#in case anyone's wondering it's deadpool kills deadpool issue 1

[rubberbandgirlme]

we should absolutely adopt it as canon (mcu included) that old ass logan uses this old ass god-forsaken website (affectionate. probably)

[hellzyeahwebwielingessays]

The Not-So-Amazing Mary Jane Part 28: AMJ #3.2

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As with issue #2 (and all future posts) I advise you to read the prior instalment as I’m not going to recap the first half of the issue again here.

Moving on, we finally get to meet these new crewmembers. They consist of:

H.E.R.B.I.E. 1.05, a version of the F4’s robot buddy

Screwball, a “… self-styled as a performance artist and the world's first live-blogging super-villain. She was an Internet personality and social-media attention monger to such an extent that she committed crimes on camera.”

And Master Matrix. He's a whole mess. Basically he is the world’s most powerful LMD, and a highly dangerous weapon. He views Spider-Man and Deadpool as his ‘fathers’ in a weird way.

Beck starts to justify the hires, but MJ says that if they believe in the project as she does and have earnest intentions then she’ll reserve judgement.

Screwball tells McKnight that she’s leaked some fake photos to mislead the Savage Six and buy them some time. With that McKnight is eager to get to work.

Let me be upfront about this, I know little about HERBIE or Master Matrix. I’m not an F4 expert and I never bothered with the Spidey/Deadpool ongoing. So I will admit that maybe I’m missing some important context here. My research on the Marvel.wiki didn’t yield any results on who HERBIE 1.05 is beyond him maybe being the regular version of HERBIE. And last I checked the regular HERBIE wasn’t a bad guy. Master Matrix in contrast seems to have been a morally ambiguous character initially but grew to be a good guy. He has a kill switch he willingly handed over to SHIELD just in case he ever went rogue.

So 2/3 of them are perfectly fine. I don’t even know how much MJ would know about HERBIE or Master Matrix. However, Screwball?

Screwball is a straight up criminal. Not an especially dangerous one granted, perhaps not even a D-lister. But a criminal nonetheless. MJ has seen her before, as she witnessed Superior Spider-Man assaulting her on TV in Superior Spider-Man v1 #6.

Realistically, given how horrified MJ was by the incident you’d imagine it’d stick in her mind. Additionally, given how Screwball is an attention monger and very into social media I’d imagine MJ would have some awareness of who she is. MJ herself is very up-to-date with the latest trends and would be plugged into modern pop culture and social media.

However, for the sake of argument let’s say MJ doesn’t remember Screwball at all. Let’s say she’s never heard of HERBIE or Master Matrix. Given how in the first issue she was taking note of the criminal and super powered crewmembers, wouldn’t she at least suspect these people might be shady? Wouldn’t she double-check somehow that they are legit? It all leads back to the same complaints I made between my coverage of issues #1-2. She’s not even checked that Beck is out and about legally for God’s sake!

What’s so much worse is that the story acknowledges  that these hires might be shady. Beck is concerned MJ will have reservations. MJ decides to reserve judgement.

This means she doesn’t fully trust them, that she acknowledges they might  be sketchy.

And her conditions for reserving judgment depend upon even shakier criteria.

How the Hell can she tell in this singular moment, when she’s barely spoken to any of them, that any of these people:

a)     ‘Believe’ in the movie like she does?

Or

b)     Have earnest intentions?

She’s not verified any of them are reformed or on probation. She’s got no idea what they are fully capable of or if they are on the run.

Once more she is engaging in blind faith. She is trusting the word of a super villain who’s entire skillset revolves around lying.

The final thing to take note of is the fact that the crew are actively avoiding the Savage Six; hence the new shithole location.

Um…why aren’t they just contacting the authorities or organizing protection for themselves?

SIX super villains just attacked them and want to do so again. That’s surely grounds to bring in the police or the West Coast Avengers or somebody.

Surely, MJ herself could arrange that.

Alright, maybe you could argue they want to avoid arousing suspicion because of their criminal crewmembers. But this leads back to the fact that MJ wouldn’t stand for criminals working on the movie and Beck wanted press attention for the movie anyway. In fact if a civilian like Diperna knows about the movie how do the press not? How could no one have noticed that there are super powered people and criminals working on the set?

Everyone should know that about the movie anyway, so why not bring in help from superheroes or the authorities for protection?

The answer lies in the fact that this story is incredibly half-baked and inconsistent.

I will also add that on a purely personal note I dislike 616 Screwball so just seeing her annoys me.

The next day filming has been delayed again because of bad weather. Mysterio decides they should shoot in the caves.

Filming inside some caves nearby an abandoned zoo whilst it’s raining. Seems like a health and safety nightmare doesn’t it?

If so then it’s yet more evidence of how vain and selfish Mysterio is.

Days later, we see some crewmembers intimidated by Screwball. Their conversation with her reveals she hacked someone’s private information and threatened them to deliver food to them.

MJ overhears this conversation and learns that, in order to evade the Savage Six, Screwball arranged an unmarked truck. MJ decides to solve the problem by contacting Peter and asking if he knows any teleporters in L.A.

Later, Cloak and Dagger show up and deliver food to the cast and crew.

*pinches bridge of nose again*

God, where to start with this?

So, Screwball has definitely committed a crime in the course of her role as production manager. Hacking someone’s cloud server is very much illegal and an invasion of their privacy.* Depending upon whether you believe her or the truck driver she might also have threatened the driver’s life.

Screwball admits to having done this and MJ over hears it. And yet MJ is still ‘reserving her judgment’? 

I guess earnest intentions+believing in a movie>>>>>>>>>>>harming people in Mj’s book right?...

...what the fuck Williams seriously…

But the stupidity goes another level when MJ contacts Peter so she can get super powered assistance.

Let me get this straight, MJ and Beck are on board with using superheroes to deliver food to them, but not as protection for actual super villains who want to hurt them?

And MJ in particular doesn’t feel she should let Peter or other heroes know about Mysterio or his criminal crewmembers. BUT she will still contact them for a far less serious reason?

Anyone still arguing that for MJ to ask for help would be reductive to her/female characters no longer has a leg to stand on. MJ just used super heroes to solve a problem for herself. Scratch that, she asked her super hero boyfriend to solve a problem for her. And by bringing in characters like Cloak, Dagger, HERBIE and Master Matrix AMJ has arguably invited the wider Marvel universe into the story too. At which point MJ has no end of options available to her to ensure Mysterio isn’t a danger. She just isn’t using them because Leah Williams Mary Jane is not the Mary Jane we’ve known and loved. She’s this weird facsimile with all her social skills and charm but none of her deeper moral convictions.

