#in fact it leads to interesting discussions!

[raven-at-the-writing-desk]

Why do you play twst en if you hate it sm?

Firstly, I don’t “hate” TWST EN, nor have I ever stated that I feel that way about it. All I’ve ever done is point out differences that I feel impact how the work or its characters can be interpreted between the two versions and expressed my disagreement about some things in EN (albeit sometimes in an over-the-top way). It’s an area of great interest for me as a writer, as official content informs how I myself portray the characters and the world in my own works 💦 I’d appreciate it if you didn’t make assumptions about what my feelings are about the localization, especially if you’re going to use a word as strong as “hate”.

Even in my earliest discussions of TWST EN, I’ve only ever referred to the localization as a “mixed bag”. In my initial reaction post, I am fairly balanced about the matter and state things that I liked, that I disliked, and that I was neutral on. At no point do I blindly rage about EN, imply that TWST JP is somehow “superior”, or tear others down for enjoying EN or for working on the localization team. I try my best to speak mindfully and to explain my thought process when I point out a discrepancy between the JP and EN. Both have their flaws, and the original material presented in JP certainly isn’t without critique. (I’ve spoken at length about my feelings on Endless Halloween Night and episode 2.)

It is possible to enjoy media while also not agreeing with every single aspect of it and being critical of the changes made. For example, I personally enjoy the puns that are often included in the localized titles for the events, and I’m interested in seeing EN’s interpretation of the characters’ lines, even if they may not be entirely accurate to the source material. In fact, I think EN nails some of them super well (especially Ace and Idia)!! Others read like entirely different characters, and that’s important to make note of. Yuu’s dialogue choices also have a lot more personality and sass in them, which I like. However, I can also disagree with some of the decisions made in localizing TWST.

Sometimes there was nothing wrong with the original to warrant a change (like unique magic in JP to signature spell in EN). Sometimes a change doesn’t make sense or is inconsistent (like, why keep Floyd’s favorite food as takoyaki in his official EN profile, but also censor takoyaki in the text for the cultural festival scene and replace it with another food entirely). Sometimes there is cut content that contributes to a character or to the story (such as the erasure of weight, the uncomfortable history between Kalim and Jamil’s family, and a whole song in episode 5). Sometimes there are blatant mistakes (misspellings, grammar errors, incorrect information) in a professional work backed by Disney and Aniplex, whose higher ups can afford to put more money and marketing into the project.

These are perfectly valid points for anyone to make, and I feel that if players notice things, then they have a right to talk about it. (That’s why the game takes feedback and patches the app to fix stuff.) It doesn’t mean that I (or anyone else that critiques EN) dislike the localization as a whole. There’s plenty to like about it, but it also isn’t free from scrutiny.

Please recognize that there is a difference between “critique” and “hate”. “Critique” is analytical and is done with the intent of sharing knowledge, having a critical discussion, or because the person giving critique cares about the work and how others perceive and react to it. “Why does this not work well? What would work better and why? What was the thinking behind this move?” This does not hurt anyone. “Hate” is a passionate dislike for the work, oftentimes without considering other points of view or the good aspects of it. Hate does hurt and/or attack people, be it fans of that work, the dev team, etc. Sharing thoughts is not a binary of “love” on one end and “hate” on the other end; nuanced thoughts are allowed and should be encouraged in fandom spaces.

I’m playing EN for the same reason that everyone else is: because I want to experience it and to have fun in my own way. There’s nothing more to it than that.

[shenyaanigans]

the journey of a writer is you begin writing just for the sake of writing and often hand wave details that aren't that important to you to get to the fun bits. then you decide you want to improve and you go through a rigorous process of thinking about lots of mechanics and abiding by sense and rationality, because the most damning insult to a piece of fiction is testing the reader's suspension of disbelief too much. this level of self criticism then colors the interpretation of other texts as well, where they are held to a particular standard where every detail must be perfectly logical, well researched, and contain no contradictions (cinema sins, if you will). nirvana is when you realize that doesn't matter and you go back to hand waving details that aren't that important to you.

[moodr1ng]

im in this nonwhite-only lgbt group in my city (or at least i attended like 1 event and im in their whatsapp groups) and like im glad to be in it ig but also the fucking conversations are abysmal. someone just sent a message warning people to mask up bc theres another rise in covid cases and someone else replied "were filling up on essential oils!" and im just expected to act like thats a reasonable thing to say. this new age shit in lgbt spaces is insane to me like.

[ochibrochi]

spontaneous magic manifestation was NOT mentioned in the parenting handbook 😬

I know this isn’t how magic in dc works, but the fact that Damian’s ancestry includes some pretty powerful magic users is… INTERESTING 🤔? Drabble under the cut!

I wanna preface that I'M NOT SAYIN' that Damian should/does have magic powers, but there’s still so much unexplored potential with Damian's character, and the thought that he has a dormant adeptness in magic is somewhat compelling to me. Most importantly it would FREAK! BRUCE! OUT!!!!! What is this, magic puberty 😭??

By DC laws, anyone has the ability to learn magic, but it is also possible to be an innate ability. The Al Ghuls are no strangers to the occult-- Ra's has had increasingly been portrayed as a magic user, and the recent establishment of his mother being a sorceress/witch?? Even Talia dabbled in a bit of magic, I think. There is a catch that their power is suggested to be due to Lazarus exposure, but for arguments sake let's say the Al Ghul lineage is inherently proficient in magic (and Lazarus exposure simply enhances it).

I can't recall "magic" being a part of Damian's training/upbringing (I'm still slowly catching-up on Damian comics so apologies if I miss any canon examples of magic use). Not sure why Talia wouldn't want her little "heir to an ancient assassin empire baby" to learn magic, but it would at least give reason to Damian not knowing about his magic potential, or lack of interest in it.

Through the power of pseudo storytelling, what if Damian's encounter with Mother Soul could have triggered a manifestation of magic that was once dormant; like a pressure cooker waiting to explode with energy when it hasn't been given a safe outlet.

I've yet to read a satisfying arc where Damian truly gets to contemplate his Al Ghul roots outside of "dad is good guy, mum is bad guy". Damian's initial character growth stems from him running away from, and renouncing his association with the League (i.e. "I'm nothing like you, mother and grandfather!").

The most recent thing I've read was Robin (2021), and whilst Damian is much more cordial with his mother, there's still an emotional distance and sense of distrust/resentment (for good reason, even if the context was some cartoonishly evil writing). But there is a silver-lining that they still appear to be fond of each other, in a melancholy kind of way.

Realizing he's "genetically" primed for magic would be especially confronting to Damian. There's no denying his Al Ghul blood, forcing him to confront a facet of himself he can no longer ignore or reject. A family that he likely has to approach for help/guidance.

Damian is put in a position of acknowledging this power could be used for good, to be stronger, to fight crime, balancing it with the implication that what he possesses could be rooted in dark magic (Lazarus enchantment).

If he decides to embrace it, would that be too much of an endorsement of the Al Ghul's dark occultism? Can he separate the two ideas? What if he can't control it? What if he accidentally hurts someone? What if has the ability to save someone where his other skills fall short?

Ideally, I'd love for this hypothetical story to lead into Damian exploring his Al Ghul heritage more intimately, historically, and spiritually (à la RSoB: Year of Redemption adventures). Another little coming-of-age self discovery journey.

I have my own little personal thoughts on what Damian decides to do with his magic powers, but I'd like to leave that open to interpretation... By the end of it I hope that he will at least find some forgiveness over resentment, and a balance between accepting that side of his family a little easier. It is finally a sense of inner peace :)

Any thoughts? Did I get any characterisation wrong? Let's talk over on my DC blog @arkhamochi! I'm currently trying to read all Damian-centric comics until I catch up with the current run. I'm hungry for discussion and analysis!!!!!!

[darksvster]

okay i was asked to post this on tumblr since i posted a mini essay about it on twitter so here it is, i added some more examples and elaborated on my points that i couldn't over twitter.

so, when i first watched episode 207 i thought it was weird how religious rhaenyra was, until ryan condal mentioned the cult imagery. now i think instead of the show making her paranoid and neurotic in the final arc, they're going to make her more of a cult leader figure.

i think rather than leaning into her paranoia and the idea of a "hysterical paranoid mother" after she loses her sons, they're going to have her drink her own kool-aid more and more. it's interesting that this is what emma and ryan discuss in this scene with the dragonseeds in the inside the episode.

i think it's interesting that instead of the show positioning her like "a leader amongst the smallfolk," this episode positions her in a darker light, like someone who is manipulating the people there for her own goals. and when vermithor turns on the bastards, she doesn't let them run, the guards keep them barricaded in.

she is literally enraptured by the fire in these scenes. now that she knows it's possible for others to claim the dragons, she has been vindicated and wants more. this is not a merciful queen who is reaching out a hand to the smallfolk, she's throwing stuff at the wall and seeing what sticks. after all, these are just smallfolk. bastards with no honor. ryan literally describes the scene as a ritual sacrifice.

and who do you conduct sacrifice for? the gods. but in this case, the gods the seven or the old gods, they aren't even just dragons, but the fact that rhaenyra sees herself in the dragons. she says as much in the literal pilot of the episode when viserys asks her what she sees when she looks at the dragons. she understands the power they wield.

she knows that their power lies in the dragons. but she doesn't reflect viserys' belief that they are a power that man never shouldn't have trifled with. she leans into the chaos and fire and blood of the dragons, we see that in the sowing, clearly.

rhaenyra inherited the worst of both viserys and daemon and that will lead to her madness. she's got viserys' strong belief in prophecy (one now exacerbated by her desperation).

we see that faith in the prophecy falter but never truly fade. rhaenyra has always taken is seriously, to the point that everything she's done this season is in response to the prophecy. her pacifism isn't just due to avoiding bloodshed. she makes it clear to jace that before plunging the realm into war she had to know there was no other option because of the burden of the prophecy.

even though daemon has never believed in prophecy or superstition. she's also got daemon's desire and lust for power and strength (something she confessed wanting specifically because daemon is a man when she was speaking to mysaria).

it's a great deconstruction of the chosen one archetype to have her drink this koolaid and believe herself the chosen one only to have that belief corrupt her. emma d'arcy speaks on this in their interview with gq when discussing rhaenyra's growing fanaticism.

