#imagine my face when i see “created by eric kripke” on that first episode and think

[ihatedean]

it's crazy that I watched all three seasons of the boys long before starting supernatural so when I saw the two brothers having weird incestuous vibes I never, not for one second, believed "oh it must be a coincidence lol" because I had already witnessed what kripke can do to a story

[shakespeareanwannabe]

Engineering the Future

Hi everyone! So this is my second Supernatural fic, the first one I cross-posted here on Tumblr, though I have written a couple of other things on this wonderful series. So here’s the thing: this is a bit of a project that I’ve been working on to keep myself writing even when I feel like I have nothing to say.

So here’s the deal: I’m going to write one one-shot per episode. Multiple friends say that I’m driving myself to drink, but so far it’s been fairly smooth sailing. If you guys have any ideas about certain episodes, I’d be happy to hear them, but know that I’ve got a list of prompts for three quarters of the episodes, so I may not write your prompt. But I’d love to hear your ideas. Just, no Wincest or Destiel because I honestly don’t ship either of them (no hate please, it’s just the way I feel. And no, I don’t hate anyone who does ship them). Just brotherly love here!

This chapter is tagged to episode 1x01, Pilot. Hope you all enjoy!

Disclaimer: I do not own Supernatural. This is a work of fiction based on characters from The CW’s Supernatural, created by Eric Kripke.

To completely plagiarize someone else, “Being his real brother I could feel I lived in his shadows, but I never have and I do not now. I live in his glow.” Who said that? Why was his relationship with his brother so important? Doesn’t matter. This isn’t about him. This is about them, and the moments we don’t get to see.

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Dean had imagined this day since that balmy July evening when a rickety tin door had slammed shut and seemingly separated his family forever.

Depending on his mood, there were several different scenarios that would play out. When he was at the bottom of his third bottle, he would imagine showing up at his front door, having him open the door, stare at him, then shut it again without a word. The second bottle was kinder, allowing them to pass on the streets, perhaps nodding at each other before the one went on with his normal life, leaving the other to thank a God that he didn’t believe in that he had at least seen him one last time. The first bottle didn’t give him enough hope to even attempt to dream up a reunion with his little brother.

The fourth bottle was Dean’s favourite. He would get an excited phone call and drive all the way to Stanford just so that Sam could tell him he was getting married face to face. They would settle into a table at some hoity-toity bar or into a booth at some frou-frou café and would talk as though no time had passed. The natural lighting would fade to black and neither of them would move. Topics of conversation would wax and wane until they found themselves in the same companionable silence that graced the majority of their childhood together.

Sam would eventually sigh sadly and mutter something about having to be in court early the next morning, to which Dean would make a crude joke that would have Sam blushing behind the ears as he laughed. Dean would walk him to his car and deal with the chick-flicky hug bestowed upon him by a drunk and/or over-caffeinated Little Brother. As they pull apart, Sam would get all shy and red again as he stammered through saying that he hoped Dean would be his Best Man (because screw this Brady kid that introduced the happy couple). Dean would laugh, hug his brother, completely deny the tears in his eyes, and say “Who else could fill those shoes, bitch?”

Dean would hang around in California for a couple of months and relish in being stationary for the first time since he was four. He would meet Jessica, automatically start calling her Jessie, and plan a small bachelor party for Sammy and his college pals before taking his kid brother on a kick ass, blow out ‘Brochelor’ party in Vegas to make up for every birthday, Christmas, and any other calendar holiday that they had missed out on. On the day of the wedding he would straighten out his brother’s tie, all the while denying that he had asked the guy at the store how to do so. He would give the kid the picture of Mom that he carried around in his wallet with the explanation that she needed to be there with him on this day. He would stand up next to his little brother during the ceremony, give the most awesome speech ever written during the reception, and dance with his new sister-in-law when the time came.

