#imo the translators did a great job

[blluespirit]

Overall NATLA Thoughts

Okay, now that I've watched the series, I can give my thoughts.

Overall, I thought it was good!!! I had fun watching it! I'd rate it a solid 6.5/10. It's nowhere as good as the original, but it was definitely enjoyable and made some nice changes here and there that I liked. There were also some things I was also Not a fan of too.

I said in another post that it's best to treat this like an AU of the original. There will things that are great and things that are bad. That's the nature of adapting something.

Having said that, I need to get my initial thoughts off my chest... here we go.

Things I thought were good:

Sokka's characterisation - I really enjoyed him! I thought Ian did a good job! He played the funny moments well and retained the underlying seriousness/cautiousness. It wasn't perfect, but I enjoyed the changes a lot and think it was overall a solid performance.

Zuko's characterisation - Like Sokka, I do think I was most satisfied with their performances. A lot of Zuko's moments from the cartoon are sometimes... well, cartoonish and definitely wouldn't translate to live action, but I think Dallas did a nice job at balancing Zuko's desperate anger and that occasional sassiness well.

Zuko and Iroh moments were great. Had me on the floor crying. As it should have.

The bending looks a trillion times better than the movie - I understand it would not have been easy for the actors but, overall, I was very happy about it.

The scenery was stunning. It just looked so beautiful. I loved it so much.

Absolutely ADORE that they made Zuko a good calligrapher and artist. I read a fic about a million years ago where Zuko is a fantastic calligrapher and I thought it was perfect and made so much sense, and now I can say it's canon. This is perfect for me.

S U K I

The Freedom Fighters were ✨ perfect

They were so real for making Oma and Shu lesbians

Koh, Wan Shi Tong and Hei Bai looked fantastic, but I have more to say about all of them below, unfortunately.

I actually like the change they made that Katara is Aang's sole waterbending teacher.

Aang is not perfect, and needed more goofy scenes HOWEVER, I did like how they've had Aang's guilt more prominent in the story. The original didn't do a very good job with that, imo.

Zuko entering is breaking and entering era by breaking into an impenetrable Earth Kingdom prison is just perfect.

In Masks, I like how Aang and Zuko got a longer conversation - that was pretty cute.

I liked how they changed Yue a bit and got her out of the arranged marriage... how Yue saw Sokka in the Spirit World before meeting him in the real world.

Things I didn't like:

Far too much info-dumping/exposition. So much spelling things out. It was not as egregious as the movie, and I get there's a lot of information that needs to be conveyed well and quickly... but sometimes it really took me out of the show.

Why are Mai and Ty Lee here.... I was hoping the live action would give them a bit more depth (and they might as it goes forward!), but why put them in season 1 at all if they're just going to stand around???

Some odd changes - putting this as one point, but there are some bizarre changes that didn't make sense to me, as they did not benefit the story or deepen the characters. I have two main examples: a) making it so Aang didn't run away from home, and b) making it so Zuko actually fights Ozai in the Agni Kai.

Characterisation of Katara was Not Great. I don't think I got many hints of the reckless, compassionate, badass Katara until the end when she fights Pakku and rallies all the women together to fight (which happens off-screen). She was sweet and kind, but she just lacked the fire that OG Katara has.

Azula's characterisation - Azula is desperate to impress Ozai and so her character is just…. brewing with anger, frustration, desperation. I was SO excited to see the Azula we are introduced too… perpetually and irritatingly calm, calculating and ruthless. She's perfect, she's terrifying! She's literally the character of all time. But this Azula had more Zuko vibes? I don't think there's anything wrong with giving Azula more concrete motivation by wanting to impress Ozai and establishing that Ozai is abusive to both his kids, but I do think trying to do that right off the bat is a mistake.

WHY is Wan Shi Tong here. I love Wan Shi Tong, but like I said: Why Is He Here? Why could we not have his iconic, ominous as fuck introduction from The Library, and instead he's introduced in a random season 1 episode giving Aang Information(tm) about the Spirit World.

When Aang gave Koh the statue, and then he just takes it and immediately lets all the villages go, and neither of them even say anything, I actually laughed out loud. Like, I am so sorry, but what in the jesus fuck was that.

Speaking of Koh - I think Koh is better the less we know about him. Roku saying ~all Koh wants is a family like the rest of us~ just pissed me off?? I like my Koh the Face Stealer Terrifying and Unknowable, thank you.

NOTHING EVER REALLY HAPPENS WITH HEI BAI!!?? where's my precious spirit bear?? Like Aang never really does anything with him and the replacement Koh story is boring and it sucks.

Bumi.... sorry I just didn't vibe with him at all.

Things I can't decide on:

Fancy spirit knife to kill the moon spirit annoyed me a bit, but I guess they wanted to Kuruk something to work with and a little bit more interaction with Aang which I get but idk. I really flip/flop on this one.

I've been very on the fence about having Azula (and Ozai) being in the show in season 1 in general. I'm not sure if it benefited either of their characters.

Azula & Ozai's dynamic - Okay, so, I think they're trying to give Azula more depth, right? They're trying to establish what it was like for Azula to live with Ozai and that she's also (like Zuko) trying to desperately prove herself to him, but Ozai using Zuko's... achievements to do that just felt so weird. I get he's doing it to manipulate her, but that just felt so wrong when in canon it's very obvious that Ozai just didn't give a single fuck about Zuko. Ozai pits Azula against Zuko by saying he's a failure, he's a bad bender etc. Azula is born lucky, Zuko is lucky to be born - like, Ozai says that to Zuko's face. I don't know if I am communicating this point very well, but it just didn't seem right to me??

Zuko vs Zhao in the Siege of the North... I genuinely do not know how to feel about it! I didn't love it, I didn't hate it. I don't know how to feel about Zhao telling Zuko that his mission is a sham and that Azula is the prized one... It feels like it's saying the quiet part out loud? In the OG we all know that Ozai sending Zuko on that mission was an excuse to get rid of him, but we can work that out, no one actually says it. And then Iroh just fucking killing him/mortally wounding him instead of the Iconic scene where Zuko reaches out to save him despite everything Zhao has done to him, but Zhao's own pride gets in the way from letting him accept help from Zuko.

Zuko’s crew being the 41st is not necessarily a bad thing at all!!! But I do just want to say that in the original, the attack goes ahead, and presumably, those soldiers die. It’s horrible. Zuko’s sacrifice is in vain, and it was always going to be in vain because the Fire Nation as it stands would not allow Zuko's compassion to win. Ozai would not allow it. While not necessarily a bad choice (all the soldiers bowing to Zuko on the boat was so sweet I loved it!) but I think it does take away some of the horror of Zuko’s story (same as it does with making Zuko fight back in my opinion) because the whole point is that Zuko did the right thing - and he was punished for it, and those soldiers died anyway.

anyway...

Okay!! got that off my chest. I know I just had a big whine here, but I still had a lot of fun watching this show. I think some of the backlash is a bit over the top and unwarranted. It was never going to stand up to the original - and that's okay.

Enjoy it for what it is!

[simplybakugou]

Could you do another drink bakugo?

⋆ PAIRING: drunk/prohero!bakugou x fem!reader ⋆ WARNINGS/TAGS: swearing; alcohol; all characters are adults ⋆ WORD COUNT: 3003

A/N: taking a break from mystic academia cause this has been sitting in my inbox for so long and i wanted to save it until i got some inspiration for another drunk!bakugou and i finally found the inspo hehe. also when i first started writing drunk!bakugou oneshots, i was 17 LMAO and now as a 23 y/o that has actually been drunk i can write this a little more accurately lol. also i was struggling trying to end this cause i didn’t want it to be longer than it already is (imo) lol so im sorry for the awkward ending. ty for requesting and i hope you enjoy!

© simplybakugou — all rights reserved. DO NOT REPOST/REUPLOAD, TRANSLATE, OR EDIT ANY OF MY CONTENT ON HERE OR ANY PLATFORM

It was a stupid idea. Why the hell would Bakugou go into a bar with the most loud and raucous people he knew even though he’d never drank a day in his life?

He couldn’t think of something he wanted to do less in that moment. He was exhausted, coming from a day of patrolling and hero work. Although his friends also came from their jobs, they actually drank alcohol and wanted to unwind after five years of constantly overworking themselves.

“Are you really not gonna get anything, Katsuki?” Sero questioned, giving the table’s drink orders to the bartender.

“I’m not fucking up my body just to look like an idiot like you dumbasses,” Bakugou huffed, crossing his arms over his chest and leaning back in his chair. 

“Why’d you come then?” Kaminari quipped, interested in hearing Bakugou’s answer.

“Cause your dumbass wouldn’t stop bothering me about coming out tonight!” Bakugou replied angrily.

“Oh yeah!” Kaminari exclaimed, laughing at himself. “I forgot.”

“It’s good to come out with us once in a while,” Kirishima said, nodding his head. “You’ve been working yourself to the bone since we graduated, man. We haven’t seen you in years.”

Bakugou rolled his eyes. “Don’t be fucking ridiculous. I’m not stopping until I’m number one. You shits can drink all you fucking want but I’m not gonna sit around every week just to catch up.”

Kaminari sighed, shaking his head. “This is why you’ve never had a girlfriend.” Sero nodded along with him.

“And what the fuck does that have to do with anything?” Bakugou snarled, slamming his fist against the table out of annoyance.

“You’re a workaholic, dude,” Sero stated matter-of-factly. “When are you gonna have the time to date? If you slowed down a little you could’ve at least gone out with Y/N back when you had a crush on her in U.A.”

“I did not have a crush on that shitty girl.” Bakugou felt himself getting even more angered just hearing your name uttered. 

“You keep telling yourself that,” Kirishima said, patting his friend on the shoulder only to get shook off by Bakugou. 

The drinks Sero ordered arrived and the rest of the guys cheered each other before downing their beverages. Bakugou sipped on his water he was forced to get after Sero berated him to order something.  