I think something that has been happening for Rhaenyra throughout the series is a growing religious fanaticism. After her father’s death, there is this desire to be connected to him in some way. And losing him happens at the same moment as having her throne usurped. And so that thing that would have been such a direct connection to him is also stolen. So in lieu of that, there’s that searching [through] the histories. I think imagining that at some point her name will feature next to her father’s is in some way comforting, and I find it very moving to see a person who in grief has committed themselves to the history books. As the series goes on, I think we see her more and more invested in her faith. She returns to the old gods. I think all of these actions are in search of her right; the thing that she thought she had received from her father, she is looking for evidence again and again. And part of it, I’m sure, is a choice. I think sometimes in times of loss, we can choose the anchors that we are going to cling to, and her faith becomes one. But I think there’s a narcissism in it. I think her connection with her religion is about wanting to reinforce a divine right. And I think, looking at [episode] seven when this miracle takes place, and this man claims Seasmoke, I think she feels that it’s a gift from the gods. I think it’s what allows her to ride roughshod over Jace’s very legitimate concerns about his own status. I think it’s what allows her to stage a massacre, essentially. She feels that she is riding on the wings of her faith. But her faith, and her belief that she is the ruler that is supposed to sit on that throne, are completely enmeshed.

They continue:

What is going through Rhaenyra’s mind as she watches the Targaryen bastards be devoured and torched alive? I think she feels like a god. I think she feels super proud. I mean, I think it’s uncomfortable. I think there’s something, actually, also that ties into the religiosity — even being back in proximity to dragons, to that fire, is to somehow be living her birthright. To be soaking up the divine, somehow. And do you think that she feels as though the decision to essentially stage a massacre, as you say, is vindicated when the two new bastard dragonriders are found? Totally. Without a shadow of a doubt. I mean, it’s horrendous, but I think she is now this sort of emboldened fanatic, [and] I think she’s experiencing events within a far bigger timeline. She’s imagining the history books. And you know, what’s happening right in front of her is awful. But in 300-400 years, what will be documented is possibly a very short war; a huge civil war that was averted, that this was the first ruling queen, that this ruling Targaryen queen expanded the Targaryen’s ability to have dragons within their armoury.

emma's read on this supports what we see on screen when it comes to rhaenyra's newly found zealousness. the religious aspect could lead her to do things that might have been seen as atrocities by her. it could lead to mysaria abandoning her, her riders turning on her, and we would see more of that targ madness.

gods are mentioned several times in 207. first by addam, who says that the gods are calling him to greater things. rhaenyra has never been the extremely religious sort but, in this scene, she looks like she's had a moment of clarity.

importantly, rhaenyra doesn't know who addam's father is, or hugh's or ulf's. this is simply the first time in history that a non-targaryen (at least in her eyes) has claimed dragons. it's something that she believed impossible. it can feel like destiny to the desperate and she's been extremely desperate after losing daemon, rhaenys, and continuous loss after loss with no hope of recourse.

mysaria says that rhaenyra is lucky addam chose to bend the knee to her rather than himself. and her reply is that it is ordained. this religious vocabulary being used is intentional!

her complaint against the lowborn is that there is an ancient fealty from highborn houses. she essentially implies that bastards do not have honor. mysaria corrects her by pointing out that her legitimate half-brothers aegon and aemond aren't exactly delights, but that doesn't make rhaenyra see the light. instead she recognizes that there's fealty to be had from lowborn people too. the order of things have changed, as mysaria says, so she realizes that she can lift up people who have been historically stepped on and give power to the powerless, calling them her army of bastards.

but when jace calls this out, predicting that someone (perhaps hugh?) could lay claim to her throne if she legitimizes these bastards if not by name then by offering them the power of gods. obviously, jace's concern is real, his entire legitimacy lies on both viserys' past support and also the fact that he has a dragon of his own. if any bastard can claim one, what does that make him? but rhaenyra's response isn't logical. she believes that the throne is part of her and her son's destiny. their right.

for years, on some level, rhaenyra has believed that even though people have insulted her sons, they are full-blooded targaryens. she says herself that if she was a man she could father a dozen bastards, and as heir, she gives birth to three without hesitation. these aren't strongs or velaryons to her, her sons are targaryens.

but even when jace essentially begs his mother not to give commoners dragons, bringing up her past sins and pointing out his own struggle knowing that he's harwin strong's son, her response is somewhat cold. she says now that the gods have laid this in front of her and she has no choice.

the dragonkeepers call what she's doing blasphemy and note that it isn't the gods who brought the dragonseeds to her, but she herself has done that.

Dragonkeeper Elder: This is an abomination. You sent an Andal before a dragon. The judgment was delivered. Now you would send more. Rhaenyra: Ser Steffon Darklyn was the blood of the dragon. Dragonkeeper Elder: It was a blasphemy. He was no dragonlord. Neither are these. Rhaenyra: And yet the gods have set them before us. Dragonkeeper Elder: You have set them before yourself! The dragons are sacred; they are the last magic of Old Valyria in this sad world. They are not pieces on a board for the games of men. Our order will take no part in this.

to the dragonkeepers, she's using these bastards and dragons like chess pieces in her war. but to rhaenyra, who has seen addam claim seasmoke, it seems like this is a divine right — a sign from the gods. and that's proven again when hugh claims vermithor.

addam claiming seasmoke changed everything for her. she talks about claiming a dragon as a transformation, and, in many ways, this claiming has transformed her as well. she tells the dragonseeds that their purpose now is the end the hardships of war.

she paints a lovely image promising them peace at the end, but it is a wholly false image. with vermithor and silverwing now in her arsenal, there will be more suffering, more bloodshed. there are no promises of peace now that the war has been given to the dragons, not until everyone is dead. and if that happens, well, the gods willed it, not her.

in this moment, when she says "may the gods bless you" i have to wonder, is she talking about the seven? or the valyrian gods? or the dragons? i don't think she's fully in deep, but i can see the set up for a much darker storyline for rhaenyra rather than the book plot. every time her beliefs are proven or something impossible happens, that could reinforce her zealousness.

i have always said that rhaenyra is a combination of viserys and daemon, and i think that still. i think that she has both of their madnesses within her. as she loses more, the only thing she'll have to hold onto is that prophecy and the divine right she believes in now.

even this scene from the finale promo has over-the-top messiah, chosen apostles, last supper vibes. her saying "i have entrusted you with a power only few have known" as if she wasn't desperate for them and had no say in who the dragons chose. i love it!

honestly i'm totally here for it, i think it's an exciting direction to take. i don't think rhaenyra was always like this, she might have had the proclivity for it growing up under viserys' wing, but it's the war that's pushed her to this point. desperate people will turn to things like faith in order to guide them when the real world disappoints. i think it's a far more nuanced look at a sort of "madness".

and i'm here for the conflict that will happen with daemon as a result. i think daemon will be in direct opposition to this. he's NOT the type to follow cult leaders. this will be their conflict on top of the existing power struggles. this, to me, is far more interesting of a struggle as opposed to nettles causing romantic tension. this show has a tendency to lean away from harmful stereotypes about women. pitting woman against woman is one of them, as is the hysterical woman.

daemon dying for her could be a form of devotion, or perhaps even a command from a delusional rhaenyra who believes he will survive it. daemon could end up drinking the kool-aid too after the devastations of the war or simply realize that this is the last thing he can offer to someone who is too far gone to be saved.

THIS IS THE FIRE I WANT FOR RHAENYRA. this is the mad queen setup that we could have had! targ exceptionalism and completely going off the deep end as a way of coping with an unwinnable conflict. without viserys, without rhaenys, no one is there to temper the fire within her.

[apas-95]

What criticisms do you have of direct democracy? Assuming it’s communist, as well as having laws about what can and can’t be voted on such as “no killing/disenfranchising the (blank) people” and “no voting for capitalism” (the actual laws would be longer but I don’t want to write a long paragraph about how you’re not allowed to vote for fascism in a fake direct democratic society)

While it's fine in the abstract, in practice it's exceedingly slow and inefficient - being a political representative in a council is a full-time job, and if every single decision made is subject to the popular vote, then both 1) polling itself takes considerably longer; and 2) the necessary amount of education and discussion needed to be carried out prior to a proper vote is much larger: rather than simply summarising the issue and presenting key facts to council members, a massive public education campaign now has to be carried out every time a new, say, regulatory standard for storm drains, is decided upon.

Which leads us into the other main criticism - in practice, people don't *want* to have to deliberate and vote on canal works every day. Either voting is mandatory, in which caee annoyed, disinterested voters are just randomly choosing without much thought; or voting is optional, and the vast majority of people aren't actually being represented in any given issue, because it's solely decided by whichever segment are motivated enough to get a campaign going. Here, delegating the business of understanding and making decisions on random organisational matters *does* genuinely lead to a more representative and democratic outcome.

