#im making it his problem

[arthur-lesters-spinal-cord]

Projecting my period cramps onto Kayne and making him deal with them for me

[hinamie]

mentor

[ruporas]

how to guide your mossball (ID in alt)

[cairafea]

they're matching costumes.

[bunnieswithknives]

Thinking about his brain

[medicalunprofessional]

never change, man !

[rayveneyed]

cw: smut / cisfem!reader / scent kink

something nobody ever considers about satoru gojo is that he’s very particular about scents.

it’s a weird side effect of the six eyes that is rarely ever spoken of, by him or any other; along with his fantastical sight, his ability to distinguish minute details kilometres away, to read the ever-twisting flow of cursed energy, yadda yadda yadda — the extrasensory perception he was granted the second two gametes fused into a zygote had skyrocketed every perceptible sensation above the level of the average human. leagues above the level of not-so-average humans, too, but that’s a story for another time.

beneath the slightly dusty smell of skin cells and flesh, each person is different. diet and exercise play a huge part, of course, but then there’s the more obvious things — perfume, toiletries, surroundings. nanami always smells like paper and sandalwood. nobara, sweet and fruity, with a sneaky undertone of something synthetic — something almost hospital-like. yuji smells like grass and citruses, like he’s just popped open a can of something fizzy and caffeinated on the lawns of jujutsu tech. but if he had to choose a favourite…

“could — could you, um—”

one really must forge their own little bits of happiness in this line of work. the constant death and despair really puts a damper on one's lust for life. for gojo — sweets, cute little figures, themed cafes and expensive cakes, things that pleasantly appeal to and delight each one of his six senses. you, in a similar way, enjoy the finer things in life — cashmere and vicuña wool, luxury furniture for your top-floor apartment, century-old wines with names you cannot pronounce — and, to gojo's delight, perfumes.

oh, you have one for every day of the year, he's sure. white florals bursting with zesty citrus, bergamot and black tea when the weather cools. there's fluffy vanillas and sugar-sweet marshmallows, tempered with the smooth depth of sandalwood. osmanthus seeping with syrupy apricots and and peaches. cloves and nutmeg and cypress for the days when the clouds split open and tokyo turns grey.

with your back pressed against the couch and gojo flush against you, hips slotted between your pillowy thighs, he's able to dig his nose right into the curve of where your jaw meets your neck, exactly where you spritz your perfume every morning. today, it's one of those delicious, good-enough-to-eat type of smells; white chocolate and macadamia nut and — fuck, he almost moans against you. sugar and spice and everything nice — you smell like everything he's ever wanted to gorge himself on. he's reminded of the cheap, strawberry body spray you used to use back in high school — how the scent would catch on his nose when you walked past, how it lingered on his jacket when you brushed against him. he shivers.

he lifts his lips from your skin — lifts his nose from the cradle of your neck to give you a distracted, slightly disgruntled, "huh? what?"

it's only without the smell of you clouding his nose that he suddenly realises that you're squirming against him — the heat of your clothed pussy pressing against his hardened cock, layers of cotton and denim and linen between you both leaving you with only the slightest, most irksome hint of pleasure. even with his blindfold fastened over his eyes, it's all so much.

"just — i need something," you say, exasperated. your forehead's dewy with sweat, glasses slipping down the bridge of your pretty nose. "you've been at this for ages."

"ah, my bad." but he doesn't stop. how can he tear himself from your warmth, the heat of you radiating from your skin, your arms wound around his neck and fingers in his hair? how can he leave even a single inch of space between you, when your chest is heaving with excitement and the musky sweetness of your arousal is reaching his nose? he satisfies both your needs for stimulation with slow, curling rolls of his hips, dull pleasure tingling up his spine and leaving him shuddering. "i thought you were more patient."

"you — you're the one that dragged me in here," you say, even as your breathing gets heavier, even as your head falls back with a whine, baring the column of your neck to his greedy, seeking nose. "i told you i have plans, so unless you—!"

"alright, alright," he concedes, though all of your arguments about the time have been half-hearted at best. "don't you worry, i'll take good care of you — real good care."

"you sound like such a sleaze when you say stuff like that."