The more alcohol his friends consumed, the more rowdy and even more raucous they got and Bakugou questioned even more why he decided to go out with them. It was karaoke night at the bar and Bakugou swore his ears were bleeding as Kaminari consistently kept attempting to serenade him.

Despite how chaotic it was in the bar that night, Bakugou eventually found himself enjoying it. Kaminari and Sero got the most drunk, getting up to dance and stumbling over one another, which made Bakugou and Kirishima burst into laughter. He would never tell them, but he needed this time out and away from the constant need to work towards his one and only goal. 

The night was going great; until the door to the bar opened. Bakugou turned his head to the noise of the bell ringing above the door. It stuck out amongst the voices and loud nature of the room and he felt his face drop at the sight.

There you were, five years older than the last time he had seen you in person. And you weren’t alone as your arm was looped around the arm of another man.

Bakugou couldn’t help but stare at the sight. He drowned out the sounds of Kaminari, Sero, Kirishima, and a few strangers they had recruited at the bar playing drinking games as his focus was only on you. You scanned the area, waving shyly to a few people that recognized you as their favorite rising hero and sat in the corner of the room with your mystery man.

Kirishima glanced at Bakugou, recognizing that he was distracted by something else and looked towards what had caught his eye. He immediately understood the reason for the defeated look on his friend’s face.

“I’m sorry, man,” Kirishima stated simply. 

“Sorry?” Bakugou scoffed. “For what? There’s nothing to be sorry about. We were never together.” The last part Bakugou muttered to himself as he finally tore his eyes away from you and down to his glass of water.

And it was true; you and Bakugou were never together back when you attended U.A. with him and the others. Matter of fact, you didn’t even know Bakugou liked you back then as he made it his mission that you never found out. Not only did he refuse to let himself be subjected to such vulnerable feelings like love and infatuation, you and your peers were constantly bombarded with hero work and dealing with the League of Villains to ever have the time for confessions. At the time, romantic relationships were trivial. 

As things died down by the time class A graduated, Bakugou busied himself with his long-time goal of wanting to become the number one hero. He kept telling himself that it was time to grow up and forget about what he assumed to be a little crush but the more he kept shoving his feelings inside, the more intense they became.

That was why it felt like a punch to the gut to see you laughing with and leaning onto a man that wasn’t him. 

“Hey, dunce face,” Bakugou grunted. Kaminari lifted his head and looked over at Bakugou with hazy eyes. “Get me the strongest drink here.”

“Dude, you really should slow down,” Kirishima urged, concerned as he watched Bakugou down shot after shot. “You’ve never drank before and this’ll probably mess you up fast.”

“I don’t give a fuck,” Bakugou said in a rush, out of breath from the abundance of liquids he furiously ingested. He held the next shot glass to his lips, preparing himself to throw it back along with the countless shots he had already done; he felt like he was going to be sick, to no one’s surprise. Bakugou slammed the shot glass down onto the table, still full of alcohol, and he slammed his head onto the table as well. His head was throbbing but he felt like he could float in the air if he really tried. 

Kirishima chuckled at his friend, taking advantage of the situation and taking the shot glass away from Bakugou. 

Kaminari swung his arm around Bakugou’s shoulders. “See, dude, now we’re having fun!” The last word was elongated as he let out a small hiccup.

“Get the fuck off of me, dunce face,” Bakugou mumbled with his head still on the table, causing his words to be muffled. Nevertheless, Kaminari knew exactly what his grouchy friend had said but ignored him.

For the first time that night, Kaminari looked around the room and noticed you sitting alone now in the corner of the bar. He shot up, waving his hand out at you. “Y/N!”

Bakugou’s eyes, which were once closed shut as the alcohol was rushing to his head all at once, shot wide open as he whipped his head up. He felt dizzy from how quick the motion was. “What the fuck are you doing?”

“Come on, man, she’s sitting over there all alone,” Kaminari reasoned, turning his attention back to you. You also had finally noticed your old classmates, smiling at the sight. “Hang out with us, Y/N!”

“Alone?” Bakugou questioned softly. He looked over at you and felt a wave of relief wash over him as he carefully watched you make your way to their table, mystery man out of the picture.

“I didn’t know you guys were here tonight,” you said with a smile. You sounded level-headed and Bakugou determined that you were probably the most sober person in the room that night.

“Yeah, we come here a lot after our patrol shifts,” Sero commented.

“All of you?” You questioned, interested as you scanned each of the guys sitting at the table. Finally you locked eyes with Bakugou and he swore your gaze could’ve pierced right through him. He broke eye contact first as he felt his face burning up even more with the effects of the alcohol. 

“We usually have to beg Katsuki to come out. You know how he is,” Kirishima teased, wanting to lighten the mood for his friend. It didn’t work as Bakugou still had a sour expression on his face.

“Wanna get a few drinks with us?” Kaminari offered.

You shook your head. “No, it’s alright. Tonight hasn’t gone the way I wanted so I think I’m going to call it a night. It was nice seeing you guys.”

You waved goodbye to the boys, sending a small smile towards Bakugou as you understood he was in a bad mood but not understanding why. Your back was turned to them as you walked towards the exit and it was a miracle how you didn’t have two vermillion holes in your back the way Bakugou was staring at you leaving.

Bakugou stood up abruptly and he grabbed his coat and wallet. He sloppily pulled out a few bills and slammed them on the table as he made his way out as well.

“Where are you going?” Kirishima questioned.

“Don’t worry about it.”

You cursed at yourself for leaving your jacket in your date’s car as the winter snow began to litter the streets. Your body was shivering terribly. The bar had a few tables and chairs in front of the building and you sat yourself down as you contemplated how on Earth you were going to get home. 

Before you could come up with a game plan, you felt a heavy leather jacket plop down onto your shoulders. You jumped at the sudden contact, watching as a clearly drunk-but-pretending-to-be-sober Bakugou sat himself in the chair across from you. “Bakugou! What’re you doing here?”

Bakugou ignored your question as he bluntly asked, “Where’s that fucker you came in with?”

You were taken aback by his questions. Only a few minutes ago did you realize that Bakugou, Kirishima, Kaminari, and Sero were there in the bar with you that night. If he had seen you with your date, that meant Bakugou had seen you when you walked in. 

You sighed, leaning back in your chair and pulling Bakugou’s jacket closer to you as it kept you warm. “He was being… weird.”

“Weird how.” It was a question but you sensed the animosity in Bakugou’s tone as his expression harshened in a way that made his question a statement.

You waved your hands to calm him down. Why was he so upset? “Nothing bad, don’t worry. He’s just some guy I started dating. We weren’t official or anything but I liked him. He said he didn’t like me being a hero and said I should get a job that’d suit me in a feminine way.” You chuckled humorlessly as you recalled the misogynistic comment.

“What a fucking loser,” Bakugou grumbled, loud enough for you to hear and laugh at. He leaned back in his chair, resting his eyes. “You told him to fuck off, right?”

You nodded, amused as you always were back in U.A. with Bakugou’s colorful vocabulary. “Yup. He got pissed and left me here and I left my stuff in his car like an idiot.” 

Bakugou opened his eyes and reached into his front pocket, cursing at himself as his fingers kept missing the opening seam. He pulled out his car keys and tossed them onto the table. You furrowed your eyes at the sight in confusion.

“Take my car to get home.”

You widened your eyes at his insane proposition, looking at the insignia on his keys as an expensive brand. “Bakugou, your car’s worth like a hundred million yen! There’s no way I can drive that!” 

“Just do it, idiot,” Bakugou groaned, placing his forehead on the cold, snow-covered table. “Can’t let you just sit here in the cold.”

A moment passed as you were contemplating your choices only to realize in that time, Bakugou had fallen asleep. You chuckled softly, never expecting to see health-conscious Bakugou who’s always been adamant about never drinking inebriated. 

You grabbed his keys and put them in the pocket of his leather jacket, slipping the jacket onto your arms. You knew you couldn’t just take his car and leave him here like this so you got up and went over to his side, gently shaking his shoulders to wake him. “Come on, big guy. We’re going home”

Bakugou let out a groan as you got him to his feet, your arm around his shoulders and you wrapped his arm around your waist to support him, resting your hand on his hand. You felt his body stiffen in reaction and you looked up at him curiously. His face was red again and you assumed it was a combination of the alcohol and the frigidness in the air. It most definitely was not either of those things.

“Where’d you park your car?” You asked as you slowly helped him walk.

He nodded in the direction ahead of you and you assumed he was referring to the parking lot that was thankfully right next to the bar. The two of you continued walking towards the lot and you found it unusual how quiet Bakugou was.

Once reaching the lot, you were originally going to search for Bakugou’s car only to not have to put any effort at all since his bright red sports car stuck out like a sore thumb amongst the Subarus and Toyotas.

You laughed, shaking your head. “Why am I not surprised by this at all, Bakugou.”

Bakugou flinched and he slowly pulled away from you, shoving his hands in his pockets as he wobbly made his way to his car. “Stop calling me that.”

“What? You don’t want me to call you Bakugou?” You question, confused. “Oh! I get it. You want me to call you by your hero name, right, Dynamight?”

“That’s not it either, idiot.”

“Oh, then, Great Explosion Murder God Dynamight?”

“You’re so stupid.” Bakugou stopped right in front of his car and turned around, slowly so that he wouldn’t fall over. He had his signature frown on his face only this time it was out of frustration. “Back in U.A. you’d call me Katsuki.”

“Yeah, I guess I did,” you said, nodding your head as you recalled doing so. “But that was five years ago. I haven’t seen you since then and I just wanted to be polite.”

Bakugou kept quiet but his eyes never faltered or wavered as he kept them on you. You felt like he could burn right through you if he tried as you didn’t understand his frustrations. “Is everything okay, Ba– I mean, Katsuki.”

Bakugou’s eyes slightly widened for a moment and he felt like he was transported back to being a teenager. “No. Everything’s not okay ‘cause I still have this stupid crush on you that I’ve had since our first year in U.A.”

