with the Vampire: YES. I'm a huge fan and I'm thrilled to have found this show. It's clever, intense, and relationship-focused; it has an obsessive, dark romance at the center and every main character is delightfully toxic, twisted and damaged. I only worry about S2 and beyond, but I have faith that everything will remain great.  

Versailles: Absolutely loved it! The first two seasons only, though - I prefer to think that the third one doesn't exist. This seems to be a common opinion among the fans. The music, the characters, their dynamic, the plot and of course the captivating atmosphere of those times... An actor who played Mordred in my favorite 'Merlin' being one of the protagonists was a surprise and made me even more in love. His dynamic with his brother was delightful to watch: it's complex, toxic but also deeply loving. This show is unique in that my most favorite thing about it is a solo character. I grew obsessed with Fabien, a torturer and executioner working for the king. He's perfection, and I would gladly watch a spin-off with him as the central character.

If I forgot some of the shows I watched by accident, I'll make a separate post later on.  

Also, just so you'd know: I don't usually post asks with recs that I haven't tackled yet - they serve as a summary of why I should watch something, but please rest assured that if you sent it, I saw it and added it to my list. When I get to it, I'll post your ask! I'll also start answering questions about the shows you recced and which I've already watched soon.

[chainofclovers]

Ted Lasso 2x7 Thoughts

“Headspace” is a very apt name for this episode, in which we learned almost no new information about the characters in Ted Lasso but learned a great deal about the way many characters’ brains work.

Most of the episodes this season have been so full of new information (if you wanna know something about how my brain works, the critique that early s2 episodes lack conflict does not compute), so full of dramatic irony (Sam and Rebecca don’t realize they’re messaging each other on Bantr! Rebecca’s voicemail to Ted doesn’t actually indicate that she spent a significant portion of time panicking and looking for him!), and misunderstandings that it was really nice to spend a bit over thirty minutes on an episode with very easily mappable plotlines.

Ted and Sharon and Therapy

Ordinarily in my little recaps I talk about the characters as real people making their own decisions, because every character on this show feels very real. But I have to take a minute to just, like, celebrate the acting in these scenes. Sarah Niles and Jason Sudeikis brought the perfect energy to each of their three scenes in Dr. Sharon’s office.

The drinking bird toy! The way he switches from nodding along with it to shaking his head no while the bird continues to shake its head yes, just like Ted shook his head no while saying yes, they should hire a sports psychologist! The way he finally stills the bird in the final therapy scene in the episode...but performatively throws the tissue box.

(Someone is going to need those tissues, Ted. It might be you.)

I also LOVE that this is the first time we see Sharon in an extended scene that takes place in a session. We’ve seen her rapport with the players, we’ve seen the results, and we’ve seen the things she does to make someone feel comfortable at the start of a session, and that’s all the information WE need to know to feel confident in her excellence as a psychologist. But because Ted hasn’t been able to fully appreciate those things, it’s so fitting that his sessions are a time for us to learn more about Sharon’s approach along with him.

It’s just...such good acting. The way she tells him he doesn’t need to worry. The kind of charming (but not performatively charming, just...charming) smile on his face when he claims he knows he doesn’t need to worry. And the way his voice changes a little as the conversations progress—deeper, less controlled, with some very genuine Midwestern “ma’am”s.

Sam and Rebecca and Awkwardness

Sam and Rebecca were so awkward when talking to each other in the hallway! If I had been in that hallway I would have been physically unable to stop myself from doing something even more awkward and diverting to make it stop. (I say this as someone who is neither disgusted by or delighted by the direction of the Bantr storyline. This is a good story about two good people who are in very different places in their lives existing in both a manufactured connection and the real, and very different, connection they have when they aren’t glued to their phones. This story is supposed to be awkward and uncomfortable.)

I did like the parallels of their friends sort of urging them on/coaching them through the inherent panic of the three dots that appear and disappear—a source of panic whether you’re the one creating the dots on the other screen or watching them and feeling at their mercy.

I like that in this episode both Ted and Rebecca are loudly broadcasting “I AM NOT IN THE RIGHT HEADSPACE FOR A ROMANTIC RELATIONSHIP”—Ted with his rueful awareness that Michelle would be upset if she heard him still referring to her as his wife, Rebecca with her insistence that relationships are doomed and awful even though she’s talking to two people (Keeley and Higgins) in committed relationships.

Roy and Keeley and Space

This plot was a really wonderful...counterpoint? complement? to the places both Ted and Rebecca are in as Ted starts to come to terms with the fact that he’s going to have to deal with his past and the losses he’s suffered (including the loss of his marriage) and as Rebecca questions whether she’s really going to embark on the next phase of a relationship with someone whose identity she does not know.

Because Ted and Rebecca are stuck apart, it was great to see Keeley struggle with needing space from Roy without worrying for a second about whether or not this challenge was a threat to their relationship. (Keeley and Roy aren’t used to long haul relationships, so they both see it as a threat, but the audience doesn’t have to.)

There was so much going on in that boot room. I love the coexisting realities there—Rebecca and Keeley and Higgins treating the boot room as their personal room for secret smoking, but as the crowd grows all these other unspoken dynamics emerge (it’s been two days since the panic attack and this is the first time we see Ted and Rebecca in the same room and there’s no evidence that they’ve talked about what happened with the panic attack or Rebecca’s parents or any of the big stuff).

Everything about Keeley’s plotline this episode reminded me of how Ted and Keeley are so similar (and, to a lesser extent, Rebecca and Roy are so similar). Rebecca and Roy both tend to write things off (Rebecca is so certain any relationship she has will be doomed, but it’s just because of how hurt she already is; Roy wanted to convince himself he was happier as a pundit than as a coach, but it’s just because he was scared of how much he wanted to be back on on the pitch), only able to deal with things when a safe person like Ted or Keeley sort of startles growth out of them. (We talk a lot about how Rebecca should be in therapy, but Roy should too.) And Ted and Keeley! Everything’s great, everything’s sunny, but look at how Keeley stands on her couch and screams in sadness and anger when she blows up at Roy and he leaves.

This time, things work out between Roy and Keeley because he figures out what Keeley was trying to communicate and respects what she needs, but in the future she’s going to have to figure out how to articulate herself more clearly. (And so will Ted...not only in therapy with Sharon, but as everything with the other coaches and the team and Will and basically everyone in his life come to light.)

Nate and Beard and Twitter-Insecurity-Rage

Ahhhhhhhhh.

This plotline made me feel almost as nervous for Ted (the things he doesn’t know) and Beard (the things he knows) as it did for Nate and Colin and Will and everyone.

At first I was really bothered by the repetition of Nate checking Twitter. We know! He’s on Twitter a lot now that he’s semi-famous! He’s obsessed! But then it occurred to me that it’s extremely perfect that Nate checking Twitter becomes this silent refrain building him up or tearing him down based on the latest 280-character compliment or take-down. Because this is how the internet works! You get obsessed with something on it and then check it a million times per day until you feel sick. It could be a dating app, or a trending story, or almost anything. If you check it often enough, the internet won’t even have anything truly new for you...it just feels like it does. So the repetition of Nate scrolling Twitter wasn’t meant to deliver us new information, but rather to mimic the old information coming through again and again.

I feel so deeply for Nate, who’s brilliant about football but unfit to coach because the power dynamics of coaching are a totally foreign concept to someone like him, who relies entirely on external inputs to take his actions. Ted and Beard and Roy all go and learn things and bring them back to the pitch, but none of them have had the capacity to teach Nate how to do this. Even Nate’s private thoughts, which he wrote down during s1, only come to light when Ted prompts him. And when your external inputs are coming from social media and an unappreciative father and a hyper-awareness of insult after years spent on the receiving end of bullying...it’s very dangerous. Maybe even literally physically dangerous.

I also feel so deeply for everyone who interacts with Nate right now, particularly Will.

Some Bonus but Never Extraneous Trent Crimm

Trent in the pub made me NERVOUS. Seeing him in this new place where Ted goes to wind down, almost coaching Ted through lying to him about having had food poisoning?! When they both clearly know that isn’t what happened?!?

It felt very fitting that this uncomfortable yet kind-of-mercifully-executed lie takes place towards the end of an episode full of such positive and negative growth for the characters. Such movement. It felt all wrong (in a good way), like covering something new and smooth and precious with spackle because maybe you actually wanna paint something else after all even though it won’t serve you in the long run to do it. To paraphrase Dr. Sharon, the truth will set you free but first it will piss you off, and Ted’s conversation with Trent is a reminder of all the layers there are to cut through on the way to the truth.

If Apple TV could simply release 2x8 - 2x12 this week, I would bargain with something crazy and miserable like giving up caffeine until October 8, the air date for the season finale. I continue to love this season and to feel the serenity of watching excellent actors execute on excellent scripts...but we’re getting to the point where the momentum’s built up and is heading to ever-scarier places, and I neeeeeeeeeed to knoooooooow.

[taki118]

Go Watch the Venture Brothers

So just heard the complete and utter Bullshit news that Adult Swim has cancelled one of (if not the best shows) they have the Venture Bros. This series is one of those shows that for WHATEVER reason never got to the level of fandom Rick and Morty has even though they’ve been at the genre parody game longer and in my opinion better. 

The series is about Rusty Venture former boy adventurer and failing super scientist who in an attempt to keep his head above water in debt goes around with his two boys Hank and Dean, and bodyguard Brock on misadventues while various legal archnemisis go after him, such as the Monarch. 

So if you never watched or never heard of this 7 season series let me give you a break down on why you should, 

1) Art Style & Animation

Venture bros is one of those rare Adult aimed animated series that that really truly tries to utilize their medium to the best of their abilities. Season 1 had like such a small budget and corners had to be cut so it can be a little hard to watch at times. 

But with each passing season they get a little better, a little more fluid, go just a little harder and it truly feels rewarding to watch. Like seeing an artist you follow online improve over the years. Like they COULD have stayed with the choppy and stiff animation from season 1 it fit right in with its fellow adult animated shows but it didn’t. They strove for quality to have something that matched the story they were telling.

2) The Writing 

Venture Bros has some of the tightest and consistently great writing of ANY serialized show I’ve seen, adult, animated or other wise. Wanna know why? Cause it’s all done by TWO people (save for like one ep each season where one other person is allowed to touch their baby). Yeah TWO people and they work their asses off every season to interject, humor, refrences, parody, plot and character development in equal measure. 

3) Character Development

Um yes in case you were wondering that’s right an adult animated show has CHARACTER DEVELOPMENT  that holds as the series goes on. Not to give spoilers but characters will go through changes in alignment, relationships will develop and change, some characters will go through negative arcs where they are straight up unbareable for a season before coming out the other side even better than they were before. There is no end of epsiode or even end of season reset. Characters, settings, and dynamics all change over the course of the show and it feels just so god damn good.

4) Story Development 

Just like the characters the story of the Venture Bros grows and changes each season. Things that are set up even as early as season one are paid off as the series goes on. Like not to be that bitch but you know how RIck and Morty teases an overarching plot ALL THE TIME but like will often just spit in the face of fans hoping for more than like one episode a season addressing it? Yeahhhhhhh that doesnt happen here, fans are consistently rewarded for putting the time in to rewatch and really think about what happened in the series. Characters that are seen in the background or are just referenced by other characters will be brought in to be recurring characters, things that start off as a small detail or gag will be given larger relevance and each time they do this you get that “OH I remember that from last season! So thats what it was!” The writers WANT you to rewatch, they WANT you to analyze and they WANT you to theorize, and they give you a show that gives back the time you put in.

5) Parody & Reference 

This series does a great thing with parody. They make real characters  who are just as enjoyable as the characters they parody, they make story lines that both poke fun at the absurdity of the media but shows the writers love for it. So often parody and references are just used to mock the thing but with Venture Bros you feel the love and care so when you know the thing being parodied you can laugh but feel good about laughing cause they are never laughing at a thing maybe you cared for in your youth but rather laughing with it.

And it’s never just one thing. When they parody a thing its often layered with other things to make it even more unique. Scooby-Doo is overlayed with famous criminals, Laura Croft is mixed Dr. Quinn Medicine Woman, GI Joe is given the look of the Village People and so on. They never go for the easy joke or reference. Hell theres an episode that starts with them reciting the lyrics to David Bowies Space Oddity for really no reason other than they could. They weave these things in naturally with their setting and characters so nothing feels out of place. Like if you dont catch a reference or parody you dont feel like “I think this isa reference to something?” like a LOT of things do not just adult animated shows. You arent taken out of the moment cause it all feels so natural. 

6) The Characters 

God damn these characters, I could go on for hours about these characters. From main to one off these are some of the most likeable characters you can find. I mean it when I say I can’t think of a single character I wish they had cut cause they are all so well created. Even the ones I hate i have fun hating cause they were made to be that way. I’ll be good though I’ll only talk about my absolute top faves.

- The Monarchs

You ever sit and wish villain couples could have functional  healthy relationships? Well look no further than Malcom Fitzcarraldo aka The Monarch and Dr. Shelia Girlfriend (yes that is her last name). The Monarch is a high strung impulsive saturday morning cartoon villain whos tendency to over react is only matched by his unspecified hatred of Dr. Venture. And Dr. G is his nonsense partner in crime who will cut a bitch if they don’t play by their admittedly weird rules. Both characters are great on their own but are better together. Though that doesnt mean they always get along. Like a real couple they have their ups and downs they fight, break up, make-up and grow stronger in their relationship with each season. 

- Shore Leave

Ok ok so I want you to imagine James Bond, mixed with GI Joe simmering in a cocktail of the most flamboyant gay men you have ever seen and you have one of my favorite gay characters/characters in general. Shore Leave is a member of OSI (the shows SHEILD/GI Joe parody organization) he’s loud, brash, flippant, sassy and highly competent at his job loving every second of getting to beat bad guys down within an inch of their life. I love seeing him play off the stoic Brock and the two have this great brotherly dynamic that’s never called into question. He also gets to have a very cute romance with Al the Alchemist (who is also great). I could talk about this man all day.

- Dr. Rusty Venture

They did such a good job with this man. He’s a self serving, sexist, perverted, whinny, self important asshole and yet you feel pity and genuine sympathy for him and want him to succeed. You can see how Dr. V was given a raw deal by his father who seemed to care more about his adventures than his sons well being and how this molded him into the bitter man he is today, but on the flip side you can see where he chose to use that as a crutch for his worst behaviors and impulses. Seeing him slowly grow and change and be an actual good father to his boys while all the while still be a giant dick is actually really great. 

