#im just adding base colours now~

[rainbowd00dles]

How are we feeling about Andrew having hickeys all over the insides of his thighs?

The goal is to make him look thoroughly fucked

[saltedpineapple]

So JJK is over and my LMK brainrot is back , added with the fact i am playing a MOBA game and am being blessed with delicious illustrations it prompted me to make this

Now i am going to ramble about this because this is the first time in forever where i kinda pushed myself to make a FULL art piece-

I will be standing for this-

Let me tell you, i had no confidence in this and the composition was supposed to be way different, but this still happened. This took two days because i kept procrastinating , walking around my room dreading drawing the background BIG ADVICE FOR BEGINNER ARTISTS Watch speedpaints. You will learn so much by watching the process and that was this for me I have the tendency to kinda burn myself out and finish everything in a day and then never actually finishing. Tried something different for this and made a cheap silhouette of a sketch, then drew over that and used greys and whites fort the shadows. Then i think i colored everything in a base color (and i finally used a palette) and then i tried to find the lighting and shadow colours. It was weird. And what im saying is that i planned most of it instead of diving head in withour a plan. Crazy i know-

I also just learned about dpi PROPERLY and unfortunately made my piece so big that it kept stalling paint tool sai-

let me just post the progress shots

I also fucked up macaques reference and fixed it in a whim somewhere. You can see it here. I honestly wasn't planning to follow the lmk at style but that kinda happens when you're starring too much at the references.

There's still a mess and i wanted to render it a bit better ,the way i normally do but i didn't. Anyways i did enjoy the process and i actually miss them so much and i might watch LMK all over again Especially Wukong and MK

Btw this was supposed to be a moving illustration and i just didn't

I have Live2D but no

(Btw please check out my profile if you have the chance and thank you for reading this! Love you-)

[povlnfour]

ੈ✩‧₊˚ PADDOCK TO PADDOCK (LN) PART 3

series masterlist | prev part | next part

lando norris x fem!horse rider!reader

yourusername just posted a photo ੈ✩‧₊˚

liked by landonorris, flo_norris_showjumping and 210,331 others

yourusername i CANNOT BELIEVE i am writing this post😭 so so so insanely excited to announce that mr. bean and i have qualified for paris 2024!!!!! we have an insane year of training ahead of us, but i could not be happier. thank you to every single person who made this possible. i’m gonna go cry now. maybe get drunk. WE ARE OLYMPIANS BABY‼️

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user6 OH MY GODDDD Y/N CONGRATULATIONS

user3 omg i’m officially an olympian stan

flo_norris_showjumping AHHHHH y/n congrats!!! knew you could do it from the first time i met you🫶

yourusername i miss you crazy girl, let’s meet soon!

flo_norris_showjumping @/yourusername i’m sure you’ll be at family dinners soon enough🤪

lilymhe ALEX AND I JUST BURST INTO TEARS THATS OUR BABY!!!!!

user1 omg mr. bean is a living legend

charles_leclerc congratulations, friend!

user5 CHARLESSSS🥹

yourusername thank you charles!❤️

user8 i love how y/n changes the colour of her hearts based on the drivers’ team😭

landonorris guess i’ll meet him now he’s an olympian🙄 congrats though, y/n/n🧡

yourusername posted stories ੈ✩‧₊˚

twitter reacts ੈ✩‧₊˚

landonorris posted stories ੈ✩‧₊˚

f1updates just posted a photo ੈ✩‧₊˚

f1updates lando norris and y/n y/l/n snapped cosying up on holiday to celebrate y/n’s olympic qualification👀 the duo were joined by alex albon and lily he as they played around in the water. couples holiday, perhaps?

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user7 please just let them figure this out on their own terms

user1 oh guys we’ve lost him. he’s whipped

user3 HIS HANDS ON HER KNEES!!! WHEN WILL THAT BE ME

user4 no fr that photo SCREAMS couple👀

landonorris just posted a photo ੈ✩‧₊˚

liked by yourusername, oscarpiastri and 218,119 others

landonorris back to work and another p2 baby!!!!