"mhm." for a moment, he lifts his head — and he doesn't have to look at his reflection mirrored in your eyes to know that his pupils are blown wide, his cheeks flushed pink. you're not much better off — for all your whining and posturing, your proverbial claws aren't much more dangerous than those of a scrappy little kitten. beneath it all, your breathing is laboured, your blood vessels dilated. you smell sweeter, like your body is a ripening fruit or blooming flower, opening for him. your blood rushing to the surface of your skin, heating up the fragrance oils still dotted along your flesh, turns it all heady and head-dizzying.

you want him — you can deny it all you want, but he can see it clear as day. the reminder sends what little blood remains in his head straight to his cock.

"you smell sweet," satoru says, blank and dumb. "when you're horny."

for a moment, you pause. embarrassment — and arousal, though you probably won't admit it — has you locking up. a hint of bitterness turns your fragrance — like burning chocolate — before you huff suddenly, smacking at him until he begins to back up. "oh, my god — you're so shameless, satoru—"

"no, i'm serious! h—hey, stop!" he argues, wriggling until he's back in your good graces again. he dips his head to your skin again, teasing you with little nips along your neck. you'll see the bruises it leaves tomorrow and demand he make it up to you with sweets that he'll just have to eat with you, earrings that glimmer in garnet. for now, though, he’ll get a little serious.

"you get a little sweeter when you cum too, y'know," satoru coos. he tugs at his blindfold, blinking as unfettered light filters into his retina. it's sensory overload, overstimulating and overwhelming, but it's exactly what he wants: to see you, feel you, taste you, smell you — be engulfed by you in every way he can. as if drawn there, his hand sneaks between the tight fit of your bodies, slipping under the hiked-up hem of your skirt and petting at your underwear — soaked, as he’d expected, coating the tips of his fingers. "like syrup. i wanna smell you like that.”

his tongue peeks out over your pulse point, touch reaching up and up and up to that fantastic little ball of nerves he adores. you let out a moan so loud that even he’s taken aback. giddiness bubbles in the pit of his stomach — giddiness, horniness, it’s all the same to him — and he shoves his nose so hard into your skin he swears it’ll bruise. ah, there it is. he’s barely even touched you, too. it’ll be even better when he does.

“g—god, you’re horrible,” you say, arching into him, like you can’t bear to be apart for even a second.

“me?” satoru laughs. you’re distracting from the task at hand, though he usually doesn’t mind. he can’t help but respond, giving you your own attitude back a thousandfold. it’s just now, when it’s been so long since he’s gotten his fill of you, he’s just… a little impatient... “oi, don’t get all embarrassed — you always get so mean.”

“then stop saying things like that, and i won’t have to be — a—ah!”

satoru suckles at the cold-hardened flesh he’s just taken in his mouth — your mouth falling open in wonder and your chest heaving as he takes your nipple between two dull rows of teeth, humming. between his fingers and his mouth, you’ll soon be rendered almost completely silent, shuddering and twitching in what he knows will be a strong, satisfying orgasm — sweet with sweat, salt and musk gathering between your legs. looking up at him with glassy eyes and calling his name. his mouth waters.

he better get a move on, though: you have plans, after all.

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[anna-scribbles]

they should've been at the club(infertility treatment centers)

[strangersteddierthings]

Shovel Talk(s) Part One

Part One 🦇Part Two🦇Part Three🦇Part Four

Steve and Eddie aren't even together when Steve gets the Shovel Talk from Eddie's uncle, but it is what tips Steve into talking to Eddie about his feelings, so he's not upset by it.

They aren't dating, not because he doesn't want Eddie, because he absolutely does. It's just that he wants to be sure Eddie wants him back. There are times when he's sure, when Eddie gets into his space a bit too close, or more often, than he does with anyone else. Eddie calls him a thousand and one nicknames, ranging from sweet to irritating but just when Steve thinks that's a perk left just for him, Eddie hands someone else a new nickname (just the one, a voice in Steve's head that sounds suspiciously like Robin says).

Not that any of that is the point. Wayne wouldn't bother to give Steve a shovel talk at all unless he knew how Eddie felt. Wayne is a man of action, and he's never done anything unless it mattered. Meant something. Steve and Wayne have sat in plenty of (what Steve considers to be) awkward silences because Wayne doesn't talk to fill the void of silence.