- Dr. Byron Orpheus 

Ahhhhh Dr. Orpheus part Dr. Strange Parody part busybody stay at home dad, he’s just such a delight. Dr. Orpheus is a divorcee, with an unfulfilling job of maintaining order to the cosmos (which isnt as hard as one might think), and uses his magical ablities in ways most of us would (ie menial tasks and home chores). Overly dramatic and affectionate Dr. O is a delight whenever he appears, but he’s at his best around his daughter and old friends The Order of the Triad. 

Again I can go on but all these characters ranging from main to recurring are crafted with the utmost care for you to want to see them succeed or fail, to see them again even if you know it’ll never happen, and want them to cross paths with other characters. 

The Venture Bros is one of those series that I will ALWAYS recommend even to the pickiest of humor tastes. But if you don’t believe its as good as I said or don’t think the concept is to your tastes I’ll recommend a few eps that I think best show off the base idea of the series without giving much away. In terms of plot and spoilers, though somethings wont make a lot of sense. 

- S1 ep10 "Tag Sale – You're It!" - Dr. V is having a yard sale so of course all manner of costumed weirdos show up.  - S2 ep5 "Twenty Years to Midnight" - basically a fetch quest around the world to save the planet with daddy issues - S3 ep2 "The Doctor Is Sin" - Again daddy issues but with one of the best recurring characters and a great showcase of the series deeper emotional plots - S4 ep6 "Self-Medication" - Really embraces the parody as Rusty goes to a former boy adventurer support group.  Anyway the show is 7 seasons with 80 episodes, please go watch it. I will never forgive @adultswim​ for cancelling what was to be their final season. And in closing GO TEAM VENTURE!

[darkisrising]

Five Times, by DarkIsRising, pt1

Oh, yes, it is time for me to at last tackle this beloved fic convention! So excited, I’ve wanted to try one for years but it never worked out.  This WIP is a DinLuke, will eventually be Explicit, starts pre-Mandalorian S1 and will end post S2 Five Times Din and Luke Met (and one time they never parted) 

1.

He’s drunk, and he isn’t quite sure how that happened.

That’s not true, Luke  does remember vaguely how it happened, more or less, and it all started with Han.

He’d been the one that had brought Luke here. He’d said there was a guy with information and the only place they could find him was this one bar on Flausy. Well, they happened to be on the Millennium Falcon, and Flausy was just around the star system from them, so, sure, it made sense that they ought to swing by and find the guy. Get the information.

“Han,” Luke had said when they’d walked in and looked around at the bright lights cutting through the dance floor, the tight press of bodies grinding to the music together, the flirtatious finger waves as they passed by the lower-lying tables. “Han, is this a gay bar?”

When it became evident that yes, this was in fact a gay bar, and Han had in fact brought him here, a few other pieces of this plot had begun to come together. “Was there ever even a guy with information?”

“Not really. Lando mentioned this place. Said it might be a good one to bring you to.” Luke’s legs stopped working and Han had been forced to throw an arm around his shoulder and frog march him the rest of the way to the bar. “Come on, kid, loosen up. You’re too young to be this serious, and I figure the best thing I can do for my dear, sweet, too-serious brother-in-law is get him out of his head for a bit. Get him drunk or laid. Or both, that would be ideal.”

“Does Leia know about this?”

“Whose credits do you think I’m using?” he replies with a lazy grin as he slaps a card on the bar. A droid comes whirring up, towel slung over it’s cybernetic shoulder, and bleats out a question. “Shots. Lots of them.”

Now here he is. Drunk. A tiny glass with a swirling purple drink in it and each one he throws back makes his mouth feel more and more like a spaceship entering hyperspace.

Han is taking his job as Luke’s wingman very seriously. He’s leaning against the bar like rough trade—blaster strapped to his thigh, leather vest gaping open, a knowing slant to his crooked mouth—and every guy that tries to pick him up is nimbly redirected toward Luke. Han talks him up in a voice that is loud enough to carry over the music, but not nearly persuasive enough to do much good.

It would hurt his pride more—that not even Han’s classic bait-and-switch can do much for his dismal love life—but he has purple shots to keep him warm and if Leia is buying, Luke figures it would be rude not to keep ordering them.

“That tin can is checking you out,” Han says, nodding to a dark corner, and Luke lifts his head from counting the drink rings on the bar to find a Mandalorian in full, if a little worn and poorly matching, regalia standing there.

He’s also wearing a silver helmet with the kind of blacked-out visor that’s impossible to see what he might be feeling or doing or checking out under there.

Luke rolls his eyes. “Ha. Ha. Very funny,”

“He could be checking you out,” Han says with a shrug. “No way to know for sure.”

“Another round?” Luke calls to the server droid who scurries to obey. “You sure he’s not here for you? Maybe you’ve got another bounty on your head.”

“Ha. Ha.” Han repeats with an eye roll of his own. “Didn’t you hear? I’m respectable now. All bounties on me have been squared away, Leia’s orders. Now I’m just a faithful husband and a soon-to-be doting dad.”

Luke can’t help the hysterical laugh that takes him then, and for that he blames the liquor. He gets a punch to the shoulder for it that is harder than a friendly tap yet not quite hard enough to mean business.

“I do think Tin Can is checking you out,” Han says a few minutes later, thoughtfully, as he idly rolls an empty shot glass between his fingers.

“Maybe I have a bounty out on me,” Luke says, snorting down into his drink. *

As it turns out, Luke does, in fact, have a bounty out on him.

* “This is all a misunderstanding,” Luke says standing behind the Mandalorian in the cockpit of his ship as he prepares for take off.

His wrists are bound in front of him, something he could probably get out of with one well placed thought if he wanted to but, well, Han had been right. He has been too serious lately, too lonely, and there’s something about the tall, aloof type that gets to him. And he can’t get much more aloof than a Mandalorian whose face he has yet to see and who has only said a handful of words between capturing Luke and bringing him back here.

Also, Luke’s been drinking. That might also be part of it.

“So, is that bar like,” he tries to think of a tactful way of putting it, very aware that it’s been a long time since he’s tried this talking to (potentially) handsome men thing. “Do you go there a lot, or…?”

“No.”

Luke waits for him to elaborate but that seems to be all he’s going to get.

“Oh. Well, me neither. It was my first time at that place.” The ship tremors as it leaves the atmosphere and Luke lurches forward. He catches himself on the back of the Mandalorian’s chair with his shins since his hands aren’t good for much in these cuffs. “First time having those nurple shots. Have you ever had a nurple shot?”

No response.

“They’re purple,” Luke says helpfully. “Really, really purple. Strong, too.”

The ship makes a sharp turn and Luke staggers to the side along with it.

“I think I might be drunk,” Luke confesses and the Mandalorian snorts out a laugh, the first sign of an emotion he’s shown yet.

“You think?” And then because apparently Luke’s luck is holding he tilts his head and keeps talking. “How about you sit before you hurt yourself?”

“Wow,” Luke says as he falls into the copilot seat. “That was like a whole sentence. If I didn’t know any better I’d think you were flirting with me.”

Another snort, but that’s all the answer he’s apparently going to give Luke.

“That’s not a no,” Luke points out.

The silence continues on and the white out of hyperspace starts to lull Luke to sleep which is probably not great for his future escape plans, but he feels himself start to slump over nevertheless.

Kriffing Han, he thinks as he comes ever closer to passing out. Kriffing nurple shots.

Just as he’s drifting off he hears the Mandalorian say: “It’s not a no,” but he can’t for the life of him remember what they’d been talking about before darkness takes over. *

The thing is, if Luke were in his right mind he’d try making a pass at the Mandalorian.

Luke doesn’t have the most sexual experience, but for a farm boy from a nearly uninhabitable rock, he’s done pretty well for himself. He knows he’s got the blond thing going for him and that aw-shucks-I’d-be-delighted-to-go-down-on-you thing, and together that can be a pretty winning combo.

Or at least it is according to the holovids that he used to watch and then swear to Uncle Owen that he had no idea how those charges ended up on their plasticard account. Which is to say, he might not have experienced it all but he’s seen some things and if that one ‘vid ‘Mand-ooooooh!-lorian, vol.9’ had anything to say about it all it would take is the right smile, the right wink, and Luke would see himself bent over the cockpit’s console in no time.

Instead he wakes up from a dead sleep and manages to turn his head away from the man he’d really like to impress before vomiting nurple shots all over the floor.

“I'm sorry,” Luke moans. “I’m so, so sorry.”

If the Mandalorian is disgusted at Luke, it's hard to tell with that helmet on.

“I'll clean it up. Just tell me where you keep your supplies and I'll take care of it.”

The Mandalorian doesn’t so much as move from where he’s fiddling with the ship's controls, but still the cockpit door opens behind Luke with a whir.

“Right, yeah, okay.” Luke scrambles up from his seat to the door. A piercing pain is starting above his right eye that he tries to blink away. “I can figure it out.”

The ship’s compartments are narrow and the lights are flickering just enough to make his nausea even worse, but he’d said he would clean up and so he will. A storage door opens with a snick and Luke is staring at more weaponry than he’s seen in one place since the Rebellion ended.

For the first time since he’s been captured Luke wonders where his lightsaber has gotten to.

He remembers fumbling for it with fingers that had gone nerveless from the shots, but then the Mandalorian was hauling him away with some sort of cable line and Han was no help at all, laughing himself into a stupor as he leaned against the bar.

And that’s as far as he can remember.

Luke closes the weapons storage door, turning away a little too fast and the headache is worse now.

He’s wincing, reaching up with his bound hands to pinch at the space between his eyes when he realizes he isn’t alone any more.

“This’ll help with the hangover,” he hears over his shoulder before he’s swung into a carbonite chamber and unceremoniously blasted with freezing gas. *

By the time he’s rescued the Mandalorian is long gone, having collected on his bounty, and all Luke has to do is wait out the shivering aftereffects of the carbonite with a bemused Han shape that he can barely see through the hibernation blindness.

Squatting down to where Luke is sprawled across the floor, Han presses the hilt of Luke’s lightsaber into his hand and asks: “Did you at least get his comm code?”

“I didn’t. Even. Get his. Name,” Luke forces out through chattering teeth.

A warm hand claps him on the shoulder.

“Tough luck, kid. Maybe next time.”

[arbitrarygreay]

I watched all of Killjoys with @mimeparadox! - This being my third time through seasons 1 and 2, I probably enjoyed Dutch-D'avin the most I ever have, really seeing what the show was trying to convey with that relationship. That said, I still do not like the show's attempt to make them do insipid romantic fluff at the end of S4 and S5. They still work best as comrades. - There is no best season of the show. S2=S3=S4 > S1 > S5. S2 is the best the show does with its class conflicts, having discarded the Pretty People Dramz of S1. S3 is the most coherent in its character themes, everything lensed through the tragedy of Dutch and Aneela. S4 does the most payoff for all of the relationships in the show.

- Oh, poor S5. This is the first time I've rewatched it, and I did still have a good time. Basically, S5's weaknesses all have to do with it being the final season. The Prison arc is actually quite fun...so long as it has nothing to do with The Lady. In general, the show is not as good as when it remembers that they have to tie things up and finish off this alien invasion storyline. They're great at the serialized character/relationship elements, less good at the serialized plot parts. - The Prison arc shows that Lovretta could definitely be the showrunner for a classic spy competence porn show a la Nikita. - The Lady is still great as Khlyen's third failure as The Worst Dad to Murderous Teenage Daughter. The reason I love her as a garbage fave, whereas Angel's Connor is a (hah) narrative killjoy, is that The Lady's behavior does not cause the other characters to betray themselves. For the most part, The Lady incites the others to do more competence porn, whereas Connor just incited tedious interpersonal Dramz (with maybe the exception of the return of murderous Fred). - mimeparadox and I have discovered across watching multiple shows that the best character archetype is an ultra-competent slightly neurotic uptight character getting blindsided by their Feelings (bonus points if said Feelings are romantic). We have named this archetype Paris, named after Paris Gellar from Gilmore Girls. The Paris is such a powerful type, especially as a Big Bad, that Killjoys does it twice in a row, with Aneela and The Lady. - Intriguingly, I finally saw what the show was trying to do with a series-long arc for Johnny. - In S1, the seeds are planted for the fact that Johnny wants to do more than survive, he wants to have a stronger emotional anchor than just being with Dutch (he is Dutch's gravity, but the reverse isn't true). In S1, this manifests in his being intrigued by Scarback spirituality. In S2, this manifests in his becoming more invested in Westerley's class politics (with Pawter) than Dutch's more self-centered investigation of the Hullen. And in S5, he decides that being a rootless Killjoy isn't viable in the long term. He doesn't want the warrant to be all. - Of course, the execution gets muddled, because Johnny on the mission Fun Train is entirely too compelling, as are his dynamics with everyone else on the team. Note how S3 and S4 aren't mentioned above, as in those seasons, with the exception of the Hackmod Arc, Johnny is focused on Dutch's war with Aneela and The Lady. The fact that there's no issue with the character dropping his series arc for two seasons shows that this arc isn't really critical to his character at all. - And that's exactly the conclusion that the show itself comes to, with the Oneyer absence tossed aside in the end for a "one for the road" of indefinite length. - Part of this, though, is not a betrayal of the series arc because at the end of the series, Johnny is not still simply a Killjoy, for whom the warrant is all. He's a new Level Six, and so has a purpose to genuinely care about (which also happens to enable his pursuing the other missions he wants on the side, like The Factory). - I got a better sense for Dutch's series long arc, too, which was really interesting, because she is never actually a hero in her own motivation. She is basically selfishly motivated from beginning to end, but just slightly growing the circle of who she considers under her protection. Dutch's driving motivation at the beginning of the series is to flee anything that might impinge on her personal freedom. Then, she decides to fight back instead of flee, which means that she seeks having just enough power to do so. S4 is about how she balks at the responsibility that comes with it, which we discover is rooted in how she's having an identity crisis about her biological family. In S5, she comes to a more stable place in her identity and how much responsibility she's willing to take on to defend her home, but grapples with some of the remaining things impinging on her emotional freedom (the loss of the certainty of Johnny, and then cycle of Khlyen's abuse). - Which is to say, it's pretty cool that we get to have a science fiction where where the central protagonist gets to be basically a shameless charismatic hedonist. She's all but said that she's basically outsourced her morality to the rest of her team. This is a rare character complexity for any genre show protagonist, much less a lady. And it makes the writing extra impressive for setting up the plot and world so that such a protagonist gets guided into doing heroic actions entirely on following a selfish priority through the incentive gradients. - This is all really only possible because Turin is a good boss, though. If she had a RAC supervisor who played power politics with her, she'd be toast (and probably quit the RAC to fly away in a heartbeat). Of course, that Turin is a good boss is meant to illustrate how the RAC is a an outfit that takes in misfits, people who are loathe to (and already failed to) play traditional social politics as opposed to mere sportsmanship competition (thing-oriented people over person-oriented people). They have to be the kind of people who could ever believe that the Warrant is all in the first place. - Killjoys never truly grapples with its politics. I stand by my previous stance that this is a good thing, because the very core build of its protagonists prevents that. This show, ah, kind of embraces ACAB as a good thing, nothing of which to mention how Delle Seyah and Aneela becoming allies therefore results in a "yasss genocidal girlboss aristocracy slay" conclusion? ("Colonialism is good if they appoint an emotionally invested immigrant warlord as governor") - Killjoys' broader wonky politics doesn't bother me, because FUN TRAIN! DO NOT STOP THE FUN TRAIN!! Seriously, there were definitely plot holes in this show that never went away, and I did not really care because almost every given moment of the show was delightful. The lore of how Hullen/The Green worked was laughably inconsistent, and I did not really care because the lore was whatever it was at the moment to enable storylines that were really fun. In fact, joking about the inconsistency of the lore therefore became its own pleasure, because it still did not detract from my enjoyment of canon. Altered Carbon shows how the prestige version of Killjoys would have been no fun at all. Down with Prestige TV. Which isn't to say that I've changed my mind on character vs. world-building as source for plots! I remain dedicated to my apathy to Wynonna Earp, which is a show which nominally builds its world/plot to service character, but leaves me cold. What Killjoys has, in contrast, is a rock solid world-building foundation, and then we watch the fireworks of character reacting to the setting and each other, with characters themselves serving as expressions of world-building. This is why Killjoys' writing is weakest when it has to plot for the sake up wrapping up plot and character threads, instead of plot as per how character interactions with the world organically develop. The way this doesn't contradict with the above is that Killjoys firmly declares what parts of the world-building are really important, which is the setup of institutions that determines the power-dynamics between any two given characters. Plot elements that aren't about that can be wishy-washy without therefore making the characters look incompetent. (With the exception of "stick a knife in the necks of all of the Hullen already!" because that's a very tangible action anyone can do, as opposed a squishy genre detail.)