Finally, if Beck and MJ (hypothetically) aren’t getting protection because they have crooks on staff then why bring in super heroes at all? I admit we never see what crewmembers are in Cloak and Dagger’s line of sight, so arguably MJ asked the criminal crewmembers to scram. But a hint of that would’ve been nice.

As filming inside the cave proceeds we see the Spidey actor struggling with his lines. The scene depicts ‘Spidey’ saying ‘You’ve gone too far this time, Mysterio. Now it’s personal.’ Amidst a street full of injured/dead people.

Mallorie is playing one of the injured people.

First of all, Mallorie wasn’t an actor or extra earlier in the story. But I suppose it’s not uncommon for crewmembers to have small roles in movies and with a reduced cast it’s likely she was just filling in.

More problematically, the scene is clearly depicting the fact that Mysterio has hurt (even murdered) people in his past. He’s done stuff so bad that Spider-Man, a hero, has been personally enraged by his evil acts.

This is in the movie. It’s in the script. MJ read this. MJ is seeing this recreated.

This eviscerates  even the slightest remnant of deniability on MJ’s part. As I’ve argued in prior instalments, MJ SHOULD know Beck is a killer and a violent person. There was no denying that. But even if you were being wilfully ignorant or belligerently insisting only the events of this mini-series ‘counted’, the mini-series just spelled out for you that beck has seriously hurt people and that MJ knows  that.

But she is still allowing him to make his vanity project. She’s still letting him walk free. She’s still chummy with him. She’s still showing no sign at all that she’s going to make Beck face justice.

On the last pages the actor playing Spider-Man quits after a light falls nearby. This leaves Beck and MJ sad, wondering how they can finish the film without Spider-Man.

I have nothing to say about this beyond a heavy light falling inside a wet cave should’ve been an obvious health and safety concern.

So, that was Amazing Mary Jane #3, quite possibly the single worst issue of the entire series thus far.

Honestly, I’m going to soldier on through this series, but I’ve made my points.

There is no hope of fixing this series now.

Not because there couldn’t be a justifiable explanation (or several) that could address all the problems. But because it’s become plain to me that Williams will not provide them to us.

Williams frankly seems like someone who understands aspects of MJ as a character. She knows how to make those aspects shine.

But there are other aspects she so fundamentally doesn’t get that it debilitates any good she might’ve done.

And more poignantly, even within the context of the story she is telling she has been incredibly inconsistent and at times downright baffling.

She either needs a better editor or she might be someone who ultimately wasn’t a good fit for this character/story.

*It’s extra bad considering several years ago in real life there was a major news story about the private photos of celebrities being hacked, perhaps the most notorious example being Jennifer Lawrence. I’m like 99% sure Leah Williams heard about that because I  heard about that just from tumblr and I’m not someone who used to work in Hollywood nor do I work in the entertainment industry in any capacity.

P.S. How does Peter not know about the Savage Six?

Super villain attacks aren’t that common outside of New York city and the villains in question are predominantly associated with operating in NYC.

Three of them are very recurring enemies of his, one of which committed some very violent crimes during a traumatic recent event; the ‘Hunted’ storyline.

They attacked the set of another of his very recurrent enemies that his lover is working on.

None of this happened in a secluded location, it was all perfectly public.

So how on Earth does he not know about this? Why hasn’t he contacted MJ to ensure she’s okay? Why isn’t he riding down there to see if he can help her or trying to arrange his Avengers buddies to provide some protection?

The only answers are that MJ has lied about that again, Williams is mischaracterizing Peter indirectly or this story is badly written.

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[pmyournudes]

Moons Over Madripoor Ch 1

“I’m sorry Daddy, I’ve been naughty”

“Wade what have I told you about coming to Hell’s Kitchen”. Matt is exhausted, it’s nearing midnight, and he’d already kicked everyone’s ass in a bar to break up a Maggia gun deal. He’s too tired to deal with any of the Merc’s mouth tonight, and he knows it’s just beginning, “and more importantly what have I told you about staying in Hell’s kitchen.” Matt adjusted his footing. Normally Wade would try to futilely sneak up on him, this time he just came up the fire escape.

“You don’t want to hear my confession? I’m sure I could find some saps to perforate with my guilt.” Wade unholstered a pistol and spun it idly, Matt could tell the gun wasn’t even loaded.

“I’m not a priest but, I don’t like you threatening thugs just to make me bend an ear.” Matt knew Wade was manipulating him, but he also knew Wade only dealt with money and bodies. His emotions were something Wade had a less than tenuous grasp on. “You going to tell me where to find a pile of bodies? You know I don’t appreciate those as favors, you’re not a cat.” Matt leaned against the stonework, Wade’s heartrate was flittering, if Matt knew any better he’d think that Wade had been crying.

“No, I haven’t been in the mood to kill anyone. Well not IN the mood but I just don’t care. Like you ever get a drumstick ice cream and just can’t even bother eating enough to get to the chocolate so you just throw it away? Or you think the taco truck sounds good to hit up but by the time you load all your mags and strap your guns on you realize you don’t even want any mexican? It’s like that” Matt knew Wade must be low. Someone so impulsive and carefree doesn’t just lose motivation for their chicanery. He must have been crying after all.

“Too languid to kill drug dealers or support any taquerias? That’s not the Deadpool I know. I suppose I can hear your confession. I have no idea what it’d pertain to since crimes against thugs and chimichangas normally top that list.” Matt was genuinely curious, this could only mean trouble. Or a headache for him, something he doesn’t need if what he heard with Tombstone was actually about to go down. “I suppose I could spare a few for you but, if anything comes up tonight I’ll need to see to that too.” Matt sat down on the ledge of the walk up, one leg off the side so he could keep an ear on the bar he was staking out.

“Of course, there’s other buildings that could use some brooding on them. Or if any of your gargoyle buddies needs back up catching pigeon shit you should get on that.” Wade jokingly toyed, a little too cavalier for someone trying to have a heartfelt conversation.

“Did you want to talk or did you come here to belittle me? Some of us feel a personal responsibility to doing the right thing.”