The point is, Steve drops Eddie off at the house the government so graciously bought for the Munsons, walks Eddie to the door and giving Eddie a hug goodbye. He stays on the porch until Eddie shuts the door and then nearly jumps out of his skin when he hears Wayne call out his name.

"Harrington," Wayne says from the shadows of the wrap around porch.

So, Steve jumps and it's only then he notices that Wayne is sitting at the table and chairs set up on the porch. "Mr. Munson, sir, hi. Hello."

Wayne lets out a chuckle, but it doesn't really sound amused. "I have come to accept that you are nothing like your father, boy, but I do want to make it clear to you, that Eddie means more to me than anything else on this Earth."

"I know, sir."

"I know you do. And while I will forever be grateful that you helped return him to me alive, know that I will not hesitate to make you disappear if you hurt my boy in a way he can't bounce back from."

Steve's not afraid of Wayne, not really, but that doesn't stop him from feeling the need to flee. He doesn't, though, because he'd gotten enough shovel talks from concerned parents in high school, and he knows they can sense weakness. "I can't promise I'd never hurt him, sir, but I can promise it'll never be intentional."

He can't actually see Wayne's face in the darkness but he feels sized up all the same.

"I believe that, Steve," Wayne says, and it's the first time Steve's ever heard his name leave the man's mouth, "now go home."

-

Wayne's shovel talk was expected. Robin's is not.

"You took Eddie on a date date?" She whispers it as though they aren't alone in Steve's living room. They're laying on the floor in a line, heads next to each other so if they turn slightly to the side they can make eye contact. Steve's not sure why they always end up on the floor for Serious Talk Time.

"Yeah," Steve says, looking away from Robin's face to stare up to the ceiling, "I mean, sorta? We can't like... be open that it was a date, but we went to dinner and a movie and it was nice. Shared a popcorn and played footsie under the diner table."

"Whoa," Robin says. "I never thought you'd- didn't think you'd be brave enough to ask him."

"Me either."

"Steve," Robin sounds serious, so Steve turns to look at her. She studies his face for a moment before she's the one to look away, speaks to the ceiling, "be careful with Eddie, yeah?"

"What? Careful how?"

"I just think you could really fuck him up," Robin says. "You're his first boyfriend, right? That's going to set a precedent for relationships that might happen if you two don't work out. And I hate to say this, because I know you've changed, but like, I saw how a lot of those girls you dated in high school ended up when you broke up with them."

Steve's a little hurt, because Robin's his best friend. She should be giving this talk to Eddie, not him. But, also, he understands. He knows that Robin knew about Eddie's sexuality before he did, knows they bonded over being queer while Steve was still figuring himself out.

Steve also knows that Eddie's never been in a relationship before, Eddie'd told him at much when Steve asked him out. Steve doesn't like that Robin implied that he and Eddie will eventually break up, but no matter how much that thought makes Steve's heart ache, he won't know if it'll happen unless it does.

He just doesn't understand why she seems to think he'll be the one breaking Eddie's heart. It could go the other way.

"Did you OD over there?" Robin asks, trying to lighten the mood.

"No," Steve answers, "I'll be careful."

-

They've been on four more dates before Nancy knocks on his door. She doesn't accept his invitation to come inside. Just starts speaking on his doorstep.

"As Eddie's Capital P Soulmate," is how she starts that sentence, and it makes something hurt deep inside Steve as he tries not to think about Robin, "I am obligated to remind you that I do own several guns now. And I don't miss."

"Jesus Christ," Steve says, because even Wayne was more subtle, "I got it."

"Good. I do know you'd never hurt him on purpose," Nancy says but Steve doesn't feel reassured.

He thinks that, if she really didn't think he's going to end up hurting Eddie she wouldn't have said anything at all. "Right."

"Well, good talk Steve," and then she's walking down the driveway and climbing into her car.

He closes the door and goes to the kitchen to get himself a beer, mostly so he has something to do besides stew in his emotions. He wonders if Eddie has been given the shovel talk, too? Maybe Robin did the same thing Nancy just did. Showed up unprompted, threatened Eddie with some sort of bodily harm, and then just left.

Steve grabs the phone and dials Eddie's number.

"Hello?" Eddie's voice greets him, albeit questioningly.

"Eddie, it's Steve."

"Oh, hello sweetheart," Eddie says, "are you calling for business or pleasure?"

Steve laughs, "business."