Fundamentally, what we're talking about is division of labour - a factory is more efficient when each worker doesn't have to make a complete product by themselves. Bureaucratic and administrative work *is* still work, regardless of its political character. Again to bring up division of labour, in industrial society the operation of a single factory relies upon the co-operation of electrical substations next-door, power plants the next town over, logistics offices in the provincial capital, resources developed and extracted on the other side of the country, and the entire nation's collaboration on a unified economic plan; it is something that can only really be directed by a central authority that can collect and collate massive amounts of data to produce new courses of action - to try to operate such a body based entirely on direct democracy is, beyond any other considerations, both impractical and undesirable.

This is not to say there doesn't exist great political drive and passion among the masses, nor that they have no interest in the political process and their representation - but not everyone actually applies to be a council delegate during elections, because most people are fine with the council work itself being handled by a trusted representative.

In practice, the way communists have managed these matters is democratic centralis' - here are a few graphics explaining how representative democracy is carried out on the local level in China, as an example:

[the-oblivious-writer]

Jealous Lover

Sam Carpenter x Fem!Reader

One-shot

Summary: Your eagerness for discussions regarding your favorite band leads to an argument with your girlfriend

Warning(s): Swearing, no pronouns but sam uses 'girlfriend' once, jealous!sam, drunk!tara, & mentions of puking/gagging

Notes: For all the fellow passionate music lovers out there, this one's for you. Maybe one day I'll dive into how I think punk/rock in general's played a role in Sam's life and how she's passed down her love for music to Tara

This is not how you wanted to spend your night. You were dragged out to a party you didn’t even want to go to. You would much rather spend the night with your girlfriend. Much rather. But you kind of owed your friend since you always managed to make up an excuse for these things in the past. Her own girlfriend was out of town visiting family so you were second in line to be her plus one. 

You were actually having an okay time, still missing your girlfriend, but you ended up having an interesting conversation with this guy you met while grabbing drinks for you and your friend. The conversation regarded music. You could never pass up the opportunity to go on and on about something you actively worshiped. But unfortunately, this little peace you found didn’t last when from the corner of your eye you noticed a familiar figure tumbling her way over to the couch. It was then you looked over to see your girlfriend’s little sister sitting with her friends. 

Ah, crap.

You knew for a fact she was not supposed to be here. You thought about what was in store for her when she got home before excusing yourself and walking over to her.

“Tara,” you said to get her attention. “Hey, uh—”

She looked up from the couch to you with a bright smile plastered on her face before getting up and wrapping her arms around you, momentarily catching you off guard. You almost forgot she was a clingy drunk. 

“Look it’s Y/N!” She shouted to her friends as you subtly winced from her volume.

“Yeah, it’s me,” you shortly laughed. You looked over Tara to see her friends, Mindy and Anika, wave to you in which you returned with a nod. “I'll take this from here,” you told them while helping Tara up after she tripped on her own foot. 

Mindy gave you a thumbs up while Tara started to slump in your arms. “Tara?” You looked down to see her wearing a more tired expression that matched her sluggish demeanor. Another thing you noticed in the time you knew the girl is that she had quite a bit of mood swings. 

“Let’s get you home,” you said with a comforting pat on her shoulder. 

—

Sam could not believe Tara. She specifically told Tara no to the party she was now off to retrieve her from. She just got home from her therapy too, Quinn had accidently slipped and told Sam where Tara was before going back to her room. As soon as Sam heard this, she rushed to put on the jacket she had just taken off. 

“That sneaky little shi—” Sam was reaching for her taser but stopped once she heard the locks on the door begin to turn, stopping in her tracks. Tara walked through the door, hiccupping and giggling, as you held her up.

“You Carpenters are really something when you’re drunk—oh, Sam! Hi!” You stopped walking, now looking at your girlfriend like a deer in headlights. You knew she would be home by now. You knew you would have some explaining to do. Yet you still found yourself unprepared as you saw her standing right by the doorway because she was presumably getting ready to hunt down her sister.

“I have a perfectly good explanation for this,” you said.

She furrowed her eyebrows, tilting her head as she crossed her arms and looked at you. “Really? You do?” She looked so intimidating, so in control of the situation. It was so hot. But you had to focus.

“Mhm,” was the only thing you managed to muster.

“Then, please, enlighten me because it looks like my sister snuck off to a party against my wishes, yet you seem to be aware of that part. So, care to tell why you didn’t throw me in the loop?”

“Okay,” you lightly sighed. You nodded your head in the direction of the living room and Sam followed. You laid Tara on the couch before you finally spoke. “When I went there, I didn’t know she would also be there. We just ran into each other and as soon as we did I brought her here,” you calmly spoke and you could see Sam slowly start to ease at your words. 

Yet that ease only lasted so long before a drunk Tara pitched in. Sam was about to reply when she was cut off by the younger Carpenter. “And some guy was flirting with Y/N,” she said before stretching out her arms and dramatically yawning. 

Always an instigator. 

“Some guy was what?” You could hear it in Sam’s voice that any ease you brought her disapparated. If her voice didn’t give you anything, her expression certainly did; her eyebrows were scrunched as she clenched her jaw and flared her nostrils. 

“It wasn’t like that,” you quickly tried to reassure your girlfriend. “He noticed the album cover on my shirt and he said it's his favorite album. A conversation struck up but it was nothing more than two fans expressing their mutual appreciation for a band and their music.” 

“You talked about music?” Her tone was defensive as she adjusted her crossed arms, attempting a stoic stance to cover any hurt she felt upon hearing what you just revealed. 

She knew how much you valued music, what it meant to you. It isn’t like your love language, it is your love language. When you first started hanging out, instead of the typical bouquet of flowers, you made her a playlist, gifting it to her on a CD. Now she finds any excuse to listen to it 24/7, never growing sick of the intimate playlist you constructed with songs that you said made you think of her. Even on your first date with the older Carpenter, the two of you talked for hours discussing all the greats—from Kurdt Cobain to Jimi Hendrix. Sam also had a connection to music, growing up it was her escape from the outside world. So, inevitably, it played a big part in your relationship. You two met in a record store for Pete's sake. So yes, she grew a somewhat possessive once she found out you were discussing one of your all time favorite bands with a man who was supposedly flirting with you. 

“You sure that’s all he wanted to talk about? Wouldn't be the first time someone's blatantly flirted with you but you were too oblivious to notice.” She let out a dry chuckle, her voice vindictive. 

“Yes, that’s it. Music is all we talked about. What? Am I not allowed to talk to other people now?” You remarked, a little more unapologetic than you intended. Sam didn’t have a jealousy problem per se, she just had trouble drawing the line between possessive and protective. Often, those lines blurred to the point where even you had trouble telling them apart. 

Fine, maybe she did have a jealousy problem.

“Talking and flirting are two different things. Excuse me if I don’t want my girlfriend conversing with people who want more than musical insight,” Sam defended pointedly. 

“You’re saying that as if he was all over me. The point is he wasn’t.” Your patience was thinning as you were running out of reassuring words to say. 

“I’m—” Sam had begun but was once again cut off by Tara who was now gagging.

“Shit, I think I’m gonna puke!” Tara shouted as she tried to make it to the bathroom. You and Sam rushed to her aid, the both of you desperately hoping that you would get Tara to the bathroom in time. 

—

After about an hour of holding Tara’s hair back as she puked—you and Sam rotating—you and Sam finally managed to put a very pouty Tara to bed. As Sam adjusted Tara's pillow, you pulled her blanket over her and adjusted the sides. Sam kissed her forehead and you followed with a light pat on her head before the both of you said ‘goodnight’ to the now snoring girl. 

Upon hearing the soft click Tara’s bedroom door gave from gently closing it, the two of you let out exhausted sighs. You both walked to the kitchen, Sam leaning against the counter as you opened the cabinets looking for a mug.

“You want some tea?” You asked your girlfriend, already grabbing the lavender tea she stored in the drawers just below where the mugs were kept. 

You glanced over to see her nodding, giving you a nonverbal answer. You got the tea kettle out and filled it with water using the kitchen sink. You then placed it on the stove, set the heat to an appropriate temperature, and then placed the small box of lavender tea to the side for when the water is finished boiling. Another moment of silence passes before you divert your attention from the kettle to your girlfriend. 

“Sam…”  You finally spoke in a gentle voice.

“I know.” She wasn’t curt with her words but understanding. 

You lightly exhaled, making your way over next to Sam. You leaned against the counter before asking, “Are you gonna talk to me or just try to wait it out like every other time?” You weren’t demanding but genuinely asking her.

You looked at her, your faces not so far apart, you saw the reluctant and shameful look she wore. This made you slightly furrow your eyebrows as you looked at the woman. 

“I hate the thought of you with anyone else,” she answered. She looked to the ground in shame. Shame for letting her thoughts consume her like this, shame for letting it lead to an argument with you. What if you discovered just how deep her jealousy ran? You would leave her, that’s what. At least, that’s what she told herself would happen.

You lifted her chin with your free hand so she would look at you, but you saw her eyes hesitate to comply. “Look at me, Sammy,” you told her and it was enough for her to listen. “I’m yours and only yours. No one else can have me like you do. No one else,” you said with great truth. 

Sam’s heart skipped a beat at your words, melting at how your thumb softly grazed her chin. Your touch could have her crumble in mere seconds. That scares apart of her, but another part of her can't help but admire it.

“I was being ridiculous.” She shook her head, still feeling guilt for giving you a hard time for talking about something you’re passionate about.

“That’s in the past now.” You gave her a smile that’s always been enough to brighten her days. “Just know you’re the only music dork I want in my bed,” you teased.

A gorgeous smile grazed Sam’s face at this comment. “Oh, yeah? I feel the exact same way about you,” she said as you both began to lean in.