“Dont fucking talk about responsibility to me. You know who else does? That shit eating Spider-man. Maybe you should leave and go be responsible too, maybe Queens needs you, maybe my flat isn’t good enough, maybe we can’t take weeks to ourselves as if we don’t need it, don’t need each other.”  Wade grabbed his mouth. He’d said more than he meant. He knew that his team ups with Spidey were public but maybe Daredevil would miss his slip up or not know what he was talking about. Wade crouched down, or maybe he was slumping, his body scabbards kept his back straight, but his head falling let Daredevil know that he was exhausted as well.

“Oh, I meant I have guilt that I’m not doing enough, every person the mob hurts, hurts me too. I don’t like seeing those I care about in pain. You included Wade.” Matt knew what Wade was talking about. As if he couldn’t hear Wade’s pulse rev up like a sportbike anytime he mentioned Spider-Man. It’d been going on for months, Deadpool was so easy to get a hold of. Just mentioning the wall crawler could be there and Deadpool would show up like clockwork. It was a nice ace to have up his sleeve if a volatile situation needed combusting. Normally Wade couldn’t be relied on, but he actually was helpful the past few times. He didn’t even kill anyone the last fight they had at the docks. “Is something hurting you now?”

“Well that’s why I’m here. You ever get told you can’t do the thing you really want? Like if the priest told you that you’d prayed too much and that he wouldn’t hear another Hail Mary?” Deadpool sat down, his guns clattering on the rooftop. His legs splayed in front of him like a child sitting for a story.

“Wade church doesn’t work like that, priests are always there in times of need. I think you and I both know that.” It was a clever dig, even Matt had to admit that Wade’s wit was plenty sharp enough to earn his monicker.

“Ok well I don’t know what else you’d be into or broken up about. Maybe if they stopped sending ninjas to New York and you’d have to only fight mobsters. Yeah it’s like that, you WANT to fight ninjas because it’s exciting and fun and exhilarating and new every time,” Deadpool hugged himself, like he was overcome with joy. “but, instead New York only had mafiosos and petty crooks. Just the same boring thing you can get anywhere else.” his arms dropped and his head hung again. Matt could smell tears on Wade’s eyes, he was on the brink of crying.

“I would be more than happy if I never saw another ninja again.” Matt meant that, the city had enough issues without immortal assassin’s harrying him. The only thing ancient orders brought with them was ancient issues.

“What if it was /her/ though, what if she never showed up again because she didn’t want any part of New York and instead you had to deal with Tombstone or Bullseye.” Deadpool barked at him, his voice hoarsening. Matt faced Deadpool, had he told Wade about Elektra? Who had Matt told about her? “Oh if you’re wondering how I know about Nachos girl, literally everyone knows you two are a thing. I'd hear at poker games how people would bait her out since it would throw you off so badly just smelling her.” Was Matt really that bad when she was around? He remembered Foggy telling him she was trouble but that was just because his court cases backed up. 

“I don’t know who you’re playing poker with, but I don’t ‘lose my senses’ when I smell someone like some pubescent teen.” This was making Matt uncomfortable, but Wade wasn’t noticing. He was lying down, not relaxed, but lackadaisical. Fully off guard and exposed on the rooftop.

“That makes one of us I guess. I can’t control myself, I’ve fully lost who I am trying to make someone else happy.” His voice was straining, he was holding back trying to be strong.

“Are you sure it’s what would make them happy, or what you think would make them happy?”

“I’m sure I know them and what would make them happy, we’ve spent weeks together. Working on assignments and spending long nights together.” Wade’s voice caught in his throat.

“Nights like this? You know this is just a night out, like any other. Sometimes a night is just a night.”

“Don’t be cheeky, it wasn’t some cheap rooftop in a ratty borough. These were nights in Madripoor, that place is enchanted, there’s magic in that air.” Deadpool looked off wistfully. Daredevil was sure he was imagining another night on another rooftop elsewhere. “DON’T even bother telling me I can’t make someone happy either, I can make anyone smile.”

“That’s true, I’d be lying if I said you haven’t made me crack a grin before. But true happiness isn’t made, it’s something you find and you enjoy it while it’s there.”

“I did find it, it was the sun and the moon all in one. I thought it was mine and that I had somehow cheated fate to have it.” Deadpool doffed his mask to wipe a tear from his eye. He sat up and faced Daredevil. “But, it wasn’t meant to last. You want to hear my confession now Daredevil?��

“That’s what I’m here for Wade, whatever you have to tell me, I’ll hear you.” Daredevil turned his back to the street to face Deadpool.

“I’m in love with Spider-Man and he doesn’t love me the same way.”

[daresplaining]

Iron Fist Countdown: 2 Days

Mary Walker/Typhoid Mary/Bloody Mary

    One of the neat aspects of any adaptation is the chance to experiment with new stories, character interpretations, and relationships. The Marvel Netflix shows have brought together many characters who don’t have any particular connection in the source material. Comics Jessica Jones and Patsy Walker aren’t much more than acquaintances. Comics Karen Page never met Frank Castle. But the shows have used this undeveloped territory to craft some fascinating new character dynamics. Thus, we’re extra excited that Typhoid Mary (and her various other personalities), while typically a Daredevil and Deadpool comics mainstay, will be making her MCU debut in Iron Fist Season 2!

    Mary first appeared in 1988, in Daredevil vol. 1 #254. Ann Nocenti, who created the character, intended for her to be a revolutionary amalgam of tropes. 

“As for where Typhoid came from, you'll have to ask the shrink I've as yet never gone to. I think I wanted to shatter the female stereotypes-- virgin, whore, bitch, ditz, feminist, girl scout, all-suffering mother, et al.-- into tiny fragments and yet keep all the pieces in the same little female bundle.”

    Mary is quite literally a character built of layers. She suffers from an exaggerated, comic book science version of multiple personality disorder, resulting in an unpleasant childhood of psychiatric testing. 

“Code name Typhoid Mary. One of the most fascinating cases in psychiatric history. Subject spent most of her life institutionalized, undergoing every known test-- yet she continues to baffle the entire scientific community. The child’s dual personality was first discovered in infancy. In the Mary persona, she is fragile, sickly, prone to epilepsy and other disorders. As Typhoid, she is utterly unapproachable, uncontrollable, a murderous little girl. Pure poison.”

Daredevil vol. 1 #254 by Ann Nocenti, John Romita Jr., and Christie Scheele

    This original version of the continuity suggests that she was born with at least two of her personalities. But later, J.M. Dematteis pulled a snippet from Frank Miller’s Man Without Fear origin retelling into the main continuity: an episode during Matt’s first vigilante outing in which he accidentally kills a sex worker. Joe Kelly then took that tidbit now made canon, and decided that the woman in question was Mary, and that this final act of violence committed against her by a man was what fractured her personality. (We’re not big fans of this change, but it is what it is.) 