"Boo!"

"Listen, uh, I had a question. I just wanted to know if anyone's said anything to you. About us. Or, y'know, specifically about us and our relationship?"

"Uh, not really? A few congratulations, I guess. Why? Did someone say something?" Eddie's voice is level, almost too level, so Steve knows he's trying to keep cool.

"Oh, no! No! I mean, aside from the scary shovel talk from- Wayne, everyone's been surprisingly cool about it. Very supportive," Steve says and even though it's true, everyone they've told has been cool about it, it feels a little bit like a lie.

Eddie laughs, "I can't believe my uncle gave you a shovel talk! You know, I keep expecting to get one from Robin but so far nothing. She must think you're safe in my capable hands."

Steve is safe in Eddie's hand, he thinks, but that doesn't stop the sting that goes through him. "Of course, she does. You've been a perfect boyfriend."

There's a pause before Eddie's voice comes through the phone, soft and quiet, "I'm glad you said so. I want to be. For you."

"You're not allowed to say those kinds of things when you aren't within kissing distance, babe," Steve says, because if he doesn't add humor to this conversation, he's going to tell Eddie he loves him instead, and even Steve knows that saying that a month into dating is too soon, especially over the phone where he can't see Eddie's reaction.

Eddie laughs and makes kissing sounds at him before the conversation shifts to chatting about the day and making plans for the weekend.

-

Steve is trying really hard to not be the person he was in high school but every time he gets to the point where he's being a better person, someone brings up how he used to be. Shoves it back into his face that no matter what Steve does he can't outrun his past.

One such time is shortly after Steve and Eddie accidentally come out as a couple to all of Hellfire. Steve was just dropping off the boys and had stepped inside to chat a bit. Once game time had arrived it had and Steve made to leave, they'd (he and Eddie) had been on autopilot. Eddie'd whined 'where's my goodbye kiss?' and Steve had stepped over, kissed him goodbye, and was out the door before it had actually computed.

Steve had burst back through the door, rushing back to Eddie, because no way in Hell was he going to leave his boyfriend to deal with whatever the consequences would be alone.

It had been absolute chaos at the table with people shouting over each other.

"Of all the people you could be with, you picked Steve!? You could do better!" Mike had whined, and Steve had thought for sure he was the only one who had heard Mike until he saw Will punch his arm and hiss his own 'don't be a dick' at Mike.

It took almost half an hour to calm everyone down. It was a relief to know that Eddie had come out to his bandmates/the older Hellfire members already. The kids took it in stride, in the end, and Eddie had shoo'd Steve away.

Jeff had excused himself, too, and Steve thought he was just going to use the bathroom but instead he followed Steve outside.

Ah. Steve knows what's coming.

"Harrington," Jeff says, "can't say I'm excited that you're the secret boyfriend Eddie's constantly sighing wistfully about. I'm sure Wayne's already threatened you," And Robin, and Nancy, and Mike doesn't think he's good enough, "but if you hurt Eddie-"

"I get it! There will be dire consequences if I hurt Eddie," Steve snaps, not down for hearing it anymore. He stomps to his car and peels away from the curb without bothering to look back.

-

If he's being honest, Steve didn't even know he had a breaking point with shovel talks until he gets his fifth one from Dustin.

It's not even a shovel talk. It's just a single sentence, said almost a month after Dustin learned about their relationship. He's dropping Dustin off after their DnD game. Normally Claudia picks him up, but she's busy tonight and asked Steve to do it.

"Alright, Henderson, safely delivered."

"Thanks, Steve," Dustin says, unbuckles his seatbelt, and opens the door, before turning back to Steve. He just looks at him for a moment.

"What?"

"I'm happy for you and Eddie. Just, don't hurt him, ok?"

He nods his head but can't say anything. Dustin grabs his backpack, shoots him a smile, and climbs out. Steve does wait until Dustin closes the front door behind him before putting the car back in gear.

He manages to get home, somehow, because Steve doesn't fully remember the drive. It's not that his mind was so focused on something else that made him fail to take in his surroundings, but rather that his mind wasn't even a part of his body anymore.

One moment he was pulling away from the Henderson residence, and the next, he was home, just standing in his kitchen in the dark. And now that his thoughts are back, or easier to process, he finds himself wondering why everyone thinks that he's going to be the one to hurt Eddie.