He let out a sigh, feeling a weight on his shoulders dissipate and he turned around back towards his car. You stood in place, shocked at the confession that you did not foresee at all. There was no way the Bakugou Katsuki had a crush on you, especially when you were just teenagers.

“Open the door.” Bakugou turned his head to you as he waited by the passenger door.

“Wait, wait, wait.” You waved your hands in front of you, still unable to wrap his words around your head. “This has to be a joke. There’s just no way– Why would you have a crush on me?”

Bakugou shrugged. “Dunno. Just happened.”

Your face felt hot and it wasn’t because of the weather. So much of your relationship with Bakugou made sense with this new realization. The reason for his cold shouldering you on numerous occasions or annoyed stares he’d give you when you got in a relationship in your second year all started to make sense. It was his way of conveying his feelings for you. 

You shook your head, shaking the complex thoughts from your mind and snapping yourself back to reality as the cold air and Bakugou not having a jacket, since you were obviously wearing it, made you unlock his car with the key he gave you. You watched as Bakugou entered his car on the passenger side.

You knew you needed to give yourself a minute before you could enter the car beside him. How did you feel about him? You always thought he was handsome, when he wasn’t scowling at least, and you enjoyed seeing him mature every year in U.A. Even after graduation, you always watched the news fondly as you watched him evolve into an incredible hero, one that you knew was worthy of becoming number one. 

So Bakugou Katsuki liked you. If your poor previous relationships taught you anything, it was to not turn down a good man when he was right in front of you. Or at least sitting in his sports car waiting for you to drive the two of you home since he was unexpectedly inebriated to do so himself. 

Taking in a breath, you knew what you had to do; you wanted to see where this would go between the two of you. You opened the driver’s side door, sitting in your seat and collecting your thoughts briefly before turning to Bakugou to tell him exactly what was on your mind. You wanted to give it a shot.

And you were intent on doing just that until you turned to look at Bakugou only to see he was once again fast asleep, his chest rising and falling. You chuckled at the sight, taking in how adorable he was in that moment. Slipping his jacket off your body, you draped it over his body.

“Guess you’ll have to stay with me tonight.”

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[neil-gaiman]

Hello Mr. Gaiman,

I just bought Vietnamese copy of Good Omens, and I think the illustrator did a nice job on the cover.

Also, I haven't finish reading yet but have caught some interesting things in the translation:

There is a pretty funny error where the translator mistook Dagon for "lord of the flies" in stead of "lord of the files".

Since the "gayer than a treeful of monkeys on nitrous oxide" phrase doesn't sound right in Vietnamese if translated word for word, the translator ended up with "bóng lộn hơn cả một cái gương tráng mỡ" which means "shinier than a greased mirror" ("bóng"(shiny) is a Vietnamese slang for gay/queer people). It's a clever modification imo.

That’s great to know! Thank you!

[dootznbootz]

I don’t have a link but I saw a post along the lines of “EPIC fans trying to gaslight themselves into thinking Odysseus wouldn’t cheat (he does in the books)” and I nearly had a conniption.

Some people WERE arguing he was assaulted, but other people were saying it depends on the interpretation and saying he has a child with Circe and that he stays on the island with her for a year. I also saw someone say he was just lying about being assaulted on another post about it.

The Odyssey/EPIC fandom is so exhausting I’ve thought about blocking everything sometimes ngl. It’s so hard to filter out posts like that. But there’s so much amazing art and content about it I don’t want to stop seeing it.

No, like that's the struggle of it.

I Love Epic and I technically got into the Odyssey BECAUSE of Epic. But I'm a hardcore Odyssey girly. I adore it so much. I've read 8 translations at this point because I love it so much and it's fun for me! And Epic is in no way a replacement for the Odyssey (Jay even says that it's not! he's simply inspired by the Odyssey) and it feels like high quality fanfiction of the Odyssey (FUN! JOYOUS WHIMSY! I still like it! :3 ).

But holy shit, like, both Epic AND Tagamemnon fans can be so fucking exhausting. (I am a fan of both. I can say this.)

(Obviously I'm not talking about everyone. <3 I've made many friends and have met lovely people in both fandoms.)

Like while yes, Epic!Odysseus isn't coerced/raped by either of the goddesses, that's simply because of the fact that Jay simply felt like he wasn't well equipped to handle such dark topics to that extent. And I honestly respect him for that! He knows his limits with the story he wanted to tell and that's good! And in general I think he did a fantastic job handling the aspects of it he did touch on (Coercion with Circe's threatening in "There Are Other Ways" is done well imo.)

(ngl, I kind of take back what I said about "Not Sorry for Loving You". I think a lot of my reaction was initially from my fear of how fandom would react. But I've been delightfully surprised seeing how (for the most part) Epic Fandom has really come through to show the "fucked up-ness" of that song)

THAT DOES NOT MEAN THAT ODYSSEUS IN THE ODYSSEY IS A SHITTIER HUSBAND BECAUSE HE, IN THE ANCIENT TEXT, CANNOT SAY NO TO A GODDESS.

Greek Mythology isn't like Percy Jackson where 12 year old Percy beat Ares. (I was a PJO KID TOO!) It's not "Odysseus didn't try hard enough" fucking victim blaming btw because HE LITERALLY CANNOT REFUSE OR THEN HE'LL (AND HIS FRIENDS IN THE CASE OF CIRCE) WOULD DIE!!!

Like I wrote a whole ass essay on Circe's Situation (I feel so preachy and shitty about having to constantly bring it up but I will as much as I have to to get people to listennnn) and in general, if you can't see what's happening with Calypso, you've got your head up your ass and/or are just looking away because you don't like the actual implications of what's happening. For the main "gripe" I've seen with Calypso with how "He enjoyed her company at first", @lyculuscaelus has a great essay breaking that down.

And before? ODYSSEUS HAS NO LISTED CONCUBINES! And he brings up Penelope often in the Iliad!

And the whole "lying about being assaulted", I'm sorry but if someone is holding the "Men were so sexist that they couldn't possibly care about the women in their lives or have been victims" idea, then why would Odysseus willfully share that he was raped by women? Who, as they say, were viewed beneath him? Why would he lie about something that would put him in such a humiliating light?

Btw, Menelaus (sealy boy!!!) even says that he's being held captive by Calypso with what he learned from Proteus! Menelaus isn't known for telling stories!

I feel bad as like, I used to LOVE going into the tags and finding creators I haven't seen before and cheering them on! Art and Fics and yay! But like... It's sometimes so disheartening going in there and seeing nonsense or bad takes ;~;

Honestly, as much as I DO enjoy Epic, I think that hopefully once the hype dies down a lil, it'll chill out more :') We'll all be okay!

[cbrownjc]

I apologise in advance for the length. I wanted your take on one specific part of 2x5 that bothered me a little and is partially why my little DM shipper hope wavered (that and being burned by ongoing shows in the past). Both you and @nalyra-dreaming have brilliantly pointed out how the episode does a great job at recreating the horror origin where Daniel is kept in the cellar and I wholeheartedly agree. However, what has bothered me about it is that, in the episode, it is not Armand that chooses to let Daniel live. Granted, in the book it's more a stay of execution than anything else, but it's still his choice alone. In 2x5 that choice is now Louis'. And while I know that in the novel Armand considers Daniel a gift from Louis, part of me is bothered by this slight lack of agency. It felt to me like just another thing Armand did to comply to Louis' wants in his desperation to not lose him. And that any Chase that happens is not necessarily out of genuine curiosity but because Louis called Armand boring and Armand just wants to know what set Daniel apart for Louis.

And then my brain goes "fruit of the poisonous tree" and am then afraid that Daniel's meaning wrt Armand (which, to my great frustration, I have already seen other book readers diminish) will literally be: oh he's just the scraps Armand gets because he couldn't have Louis or Lestat (because of the horrors, he did all of it, etc). I don't WANT it to be that and I guess I'm a little terrified about it.

Idk what to make of any of it and I'm nervous because I REALLY want to see this pairing develop as they deserve. So please, tell me what I'm missing in my rambling and borderline incoherent concern. Help me Obi-Wan Kenobi, you're my sanity's only hope. ^_~

Hi!

Okay, well, I will try to be your Ben Kenobi here, but remember, even he failed to see what was going on with Annikin before it was too late . . .

Yeah, okay that isn't very confidence-giving, is it? 😬 🙃

Anyway! 🤭

Okay, so on the first point:

I have actually seen one or two people point out the fact that it was Louis who basically intervened and stopped Armand from killing Daniel, and Armand didn't do so himself. And I'm not going to say I can't see yours and some other's point about this. All I can say about that point for now is that we don't know what happens right now between Daniel and Armand after Daniel was let go and dropped off at the drug den. Because there might actually come a point when Armand thinks he very well could kill Daniel and Louis would have no idea, as Louis only requests that Daniel live out "this night." There was no request from Louis to Armand for Daniel to live out his whole life.

So we might actually get a moment, in the future, where we see a time when Armand decides to just kill Daniel -- but, just like with Louis in the tunnel back in the 40s -- stays his own hand via his own decision to do so.

So, I think on this point right now, the only thing any of us can do is take a "wait and see" about it. But there are still doors open to Armand deciding on his own to spare Daniel's life in a significant way I think. With him not even being in love with Daniel yet at the time too IMO.

So, on to the second point:

No, I very much do not think Daniel is going to be seen as "scraps" that Armand gets because he couldn't have Louis or Lestat. And I think what is going to come into play to make that clear is the slight change the show has done wrt Armand's character and the Great Laws. After the Children of Darkness/Satan coven busted up, Armand in the book really didn't hold those rules in any high regard anymore. But the show has very clearly changed that, to where Armand was ready to kill Louis because Louis broke many of the Great Laws.

Assad himself made this clear that Armand really was going to kill Louis and only didn't do it because he chose love instead.