    Either way, Mary is literally a multifaceted person, with each personality battling for control. As Mary Walker she is a sweet, naive, gentle person, who is horrified by any kind of violence. As Typhoid Mary she is gleefully violent, power-hungry, and wields her sexuality as a weapon to control the men around her. These two personalities hate each other, and they turn her body itself into a battleground. 

Mary: “Feels good to fluff out my hair, get that makeup off... Hot in here. Sweating... Do I have a fever...? Feel sick, do I look sick--? Oh! My hair... my face...!! I don’t look like myself... I look wild... It’s you! It’s that woman...! Oh, god, no-- have to warn myself...”

Typhoid: “Shut up you sniveling twit! Get back in there and shut up! Typhoid’s back on top!”

Daredevil vol. 1 #256 by Ann Nocenti, John Romita Jr., and Christie Scheele

    As if that weren’t enough, Typhoid also possesses an array of psychic powers, including telepathy, telekinesis, and-- most famously-- pyrokinesis. Mary doesn’t get any of these fun tricks.  

Typhoid: “Matthew, there’s something I’ve been meaning to tell you for quite some time... Burn...”

Daredevil vol. 2 #46 by Brian Michael Bendis, Alex Maleev, and Matt Hollingsworth

    Mary’s mental state evolves and fluctuates over time. For a while she has three identities: Mary Walker, Typhoid Mary, and an avenging angel named Bloody Mary, who hunts down and kills men who abuse women. 

Bloody Mary: “You beat two of them to their deaths! Did they ask for that? Did they beg you to kill them? For your crimes you will die!”

The Spectacular Spider-Man (1976) #214 by Ann Nocenti, James Fry, et al. 

    This arc even results in a short-lived, “healthy” all-encompassing identity who just calls herself Walker. But that is a rare occurrence, and in most modern comics Typhoid pretty much stays in control, opposing all attempts at recovery. Mental health is at the core of many of Mary’s stories, and she has been placed in therapy at various points, sometimes of her own free will but usually not. 

Matt: “I heard what you said. You’re not wrong about Mary. [...] Mary’s trapped in a revolving door of crime, jail, and misery. Her crimes are addressed-- but never her sickness.”

Wade: “What if... what if we had another option?”

Deadpool (2015) #13.1 by Gerry Duggan, Paco Diaz, and Israel Silva

    But she’s such a compelling character as she is that it’s unlikely any treatment will last long. It would be like permanently restoring Matt’s eyesight. Nobody wants that. 

    Given the trend toward groundedness in all of by these shows, we’re expecting Netflix Mary’s personalities to be taken down a notch, with more of an emphasis placed on the mental health angle. Alice Eve has had really evocative things to say about playing Mary, and about the degree to which she immersed herself in the chaos and violence and pain inherent in the character: 

“I’m not sure any of us are lucky enough to be completely mentally sane. Mental sanity is society’s construct so that we can all function together, but, you know, we all go to bed with our minds and we all know what they do to us. [...] So I just kind of swam in that deep ocean for a while and really let myself think the thoughts that mindfulness and meditation and all those things tell you not to, and embraced all the disorder in my mind, and enjoyed that, and felt that pain and lived that. [...] I like Marvel for being able to hinge these issues on this construct they have of exploded powers and exploded weaknesses, and make them big, like they feel to us inside.”

    But the multiple personalities will still be there, splitting Mary between gentleness and violence. The Iron Fist Twitter account has posted several images that seem to be messages Mary has left for herself: 

    Our big question is whether she’ll still have her psychic powers. We really, really hope so.

    As for how she will play into the events of the season, it’s still anyone’s guess. It seems that she encounters Danny and Colleen as Mary, while also running rampant as Typhoid. In the comics, her introductory arc follows her time as Wilson Fisk’s assassin/girlfriend. He instructs her to break Matt Murdock’s heart and then kill him, but she ends up falling in love with him along the way. This seems like an odd plotline to adapt to Iron Fist, so we’re expecting/hoping for something new. It’s also worth nothing that she bears a strong resemblance to Trish... and we’re wondering if they might end up being related in this universe. That would be a neat twist. 

    In any case, we can’t wait to see how she is involved in this story, and to watch her kick maximum butt. ONLY TWO DAYS LEFT!

[that-shamrock-vibe]

Movie Review: Deadpool 2 (Spoilers)

Spoiler Warning: I am posting this review the weekend after the movie is released in the U.K. So if you haven’t yet seen the movie don’t read on.

General Reaction:

Pop culture references, or "Meta-Referencing" as it's called in some circles, has become such à staple in both movies and television that it is hard to know who originated it. But in terms of who owns it, that largely is Fox as their animated TV shows, such as Family Guy and American Dad, are built around it. However, Deadpool as a character is a meta-referencing construct. Spouting pop culture satire is what he has been known for since his creation, being the "Merc with the Mouth" and fans may worry that if he didn't have that, would he be a quality character.

Well if Deadpool 2 is anything to go by, I'd say that's a yes. Yes there are still meta-references spread throughout this movie, but the movie doesn't rely on them and instead becomes a fully-rounded comic-book action movie. In my opinion more so than the first Deadpool movie and even Avengers: Infinity War in terms of story.

Yes the plot is pretty much ripping off Terminator but it does Terminator how you would expect Deadpool to do Terminator. Not only does it satirically play homage to that movie but also the amount of pot shots it takes both at the MCU and DCEU is fantastic.

My two critiques with the meta-referencing in this movie is 1) There is a joke made about child molesting early on in this movie that hinders on that line of very poor taste and 2) They missed some very obvious chances to make fun of some of the movie's cast that they had no reason to miss. When your main character wears a mask covering his mouth, then the writers and director have no excuses when watching this movie in post and saying "Hey we missed an obvious Billy Skarsgård as Pennywise joke and a joke about Orange is the New Black, Black Panther and Wonder Woman, no worries we can have Ryan Reynolds dub over" but alas there is nothing.

As a fully rounded movie however, there is one thing I never expected to see in a Deadpool movie and that is a genuinely emotional scene, in this case Vanessa's death, yes the first movie had Wade discovering he had cancer, but with this scene there were one or two moments I felt would be used to turn the scene satirical, both with the microwave pinging and Wade's emotional reaction but surprisingly they just kept to the reaction...it was somewhat watered down at the end when Wade went back in time and saved her but I'll get into that when I talk about Vanessa further down.