While he and the other, less important guests waved the happy couple off (he had even given them the Impala to borrow for their honeymoon road trip up the Pacific Coast Highway) he would get a phone call from Dad, saying that he had finally pinned down the son of a bitch who had killed Mom, and that he needed his son there with him. Dean would hotwire a car and go. He’d stand side-by-side with his father as they ganked the sucker, turn, and shake his father’s hand before walking away from the life.

He’d stand hat in hand on Sam’s doorstep when they returned from their honeymoon, praying that his baby brother still had room for his older, less intelligent but far more handsome brother in his new married life. Sam would laugh and pull him into a hug, ensuring him that of course he would always need his big brother. After all, he and Jessie apparently hadn’t come home from their month-long vacation on their own, and this kid was gonna need a really cool uncle to bitch at when his/her parents were giving them a hard time. Any nephew of his was gonna be educated in the ways of the Impala, rock music, and the Dean Winchester Scale of Burger Perfection. Any niece of his would also be educated in these things, but he would need to be there more for Sam when the boys came snooping around, because what was more intimidating than two guys over 6-feet tall who had marksmen’s abilities?

Dean would maybe become a cop, or a mechanic, or maybe even a firefighter, but one thing he would do for sure is protect his family. He’d gank any evil bastard that came within a thousand miles of that two story, white picket fenced house on Normal Boulevard.

Maybe he’d settle down, maybe not. All that was important to him was that his Sammy was happy.

That was all that would ever matter to him.

So, when it came down to it, Dean would have traded everything he had for it to have not happened like this. Never like this.

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Sam had imagined this day since that first night alone at Stanford.

At first, he’d dreamed that Dean would show up, kick his roommate out, and curl up in the twin bed approximately six feet away from him. Dean would go to the registrar and apply to the school and get in, obviously, because his big brother was a genius. He’d probably take engineering, because Dean could do things with machinery that Sam could never have dreamed about. They’d watch each other’s backs on and off campus, and when one of the dorm rooms ended up being haunted, they’d take care of it, as though they had never been off the job. Dean would go on to open his own body shop, while working side projects like helping to rebuild homes for people who lost them in fires or natural (and supernatural) disasters. Sam would become a kick ass lawyer and help the law protect people. He’d help Dean on the weekends at the shop or with the houses, because they were brothers and why wouldn’t he? They’d still go out and watch the stars when they could, and they’d make sure to go to the first game of every season for the Jayhawks. They’d make a weekend of it. Just Sam, Dean, and the Impala. Of course, Jess would be fine with it. She’d love Dean as much as he did, because what wasn’t there to love? Eventually, he and Jess would get married and Dean would be his Best Man (even though Brady would throw a fit about it, but Dean was right, he was better off without douchebags like Brady in his life), then go on to be the best uncle to the kids they would have. Dean would meet a nice girl and they’d settle down too, and soon it would be Winchester Weekends, filled with barbeques and Little League games and dance recitals and tinkering with the Impala while drinking a cold one together and hiding from their wives and kids.

A few months in, the dream changed. One of the kids in Sam’s classes had a brother in the military, who surprised her by showing up during lecture wearing his fatigues and announcing that he had been honorably discharged and was staying home for good. She’d broken down into tears and hugged him until the professor had just wiped his eyes and dismissed the class, claiming that he didn’t want to bring the room down by talking about the Battle of Yorktown in 1781.

Sam started imagining that something similar would happen to him. Dean and Dad would kill the thing that had killed Mom, then Dean would stroll right into his Economics class wearing his torn jeans, steel toed boots, band shirt and leather jacket (the uniform of one of the longest living hunters out there, and the youngest to boot), acting as though he owned the joint. Sam would launch himself into his brother’s arms, not even minding that that cute girl Jessica sat only a few rows behind him, and bury his face in his brother’s shoulder to hide his tears. Dean would clasp him around the back of his neck and whisper that he and Dad had gotten the damned thing, and that he was quitting the life. Dad would keep hunting with Uncle Bobby, Pastor Jim, and Caleb as back up when needed, but he was out.