And if you take a look at the full list of the Great Laws that someone was amazingly able to translate, as well as this gifset of a specific scene from 2x03, a vampire being with a human in such a way is a direct violation of those laws that Armand in the show clearly holds to.

So for Armand to break that rule and choose to be with Daniel? Will not be a small thing.

So I think that alone will show that Daniel is not just a scrap. Armand's love for Daniel will be so much that he will, once again, ignore a rule he once held fast to in order to, once again, choose love.

And then, of course, there is the fact that Armand chose to actually break his biggest rule of all for Daniel, which is to never turn someone into another vampire -- which is also one of the laws the cult drilled into him. Yes, Armand's main reason for not doing so in the books was because he didn't want to damn someone into vampirism, as well as not believing that the Maker/Fledgling relationship can ever really work. But the other reason that I feel the show will also touch upon will very much also be because of the Great Law that older vampires should never work the Dark Trick upon someone, less that fledgling be too powerful in the blood.

But Armand's love for Daniel will be so great that he will not bear the thought of Daniel actually dying. And so, when the moment comes, he will not only break that Great Law, but his own personal reason why he doesn't want to turn someone. And he would rather face having to truly put his fear and belief about Markers and Feldglings to the side (and maybe still lose Daniel that way -- which in the books, he actually did for a time!) than lose Daniel forever via death.

Again, that has never seemed to me as Daniel just being a "scrap" to Armand, even when it comes to the books. But I expect the show will put an even greater emphasis on this, both when it comes to Armand's backstory and how now Armand in the show actually holds to those laws in a serious way.

So yeah, just some of my thoughts on those two points. I hope they can calm you somewhat but, if not, just know that, because of the format this story is now being told in, that will very much lend to things -- the characters and their relationships with each other -- to be even more fleshed out, along with character arcs to be planned out overall as well. (Which yes, not every TV show does, but this one is clearly doing so.) We won't get every answer to these things right away, but I think there are many doors open to exploring these things in a satisfying way over the course of the show. 🙂

[xenobean]

Just finished the German dub of Transformers One. I liked it. My German isn’t that great yet but it helps to watch and listen to media in German. I liked basically all the voices, Starscream sounds almost exactly like in the English version, with the tone of voice and everything. There’s one moment at the end where they seem to forget that his voice box has been ruined but I may just be hearing it wrong. I also liked Bee, just felt like his voice fit well. I also felt like D-16/Megatron’s voice actor did a REALLY good job switching from D-16 to Megatron. Really menacing. Optimus/Orion did not work for me though. He sounds too old. Maybe as just Optimus he could have been better but in several scenes I kinda forgot he was playing Orion because he just doesn’t sound like him.

Also, gotta love different age rating guides. Hearing Sentinel Prime say “You look like shit” to Alpha Trion was hilarious. A little while ago someone told me that Megatron’s “I want to kill him” line is more chilling in German. I watched it and thought it was very impactful. It is definitely on par with the English version IMO.

Extra note: Maybe this isn’t actually that impressive and is quite normal in dubbing, but I feel like they did a SUPER good job making the words match up with lip movements. Danish dubbing often messes this up but maybe it’s because it’s difficult grammar-wise and maybe some translators prioritise accurate translation over lip-syncing. (Also we very much suffer from typecasting. There’s this one guy who voices at least one man over 50 in almost every animated kids movie. He’s known as “The man with the 1000 voices” and while I do admire his abilities, he is just…. Everywhere… and you get tired of it… I think we can find someone else in our population of 5,9 million… just once) Now, I’m not able to understand the deeper nuances of the sentences because of my skill level, so maybe they did sacrifice something, but overall it at least looked good.

[bluechanas]

ok y'all here are some thoughts on the op live action trailer

- casting is great. but we already knew that

- i like the costume design a lot!!! its cheesy at times but that was expected. still, everyone looks great, i think they did a really good job

- on that note, rip usopp's nose and sanji's eyebrows, but i get why they did it

- and ON THAT NOTE i find it hilarious that they didn't change buggy that much (other than overall creepiness)

- the baratie looks super cool girl wtf (props and settings look good overall imo)

- from the snippets of dialogue it looks like the humor might be a bit marvel-ish which i don't love but we'll see

- i also feel like they might make some personality changes (zoro seems more stoic and luffy seems like he has slightly more functioning braincells than usual), which i think might just be an executive decision to tone down the goofiness so it adapts better to live action. idk how to feel about it. but then again we didn't get that much dialogue so i might be wrong

- not sure how well they're going to manage the action scenes since the fighting in this show is the kind of silly i don't think will translate super well into live action??? but that swordfighting scene looked pretty cool ngl

overall i have my qualms with some things but i think it looks good and i'm actually pretty excited. i'll get back to you in august😗✌️

[korpuskristae]

Jasmine and Rose - A Sensory Shock That Jolts My Spirits

Warnings: Child abuse, alcohol abuse, usage of the F slur.

Pairing: Severus Snape x Female reader, reader uses She/Her pronouns

Word Count: 1000+

Summary: A peak into the enigmatic Potions Professors past, aka, I didn't expect this fanfic to get this far so I'm stalling and this is filler, present day Sev will be back next, NEXT, chapter.

Tag List: @likoplays (If you want to be tagged in the next chapter let me know!)

Song Choice: Nettie and Anesthesia are such Sev-coded songs, Life Is Killing Me is just very Sev overall if I'm being honest. (Context for non Type O fans: Nettie is about the frontman's mother) I'd like to think he was a mama's boy, as you can see I tried to lean into that a little. For those curious, the Latin roughly translates to: "I invoke he power of the Cross. My Mother alone could move the One Great God."

Part 1 Part 2

AN: I return! With a VERY late chapter, sorry xoxoxo, this chapter isn't a happy one either. Expect major spelling errors and mistakes, I seriously got so tired of looking at this so I just said fuck it and posted it, it feels very empty and like too much info IMO but it sets up the next chapter so just trust me.10/8/24* this is getting rewritten.

̩͙‿ ༺ ♰ ༻ ‿̩͙‿ ☆ ‿̩͙‿ ༺ ♰ ༻ ‿̩͙‿̩͙‿ ༺ ♰ ༻ ‿̩͙‿ ☆ ‿̩͙‿

Read on AO3

Unbeknownst to many, simply because he was such a private person, Severus had always been very close with his mother. Eileen Snape is… was… the only kind Snape in the whole family tree, considering she married into the family, it made sense. Eileen originally married his father, Tobias Snape, out of love, she was the type of person who found the good in everybody, even, unfortunately, his father at one point, though she horrendously misjudged his… nature.

Severus always thought it foolish of her, to even think of that man, his… father, as remotely good, even on a good day, seemed impossible for Severus. Tobias Snape did not have a single loving bone in his body, if he did, it's safe to say Severus would’ve been an entirely different person.

It wasn’t always so tense between Eileen and Tobias, when his father and mother were wed, the Snape family outwardly portrayed the perfect family, a hardworking husband, and a doting equally as hardworking wife, that was, until Severus was born.

His father was nothing special, he was a tall, lanky, pale, English muggle who worked a plethora of jobs at any given moment. He never stayed anywhere too long mostly because he’d end up coming to work hungover or drunk more often than not leading to a confrontation between him and whoever his current boss was. He was a notoriously stoic man who could go the entire day without giving so much as a glance to either Severus or Eileen until he got his hands on a bottle of beer. Later on in life, his alcohol dependence would prove to be his final nail in the coffin, just a few months short of his mother’s death.

His mother, on the other hand, was born into the highly esteemed House of Prince. Much like the noble House of Black, the Prince House was a highly revered, and highly feared, house of powerful pureblooded witches and wizards. Unlike many patriarchal wizarding families, the Prince family was headed by the less-than-polite, Catherine Prince, Eileen’s mother. Being an only child, Eileen was next in line to head the Prince House but upon hearing her daughter had married and fallen in love with a muggle man, Catherine disowned Eileen for being a “blood traitor” and “tainting” their family line.

Before their wedding, Eileen and Tobias lived in his parent's home, after their very small intimate wedding, the two moved into Spinner’s End in Cokeworth, England, just a few short months later, Severus was conceived and born on January 9th, 1960. Despite its less-than-favorable conditions, drab, rainy, cobblestoned England would serve to be their residence, its looming Victorian architecture only adding to the oppressiveness and overbearing weight of the country as a whole. The ghosts of a not-so-distant past served as a grim backdrop for the tense times they lived in.

For the first year of his life, Severus was rather sickly and pale, two traits that regrettably followed him through his childhood and into adulthood, albeit, to a lesser extreme. He was a rather frail child resulting in him often sitting and playing with his mother rather than venturing into the outside world simply because it caused too much strain on his already strained body. 

Due to brain damage he sustained from one of the many beatings from his father, his development was stunted and many important milestones such as his first laugh, his first steps, and even his first words happened at much later times than they would for a seemingly healthy baby. Eileen wasn’t spared from Tobias’s wrath either, while her son bared the brunt of her husband’s aggression, she too sustained a multitude of bruises and broken bones at his hands.

Despite their harsh reality, Eileen never broke in front of her son, she taught Severus to never accept a life he didn’t deserve, to keep his head up, he was a Prince after all. Her confidence, born of a life of privilege at a young age was something even Tobias had a hard time breaking. 

As he grew older, Severus never grew out of his introverted tendencies. His constant ailments and aversion to words were a point of conflict in the Snape household. Growing up, Severus was regularly berated for being too “weak” and acting like a “pansy” due to his mother’s quote-unquote “incessant coddling”. Coupled with the fact that he had grown out his hair and wore his mother’s clothing since his father’s hung off his lanky body, Severus was more often than not, subjected to harsh manual labor along with numerous beatings for whatever unforgivable crime his father felt he committed that day. In his father’s words, “He wasn’t going to raise a faggot”, how funny that sentence was to look back upon...

As a result of his father’s explosive temper and general aloof behavior, he and his mother grew extremely close. A certified social recluse even at a young age, Eileen was the only person he allowed into his little world. Once her son started displaying signs of having magical abilities, she broke out her old textbooks and started teaching him basic wandless spells in secret while Tobias was away working.