[the-silentium]

It hurts

Masterlist

Pairing: Five Hargreeves x Reader

Words: 3338 words

Warnings: ANGST, murder, blood, swearing, mention of desire to die.

Requested by: Anon

I loved your song fic “Folded messages” so much, and I saw u said we could send. I decided to give it a shot :”) obviously don’t feel obligated to do it, I’ll respect if u don’t want to ☺️☺️ I am sucker for old songs, and I think they fit so well with 5. I was wondering if a 5 fic with the song “Can’t take my eyes off of you” would be possible. I don’t rly have a plot in mind, maybe when Five meets reader in commission, or just somewhere between S1 or S2. I apologize if this is too general :”)

A/N: I know the song was out in 1967 and that it wasn’t out when the fic take place, but let’s forget about that detail, okay? Okay. Dear anon, I’m sure you wanted fluff, but I don’t know, I can’t really explain myself. It just happened. 

As the ultimate warm breath of your latest victim escaped her mouth, the pain flashing through your entire body intensified until you found yourself falling on your knees. Every nerve in your body was ablaze, the feeling of your insides burning and melting away was excruciating, breaking the remnants of your already shattered mind. Millenniums passed and you never got used to the pain. This pain that you couldn't fight or attenuate. This pain that, with each passing century, fed on your sanity and created the monster that you were now. This pain that clearly wanted you to die, but something else within every cell of your being was fighting fiercely against it. Making you live. Live in pain. It hurts. 

The once warm body of the young lady was now cold, the room now bathed in moonlight instead of sun rays. Getting up, you barely noticed how your clothes stuck to your body, enormous patches of dried blood keeping them glued to your skin. You staggered on your feet as the world shifted and your vision filled with dark fireflies. You took a deep breath and made your way up the stairs where you knew you could find a change of clothes. As you reached the stairs, your eyes caught movement out of the kitchen window. 

Two tall white-haired men forced the lock of the store next door. Their expressions weren't visible in the darkness of the alley, but the dim light of a nearby lamppost reflected on the guns badly hidden under their coats. 

A new wave of blood lust drowned your senses, replacing your hurting thoughts with angry ones. Rushing out of the apartment, you made your way to the slightly open door, thinking how unfair it was that everyone around you could die with something as simple as a bullet or a stab wound, yet you couldn't. It hurts.

You were pulled out of your thoughts by a large form blocking your view. Steely-blue eyes glared at you, the knife in his hand shining under the neons above, ready to pierce your heart in one swift movement if you were to make a move towards them. You weren’t intimidating in any way, your petite form along with your soft features wasn’t why the giant was alert. 

Not only was your entire front almost covered in blood, but the atmosphere around you was definitely the most dangerous he ever encountered. The hair on his neck and arms raised as soon as your gaze found his. Once before had he felt like that, the faithful evening he and his brothers were doing check-ups on their traps set into the woods in hope of having a nice dinner the day after. Otto remembered the fear he felt when they were met with a lone-wolf missing a back leg, said leg still stuck into the fangs of their trap. A tingling sensation around the scar of his eye disturbed the Swede, the vivid memory of his flesh being slashed open flashing before his eyes. He remembers the desperation and insanity glazing the yellow eyes of the wolf, the same desperation and insanity that were dancing in your own (e/c) ones. What was terrifying him was the intelligence hidden under the surface. You were a predator in disguise-

Screams resonated through the room as Axel started to torture the ally of their brother’s murderer, surely thinking that Otto had the matter under control. Your head turned back on the bloody scene unfolding before you, allowing Otto to fill his lungs with air, the first time in almost a minute. Otto stiffened as you moved, relaxing a little when you made your way to the other side of the room to sit on a sofa.

“I won’t steal your prey.” Your eyes were fixed on the man being tortured, the blood oozing from his nose and mouth. How the pain caused his muscles to constrict- “I just want to watch.” 

And watch you did. The giant’s attention was on you, but you couldn’t care less. You enjoyed every moment of the blue-coated man’s torture session, liking his style. You let them drench their washcloths with the dead man’s blood before making your way to the body. Out of habit, you reached for its neck, searching delicately for a pulse, even faint. Your nostrils flared when you found none, once again facing the injustice of your curse. His pain was gone while yours was still there. His torturer let him go while yours, whoever it was, kept you suffering day after day, year after year, and so on for… You didn’t remember for how long. You’ve been alive for so long that you didn’t remember why or when you were cursed. Wasn’t it unfair? Being cursed for a reason you didn’t even remember? It hurts.

The barrel of a gun refreshed the burning skin of your temple for a moment, making you close your eyes in delight. The feeling was very short-lived, though, the fire intensifying to cover the pleasant sensation. You reopened your eyes to meet the two white-haired men, the tallest pointing you with his gun from a good distance, while the blue-coated one was close enough to touch your head with his weapon. You turned slowly towards them, the gun now pressing onto your forehead.

“No witness.” His accent reminded you of your time in Scandinavian lands. You could see his eyes analyzing your blood coated features, trying to understand how a beautiful young woman like you in her early twenties could appear as such a dreadful sight. You saw it for a split second, the hardening of his gaze, milliseconds before his mind decided that it was enough and his finger pulled the trigger. 

As the bullet entered the front of your skull, you wondered if your gaze hardened too just before you gave the final blows to your prey. Do they know when all hope is to be abandoned? 

You didn’t fall to the floor as the Swedish men expected. Nor did blood escaped the bullet wound into your head. Instead of blood, a blackish liquid escaped the hole into your forehead, tainting your red-coated skin with a viscous dark trail. It hurts.

“Too bad then. No one gets what they want.” You simply stated as if this was the most evident thing in the world. 

Out of respect for their handy work on the shop clerk, you tilted your head slightly in their direction as the wound into your head started to close slowly, your curse stubbornly keeping you alive and well, before walking away to explore the rest of the shop. You ignored how their footsteps were hurried or how they called you a demon in their native tongue, focusing instead on the files scattered under a coffee table. You didn’t know why you crouched to get them, but you did and you read them. Every page.

By the time you were done, you were seated at the edge of the sofa once again. A tall blonde guy and a dark-haired one entered the room, too scandalized about the dead body of their friend and the markings on the floor below to notice you reading one of the tv brochures you found lying around. When they did though, your reading material was snatched from your hands, and a knife threatened the skin of your throat. 

You had hoped that the metal would be as satisfying as the barrel of the gun was, but you had no such luck. You huffed in disappointment before dropping your hands to your knees. It hurts.

“Who are you?” The dark-haired man pressed you, the sharp side of the knife digging slightly into your skin. 

You glared at him from your position, not impressed one bit. 

“If I tell you I’ll have to kill you.” You replied cockily. You could have fun before opening his throat with his own knife.

You expected the knife to cut your skin, definitely not for blondie to pull his buddy away and reach for you with his big hand. You gnashed as the hand approached you, both in anger and anticipation. Just as he was about to grab your neck, a blue flash enveloped him, and he reappeared in another flash, at the opposite side of the room. Behind the tall blonde, a younger boy with wide blue eyes watched, surprised. 

He returned to his senses when knife guy made a move towards you. It hurts. 

“Don’t touch her Diego!” He hurriedly yelled, teleporting before Diego and pushing on his chest to keep him away. 

“Move, Five! She killed Elliott!” He tried to push the boy but ended like the blond on the other side of the room. 

You got up, unsure of what was happening. Never in your endless life had you encountered someone who could teleport around.

“No, she didn’t! Didn’t you idiots see the ‘öga för öga’ down there? It’s Swedish for an eye for an eye. The Swedes killed Elliot.” He pointed at you, still facing the men. “She was a witness. She got shot in the head.” 

You frowned, intrigued that the boy seemed to know you got shot despite the absence of a hole in your head. Sure, the dark trail was still there, running from your forehead to the bottom of your chin, but there was no way he could have known that this was actually your very own cursed rotten blood. 

“How do you know?” Your voice shot into the room, quieting the heated argument between the three males. 

“Because I know you, Y/N.” You paused, hearing your name for the first time in centuries. He stopped, thinking his words through. “In the future, we are friends.” 

You frowned, debating the veracity of his words. In the future? He indeed looked from another time, in his weird clothing, but also because this time would have made a scandal about his powers. You had a hard time believing that you could have a friend. You huffed, shooking your head. 

“Impossible. How do you know my name?” 

The boy shot a glare to the men before turning toward you. 

“You told me, because like I said, we are friends.” He walked in your direction, stopping a meter away. “I know that you are cursed.” You perked up at that, caught off guard. “I know that you react very violently to anyone touching you because your skin burns even more than it already does.” He chuckled slightly, his gaze holding yours with something that shook you to your very core, softness. “I experienced it first hand. You broke my arm and would have choked me to death if I hadn’t jumped.” 

The softness in his eyes morphed into something else, something you weren’t used to. You never experienced it yourself, but you certainly witnessed it. Affection. It almost scared you off, the muscles in your legs wanting nothing more than to be of use and take you far away, away from his caring blue gaze. 

What kept you there was the blood on his face and shirt. Could he be like you? 

“Shit. We’ll talk more later. We have more important to do.” He turned to his brothers, a new urgency in his tone and movements. “I found a way to get back to our timeline.” He walked to a nearby room and you tuned them out, instead focusing on yourself. 

Could you trust him? He obviously knew you and you once were -or will be- trusting him enough to tell him about yourself. You never opened up to anyone before, your anger was way too great in your younger years. Now that you thought about it, you couldn’t even remember the total of number of people who died from your hands. It hurts.

“What about doomsday?” Your head turned to the dark-haired guy, interested in his words. 

“Won’t happen.” 

“And the 2019 apocalypse?” 

“Everything will be back to normal.” 

What apocalypse? You watched them fuss around, totally confused. The boy stopped before you, presenting you his arm. No, it hurts.

“I know fabric hurt less than skin to skin contact.” Your confusion was clearly written onto your face, forcing him to explain. “I’m taking you with me.”

You almost asked him why, but decided against it, a plan already forming into your brain. You grabbed his sleeve softly and in a second you were in the passenger seat of a car. The engine roared to life when the boy-

“What’s your name?” 

He turned to you, surprised for a second before genuinely smiling and turning back to the road. 

“Five.” 

“How old are you really?” He smirked.

“I knew you’d catch up quickly.” His eyes shifted from the road to you, lingering on your face like he was replaying some memories to himself. “58.” 

You hummed and turned to the window. You watched the buildings disappear, letting the trees stand high to the sky. The countryside road was a bit bumpy but you didn’t mind. You rolled down the window, letting the wind appease the fire under your skin for a little while. 

You had to admit that the silence between the two of you was pleasant. Maybe you really were friends.

“So an apocalypse is coming, eh?” You sit your back to the door, facing Five. You pulled your legs to your chest, your arms hugging them to keep them close so your chin could rest on your knees. You didn’t care that the dress you wore wasn’t covering the back of your tights, but it seemed that this detail was bothering him, his cheeks reddening quickly.

“Y-yes.” He turned back straight ahead and coughed to hide his embarrassment. “Our presence here created an apocalypse that will happen in a couple of days. Don’t worry though, I’ll stop it.”

You chuckled when you noticed him peaking back in your direction, his eyes clearly not focussing on your face this time. His blush spread from his cheeks to his neck and for the very last time, he turned his eyes ahead and kept them there. 

You reached a farm where two women were talking outside, without a care in the world. You waited for Five into the car, patiently planning into your head. Fortunately, Five didn’t think that this would take too long, so he let the car running, allowing you to turn up the radio volume slightly. 

Five came back and you were humming to a song, ignoring the fact that he was beyond pissed that one of the women didn’t follow him as he wanted. He drove the car back to the road, fuming but keeping it all inside, not wanting to cause you to stop humming to the songs. 

You're just too good to be true

Can't take my eyes off of you

You'd be like Heaven to touch

I wanna hold you so much

At long last, love has arrived

And I thank God I'm alive

You're just too good to be true

Can't take my eyes off of you

Now was the time. You lived your whole life, wanting this. To die, to find peace, to stop suffering. Five was the key. In fact, he was an obstacle. You couldn’t let him stop the apocalypse. You wanted to die and the apocalypse would grant your wish. There was no way your curse could protect you from that. It hurts.

Pardon the way that I stare

There's nothin' else to compare

The sight of you leaves me weak

There are no words left to speak

But if you feel like I feel

Please let me know that it's real

You're just too good to be true

Can't take my eyes off of you

You stopped humming, finally noticing that Five had stopped at the side of the road and was watching you intently, a smile at the corner of his lips. You opened your mouth to ask him what was wrong, frowning, until he cut you off.