Dean would help him hook up with Jessica, because he had seen the way they looked at each other, and Dean couldn’t stand the lovesick puppy dog eyes anymore, then the rest of the daydream would stay the same. Engineering, lawyering, cars, court cases, house building, Jayhawks, star gazing, the Impala, wives, kids, all culminating in the two of them sitting side by side at some Old Folks Home, the lines between what they knew and what the world knew blurred by old age and one too many hard knocks to the head courtesy of any one of monsters of the week that they used to hunt. They’d sit on the front porch, drinking whatever alcohol they could get their hands on, loudly debating the proper way to kill a wendigo (Sam would say iron because he knows his big brother’s mind is fading and he needs him to stick around a while longer because Jess was already gone and he wasn’t quite ready to go and he doesn’t want to be left alone, not again).

No matter which scenario he dreamt up (defending Dean in court, forcing him into retirement when a werewolf gets the better of him and his left leg is basically useless so Sam brings him home with him, or even something as simple as Sam just picking up the phone and asking him to visit (because it’s DEAN, and there’s nothing he won’t do for his little brother, and Sam knows it), there was one common thread that remained the same, and that was that the time they had spent apart held no consequences. They would just fall back into being brothers, knowing that if they were back to back or side by side they would be fine.

That’s why, when Dean bursts through the bedroom door and drags him out of the burning brownstone, Sam couldn’t bring himself to fight at full strength. Dean was there. As much as Sam wished it had been any other scenario he had dreamt up (and not the nightmare that had been plaguing him for weeks), he knew that his big brother was there. And since when had there been any problem that Dean couldn’t solve? He could’ve been an engineer, after all.

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[postmodernmulticoloredcloak]

Supernatural stars cover EW to celebrate 300 episodes (and an epic reunion)

Samantha Highfill

January 16, 2019 at 12:00 PM EST

“REUNION TIME!”

Jared Padalecki is making an announcement. It’s early December, and he and his Supernatural costar Jensen Ackles are preparing for their final two days of filming the 300th episode (Feb. 7) as demon-hunting brothers Sam and Dean Winchester, respectively. As they walk onto the Men of Letters set on a rainy Thursday, they come face-to-face with Jeffrey Dean Morgan, a personal friend and the man who brought Papa John Winchester to life in the show’s pilot (and left the show after season 2). “It’s the culmination of 300 episodes,” Padalecki says of Morgan’s return. After all, John’s disappearance kick-started the brothers’ road trip.

“DAD’S ON A HUNTING TRIP, AND HE HASN’T BEEN HOME IN A FEW DAYS.”

Standing in his little brother’s college apartment, Dean Winchester first uttered those words in the pilot, and in doing so, launched Supernatural’s — and the brothers’ —  first big mystery. “I had a good feeling about the show just reading the pilot,” Ackles says. “It had grit, the characters were well-written, and the story had miles to go.” Although he couldn’t quite predict how many miles the journey would be.

Supernatural premiered on The WB in 2005 and has since become the longest-running show in The CW’s history. The idea was simple: two brothers hunting monsters from urban legends, the kinds of things you’d hear about while sitting around a campfire. Bloody Mary? They killed her. Hook Man? Yep, him too. But it didn’t take long for the writers to understand that they might have to broaden the scope of the show if they wanted to get 20-plus episodes (much less 300). “We quickly realized that [conceit] would run out in a hurry, so even early on we expanded our horizons of what the show could be,” executive producer/co-showrunner Robert Singer says. But just how far could they stretch? And would they even get the chance?