 His father detested magic with every fiber of his being, he didn’t like much of anything but magic for some reason seemed to entirely derail his behavior. So much so, that he snapped Eileen’s wand in a fit of rage not long after they were married.

The day Severus got his Hogwarts letter, Eileen was ecstatic, catching his father in a good mood, she showed him the letter proclaiming their son was a wizard and would be attending the best magical school in the world. Grossly hungover, Tobias didn’t fully register her words as she asked to take Severus to London, waving them off angrily, Eileen practically skipped out of the house with her son in tow.

The two spent the day in Diagon Alley, living what felt like a normal life for the first time. Splurging what little money she had on her son, Eileen bought him brand new robes and a wand, even going so far as to buy him ice cream at Florean Fortescue's Ice Cream Parlour before heading off to the used bookstores. It’s this day that Severus believes was his happiest memory, rather,  it was one of his only happy memories from his childhood, the one memory he faithfully used to conjure his Patronus.

[firawren]

Thoughts on my first viewing of Jane Eyre 2006

(I have a vague notion that I've watched this before, but if so, I'd forgotten most of it.)

Overall: Really enjoyed it! Both Ruth Wilson and Toby Stephens did a great job, it packed an emotional punch, and I thought the screenplay did a decent job at condensing the novel into its nearly 4-hour running time.

Now for some more detailed random thoughts:

WTF is a "half-cousin," St John?? (I guess they did this to make it less weird for him to want to marry his cousin? But it just makes it more weird to me, because that's not A Thing.)

Even though my husband was like "Why does Jane even like him?", I thought Rochester was a bit too nice. I especially wanted more of him being super cranky when Jane is not letting him buy her fancy stuff or refusing to eat dinner with him, because he deserves to be driven crazy by this after the Blanche Ingram stunt. He also wasn't quite weird enough. But, I did like his passion, strength, and charm, and he had great chemistry with Jane.

Ruth Wilson portrayed Jane's passionate spirit trapped under a calm and proper exterior really well.

The proposal scene was great! The drah-mah! The romance! The laughing in the rain afterwards!

This is controversial, but I loved the sexy stuff when Rochester is trying to convince Jane to stay, because it definitely is a sexual temptation for her that she has to overcome, and the sexual tension between them is so palpable in the book. They translated this well to screen, IMO.

I missed the religious themes from the book. It's an integral part of Jane's choice and Rochester's redemption, and God is an actual entity that drives the plot in the book. You don't have to believe in religion in real life to appreciate it within the universe of a piece of media.

I also missed St John's famous line "You were built for labour, not love." Why cut that? It's such a great line! And by "great," I mean it makes me want to punch St John in the face or throw up.

As usual, Jane and Rochester are too attractive. Especially Rochester. I mean geez, Toby Stephens?!

No, we don't have a potion for that, sir, because you're already extremely handsome! 🙄

[currantlee]

Ganondorf in German Tilo Schmitz Appreciation Post

The first cutscene of TotK is defining for Ganondorf as a character. I played the German version of the game, and the dub does a stellar job with this scene! It is very memorable IMO, and it instantly sets Ganondorf up as a somewhat stereotypical antagonist, but a serious threat nonetheless. It's one of my favorite scenes in the game, and that is also because Ganondorf's German VA, Tilo Schmitz, does an absolutely stellar job! It's great that he's getting the recognition he deserves for this performance!

Each line of Ganondorf's monologue in this scene is packed with (character) exposition, both textwise and deliverywise, but you don't even notice because you're in too much awe - at least that's my experience with the scene (in German).

Sooo... I wanted to take a closer look at how exactly both the scene and the voiceacting accomplish this.

Translation: That is supposed to be the sacred banishing sword? And my miasma shatters it just like that... A useless blade. English Localization: Was that the sword that seals the darkness? A blade that shatters so easily against my power cannot save you from me.

A few things about this line (and the rest of the scene) under the cut, because I'm gushing. A LOT.

The Master Sword is rarely called Masterschwert (its name in German) in spoken dialogue. I think over the course of the entire game, the Great Deku Tree is the only character to do so, and in Breath of the Wild, only Zelda calls it Masterschwert once. It is, however, called Masterschwert in the inventory, as well as several text-only dialogues. My hypothesis as to why they did that is that Masterschwert, when spoken out loud, sounds involuntarily comical in German since it comes off as way over-the-top, and can thus destroy an entire, serious scene. Personally, I think heiliges Bannschwert (which I would personally translate as Sacred Blade which Banishes Evil if I were to do a less literal translation, like I did above, into English) is a very fitting title, even though it doesn't sound quite as awe-inspiring if translated into English literally.

Secondly, the gloom is called Miasma in German, which is a historic name for mysterious sicknesses. While not common in contemporary German anymore, you can actually find it in the fantasy genre here and there, including in videogames. German localizers REALLY love to use this term. In comtemporary German, it would be übler Dunst (bad / ill haze), Verunreinigung (pollution / contamination), Befleckung (impurity) or Ansteckung (infection), all of which combined I find to be a really great description of what the gloom is and what it does! Especially considering that the entire reason Link and Zelda decided to investigate it in the first place was because the gloom was making the people of Hyrule sick.

I personally like this line much more than the English one, simply because to me, the English line screams "exposition!!". The German line is also exposition of course, but it does it in a much less subtle way.

Last but not least - let's appreciate Tilo Schmitz, Ganondorf's German VA. The way he delivers this line is spectacular! He makes it sound like Ganondorf is almost a little upset that the Master Sword shattered so easily, while sounding both dark and ancient at the same time. Honestly, I could not imagine a better delivery!

Translation: Zelda... And you, wielder of the banishing sword... Link. English Localization: Zelda... You who carries the fragile sword... Are Link.

Ganondorf explicitly draws a connection between Zelda and Link in German (not in the romantical sense), which feels much more natural than this kind of jump he does in English.

On a somewhat unrelated sidenote, I like that the camera shows both Zelda's and Link's reactions to Ganondorf knowing their names (unfortunately, I couldn't capture Link's because the subtitle vanishes just before he reacts, and I don't want to overload this post with pics, so... Go watch the scene again 😆). Love that Link has a very obvious reaction too, I feel like he is generally pretty expressive in TotK, which I very much enjoyed!

Translation: Rauru's grand prophecy... English Localization: Rauru placed his faith in you...

This is an interesting difference to me, because while both lines pretty much mean the same, the connotation (implied meaning) and tone are completely different.

In English, Ganondorf sounds like he is almost blaming Link and Zelda for not fulfilling Rauru's expectations, especially when combined with the next line.

In German meanwhile, this is more of a sarcastic comment, that expresses Ganondorf's disdain of Rauru more than anything else. Tilo Schmitz delivers this line with a very sarcastic undertone as well, making it clear that Ganondorf is, much like in the previous lines, mocking both Link and Zelda, as well as Rauru.

Translation: Two pathetic worms. English Localization: And that was all that you could do?

Now, there is a big difference! Whereas Ganondorf's line sounds almost like a challenge in English, in German, he is ourtight insulting Link and Zelda.

Also, Tilo Schmitz is amazing as Ganondorf in general, but this is probably my favorite line in the entire game from him. It sounds impactful, it sounds arrogant and despising, it has everything this line should have and more. Most of all, it sounds like he actually means this, and he means it as the character Ganondorf, not just as someone playing Ganondorf (from a meta perspective) or just anyone who can't stand Link and Zelda. It is a perfect line in my opinion, both scriptwise and delivery-wise.

Aaaaand that's pretty much it for this scene! Like in the English localisation, Zelda asks how Ganondorf knows their names (and Julia Casper makes her sound more timid than confused, which I also like very much!).

Anyway, thank you so much for reading 😊 Honestly, I was pretty overwhelmed by the response to my first posting about the German localization of TotK, so I wanted to wait a bit for things to calm down a bit 😅 In the 10+ years I've been on the internet, nothing I've made before has gotten this level of attention. It makes me very happy you guys seemed to enjoy it so much though, and I hope you enjoyed this one as well.

Have a great day, night, whatever time it is when you're reading this, and enjoy the game!

[carrionhearted]

i need to watch more horror movies so please drop your favourites 🙏🙏

GLADLY!!!! These are in no particular order, or category… just a list of horror (& adjacent) films that feel special to me. Some of these are genuine works of art, and others are just campy fun. Some of them are flaming garbage. Have fun figuring out which are which!

- House of 1000 Corpses (& sequels: The Devil’s Rejects, Three from hell) (Ho1000C is just a blast, campy and vibrant and fun— while the sequels are a lot more grounded and gritty in tone. The characters really make this franchise. Rob Zombie is great at writing hate-lovable bastards.)

- Eraserhead (a fever-dream-nightmare perfectly translated into film. Surrealist imagery that will permanently etch itself into your grey matter. I hope you like long shots and ambient droning sounds! I love films you have to decode in order to understand.)

- Donnie Darko (more ‘psychological thriller’ than ‘horror’, but god I love this film. If you like unreliable narrators and themes of unreality, blurred lines between the supernatural and psychosis… watch Donnie Darko.)

- I Saw The TV Glow (made me ugly cry until I threw up and gave me a headache so bad I couldn’t sleep afterwards. VERY effective psychological horror if you struggle with identity and dissociation/ dpdr. Like, dangerously effective.)