“I know you don’t remember it because it didn’t yet happen for you, but there was a time when you stopped calling for death and enjoyed living.” 

You froze at his words, wondering if he could read thoughts too. It hurts so much.

“You’re lying.” You couldn’t imagine anything worth enduring your suffering so why would he tell you that? To save his skin?

I love you, baby

And if it's quite alright

I need you, baby

To warm the lonely night

I love you, baby

Trust in me when I say

Oh, pretty baby

Don't bring me down, I pray

Oh, pretty baby

Now that I've found you, stay

And let me love you, baby

Let me love you

“I’m not. This song was playing on an old iPod when you told me.” You lifted an eyebrow at him, slowly positioning your legs to jump forward to kill him. “If you really think that the apocalypse will kill you, you are wrong. You survived and you met me there. That’s where we became friends.”

“Prove it.” Your heart was beating erratically, desperately wanting his words to be wrong. You wanted to be free. This life hurts. IT HURTS.

You're just too good to be true

Can't take my eyes off of you

You'd be like Heaven to touch

I wanna hold you so much

At long last, love has arrived

And I thank God I'm alive

You're just too good to be true

Can't take my eyes off you

Five reached into his pants pocket, taking out a colored photo. The quality wasn’t god, but you could see yourself, curled up against a dark-haired man on a loveseat, holding his free hand while kissing his cheek. His smile reminded you of Five’s. 

Your eyes were fixed on your lips touching his face. How you seemed so unbothered by the fire eating at your nerves. This couldn’t be possible. Even the idea of doing it caused your own pain to accentuate. Ithurtsithurtsithurts-

“I found a disposable camera and used up the film. I kept it and when I came back in 2019 I had it developed.” 

I love you, baby

And if it's quite alright

I need you, baby

To warm the lonely night

I love you, baby

Trust in me when I say

Oh, pretty baby

Don't bring me down, I pray

Oh, pretty baby

Now that I've found you, stay

Oh, pretty baby

Trust in me when I say

Oh, pretty baby

The news hit you hard. Your body was shaking uncontrollably, tears ran down your cheeks, sobs escaped your mouth. It has been a while since you’d had your last breakdown although any one of them could compare to this one. At least, before you had hope that something, somewhere you finally end you. Your hopes were now crushed. It. Hurts. 

The pain in your shoulder exploded, earning a cry from your lips. Out of reflex, your fist shot straight ahead, colliding with his shoulder and successfully breaking the contact between the both of you. Quickly, you turned around and shot the door open in a haste, almost running away from him. You wanted to die. You wanted to die. You needed to- A flash of blue followed by Five’s appearance before you stopped you in your tracks abruptly, causing you to fall on your knees for the second time this day. 

Your desperation morphed into pain and your pain into anger. How dare he ruin your life? How dare he crush your hopes? If you could choose, you would have preferred to still have your hopes, at least they kept you going. What were you supposed to do now without anything to live for? Please help me. It hurts. 

“I’ll help you.” His voice was soft, as he was approaching a wounded animal. Well, maybe you were.

You were a wolf whose leg was trapped in a hunter’s trap. You would do anything to free yourself. You were desperate, you were insane, you were intelligent. 

And you were forgetful. 

It wouldn’t hurt to kill him. In due time, you would forget him. Like you forgot everything else until you became what you were now. Humanity’s wrath.

Please, it hurts.

[heloflor]

Ducktales S2 episodes thoughts

So I finally caught up with Ducktales, since I stopped watching in the middle of season 2, right after “Whatever happened to Della Duck”; and I’ve decided to share my thoughts on each episode of the post-hiatus S2 and the episodes of S3 we have so far. So here is season 2 for those who are interested, and yes, this post is going to be long (this is definitely not the most practical way to do it but I don’t want to make one post per episode) :

“Treasure of the Found Lamp!” : not much to say on this one, aside from the fact that this is probably an ‘’’excuse’’’ to show more of the Beagle Boys (when you think about it, these guys barely show up after S1) and that the character of Djinn is pretty cool; I like him.

  “The Outlaw Scrooge McDuck!” : still a delight to see Scrooge and Goldie interact and see how these two are genuinely attracted to each other but their desire for gold prevent them from being together. Though honestly, you can’t convince me that they didn’t date at some point, unless one of the creators (*cough* Frank *cough*) says otherwise. I mean, in season 1, when Goldie is introduced, not only does Scrooge immediately calls her his ex but Goldie is also willing to kiss him 5 minutes into their first meeting in years. Seriously, in season 1, you can tell that these two know they are attractive to the other, they know the effect they have on each other, and it wouldn’t be surprising that they acted upon those feelings at some point, before betraying each other again. Hell, remember the best quote from this episode ?

“You love gold more than you loved me.”

“And that’s why you loved me.”

They’re literally admitting that they’re in love with each other, or at least loved each other at some point.

  “The 87 Cent Solution!” : this episode did not age well. AT ALL. But this aside, the scene with Glomgold showing up during the funeral was one of the most hilarious things this show has done. And speaking of Glomgold, I really like how threatening he was in this. It shows that when he has a plan in mind and the right tools, he can really pull it off. We need more of Glomgold being clever like that (though I’ll admit he is pretty hilarious the way he is and in season 3 we have our lot of serious/threatening villains).

  “The Golden Spear!” : And they were roomates ! But more seriously; speaking of threatening villains : Lunaris is amazing as a strategist villain ! I absolutely love the way he’s able to pass himself as the good guy and manipulate everyone to get what he wants, whether it be Della by asking her for the ‘blueprints’ or his own people by making Della a traitor to their eyes. Hell, even Penumbra is at a loss by the end of the episode and doesn’t seem to know whether she should obey or not. And speaking of Penumbra, her evolution throughout the episode is really great. I especially like how Della is just so oblivious to the hatred Penumbra has for her. Honestly this episode alone is definitely enough justification for the Penny/Della shippers.

As for the “B plot”, it was nice to see a bit more of Donald being a dad, especially with the kids starting to realize the impact their actions can have on him. Though, they made Donald such an interesting and tragic character in this show that I’m not that big of a fan of seeing him get hurt for laughs.

Oh and one last thing about Della : for some reason, that shot of her in the rocket, seeing the earth and crying while saying “mommy’s coming home” gets me very emotional every time I watch it. I think it’s because we know that she spent 10 years trying to get home to meet her kids, facing failure after failure; and finally, after all these hardships, she’s going back with nothing to stop her.

On the same note, Donald’s hope when seeing the rocket and his accidental launch were pretty heartbreaking.

  “Nothing can stop Della Duck!” : Ok, first off, that intro. It is waaay too early in the episode for such feels and I love it ! Although, on one hand I’m a bit disappointed that the boys accept their mom so quickly (I expected a bit more heartbreak) but on the other hand it works because they all have a different reaction that truly fit with their personalities.

Secondly, the way Della is in this episode. It’s perfect. She’s not a mother, this is something the fandom had realized ever since “The Last Crash of the Sunchaser!”. Della had children too early, at a time when she was too immature for such responsibility. And her ten years on the moon, most of them in total isolation, didn’t help making her wiser. So now she’s back, still as immature, but now she has three kids to take care of; and she has no idea what she’s doing. Also, like some people already pointed out last year (or at least it probably was last year), Della doesn’t immediately know about Donald leaving the mansion for a decade. To her, the triplets grew up exactly like she did, hence why she doesn’t think her scary story would terrify them that much.

I also really like how Louie was and how Scrooge and Beakley handled the situation. I like how one of the kids wasn’t completely sold at the thought of their mom being back, and Louie works as the insecure triplet there. As for the adult characters, I love how they both knew that Della needed to learn how to be a parent but at the same time she just arrived, so they kept their distance to let her be with her kids while at the same time being close enough to act if something goes wrong.

Finally, it’s sweet to see how Della is truly willing to learn how to be a good parent, although the road is still very long, even in season 3.

  “Raiders of the Doomsday Vault!” : Nothing much to say about the plot with Glomgold. It’s just Glomgold being Glomgold while Owlson and Scrooge are just done with his shit. As for Della and Dewey, it’s a great plot. We see Della trying to bond with her kids by doing what they like, and it was pretty obvious that Dewey would be the first on the list. After all, he was the first to wonder about his mom and they both share the same thirst for adventure. And it’s great to see how Della doesn’t know her kids’ abilities. So at first, she’s completely fine with putting Dewey in stressful situations; but by the end of it, she realizes how dangerous things are and what she could lose, while Dewey started to believe too much in himself due to what his mother told him, only realizing too late in which situation he put himself in.

So yeah, it was great to see Della discover what her kids are able to do during their adventures, especially their limits.

  “Friendship Hates Magic!” : So, when I watched in 2017-2018, I didn’t really understand where the whole Lena/Webby came from; but seeing this now, I was definitely blind (and it didn’t help that I used to ship Webby and Dewey until I discovered Ace Att//orney and the ‘found siblings’ relationship between Edge//worth and Fran//ziska). Also I’m a bit split on Violet. Don’t get me wrong, she’s a good character and I do like how she got interested in studying magic and her personality in general. But at the same time her personality kind of rub me the wrong way, not in a “she’s evil” way but more a “I don’t like her” way. It’s weird.

As for the rest, it’s sweet how Webby tried to be more normal because she’s afraid to lose a new friend, and her reaction to seeing Lena again was adorable. Lena was also really sweet in how much she cares for Webby and wants her to be safe.

As for the B-plot, it was nice seeing Beakley and Launchpad get along, and it’s pretty clever how what brought them together was their liking for heroism.

  “The Dangerous Chemistry of Gandra Dee!” : Firstly, the kids are still shippers, which is a nice touch.

Secondly, that scene with Beaks and the lasers was amazing. If the scene at Scrooge’s ‘funeral’ is the best Glomgold scene, then the scene with the lasers is the best Mark Beaks scene so far.

Thirdly, I’m pretty sure it’s safe to say that Launchpad is pansexual. I mean, if a person can date anyone regardless of species, then gender shouldn’t be much of an issue. Also Launchpad mentions in his ‘list’ a wereduck and a ninja, which are often considered as male (by that I mean that, while werewolves and ninjas can be both male/man and female/woman, when you think of one of them you’ll have a tendency to see them as masculine, because that’s how they are represented in media most of the time). He also mentions a clone of himself, so another same-sex relationship; and a talking cloud of energy, which I’m pretty sure doesn’t have a gender to begin with. So yeah. Pansexual Launchpad. Or at least non-straight Launchpad. And speaking of Launchpad, I like how he can tell that Fenton isn’t smooth at all and puts some music on to prevent the duo to be forced to talk; it’s a pretty sweet gesture. Honestly it’s great how Launchpad is often seen as a complete idiot but then you have those specific ‘fields’ in which he knows and lot and can really shine (*cough* the next episode *cough*).

Update after lurking on Tumblr : apparently there’s an LGBT+ Ducktales event and a member of the crew made an art about Launchpad and all the people he dated (including his clone and the cloud of energy and I love this person for adding this); and given the appearance of several of them, it’s clear that this guy is pan. By the way if you want to see the art just time “Ducktales love is like a hurricane” on Tumblr and you’ll find it.

Fourthly, the “It’s a date” song is great and catchy.

Fifthly, the fact that DR. Atmosphere feels insulted by Fenton not giving much effort really works with him being a reference to Doofenshmirtz. After all, in Phineas and Ferb, we see that Heinz is just a lonely guy who truly likes Perry and takes their relationship seriously, between writing his monologues to making big musical numbers to complain when Perry isn’t there at the right time (and yes, by season 4, being evil is more of a job to him than an actual wish to dominate the Three-State Area).

Finally, the heart of this episode : Fenton. This episode worked well in how it develops how Fenton views his new role as a popular hero. We especially see how he struggles to balance his two lives and his relationships, wishing to be liked for who he is as a person instead of as a hero. It’s also interesting how much work he does as a hero, to the point of not really caring anymore about being dramatic and saying catchphrases and all that yada-yada. His relationship with Gandra is also pretty nice, although it is very predictable and by the end of the episode, I’m not even sure if they do end up together ? Like, Gandra talks about a second date but it’s just a trick to get Fenton to say the code thing; and though she does help at the end and give Fenton the right ‘formula’ (she draws a molecule so yeah, formula) for his invention, she still leaves without much words and seems to have taken the original ball (I think ?). Though, the idea of them dating could be very interesting in regards of her afflictions with F.O.W.L.

  “The Duck Knight Returns!” : so, first off, I never saw an episode of Darkwing Duck before seeing the recent fanart of the dt17 fandom. I more or less knew the show existed as a kid (there was a channel with old Disney shows in the early 2000s) because I remember there was another show than Ducktales that had Launchpad in it but I didn’t like his character at that time so I never watched. But I recently started watching and I have to say, the most surprising thing about it has to be the fact that Drake has a girlfriend because holy shit this show is gay ! Seriously ! Two guys, living together and raising a child together, having tons of domestic moments. Whoever wrote this show had no gaydar whatsoever ! And honestly this makes the whole thing hilarious. But shipping aside, the show’s pretty good. It has different villains with different goals and personalities, they decided to make the action cartoonish, which works well, and the show has some pretty good and hilarious quotes there and there. But what really makes this show a great one has to be the domestic moments, especially the relationship between Drake and Gosalyn. These two are adorable and their father/daughter relationship is both wholesome and feels realistic. On the same note, it’s great to see how a show from the 90s was breaking the gender norms not only by making a single father character (or, if you see Launchpad as a father figure too, you could say making two men be parents) but also by having a girl be a tomboy without it being seen as an issue by anyone (except for like one episode). So yeah, Darkwing Duck’s a pretty good show and if you like the duckverse and haven’t seen it yet, you should give it a watch !

Now, onto the actual Ducktales episode. It’s really great. I won’t talk much about it because pretty sure it’s been talked a lot already but yeah, it’s a great way to introduce Drake and give a backstory to Negaduck. Though my favorite thing about this episode has to be Launchpad. I love how he knows from the beginning that Jim’s plan is bad but still feels like he should roll with it because the guy’s his idol. I especially like the detail of Launchpad covering the eyes of the Scrooge logo while breaking into the studio. Also the “I’m trapped in a prison of guilt !” line. I also really like his interactions with Drake, especially at the end when he inspires him to become Darkwing. It really shows that, while Launchpad’s an idiot most of the time, when he’s truly passionate about something, a much more smooth and clever side of him shines (seriously during that part when he inspires Drake to become a hero, he sounds so smooth and yet it seems to come so naturally. And you can tell how much respect it makes Drake have for him with the way he looks at Launchpad when putting his hat on).