👤 tagged alex_albon

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user3 so proud of you🥹

lilymhe mom and dad? @/yourusername

yourusername a plot twist i didn’t see coming…

user1 soooo mr. norris are we gonna talk abt those photos

yourusername was gonna call u cute then saw what u texted me🙄

user5 expose him queen

landonorris i take it back pls give me praise

yourusername @/landonorris fine🙄 ur cute ig

landonorris @/yourusername 🥰🥰🥰

mclaren posted a photo ੈ✩‧₊˚

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mclaren belgium race weekend! who’s excited?🧡

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user11 LETS GO AGAIN‼️

yourusername ME ME ME IM EXCITED MCLAREN!!!!

liked by landonorris

mclaren we 🧡 you!

user3 she’s such a fangirl this is not what i had on my 2023 bingo card😭

f1updates posted a photo ੈ✩‧₊˚

f1updates lando norris’ rumoured girlfriend y/n y/l/n seen leaving the belgian grand prix EARLY. sources say she seemed tense all morning, and left the mclaren area for williams mid way through the practice sessions yesterday👀

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user9 finally😍

user1 ur awful. get a life?

user3 no but she was so excited :( why would she leave early?

user7 f1updates get out of everyone’s business challenge

user1 she looks tired :/

user4 read a source that said she and lando were seen having a ‘heated conversation’ earlier :(

yourusername posted a story ੈ✩‧₊˚

a/n: that’s it for part 3!!! cute holiday and then boom. angst???? gonna have to come back to find out what happens👀

get added to the taglist here

- giselle xx

[sanctus-ingenium]

hi im so sorry if youve already answered this but how do u go about selecting the colors you use for your works!

hi! i've had this question a few times and every time i've only been able to answer with a vague sort of 'ehhh i just pick them'. but i think i'll actually talk some more about it now since a lot of my art actually takes a lot of beating before i decide on a final palette. but with a lot of them admittedly i already know what palette i'm using, and i organise the whole composition around those colours.

i use like two main palette methods and here they are (once you see it in my art, you won't unsee it). It mainly involves picking one main hue, and then a contrasting secondary colour.

So the most basic is to have a drawing be mostly a small range of hues, in this case the reds and oranges, and adding a single contrasting shade. Here it is the bounce light on the metallic metal parts, and doesn't appear anywhere else. It looks blue but it isn't - if I used actual blue, it would be too jarring and the colours would not appear unified. This is a warm and nice scene. So instead I pick that strong blue and blend it into a small swatch of the base colour. Then I pick from the blended portion, and what I get will be more blue than the base, but not actually blue. In fact it is yellow-orange :) The entire drawing looks warm as a result.

When working with marginally stronger contrast, here I have a cream unicorn on a green background. The main shadows on the unicorn will be the colour of that ambient room temperature bg - green. So I use the same test swatch method to pick a shadow colour which LOOKS green without being too disruptive of the cream unicorn. I increase the saturation and darken the value (moving the colour dot diagonally to the lower right hand corner of the box) and also spin the whole wheel towards green just a bit. Then I blend into the cream and colour pick a shade in the middle. But for the bounce light, I chose to use a common contrast of green - pink. It looks like pink in the drawing but in fact it is a low saturation orange! Using that real pink would be disharmonious. I do the exact same thing - I blend the pink into the bg colour and come up with that orange shade. It looks harmonious.

Now (top example) I am using two contrasting hues side by side. I decide the shadows will be warm, and the highlights in that contrasting zone. That means that for every colour i pick - Islin's skin, hair, his glasses, his shirt collar, his coat - every colour gets slid around the colour wheel until it falls inside that narrow band. And when I am highlighting his skin, I turn the wheel towards green. When I am shading his skin, I turn the wheel more red. I do this for every single element in the drawing.

It's the same for the Rua cover but this time I am not using such a wide band of available hues on the colour wheel, it's much tighter. I did this to replicate the look of a faded print, intentionally lowering the available contrast I had to work with by removing black as tool. It's all in that small cream to red window but it LOOKS purple - it looks like Pascal wears a purple shirt and that the smoke in the bg is lilac. Well, it isn't. That's all red and orange. I pick those colours by, again, choosing my goal "look" - a low-saturation purple, and then turning the wheel into the red range.

Okay so! for this it's just... the exact same thing again. Literally it always is. But since this one is recent I still have the process fresh in my mind. I envisioned it in the car, and I wanted this empty sort of desolate blue bg and a cold, distant overall tone. I ended up making the white on the chessboard & white pieces warmer, cream instead of white-grey, which worked out great. I wanted the blue, I wanted the pale cream/white, and the black of the chessboard. I didn't envision a colour for Pascal's shirt. but when the time came it was an obvious choice. It has to contrast with the bg both in value and hue, without falling outside the cream range already established by the chess pieces. So it's shiny salmon pink :) or orange, whatever you think it is. The only disharmonious part of this palette is the red velvet under the black knight piece - it works, but if I'd taken more care I might have spun the wheel more into orange and it would stand out less. But I don't mind.

