#im sweet on him

[secretly-hearteyed]

I'm not generally a fan of the way scents linger, especially cologne and perfume. but the way my blankets held his was rather pleasant

[kitskiis]

He keeps doing this I’m gonna cry

[blackkatdraws2]

[⚠️The Amazing Digital Circus SPOILERS] This episode was interesting!

[allastoredeer]

Deer's shed the velvet on their antlers. Alastor is no exception.

Bonus! They also eat it and cannibal besties always share.

+Bonus: Bucks shed their velvet right before rutting season, so take from thar what you will

Follow up post ➡️HERE ⬅️

[inkskinned]

you know, you know. no gods, no masters, no kings on pedestals. everyone is fallible. death of the author. you know! you are balanced about your intake of media - you allow the wiggle room, the grace, the gratitude, the skepticism. nobody above criticism.

but still. a weird gut-punch feeling, something akin to betrayal. you read the article. surprise! an author you love is actually: a serial fucking predator.

well, shit. what now. no, you knew he was a person (all people are), but now you're wondering - what have i overlooked by accident? what messages have i internalized that are strange and cruel? and also, like, what the fuck?

his actions lay a thick glaze on top of everything. like each place is now ruined, opaque in a new way. but okay, fine, you've done this before. you knew better, right? you've been betrayed by many a cherished childhood author.

still, this stickiness. fuck. can you pick up that book again. will you read it to your children. you've recommended it to others - will you ever do that again? and of course, of course, no parasocial relationships. you were theoretically above this kind of sentiment. but the artist informs the art, right.

so it's not something as clear-cut as feeling he owed you, specifically (a stranger) better behavior - just that you kind of, in a distant and odd way... sort of trusted him to do better. it's not like a real trust or something speakable, just the faint hope that the product (good books) was a thin representation of the soul. now it feels like the product (good? books?) was a mask. in some small or insignificant way, your previous support of this person lent them power. your money and your time and your laughter.

and the thing is - you have this terrible, echoing sensation. how many times will this happen? over and over. you find out that the singer you love is actually a predator. you learn over drinks that your favorite high school english teacher is in jail for what he did to her. you listen to the news idly and suddenly discover that a woman you used to idolize has been abusing her kids for an actual eon.

what can you touch without the static melting off. you can't even really complain about it too much (you were supposed to know better, and besides, you don't want the same re-split "it's not your fault, love what you love" basic advice), but now it's here. somehow, it feels like - you let him into your life.

it's not that things need to be pure or an artist has to be like, endlessly perfect, mindful. demure. it's more just this terrible truth that has been replayed through your veins so often it feels criminally vain. power corrupts, absolute power corrupts absolutely. did you want any one person to be worth that power?

it's just that he wrote books where he seemed to understand that. he seemed to know about hierarchies and unfair systems and bigotry and privilege. you thought they were books about what it means to struggle. you thought they were about having power and still using it for good rather than for control. he spooned you a narrative of being a good guy, a kind soul. you fucking bought what that fucking monster sold.

maybe that's why they were fantasies, after all.

[pricetagged]

Here's a young (maybe 19-early 20s) Simon struggling with his emotions, working as a butcher's apprentice, and fixating on the pretty student waitress at the café next door (':

Content: plus size f-presenting reader; allusions to domestic abuse (Simon's past); fat-shaming (not Simon); little bit of violence, unedited. (Link to Ao3)

He's not sure that it counts as desire. Interest. It crawls over him, makes him feel aggressive, makes him want to dig his teeth in and shake and snarl.

It's hunger.

And he knows hunger. Knows it like he knows the cigarette burns on the back of his hand. Knows it like he knows his old man's a waste of space and that he has to defend his mum and protect Tommy and- and-

He's the man of the house, only the house is rotten. Woodloused frames, crumbling bricks. Gutted. Empty shelves hidden behind broken doors. Chipped plaster, electricity cutting off. Squeaky steps that always clued them in when the old man was on a rager (not that it helped, creaking out a warning but giving no clue where to run. The percussion leading to a gallows' jig; the heavy step before the hit).

But the old man's gone now. And Simon is left trying to fill in the boots he doesn’t know how to wear. All growth spurt and gangly limbs and anger. So much anger at the old bastard. Tear-soaked anger at his mum sometimes (buried deep behind the shame that he feels when he thinks of her black and blue. Anger and shame, bitter roots that he chews at to soothe the clench of in his jaw and the grind of his teeth). And then he sees you through the window. Through the peeling CHRISTMAS SPECIAL sign highlighting ham joints and turkey and pigs in blankets.

You're so soft.