Cast:

On the subject of characters, much like the first movie this cast proves to be a great support in a movie that is solely the Ryan Reynolds/Deadpool show, unlike the first movie though this cast do just seem to be supporting players.

Ryan Reynolds was born to play Deadpool just as Hugh Jackman was born to play Wolverine and Krysten Ritter was born to play Jessica Jones. What he does with this character is nothing short of magic. I cannot describe just how much I love this actor in this role, this is coming from a guy who has never been a Ryan Reynolds fan...at all.

I love the fact they finally embraced Pansexual Deadpool as he was clearly in a committed relationship with Vanessa but he did have some flirtatious banter with Colossus and even Cable, I mean he used his crotch in Cable’s face as an offensive attack.

Reynolds’ physical comedy is upped in this movie, not only does he have that brilliant crouched over through the legs on a moving car bit that I found quite funny but also the that prison break scene when Wade falls from the walkway smack onto a table with his body effectively bent over was really gross and really cool. I haven’t seen physical comedy this funny since Jim Carrey in the 90s; think Ace Ventura or The Mask, even The Grinch, that is what I was reminded of watching Ryan Reynolds in this movie.

As I said, everyone else was effectively a supporting player but the next two with the biggest roles were Josh Brolin as Cable and Julian Dennison as Russell Collins aka Firefist. What is interesting about both these characters is I have only ever seen them in the 90s X-Men animated series. Cable was a recurring player in all four seasons while Russell was named Rusty and only appeared in one episode during Season 3.

Josh Brolin as Cable was surprisingly very good and the fact he is still appearing as Thanos in Avengers: Infinity War was not a distraction because both characters are very different and with the CGI on Brolin for Thanos, there is a definite distinction between the two.

They definitely didn’t spend enough time establishing Cable as a character in his own right, outside of the fact his wife and daughter Hope were killed by an adult Russell which is why he traveled back in time there was no real character development. There was a minor scene when Cable is looking in the mirror at his body and it does seem he’s pained over the fact the techno-organic virus that is never mentioned is trying to take over his body but other than that there is really nothing defining other than the fact he was a formidable threat.

The fact he chose to stay at the end of the movie wasn’t exactly a shocker because Deadpool 2 was a back-door pilot in setting up X-Force, even though he saw that his family were alive because his daughter Hope’s teddy bear that he carries with him which was burned but then looked like new when they fixed the timeline which was a stereotypical time-travel trope but a good one, he decides to stick around for no real reason. When Wade says a line earlier in the movie saying “That’s just bad writing” I was thinking Cable’s ending was more sloppy.

As for Russell Collins aka Firefist, I really didn’t get on board with this character. Yes he was the troubled youth that had trauma in his past and being a Mutant in this universe is never good for anyone of any age, but he was just angry. Yes he had one or two funny lines but most of the time his motivation as a character did not seem genuine. In fact, Russell here reminded me of Jamie Foxx as Electro in The Amazing Spider-Man 2, a character needing to be needed.

Whereas Domino I felt I did not get enough of, genuinely mostly everything we have seen of the character in this movie was in the trailers. She had one or two more good lines particularly with the truck chase but outside of that I was left underwhelmed as a fan of Domino’s because I wanted her to be a scene-stealer similar to Black Widow, Deadpool even calls her “Black Black Widow”.

Colossus again proves to be quite a comedic and competent character despite his earlier appearances in the original X-Men trilogy. The only issue is, we never see him outside of being metallic and yet again Deadpool makes the joke about the studio not being able to afford more X-Men than Colossus and Negasonic Teenage Warhead.

Although there is a fantastic cameo from the X-Men: Apocalypse X-Men team while Deadpool is making this budget speech as the shot cuts to a profile shot of Wade showing a classroom with that team played by those actors in. In the room there is Beast, Quicksilver, Nightcrawler, Storm, Cyclops and bald Professor X all of whom were played by the same actors who portrayed them in X-Men: Apocalypse. It was interesting to see that neither Sophie Turner nor Jennifer Lawrence made an appearance as Jean Grey and Mystique respectively but literally the show was a blink and you will miss it type of shot.

Circling back to Negasonic Teenage Warhead, and I’m going to call her Ellie because it’s easier and that’s her civilian name, again like Domino most of what we’ve seen from her we saw in the trailers but what was confirmed in this movie was her LGBT status.

Now it is not confirmed if she is bisexual or a lesbian but she is in a relationship with Yukio, who I think is supposed to be Surge from the comics but her name is Noriko not Yukio and Yukio is in fact from The Wolverine portrayed by Rila Fukishima in which case I am frustrated with this character because I loved what Rila did with it. Regardless, I applaud this movie because I have recently written up a Research Project for my university course about the lack of LGBT representation in Marvel and this movie gave me hope that maybe they are turning a corner, both with the teenage lesbian lovers and Deadpool’s pansexuality.

I did have the opportunity to meet Brianna Hildebrand at Comic-Con in March but opted out in favour of Yondu but I continue to be happy with her role in these movies.

Then X-Force as a team, the biggest tease I have seen for quite some time, I haven’t seen such a tease lacking followup since The Amazing Spider-Man 2 and the promise of the Sinister Six. Almost every trailer in this movie promoted the X-Force team starting in this movie but what the trailers failed to say was that they’d be seen for a grand total of five minutes and then literally be killed off save for Deadpool and Domino.

When you have the likes of Terry Crewes and Bill Skarsgård in the movie, particularly with Billy coming off of such a success with It, yet barely have them speak and don’t really have any screen-time or development before killing them off just to say “We’ve had X-Force” it’s a waste. I mean I get only having Lewis Tan for a glorified cameo as he is more of a stuntman and he was playing a character that would have been all stunts mainly but again it was such a wasted opportunity.

Although the one thing the team did right was give us a bigger shock cameo than Matt Damon in Thor: Ragnarok and I am talking Brad Pitt as Vanisher. Now for most of the time Vanisher was invisible however when he fell down onto the power-lines and got electrocuted to reveal himself as Brad Pitt, the audience I saw this movie gave the biggest reaction all movie. It was such a surprise and such a non-commitment type of role that Pitt didn’t have to do it but either did 20th Century Fox a favour or Ryan Reynolds a favour, either way it actually made me respect him more.