[dailyhatsune]

hi! not exactly a request but i do wanna ask, whats your process when you're rendering more paint like art? (if that makes sense, English isnt my first language so apologies hdskhsjdbd) i really love how you use the colors and im curious how you do it :0

i’ve been meaning to answer this one for a while so here’s how i painted miku in today’s post (put under the read more because yeah prepare for a long post

i’d also like to preface this by saying that i never follow a set way of doing things, so in terms of what my personal process is like, these are only broad strokes of what i do! sometimes i’ll combine or skip parts entirely, depending on how i feel. also, this is not a tutorial, just how i do things, so please don’t treat it like one :’D this will read like the ‘how to draw an owl’ picture if you do

first, like every artist, i sketch. more specifically, i’m getting an idea of what i want to paint later on. this could be how a scene is set up or in this case, how a character is posed. here i’m not concerned about details or getting everything perfectly, i’m only planning how the thing will be composed. maybe a lot of canvas size changing, or adjusting what miku’s doing (note how busted miku’s right hand looks from all the transforming!) however, i still have to be concerned with how clear the sketch will be to future me, because the sketch won’t be any good if i can’t read what miku’s doing

after that, i lay down a flat gray under the sketch, mainly focusing on giving miku a clear silhouette. this is also a good time to make adjustments to the composition on the fly if i suddenly feel like something can be improved upon, like shortening miku’s left arm from the sketch!

after painting a flat silhouette, i start shading in grayscale, focusing only on lighting. i usually do it in two passes, one for the lightest and darkest tones i’ll use (not black and white) and then a second for midtones to blend them better with the base gray but i forgot to screenshot the result of the first pass 🗿 nevertheless, here is where i can start adding some amount of details. i’m not including any extra accessories yet, just focusing on the base design of the outfit and the character herself (for anyone wanting to draw characters from That Gacha Game, this is how i personally make the process more bearable for myself.) i still use the dark gray to separate where certain details (like the facial features and fingers) begin and end, mainly to make colouring more bearable later.

now here’s where i get the Good Colours. it’s a cheat lol. i put a gradient map layer over the grayscale painting so that there’s a little bit of color to start. some gradient maps can be applied as is, some need the layer settings adjusted to make it look good. this one, for example, is a (free) gradient map set from the csp assets store that needs you to set the layer opacity to 20% and to set the blending mode to color to achieve this result. in general, i tend to pick which gradient map i want to use based on vibes, or basically whether i want the work to be warmer or cooler, colour-wise. but this does do quite a bit of lifting for the colors in my stuff.

and then, finally, i add the colours. i add flat base colours in an overlay layer. at this stage, i’ve made the character silhouette clear enough that i don’t need to refer to the sketch anymore for what miku looks like. also, the gradient map layer does its magic by making the shading a bit more vibrant than it would’ve been without it. after that i paint over with a new layer to add details like the lace.

and then i put some extra shading on top. basically this is where the ‘better lighting’ happens. again, this isn’t a tutorial, so i’m not here to say what each part of the lighting is, but i’ve labeled which layers do which job. in other works where the lighting within a scene is more defined (from a window, from a small crack in the walls, etc) the glow dodge layer may be more opaque and sharper, but since this isn’t a work with that, the lighting was applied using an airbrush. the linear burn layer is also there to make the whole thing darker so the glow dodge doesn’t end up oversaturating miku. i also usually match the lights to the vibe i want, and use a complementary color for the shadows. so here you can see i have warm colors on the glow dodge layer, but light purple on both the linear burn and multiply layer.

and that’s it for the character—here’s a gif showing how each layer adds to miku! (sorry it’s so toasty)

as for the background, depending on the complexity, it may go through a similar process, or if i can settle with flat image backgrounds, i just go for that. it’s ok to use external image materials. i didn’t have a background in mind for this miku in specific, so i got some default csp materials and threw together something

and that’s about a rough overview of what my process for more finished works looks like! again, art is a fluid process so i never specifically stick to certain steps all the time, and you shouldn’t either. i can probably answer why i’d pick this colour over another in one particular work, but it’s something that kinda has to be learned on a grander scale. i think everyone can already feel what colors work with what atmosphere or what setting, even if they can’t immediately explain why. colors and composition do take some level of experimentation to find what works best!