How many people has he hurt that this is his reputation? Is it inevitable that he will hurt Eddie? Is it truly just a matter of time until he breaks Eddies heart? Why is everyone so convinced that he will?

Briefly the thought occurs to him that maybe he should call up Eddie and break up with him right now, before Eddie has a chance to get in deep enough that Steve could break his heart, but just the thought of it breaks Steve's heart, so he's not going to do that. Doesn't want to do that. That would just be punishing Eddie for something he didn't do.

None of this is Eddie's fault, and Steve's an asshole for even thinking of breaking up with him because of it. Which feeds him back into the loop of thinking that maybe everyone is right about him. He is an asshole and will someday hurt Eddie, perhaps even on purpose.

He loves Eddie. He's in love with Eddie. But does loving him mean proving his friends wrong? Or does it mean leaving him before they're proven right?

He wants to ask everyone why they think he'll hurt Eddie.

He wants to ask everyone why they don't care if he's the one that gets hurt.

[hinamie]

@philosophiums and i have been nursing the beginnings of an atla au so have some preliminary designs while we cook :>

[ruporas]

feast (ID in alt)

[s0fter-sin]

soap's whole deal being sniper and demolitions gets me going bc on the surface they sound so different but when you get into it, you realise it's bc soap's smart

sniping is all math; calculating distances and wind interference and bullet drop. something i think people overlook is he was listed as a sniper first so it can be implied that he's better at it than demolitions. he does more sniping in both campaigns than demolitions work; in capture or kill, ghost specifically calls on him to take down the aq snipers

and demolitions is math with a hit of chemistry; knowing what mixes with what, knowing how much to use, recognising environmental factors and adjusting accordingly. it's not just about the boom; so much work goes into contained/ planned explosions. especially when having enough power for a breacher charge and not bringing down the whole building is the difference between mission success and failure

the chemical bombs he makes in alone can't just be any old cleaners, they have to have the correct reaction to each other; he just knew off the top of his head what would mix with what to create what reaction. he would also potentially have to recognise them by sight/smell bc they would’ve been written in spanish

soap would also have to know architecture; recognising structural integrity and weak points so he knows exactly where to plant a charge to bring it down and how it'll come down

he has an incredible soldier's mind people just forget that bc he's sociable which itself is a skill

we know he tends to buck against orders he doesn't agree with like when he pushes back against ghost in capture or kill and shepherd when he tells them to release hassan

he gets closer to people and sees if he can trust them and that's when he follows them without question. really think about how he talks to alejandro and rudy; he asks about their home and alejandro's family and rudy's relationship with him. those aren't questions you ask a stranger after a few hours of knowing them. that's not even touching on his relationship with ghost

he also deliberately brings people of higher ranks down to his level; talking informally with ghost and giving him a shoulder punch, addressing alejandro (a colonel!!) by his first name and rudy by his nickname despite literally just meeting them. he personalises all of them and it’s in direct opposition to the reason most characters do that; it’s not due to insubordination or lack of respect, the more he respects and trusts someone, the more casual he is with them

he digs into people; he wants to know what makes them tick and that determines if he can one, trust them and two, follow their orders. once he decides that, he's the ultimate soldier; he bleeds loyalty which makes him vicious when that loyalty is taken for granted

he isn't naive or bubbly or insecure; he's an incredibly smart and aware soldier. he's aggressive and bloodthirsty and loyal and intuitive and i love him so much

[bunnieswithknives]

I feel bad for neglecting Hazel so much, I do have many thoughts about her.. and also a mermaid au that im probably not going to do anything with

[arieswritez]

puppy love

puppy love | yandere!mark grayson x afab!reader | MULTI-CHAP: 3

chapter 2

cw; DARK CONTENT!!! MDNI!!! reader is neurodivergent, ableism, growing up is messy & adults suck, angst, niceguy™/slight incel mark, childhood friend/bully!mark, mark gets his powers sooner, teeny tiny implications of pseudo incest (blink and you'll miss it), violent rape, threats of violence, & canon typical violence, stalking, implied murder, gender & body dysphoria, mentions/implications of disordered eating, mark teases reader about their body once, overall asshole mark, implied grooming (mark handles it but he's a lil bitch about it later), so, victim blaming, misogyny, the inexplicable horrors of being afab, objectification, sexualization

about; you don't know how long i could stare into your picture and wish that it was me i guess it's different 'cause you love him but i've got an interactive sick and twisted imagination and that's gotta count for something - not allowed (tv girl)