You look like you’ve lived a life well-fed and well-loved. Something round and sweet and helpless, like the puppies he and Tommy had seen dumped in the park while they snuck cigarettes and swigged from cheap supermarket cider.

And that brings him back to the hunger. He's an awkward creature, shuffling to the café where you work part-time. He's more feeling than man, all rage and appetite stuffed into a skin suit. You sense it too, nerves tugging at the tilt of your smile as you approach the scavenger that swept in to sit at the cheap plastic tables in this greasy spoon. He sits awkwardly, too, hunched over the table like his stomach is gnawing at him. Big hands snapping the disposable plastic coffee stirrers and shredding the napkins. That first day, he just stares at you. Sneers a little when you flutter over to take his order.

You slosh the tea a little when you serve it.

He sees the burn bloom, watches as you suck at the sting with plump cheeks and a rosy little mouth, and he just wants to dig in and scratch hard to see you do that again.

It becomes a habit, watching you. He finds out bits and pieces listening as he rends and chops and saws through muscle and bone, stinking of sweat and iron. You're here as a student. You're living in student digs (good, best that you avoid the up-and-downs and rough streets that would fit a student budget), and you're a real sweetheart. Old Sal who has been running the café for the past 30 years leans a heavy elbow on the display counter as he chats with the boss.

"She's lovely, taken to it like a fish to water," his raspy, smoke-charred voice is cheery as he waits for the bacon and sausages to be weighed and wrapped. "Only asked for Thursdays and Fridays off since she has afternoon classes then. Otherwise, I almost have to round her out of the shop, doing more afternoons and weekends than my own kid."

You're hardworking too, then. He wonders if it's because you're hungry too, needing something to do with your time, living on pot noodles and supermarket ready-meals like he'd heard some students do. It's strange how that thought sits uncomfortably, makes him want to hunch over you and bring you his scraps.

That week, he decides to talk to you. Only the words get caught, don't come out quite right as he stares at the way your jumper clings to the soft curves under your faded apron. When you turn around, bustling to other customers, he can't help but stare at the line of your skirt. It's real pretty, decent, sitting just above your knees but Christ, he wishes that it would roll up a little higher. That it would catch on the corner of a table or hitch up as you raise your arms and swish past with a tray full of fry-ups. He almost gets lucky as you bend over to mop up a spill just across the room. Your thighs widen as they press against the table, tights stretching thin and sheer and he just can't tear his eyes away-

(The hunger in his stomach turns hot and biting, makes his cheeks flush and his mouth dry-)

But it's ruined. Fly in the soup, hair in the dish, as you catch him and your eyebrows pinch together as you look away. There's something guarded, bitter, in your lovely eyes, and the dryness in his mouth turns wet and sour. You seem to take pains to avoid him, swapping out with Sal's son so that you can work the counter instead of the floor.

"'m Simon," he grunts as he goes to settle the bill. "Work at the butcher's across the street."

You clearly didn’t expect an introduction, shoulders relaxing and hesitant smile blooming as you give your name in return.

"Yeah, I know. Sal mentioned you a few times. He's tried to give me the rundown of practically everyone on the street, feels like."

"Y'should come in t'the shop," the invitation rushes out in a way that makes him feel clumsy. Perhaps that’s why he did it; to have you in his space, with his head and his footing right. Here, he feels every inch the artificial man. Pieced together, too big and too looming, with no help or guidance on how to talk to soft things and pretty girls.

You grimace a little, eyes focused on the till as you count out his change. "Not really on a butcher-shop budget right now."

"'S'alright. I can keep something aside for ya," he doesn't mention how it would come out of his wages. How it would come out of what he brought home to his mum and Tommy. It didn't matter, though, when he was used to going without.

"That's - that's really nice, actually," Your sweet face is glowing now, and he feels like he could bathe in the warmth of it. "Next time you come by lunch is on me."

He sees the way you tuck your chin and smile as he walks away, and that bottomless pit in his guts feels just a little more full.

(He doesn't quite catch the snickers of the boys at table three, whispering and nudging each other as you come to take their orders. This time.)

He stares more and more through the window of the shop, watching as you come and go. Watching the way you greet the regulars and skirt around the group of lads who like to linger in the evenings. There's something sharp, nasty, to the way they circle around the entrance. The way they cackle and hoot when the one with the eyebrow piercing smirks and whispers to his mates as they force you to brush past. They're a pack of hyenas, shrieking and smug as they toy with the poor little thing that's walked past their watering hole. He's seen this type before, practically grew up with them. His old man was probably one of them, perfecting his cruelty while young, cementing it as part of his nature.