“Good, we balance each other out,” you flirted back right before you two closed the gap between you, your lips meeting halfway. Her lips were warm and soft, and you could taste her nightly cigarette on them. You tilted your head and parted your own lips to deepen the kiss and give her tongue access, but the forgotten tea kettle on the stove whistled, interrupting the kiss before it could escalate. 

You and Sam broke apart, slightly panting, as you both wore shit eating grins. “I should go set up the tea,” you said with warm cheeks.

Sam nodded with an, “Okay,” but her eyes never pulled from your back as you prepared the tea. She subtly walked up behind you, putting her hands on your hips and rested her chin on your shoulder.

“Sammy,” you lightly laughed in an excited surprise. 

“Bring the tea to my room and don’t take too long. I wanna finish where we left off,” she whispered into your ear in a husky voice. You could feel her breath against your neck due to this, your heart racing in response. 

Sam sauntered off to her room, but not without leaving a kiss just below the corner of your jaw. If you noticed her taking a subtle bite then you didn’t comment. The kiss sent shivers down your spine, and after snapping out of the daze Sam put you in, you quickly went back to the tea. You never made tea so briskly before tonight. 

Later, Sam kept on her promise. She may have left a few hickeys for the world to see but you could never prove she did it with possessive intent.

That was just for her to know.

-----------

A/N: and if I said y/n was wearing an 'In Utero' shirt?? (ofc, imagine whatever shirt you'd like)

[tales-from-elysivm]

★。／ falling in love with you ＼。★

ask: this was a request! but I can't find the ask on my old blog, but I do know that it was a quirkless!assistant!reader with midoriya, todoroki, bakugo, shinso, monoma, and kendo. I did cut off monoma and kendo since I feel like I don't know enough about their characters, if that's ok!

pairing: midoriya x gn! reader, todoroki x gn! reader, bakugo x gn! reader, shinso x gn! reader (separate)

fandom: boku no hero academia

word count: 3,722

tw: none, wholesome fluff with some swearing on bakugo's section

notes: this had taken a really long time on my original blog, so im happy to finally be able to share it, if you're from my OG blog, and you were waiting, im sorry it took so long! and since I can't get back into my old blog anymore (I lost the password), please resubmit your asks at anytime and ill try to get to them asap!

! be sure to like and reblog if you enjoyed !

~the meeting~

You’re first introduced to Class 1A/1B as a stand-in for a sparring partner in hand-to-hand combat. It was better - in Aizawa’s opinion - for you to brush up on your skills while also putting his students in a more hands-on approach to learning. You stand before the class, ready. 

You challenge whoever is confident with their skills so far to come forward and fight you. Over your shoulder, Aizawa stands huddled in his sleeping bag. He isn’t too worried, he trusts your abilities to handle his class, and besides, you needed to grow to tolerate them quickly.

None of the students wanted to fight you at first.

There was at least one of their close friends that teased them because they had noticed you staring at them out of all the other blue-clad students. So, of course, to avoid further embarrassment, they step forward to be the first example.

The rules are simple. No quirks. Just simple hand-to-hand. The first to pin the opponent for at least half a minute is the winner of the exercise.

I. midoriya 

~ after the meet ~

Izuku really didn’t want to fight you

He didn’t know your strengths, your weaknesses, your quirk, your skill set, how powerful it was versus what it looked like, etc. (cue the nerdy rambling). He had no notes on you!

Izuku had seen you in class every once in a while when he wasn’t busy. You sat by the teacher’s desk grading papers and sometimes assisting Aizawa by running errands or taking over while he took a nap on the floor. But based on your stature and appearance and the fact you were wearing a school uniform, you seemed to be a student as well.

That leads to plenty of interesting theories about you!

“I think they’re a villain!” Kaminari said light-heartedly. It sounded like a rather malicious thing to suggest, Izuku thought, despite his wider grin. “In like… a rehab program or something.”

“Why would they send a villain to a school for a rehab program though?” Iida pulls his drink from his mouth. “It’d be much more likely they be put on community service or in more safe environments.”

Izuku looks across at you.

You’re sitting away from the teachers at the moment, trading notes with a girl in class 2C, laughing as you both scribble away and discuss some class that he can’t quite hear. You wave her off before moving down the table to another group who are slurping ramen over a table full of messy textbooks and broken pens. Izuku knew these kids to cause enough trouble for everyone, but they push aside their bowls and utensils and kick off their bags so they can let you sit with them. 

Hm.

Have you always looked so pretty from this far away?

~ falling in love with you ~

My boy falls hard and fast… save him…

Izuku always pays attention during a class, but he always tries to pay a little more attention when it’s you that’s teaching <3

After assisting Aizawa for a few weeks into the term, Momo asked who you were. In all the “excitement” of having to shephard a class of hormonal superheroes around, you had forgotten to introduce yourself!

He pulls out his hero notebook and begins taking detailed notes on you

[Y/N L/N], your power stats and small doodles of you in the bottom corner. Some more detailed, some awfully sketchy, but he never feels he got it quite right

Aizawa pats your head and dismisses you from your teaching duty for the day

For the rest of the class you resign yourself to your desk and join the students in learning the next emergency protocol

He thinks you might be looking away when he glances at you

Are you looking at him too?

You’ve ruined him, he’d swear on it. He can’t help it, just by looking at you. The swell of your hips when he can see you walking in front or behind him, the way your eyes light up if he even gains the confidence to talk about his hero notebooks with you, the little shocks he gets when your knees touch on the floor of his dorm room. Or maybe he finds you distracting in some way? Your voice drags him from each lecture, even if it’s not aimed at him. Your smile lures him in. He’s sure you have to have a quirk somehow, hidden there that you haven’t told him about yet.

Do you find him as distracting as he finds you?

Among his many nervous habits, a new one is born. What is it? Well, drawing you in his notebook. 

It’s during one of these very creepy-sounding moments that he remembers he never actually asked you what your quirk was. Nor had he seen it in action before

Other people had wondered about it before, but no one had an answer

So he asks you

You laugh.

It’s almost shocked, but partly sad. You tell him, quite simply, that you’re quirkless. And that Aizawa gave you the position in 1A because you were willing to become a teaching assistant on the side. Though you suspect it’s favouritism, he wants you to have a good education, UA is a nice place, he’ll be close by in case any shit goes down. 

If anything Izuku falls even more in love with you. Hearing you ramble with him about your favourite heroes, how you want to be your own hero even if you can’t do the same things as they can, and you’re still here talking to him.

You’re one of the first people he tells about All Might passing on his quirk to him. He’s worried you might be envious of it, or hate him for lying his way into UA, but you beam at him and assure him he’ll be the best Number One Hero you’ve ever seen.

Yeah, he’s definitely fallen a bit harder, if the sweaty palms and nervous heart skip is enough to go off of.

~ fighting for your attention ~

Now imagine this poor, sweet, innocent broccoli-head of a boy finally falling in love with you! He’s smitten with you

But now he’s watching you interact with his classmates interact with you a little more closely

He doesn’t mind of course, he knows everyone loves your personality and just the feeling you give off. It makes them feel warm and safe and you being quirkless limits any sense of a threat to those who are more sceptical

What he doesn’t like is that he knows some of them fancy you

Some of them love you

He begins studying harder, training harder, works out more so he can make sure he can hear your sweet praises and warming smiles

Any “good job!” and “i’m so proud!” you can offer him is cherished. He cherishes you

So he gathers his courage to try harder just for you, so you can think of him as your number one hero!

Now the only question is; do you cherish him?

K. bakugo

~ after the meet ~

An unbridled opportunity to inflict pain on an (admittedly) attractive stranger?

Fuck yeah

Quirk or no quirk, he was going to absolutely destroy you. He was sure of it!

Shitty hair said you looked oddly familiar, but who cares?

Katsuki had seen you around in the dormitory building, of course, he never paid you much attention. You were wearing a uniform, so he guessed you were a student. He thought you were boring. 

Pretty, but boring. 

Not that he was looking, shut up–

Maybe if he kicks your ass a bit he’ll stop getting so distracted

Or…:

Are you fucking kidding?

You kicked his ass! Barely breaking a sweat! 

One minute he’s preparing to just kick you in the gut and land a right hook to your face, but then he steps into the field where white lines have been drawn and you smile at him. You wish him good luck and bow before getting into a fighting stance. 

He draws a blank after that. Sure, he lands the first kick, but gets your thigh instead so you skid across the pitch. Then you effortlessly sidestep his next swing and he just wants to blast your face off in embarrassment.

Then, most painful of all, you punch him right in the gut and kick him until he’s down. 

He’s butt-hurt, as expected and refuses to even look at you.

Shitty hair slaps his shoulder and laughs as he joins the rest of the class. You brush dust off your uniform and prepare to fight Mina next. 

“That was something huh?” Kaminari jests, snickering. “I should’ve gotten that on camera.”

Katsuki decides just then that he’s going to make your life hell for what you’ve done.

~ falling in love with you ~

He’s not falling in love with you, shut up-

Ok so he’s a grouchy boy anyway right so of course he’s not going to admit it as quick as the others 

In fact he makes it a goal in life to annoy you enough until you hate his guts, then he might feel better about wanting to grind your face into the pavement 

He kicks your chair out when you go to sit so you slam into the floor, shut the door to the classroom in your face, shoves you in hallways at every chance he gets, and even becomes so petty he begins stealing your favourite snacks and drinks out of the fridge and cupboards 

Smug bastard even devours them in front of you just so you know that it was him 

He hates them but that doesn’t stop him! 