3.

you'd found a boy that made your heart go thump thump, thump. and you knew very well how the rest of that story usually went.

your love was encompassing. asphyxiating and obsessive. and in the very first moment the two of you interacted, you knew, this could be it.

you didn't blame yourself.

you couldn't blame yourself.

blame the love stories.

the disney movies with the princes and the magic mirrors. breaking curses with true love's kiss. much like the fabricated sugary fantasies, your potential life with him unfolded before your eyes.

he could be the one.

true love's forever kiss.

you imagined it all.

movie theater dates, awkward parental meetings, proposals, a home, kids, pets. arguments. therapy, even. pushing through at the end. death. rebirth. trying it all over again in the next life.

all you had to do was get him to stick around.

you had to make him understand that you could be his true love kiss, too.

you had to be perfect.

. . there was just one miniscule problem.

the boy so happened be on the same baseball team as mark.

it's the way the two of you had met.

despite the fact that you were supposed to be there for mark: your eyes were . . elsewhere. your eyes - then your focus - had gravitated towards him even before the first pitch. and you found yourself blushing as you watched him stretch: holding his baseball bat over his head.

you'd made it your only goal to attempt to extract as much information about it from mark as discretely as you could. and frankly, you should've known mark would be able to read you like the back of his hand.

because he found out what you were trying to do embarrassingly quickly.

and he was just as quick to shut it down.

you hadn't noticed the boy before. not really. but since the baseball game, he seemed to be everywhere. and you were excited to find that he was the new addition to mark's friend group. you knew this because you saw him and mark sitting together during lunch.

which meant they were at least acquaintances.

so imagine your shock when you came to find out. . mark didn't like him.

everything about him seemed to rub mark the wrong way. mark would clam up the moment you mentioned your boy. he'd change the subject. or his mood would just straight up sour. he'd go quiet and avoidant. and when you kept pushing, he finally snapped.

your boy was stupid.

your boy was shallow.

"don't say i didn't warn you." mark would mumble.

but warning you wasn’t enough.

your boy barely looked at you.

and you weren't sure if it was in part because of the way you acted. . the way you looked. maybe he was so out of your league that he'd completely removed you from his radar.

you'd watch him from across hallways and excitement would swell in your chest when you found that you'd be walking in opposite directions.

you'd see him coming.

he'd see you.

time would slow as you walked past him.

your heart rate would pick up.

but his eyes would remain forward and time would pick back up again as soon as you were past each other.

all it'd leave you with was the bitter taste of rejection in your mouth and a deep ache of anxiety bubbling in your stomach.

the only thing that sobered you up were the dizzying possibilities.

he hadn't seen you. he hadn't noticed the effort you'd put in.

but eventually, he would.

you don't know what it was that grabbed his attention.

mark was vehemently against introducing you two.

you were at a loss until you realized that you'd just have to try harder.

whenever mark left for the bathroom, you'd made it a mission to swipe mark's phone during study sessions. you'd go through his socials and send yourself screenshots of both his follower count and who he was following.

it was a long tedious progress but eventually, you'd found your boy's account.

thankfully, it was public. which meant the the decoy accounts you'd made to snoop just in case he was private turned out to be a waste of time.

you looked through his followers and did your homework on anyone he showed a particular interest in. you'd even made a list of the usernames of the people who’s posts he interacted with the most.

and soon you became a master of disguise.

you studied them top to bottom.

those that went to the same school were far easier to emulate.

you copied their mannerisms, the way they styled their hair, you changed the cadence of your voice, the way you rolled your r’s. your clothing grew tighter and your slouch was now an exaggerated upbeat gallop as you chased after the object your new affection, hoping one day he'd notice.

