#in an alternate universe where Jon gets the stick up his ass off and lets himself BE with Martin ND BE HAPPY FOR ONCE

[jl-otdc]

Bit of an old wholesome jmart doodle I did that I think deserves some love

[beholdme]

All the Many Shades of Gerry - Chapter 15

Chapters: 15/19

Fandom: The Magnus Archives (Podcast)

Rating: Teen And Up Audiences

Warnings: No Archive Warnings Apply

Relationships: Martin Blackwood/Gerard Keay/Jonathan “Jon” Sims | The Archivist, Martin Blackwood/Gerard Keay, Martin Blackwood/Jonathan “Jon” Sims | The Archivist, Gerard Keay/Jonathan “Jon” Sims | The Archivist

Characters: Martin Blackwood, Jonathan “Jon” Sims | The Archivist, Gerard Keay, Tim Stoker (The Magnus Archives), Sasha James, Gertrude Robinson, Elias Bouchard

Additional Tags: Alternate Universe, Library AU, Librarian Jon, Artist Gerry, Trans Male Character, Trans Martin Blackwood, Canon Asexual Character, Asexual Jonathan “Jon” Sims | The Archivist, Ace Subtype - Sex Positive, Polyamory, Fluff, Fluff and Angst, Romantic Fluff, Falling In Love, Boys in Skirts, Kissing, Demisexual Gerard Keay, Minor Character Death, Past Character Death, Canon-Typical Child Neglect, Implied/Referenced Child Abuse, Flirting, Minor Jonathan “Jon” Sims | The Archivist/Tim Stoker, Adventures in Hair Dying, Happy Ending, Banter, Gerry has a lot of sass, Gerard Keay is Morticia Adams, Jon is a very grumpy Librarian, Martin adores them anyway.

Summary: In which Gerry is a kaleidoscope and Jon and Martin can’t help falling in love with him.

He happens to love them back.

Find it on Ao3

[1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [12] [13] [14]

Almost a year into their relationship, Martin's lease comes up.

There's brief romantic talk of them all moving in together, but they're all attached to their own spaces, especially with Gerry needing to keep his art studio, and it trails off without any real resolution.

When Martin's landlord doesn't want to renew and he essentially has no choice but to find a new place to live, he panics.

Jon is with him when he opens the letter, and witnesses the heartbreak on his face, a look far more appropriate to the death of a loved one than to having to move house.

He understands though. This is Martin's first home. The first rent he paid, the first freedom he claimed. The first place he had whispered 'I love you' to Jon, and the first place Gerry had pressed his lips to Martin's.

Jon is settled in his own flat in a more practical way. It's close to the library, Gerry's bar and also to Martin's bookstore, but he still understands Martin's heartache, even if it is detached from his scope of personal attachment.

As Jon takes the time to think things through, he knows they're being silly. When was the last time he had commuted to work from his own flat? And if Martin had to move anyway, why shouldn't the three of them be living together? Gerry would happily spend every spare second with them and frequently tells them so.

At their knock, Gerry opens the door in a pair of leather pants and not much else, hair faded out from navy to a soft violet.

He physically reacts to see Martin tear-stained and Jon frowning intensely at his side.

"Why tears? Who do I need to murder?" Gerry mutters darkly as he draws Martin inside and into his arms.

"He has to move out of his flat," Jon tells him angrily, still standing in the doorway.

"Oh, love." He whispers, rocking Martin gently.

"It's so stupid to cry about it. It's just a shitty little flat." He hiccups into Gerry's chest.

"Fuck that. We all know better than that. That flat was important to you," Gerry retreats further into the studio, dragging his weepy partner with him and leaving Jon to shut the door. "And you're important to us, so here's the plan. Gertrude and I are gonna dig up some dirt, we're gonna have a little chat with your landlord, and he's gonna agree to sell you your flat. Problem solved."

Martin laughs wetly as he is deposited in the cushion pile and Gerry follows him down to sit in front of him and take his hands.

Jon strips his jacket and scarf off and tosses them on the couch (the biggest indication of his upset, really, as he normally always meticulously hangs things up), before flopping down on the floor with them. Martin and Gerry offer a hand each, and they sit in a triangle, connected.

"Gerry, you can't blackmail my landlord into selling me my flat." Martin starts, voice still choked with tears, "Not least of all because I can't afford to buy it anyway. I already have a business loan, not to mention all the debt from before my mother died."