It has Simon sharpening his knives while he grits his teeth. Has the boss tutting at him when he cuts too close to the bone.

He knows there's something violent in him. The old man tried to bring it out then snuff it out, getting scared when the knife that he sharpened was able to cut him in return. He's no stranger to bloodshed. No stranger to the calloused, deprivation-dimmed apathy that breeds like algae in the environment where he was forged. Dripping, slimy, suffocating.

Doesn't mean he likes it, though.

(He'd gone back for those puppies, you know. Felt wrong leaving them. Felt like a rebellion against his old man's sick life lessons as he dumped the box outside the doors of a local veterinary clinic).

So he keeps his eyes peeled, stakes out the café like he owns it. Stares down anyone who looks at you wrong until they look away, muttering under their breath. 'Fucking freaky dead-eyed git.' It seems to work.

And you seem to like it, sparing more smiles for him. Bringing him bigger portions than normal and topping up his cup before he even needs to ask.

"I know you've been working since seven, Simon. Gotta keep your strength up," You seem bashful as you slide the plate across, and he just eats it up.

You've been looking at him, thinking about him. It's not something he's familiar with, having someone care for him. His mum loves him, of course. Tommy too. But it’s not the same, not when it's been his job to take care of them. His job to step up to the mantle and into the shoes that his father should've filled. Watching the sway of your wide hips as he tucks into the steak and kidney pie with gusto, he feels satisfied. The hunger is there, always is, but it's not gouging at him under the skin. It's satiated, pleased. The kind of comfort that leaves his eyes heavy and his belly warm.

It's a routine you fall into, and everything is rosy-

Until it's not.

He's closing up shop, wiping down the counters and getting ready to haul down the shutters when he sees them. Those stupid pricks, travelling in their pack and signaling that their quarry is in sight. Look, there it is alone and limping and- You're in a rush, leaving later than usual and shrugging your coat on carelessly as you shout your goodbyes to Sal. You're in that skirt again, the one that makes his lower belly tighten and mouth feel dry.

"Oi, look! Dirty scrubber has her fat arse hanging out!"

It sets them off, chittering and howling as you freeze wide-eyed and lip-quivering.

"Gonna be sick, mate. Don't want to see your knickers, love. Didn't even know they came in that size."

He doesn't even see red. Doesn't see anything but your pretty, round face crumpling as you try to tug your skirt out from where it got caught under your coat.

The ringing of the bell by the door muffles the sound of the first punch. His fist crunches into that prick's nose, and he wants nothing more than to keep going until his face is little more than meat and pulp and blood. He can taste it, smells the blood in the air like a shark.

But you're watching.

"Bit bored with y'taking the piss out of her," he snarls it as he hauls the man by his jacket, shoving him hard against the wall until his head thwacks against the bricks. Easy as hauling a side of beef. "Why don't ya try me next?"

The man seems dazed, head spinning and nose dripping. His mates, too, look floored. Ready to scatter and abandon their leader to the bigger beast. Only the promise of more blood keeps them watching, feeds their nasty appetites and he's just itching to let them see. Watch what happens; it's coming for you next.

"Speechless now, eh? Had so much to say earlier," he's spitting the words out, teeth snapping as he leans down so close to the man's face that he can see how his pupils constrict. "Apologise."

And he's smarter than he would give him credit for. Smart enough to whimper out his 'sorry, sorry, sorry' as he drops to the filthy, damp pavement when Simon swivels towards the others. Something about the set of his shoulders, the way his hands and apron are splattered with the gore of man and animal, has them scattering.

"That goes for the rest of ya! Don't ever want t'see your ugly fucking mugs around here again," he spits on the ground, itches at his jaw with his wrist as he watches them run.

He can't hear them anymore. Can't hear anything over the sound of his heavy panting and pounding heartbeat.

It's cold out. He's only realising it now, standing in the December chill with just an apron over his jeans and t-shirt. It has him shaking, flexing his hand as his knuckles start to sting and swell. He welcomes it, welcomes the familiar bite as he pushes down the savage, ragged anger rippling through his chest.

"Simon-"

"Y'alright?" he cuts you off, faces you head-on.

And all the rage saps out. You're not cowering away. There's no disgust on your face. No tears or embarrassment either, no. You've got a crumpled packet of wet wipes in your hand, reaching out for him. Concerned.

"Figure you'd want to get that prick's blood off you soon as possible," you give him a sad little half-smile. "Didn't have to do all that for me, Simon."

"Yeah, didn't have to." He concedes as he steps closer to you. Crowds into your space until you're toe-to-toe and he can feel your warmth. He brushes his fingers against yours, lets them linger on your soft skin as he reaches for the wipes. "I wanted to."