And - as much as he doesn’t want to admit it - he kinda hates the small flicker of disappointment that flutters behind your eyes before you offer to go on a snack-run for everyone on your way 

Dammit!

He makes it sound like your idea that he stalks alongside you to the grocery store.

“You’d probably get lost if someone wasn’t around to hold your hand,” he’d mock you. If you inquire if he’d hold your hand around the store, he’ll definitely leave you behind. Don’t tempt him. And if you laugh he’ll walk back to the dorms and leave your ass to wonder where he went, searching through aisles for him. He knows you would.

Begrudgingly, he knows somewhere in him won’t let him abandon you there. What part? No idea but he hates it. 

Which is why he is now escorting you on the seventh snack-run of the month. You push the trolley around because even with all your begging he won’t do it. Shopping list in hand you throw in bags of snacks and surprise treats for your classmates.   

You have everything stacked up now. Popcorn for movie nights, and each person’s specific sweets, but instead of heading towards the cashiers, you’re turning towards the scoop-and-weigh section. 

“Oi, dumbass!” Bakugo doesn’t follow after you at first, and he doesn’t care that people are turning to stare at him. “Cash register is that way!”

“I know that.” You smile and disappear behind the aisle. He really has no choice but to drag his feet to follow. When he comes around the side you’re scooping a bag full of honey-roasted almonds - ones he knows you hate but his mouth waters at. 

“What are you getting those for?” He curses how soft his voice is now, but he can’t help but wonder why you’re buying them now.

“They’re your favourite, right?” You respond.

“Yeah?” How did you even know that?

You must be reading his mind with some hidden quirk or something, because you quickly explain that you had questioned Kirishima about the hidden stash in the cupboards one time and he had told you almost immediately. So, why not grab some more when you noticed that his stash was getting low?

Without letting him answer you walk past him to the checkouts. He watches after you, mouth dry. He can’t even think of an insult for you right now.

Fuck!

~ fighting for your attention ~

He still won’t admit it to himself so don’t expect a massive, dramatic confession from him (…yet)

No, he’s willing to fight anyone and everyone who wants your affections from the sidelines 

Someone looks at you a little too long? (Punch them)

Someone touches your shoulder during a PE class? (Make their life hell)

Deku asks for your help on an essay and you respond with an all-sweet smile that just rubs him the wrong way? (Kill him - but not actually)

Jealousy is a dangerous game for Katsuki 

(He’s not jealous don’t even ask—)

He’s willing to completely flip the tables so that maybe you’d notice that something’s different: he doesn’t kick your chair out anymore, or eat your snacks, or try to fight you in the hallways 

Instead he does all of that for pretty much everyone else—with exceptions for Kirishima of course 

Anything so he can deny that he’s gone the slightest bit soft for you when you both sit in the common room and eat your respective snacks, talking about some annoying classmate that had pissed him off for the fourth time that day 

And god dammit, won’t you just notice that he appreciates you? 

S. todoroki

~ after the meet ~

Now, my first question is, is it vague curiosity or a drive to urge his strength forward that makes Shoto fight you?

It’s the strength training, he reasons

He doesn’t need it of course, he’s capable enough, but that doesn’t stop him from arguing with himself that that could be the only reason

And no, it’s definitely not because he can see you giving him a curious look over the heads of his classmates, and certainly, not because Kaminari gives him a knowing grin because even he can see you staring at him

So he puts himself forward as a volunteer

For the training… sure

Even after you lose to Todoroki he’s courteous about it. You both bow out of respect and he rejoins the line. After that he doesn’t expect to see you very much after that, perhaps never again. He thinks, despite the theories, you might be a student-teacher from a different academy.

But no, the next week you show up to their regular classes. And not long after that, you’re both working on group and pair projects together.

Like today, it’s theory. Emergency Evacuation in a Disaster. You pick some form of ‘emergency’ and then plot out an essay with detailed instructions for evacuation for the project. Simple. You pick a disaster and begin the essay.

You ask him questions in between, just general small talk, asking how his day is and the like. But he appreciates it. He knows that you know who he is and yet you just ask him normal questions. (Let’s say this is before his arc to make friends.)

You praise him for his strength in your battle and it makes his heart pound. Is he sick? What does this mean? 

What do you mean when you say you like his company? How does he get you to stop? He doesn’t like not being in control of how his heart is beating.

~ falling in love with you ~

I don’t think that originally it would be obvious to you that he fancies you

He’d be courteous at first, hold the door for you, compliment things about you, pull out your chair or save you a seat at lunch, it’s simple little things

You don’t notice of course, you just think he’s being nice

But to literally everyone else, it’s so obvious to them that he’s already completely smitten with you. He barely talks to anyone else… and yeah he doesn’t talk much with you either but he tolerates your company more than others

And he’s a gentleman so why would he outright say anything?

(That’s the reason and not that he’s afraid to, yeah totally-)

So instead he sits and listens to your conversations 

It’s not your fault he’s having a bad day, but at the moment he’s giving the cold shoulder to everyone in 1-A. 

That doesn’t stop you from dragging your chair up to his small desk during your break and eating there with him. He doesn’t tell you to leave, because he doesn’t think he can. He just watches you pull out utensils and begin to eat. He hasn’t even bothered with his own food, he can feel a pit swallowing his stomach, like he couldn’t cram anything in there if he wanted to.

“Bad day?” you ask, like you couldn’t already tell. “Don’t wanna talk about it?”

He nods at you. He can’t lie. And he sure as hell can’t ignore you.

“I understand,” you give a thoughtful hum, eating a bite of your food. “My day was pretty crappy too. It gets like that sometimes, you just gotta keep going. You can’t stop living just because your head’s a bit heavy.”

He didn’t ask for your advice, and maybe before that would’ve bothered him that you didn’t stop talking, but now he can’t find it in him to be frustrated. His annoyance deflates at your presence. You radiate this homely comfort he hasn’t felt in a long time.

Shoto goes through the effort of pulling out his food, just so you might feel better about it.

He forces out the words;

“And your day? Tell me about it… please.”

~ fighting for your attention ~

Now shoto is less likely to actually try and confront others about their shared affections

In fact in normally takes him a good while to officially realise that he loves you

But pretty soon he just begins to seek you out more

As he grows more social, earns new friends and becomes accustomed to everyone, you work with him closely to help him learn social cues and overcome his trauma

He comes to like touching you, whether it be a hand on his head, touching knees in the dorms, a simple hug, or you leaning on him until you fall asleep on him during the winter. He feels comfortable with you

But with this realisation comes one more;

He wonders if he could handle going back to living without you

H. shinso

~ after the meet ~

Now, shinso’s quirk is pretty hard to implement in a fight, which is why he mainly prefers hand-to-hand

Overall, he feels tired, if not a little bored, by the spar with you

He hadn’t noticed you at all before this lesson in 1C, but his teacher had said that you were helping by moving down from 1A

Why, he couldnt figure out

But nonetheless, he finds you watching him while waiting to spar you in your first physical education class together, so he volunteers

And he quickly gets disqualified– 

He swears he doesn’t mean to, but almost as soon as he begins the fight, you overwhelm him.

What you lack in a visible quirk, you make up for in speed, kicking and jabbing and ducking away before he can get a hit in. It’s when he finds you hovering over his shoulder, about to throw a punch to his face, that he panics and asks for your name.

A bit confused, slowing down a little bit, you give it to him, and almost as quickly, you’re under his control. The teacher immediately barks at him to release his control, and he obliges, but he’s still disqualified and you’re given an instant win. When you stumble, regaining your own self-control, you look up at him in bemusement. 

But you don’t look scared at all, instead you smile at him.

“Brainwashing? That’s a pretty cool quirk, huh?”

You confuse him, and he’s not sure if he likes it yet. 

~ falling in love with you ~

After you move down to 1C to work on your General Hero courses, you begin to grow closer with Shinso 

You don’t think that his quirk is any different to the others at UA, which he is somewhat confused by

‘Some of these guys can set people on fire! Brainwashing doesn’t sound too different to the others you see here’, was your only explanation whenever he asked about it

Overtime, you become one of his only friends in 1C, he tolerates you

He spends most of his time with you, studying, eating, talking, he helps you write papers on general hero practices, telling you about his history with children being scared of his ‘villain quirk’

All things considered, he trusts you, and i dont think he could say that for many other people at UA

You both sit cross-legged on the floor of his dorm room. He very rarely decorates it, but you begged him to let you set up the fairy lights and little cat decals that were meant for his wall. Begrudgingly, he agreed.

So that’s what you’ve been doing, arranging kitties on the wall over his desk. Cute little art pieces that resemble grey and calico cats. 

Meanwhile, he’s studying on his floor, laying back and occasionally sneaking glances at you to see if you’re tangled in the lights. Soon enough you have them strung up nicely in the corners of his dorm-room, sending soft gold light over his purple hair. He doesn’t move until you lay on the floor beside him, looking up at the ceiling.

“What do you think?” you ask, leaning up on your elbows to admire your handiwork.

He’s quiet for a moment, just looking at you, taking in the view of your side-profile. 

“They look nice.”

Shinso isn’t talking about the lights.

~ fighting for your attention ~

Listen, usually Shinso absolutely hates using his quirk for anything out of villain fights, because if he does he feels like he reinforces the idea that he might be a villain too

But, when it comes to you?

He’s relatively tame at first, he doesnt get too jealous or overprotective as someone else might (cough, bakugo, cough), but it doesnt mean that he doesnt need reassurance sometimes

If it gets to the point that another one of your suitors is making you uncomfortable, then by all means, hes asking them what theyre doing and forcing them to walk away

And afterwards, having that little moment of supposed villainy feels worth it

Just keep smiling at him

im sorry this took so long!