Apparently able to sense any great excess of emotion, Luna and Saturn wander in and both attempt to curl up in Martin's lap. Jon takes Saturn, leaving Luna to her tearful human. Martin smiles gratefully and disentangles his hands to pet behind her ears.

There's silence for a moment as they consider Martin's words. Gerry opens his mouth, closes it, then decides to say what he wants to anyway. "I could lend you the money. Or give it to you. Whichever you prefer."

The look on his face could be accurately described as casually angelic, and he reaches out a hand to stroke Saturn benevolently.

Martin and Jon stare at him, stunned.

"What do you mean?" Jon eventually prods him, incredulously.

Gerry opens his mouth to respond, but Jon senses the sass coming and adds, "A real answer please," rather firmly.

"Fine then," Gerry mutters, rolling his pretty teal eyes. "I have some money in savings. And in investments and stuff, I'm not actually irresponsible, despite what my appearance might imply. And the years I spent galivanting about the county. And Europe." He shrugs, rambling on, "Okay, maybe I am irresponsible."

His partners stare at him for a moment, then exchange a look.

“Define some money?” Jon says, poking him in the ribs. Gerry tells them.

“What!?” At Jon’s exclamation, Gerry blushes from the roots of his hair, and all the way down his bare chest.

"Where did you get it?" Martin finally asks.

"From selling my paintings?" Gerry responds, but it comes out as a question, and he rubs his burning neck in embarrassment.

"And," Jon says, voice carefully neutral; having regained some sense of composure, "why do you keep your job at the bar if you have enough money to casually offer to buy Martin a flat?"

"Don't feel left out Jon, I'll buy your flat too." Gerry offers, smiling at him beatifically.

"Gerry…" Martin lets out his name in the significant tone of voice that lets him know this is a 'serious conversation'™ and to get his shit together.

"Okay, okay," Gerry flaps his hands uncomfortably. "At first it was just because I was convinced that the painting money was gonna dry up and I didn't want to be left in the lurch. I've always operated anonymously and that made it hard to make money as an artist, it was only when Gertrude joined the crusade that I found any success. She insisted that people would buy prints online, and she was right. The digital art and prints were really popular, and it led to people wanting the originals." Gerry pauses and shakes his head in disbelief. "And Gertrude always has to be extra about everything, so she sold them at fucking auction instead of pricing them, which made me seem edgy and exclusive."

"You are edgy and exclusive," Jon interrupts to insist, a slight petulant edge staining his voice.

"Thanks," Gerry mutters, still blushing. "Anyway, so then I had all this money, but I was convinced it wouldn't last and now it's been years and it's only gotten worse and I was panicking so Gertrude took half the money and helped me put it into investments, which have mostly been pretty successful too, so now I have all this fucking money that I don't know what to do with, so Martin, would you like a flat?" Gerry ends his monologue slightly hysterical and Martin laughs out loud at the slight desperation in his voice.

"Do you even own this flat? I've been wondering how you could possibly afford it." Martin asks him, gesturing around at the massive space in one of the most up-and-coming parts of London.

"Yes, it's one of the only significant things I've ever actually paid for with the art money. You know, to do art in."

"And were you ever planning to mention this?" Jon queries, sounding slightly put out. He frowns down at the cat, instead of his ridiculous boyfriend. Saturn decides at that moment that he's had enough belly-rubs, and without warning, sinks his claws in, bites Jon's hand and then scurries off. Jon glares at his fluffy black tail as it disappears up the stairs and Gerry tries very hard not to laugh at him.

"Jonathan!" Martin scolds him, pushing his shoulder gently to regain his attention. "Gerry doesn't have to tell us about his finances."

Jon pouts even harder.

"Jon's right, I should have said something. I just didn't want it to be a big deal." Gerry responds, voice quiet and unusually reserved. He looks a little adrift and helpless, and they can see just how uncomfortable the money talk has made him.

Jon sighs and dislodges the stick from up his ass. "It's not a big deal, love, I'm only surprised. I'm glad it's out the way now." He collects Gerry's hand and presses a kiss to his knuckles.

Gerry relaxes and tugs Jon closer to kiss him, before offering the same to Martin.

They all sit in comfortable silence for a few moments, digesting the day's many revelations.

“Not that I’m not incandescently happy to see you both, but why did you actually come over?” Gerry asks eventually.