-----------------------

Let's all pretend that this was okay and ignore the fact that I still haven't posted the wips that I keep going on about 🫠💖

Just a little self-indulgent drabble idea that I had today, thinking back to watching 'My Mad Fat Diary' as a teenager, feeling nostalgic ~ (The Finn-defending-Rae scene had 18yo me in a chokehold lol).

[nortsauce]

i am compiling a list of Freaknix wright moments bc. i see absolutely no one talking about his. preferences.

[dudedidujust]

Au where Damian comes to Gotham with the goal of infiltrating and eventually overthrowing Batman instead of inheriting the mantle. Not much changes from canon except for the fact that he views everything that batman owns as his. That's his future cave and his future batmobile. This also includes his robins. After all everyone knows Batman wouldn't really be Batman without them.

Cue a very bewildered Tim being lectured on his eating habits by a righteous Damian who won't let one of his people take shortcuts with their health.

[mohntilyet]

still i think the one of the more fun differences drawn between illario and lucanis that was lost would be illario's ability to endear himself to others but serious lack of empathy, vs. lucanis' (self perceived) inability to be charming but how much he cares. it's interesting that the game has gone with the "lucanis' ability vs illario's lack thereof" because i think illario being the dellamorte 'best in show dog' vs. lucanis' attack dog would have made me so unwell.

lucanis is... awkward. he's not unlikable, because he is usually very polite, but he doesn't speak much and only seems to care about the other dellamortes. he once sent viago de riva a knife with no note (who knows what he could have meant by this). he does what caterina asks of him, and by his own admission, cannot say no to her. he is a dramatic and prolific killer, and that makes how untouchable he is even worse.

and the crows like illario, sure, AND he's a good assassin! he's even a good crow! he's so good that he can make lucanis smile, and so he is the charming, sociable one. he's the one that stays in treviso and can be relied upon to care, illario's even the one people prefer over caterina and lucanis!

but illario is decoration. he's the prize poodle, and even if poodles were bred to be working dogs, nobody will ever pick him to protect the house over the german shepherd that regularly mauls intruders. anyways the analogy is getting away from me. the point i'm trying to make is that i want illario to have a different kind of jealousy/hatred that's not just over 'being bad at killing' but also an arrogant loathing for everyone around him that is getting harder to hide, because they've forgotten he can bite and is just itching to rip someone's jugular out. illario is very good at hiding his family resemblance to caterina, while lucanis suffers under his grandmother's, and his own, reputation.

[beastlyidiocy]

my sweet old man who is genuinely too kind for the world he lives in :(

[hyunpic]

hyunjin — super elle [december 2024]

[thecmaly]

adoptbduction

-

more windbreaker comics

[just-null]

Do you ever do requests? If so, do you ever plan on drawing some Yandere with the Hantengu clones? :D hope you have a good day/night!!!

Mentioning an unfamiliar name

yes!! I love yanderes.. and these guys.. these guys are such good material...... nods nods..

I'm not sure about requests..I assume you mean drawing requests? I suppose if it REALLY catches my interest enough, I'd do it, but it'd probably just be line art/sketches.

[mamawasatesttube]

you know the plotline in funeral for a friend where lois breaks into cadmus after finding out they stole clark's body, and she's pissed and grieving and so angry that they'd desecrate him in death?

i keep thinking idly about like. some au where in that process, she not only found clark's body strapped onto a lab table and hooked up to computers for all sorts of analysis, but also... she found the results of that research.

like. she's not thinking about secret identities or how to explain her sudden acquisition of a little guy. she just saw a little guy with clark's face in a tube, after being furious beyond measure about the theft and desecration of clark's body. she wasn't thinking about next steps. she just lost her shit and acted. only stopped to think about it later...

... i.e., lois phoning up ma and pa like haha. remember how we were just talking about how ill never get to marry clark and you'll never have grandkids and all that? um. well. there may have been. a development. WHAT? no!!! im not pregnant!! it's. uhhhhh it's. a lot more complicated than that?

ma on the phone: what do you mean? can you start at the beginning, dear?

lois, panicking: What Do You Do With A Child. Teenager. Person. Guy.

anyway here's how conner lane can still win,

[choccy-milky]

⭐ HL x animal crossing ⭐

something for fun bc why not......i have free will their personality types?? maybe?? : seb = smug clora = peppy poppy = normal/sweet imelda = snooty ominis = lazy (or cranky tbh) leander = jock natty = sisterly

[gooptroupe]

what if the next natural disaster is me?

click for better quality, closeup under cut