Despite surviving the 2006 WB–UPN merger that created The CW, it took years forSupernatural to land on solid ground. “Bob Singer and I were fighting for the show’s survival at the ends of the first three seasons,” says creator Eric Kripke. “We’d have a meeting with the network that we informally called the ‘explain-why-we-should-give-you-another-season’ meeting.” And yet there was something about those conditions that felt right for a show about two humans trying to save the world from superhuman forces. As Dean recently said in a season 14 episode, “Impossible odds—feels like home.” But the land of impossible odds isn’t simply where the show (and the Winchesters) lived in those early years. It’s where they thrived. “In the beginning we almost mischievously wanted to see what we could get away with,” Kripke says. “There weren’t a lot of genre shows on The CW. It was mostly Gossip Girl and 90210. We were always like the goth kid at the back of the class that no one really wanted to pay attention to. So on this little weird horror show, we really got to push some boundaries that hadn’t been attempted in TV. There was no one saying, ‘That’s too crazy.’” So they took risks. They wrote a Groundhog Day-style episode called “Mystery Spot” that saw Dean die more than 100 times in one hour. They created “Hollywood Babylon,” an episode where Sam and Dean investigated a haunted horror-movie set. They produced “Ghostfacers,” an episode shot to look like a reality show about ghost hunting. “We always felt like we were on tenterhooks a little, but it helped us in a way,” Singer says. “We said, ‘If they don’t like us, let’s be bold.’ ” And in season 4, they made perhaps their biggest, boldest decision yet: They introduced angels (and therefore a much more religious story line) into the fold, which Singer identifies as the show’s biggest turning point. “I was concerned that would be a bridge too far,” Padalecki says of the angelic decision. “I wondered, ‘Are we going to turn o a lot of the people that came here to watch a scary movie?’” Kripke himself had fought the idea for years, until a pre–season 4 epiphany came to him while he was washing his face, of all things. “I realized the supernatural world was unbalanced,” Kripke says. “There was only evil. So I walked in the writers’ room on day one of season 4 and said, ‘Okay, there’s going to be angels…but they’re dicks!’”

Thus began what Kripke, who’s since created Revolution and co-created Timeless, still believes is one of the best hours of television he’s ever written: the season 4 premiere. “Lazarus Rising” introduced Castiel, the show’s first and longest-lasting angel. “Right before my scene, [then writer] Sera [Gamble] said, ‘Your life is about to change,’” remembers Misha Collins, who plays Castiel. He adds with a laugh, “I was like, ‘You’re so full of yourself.’” But Collins’ life did just that when he shifted from being a guest star to a series regular as his character survived multiple deaths — and even a brief stint as God — to become someone Sam and Dean consider family. “Angels completed the mythology,” Kripke says, and with them, the show was able to build to what writer-turned-showrunner Gamble refers to as the “regularly scheduled apocalypse” at the end of season 5. It was good versus evil. Michael versus Lucifer. Dean versus Sam. And for a while, everyone believed it was the end of the show. But when the network gave them a renewal for season 6, the writers were left to figure out what the heck comes after an apocalypse. The answer? Anything they wanted.

“A benefit of genre is we have such a huge runway in terms of ‘anything can happen,’” then writer and current co-showrunner Andrew Dabb says. “A medical show is limited in the scope of what they can do. We’re not.” So the next few seasons saw Supernatural push even more boundaries, with alternate realities, meta episodes (“The French Mistake,” anyone?), and new villains. That’s not to say everything worked, but that’s the beauty of a long-running show with a devoted audience — everything doesn’t have to work. “Fans would forgive sins of certain episodes because they love watching Sam and Dean,” Singer says. Because saying Supernatural fans like Supernatural is like saying Dean likes pie. It’s not about liking it. It’s about loving it. “I don’t think we have casual fans,” Singer says. “They live and breathe this show.” The #SPNFamily gathers all around the country (and globe) for multiple conventions each year, and every July they ll the largest venue, Hall H, at San Diego Comic-Con. It’s those fans who are devoted to Sam and Dean, even when their Impala might take a wrong turn. “The show’s ability to evolve and adapt is what’s led to it lasting 14 years,” Dabb says, adding, “Theoretically there are still a bunch of Leviathan out there running around that we never dealt with, but we don’t talk about that.”