I hope you guys enjoyed

[lady-buggerinton]

Ok I’ve seen the Fingering Gate Analysis but can we also consider how Penelope most likely isn’t simply a “never been touched” pure virgin who hasn’t known any pleasure before: an analysis

1. She’s not Daphne, she was deeply lonely and had lots of time to daydream and explore her own mind, desires, and interests (Whistledown being an example) I don’t think she needed to be taught by a rakish man how to get off on her own, PLUS she’s been yearning and pining for Colin who lives right across the street, so she’s had plenty of time to RUMINATE being within close proximity to the object of her desire.

2. She didn’t seem that shocked by the pleasure Colin was giving her, more just overwhelmed by it as it’s something she’s likely dreamed about and wanted for years. The consensual nod reads to me that she knows where exactly he’s planning on going with this, what is going to happen, and she wants him to do it to her.

3. What do we know about Penelope? She’s an entrepreneur and self-made woman, I think she would have definitely developed a deep curiosity about sex and relationships and would have worked out what sexual pleasure is and how to achieve it solo style! She’s a people watcher and an avid reader, she clearly wants to participate and not just watch.

4. Clues from past seasons. In season 1 she and Eloise announce their curiosity about sex and specifically conception, and Penelope is clearly inexperienced at that time, similar to Colin being inexperienced with women. After her discussion about love with Marina, I believe her interest was peaked and it started her on her own path of self discovery, parallel to Colin’s but obviously hindered due to her role in society.

5. She was ready. If you are brand new to pleasure you are not prone to sound making or expressions such as moaning/sighing. If she were completely inexperienced the process would definitely have been more clunky and would’ve taken a longer time to “warm her up”, this is the case often for women in the early stages of sexual awakening. Clearly, Colin was taking her lead on some things, and would’ve probably slowed way down if he sensed fear or inexperience. In the carriage, she got into it RIGHT away and was keyed up and ready to go, that reads to me a woman who is familiar with her body and what it can do.

5. Story wise I want this to be the case because I was annoyed with the “women can’t work out self pleasure on their own and need a rakish man to teach them” and was glad with Kate it just wasn’t addressed/implied she was experienced in some form. Women in every era figured out how to self-pleasure despite societal silence on the matter in the higher classes and I’m a fan every time that is explored.

In conclusion, the fact that the carriage scene felt so natural and passionate is because Penelope is an Experienced virgin with a capital E and was just waiting for the opportunity to express her sexuality and I believe this to be the truth the whole truth and nothing but the truth!

[bookishbrewer]

Cyn - The Disabled Neurodivergent Sibling:

⚠️ WARNING: this post will include discussion of bullying, ableism of numerous kinds, abuse, trauma.

First, let's establish 2 important terms for this post:

Zombie Drone - a state in which a worker drone is improperly disposed of. The WD enters a state of self-reboot as a result of: their core not being properly disconnected, the hardware not physically destroyed or a 606 error is interrupted. In a 0.7% chance, there's the risk of said WD rebooting with a "potential hazardous mutation".

The Absolute Solver - an incredibly advanced monstrous code and supernatural artificial intelligence that mutates in damaged forms of lesser AI.

Neurodivergent:

Cyn is first introduced in a flashback in episode 2, when she is scavenged & brought back to the Elliot mansion by Tessa. Right at the beginning, we the shy drone do something that may be interpreted as neurodivergent - imprinting:

Yes, I may be reading too deeply into this, but the fact that Cyn immediately focuses on the drone with the least threatening position & expression makes me think she may interpret him as the safest person to be around.

Just before this scene, we as the audience got to see the relationship between the main 3 drones Cyn will interact with in the mension:

1. N & V - they are the more meek & submissive types. They're both portrayed as sensitive, and have something of a crush on each other.

2. J - she's more of a mean 'older-bully-sibling' type. Not hasitating to command her peers, even using verbal & physical violence to do so.

So, in a sense, Cyn was right.

In ASD, for example, neurodivergent people might rely on siblings for interpreting social cues, deepening their connection. In addition, siblings may become key figures in routines and shared interests, leading to strong bonds (see for example how N reacts to Cyn showing him "those eyes" referring to her putting a picture of a golden retriever on her visor to convince him to go ask Tessa if they can attend the gala together. Or N suggesting the both of them will watch a movie together).

For another example, ADHD, siblings might help manage impulsivity & help with conflict resolution. We see an example of this in this clip:

After Tessa's abusive mother tells her off, Cyn steps in & exclaims that "they are not broken. We can no longer be thrown out", in direct reaction to the mother threatening to throw out all of Tessa's "dumpster pets".

This, clearly, triggers Cyn's trauma we see a glimpse of in episode 5:

She wakes up in what is essentially a pile of dead bodies, deeply woulded, hurt & terrified. This is what she is referring to, this is what 'no longer' means. It means 'not again'. She doesn't wish what she went through on anyone.

Even though N, Tessa's favorite, protects Cyn, it does not shelter her from Tessa's abuse. Now, let me reiterate, I know that Tessa is an abused child. She suffers from emotional, physical & verbal abuse from both her parents (& maybe other caretakers) and is also just a kid. My point in mentioning said abuse is to merely point put that this is an example to the cycle of it continuing, creating more victims.

Tessa inflicts on Cyn the exact same abuse she suffers at the hands of her parents & more:

She displays blatent favoritism towards certain drones (N & J) over others (neglects V & treats Cyn badly).

She threatens Cyn that something might happen to her if N is hurt for defending her from her mother.

She chains & locks Cyn in the basement with the use of one of her favorite drones (J):

Another example of Cyn's implied neurodiversity is her misunderstanding of Tessa's words. When Tessa threatens Cyn that something might happen to her if N is hurt "because of her" she simply replies:

Cyn does not exactly understand that Tessa is worried that N might die. To her, it is meaningless, because she (or rather, the Absolute Solver) has backups of Ns personality (which is displayed in future episodes, when it is revealed that she is the one to send the murder drones to Copper 9). This is very similar to how people with ASD (& others) may take a statement too literally or misunderstand it at first.

Another tidbit that I like about Cyn, is that she doesn't like being condescended to. She talks back to those who belittle her because of her being 'different'. Not only to Tessa & her mother, but also to her fellow drones:

Cyn: it seems that J forgot to let me out of my basement time-out again.

J: yet here you are.

Cyn (turning to N): annoyed expression.

She also does it to N in her eldritch form:

Another thing I'd like to add is Cyn being quite quirky & unique in her peaceful days, before the Solver took over her entirely:

Physically Disabled

We know that Cyn was sent to be destroyed for some reason before the show began. Her almost being destroyed caused numerous disabilities, some of them were cured (for example: her cracked visor was fixed) but some remained as lasting effects:

Linguistic differences/disabilities -

Cyn cannot talk in a more "smooth" way like her fellow drones. Her voice can be interpreted as robotic & distant (a characteristic some neurodivergent & disabled people may have or may be precieved as having).

Instead of just doing, Cyn says her actions out loud, for example: "sheepish nod", "shuffle, shuffle, shuffle", "tantrum", "jumpscare", "light sip". Some neurodivergent individuals, such as people diagnosed with ADHD may express their thoughts or describe their actions out loud as they are doing them to help with focus, brain fog & organization.

Bodily impairments -

Cyn stands a bit crookedly & doesn't get much support from her limbs to hold her body.

Her head cannot be held straight & has to be supported by something (she usually uses her hand to do that. Even in her eldritch form, before committing the massacre in Elliot mansion):

Though there are many voices of people, both disabled & otherwise that speak against disabled characters being portrayed as villains, I believe Cyn is in no way a disrespectful character. Before she is entirely lost to the Solver her trauma is explored, validated & expended on. She is portrayed as sweet, charming, complex & loving. She is also shown as being bullied, discarded, hurt & abused.

Her disabilities are not the cause of her fall to evil & are not her "trademark" when it comes to her definition (similarly to how, let's say, Darth Vader is mocked for his suit & is known & feared partially because of it). They are a part of her, but they are not the only aspect in her life that define her.

I think Cyn is a pretty good example of what a disabled person may go through in different stages of their lives. As a new sibling, as an unfavored child, as a server/worker, as a friend, as a hero & yes, as a victim of circumstances beyond their control.

I love Cyn, she's very special to me & I can't wait to see where her story will go.

Thank you for reading 🙏💜

[imbecominggayer]

Creating The Mythology For Writing

This is the topic that @melda0m3 has request of me with the specific quote as: "How to write legends about gods? I have my whole god system and their basic lore, but can never figure out how to make legends and such"

So, following this advice post, I will only be talking about how to create legends for your established gods and I will not be talking about how to create gods.

Writing Legends

Legends, as defined by a quick google searchl, are a traditional story sometimes popularly regarded as historical but unauthenticated.

Legends are also classified as myths since myths are traditional stories that were meant to explain a physical or social phenomena.

For example, the "marriage" between Hades And Persephone was meant to explain seasons as Demeter(the goddess of harvest) destroyes all the plants when Persephone is in the underworld for six months.

Using the real-life reason for legends and myth exist can help provide a clearer, more concise, guideline to make use of.

Of course, your characters won't discuss every single legend within the story so you need to write the legends which will be noteworthy to the plot.

For example, you can highlight the mythology that explains why your characters have inhuman characteristics and why {SOMETHING} is happening.

However, mythology doesn't only exist around the natural. Legends are also weaved around battles, important individuals, and other such things.

This is due to the fact that legends are often the most influencial piece of propaganda within the world. Legends often serve to disparate certain communities within a conflict as failing to win the cover of God.