[drenched-in-sunlight]

hello hi!!! grfhvhghr i am in love with your artwork so much you cant believe-- i wanna ask if you have any tips on how you lineart and colourpick?? no pressure to answer tho, have a great day/night!! again, love your art <33

hi!! thank you for your kind words!! since i got asked about these a lot, im answering this for all the other ask asking about lineart and colour tips too! You can see some previous post here.

also i could only give out tips that work for my drawing style - which is heavy lineart / colours pop up the line (believe it or not it's American comic book style. ppl cant understand why my art doesnt really look like usual anime/ Asian webtoon style, even though it is still clearly anime / Asian webtoon style, but when i told them it's because im drawing these by studying American comics, no one believes it either lmao.

i do study but i do my own things too, so most of my art inspo is really unexpected to ppl, but they r really where i learn things from, cuz i dont even go to art school TT_TT).

Changing the brush size will help you achieve thick/thin lines better without having to put pressure on your wrists. Keep your hold relaxed and let bigger brush size give you the thick strokes.

I like messy sketch, to me the sketch is just an outline shape to fill details in when i do the line, it also gives more freedom to wriggle as i draw! cuz i dont really plan out everything from the start, just wing it as i go, so a lot of my work is actually very spontaneous.

that leads to this point: when you do the lineart you should start deciding which colour style you want from it to adjust the details amount. the ink shadow blocks in my art aren't there randomly, i adjust them to best complement the shape language and colours.

for piece where i want the line/shadow to...idk hit (?), the colours are almost flat with textured brush adding depth to them, so the inking is the shading, thus there are more details in the lineart / ink blocks.

for the video above and piece like this where i want the colours to be clear and pop out, the use of ink blocks are minimized and i do the shading during colouring process. but! the ink blocks can still make some places pop very nicely! just use in moderation!

when doing the base it's good to keep the colour on the left side of the colour wheel (low saturation), but as you do shading and lighting, try to spread out evenly so it won't look washed out.

toggle around with hue and saturation slider as you go! the key is always adjusting! you're making hundreds of decisions at once, being conscious of your choice in why a line or a colour should be in a certain way will help improve your process a lot! (i think you can tell which art i turned off my brain and just draw for stress relief ........ which is also a valid way to draw and sometimes the result might surprise you! but for more serious stuffs i try to be aware of most of the move i make. it's problem solving, yeah?)

i find that one way to keep your art from appearing too...yellow in the end (which is sth that haunted my ass for a long while) is always aim for cold tone, so if you accidentally make it warm either way in the end it won't be too warm (and yellow :cry:)

well that's all the stuffs i can think on top of my head. sorry i can't give more advice on colour picking cuz it's sth i don't really know how to give advice on???? i think my colours now are still pretty lame haha........ if there are still any questions i'd gladly answer within my ability, though im very slow to answer ask ( i do read and be happy at all of them tho!)

[sanccharine]

14:30 | mm

pairing: assassin!momo x handler!reader

summary: good speakers are good liars, too bad momo is neither. co-written by @eternallyghosting chapter summary: momo spends the day with you

warning: sickeningly sweet, like makes me want to throw up actually

word count: 2.5k

a/n: assassin!momo is here because indigo works hard af. literally she wrote everything, again i didn't do jackshit for this part, didn't even open docs until yesterday lol. im just here to post and disappear like avatar aang, again :]

masterlist

You cursed as your oven timer dinged for the third time, barely managing to shove your hands into heat proof gloves before hurrying to take the baking tray out of the steaming oven. This had to be your sixteenth batch of heart shaped cookies, an apparent Valentine's day tradition. A cliche, more like, you rolled your eyes. 

Although this influx of orders was no doubt good for your growing business, you were just about ready to gouge out your eyes if only to avoid looking at pink food colouring again.

You sighed, at least after this last order for Mr Moyo, you'd be done for the day. As you busied yourself with measuring the flour, something you could do in your sleep now based on the amount of times you'd made this exact recipe, the front door slammed shut. 

Momo. Hearing the loud slamming noise would've given you a headache in any other situation, but not today. Today Momo had promised to give you a break from doing the dishes after seeing you knee deep in orders since the morning.

You hadn't even realized how tired you were until she came up behind you and laid her chin on your shoulder. You took a break from kneading and pulled her closer. Sensing your fatigue, Momo wrapped you up in her arms, gently turning you around and laying a soft kiss on your lips. 

"Rough day?" 

"Mmm," you didn't bother with a more coherent response. Momo got it anyway.

She gazed around at the heart cookies, with their light pink frosting and red and white sprinkles, and snorted, "I don't really get why people would want these."