Outside of that brief cameo, the biggest shock for me was the reveal of Juggernaut. I was actually very surprised to see him in this movie. When they “foreshadowed” the character, I genuinely did not know who it was going to be but the fact it was Juggernaut and looking more like Juggernaut than Vinnie Jones did I was loving it. Although I wasn’t so keen on the fact that Ryan Reynolds provided the voice, again Vinnie Jones was great vocally and physically in the role it was just how they styled him I had a problem with. Also the fact he was defeated by essentially having an electric enema was a little bit in poor taste, again there’s a line and Deadpool both as a character and a franchise dance very finely on it.

Then as for Vanessa, I really like Morena Baccarin as an actress but currently I am not entirely sure she knows what role she wants to commit to. Yes she is a mainstay on Gotham and has been fantastic on that all season and it is clear she was not in the first few episodes because of filming this, but then there is the fact she is back voicing Gideon on The Flash which is a minor voice-over role and then there was this but it is such a watered down version of the character from the comics to the point where she was never revealed as a mutant or had her appearance from the comics. Although interestingly enough the character did first appear in the comics as Domino before revealing herself properly.

The end-credits scene which saw Ellie fix Cable’s time-travelling device and stupidly giving it to Deadpool allowed him to go back and save Vanessa, meaning she’s not dead, which if you follow time-travel lore means the events of this movie should not have happened but even so I digress.

Deadpool’s Future:

My final thoughts are on the future of Deadpool in terms of movies because of course there is a pending merger that could threaten that.

I do think that when you consider the fact Fox is in the midst of having it’s movie and television properties going over to Disney, one has to consider if Deadpool and the X-Men have a future. Yes Kevin Feige is going to want to capitalize on Deadpool’s box office to add to his own gross and they have confirmed that Deadpool will stay R-Rated. but the meta-referencing to the MCU may have to be taken out if the character becomes part of the MCU and also if Ryan Reynolds does not continue to have control over the character as he does now then we lose something special.

Now they have said that Deadpool 3 will in fact be an X-Force movie and it is already in negotiations, however I do not believe that any development in terms of script, casting or filming will take place until this merger is confirmed. While I think Deadpool is meta enough to be the only surviving character from Fox in this merger, I do think making the movie as Fox but then either part way through or even at the point of premiere becoming a Disney property would mess up what is currently one of the best comic-book movie franchises out there.

Overall I rate this movie a 9/10, it’s not the best movie I have ever seen however both as the type of comic-book movie it promised and the type of character actor Ryan Reynolds is it is a perfect movie. It just isn’t higher because I do not feel the immediate urge of a rewatchability factor.

So that’s my review of Deadpool 2, what did you guys think? Post your comments and check out more Marvel Movie Reviews as well as other Movie Reviews and posts.

[mister-wagner]

Hey, I'm pretty new to xmen, but Kurt is 1000% my fave. I was wondering which comics I should read to get more of his story! I love your blog too great stuff

Okay, first of all: there are too many books he appears in, so I just tried to list some important ones (and this not even close to listing everything!) And if you want to simply read books he is in, you really need to go through many team books.

The easy part, Nightcrawler series:

- Nightcrawler (1985-1986) - 4 issue- Nightcrawler Vol 2 (2002-2002)- 4 issue- Nightcrawler Vol 3 (2004-2006) - 12 issue- Nightcrawler Vol 4 (2014-2015) - 12 issue

- X-Men: Manifest Destiny Nightcrawler #1 (May, 2009)- X-Men Origins: Nightcrawler #1 (May, 2010)

———————————————————————————

Some important appearance/story from the beginning until now:

- Uncanny X-Men: start with his first appearance in Giant-Size X-Men #1 (1975) but I’d say read UXM of 80’s.(AND/OR read Classic X-Men, which is a reprint of uncanny issues, but with new panels/stories!-Classic X-Men #1-45,-X-Men Classic #46-110)

- Excalibur (1988-1998) - a must

(After Excalibur he’s in Uncanny X-Men again - from 1998, so you can continue here )

- in 2003 he gets an origin story ‘Draco’ in Uncanny X-Men by Chuck Austen (but you need to know, it’s one of the most hated X-Men stories. For reasons.)Chuck Austen’s run on UXM: #410-441, and Draco: #428-434 (2003)(And before Chuck Austen, the priest story happend.)

- Uncanny X-Men by Chris Claremont from #444 (2004) (better story, good art)

- X-Men: Second Coming related books (2010) - (he dies here)

- Amazing X-Men (2014) 19 issues (resurrected) - a must( the last solo series begins in 2014 too)

- Extraordinary X-Men (2015) -  (it’s not the best Nightcrawler story again…)

- X-Men Gold - current X-book  - (it’s ok so far)

——————————————————————————

Significant Issues: (by marvel universe wiki)

Killed foster brother (X-Men Annual #4, 1980); first joined X-Men (Giant-Size X-Men #1, 1975); first used image inducer (Classic X-Men #4, 1986); first blended with shadows (X-Men #102, 1976); first encountered Mystique (X-Men #141, 1981); injured by Marauders (Uncanny X-Men #211, 1986); co-founded Excalibur (Excalibur: The Sword is Drawn, 1988); regained full powers (Excalibur #37, 1991); formed N-Men (Excalibur #45, 1991); learned Mystique is mother (X-Men Unlimited #4, 1994); rejoined X-Men (Uncanny X-Men #360/X-Men #80, 1998); first seen studying for priesthood (X-Men #100, 2000); first encountered Supreme Pontiff (Uncanny X-Men #400, 2001); quit priesthood (Uncanny X-Men #419, 2003); learned Azazel is father (Uncanny X-Men #432, 2003); died (X-Force #26, 2010)————————————————————————

A few issues I can think of and recommend:

(there’s definitely much more!)