Limitless options and viewer forgiveness aside, there is one rule the show has to follow — outside of standards and practices, that is. “I credit Bob Singer for instilling from very early on the idea that the show can go anywhere as long as the characters stay true to themselves,” former showrunner Jeremy Carver says. “The core of the show is the bond between the brothers.” With Sam and Dean as its foundation, the show can make episodes like season 11’s “Baby,” which was shot entirely from the perspective of the Impala, or season 13’s “Scoobynatural,” an animated crossover with Scooby-Doo and the gang. “One of the fun takeaways of watching Supernatural is that if you can imagine it, there’s probably a little town somewhere in America where it’s happening,” Gamble says. “It’s unlike any other show, really, in the history of American television.” And 14 seasons in, it’s still finding ways to surprise fans by, say, bringing John Winchester back.

“DAD?”

Standing next to his little brother in the Men of Letters bunker, Dean can’t believe what he’s seeing. This time he’s not enlisting his brother to find Dad, because Dad has come to them. And he hasn’t changed much. His beard has more gray in it and his face is thinner, but it will surprise no one that John comes back with a rifle in his hand. (Sorry, Walking Dead fans; the rifle came before Lucille.) But John isn’t the only one who’s changed. Standing across from him, Sam and Dean are no longer the kids who crammed toy army men into the ashtray of the Impala, or even the young men who went looking for him in the pilot. They’ve grown up. Their lives, quite simply, have changed. The same can be said of the actors themselves. In fact, Ackles is currently two years older than Morgan was when he filmed the pilot. “That’s how full circle it all is,” Morgan says. “Like a father would be, I’m very proud of the guys. It makes me get choked up because they’ve done so well here. Episode 300? That’s unheard of.”

As for how John comes back, let’s just say things get weird — don’t they always? — and there’s an altered reality at play. “Our guys are put in a position where they essentially can have a wish granted,” Dabb says. “They’re actually expecting something else, but [John’s return] comes from a place of want by Dean. The need for closure is really what brings John back into their lives.” But John isn’t the only person who comes back into their lives. As with any altered reality, not everything changes for the good. Without getting too specific, whatever brings John back also causes the return of Zachariah (Kurt Fuller), the no-BS angel who saw Sam and Dean as nothing more than thorns in his side. (Like Kripke said, angels are dicks!) Speaking of angels, this reality also affects Castiel in… certain ways. This time the boys are dealing with a different (though not entirely unfamiliar) version of their friend.

But for Morgan, who’s been asked for years about returning, it has always been about bringing John back in the right way. “The relationships between these three men were so open, so if I was going to come back, it would be nice to have some closure, especially with Sammy,” Morgan says. And before the hour’s over, both boys will get a moment alone with Dad. “This episode gives Sam a chance to forgive,” Padalecki says. Ackles adds, “For Dean, the whole episode is a dream that he doesn’t want to wake up from. But he knows he has to.”

Back in the bunker’s kitchen where Padalecki declared “reunion time” just hours ago, Sam and Dean are sitting around a table sharing a bottle of whiskey with their father and catching him up on everything he’s missed. Yes, they’ve saved the world (more than once). Yes, Lucifer has a son. But most important, John’s late wife, Mary — the woman he spent his life trying to avenge — is alive. Right then Mary rounds the corner for the moment she never saw coming, but in a strange way has always been waiting for. “Everything’s right in the world in this bubble of time,” Samantha Smith, who plays Mary, says of the couple’s reunion. “It’s very romantic.”

But as the Winchesters know a bit too well, all good things must come to an end. And when this is said and done, Sam and Dean will return to their life, driving down crazy street next to each other. Because despite the show hitting 300 episodes, nobody’s ready to call it quits just yet. “I don’t think we’re ready to throw in the towel,” Ackles says. “We’ve still got a little gas in the tank.” Put another way, Sam and Dean still got work to do.