A beat. 

She rushed to add. "Of course not saying that because it's your baking! These look great babe, you've done a really good job on the decor." She cupped her warm hands around your cheeks, emphasizing that she didn't mean anything by what she'd said.

You shook your head, "It is a silly holiday."

"Exactly! That's what I meant," she kissed your cheek in apology.

You settled deeper into her hold. The dough could wait. "But still, it's kind of sweet that people celebrate Valentine's day," you murmured.

Momo could be quite dense sometimes. You had to often spell things out for her. But this, your unmentioned plea, she understood clearly. Maybe it was the exhaustion making you more sensitive than usual. Or maybe it was the sentimentality of the holiday that made you melt against her arm as she brushed a strand of hair behind your ear.

"Tell you what, you finish up this last batch and I'll run you a bath. How does that sound?"

That did sound great. You gave her a grateful nod as you added, "there's extra frosting in the fridge if you want to try some." 

Momo hurriedly disentangled herself and gave you another kiss before rushing to the said fridge. Perhaps it wasn't just you feeling the sentiments of the holiday. 

With renewed vigour, you managed to toss the new batch of cookies in the oven, having to wait only for a couple minutes before filling up all your used dishes with soapy water. Although Momo had promised to do them for you, you couldn't just leave them be without rinsing atleast a few.

You trudged upstairs, where your nose was immediately met with the soothing scent of lavender, from the bath salts you had gifted Momo a few months ago. As you slipped into the bathroom, Momo turned to face you.

"So my next flight isn't for another few days."

You nodded silently, focusing on throwing your flour stained shirt into the laundry basket instead. Momo and you had discussed her flight over dinner last night so you didn't know why she was bringing it up again.

"I was thinking we could do something together."

Now that got your attention. You lifted your head and asked with a hint of a smirk, "I thought you said Valentine's day was a shitty occasion."

"I didn't say it like that! And also this doesn't have to be for Valentine's day," she added. "It could be just a date."

"Okay," you shrugged. You would do anything if it meant spending more time with Momo.

She perked up. "Great! I'll plan it out!"

Wait, what?

Before you could ask her anything, she smiled, said "Enjoy your bath!" and left, closing the door behind her.

As you enjoyed your much needed soak in the tub and made your way out of the bathroom, you found Momo hunched over on the bed with her glasses on and laptop in hand. You smiled to yourself. She hardly ever wore her glasses, so she must be taking this date planning very seriously. 

As you crawled into bed, she turned her screen towards you and pointed excitedly. "Look!"

You took a look at a website showing various people with axes in their hands. Before you could ask about what Momo wanted to do with a Thor convention, you caught sight of the title at the top of the screen.

Axe throwing. Huh.

"Seems fun, doesn't it?"

You tore your glance away from the laptop to Momo's face, grinning widely and awaiting your answer. You were looking at her, but you weren't really seeing. The only thought in your mind was how cute those glasses looked on her. You really had to make her wear them more often.

"You're adorable," you blurted out as she nudged you for an answer.

Stifling a giggle, she rolled her eyes. "I'm taking that as a yes." And right away, she booked a slot for the two of you. You settled under the covers quietly, not really having any objections but also not expecting her to be so proactive about this date.

"There, all done. It's in the evening tomorrow." She put her laptop away on the bedside table and joined you under the warm duvet. 

Not that the duvet stayed settled for long as her words jolted you up. "Wait, tomorrow? I can't tomorrow, I have to deliv—"

Momo took your hands, silencing you in the action. "I know, you have to deliver the cookies. But we could do those on the way to the facility."

You weren't convinced this easily. "What if someone isn't at home? What if we can't deliver some of the orders?" 

She shook her head. "The time slot I booked is their last one. It's at 8 pm, which gives us plenty of time to make the deliveries, even if someone isn't home in the morning," she emphasized the end of her sentence to lay your worries at ease.

Kissing the hands still in her grip was the cherry on top, as you finally settled down again, content that Momo had it all planned out. She laughed quietly as she turned to face you, the faint yellow hue of the night lamp casting a glow on her face. "I wouldn't have booked the slot without making your deliveries happen, babe."

"I know, I just like having a plan." So what if your handler tendencies bled over into your regular life, having a plan was never a bad thing.

"You and your lists and schedules…"

"Hey, at least I'm not the one getting lost in a city because I can't read out the itinerary made for me!" It was a bit of a deep cut to bring up something that had occured on vacation years ago, but you couldn't resist teasing her.