- Amazing Spider-man 161 & 162  (1976)- Guardians Team-Up #6 (2015)- Deadpool/Spider-Man  #14 (2016)- Deadpool (2012) #27 (wedding)- Nation X #1 (2009) - (road trip)- Wolverine (2003) #6 - (I don’t need to say anything here :D)- Axis revolution #2- Classic X-Men #4 - The Big Dare! - Male Bonding (Marvel Comics Presents, #101 - 108) (with Wolverine)- Wolverine weapon X #16 (2009) - Death of Wolverine: Life after Logan (2014)- Moon Girl and Devil Dinosaur #17 (2017)- Exiles #28-30 (2001) - (meets his daughter from another universe)- Bizarre adventue  #27 (1981) (mentioned in his first solo series)- What If? Vol 2 #98 (if Mystique had raised Kurt)- Uncanny X-Men #204

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A comic made exclusively for the movie: X-Men 2 (2003):

X-Men 2: Nightcrawler - Official Movie Prequel

—————————————————————————

Alternate univers Kurt

(this is not in order)

- Kurt Darkholme / Age of Apocalypse Nightcrawler (Killer version of Nightcrawler): Uncanny X-Force Vol 1 , X-Calibre, X-Termination 1 & 2, Age of Apocalypse Vol 1, Astonishing X-Men Vol 3

- Kurt Waggoner (Kid version of Nightcrawler): X-Treme X-Men Vol 2Astonishhing X-Men Vol 3————————————————————————

And lastly here’s another longer list of important issues about Kurt that are worth a read:

https://uncannyxmen.net/characters/nightcrawler/checklist————————————————————————I hope it helps. If anyone wants to add something to the list, please do!I might’ve made mistakes; in that case let me know.

[theprocrastinatingalien]

Terminator 6 - My thoughts.

So, we have a sixth Terminator film on the way.   Is that good thing?  James Cameron is back on the case... that's got to be good, right?  Maybe.

Here's what I think.

Firstly, I think everyone will agree, the first two films in the franchise are the best two.  For me, whilst the original THE TERMINATOR is iconic, T2: JUDGEMENT DAY is the best.  A perfect sequel. Just as iconic as the first, and that rarely happens.  They were both James Cameron too. 

TERMINATOR 3: RISE OF THE MACHINES was the first non-Cameron sequel, and - let's be honest - it kinda sucks.  Arnie is showing his age, Nick Stahl is the worst casting of John Connor, and the film just doesn't flow that well.  It has some nice ideas, though.  Whilst it's a shame Sarah Connor is killed 'off camera' she's still felt throughout.  I didn't mind a female Terminator, that works. The terminator going after Connor's generals also makes sense.  The film just isn't very well executed... it feels dumbed down and cheapened. It's a shame, because the last few moments actually feels powerful, and connected.  Sadly, T3 is my least favourite in the series.

Some would argue that TERMINATOR SALVATION is the worst, but I give it kudos for not being a simple retread of the other films.  It could've been.  They tried to show us the war.  We have a young Kyle Reese, that knows his destiny.  That's got to be weird to live with.  Christian Bale's Connor works much better than Stahl's, I could imagine Edward Furlong's teen from T2 growing up into him.  Of course, Connor wasn't meant to be, and never really feels like a main character, with Sam Worthington's Marcus taking centre stage.  I don't mind that.  Again, it's not executed very well, but I feels more in keeping with the first two.  Even if it kind of confuses issues. I would take it over T3 any day.

Then there's TERMINATOR: GENISYS.  You see, this is the thing... I quite liked it. For me it works.  I see what they were doing, and I went with it.  Arnie's old age makes sense... seeing old Arnold and young Arnold works.  The warped timeline fits perfectly in my mind.  The casting is all off, of course.  Emilia Clarke is no Linda Hamilton, and Jai Courtney doesn't ever feel like the same Kyle Reese from the first movie... and he really should.  He's a key factor that needs to work.  Jason Clarke foes work as John Connor though.  Again, it's really only Nick Stahl's John that doesn't fit the line of actors.  I actually enjoyed the movie.

For me, the order (from best to worst) goes like this. 1. T2: JUDGEMENT DAY 2. THE TERMINATOR 3. TERMINATOR: GENISYS 4. TERMINATOR SALVATION 5. TERMINATIOR 3: RISE OF THE MACHINES.

After SALVATION, I had wanted the fifth film to finish it all.  I liked the rumours that the next one would've had an elderly Robert Patrick as a scientist working on the T-1000.  I really wanted it to finish up the series, the last shot maybe seeing Kyle Reese going back in time, taking us to a loop, full circle.  That would've been great in my opinion.  GENISYS didn't do that though, it encompassed the timelines, and set as a reboot... but one that still (in theory) fits in with the films that came before it.  I liked it... and by the end wanted to know what was going down with Matt Smith's character... ... but now we'll never know.  James Cameron has taken back his franchise and intends on doing it right.  I'm sure many will welcome his return.  I do.  He made the best two, of course I do.  However, he intends to completely disregard T3, SALVATION and GENISYS.  Arnie will be back (of course), still old (of course), but the big thing here is - so will Linda Hamilton as Sarah Connor!  I get why, but I don't like it.  For me the fact is, those three sequels all exist.  They were made and they have their fans.   They fit the franchise, in their own way and to different levels of success. 

I'm happy Cameron's back, but wish he'd recognise TERMINATOR 6 as just that.  It's the sixth film.  There's been five films before it... build on that.  You don't have to reference them, but allow them to exist within the scope of your film.  That's easily done.  A time change could mean Hamilton's Connor survived rather than dying as per T3, but I get the feel that's not what's going to down.  Cameron will strive to make sure the audience know that there's only three 'real' Terminator movies... and that annoys me.

I'm probably alone in this.  I'm sure most are happy to forget, but that's not how my mind works.  For me whatever happens with it, whatever they call it (TERMINATOR 3: TITANIC AVATARS anyone?) it will be the SIXTH movie in the series.  I will want it to make sense in that position.

For all my niggles... I'll be there in the cinema watching when it comes out.  I hope it's the best one.  I hope that every new film is the best one.

Cameron won't be directing, mind you.  He'll be too busy with his many many films about many many blue people. Instead we have Tim Miller (director of DEADPOOL) on the case.  I wonder who they'll cast as John Connor?  Pretty sure it won't be Edward Furlong...

[wonderfulworldofmichaelford]

Shit I Hate #1: Killing Villains

I love movies. I love superhero movies in particular. These statements should be no surprise to anyone. But like everything I love, these things have a lot of elements that just grind my gears, so I’m making an infrequent series for me to detail my issues in depth. And what better issue to start with than one of my biggest pet peeves with the superhero genre: killing the villain.

Now, comic books have always had wonderful rogues galleries full of insane and creative foes for the heroes to fight; sure, Spider-Man is interesting on his own, but he’s even better when you set him up against someone like Green Goblin, Mysterio, Venom, or Kraven the Hunter. Heroes are only as cool as the villains they fight, basically. And comic book movies have always done a great job of bringing villains to the screen, be they obscure or beloved… the problem is, by film’s end, these villains are typically dead.