One last thing to say about this episode : there’s that scene right before Jim tries to trap Drake in which Dewey and Launchpad talk about how things are currently going for them; and when Dewey talks about how excited the whole ‘making a movie’ thing is for him, for some reason I absolutely love the animation of Dewey jumping into Launchpad’s arms while Launchpad tries not to drop him. I don’t know, it just feels really ‘fluid’ or something (I have no idea what’s the language for animation) but yeah, props to the animators for that moment.

  “What Ever Happened to Donald Duck?!” : First off, the highlight of this episode is definitely the speech about Donald going to a therapist to control his anger. It’s simply amazing to have a children cartoon show a character having issues and deciding to deal with them in a healthy way, and it’s great to see Dewey realizing how much Donald does for him and his brothers and being touched by it. It’s also a great lesson about how you can’t make your anger magically disappear but you can work to deal with it in the best way possible.

As for the scenes on the moon, between Lunaris being extremely manipulative and planning everything, Penumbra trying to do what she believes is best and Donald’s determination to go home and parental instincts shining through, it was a really enjoyable episode. Not much to say about Dewey and Webby though. It’s just Dewey and Webby being Dewey and Webby.

  “Happy Birthday, Doofus Drake!” : Doofus is still as terrifying as before, Goldie is still the same gold-driven robber as usual, Louie is still looking for an easy way to get rich, Glomgold is still doing weird schemes and Beaks is still relying on technology too much. So overall, not much to say aside from it’s a great and fun episode; the scene at the end with Scrooge and Louie is sweet and Boyd is a precious baby. Also I still love Goldie’s character and it’s great to see Doofus’ parents finally be free from their son’s creepy bullshit. Also also, seeing Della bond with Huey was really sweet, especially how she was willing for a while to stay with him and his garden despite how boring it was to her.

  “A Nightmare on Killmotor Hill!” : again, not much to say. We get to see more of Violet’s character, along with what the kids dream of, which is a good way to reinforce their personalities but also their desires and fears (I especially like Dewey’s dream having him cry on the moon, it’s a great touch given that he spent an entire season trying to find more about his mom). And obviously, we get to see more of Lena and how afraid she is to be a bad person. I also like how it’s unclear by the end whether or not she can control her magic, which left room for season 3 to expand upon. It’s also great how by the end of the episode, her biggest comfort didn’t come from her friends but from seeing by herself the state in which Magica currently is. I don’t know why but I’d say it makes the whole thing more realistic ? Like, there’s only so much friends can do to help you, but seeing your abuser being in a terrible state is a much more direct proof that there’s nothing to fear.

  “The Golden Armory of Cornelius Coot!” : again, not much. It’s a classic fun episode with the kids trying to solve a mystery while some bad guys are on their tail. Though, I really like the whole thing with Webby trying to be more like Della, with Della starting to be a bit of a mom to her. I also liked seeing Della and Launchpad interact more and it’s still funny to see how the ship that so many people liked in season 1 is slowly fading away as we see Della having a hard time accepting Launchpad and as we have Tumblr remember how much it likes gay ships with the introduction of Penumbra and Drake (by the way, I’m not saying that Della/Launchpad is a bad ship; it’s just that I find it funny to see how quick a fandom is to change their opinion on shipping, especially when ‘gay options’ are created).

Although, Della felt a bit uncharacteristically cold and aggressive towards Launchpad, especially when compared to how she was with Dewey in “Raiders of the Doomsday Vault!”. But I guess it has to do with how she felt like Launchpad replaced her, making her more protective over her plane and her talent as a pilot.

  “Timephoon!” : so I have no memory of Bubba (the caveman duck) from the old Ducktales so I can’t compare him. But from what I’ve seen in this episode, he’s fine. Not the best character but he works as a one-off character and I wouldn’t mind a cameo or two in the future (as long as it’s not an entire episode focused on him because that would get boring pretty quickly).

Now, for the rest of the episode, I want to talk about Della, because she’s clearly the most interesting part here. Della was gone for a decade, she barely knows anything about her kids, especially the mischiefs they can get into, and that’s what the episode plays into. Della discovers that her kids don’t just get into danger from adventuring, they can put themselves in danger, more or less voluntary. And the way she reacts to it (along with the season finale) makes it feels like Donald and her never or rarely got into these kinds of situations, although Beakley’s line near the end of the episode might say otherwise. And speaking of which, I really appreciate how Scrooge and Beakley were when Della scolded Dewey. At first, Beakley was ready to step in when Louie made the comment of Della not being better than him; but Della made it clear that she needed to do it on her own. And afterwards, we see both Scrooge and Beakley respect her decision and staying silent as Louie is pleading them to step in. They know that Della needs to learn to be a good mother so they respect and support her decision. Though, if you search the name of the episode on Tumblr, there’s a post about how Della went too far given her current relationship with Louie, though it isn’t her fault as she doesn’t know him enough. You should try finding this post, it’s definitely worth giving it a read ! And yeah, there’s also a lot of other posts talking about the issue with much more analysis than I do so if you’re interested, go read the discourse on Tumblr.

  “GlomTales!” : first off, they used the takeover as the intro and I love every second of it !

Secondly, Della….yikes. Yeah. Grounding Louie was the right decision to make but forcing him to stay trapped in a room with a dangerous robot guarding him and ‘taunting’ him with recordings telling him about how much he fucked up, all the while the rest of the family is in vacation in a place he dreamed of visiting…I think you get the point. They went way too far with the punishment, so it’s no surprise when Louie wants to join the bad guys who let him do all the scheming he wants. And while Della accepted his personality more by the end of the episode, these two still need to connect more.

Speaking of the bad guys, they were pretty fun in this episode. I like how their different personalities and knowledge led them to act with each other. I especially liked Magica trying to get back her former glory and overstepping on Glomgold for the role of leader, Glomgold who is still as dramatic and dumb as ever while having actually smart schemes and I love it.

  “The Richest Duck in the Word!” : while the structure of the episode was pretty cliché (character suddenly has tons of powers but doesn’t realize the responsibilities that go with it), the ending with Louie and Scrooge was really sweet and satisfying. Honestly the season is supposed to be about Louie having a company and yet he and Scrooge didn’t have that many interactions (they still had some, but they could have more) so it’s really sweet to see them solve an issue linked to Scrooge’s company together.

And let’s not forget that Owlson finally stood up for herself and quitted (good for her honestly, she deserves a job where she can be happy and get what she wants done) and that Launchpad actually managed to land a plane without crashing (and it’s not even acknowledged !).

  “Moonvasion!” : the season finale, aka the one that should have its own post. You know what ? I’ll put the review here and, eventually, I’ll split it into its own post if it’s requested.

So, Moonvasion. Where to start. Ok, first off, it was an amazing episode. Just like the first finale, this was possibly the best episode of the season (depending of your point of view though, tastes and expectations are different). It was great to see so many characters come together and fight together, all with different fighting methods. I especially like Fenton’s mom being a protective badass, Beakley being a total badass and Gyro with his clone army (I especially love his line when everyone is debating on what to do and he’s like “Simple. Clone. Army.”. I just love the delivery here).

Secondly, I really like how they expended on Della there. As we’ve seen in previous episodes, Della still doesn’t know her kids and their abilities; so in the face of danger, she’d rather flee to protect her. On the other hand, Donald trust the kids to defend themselves and immediately starts strategizing with them. And speaking of Donald, I love how they acknowledge how much and how well he took care of the kids with the line about Della’s lullaby. In general, that entire sequence on the island with the twins and their kids (no incest intended) was probably the best part of the episode, along with the big fight with everyone and that “Hey kids.” line from Scrooge near the end. Oh yeah, and also the space fight with the moon theme playing and the family working together with the twins fighting and Scrooge being happy to have his angry babies back. This entire sequence was also amazing. And when Penumbra shows up, I love how she’s using the original spear of Selene. Again, just like last finale, the crew outdid themselves.

Another thing that I can praise here is Glomgold. I really love how they made his weird schemes work out. I also love how not only did he do this to help but he also used the situation to spite Scrooge by trolling him. Also earth baby jail. Just earth baby jail.

And speaking of strategists, I absolutely adore Lunaris in this episode. This guy was truly prepared for anything Scrooge could send him and it’s great.

Another character that I’d like to mention in this episode is Drake. Basically, watching the episode again, I’m pretty sure that guy has no fucking clue on what to do. I mean, we see him show up at Launchpad’s place at the beginning of the invasion, then he’s at the meeting with the others and gives ideas that show he’s much more on the theatrics parts of being a hero, which is fitting with him being an actor (side note that I forgot to mention earlier : I really appreciate that they made Drake an actor. It really fits with how overly dramatic he was in the old show; and it could play with his ego as well, though DT17 Drake doesn’t seem to have that big of an ego). Then, before the giant fight, he’s on a car with Launchpad and once Scrooge takes his place in it, Drake still holds onto it. And by the end of the second act, he’s trying to fight with Launchpad helping him. In other words, Drake spends the entire episode glued to Launchpad. So personally, I interpret it as Drake not really knowing what to do so, since Launchpad is the one who inspired him to be a hero in the first place and is the only one taking him seriously, Drake is going to try to stay with him and have him as support. And yeah, overall, the joke about nobody knowing who the fuck Drake is was pretty hilarious.

Finally, because no episode is perfect, here’s a few details that, while not making the episode any less amazing, still bother me a bit.

- When Della left Duckburg on a gigantic plane, how come no Moonlanders tried to follow her ? Hell, we know they came to her specifically and we see later that Lunaris was able to see her position; so what gives ? And even when they’re in Egypt, though I can understand why they wouldn’t try to follow since they only have one ship. But still, Della was able to fly for possibly hours before getting attacked, and they only got attacked because they landed on a place that was about to be invaded !

- What happened to Drake after he fainted ? Like, don’t get me wrong, I understand while we stop seeing him. After Scrooge see the landing of the ship, we get into the third act, which seems to take place a few hours after the previous scene (given that several characters changed clothing and it started freezing). And I know that, since it’s the third act, they only wanted the main characters to play a role. But still, one minute we see Drake faint into Launchpad’s arms and the next Launchpad arrives alone saying everyone was captured. So what happened to Drake ? I see three possibilities, all with a few flaws : A) Launchpad ditched Drake/the two split up. Let’s be honest, this didn’t happen. Launchpad would never let an injured person behind, especially not someone he admires so much. B) Launchpad tried to find a safe place to hide Drake so that the guy can rest; but given that they’re in an invasion, finding such a spot could be very hard. C) During the time between the two acts, they got attacked by Moonlanders and either Drake was too weak to fight and got captured or he basically sacrificed himself so that Launchpad can go try to find Scrooge; with a “He needs you more than me” move. But, again, it would feel weird for Launchpad to abandon someone but then again, if it’s for the sake of everyone by trying to find his boss, I guess it could happen. This scenario would even fit with the “everyone got captured” line. Though, if Launchpad and Drake got attacked which led to them being separated, then we were robbed of a perfectly good action scene !

- There’s a shot at some point where you can see Doofus and his family and I have two questions there : 1. Why are the parents still wearing the maid outfits (and why do they keep doing it in season 3) ? and 2. Can’t Boyd do anything to help them ? Like, I know he believes he’s a real boy but that doesn’t stop him from having some pretty powerful defense mechanisms.

Update (before the post was made; I know) : so I ended up wasting 4 hours of my life reading all of Frank’s answers that I hadn’t seen yet (the things asperger makes you do…) and apparently Doofus burned his parents’ other clothes. Still doesn’t explain Boyd tho.

- During the fight in space, when the Duck family started to lose, they took a few damages before finding themselves behind the rocket. So, if they were to take damage anyways, why couldn’t Della immediately pull them on the side to get out of the way instead of heading to certain doom ? And yes I completely understand that it was a very stressful situation so she did the first thing she had in mind. Honestly that last flaw is the one that bothers me the less in a characters’ standpoint, though it still feels like plot convenience.

  So that’s all for season 2 ! Again, I could put the finale on its own post if requested. As for season 3, it’d be in a second post. This one is long enough. The post for season 3 will most likely be split in half, with the last episode talked about depending on which episode airs last before the post is made.

[wellamarke]

i finally saw stranger things 3 and i have thoughts that i will break down by character ((they are not very deep thoughts, they are mostly love)) 

first, the kids

1. my beautiful son, will byers, for once did not have a hell ride of a season and got to smile a couple times. he took a bit of a back seat really, and i feel sorry for noah schnapp for all the ‘neck scratching’ memes he’ll be buried in now that it was basically his signature move for 8 episodes (and not even a particularly useful one) but anyway... the destruction of castle byers was one of the most heartbreaking scenes and i would have liked to see more fallout from it, but we can’t have everything. mike’s ‘it’s not my fault you don’t like girls’ line? eiiiish can we get some follow up in s4 please. (it might not be your fault mike but you’re involved lmao) so anyway. glad will got a breather season, but man when he was crying so much in the goodbye scene, i felt that. could not cope. 

2. lucas!!!!!!!! my treasured son!!!! i love him so much. he was such a hero this season! he is always down to fight with his catapult and i adore him. i love what a terrible casanova he makes. i wish there had been some kind of glimpse of him looking after max after she watched her brother die, because that’s a complicated thing for those two. but s4 awaits. i would love to see lucas take a more central role in s4, incidentally. in terms of the boys, s1 was mike’s time to shine, s2 was will’s, s3 was arguably dustin since he got the most time away from the group? s4 lucas please and thank you 

3. my angel daughter max, i love her, she’s so brave and brilliant, and she is such a good friend to el, and although billy-as-he-was didn’t deserve her, she was a good sister, too. i worry about her a lot. lucas and max better be the front and centre couple of s4, i swear. it’s their time. let them. i guess i was a little confused at first at how much max’s style changed between seasons, but i support her always, and her clothes now are so happy and cute. she’s adorable. now somebody please make sure she’s alright. where is her mom 

4. dustin, light of my life, he is a good child and i am proud of him! i have always related to dustin’s position in the friend group lmao so to see him off with his own little crew was very adorable. i love him as both steve and robin’s child and steve and robin’s parent. he is so resourceful and i love that they finally utilised gaten’s angel voice! i was so glad suzie turned out to be real and plot-relevant (kinda), please can she come for a visit in s4? thank you. 