However, this propaganda also serves to paint certain individuals in an almost heavenly light where their ability to present themselves as a seemingly supernatural creature provides untold benefits for them. A real-life example of this is the Legend of King Arthur.

HOW IS IT APPLICABLE FOR YOU(Story Ideas) ?

Characters have a vested interest in making themselves appear better than they actually are. They may attempt to utilize legends in order to appear like they are God's favorite child.

Countries have a desire to always appear victorious and idealized. This can create it's own sort of reflection chamber where exaggerate stories of grandeur can create a mutation of beliefs so profound that when your characters step outside of the country, reality is vastly different.

Gods are the most likely to manipulate legends to cast their enemies in an unlikeable light while portraying themselves as perfect. This can lead to a highly complicated hodge-podge of contradictory information.

I hope I did well by you @melda0m3 :)

[gothamnewsnetwork-official]

The Second Blood Son - the affair of Mrs. Drake

It is no secret that Gotham’s resident celebrity billionaire, Bruce Wayne (see related articles), has a habit of collecting children like how most other celebrities collect cars, and it is also no secret that Mr. Wayne is a rather promiscuous individual, or at least was in his younger years.

Mr. Wayne has been suspected of being in many relationships with members of Gotham, Star City, Metropolis, one-percent, as well as prominent social figures such as Clark Kent (see related articles), Lois Lane (see related articles), and Lucifer Morningstar (see related articles), and even the occasional vigilante (see related posts).

Despite all this he is only reported to have one biological child. His youngest son, Damian Wayne-Al-Ghul (see related articles), who he gained custody of only a few years back after a seemingly non-existent legal battle with the boy’s mother, Talia Al-Ghul (see related articles).

Mr. Wayne-Al-Ghul seems to be proud of this fact, often joking with his siblings about being the only ‘blood son’ of Mr. Wayne, and therefore the actual heir to Wayne Enterprises instead of his brother, Timothy ‘Tim’ Drake-Wayne (see related articles).

This, of course, is all in good fun, but what if we told you that the youngest Wayne child was, in fact, wrong? That Damian Wayne-Al-Ghul isn’t the sole blood-child of our resident billionaire-himbo?

Earlier today we received an anonymous tip on the subject. The commenter claimed to have been house staff of the Drake family (see related articles) prior to the untimely accident that left Mr. Drake-Wayne an orphan. They claimed that many a time Mr. Drake would make passive-agressive comments towards his wife and son regarding the boy’s parentage.

According to the commenter, Mr. and Ms. Drake were rarely intimate and the pair had a long streak of infidelity (see related articles), Ms. Drake’s alleged cheating starting just shy of a year prior to the birth of their son.

The commenter also includes audio recordings of an argument overheard while they worked at the Drake’s home over both Mr. Drake’s alleged involvement with other women and his refusal to admit to his alleged infertility.

If these claims are to be believed it is almost certain Tim Drake-Wayne is a bastard child, the only question is to whom? There has been prior speculation over Mr. Drake-Wayne’s parentage given that his parents detest for one another was not particularly discreet (see related articles) as well as the fact that he bears a striking resemblance to his adoptive father, Bruce Wayne.

We at Gotham Reports are readily inclined to believe this theory, given the aforementioned similarities, and the fact that Mr. Wayne took in Mr. Drake-Wayne almost immediately after the tragedy. This leads to some rather interesting discussion about whether or not Mr. Drake-Wayne and Mr. Wayne are aware of their alleged blood relation, as well as if it would change anything in the dynamic of the Wayne children (see related articles).

Of course this is all alleged, and given that there has been no move to have Mr. Drake’s genetic parentage tested we may never have a complete answer. Regardless, we believe it is worth noting in any further discussions on the dynamics of the extended Wayne family.

Let us know your thoughts on the topic (here)

Gotham Reports is certified in unbiased, fair, and reliable reporting

See the post that inspired this article (here)

[korkorali]

The Misogyny of It All

So a lot of Della Duck Discourse is rehashed all the time, points are made again and again, but one thing that I almost never see people defend -and conversely, see people attack all the time- is The Line.

You know what I'm talking about. The Line from Glomtales.

"Your plans, your schemes, they only lead to bad things for your family. If you want to be a part of this family, you've gotta stop."

That one.

Now, what exactly Della was trying to get across with that line is a whole other can of worms that deserves its own post (basically she -and also the writers- horribly failed her Speech check).

What we're going over here is how that mimics a certain line from the last season, said by a parental figure to a child, that gets so much less flack. That, in fact, often gets paraded around as 'an interesting twist on a character.'

"You are not family!"

I have never seen people attack this line with the same amount of vitriol as they attack Della's, which is funny when they're the exact same line.

Actually, not even that- Scrooge's is worse.

It's more direct, it's literally yelled at Webby, it doesn't even attempt to address the issue Scrooge had (Webby blaming him for what happened to Della) and instead just straight-up attacks her as a person.

Now, to be fully honest- I like this line! I do genuinely think it's an interesting route for Scrooge to take, and is quite realistic to the grumpy old bastard. It's just funny that nobody ever comes to Webby's defense the same way they do for Louie.

Because the thing is- between Webby and Louie, one of these two has genuine, canonical issues with feeling like they're not a part of the family, like they're an outsider amongst those they love the most, like they don't belong.

And it's not Louie.

It is a consistent part of Webby's characterization that she feels like she doesn't belong. This gets touched on in all three seasons (and honestly, it could be argued that it gets worse after this moment).

Conversely, that just is not a part of Louie's canonical characterization. Even in the first episode of season 2, the one where Louie gets the closest to an 'I don't belong in this family' moment, it's less 'I don't belong here' and more 'fuck me I am terrible at adventuring'. And! It gets resolved in that episode!

(Of course, there is absolutely something to be said for how it's resolved- specifically by Scrooge encouraging him to be a scheming little bastard, which then thusly becomes the thing that threatens his family the most. Which would, logically, be a pretty big blow to his self-esteem. This isn't what I'm here to discuss right now but it is genuinely interesting.)

Louie never really shows an issue with feeling like he doesn't belong in his family. He shows a disconnect with his family at times, but in canon that never really evolves into a full-blown feeling of displacement. It does get close in Glomtales, but never quite reaches it.

So it's 'interesting' (read: not interesting) that Scrooge's fuckup here gets brushed away pretty easily. A lot of the time the line just straight-up isn't addressed, and when it is, often times it's about how "Oh he apologized to Webby offscreen, obviously."

Which.

Not he did not.

I mean, let me be clear: I don't mind it when that's the answer. It works for me to just brush it away if it's not meant to be the focus...

But Scrooge almost certainly didn't apologize for it.

As 'New Gods on the Block!' Showed us, Scrooge is downright awful at realizing when his actions have hurt people.

More likely than not, Scrooge would just assume that everything is fine and would avoid bringing it up at all costs because he'd feel awkward about it. Because he is, very importantly, not good at talking about things he doesn't want to talk about.

So why is it that Louie is always the one feeling like he doesn't belong? Why is it Della who is always a terrible parent for what she's said? Why are Webby's feelings of disconnect never really given the same gravity as Louie's? Why is Scrooge's blunder let off the hook super easily?

It just feels silly to me.

And, well.

Kinda like the fact that, since Scrooge is a guy and Webby's a girl, and Della is a woman and Louie's a boy, has something to do with it.

I'll happily give the benefit of the doubt and assume it's not deliberate, but quite frankly it is a double standard.

I think that people would be less upset with the Della Duck Discourse if Scrooge was held in a similarly critical position over what he's said and done. If it was acknowledged that Della isn't uniquely awful in what she says and does, and that a lot of the others have fucked up in extremely similar ways.

(I mean for fuck's sake, everybody goes on and on about how Della left her kids for ten years -which, for the record, wasn't what she wanted to do- but nobody ever criticizes Donald for taking the kids away from their family and never talking to them about Della- which is something he actively and deliberately chose to do)

TL;DR: The fact that Della gets intensely criticized for what she's said and done, but Donald and Scrooge are conversely celebrated as 'interesting' and 'complex' for what they've said and done, even when it brings harm to the kids, is a blatant double-standard. And if you don't think that this double-standard is bad or wrong for existing (or even that it Doesn't Actually Exist), instead of immediately claiming that it's a non-issue, maybe try to look inward and figure out why you really think that is.

[stupidphototricks]

Dwarf tradition, in The Truth. Long quote but there is so much to unpack here.