- Pearl (standout fav of this trilogy, though X and MaXXXine are also great. I am in love with Pearl as a character. Insane writing, insane acting, and it’s shot so well… ooghsgdh I love this film…)

- The Lighthouse (Damn ye! Let Neptune strike ye dead Winslow! HAAARK! Hark Triton, hark! Bellow, bid our father the Sea King rise from the depths full foul in his fury! Black waves teeming with salt foam to smother this young mouth with pungent slime, to choke ye, engorging your organs til' ye turn blue and bloated with bilge and brine and can scream no more - only when he, crowned in cockle shells with slitherin' tentacle tail and steaming beard take up his fell be-finned arm, his coral-tine trident screeches banshee-like in the tempest and plunges right through yer gullet, bursting ye - a bulging bladder no more, but a blasted bloody film now and nothing for the harpies and the souls of dead sailors to peck and claw and feed upon only to be lapped up and swallowed by the infinite waters of the Dread Emperor himself - forgotten to any man, to any time, forgotten to any god or devil, forgotten even to the sea, for any stuff for part of Winslow, even any scantling of your soul is Winslow no more, but is now itself the sea!)

-Carrie (the original is, of course, the best… but the 2013 iteration is also surprisingly good. She is so normal girl don’t worry about it)

- Texas Chainsaw Massacre 2 (SPECIFICALLY 2, but watch the first one also) (Bill Moseley as Chop Top… Oingo Boingo on the soundtrack… sexual tension with the chainsaw… the dinner scene… Leatherface <3… it has it all…)

- Society (Do not go into this expecting a good solid film. Go into it expecting to have a very confusing, VERY FUN time. One million bonus points for The Shunting.)

- Sleepaway Camp (another campy cult classic. The most wtf acting, wtf dialogue, wtf line delivery, WTF AMOUNT OF MEN IN BOOTY SHORTS, wtf kills and wtf ending. Also diversity win!)

- Slither (now that’s what I can body horror! This film is outrageous it’s insane it’s… goopy… lots of slugs. Great mix of horror and comedy imo)

- Ready Or Not (a “death game” premise with an almost cartoonish quality? The characters are all… all such characters, they did great fleshing out a large-ish cast. They did a great job in general. Also funny. Also WICKED set design.)

- Hereditary (a predictable answer, but I think it earns the praise. It’s uniquely effective at being… horrifying, as a horror film. The sense of dread in this film is something special.)

- Silence of the Lambs (another obligatory mention. It puts the lotion on its skin or else it gets the hose again.)

- Terrifier, 1 2 and 3! (obligatory Terrifier franchise mention. Art the Clown is just a silly little guy. God forbid a clown have hobbies.)

[derangedfujoshi]

i saw you doing shota ratings, what do you think of dear daniel?

(somehow, his mascot suit still feels shota despite being as tall as an adult...)

Oh dear he's SUCH a cutie! Some designs make him look more of a kodo imo but others definitely fit the shota category so I feel like I can still rate him! Also the mascot suit still reads like a shota because of the huge head + big shoes and the shorts! They did a great job at translating his design onto an adult tbh! Anyway

Shortness: I feel like even when he does end up being a shota he's still on the shorter end of the scale so mmhh 5.5/10 because it's tricky when they're that short

Big Ass Eyes: they're SO small on that huge head and that's what makes him cute but we still gotta grade him fairly so 2/10

Overall Design: safe to say the design is ADORABLE (thank you Sanrio) so I can easily give him 7.5/10 because it's simple but super cute and the little bit of hair on top of his head is awww (I'm particularly fond of that mascot fit ngl, that gets a solid 9/10 from me)

[shiftingtomydrs]

Marauders DR

sooo yeah this is gonna be confusing probably and definitely not organized but if youve read some of my rants youll be used to it by now haha

alright, so similar as in my golden trio dr, im the same person i am in my cr (like name, family, looks) plus the whole witch thing. i am also part of ravenclaw and a muggleborn. my s/o is james potter and i did kinda script out voldemort bcs we dont want that. james and i have the friends to lovers slowburn angsty arc and im not quite sure if i should script im related to lily / my last name is also evans bcs hear me out, someone asks james who he has a crush on and he just says evans and people start assuming its lily but its me and so he goes with it bcs he doesnt wanna ruin our friendship. so yeah. thats gonna happen now bcs now that i wrote it out loud i love it. i again dont play quidditch bcs scared of heights and stuff haha soo idk yet if ill do any sport (is there another sport?). i also wanna be an animagus but idk yet what form bcs i like the 'soulmates have the same form' headcanon but i also wanna be a cat. soo yeah. idk. ideas would be great. i scripted that i can be in the gryffindor common room / i never get caught doing it (idk if its actually forbidden or not tbh but id say yes) and im kinda the typical nerdy good smart girl soo i can pull of shit and teachers dont suspect me so i get away with it haha. james thinks its unfair. i also scripted in this one fanfic i once read and keep rereading bcs its so good (its a german translation and i cant find the original one sadly) and its basically the marauders finding a magical book with fanfiction about them inside it. its hilarious soo yeah i put that in it was like the first thing i put. i have two sisters but both of them are muggles. after hogwarts idk yet what i wanna do, maybe become a healer (no but fr what can you do except work in the ministerium, teacher, healer, journalist, or open a store or smth? jobs are limited in the wizarding world imo) or an auror (thats what you can do lmao but it kinda falls into ministerium i guess?). i dont have a pinterest thing for this dr yet but i imagine my aesthetic is kinda light academia / dark academia (idk the difference but i like both) and yeah. from the 3rd year on i do arithmancy, runes and care of magical creatures. i also do apparition classes in year 7.

idk what else i can say atm haha but if you wanna know more pls dont be shy to ask questions <3

[balladedutempsjadis]

Ponniyin Selvan (The Book vs. Movie edition)

I've just today finished the five volumes of Kalki Krishnamurthy's epic historical novel Ponniyin Selvan, which was the basis for the two-movie series of the same name which I ADORED after I watched the first movie for the first time a couple of weeks ago. And ... I have some thoughts on the books and on the adaptation of the books. First of all, some general thoughts about the books:

I really wish I could read this in the original Tamil. In my understanding, these books are a beloved modern classic of Tamil literature, and the English translation, though perfectly fine and serviceable in terms of explicating the plot, rarely has memorable language.

Perhaps this is a function of the translation, or a different literary tradition, or the author's style (and I'll never really know which), but there is a lot of stuff that I can best describe as static. Actions and events are often described after they occur so as a reader, I felt distanced from what was going on in several scenes.

There are a LOT of coincidences (the entire Sembian Amuthan plotline is heavily based on coincidences) and repetition.

Even if I didn't know this was serialized, I would have guessed because of the repetition mentioned above, frequent flashbacks, and the padding out of some of the scenes. This isn't necessarily a bad thing (it reminds me of Dickens' novels, which I happen to be quite fond of) but it's definitely a hallmark of the novels.

I felt sometimes that Kalki was having a bit of a struggle with the historical characters having to do what they did in history versus his fictional characters like Nandini being able to do what they wanted. So sometimes I felt the characterizations were a bit lacking (and I definitely skipped some of Sembian Mahadevi's musings, SORRY!)

Now for the differences between the books and film versions (SPOILERS FOR THE BOOKS AND BOTH FILMS BELOW).

In general, with one exception I'll talk about later, I think the scriptwriters did an amazing job of adapting this immense series to film. In fact, for a number of things, I think they improved the pacing of the narrative and cut out extraneous stuff that detracted from the momentum of the main story - these were things that may have worked in a serialized novel but would have drowned even a gigantic six hour film series. All that follows is just my opinion, of course!

First of all, a fair number of characters were just cut out of the story, which I thought tightened up the narrative. (For example, Manimeghalai was completely unnecessary IMO for the story to proceed and she really detracted from the scene between Aditha Karikalan and Nandini when Karikalan dies; the intensity of that scene would have suffered from having anyone else observe it.) Poonghuzhali's brother and father (her sister-in-law Rakkamal is still there but not related) are gone in the film version. And that's all fine, I think it would have made things more confusing and I don't even think a tv series would have been able to use ALL these characters. (Also, I think I like that Poonghzhali seems more stable in the movie.)

I also liked that they cut out the astrologer. I thought the book relied way too heavily on the astrologer's predictions and while that may have been an accurate portrayal of 10th century Chola society, it also removed the jeopardy from the characters. If Arulmozhi Varman's sister would be confident that nothing terrible could happen to him because of the lines on his palm, then it was really hard to generate suspense about him within the story. (I mean obviously as readers/moviegoers we might know that he became Rajaraja Chola and therefore survived the assassination attempts, but his contemporaries and the fictional characters in-universe didn't know that he would end up being a great king.)

For me, it was more powerful to see how much the kingdom mourned him and his family mourned him than to have his sister shrug and be like "oh well, the stars don't say he dies so he's probably alive." And the way that they mourned him also helped develop their characters (To be fair, I also can't figure out what Kalki believed re:astrology either, because occasionally the author's voice is very skeptical about the astrologer as well.)

More controversially, I think they were right to cut out the whole Senthan Amuthan storyline about being the real son of Sembian Mahadevi and the previous king etc. etc. The hidden identity heir business was just way too melodramatic for me even in the book, and I don't think it would have worked at all for me in the movies. I mean, SA doesn't really even have much characterization in the book anyway (he's there a lot and helps out when he can but other than the fact that he loves Poonguzhali and has a nice voice, I couldn't tell you much about him.) Plus that would necessitate that Fake!Madhurantaka be Nandini's twin etc. and that would also have not been believable.

Now ... onto the main characters books vs. movie:

Aditha Karikalan: I honestly liked him much more in the movies than in the books. He was the tragic hero of the movie, with a clear arc, and Vikram brought oodles of charisma to his role. But in the books, he was a lot more opaque to me (his love for Nandini is not his focus - so he maybe falls in love with Manimegalai? - and that moment where he chooses to die isn't as crystal clear.) Also, Book!Aditha is a bit of an asshole towards all of his friends, frankly, which movie Aditha is not.

His chief faults in the movie are that he's ruled by his emotions (which is both why he sins against Nandini by beheading an unarmed man - Veera Pandyan - in a fit of rage that Nandini is pleading for his life AND why he tries to atone for that sin by committing suicide, which of course doesn't actually solve anything and in fact embroils innocent people like Vandiyathevan in a horrible situation).I still think he wouldn't have made a good king, not least because he would not listen to ANYONE'S advice, whether that someone was his grandfather, his friend, or his brother or his sister.