5. eleven, my daughter, my small small child, she broke my heart so much this season and i am so proud of her for finding herself. her s4 arc of regaining her powers will be very interesting and i’m excited for her and joyce’s relationship to be developed more, because i love them both. i really appreciated them going for the angle of ‘eleven needs to exist outside of mike’, partly because the way they were behaving at the beginning of the season did seem to make sense for kids their age with a connection like theirs, and it is healthier for them to.... not. at least sometimes. el is so hardcore, i love how her dialogue is still written a little stilted while still letting her express herself. she had so many iconic lines. i can’t believe they took hop away from her. also i’m a little disappointed (but not surprised) that there was no kali.

6. mike, my child, my gangly and adorable son, he was a joy this season (even when he was whinging). you know what killed me? how TALL he was when he hugged his mother at the end, especially compared to the s1 scene after will’s “body” is found. logically i know that these are actors who are growing up but it feels like an assault every time they flashback to their tiny s1 selves, and mike is just a giant now. bless him. he is a good boy who is trying his best. i don’t really understand why he didn’t tell el what hopper had said much earlier, but he’s a silly teenage boy, so, you know. it’s like that. 

7. erica my precious daughter, oh my goodness, i enjoyed her immensely. i’m so glad she’s properly part of the crew and is beginning to embrace the nerdy part of herself. icon. priah ferguson is an entire gemstone. when nancy etc graduate to the adult storylines and mike and co are the resident teens, erica will be the lynchpin of the new generation and i couldn’t be happier about that. 

now, the teens

1. nancy was so iconic this year, DAMN. this girl never rests and i love her. i’m glad the romantic drama was minimised, just enough to keep them interesting but not so you really worried she was going to pingpong back to steve or anything silly like that. nancy is such a role model truly. she’s so brave. my life, when billy’s car was hurtling towards her and she just stayed shooting. that’s my girl. (also, she’s so gorgeous. i feel like 80s fashion happened mainly so that natalia dyer could recreate it)

2. STEVE my sweet sweet son. again, an icon. i can’t believe they actually kept him in that sailor suit the whole season. what a national treasure. when he slammed billy’s car! i cheered. i’m very proud of the person he has become and his friendship with robin is just adorable. so glad that they will be able to discuss pretty girls together now that they work at the arcade. also, maybe he could make it to the end of s4 without cutting up his face, but that’s probably too much to ask, isn’t it? 

3. robin is my entire heart, i can’t even express how much i love this girl. she’s so clever and brave and wonderful and i can’t wait for her and will to share a scene (because cOME ON the solidarity!!!). i love her sarcasm and wit, and how she just jumps into the madness and gets stuff done. a queen. welcome to the family, robin. 

4. jonathan my boyyyyy, he was lovely this season, i was so proud of him when he took the situation in hand with el’s injury (even if she ended up doing the surgery herself!) i am excited for him to be el’s big brother as well as will’s (side note: el and will are sure to be the cutest siblings) and hopefully he and nancy can continue to navigate the stormy sea of being the teen flagship without too much on-again-off-again. we get it, they’re meant for each other. loved their moment with the scar at the end. 

5. oh, billy. i will admit, i felt bad for him a couple of times, and he certainly suffered enough, not that his treatment of lucas in s2 will ever be excused. dacre montgomery really gives the most, which makes billy weirdly watchable. i will never understand why they chose to bring back the karen wheeler stuff, brrrrrrr, but, yeah. i’m glad they didn’t exactly “redeem” him, but managed to kill him off while still adding depth. (he tried to save el and good on him for that, but in the end it was joyce who stopped the mindflayer, so). 

aaand the adults!

1. murray was a complete delight, and i was thrilled to have him along for the ride. i’m heartbroken that murray/alexei will not rise, because that had potential.

2. joyce was wonderful and hilarious and brave and heartbreaking and perfect, of course. i can’t believe they’ve now killed off BOTH her love interests (as far as she knows, anyway). that poor woman. i hope she can continue in her role of best mother ever, now that she has an extra traumatised child on her hands. joyce is the true mvp. the moral strength that woman has. the brains. the curiosity. she’s a way of life. 

3. hopper, where do i start. i actually didn’t like him much at the start of the season. i get that he hasn’t had a teenager before, but he seemed to take a little too much delight in petrifying mike, especially since he knew how much it would genuinely hurt el. that seemed a bit extreme for the sake of not wanting to give a corny speech. but anyway. this man is a true trooper. so many fight scenes. and we’re supposed to assume he’s not actually dead, right? the post-credits scene in russia was almost entirely pointless (big deal, they got a demogorgon) apart from the line, ‘no, not the american’... i mean, surely that’s hopper? surely? murray is unaccounted for in the time jump, i suppose, but no way he was captured and not joyce. both or neither. man, imagine the reunion with el and joyce, if hopper really isn’t dead. i’m going with he’s not dead. we never saw any remains. kudos for still making his apparent demise pack a whole punch, though. that letter destroyed me. 

other things:

1. the turning-people-into-goo stuff was so horrifying, how do you even go about creating those visuals 

2. some of the fight scenes i kind of let happen without really watching, and just came back to see who was still upright by the end, how do people watch this stuff

3. joyce didn’t decorate her house :( in fact the magnets undecorated themselves, as a forerunner to the entire house being stripped.... wow....

4. mr clarke is an absolute beaut and i love the way he was used (although it was strange not to have dustin included!)

5. i love love love how this show operates, with different teams finding different parts of the mystery and piecing it together under fire. i love how none of them ever go, “hey, we should tell the other people who are usually involved in this stuff, chances are they’ve got themselves into it this time around.” 

6. the byers’ dog is still unaccounted for 

[hachibe]

11 questions asked and answered (SKAM edition)

Rules:

1. Always repost the rules!

2. Answer the questions given to you by the one who tagged you!

3. Give 11 questions!

4. Tag 11 people!

tagged by @illgiveyouahint , thanks!!!

1) Favourite remake version of each of the seasons? s1 - none, idk i don’t think any remake has made me like their s1 as much as i like original s1. s2 - DRUCK, I have my problems with it but it's the only remake that took it upon themselves to make that season better not being afraid to change things. s3 - DRUCK as well. the changes in the characters made everything exciting to see. every time they did something different we went

and every time it was the same we went

s4 - since so far france has been the only one who went as far as s4 i have to say none, because i didn't like what they did with it.

2)Which characters do you think would absolutely not get along?

I have no idea, really. Maybe all the Noora’s wouldn’t like each other. The p-Chrises as well. In the other hand I think all the Sana’s would love to hang out together. The Chrises as well, they would totally love each other. 

3)Favourite non-canon mlm ship? Eskild x Mahdi. SRLY, that pic of them hugging in the kosegruppa christmas party had me sending. 

And then we saw them hugging again in the eid party. And some one wrote a beautiful fic of Mahdi realizing he might not be that straight and deciding to try something with Eskild and Isak being pissed at it that I completely love.

4)Favourite non-canon wlw ship? All the wlw ships are non-canon! (sure i’m not considering spain and austin) idk I've been robbed of my Evilde. And I would love for any remake to take notice of this and make it right. Besides that, any wlw ship is welcome.

5)Which character would you like to 👀 guest ⭐ in which remake (other than Eskild in SkamNL)? Anybody in any remake. Wouldn't it be cool if we get random characters in random remakes for no reason whatsoever than our delight? I would love for character to meet. Like maybe take the fact that Matteo is half italian and send him to meet some characters from skam italia. But not Martino, somebody else. Maybe his gradma lives near Silvia's parents or something. With all the Nooras going to Madrid they could meet the spanish people altough i don't care for the spanish people. Maybe someone in skam france is related to someone from SKAM.  Oh!!! Make Arthur be related to Stefan!!!!! And since Matteo and David are currently in/on their way to Amsterdam maybe make them meet some of the dutch kids.

6)What would a remake in your country (assuming it would somehow be possible to make it) look like? I guess it depends on which tv company it gets made. But in my dream world it would not be made by any TV channel we have here, but by some production company that keeps it online but invests heavily in advertising (i think here in Brasil the ads would be super important for spreading it), with the enough amount of money to make it justice.

I would love for it to take place in some capital but like in one of the interior states or in the northeast region. Anything out of São Paulo/Rio de Janeiro/South. Something in nordeste would be so cool! Heavy slang/accent not even the rest of the country understands; beautiful beaches; people taking overcrowded buses, people skipping classes, people drinking way too young, carnaval in nordeste ♥, idek what kind of parties teenagers in nordeste have, but i would like to see. Catholic holidays. Afro-brazilian religions, brown people everywhere! one token white guy, Wilhelm probably. Football!, lots of memes! Trying to incorporate twitter in the narrative. Lot's of dissatisfaction with the current government, especially if it takes place in nordeste. give me money i would do it. and i'll even make sure to put some 'ele não' stickers in every single clip.

7)What would a season based on your life look like? What would it concentrate on? Boring probably. Maybe deal with mental health, growing up in religious household, coming to terms with my sexuality. And how everything intersects.  

8)Do you have a character you headcanon as aro,ace or nb? I must confess I'm terrible at headcanoning. I usually go with mostly established fancanons. Like, I like non binary Mikael, and aro/ace Lin and theirs remakes counterparts (mostly druck because italia doesn't have one and I fucking hate the french one. is Esra Lin? was there one in skam austin? i dropped s2)

9)Assuming you have 👀 original Skam, would you like the cast & crew to come back and do any future seasons/films to update us on the characters? Yes. Years in the future I wouldn't mind to see a special or a film about them and where they are in life. Skins did it and it was amazing. I'm sure if Julie wants it can be done. (i just hope she doesn't half ass some of the characters like she did in those books like 'you, you and you very detailed future and you, you and you *looks smudge in hand* idk kindergarten teacher'.)  

10) What was the order you 👀 the versions in and do you think it influenced you which versions are your favourite? No, I don't think the order in which i watched the remakes has any bearing in my favouritism. But the order I watched it was as they came out. Skam france first, then Druck and Skam Italia. Later then, Skam Austin and Skam nl. It took me a while to watch Skam Spain and I still haven't seen Wtfook. I just got to a point I was so dead tired of seeing the same thing again and again with no significant changes whatsoever.

11) Do you think the fandom is just too negative or do you 👀 it as a valid criticism? I don't like to think about the fandom so generalized like this. I think there can be a lot of negativism but it also there's a lot of valid criticism. And I think both are valid. I mean, and especially with a show with a format such as skam and it's remakes, it calls a lot to instant reactions. A clip drops and we might get mad and pissed by the direction of the plot or characters or whatever, and it's okay. Might we be wrong by tomorrow? Yes. So? ... Like, let people be mad, let people be wrong, let people be happy. You might not agree and that's okay, but let people be. All your sentiments are valid, even if they diverge from other people's. One thing I hate is posts that start like "people need to stop thinking...." or "people need to see....". We need to accept that people are different, people have different opinions, and just because they are different they don’t have a different place in fandom than you. This also leads to people ignoring criticism because if you like something that something must be perfect. And I read a lot of posts with the tone of 'if you don't like it, drop it, stop watching, etc' and I don't think that's the road to go either. So let's be more accepting of each other, i guess.

So, my questions: *i’ll be copying some questions because they are good*

1. What skam and each remake you watched taught you?

2. What would you tell someone to convince them to watch skam and every remake? At least one thing for each one that you’ve watched. 

3. Was there any moments that shocked you?

4. Set you would like to visit?

5. What character would you go for advice?

6. Favourite scene in a remake that wasn’t on the original?

7. If you could go on a date with any character, who would it be?

8. If you could make a season for one character, who would it be?

9. Is there a character you didn’t like in original that you ended up liking in the remakes?

10. If you could watch only one episode for the rest of your life which one would it be? (one for skam and one for each of the remakes, it doesn’t have to be the same)

11. If there was a skam remake but that took place in university with one would you like to see?

I don’t know if I know 11 people! aoidoaijdaosidj So i’m tagging these people but feel free to completely ignore me if you don’t want to do this. @fille-lioncelle @hjertetssunnegalskap1 @smores100 @viro-major @tulaqis @procrastinatingbisexual @ilovenyclife @harryxtimmy ANd hey, if you happen to see this post and wants to do it, just go and do it!!!

[mswyrr]

Jo Martinez thoughts

I really like her. I thought the writing was stronger on the front half of the season and took some missteps on the second half, though.

I really liked how it started out - she’s a widow in her 30s, so she’s alienated from other people in her age cohort who have partners and kids. Hanson, for example, tries to reach out to her, but there’s a barrier there. She can’t share the parent stories, or the married people jokes. And if she goes by his house for dinner his family would be wonderful to her, but it would be, for her, like watching all this happiness that was taken from her. In addition to being just sort of awkward... what do we talk about? What do we have in common?

Are they going to pity me and try to hide it or try to push me to get back to living sooner than I can so I’ll have to feel guilty about that?

In the middle of that experience, the two people she bonds with the closest are outside her age group. First there’s Henry, who’s in a similar spot as her: seemingly 30something, should be living the prime of his life, but he’s basically a widower and the grief is still fresh for him because of how time passes for him and his lingering questions. He instantly understands where she’s coming from. He offers quiet understanding and acceptance that she feels. He tells her the things he himself has struggled with doing, like finding a way to really live again after a bereavement. But he doesn’t push and being around him doesn’t feel raw with guilt or pity or awkwardness like it does with other people who seem to be her same age.

I LOVED all of that. It recognized that if certain tragedies or other things befall you in life, you can end up as alienated from your “proper” age cohort as Henry is from people who are the age he seems to be. That was some thoughtful writing IMO. I’ve definitely felt that myself. For other reasons than Jo’s but it was still satisfying to see that acknowledged - and so lovely how it created a bond between these two people who were otherwise so different.

Jo then bonds with her lieutenant, Joanna Reece, over the guy she had to kill and the burdens of their chosen profession. Reece is older and has a perspective that, again, is accepting. She knows when to understand and when to push a bit. They hang out together at the shooting range and it feels like real companionship. I really liked that. I wish they had continued to develop that: what if throwing herself into work and wanting to rise (to take an LT test herself or something? Forgive me, I don’t know how the NYPD works) was part of how Jo coped?

Instead, well, first the plotlines mesh up, with Henry having to kill for the first time in 200 years - that switching of roles, where suddenly she’s the “expert” in this grief and able to lend him acceptance and advice was really great. Dovetailed well, allowed Jo to have her own story but also... well, you know, Jo is to Henry what Ash is to Michael over on DSC: well written love interest (though Jo IMO started out as also a second lead and that felt like it waned a bit? IDK.) What’s happening to them has to relate to what’s happening to the lead because that’s how narrative economy works

I thought it was a rather elegant way of making it work though. So it was all good up to that point! And they could have gone some other directions with the echoes/resonances, maybe dealt with Jo’s family more? Since Henry’s story is all about family in this lovely way. IDK.