“Oh,” Martin sits up straighter, remembering their original objective. He looks down at the cat in his lap, stroking its back in an effort to distract himself. “It’s a little awkward actually.”

Gerry raises his eyebrows, thinking of what could make Martin feel awkward after all the things they’ve done together, occasionally right where they are currently sitting.

"Do tell." Gerry urges him. Martin and Jon share a look. Gerry rolls his eyes at the pair of them. "Come on, guys, whatever it is, just tell me. It can't possibly be that bad. Unless you're breaking up with me? Because fuck that."

"No, Gerry," Jon says, sounding amused. "The opposite."

"The opposite?" Gerry asks, frowning.

"Yes, the opposite," Jon tells him more firmly. "We were thinking," Martin makes a small nose at this, "that is, I was thinking, that since Martin has to move anyway, the three of us should finally take the plunge."

"You know," Gerry mutters peevishly, "I love riddles as much as the next overdramatic goth with a young adult book obsession, but could you please spit it the fuck out."

"Jonthinksweshouldallmoveintogetherhere." Martin finally rushes out, breathlessly.

"Martin, baby, those are separate words."

He takes a deep breath and tries again. "Jon thinks we should all move in together, here, with you."

Gerry sits up taller abruptly, a wide grin spreading over his handsome face. "What, really? You actually want to."

"Well, yes," Jon says, although his voice still sounds nervous.

"Okay great. Luna and Saturn are gonna love this." Gerry jumps up excitedly. "So I know you guys like having your own personal space, and I always have my art shit everywhere, but I've been thinking and I think we can make you both comfortable here too."

Martin and Jon share a perplexed look at Gerry's sudden frenetic burst of energy.

"We'll be comfortable here no matter what," Martin rushes to reassure him.

"Hush," Gerry speaks over him. "We both know you're just saying that because you feel like an inconvenience. But you're not and we all have to make this our home. Come, come on, I want to show you."

Gerry grabs a hand from each of them and drags them behind him and around and under the wide stairs that lead up to the loft space.

He leads them to two doors under the stairs, leading them into one. It's a large storeroom, technically, and Gerry has filled it with extra paint, canvases of many different sizes, and a plethora of other painting supplies. There aren't any windows, and the industrial light makes the space look stark. The scent of oil paint and turpentine is pervasive, but homey since those are things they associate heavily with Gerry himself.

"They're both the same. I've been thinking that if you two ever did want to move in here, you could take one each. A creative space just for yourselves, or your own bedrooms if you need some space once in a while. If you want them." His typical self-confidence is slightly lacking, the nervous twist of his fingers belaying his nerves at the admission.

"Oh Gerry," Martin says with something akin to wonder in his voice.

"But aren't you using them?" Jon asks, never one to let romanticism come in the way of practicality.

Gerry shrugs, "I've been thinking of having cupboards installed in the studio space and moving all this in there anyway. It will be more convenient for me when I'm working and it will be worth it to have you here all the time."

Gerry pauses, brow furrowing. "I've also considered moving the art studio in here so you two don't have to trip over my art stuff all the time."

Martin and Jon both understand the significance of that offer, knowing that Gerry's favourite things about this place are the high ceilings, giant windows, and natural lighting at most times of the day and even at night.

"You would be willing to give up your art space for us?" Martin asks in some wonder.

"Well yeah, of course," Gerry says as if it's obvious. "We'll all have to share the bedroom then, but the living space will be bigger. Whatever you would prefer."

"Just like that?" Jon's blunt incredulity finally tips Gerry off to their shock.

"Oh come on. I obviously haven't been a very good boyfriend if you two don't already know that you're more important to me than painting." It was the most romantic thing Gerry could say to anyone, really.

Martin kisses him, tearing up again.

"What did I say? Don't cry, love." He reaches up to wipe the tears away, and Martin offers him a wobbly smile.

Jon goes over to kiss him too. "You love us more than art."

"We're going in circles here. Yes, I love you both more than literally anything." Gerry is starting to wonder if they're being obtuse on purpose.

"We love you too," Jon tells him emphatically.

"Of course you do. I'm delightful." They all dissolve into laughter at that, the weighty mood breaking with it.

"So do you think you'll both be happy here?" Gerry asks when the laughter has faded.

Even standing in the mildly dusty storeroom and breathing in paint fumes, Jon knows the answer already. "I think we might be able to make it work."