"A dwarf needs gold to get married." "What… like a dowry? But I thought dwarfs didn't differentiate between--" "No, no, the two dwarfs getting married each buy the other dwarf off their parents." "Buy?" said William. "How can you buy people?" "See? Cultural misunderstanding once again, lad. It costs a lot of money to raise a young dwarf to marriageable age. Food, clothes, chain mail… it all adds up over the years. It needs repaying. After all, the other dwarf is getting a valuable commodity. And it has to be paid for in gold. That's traditional. Or gems. They're fine, too. You must've heard our saying 'worth his weight in gold'? Of course, if a dwarf's been working for his parents, that gets taken into account on the other side of the ledger. Why, a dwarf who's left off marrying till late in life is probably owed quite a tidy sum in wages—You're still looking at me in that funny way…" "It's just that we don't do it like that…" mumbled William. Goodmountain gave him a sharp look. "Don't you, now?" he said. "Really? What do you use instead, then?" "Er… gratitude, I suppose," said William. He wanted this conversation to stop, right now. It was heading out over thin ice. "And how's that calculated?" "Well… it isn't, as such…" "Doesn't that cause problems?" "Sometimes." "Ah. Well, we know about gratitude, too. But our way means the couple start their new lives in a state of… g'daraka… er, free, unencumbered, new dwarfs. Then their parents might well give them a huge wedding present, much bigger than the dowry. But it is between dwarf and dwarf, out of love and respect, not between debtor and creditor… though I have to say these human words are not really the best was of describing it. It works for us. It has worked for a thousand years." "I suppose to a human it sounds a bit… chilly," said William. Goodmountain gave him another studied look. "You mean by comparison to the warm and wonderful ways humans conduct their affairs?" he said. "You don't have to answer that one. Anyway, me and Boddony want to open up a mine together, and we're expensive dwarfs. We know how to work lead, so we thought a year or two of this would see us right." "You're getting married?" "We want to," said Goodmountain. "Oh… well, congratulations," said William. He knew enough not to comment on the fact that both dwarfs looked like small barbarian warriors with long beards. All traditional dwarfs looked like that.* *Most dwarfs were still referred to as "he" as well, even when they were getting married. It was generally assumed that somewhere under all that chain mail one of them was female and that both of them knew which one this was. But the whole subject of sex was one that traditionally minded dwarfs did not discuss, perhaps out of modesty, possibly because it didn't interest them very much, and certainly because they took the view that what two dwarfs decided to do together was entirely their own business. — Terry Pratchett, The Truth

I super love the footnote, of course, but unexpectedly now I kind of want this version of a dowry to be a thing. I mean, the dowries of the bad old days where the man basically bought the woman from her parents, that's not okay. But this.

I'm a parent, and in no way do I feel like my kid owes me for their upbringing, education, or even (I'm anticipating) a few years of post-college living at home. Not at all. I can't imagine not taking care of them or attaching any strings to that care.

But that's not what this is. Really, ideally, it's a way for parents and children to give each other the gift of the child's independence, their autonomy, their adulthood. To officially and tangibly say that their relationship from this point on is no longer parent/child, but something more on an equal level.

For that matter, I imagine the child is free not to have a relationship with their parents any more at all, if they want. No obligation, no guilt. If parents want to be in their kids' lives when they're adults, they'll need to make sure their kids actually like them as people.

Well. I know that our world of humans doesn't work like this. Even if we put a monetary value on what we owed our parents and paid it, we'd still feel obligated to them, at least a little. Even if our kids paid us back, we'd still feel like we had the right to control them, at least a little.

But man. That g'daraka thing sounds wonderful.

[lucrezianoin]

Interesting things that you can get from trying all the options but that reveal a general characterization and idea of astarion and tav's romance.

I wanted to talk about Astarion's feelings regarding intimacy and sex, and indipendence, and how this can give a small timeline of his relationship with Tav.

CONFESSION VS NO CONFESSION

If you don't get the confession or drow potion scene, astarion will still stop having sex with Tav, and at the start of act 3, if you ask about it he'll tell you that he's tired of paying with sex, and that you were a bad deal now. It was all transactional but he's done. If you say you're hurt, he'll reply that it hurts more to use his body to get nothing in exchange, basically. I think this confirms that up till some events leading to the confession, the relationship was transactional. He only says "This is the one talent I have".

Given that the only difference IS the confession, but that the game assumes there's party interactions that are not shown, we can assume that he started to genuinely fall for Tav somewhere around end of act 1 and act 2. This is confirmed by the fact that if you choose him over someone in act two, he'll be confused but immediately resorts to saying it's because of your good sexy times... But, he is surprised (positively surprised) if you say it want something real with him.

The thing is... Astarion is a people pleaser. He manages to find autonomy because of finally being actually free and slowly regaining it on his own (if you end up in this wrong/broken romance situation). He stops having sex with Tav, he decides he does not need to pay anymore for whatever Tav is giving him or not.

BAD CHOICES / SAYING NO / FEELING NOTHING

If you choose the very bad choices during the confession, he will tell you that having sex with Tav has felt different "I supposes", but then he'll reveal that he didn't know how to say no after you push him. He also says that he never felt anything while having sex (does not exclude tav from this sentence, so it's assumed that this is true for their sexual meetings too), but after Tav pushed him he felt something for the first time (being that he felt horrible). I want to elaborate more on this but I need the next two points first.

INTIMACY VS SEX

In a Karlach/Astarion party romance scene, Astarion gets very mean when he realizes he cannot have sex with Karlach. The dev notes reveal that its because he feels vulnerable and confused by the fact that his one method of connecting with people is not available to him in that situation. The notes also stresses that he really wants what Karlach is offering (just spending time together) but maybe even he doesn't realise it yet. Full scene and dev notes are here.

Furthremore, most of the scenes that people associate with astarion romance are actually scenes that happen even if you do not romance him. The bite scene, offering him to feed him your blood, the bear one, discussing character's blood, the mirror scene, and probably even the scars scene... these are all general scenes, not romance ones. The only romance scenes (as far as I know) in act1+2 are: him propositioning you if you have more than 40 approval, or him propositioning you at the party, the sex scene, the second sex scene ("cheeks all flushed"). It shows how he has a desire to connect. Some of these scenes are not connected with manipulating you, but really do feel like a true desire to connect.

Regarding these last three points, I think Astarion's "It felt different from you" does come from this desire to connect. It had felt different not because the sex itself was different, but because he honestly felt like he was connecting with Tav. That is why the options that you can offer him are so important:

In particular, asking him "what do you want" will reveal that he doesn't know. From the devnotes of Karlach/Astarion we already know that he is confused about his own need to connect. But also it is important that one of the option is "we can be together without sex". Sex is what he knows, "the talents he has", and it is also the only way he knows how to connect with people because he has been made to do it for 200 years. Telling him that you can be together and show him intimacy and companionship without sex, means he will have the safety to explore other ways. And be seen as a person.

What he needs/wants is the safety to pursue what he likes ("this", your relationship) and he thinks he might want. Safety being the important word.

That is why it is clear in the game that between the confession and post-Cazador Tav and Astarion do not have sex, even Astarion remarks twice about it to ask to Tav if he is really okay with it.

That is why it makes the cemetery scene so impactful. He is not fully healed, but he wants to reclaim sex as part of his way to connect with someone as an act of intimacy.

(Instead if you choose Ascended Astarion you confirm that you only see him as sex and not a real person. The sexy kinky vampire - I will talk about this in the last point, where I talk about the bite).

RELATIONSHIP

I wanted to write a little bit about the way he defines the relationship in act 2, post confession. The confession doesn't mark a clear "we are in love from now on", it is more like offering him this step, slowing down, making sure that you can be there for each other, allowing him to be free and supporting him.

If you ask him "what we are" he will say:

This could even imply that before the confession he did see you as a victim or a target, but that is just how he saw EVERYONE. Everyone was a target or a vicim, or a night of disgust/abuse. His knowledge and ability to identify intimacy and relationships has been so beaten down that he actually expresses confusion now that he finds himself with a real relationship. That "whatever in the world could you be?" is asked with genuine surprise and bafflement.

INDIPENDENCE

Another important and fundamental side of his romance is his indipendence. There are some choices that I would normally go for and then I realized gave no approval, or low approval. I will make a full posts of these approvals, but for now I wanted to focus on three.

Someone here on tumblr already noticed and wrote an amazing meta about how offering your blood to Astarion (the next day) gives NO approval.

You can see that telling him to feed on you gives no approval. Be it because the game explicitly associate bite = sex (seen from the drow woman) and he sees this as you seeing him as some sexy vampire or be it because you are making dependent on you, I am not sure.

But if you agree instead with his suggestion:

Another occurrence, is the two times you can tell him you will protect him. DorianDarkstar on twitter also noticed and made me realize that he does this twice. There are two occasions where you can tell him "I will keep you safe" and he doesn't fully like that.

There is a scene where you can tell him that you will watch his back if he watches yours and he approves (5 points!). If you tell him he is safe, instead he finds that pretty annoying.

There is also a dialogue in late act 3, where you can tell him that you will protect him. To which he answers with almost resigned annoyance.

It is important for him to be an equal. He says so in his romance talk after Cazador. (and that is why I love Durge Astarion so much as I explained here).

So yeah, there is I think something interesting to be found not only in non used scenes (not used by the player, as some of these choices are very bad), but also in finding out what he approves or disapproves of.

[nanierose]

The tension building up between Orym and Dorian is so good narratively. Two hurt people, one grieving a very recent death and the other whose grief was triggered by seeing his family's murderer hours ago? Of course they're going to end up hurting each other, even if unintentionally. Grief isn't rational, it's pure emotion and unfortunately emotions can get the best of you. Even the most controlled people can slip up.

Orym bringing up Cyrus to make a point was a dick move, no arguing that. He should have known better, even without knowing the role the gods had to play in Cyrus's death. The fact he doesn't know the full details certainly doesn't help though. Dorian appearing to agree with Ludinus, something that Orym has had to bat down every time they have the gods discussion, was an unknown trigger that he stumbled upon. Not his fault at all, but still something that hurt.

The point is, they're both at the moment trying to handle their grief individually and give the other space, which is hurting both themselves and each other. If they were to talk openly and support each other in their grief they would be able to navigate things a bit easier. It would still be hard, but they would at least be doing it together.

If they did that immediately though it wouldn't make for a good story. We need to see the bumps and hurdles, the realisations and apologies that cement the relationship further. It would be nice if they never hurt each other and always said the right thing, but that isn't realistic and would eventually be boring to watch. Robbie and Liam know this, which is why they're both leaning into this conflict until it eventually either blows up or one of them takes the lead and they actually talk properly. It may be soon or further down the road, but it's going to be an interesting story whatever happens.