But then they made what I felt was their one major misstep, which was starting the romance plot full gear for her *before* the “secret reveal” plot. Henry’s prior major loves, Nora and Abigail, both found out after they were in love with him and responded according to their own personalities (Nora was a very normal person who couldn’t handle it, Abigail had the inner grit to embrace it, though she did struggle too as she got older especially).

Okay, so they’ve done that pattern twice - woman falls in love, finds out. Why not let Jo find out as a close friend first? Keep the romance on a slooooow boil. Let her go through all the wonderful angst and complexities of being in on the secret as a dear, close friend. Becoming part of the kin group: I especially think her and Abe would have a lot of bonding to do. Abe has been quite lonely in his singular role of knowing and looking out for his dad. That could have been lovely! And then she could, over the next few seasons, actually be unique: the first person to fall in love with this guy knowing him as he truly is, rather than having to adjust after.

I particularly would have LOVED if she’d actually got to spend some time knowing that he was like her, a widower who feels displaced in part because of that loss. Instead it’s all just this subtext that she feels the depth of and we get but she is not allowed to understand.

It would also mean that when Henry finally discovers that Abigail is dead for certain he would be able to turn to Jo about that and we could get that from another angle, their bonding as a widower and widow. And, for his part, I think Henry needed to be shoved into the deep end IMO re: having his secret revealed and letting go of control on his end and then choosing to stay and deal with that with Jo.

Instead, in keeping the secret from her so long and turning up the flame on the romance from her pov - well, it keeps her sidelined from what is the real emotional/thematic/plot core of the show. So she has to be in the unfortunate role of being lied to and deceived at every turn, of playing a barrier to plot progression, someone to be gotten around. And, since Henry isn’t letting go of control, her falling while he’s still lying to her feels like the power dynamic emotionally which was so keenly balanced and lovely goes a bit wobbly.

I was delighted that the finale ended with her pushing for real answers! And I felt Abe’s “tell her!” in my bones. But even if that had been the first plot of S2, I do still think the choice to have the romance plot heat up faster than the secret reveal would have been a less than optimal option. For my tastes.

No shade on the series: it wasn’t a fatal mistake or terribly awful or anything. But I did feel like they kept all the plates spinning better in the first half of the season. Still, I really enjoyed the special stuff they did with her story (an actual 30something “displaced” from time/her age cohort vs. our lead who just looks like it) and I liked the romance in theory and in execution most of the time, just not as much in the final arc of S1.

[gamesandfandoms]

So...

Since I watch Black Lightning,I decided to watch other superheroes shows from CW.I started with Supergirl.

This show is absolutely horrendous,so many plotholes and they give a rather hypocritical message and they cannot handle proper arcs.

I've seen people praise season one and i'm asking myself,why exactly?Kara intervened between James and Lucy who were mending their relationship back together and to be honest they've were better as a couple since both were mature and they practically knew everything about eachother.

The story of S1 seemed undermined by the whole "Kara has a crush" plot,i mean for heaven's sake her OWN BOSS gave her advices on how to draw James's attention.Cat Grant's sass and snark was an absolute delight to watch and I have to say,her lowering her armour to mentor Kara was brilliant (I assume she's one of the reasons S1 is praised).I did enjoyed Winn as a character.Kara and James's relationship struck me as a freshman had a crush on a senior type and nothing more.James himself did some questionable things (him asking Kara to reveal HER secret to Lucy so he could save his relationship).the only episode worth watching is the Red Tornado (Melissa's acting was fantastic,just beautiful) and the Red K episode (again Melissa's acting and this time Chyler's absolutely amazing)Anyway I decided to keep watching because of that cliffhanger.

Then S2 comes around,no Cat,no Maxwell Lord,no Lucy Lane.

Instead a new set of characters appear on my screen. Lena Luthor (who i thought was Lex Luthor but female version but no apparently she's his half sister) who wanted to "make her name for herself" while ....taking over the company her brother built and just changing the name?Man that's gotta be easy.I'm not gonna go into her as a character because i didn't found her interesting at all.

Then i was intoduced to Mon-El who's first scene (wake up scene) reminded me of Thor's fight or flight.And Kara's reaction when she found out he's from Daxam (who's apparently a bad planet ) came off as xenophobic,i mean are we gonna judge one person because of the place he's been born,is that really the message you want to give?I did liked the back and forth discussion between Kara and Mon-El when he was in his cell,despite the fact that she just flung him around like a ragdoll he was still a jokester and tried to loosen up the tension and clearly there was alot of chemistry between the actors.

Moving on,the absolute second I saw the scene when Mon-El talked about the royal family and Kara's comment about the prince I knew he was the prince (Like how fucking obvious can you get) anyway,I did liked Mon-El's fish out of water moments and his apparently immediate bond with Winn.

Then Maggie comes around and her first interaction with Alex was 🔥🔥🔥🔥 ,they had me hooked and wanting more of them.Again amazing fucking chemistry between the actors,I mean that "See you around,Danvers" oooff!And them doing their detective thing were Kara was like "Tf is going on?" loved it,they felt so damn natural.

At some point Kara decided to "mentor" Mon-El but she failed at it miserably.I wouldn't call "forcing someone into a mold you've made" mentorship and that brings me back to the thought of her mentoring Clark and I'm kinda of happy she didn't get the chance to do it.What surprised me was Mon-El,he did get alot of crap from Kara yet he still praised her whenever he got the chance to do it.Then it was obvious those two were gonna end up together,which I didn't minded personally but I would have preferred them to have a better written mentor-student ark before they jumped into a relationship.

Meanwhile Alex's coming out story was beautifully written but it pains me to say that they've made too much of a fuss about it like her sexuality was everything. (Look at BL,Anissa is a lesbian yet they don't let that define her as a character,it's just her character and that's it,they normalised it and I wanted that for Alex),I wanted to know more about Maggie but instead I got Cadmus who by the end of the season that ark brought barely anything interesting besides Lillian Luthor and also its unfinished.And they've rushed the whole "wedding" thing (I'm saying this because who the hell doesn't talk about kids before they get married and all that stuff).

Both Kara with Mon-El and Alex with Maggie deserved better written couple arks and if the writers were actually capable of doing that they would have been able to make every character side or not,shine.

Let's not forget James who decided to become the Guardian because of....what exactly?Not only did he endangered Winn's life several times but he completely ignored his "friend" when he wanted to talk and made it about his own persona. (Was he always this insufferable?)

Anyway to make my rant short,alot of characters have done some things that raised a red flag,none of them are excusable but anyway by season three's end not one,not two but three characters I was growing quite fond since they've had character development even if they barely had any scenes at times are gone and the plot of season three is so messed up and I was left with characters that I find absolutely unnecessary to the plot nor interesting enough to have their own arks so I just couldn't force myself to watch until the end even for Melissa and Chyler but I did,I took a break and continued watching it a few days later and god can I just say never again.

This show screams about equality and all that but the way they put out their stories it's just hypocritical to the point where you roll your eyes.They depower the male character to make the female stronger while claiming "equality" ,they waste precious screen time on absolutely idiotic plots that don't bring anything to the story.

I'm not even gonna bother to continue watching this excuse of a feministic show.

A pity,really it looked like it had potential but I'm gonna stick with Black Lightning,a show I could spend days to praise and point out how even the side characters are amazingly interesting and well placed into the plot.

PS: Before any enraged fangirls decide to jump on me,remember this is an opinion.If you do not like it,I understand that and I respect it,I only ask of you to respect mine.

[pinkletterday]

Okay so the Flash tag was very misleading. This wasn't the best 100th episode they could have done but it was the sweetest.

Don't get me wrong, none of that painfully contrived plot made a lick of sense, starting with being so blasé about going back in time when its pretty much the golden rule for them to not do that anymore (and er. Did Hunter Solomon just get Time Wraithed five episodes too early? What?) Nora not knowing Eobard killed her grandmother what in fuck and the whole thing about popping up the same day S2 Barry did (I know it was supposed to be all tense and menacing but I was giggling so hard. Someone should write a fic about various Barry Allens interrupting Thawne's work day to heckle him into fixing more and more shit. "Hi. My name is Barry Allen. You killed my mother. How do I fix the plumbing in STAR Labs? Bitch.")

AND FOR GOD'S SAKE WHY DID THEY KEEP VOLUNTEERING THAWNE INFORMATION.

After all that, the plan didn't even work.

BUT OH MY GOD I LOVED KILLER FROST. She is the most badass bitch and I can tell DP has a blast playing her. Train her up and send her against Cicada for real, cause that fight I would watch.

I loved seeing Eowells with Cisco and Caitlin, I loved revisiting all those milestone moments through Nora's eyes, and my God this episode was 75 % the tour de force that is Tom Cavanaugh. He nailled every scene - the suave menace of pre-series Eowells, the barely contained malice of S1 Eowells, the frenetic single-minded, almost callous version of Harry we first met and (sigh) Sherloque. Who somehow managed to be so distinct from the other personas that I didn't even think to compare his absurdity to the groundedness of Harry and Eowells. Cavanaugh's direction was also beautiful and seamless, even with all the recycled shots.

I didn't even mind missing Iris as much as I would have - she was always there somehow, maybe because of Nora. Mama Flash trying her hardest not to be the closed off woman who holds her daughter back, encouraging her husband to do the same. And then stepping back and letting them do their thing, trusting them to come back home to her.

Seeing her shooting Savitar to save Barry, seeing her be the one to hold and comfort him before they were ever together and then watching them so young and innocent waiting in the crowd during the pilot really encapsulated their journey together (thank god Eddie wasn't in this. Nothing against the character, I just hate that he existed at all). Iris has always been Barry's secret hope through his whole life. During the Zoom episode they were still tentatively trying to find a new footing between feelings that could not yet be spoken and the entirety of S3 was spent in terror that fate would still rip her away. Now they're rock solid and their daughter is right there next to Barry, the promise and realization of everything he had ever hoped for him and Iris.

I love Iris and Westallen, but The Flash has always been Barry Allen's story first. Taking his daughter through the journey of all his mistakes and defeats instead of his victories was such an aching, vulnerable choice. I'm not perfect, I've never been the man you think I was, I have made so many mistakes and been hurt so badly and all I have learned from it is how much I cannot change, no matter how powerful I become, no matter how much I love. It was the moment when he went from "father" to "Barry Allen" in Nora's eyes; when she started to see him as a person first. I understand and I still want to know you. Still love you. It was the most heartaching moment. And such a shock for Nora to realize that they both know the trauma of losing a parent, such a terrible connection to share.

Nora visiting her grandparents killed me. The Allens so young and happy and whole, not knowing their lives are about to be ripped apart in moments. Barry simply turning up at her side, almost casually, guessing she'd go there because he does the same thing. The quiet, sad resignation in his eyes when he says "every day." He has had to experience and accept Nora's own nightmare, that nothing she does will change her family's fate. How many times has he time travelled just to see his parents like this, knowing he could change it but also knowing the price of doing so is too great? His family in front of him, flesh and blood and alive, but still only ghosts he can never touch nor save?

But then Nora's there, again the living reminder of all that he stands to gain, all that of himself and his loves that will continue. Nora carries Barry's mother and father in her blood, Iris and Joe, and the legacy of his own life. And she's there, smiling at him, pulling him out of the past into the future.

Barry is still young, but he's aged beyond his years. The non-linear confusion of his life doesn't help him advance in stages. He's twenty-five and shaped by a vendetta ten years into the future, he's twenty seven and faced with himself a thousand years old and warped, he's watched every timeline unfold in the Speed Force till his mind broke apart, and now he's the father of a young woman he's never yet held as a baby and still loves with all his heart because she is his. It's such a surreal dissonance of age and identity when Nora calls him "old man". For a moment, he remembers that he's still young, and young enough to be hilariously offended by it.

I'm not going to touch on the Nora-working-with-Thawne "reveal" because we've seen that coming from the first. Instead I want to gush about Jessica Parker Kennedy. You guys, this woman is incredible. She was the sweetest, most precious thing this episode, the perfect audience surrogate. She has killed every scene she's in so far this season, so much so that her calling Barry and Iris "Mom and Dad" has never seemed weird, her love and connection to them has never seemed untrue, keeping her character so emotionally balanced right where she needs to sell it that we don't think overmuch about her bizarre age situation (2049? Really?). I don't know why this fandom doesn't appreciate her more, especially the Westallen fandom. Nora is literally the legacy of the show and of Barry and Iris's love. I cannot imagine anyone other than Jessica doing it so much justice.

Special notes:

- I wish we had more Golden Trio moments. Barry, Cait and Cisco's friendship was the lynchpin of the first two seasons and its disintegration in the third season is something that still hasn't been healed. SHOW ME BARRY'S CARE AND LOVE FOR CAITLIN SNOW. SHOW ME BARRY'S LOVE FOR CISCO.

- I am always torn between appreciating what this show wants to tell me and frustration of how badly it's usually told. Nora seeing Iris being Barry's comfort and support during one of his worst moments before they were ever together should have been heartwarming. But instead of showing a sweet, silent moment where Barry is allowed to curl up in her lap while she holds him in the aftermath of a traumatic experience, we see her pushing him to get up again before he even changes out of his suit. It made the scene seem so forced and contrived. Sometimes it's like the writers only know the theory of how humans work.

- It stood out to me again how embedded Cisco is in the emotional narrative of this show. It's Barry's story but Cisco's universe, his presence is vital, ubiquitous, pervasive. Seeing him innocent and sweet and vulnerable with Eowells, craving his approval, and then seeing him face down Cicada as a confident full-fledged superhero (are my baby's hands healed now?) was so satisfying. His character arc has been so amazing and consistent through four seasons of shoddy and uneven writing. He is literally the Samwise to Barry's Frodo and the fact that we havent heard stories of Uncle Cisco from Nora is a farce.

- I know fandom jumped on "at least you still have one" as a reference to Donovan's existence but I'm wondering if it's a reference to Thawne's own daughter Melonie. Did she still marry Don in his future or was she erased?

- I like that Eowells touched on the fact that Savitar was actually Barry. It gets persistently glossed over, that while Barry can't be held responsible for his future self, it was very much still him. I hate that Savitar was our Barry because the fact that any version of him could ever kill Iris is such a fundamental betrayal of his character, but jeez, if you're going to put it out there at least explore the ramfications of that concept in full.

- I missed Jesse L. Martin so much. I had really hoped we could have at least gotten five minutes of recycled footage of him.