Book!Aditha might have made a better King - he actually goes to Kadambur not just to see Nandini, but partly in order to find out and allay the different Chola clans and possibly cement one of their loyalties by marriage to MM, so I thought that made for an interesting contrast. Even in the books, though, Kalki compares how the people mourned Aditha (as a great warrior whose absence threatened their kingdom's survival) and how they mourned Arulmozhi when he was believed to be dead (as a beloved son/brother even if they didn't know him personally.) The book (and movie though to a lesser degree because it's so preoccupied with Nandini/Aditha) has a lot to say about power and responsibility (so there are constant contrasts between not just Aditha and Arulmozhi but between the Pazhuvettarayar brothers and Arulmozhi - for example, over whether the Chola kingdom should supply the army in Elangai or whether they should live off the land. AMV is much more farsighted and knows how important it is to not make a conquered populace feel subjugated because they will rebel.)

Nandini: I feel like she was a lot more fleshed out in the film than Book!Nandini, and as she and Aditha were the emotional focal point of the movies, it makes more sense. Her motivations seemed clearer to me, and I also appreciated that we actually found out what happened to her, and she didn't just disappear off the page. I also liked, as mentioned above, that they didn't bother with the False!Madhuranthakan who was actually Nandini's twin etc. I liked that they fleshed out the love story between her and Aditha and gave Kundavai a role and also showed how it was Aditha's impulsive declaration that she would be THE Chola Queen that directly led to Nandini - who had done nothing wrong - being unceremoniously bundled off to wherever. (Would I also have liked a little more of how Aditha reacted to his family's banishment of Nandini? I think I would. Like we got a little bit of that in PS1 when he blames Kundavai for being jealous but not much more than that?)

Kundavai was very awesome in both book and film, but she had a lot less to do in the second movie. As I mentioned above, I loved that she actually believed her beloved younger brother to be dead so we got to see her reaction compared to Aditha's. (Aditha basically goes into beast mode and is like “I can fight whoever to avenge my little brother” and Kundavai is, as usual, a lot more rational even in the depths of grief.) I also really liked that brief scene the film gave us with all three siblings together which was a nice addition to the story. I felt there were not very many differences between Book! and Movie!Kundavai - although the book definitely played up her influence over her younger brother a bit more. She is the mirror to Nandini and maybe Nandini would have been like Kundavai if she had not had such struggles in her early life? I do like that in both books and movie, the female characters are so strong (I mean, well-characterized) and different from one another.

Vandiyadevan is just a great character! His resemblance to D'Artagnan was even stronger in the books (he had time for even more adventures) and his verbal sparring with Nambi was great and nicely translated to screen, I thought. I did think his presence in Kadambur and his (partial) witnessing of Aditha's death and aftermath was handled with more pace and worked better for me in the film (again, no Manimegalai was a great decision. And the picnic that Nandini goes on with Aditha and Vandiyadevan and MM and others (I think?) It was late at night when I was reading and I was like WTF so I might be misremembering it) dilutes the Aditha/Nandini meeting a lot. Anyway, back to Vandiyadevan - still sooooo charming. I loved Karthi in this role and am going to watch Kaatru Velliyadai (although I understand he's very different in that one!) sometime this week. But I found Book!Vandiyadevan lovely as well. I think his character translated perfectly from book to screen.

Arulmozhi Varman - I thought the books would focus more on him than they did, given that he's the title character. And I was a little surprised that he still wasn't the main focus of the books (though there's more focus on him in the later volumes), but there were some nice little character moments that I wish could have come into the movie. (Though there were a couple of things in the movie that I also really liked which showed his character beautifully.)

I read Kalki's afterword about how the pivotal scene in all of the books is Arulmozhi Varman's sacrifice of his crown, because that is an amazing thing for any ruler to do, to voluntarily give up his own power and step back. The books talk about the Chola ancestor Sibi, who was willing to give up his own life to protect a pigeon from an eagle because the pigeon was under his protection. I believe we are meant to understand Arulmozhi's sacrifice in a similar light. He is all about protecting the realm, even if it means sacrificing his own ambitions and that makes him Sibi's worthy heir. (In the Mahabharata, Arjuna is the peerless warrior prince, but his brother Yudhishtira is the Dharmaraja - the best of all; and I think we are meant to see echoes of Arjuna (and his son Abhimanyu, alone in the midst of his enemies) in Aditha and echoes of Yudhishtira in Arulmozhi.)

The books and the movie handle this immense sacrifice a little differently; in the book, we get a lot more motivation for that action: AMV is steeped in the history of the Singhalese kingdom and horrified by how bloody their succession battles were (he references fathers killing sons and vice versa more than once) and he is super clear that he doesn't want to bring that mess to the Chola kingdom or cause a civil war or anything like that. But there are two more elements as well, that I mostly got from the book: he truly loves Vanathi and she has sworn an oath that she doesn't want to be empress, so he can't have both Vanathi and the throne (but it's also a political decision, since if he's King, and marries Vanathi, then he'll be seen as privileging her clan above all others unless he marries a bunch of other girls as well). I also genuinely think he also wants to go hang out with Vandiyadevan and have adventures (while also doing the necessary jobs of fighting pirates and expanding trade and all that other stuff.)

The movies don't make that explanation as explicit, but there is this golden thread of self-sacrifice that runs through Arulmozhi's scenes in the movies as well: first of all, he refuses to take the throne of Elangai, though it is offered to him by the monks who crowned all the kings of the island. (This happens in both the books and the movie, but the books make this a more political decision - AMV says Elangai is too small for the scope of his vision, and that he doesn't want it to look like he's setting up a parallel second kingdom to the Cholas in opposition to his brother - whereas in the movies, it is clearly a matter of dharma. And the movie really sells that.)

Then Arulmozhi jumps into a stormy sea to swim to a ship full of people who want to kill him, in order to save Vandiyadevan. (I mean also some breathtaking confidence in himself that he and Vandiyadevan by themselves can defeat the Pandya rebels. He definitely does not lack for confidence :)) I cannot believe I actually forgot about this and had to come back and edit this post.I guess I am too used for Arulmozhi being awesome for this even to register on the scale?

The third self-sacrifice is when Arulmozhi is recovering from his life-threatening fever amidst the Buddhist monks at Nagapattinam. In the movie, somehow the Pandya assassins find out he's there and rile up the crowd which threatens to destroy the monastery which they claim is hiding their beloved prince from them. Although AMV is encouraged to slip away to escape the Pandya assassins, he refuses to repay his hosts by allowing their monastery to be destroyed. So he goes out to face the crowd, despite knowing that he's putting his life in danger by doing this. In the movie, he makes a choice to reveal himself and once again we see that Arulmozhi will always privilege the good of the people under his protection (the people of Elangai, Vandiyadevan, the monks, and ultimately the whole populace of the Chola Kingdom) over his own desires, and even his own life if need be. Over and over again, he shows himself to be the true heir of Sibi. (I also thought the elephant-goad plot was REALLY well done in the movie; even knowing obviously that AMV survived this, I was SO tense during that entire sequence. The book version just wasn’t as tense. Anyway …) So in the movie we keep seeing WHY Arulmozhi will be the great king he becomes but also why he will not take the crown at the end - and by not taking it, he makes himself all the more worthy of it.

In the book, in contrast, he leaves the monastery because there's about to be a devastating cyclone and it's not safe there any more. His disguise is revealed against his will by Rakammal hailing him as the prince; he's not given any choice in the matter. And he has very good and valid reasons for not wanting to reveal who he is which are also an excellent lead-up to his giving up the throne. Book!Arulmozhi wants to avoid a civil war over the succession at all possible costs. And he knows the public is fickle and easily swayed (there’s a whole subplot about there are rumors that HE had Vandiyadevan kill Aditha Karikalan so he - AMV - could be crowned, which only one character says in the film and everyone ELSE is like “Arulmozhi would NEVER!” But in the books more people seem like they are could be swayed by that thought - and giving up the throne to his father’s cousin is one spectacular way to give the lie to those rumors. And here’s also me, getting so angry on behalf of a fictional /historical character ;))

I think the movie version and the book version of this event both work really well for their respective media in terms of establishing who this man is, and what his character is, which lead up to his ultimate sacrifice.

The last sacrifice is, of course, that he give up the kingdom that *everyone* wants him to have. I think in both the books and the films, it's clear that the weird succession situation from his great-uncle Gandaraditha's day (where the throne when to the younger brothers of the king, and then to Sundara Chola - AMV's father - Gandarathia's nephew - rather than to Gandaraditha's own son) was bound to create a locus for discontent and coups egged on by the enemies of the Chola Kingdom. And that internecine strife is, from Kundavai's and AMV's perspective, what killed their brother and even put AMV in line to the throne at all. (They don't know all the backstory about Nandini and Aditha's guilt and his essential suicide. Also, I think it’s an interesting contrast between Aditha Karikalan who offers to give up the throne - once to the council of plotters where he says he’d do it if he had an army to go get himself another kingdom, and once when he proposes to Nandini that they just run off together. Arulmozhi had his chance at a kingdom won by force of arms - Elangai - and said no, and when he gives up the throne at the end of the books/movies it’s for love of the country he was expected to rule, not for love of an individual.)