Now, this pisses me off for a great many reasons, the chief among them that killing off the rogues gallery tends to spit in the face of the comics; sure, people like Norman Osborn have died before, so him dying is perfectly fine, but when you kill characters like Doctor Octopus, Ronan the Accuser, and the fucking Joker of all people, there’s a big problem. This almost always leads to cases where villains who could have been interesting recurring foes get totally shafted as a best-case scenario (which is the case with characters like Ronan, Joker, Penguin in Batman Returns, Ultron, and so on), or worst case a villain who was boring or poorly developed is not allowed to improve since they are now dad, with Malekith being the worst offender in this regard.

Now, to show you how widespread this issue is, I’m going back to the big kickstarter of this trend, Tim Burton’s Batman, and showing all the major superhero films that did this between then and today. Obviously I’m only going to focus on films that kill a major rogue of one of the main hero.

Batman: Jack Nicholson’s Joker is killed off

Dick Tracy: Almost every antagonistic force in the film is dead by the end.

Teenage Mutant Ninja Turtles: Shredder dies at the end. I believe this keeps in line with the original comics, but at this point in the franchise Shredder was an established archenemy; it’s a very weird case.

Batman Returns: Penguin and Catwoman are both dead at film’s end, though Catwoman is ambiguous… though she may as well have been dead for all the later appearances she made.

Mask of the Phantasm: One of the few animated films that sort of fall into this, Joker’s fate is rather ambiguous. While he still shows up in the series, this movie almost seems like it’s in its own canon. Again, very weird case.

Batman Forever: Two-Face falls to his death, though Riddler lives; he’s totally insane at this point but it’s still something.

Batman & Robin: As more evidence that this isn’t a terrible movie, none of the major villains die; Ivy and Freeze are both alive and locked up by film’s end, as Batman would do in the comics. Hell, Clooney’s Batman is the only Batman that has not in any way been responsible for the death of one of his foes in some way.

Return of the Joker: Batman’s biggest foe comes back only to be completely erased forever. He dies twice over the course of this film.

X-Men: Magneto is one of the biggest names to avoid this, as he has consistently survived every movie he’s in. Toad and Sabretooth are not quite so lucky here.

Spider-Man: Green Goblin dies, though at least this is in line with the comics and he does impact the whole trilogy. Still counts though, as he was a major antagonist for a long while before his first ‘death.’

Daredevil: This one actually has both Kingpin and Bullseye live; in fact, it is one of the heroes, Elektra, who dies.

X2: X-Men United: Stryker does die in this, as does Lady Deathstrike.

Hellboy: Rasputin dies.

The Punisher: I really shouldn’t have to even list this, because with a guy like Punisher, no villain is coming out alive. This goes for War Zone later on down the line.

Spider-Man 2: Doc Ock is dead by film’s end. At least he didn’t posses Peter’s body.

Batman Begins: While Scarecrow is a notable aversion as he cameos in the following two films, the one DC villain best known for being immortal, Ra’s al-Ghul, dies at the end.

Superman Returns: Proving yet again that this film, while flawed, has the heart and spirit of

Superman right, Lex does not die in this film.

Fantastic Four: Doctor Doom doesn’t die, surprisingly.

X-Men: The Last Stand: Phoenix gets snikt’d by the end. Magneto, however, gets away.

Spider-Man 3: 2 out of 3 villains die, with only Sandman surviving; Venom and Harry Osborn are both dead at film’s end.

Ghost Rider: Blackheart dies, and I’m pretty sure a powerful demon like that doesn’t just die in the comics.

The Dark Knight: In a depressing twist, Joker lives, but Heath Ledger did not. Two-Face plays this straight yet again, dying with very little time to shine.

Iron Man: Interestingly, Iron Monger was originally going to be hinted to have lived. Perhaps he did, but right now everything points to dead.

The Incredible Hulk: Depressingly, every villain lives, but due to issues with distribution rights for Hulk, none of their plotlines have been followed up, meaning Abomination and Leader are in cinematic limbo.

The Spirit: The Octopus dies, which is the least of this film’s problems.

X-Men Origins: Wolverine: Deadpool dies, which is bad enough.

Iron Man 2: Whiplash is dead, but Justin Hammer is in jail. Yay. The lame villain lives.

Captain America: The First Avenger: Red Skull is maybe dead… though it’s not only ambiguous, but highly probable he’s still out there. For now, he’s presumed dead.

Thor: Loki is another notable aversion; he still hasn’t died after appearing in three major films.

X-Men: First Class: Not only does Sebastian Shaw die, but every single villain dies offscreen between this film and the next, which includes Emma Frost and Azazel.

The Amazing Spider-Man: The only thing this movie does right is letting the villain live.

The Avengers: Loki lives, as stated above.

The Dark Knight Rises: Bane and Talia are both dead by the end of the movie.

Ghost Rider: Spirit of Vengeance: Blackout dies.

Iron Man 3: The Fake Mandarin dies.

Man of Steel: As is well known by now, Superman snaps Zod’s neck, and Zod’s pals don’t fare any better.

Thor: The Dark World: Malekith dies, wasting any potential he may have had.

The Wolverine: Viper and the Silver Samurai both die.

The Amazing Spider-Man 2: In this not-so-amazing sequel, Electro maybe dies. Goblin and Rhino live, however.

Captain America: The Winter Soldier: Arnim Zola may or may not be gone for good; it’s pretty likely he’s still out there, but again, gotta presume him dead. Pierce is definitely dead.

Guardians of the Galaxy: Ronan the Accuser dies.

X-Men: Days of Future Past: Trask doesn’t die, yet another reason this movie is amazing.

Ant-Man: Yellowjacket dies at the end.

Shitastic Fuck: In this turd, Gimp Doom dies.

Avengers: Age of Ultron: Ultron is killed in an ambiguous fashion. Klaw, however, is ok, if down by a hand. Strucker on the other hand… dead. And so is Quicksilver.

Deadpool: Ajax is dead.

Doctor Strange: Kaecilius is probably dead.

Batman v Superman: Luthor is sadly not dead, but Doomsday and KGBeast a re.

Suicide Squad: Enchantress gets killed in the end.

Captain America: Civil War: Zemo is thankfully alive at the end.

X-Men: Apocalypse: Apocalypse is blown apart in the end.

A LOT of these villains are dead, or if not, they never amount to anything ever again. It pisses me off that studios refuse to continuously utilize beloved foes, especially when it ends up going against a heroes code by letting the villain die or killing them themselves. It’s a trend I really hope dies off soon (ha ha).