- Also missed my cinnabun Cecile, and I want to see Iris interacting with her new sister! I need her to hold Jenna trying to imagine what Nora will feel like in her arms. I want Wally to be delighted at having a sibling he can watch grow up. GIVE ME MY WEST FAMILY DAMN IT.

- I still want my vow renewal (will literally kill someone for it at this point, preferably Guggy. No one will miss him) but that last iconic porch scene with the Allens is a compromise I can live with.

All in all, not the best 100th episode we could have gotten but very far from the worst.

[roominthecastle]

A ‘bullet point text reaction’ post thing to the season premiere would be forking good. If you can spare the time in between all the rewatching and RL, which again might be messin with the rewatching. Ps. sexy librarian ftw.

Apologies for the late reply, anon, and thank you for the interest. I gave it a try but apparently I had a lot more rambling in me than expected, so I’m not sure how much the bullet point format will help. Still, I rolled w/ it behind the cut:

obv spoilers ahead for those who haven’t seen + it’s mostly Michael focused but who is surprised at this point? ok, here we go:

Yes. All hail the Sexy Librarian Guy! 👍

and his ~~flawless~~ Australian accent lmao. I am no native speaker but even I could hear it was just… delightfully off. I love this disaster zone demon so much.

and how pleased he was that Eleanor was pleased w/ that particular “intervention”. It’s a small but nice reminder of how making her happy makes him happy now. #oppositeTorturesRule

it’s a v small thing but I also loved the “fast food link”: Michael being ecstatic about the Pizza Hut/Taco Bell combo & Eleanor fantasizing about Chipotle during Chidi’s lecture on Aristotle. It reminded me of that s1 moment when she tells Michael about those Arizona churro dogs and they both just go ahhhhhhhh at the image + Judge Gen ofc (they love fast food in the afterlife)

also also the sweet ache of Michael being entangled in her ticker tape while insisting on nudgy-nudge-nudge her & Chidi together bc that’s how it should be is still pressing hard on my heart thank you v much

but

I think that being deprived of close contact w/ his humans is causing Michael to slide back into puppet master mode again. His motivation is different or “reformed” now (secretly helping instead of secretly torturing) but his methods, his itch to control everything (and failing), and the rigid focus on his goals are… not so much, imo, and I love it bc this is Michael: he is a nerd but also an idiot w/ Wile E. Coyote vibes. Janet tries to reel him in but she can’t. Eleanor was the only one who could control him and she was the only one whose advice he actively sought and listened to, but she cannot be there for him now, so yes, I am getting a lot of S1 vibes from this double ep complete w/ her unintentionally messing w/ his formula by not falling for Chidi & the arrival of Trevor. *rubs hands*

COCOONS

so many

so… squishy

and TODD! I never thought I would see him so soon but I was right: he is the best lava monster and fork you, Shawn, for being a jerk to him when he was nothing but supportive and even brought you guys Dunkin’ Spiders to snack on.

I love Shawn, he is the perfect baddie, and I love that we got another glimpse into how TBP operates w/ all their excruciatingly low-tech gadgets. It’s in sharp contrast to (even Michael’s fake) TGP where everything is so neat, efficient, and high-tech. It’s another nice reminder of how the torturers are also being made miserable in TBP in various ways. I can’t blame Michael for wanting to keep his failing experiment running as long as possible.

Judge Gen (who continues to be a delight and way too relatable w/ her binge-watching of media content) is so up to something, people. I cannot shake this feeling that this whole “Operation Resurrection” is not what it looks like on the surface at all. Maybe it’s an experiment within an experiment sort of deal. I mean, why does she trust Michael of all creatures w/ the monitoring duty at all?? She might be quirky but she is def not stupid. She must know he’s a natural rule breaker who’s incapable of sitting still for longer than 2 seconds and he’s not at all impartial here. The way she set this all up reminds me of the test she gave Jason, and Michael is already failing just like Jason did bc he couldn’t opt out of “playing” due to lack of impulse control and a massive personal bias regarding his favorite team, the Cockroaches. idk what this will mean long-term but I think he’s gonna be in a lot of trouble soon.

speaking of Jason and Michael: theirs is my favorite (sort of bonding) scene, hands down. Again, it reminded me of an early S2 moment when Jason stumbles on a brooding, lost Michael and tells him a dope story about his 60-person dance crew that unexpectedly inspires Michael to seek out Eleanor & Co. The situations are reversed here but it’s an excellent parallel, esp when you compare the two scenes and see the development in both characters and their relationship. Jason is a bit   more grounded and Michael is less dismissive and much kinder to him now. I also love Jason’s continued immunity to Michael’s b.s. It’s different from Eleanor’s (his is stupid-based and hers is about being smartbrained) but it works and pushes Michael to just level w/ him and the second he does, Jason becomes instantly receptive. It’s just a really really great character moment that also moves the plot, so it’s basically perfect. Also I think this is the moment when Michael is temporarily pulled from his puppet master mode due to being near one of his human friends again, and his other side peeks out as he lets himself rest a bit - it’s in his body language, too, as he leans back against the bridge railing and has a semi-honest chat w/ Jason.

Michael’s disguises are an eternal source of happiness to me. All of them (and based on promo pics, more is coming). I also love the way he approaches each human bc it is reminiscent of how he steered them during the reboots: to Eleanor he gave a small clue and just let her chew on it and work w/ it. W/ Chidi, he was more direct, posing as a wise helper/guide. W/ Tahani, he targeted her sense of self-worth. W/ Jason, he gave up after 5 seconds and just told him what he wanted him to do.

I doubt his aliases raised many eyebrows, tho, not in a universe where Simone has colleagues called Mrelk and Catapulp :D but Eleanor seemed to have a bit of a “hmm” reaction to the name of Dr. Charles Brainman, so… we’ll see.

Dr. Simone Garnett had probably the smoothest entry into an established character group, imo. I’m usually sensitive to changes like this but it’s like she’s always been here - another excellent casting choice right there. I am not gonna touch shipping issues, thank you, but I love how Simone’s presence, which is a lot of fun in itself, instantly enriched the landscape of relationship dynamics regarding the present, the future and also the past. I feel that every character combination exists somewhere in canon whether it’s explicitly on screen or not, and that’s just an incredibly freeing, resourceful attitude to have on a show w/ this sort of “multiverse” setup, imo. They have the premise, so why not milk its full potential? The writers use relationships as tools to aid character development, they have admitted as much already, and I am looking forward to seeing what other combos they have in mind and how they play out.

despite his limited screen time and despite him spending most of it being flat and emotionless, frog guy aka The Doorman managed to deliver the biggest punch in my heart w/ that reaction to Michael’s gift. I.crumbled. the way his flatness did when he saw the frog on the mug. Thank you, Mike O'Malley.

It’s probably a good thing that they are becoming buddies now bc w/ evil Trevor in the mix, Michael’s gonna turn that Earth entrance into a revolving door. Unless Judge Gen is onto him and steps in at some point. And I still don’t know how he will interact w/ the team now since they’ve all met him already and he was posing as a different person each time. And given his track record, whatever solution he comes up with, Eleanor will see right through him eventually anyway.

ok this is way too long already, so I’m just gonna say that I am very excited for this season, I love the new setup, I miss the fake Good Place but the university environment is growing on me fast, too, and just bring it, show, ok?

my body is ready

[janiedean]

Anyone who think Kit is a good actor is an idiot. And there's so many of them. That's why the world is getting worse and will be dominated by robots 🤖

oddmy dearest @the-bitter-gremlin hopefully you’ll get the tag because I really wanna make sure you see this reply :’DDDDDD

now, point the first: thanks for calling me an idiot! :D I mean, okay, not that grades mean anything of course but given that I went as far as graduating HS in the top five of my class, that I have two degrees one of which with the highest possible vote in a field that’s technically not too easy and that it’s even certified that I speak at least one language at native-tongue level and I can get by in two others other than mine I think my brain is fine enough, thank you.

I also watched more movies than the average person (no, I did, really, I considered studying cinema instead of going to proper uni for real), my top ten favorite movies is all stuff made before the nineties except for one and all my favorite actors are Certified Good Actors Like For Real and I got called a snob for my movie/actor taste more times than I can count. the only reason I’m doing this long-ass preamble is to inform you that if someone can’t act, I can recognize it and I have absolutely no problem admitting it even if it’s someone I like as a person or whose work I enjoy. for one, I can 100% admit that my favorite italian actor when he was nine back then was pretty atrocious (he got better admittedly but I haven’t followed him in a while, so who cares), and I still enjoyed his movies anyway even if he was terrible and I even knew it, but hey, he was hot, so who cares, right? and I enjoyed a fair amount of horribly acted italian fiction because it was fun, so really, I don’t have anything to lose here.

this was all a long preamble to tell you that yes, my favorite actor is marlon brando not the first idiot passing off the street, and yes, kit is actually good at what he does and no, people are not idiots for thinking that.

now, never mind that idek if you saw him in anything that’s not GOT, but the only movie of his I’ve seen where he was really meh was the spy movie and that was because the entire plot sucked ass and the character was terrible but everything was terrible. for the rest, he certainly pulled a better american accent than half of the british actors I’ve heard (it was brimstone by the way, excellent movie, watch it), he can do comedy (watch seven days in hell :D) and ah, yeah, he’s just making a movie/finishing a movie with xavier dolan who’s like… not someone known for picking bad actors. also, uuuh, he went to school for that actually, but not just anywhere -

ah, wow, HE WENT TO THE SAME SCHOOL WHERE LAURENCE OLIVIER, VANESSA REDGRAVE AND JUDI DENCH WENT but okay, sure, they’d totally take someone talentless according to them? and actually:

In the 2008 Research Assessment Exercise the majority of Central’s submission was judged “world leading” or “internationally excellent”. The school has been ranked highly by The Guardian, placing it sixth in its league table of specialist institutions[9]and ninth for Drama and Dance.

LOOK AT THAT, TOP-NOTCH SCHOOL.

now, what is that british acting schools prepare people for? theater.

which means that he’s a theater actor first and foremost, which shows in his damned acting because if you notice he does half of it with his voice, but I guess you were too busy thinking he’s too good-looking to act, right?

except that not counting theater stuff, GOT was the first job he had *and* his first job on tv, which means that of course he wasn’t as good as the others in the beginning, because a) acting for the theater and for tv aren’t the same, b) it was his first job and not everyone is named leonardo dicaprio and can act their way out of a what’s eating gilbert grape at seventeen.

thing is: while at least one of his co-stars hasn’t improved in the role they have (imo but it’s also the writing) and most of the others GOT actors are either seasoned professionals or had acted for the camera before and had less issues adapting to it, he actually got better, and he actually acted a lot better when he was feeding off other people. case in turn:

that’s jon and jaime in s1. admittedly, not kit’s best effort unless you interpret it as jon being so lovestruck by jaime being around him that he’s like 404 page not found, and he had one scene with NCW from then until S7, and they didn’t even interact. NCW is miles better than he is here, obviously, but like, NCW has been in the job since the early 90s and I assure you his first danish movie isn’t his best acting effort either even if it’s not bad. BUT, let’s go to another S1 scene:

jon and sam discuss sex, yey! here he’s with a guy - john bradely - who’s probably (at this point) better than him at reciting on screen, but with whom he’s had a lot more scenes and that is playing his best friend and with whom he presumably hung out a lot and with whom he’s had a lot of time to work with. and even if it’s still S1, if you look at it it’s miles better - he does a lot more of microexpressions, he never looks at the camera (first sign of bad acting btw, he didn’t do it in the previous scene either but there he looked starstruck all the time, here he doesn’t) and like, you can already see that there’s a vast difference in between the two. and it’s the same season, five episodes apart - supposedly they also filmed it later and he’s already more at ease with it. 

now, small pause to remind you that at this point jon doesn’t have too much extra baggage BUT that kit actually read the damned book and you can see it because he makes very precise choices ie in the book after jon burns his hand he flexes the fingers of the hurt one every time he’s nervous or he’s about to lie or something, and he does the exact same thing (link here btw), and fyi, with the exception of partially alfie and gwen, no one in the cast actually went as far as that so HAHAHAHAHA WOW SUCH BAD ACTING, INNIT? anyway, that was season one. I’ll spare you and myself S2/¾ also because if I link you the jon/ygritte scenes I’ll shoot myself in the head. instead, let’s go to season five and 5x02, as in the season where I literally would have quit the fucking show if it wasn’t for jon’s storyline.

if you look at this, he doesn’t even say a fucking word until the ending, and you can see exactly what he’s thinking just looking at his damned face, because if you pay even the slightest bit of attention you notice that he changes expression minutely with every damned word sam and thorne say, you can see his eye movements, then he goes from complete sour to sad to angry to surprised to delighted to worried to happy again in the span of four minutes without even talking once and it’s miles better than anything he did in S1. 

or you could also rewatch the scene where he punches ramsay in S6 where he does a lot of microexpressions that speak for him without even talking, again, in an episode where he did all the stunts on his own same as the rest of the show, and that’s really not little given all the work it goes into being, uh, the main character, who also happens to have to be a seasoned fighter and use swords and so on. (I can’t link but I think I exhausted my limit for linking videos on tumblr so whatever *SHRUG*)

guess what: HE IMPROVED. GREATLY. IT SHOWS. learn to watch the damned thing, it doesn’t take going beyond GOT to realize it. and now, two last things I have to say to you before I finish this because I honestly wasted too much time on you already.

one: he might not be the best actor around - fair enough -, but kit’s definitely good imo. not passable, not decent, not average - he’s good. and he’s learning and he’s improved tremendously in the last eight years and it shows, and he put enough effort into this role to a) read the canon, b) incorporate the canon into it, c) actually changing scenes so that they fit canon more, d) do all his own stunts, e) carry 60% of this whole damned liver-destroying show on his shoulders since at least S5 in which his sl was the only saving grace of the entire thing and he executed it perfectly, so kindly fuck off and don’t go to people calling them idiots because they think an actor is good.

(ps: I

two: going into people’s askboxes and calling them idiots because they enjoy something and insulting what they enjoy is a) rude, b) uncalled for, c) an asshole move.

next time let me/us/whoever enjoy this guys’ acting in peace and keep your fucking opinion to yourself, because honest, if I could spend twenty years out of almost thirty of my life keeping my mouth shout about how much I hate HP to a) my rl friends, b) my internet friends and I could keep myself from informing them that I think it’s really bad under their posts or in their inbox or to their face because I’d be an asshole if I decided to shit on what they like, then you can pay me the same favor (or about anyone else) and not go around dissing stuff people like to their faces when they said openly they like them.

sayonara and call me when you get an emmy nomination :’)