. . and the exact moment he looked into your eyes and did a double take. . you did one, too.

it was completely out of surprise before you caught yourself and continued to saunter away from him with butterflies in your stomach: flapping their wings so violently it felt like you'd be swept away.

his attention was the most excitement you'd felt. . in a long time.

and you knew you'd do anything to retain it.

it was a sickly sweet feeling: syrupy, sticky. clogging your vascular system to the point your head swelled. the lack of oxygen only heightened your fantasies.

the attention was addictive and so, so good you found yourself chasing that high all the time. going to extreme lengths to get his attention. even if they’d end up embarrassing you after.

you never allowed yourself to wallow in the feeling of dread that settled in your stomach when you did everything in your power to get his attention, though.

specially whenever it made a smile stretch across his face.

whatever you did faded into the background.

it was all worth it in the end.

something was wrong with mark.

and he needed to get to the root of the problem fast.

he was looking at you. . differently.

he talked to his dad.

nolan had said something about the changing moods having to do with his powers. how being intense and passionate was just in his blood.

he talked to his mom about it. albeit in a more discrete way. he'd never be able to live it down if she'd found out you were making him behave a certain way.

she'd just chalked it up to it being puberty.

mark didn't know who to believe.

he just wanted to stop thinking about you.

his nerves were shot to shit whenever you were near.

senses heightened: you were a fog blanketing his brain until your voice carried with it a technicolor vision.

he could smell you coming like a damn blood hound.

he could hear your pulse while sitting next to you.

something was wrong with mark.

he knew it when his teeth ached when you'd stretched your neck: raised your arms over your head and let out a little sound of pain and discomfort.

something was wrong with mark.

when the day's turned warm and wet. . and your clothing became more revealing.

he could see more of you.

freckles and moles, blemishes and scars, he hadn't noticed before.

he'd follow sweat drops rolling down your skin.

smooth. soft.

he'd held you, once.

when was the last time?

something was wrong with mark.

he'd lay awake at night staring up at the ceiling.

thinking about how you'd looked while you concentrated on a book. while you looked down at your phone. while you listened to music: smiling when a song you liked came on.

your little humming. . but not singing.

never singing.

mark noticed you'd stopped singing in front of him when he started to make fun of you for it.

that, too, was how mark knew something was wrong with him.

the way your moods would shift like tides under a crescent moon whenever he'd said something excited him. he felt pleasure - a violent zap of electricity shooting up and down his spice - watching your eyes light up or darken when he'd say something to you.

about you.

i like your hair today.

light.

you talk so goddamn much.

dark.

i missed you.

light.

your stories take fucking forever.

dark.

something was wrong with him when he found his own mood depended on fantasizing on how he'd make you feel that day.

if he was in a bad mood, seeing you in one, too, was a sure-fire way to make his day a whole lot better.

something was wrong with mark.

when he'd have to smother the sounds he made while imagining you -

something was wrong with him. . when red, hot anger consumed him when one of his friends made a smart quip about your body.

when he couldn't just laugh it off anymore.

something was wrong with mark.

. . or so he thought.

because he'd later find out. .

. . no.

something was wrong with you.

all of a sudden: mark was the one double texting.

triple texting.

mark was the one asking if he could hang out. . and when the fuck did he ever need permission?

mark was the one seeking you out.

something was wrong with you.

and he needed to get to root of the problem.

he picked his brain apart in an attempt to figure out what it was. you couldn't be under any stress. you looked fine. better than fine.

you looked happy.

fucking elated.

to the point where mark couldn't affect your moods anymore.

mark wanted to know what the fuck you were so happy about.

why the fuck you were so happy when he was falling apart at the seams. when his world was crashing down.

and there you were, completely fucking oblivious.

mark had always been curious.

and so, he went to see you.

the two of you were in your room.

you'd excused yourself to go to the bathroom.

and mark started looking.

you were predictable.

he knew where you kept your journal. despite how many times he'd found it and read it aloud - holding it above his head whenever you tried to snatch it away - he'd always managed to figure out your next hiding place.

it was easier that way.

he pretended he didn't know where it was.

you pretended to have some privacy.

he pretended not to know every single, minute, insignificant detail of your life.

of your thoughts.

thank fuck you were still so naive.

thank fuck for dairies.

he'd found it in a box under your bed.

and after flipping to the page with the freshest set of ink. . he'd found out what your problem was.

you'd found a boy who'd made your heart go

thump.

thump.

thump.

[haunteddragonssun]

Found these stupid glasses and now I'll I want is some fic wherein clockwork needs to pretend to be human and wears these

LIKE LOOK AT THEM!! I feel like he'd get a massive kick out of them