And Momo retaliated by doing what Momo did best. When at a loss for a verbal attack, she mercilessly moved her hands up and down your sides, tickling you until your feet kicked and squirmed in the blanket.

She only stopped when you finally cried out for mercy, ceding victory to her if only to be able to breathe properly. Having eventually caught your breath, you pushed yourself up onto your elbows to situate your torso over hers and wipe off the smug smile on her face with a deep kiss.

"Goodnight, babe. I love you."

"I love you too. G'night."

True to her word, Momo had done all the dishes last night while you had been in the bath, and walking into a gleaming kitchen almost made you want to get on your knees and sob in relief. You loved baking, but cleaning up after was often the hardest part, something you absolutely had to be particular about no matter how tired you were.

You turned on the coffee machine just as the sounds of Momo rustling around in the sheets reached your ears. You were content to just stay in and share a cup of coffee, enjoying the morning sunlight streaming through the windows onto your kitchen counter. You looked around your carefully curated kitchen, at all the designs you had insisted on, knowing that it would be one of the places you spent the most time in. Your eyes landed on the pile of trinkets in the corner, stubbornly making themselves known in the pristine marble decor of the kitchen. 

Despite your hatred of the mismatched colour scheme, that corner held a special place in your heart, after all, it contained all the little things Momo had brought back from her trips around the world. The woman was talented in many areas, but interior design was decidedly not one of them. She would buy whatever she thought looked cute, irrespective of whether it was something that would fit in your kitchen or was needed by you in the first place.

Still, you couldn't bear to hide it away. As your gaze landed on the porcelain soap dish Momo had brought back a few weeks ago, you had to stifle a laugh at the memory of that particular day. All things considered, it wasn't even as horrendous as some of the other things she'd purchased, but her reasoning for buying it was what had you stumped. You remembered her ravenously eating forkfuls of the pie you had made to celebrate her arrival (and the difficult mission you knew she'd undertaken), before she had sprung up from her seat to haphazardly search through her bags.

Having found what she was looking for, she had tossed the dish towards you, and beamed as though expecting praise for her 'thoughtful' purchase. You couldn't lie, the gift had you bewildered for a good couple of minutes as you wracked your brain trying to recall why this dish would be of particular significance to you. Momo had impatiently gestured at you to turn the dish over and "look at the back!", where you found a 'Made in Greece' stamp over the dish. Although that gift had greatly confused you to the extent of looking like the human equivalent of a keyboard smash, it brought a smile to your face knowing that Momo carried your love of Greek myths with her wherever she went.

The subject of your thoughts bounded down the stairs just as you wrapped up that precious memory. Her hair was mussed up from having rolled around in bed, and her bleary eyes indicated that she wasn't fully awake yet. But to you, she had never looked better. You loved Momo like this, all soft and pliant in the morning, making you feel like you were in a never ending Sunday. 

You must have taken a second too long to acknowledge her, as she whined at not immediately receiving her good morning kiss. You moved towards her and obliged, before getting a hold of her wrist and gently dragging her off to where your twin coffee mugs stood, ready for a lazy start to your day. 

The rest of your day went by similarly in a haze, with you dividing your time between wrapping up your final orders, and making the most of Momo being home. Once the admittedly long and lazy breakfast was over, you enlisted Momo's help in reorganizing your closet, getting rid of items you didn't use anymore. Then, after hastily vacuuming your bedroom, the two of you made a quick lunch of enchiladas (well, you cooked and Momo tried not to get in your way), before settling down on the couch and scrolling through Netflix for a new show to watch.

You sighed contentedly in her hold as Momo, eventually tired of trying to find something new, clicked on the long memorised sitcom favoured by you. As your eyes glazed over the familiar scenes, you lauded your past self for closing off orders even though Valentine's Day was still two days away; you got to make the most of your time while Momo was still home.

By the time the afternoon hues of the sun had started to darken to twilight, you had already finished a season of the show you had put on, as well as two cups of tea and a bowl of popcorn. Deciding to clear up a bit, you turned off the television with a groan of protest from Momo, before eventually tugging her off the couch and upstairs to get ready for your deliveries.

Momo had been right in booking the 8 PM slot for your date, and as you watched her carefully load all the orders into the backseat of your car, a serene feeling washed deep in your bones. All it took really was a four letter word.

Home.

Time.

Love.

"Why are you staring at me like that?" Momo asked as you slid into the passenger seat.

You had an absent smile on your face as your fingers drummed against your thighs. "Mm, just thinking of how all it takes is a four letter word."