The one thing I wish the movies had done was flesh out the Kundavai/Vandiyadevan and Vanathi/Arulmozhi connections. The actors did a lovely job with what they were given just from facial expressions and eyes (Vandiyadevan looks hopeless in love in the course of a single conversation when he's dressed as Krishna's uncle) and I bought into Vanathi and Arulmozhi's love for each other with nothing more than him reading her message in PS1 and a couple of times they looked at each other (so much love for Jayam Ravi and Shobita Dhulipala's facial expressions which sold the connection), but IT WOULD HAVE BEEN NICE FOR BOTH THESE COUPLES TO HAVE A CONVERSATION! But I realize I've seen a couple of Mani Ratnam's Hindi films (Dil Se, and Raavan - though I really want to watch the Tamil version of that) and he does doomed romance very adroitly. (Although from reading the plots of his several other films, apparently he also does do happy endings sometimes and I sort of wish we could have shifted the focus from Nandini/Aditha A LITTLE BIT to maybe just get a tiny conversation between these two other couples the I also loved. But at least I got some crumbs in terms of the full videos of the songs of "Veera Raja Veera" (for AMV/Vanathi) and "Aga Naga" (for Kundavai/Vandiyadevan. (FYI, the Veera Raja Veera video song is super hot - Rajaraja Chola is looking at his beloved while she dances as though she is an extremely tasty snack he can't wait to sample :P)

ALSO, if anyone wants to make PS3 with these actors I WOULD LOVE YOU FOREVER. In my head, it would be about Vandiyadevan doing wild stuff and flirting with EVERYBODY while Arunmozhi Varman sort of sighs and goes along with him to try and exercise some control over him* because Kundavai will kill him if anything happens to her boo, and they keep getting embroiled in weirder stuff and getting hit on the head (Vandiyadevan) and chilling out looking at Buddhist cave art and talking to elephants (AMV) and Kundavai just sits back and continues to run the kingdom (because she knows that AMV will not let anything happen to her boo). And of course, Nambi would be keeping an eye on both of them as well. Meanwhile, Vanathi is doing lots of dancing and going on some of the art tours with her husband, and also hanging out with Kundavai and rolling their eyes over their husbands. That would be totally fine!

*one of the things I loved in the books was that Vandiyadevan is influenced by Arulmozhi to be more truthful and upstanding, while Arulmozhi gets more devious after he meets Vandiyadevan. I feel this dynamic (along with the real-life bromance of Karthi and Jayam Ravi - every interview I've seen with them is the two of them having a great time!) would be AWESOME.

OK, this is insanely LONG again but I really enjoyed the novels and the movies - each medium enhanced the other for me, and in my head, the version of Ponniyin Selvan is what takes the parts I liked the best in movies and film. So Movie!Aditha and Movie!Nandini, BOTH the Vandiyadevans, Kundavais, Arulmozhi Varmans and Vanathis live in my heart :D

And I've also acquired Anirudh Kanisetti's Lords of the Deccan (which is more about the Cholas' predecessors and opponents like the Rashtrakutas and the Chalukyas) and Kamini Dandapani's Rajaraja Chola, which is about Ponniyin Selvan (but also about his predecessors and successors.)

[hopeymchope]

I'm finally playing Another Code Recollection!

I started it a week ago, and I just finished the "Two Memories" section. As a longtime fan of Ashley/CING/Another Code, I have THOUGHTS.

It honestly bothers me more than it should that there's no separation, really, between the first and second game. You don't go back to the title screen. You don't get some credits or anything. You complete the first game's story, and then it just says "Two Memories" "The End" and then the second game's story IMMEDIATELY BEGINS. You go straight from the big climax of one story into the lazy-days opening of another adventure, and it's JARRING. It's not a good idea. They should've had a pause, had you maybe be able to select the second game from a title screen option? Instead it's just all... one game now. And that feels WRONG to me.

It's cool we're all united under calling the device "Another" and calling her Ashley Mizuki Robins now. In the old days, her name was "Robbins" in North America and "Robins" in Europe. The device was "Trace" in America and "Another" in Europe. The original DS game even had two different translations for basically ALL the same dialogue. It was weird how you could play two English translations that conveyed the same info in distinct ways. But now, at last, UNITY! Every region will know her as Ashley Mizuki Robins, and everyone will call the machine her dad worked on the "Another." YAY.

I feel like this puzzle has stuck in the minds of those who played the original FOREVER.

3. Let's face it: None of the puzzles in this remake are remotely as clever as the ones in the original games. The way "Two Memories" made use of the DS' distinct form and "A Journey into Lost Memories" made use of the Wii Remote were SO damn creative, and that was a big part of what made the games have such an impact on the relative few who played them. With "Recollection," we still get the characters and stories we love, but losing that kind of outside-the-box puzzle design kinda DOES suck. These aren't making any particular special use of the Switch's design or innate gimmicks. They're just... regular ol' adventure game puzzles. (Though I'm at least grateful I didn't have to do that damned slide puzzle again... fuck do I hate slide puzzles.)

4. Ashley's outfits are redesigned in both games. And while I think she looks great across the board, I also think they did a much better job of retaining the basic visual design of her "Two Memories" look as compared to how they reminaged her "Journey into Lost Memories" look.

Above: The original Ashley designs from the DS and Wii games. Below: The new ones from the Switch collection.

In both cases, Ashley loses the midriff and the dangling strap/chain thing. No big losses imo; in fact, I think the use of a plaid flannel in her new "R" design invokes '90s grunge fashion in the same way that chain/strap did, so it's a pretty functional swap. Also, her old wrist cuff/band things only appear (recolored) on her new "R" outfit, but I don't think anyone felt emotionally attached to those. Overall, the "Two Memories" outfit keeps the same color scheme/placement while changing over to a hoodie that feels/looks really good. But even with the flannel doing some thematic work for the "R" redesign, they largely went in a totally different direction from the original. Ashley's new outfit looks very... uh, confused? Like, she's wearing some fairly short shorts plus a plaid flannel long-sleeve over another shirt; Is it hot or is it cold, girl? Make up your damn MIND.

5. It's really interesting to see how the story's been rewritten so far. Richard and Bill's first appearances are both handled BETTER in the remake, I think; I think that in the original "Two Memories," Bill was overly standoffish for what he was trying to do, and Ashley was just WAY too skeptical when first meeting Richard. Both these issues are corrected now. There's also a much clearer link between the original and the sequel, and I'm less sure about that decision. The original game was an open-and-shut case to the point that "R" had to work backwards to be like "Oh, but there's ANOTHER layer to the mystery." Now the other layer is plainly present from the jump, but it also kinda makes Ashley look... dumber? Like, she literally sees the name "J.C. Valley" doing MAJOR SKETCHY SHIT at the end of "Two Memories" during one of the most eventful/memorable days of her life, and then her dad goes to work at "J.C. Valley" in the sequel, and somehow she NEVER MAKES THE CONNECTION. (At least she hasn't yet in my game.) I guess that was a pretty overwhelming day? But still...

6. The combination of Ashley's old and new outfits would make excellent alternate appearances for Ashley in Smash Bros. I've been championing getting her in Smash for YEARS. Is she an unlikely candidate? Of course, but many candidates who are just as unlikely (if not MORE) are already in the thing! Being a trophy in Smash Bros. Brawl is NOT ENOUGh. So right now, I'm in the process of altering my mental moveset for her to account for the new things she does in this game. I think we can definitely make her viable. Maybe I'll make a post about how I imagine her moves in the future. :P

[javaghoul]

Maybe controversial: I Don't think Tooru is "bad trans rep" or whatever

First, culturally contextually, it's not even clear if he is trans or just using masculinity as an escape. The west projecting transness on him is cool and fun and great, but we need to remember where this story is from, and look at it through a Japanese lens when and where we can - and by that I mean, to the best of our ability while also seeking out what we need to fill in the gaps. Yes, the reading you have as a westerner is important. No, it doesn't mean that was the intent, so no, you can't just assume Ishida is a terrible transphobe or whatever

But even aside from that... People are mad because they... Out him? Ive seen people extremely mad not at Torso as a character but at Ishida for writing a man defiling Tooru and claiming he's a woman. Even through a trans lens, that's not...? Like a transphobe stripping a trans person bare and then misgendering them because they are obviously trans isn't... That doesn't say anything about the writer. The character sucks. Tooru was put in an unpleasant and scary situation. What. Yeah it sucks he had to go through that but???? Why does that make ISHIDA the problem??

"Oh but Tooru does bad things!" Yeah and so do some trans people. We're not pure beings free of wrong. We're capable of being bad too. Everyone in TG is fucked up, honestly it'd be infantalizing imo to make Tooru the only Completely Good and Pure One. Tooru is extremely traumatized and has an episode. So does everyone in TG. Can we get with the program, please?

ooo thanks for sending this, this is really good.

I'm not trans, so I can't say whether Tooru is good or bad or even accurate representation. When I first read re: and he popped up, I was happy that Sui included a trans character regardless of how Tooru was written. I think that was the first manga I read that had a storyline involving a trans character and I thought that was cool.

I'm really glad you brought up cultural differences. when I read the manga, I never thought too hard about how Tooru was MEANT to be seen regarding being trans or like you said, using masculinity as an escape or even as a form of protection, but the japanese-english translations (especially the fan translations) have caused LOADS of problems in the past, like when a small group of people accused Yomo of being homophobic, (which automatically makes Ishida homophobic too of course). I think westerners, myself included, can take things too literal or not look past western norms. It's easy to do, but I think when it comes to transphobia, homophobia, racism, anything like that, it needs to be looked at carefully just in case something's been misread. Translators get things wrong a lot too.

I also think it's easy to forget that Tokyo Ghoul & re: is considered a pretty old manga! Do you think if Re: was written now, Tooru would be different (or if Ishida would do a "better" job?).

I haven't seen anything about readers getting mad at Ishida for how Torso "outs" Mutsuki, so that's completely new to me! I took the entire interaction (for want of a better term) for what it says on the box: Torso is disgusting and a very bad person.

I agree that everyone in TG is some level of fucked up, one way or another. Do you think that Ishida wouldn't get labelled as, or assumed to be transphobic if he didn't have Big Madam as a character or wrote her differently? I ask because I saw a post a few months ago where someone had got to the Big Madam arc and wasn't going to continue with the series because they felt the way in which the character and story was written was transphobic.

I guess one question is, is it better for a (possibly)badly written trans character to be in TG, or for there not to be any trans characters at all?

One thing I did like, and I don't know if this counts, is the reaction(?) given by Saiko to Tooru.

Thanks for sending this in!