Momo leaned over, grabbing and fastening your seatbelt for you in a swift motion. "You're thinking of 'sexy', right?" she smirked.

You felt your cheeks being pulled upwards as the absent smile blossomed into a full one. "I was thinking more of 'dork' but okay."

"Nerd."

"Fool."

"Rude."

"Mean."

The two of you traded back and forth before Momo suddenly said, "Y/N".

"Hmm? That's not how—"

"I love you," she giggled. This time it was you who leaned in, pushing forward as much as your seatbelt would allow, and sealed her giggles with a kiss. "Wife," you murmured against her as she pulled you in closer upon hearing that fall from your lips, a revered whisper.

Despite everything in you screaming not to, you eventually pulled yourself away and let Momo start the car. You settled in your seat, putting a hand over your heart to calm it's racing, but to also feel how strongly it beat. For Momo. While the pair of you weren't really convinced by the traditions of Valentine's Day, and scorned at how the town had blown a quarter of its budget on tacky pink and red decorations, you couldn't deny just how full your heart had felt today. How it felt everyday you were by her side.

You had your own traditions with her, of course you did, honed after years of being together, but it all boiled down to one thing, a simple four letter word: Momo.

any feedback is much appreciated.

a/n: happy valentines day y'all, tell people that you love them !!! or don't, or tell them that you hate them lol, idk don't let me tell you how to spend your day :P

taglist: @someone-who-likes-broccoli @happilychaengs

[astraldes]

What process do you use when your colouring art…?

Btw just a disclaimer, I don't have very good foundation and just "trial and error" most drawings. But... here u go anyway ;)

I start with flat colours, then add some slightly darker/lighter zones to separate front and back when there is overlap of the same colour in different objects. This also is used to show whats in front or behind. I may add ambient occlusions if needed, but cause the drawing's already dark enough I won't put it.

Then slap a multiply layer on top, in this case I use light purple. Then add another add/colour dodge layer above of it. Sometimes I just use a brighter flat colour for the light, that way I don't need to add any extra details in the light section. I normally do some iterations for the lighting before going forward (if im not lazy...)

Sometimes this phase is done before cleaning up the base flat colours, but I can come back and fix that afterwards (but generally only before adding details, else things get complicated and messy)

Now details: I usually add a border around the lit areas (the colour for that is usually slightly less/more saturated, or a colour adjacent to the light colour on the colour wheel)

Then I add extra folds, textures, or reflected light in places that look a little too flat still. And the final image usually starts coming together at this point.

I like sorta changing the colour just a liiiiittle bit in some places that still need extra detail. See the purple inside?

Sometimes during this phase I find that the lighting I chose isn't ideal, and I change it like I did in this drawing. So the details, colour dodge and base colours are on different layers to not affect everything when one changes.

And its done! I hope it helps, but you can probably find way better explained versions online.

[moonsofmachinery]

So this isnt a pride req but you still don't have to answer!! But how do you draw so quickly?? I swear you draw like 2-4 times a day? I wanna get on a really good schedule about that so I can keep up with a art blog but idk how to draw fast! How'd you do it?

I hope it helps If I go over my entire process here because I've been wanting to showcase my process for awhile anyways :}

Haha! Yeah, i usually try and draw ~4 things min a day. Now, let me clarify, to run an art blog you don't have to draw fast! I do try and take breaks if I need them!!! But a lot of my speed has to do with the fact I've just been in a very art-inclined mood as of late :} It's a lot easier to draw if you WANT to draw! and knowing people like my stuff is a huge motivator.

Long post below where I explain my process and some of the shortcuts I take!! :]

For more skill-based tips though, my method definitely helps. Drawing lineless and paying attention to my stabilizer helps a lot. I'm definitely not a perfectionist when it comes to my art and I do tend to reuse poses I KNOW im comfortable with if I'm not in the mood to go all out.

I sketch freely with loose stabilizer using a pencil-like pen that allows me to get a good idea of the details I want down... Ex:

I have a very good grasp on the way i draw slugcats and how their bodies are shaped! Depending on the characters you're drawing, you should try drawing them a TON to get to a point where you can sketch them without even looking at a ref of any kind. My designs tend to stay consistent as I have a solid idea of each slugcat in my mind! It helps me pace myself as I generally don't need refs! :}

Next, I blot out my main body shape. I then, using a clip layer, add in lines and line in limbs! Generally I do this all in the same colour, get the main shapes down before you add detail and all that...

I blot out different regions of my character in different colours and section off areas to ensure I can later select these and go over them! Doing lineless helps me a ton as I don't use a lot of layers! it's just the style im more used to :}

Lastly, I add in my colours and adjust places where I can adding in all markings and details and recolouring where I need to! I use the selection wand to help me and I also use clip layers.

The details are relatively easy for me, most of the time its just getting to doodle whatever I want to make the colour combo look the best I can!!! :} The final result of this one will be posted on its own, but I just use CSP tools to add an outline-- I'm not sure if you use Clip Studio Paint, but if you do, you can use the effect feature!

Its just a little thing I add to make my drawing pop against the background!!!! :D

Anddd thats how I pump out art at an inhuman rate! Drawing is one of the few things I can do without my chronic pain kicking my ass so a lot of my day is spent at my computer cozy n' arting! Drawing for too long does cause fatigue in anyone though! I reccomend listening to something engaging in the background (if your attention can take it) and taking regular breaks every ~15-30 minutes.

This piece took me 30 minutes?? maybe a little more! I hope this gave you what you were lookin for :D!!!!! I wish u well in ur art blog n' make sure not to stress urself!!!!!

[revive-the-fandom]

Seems like my choice of worst dragon is out! (It was the Cavern Crasher. Cool name, horrible sleazy beast, like what even in the). What's yours?

i didn't include either fury in the previous bracket bc i knew toothless would body every other species and honestly ive seen that happen before so i dont care to see it again

however, i have included both in this bracket bc i would love to see the light fury be crowned as worst. i dont know if that will actually happen bc i think as a fandom we're quite good at picking apart the little things... i still want to see the light fury lose

i hate its beluga whale face and tiny inbred ankles and glitter scales and every "female" trait they could force on that god forsaken thing. for a movie that went all out of realistic environments and sand particles and hyper detailed scale colouring they really just went "whats gonna sell as a plushie best?" and called it good enough

im going at this with a focus on design but as someone with an art degree (that im not ever even gonna use now??? let me grieve) thats whats standing out to me. and not everyone is gonna judge based on appearances bc i purposefully left that door open so we could judge these dragons overall instead of specific traits.

but while we're on the topic

hard agree on the cavern crasher. like admittedly its not a bad design, its just gross af and i avoid looking at the screen when it turns up bc it does actually turn my stomach a bit. "mucus" is bad enough without splashing it on everything & adding squirting sounds..

i hate the knock off pokemon types too, so shadow wings, triple strykes, sandbusters, shellfire also kinda fits that, submaripper, buffalord is a bit nebulous but also fits. im probably forgetting a few. grim gnashers are weirdo looking things but it felt more like the designers tried on those things.

mostly i hate the things that dont look like they have the potential to be real. like i can see any other dragon getting adapted to an irl performance pretty well but how in tf would you deal with a shadow wing? thats straight up a pokemon (derogatory).

[chandisappointment]

AHEM AHEM UUHHH *taps mic* !!JASHTOBER!!

(I'm definitely NOT two days late) I decided to release my entirety of Jashtober at the end of the month due to HSC exams draining the soul (HA) outta me, so here we are. Welcome to my absolute hell (I will be adding a few descriptions of each piece because I'm accustomed to do it-)

DAY 1: LUNAR --

I decided to draw each with a random colour palette handed to me by Coolers (cool palette site)

DAY 2: PIT --

I rushed this one (gf was over) he's in a hole he dug for mimb:3

DAY 3: PERCUSSION --

Watermelon colours!! One of my personal favourites. ba dum psstt!

DAY 4: CHICKEN --

Darrel my beloved!! The comfort chicken<3

DAY 5: VAMPIRE --

Carmilla!! Favourite lesbain!! i had a strict time limit with this piece but i managed and im kind of proud of it:D

DAY 6: NERD --

The hair makes me very happy:3 He is the biggest of nerds<3

TW NEXT ONE!! {EYE STRAIN}

DAY 7: ENTROPY --

I full on just experimented with this one and this is how it turned out- but I think it's quite nice

DAY 8: SNOW --

Wanted to do some fluff:3 Darrel is the snowman head-

TW NEXT ONE!! {EYE STRAIN}

DAY 9: DUAL --

The freak and the fool:) Based off James Fenner art!!

DAY 10: EGO --

Another art piece inspired from some other artists work (i found on Pinterest) Had a four day streak of no dotty backgrounds:/ just found that out now-

---

I will be making three separate posts (cuz max images is 30 and there is 31-)

They will be reblogged with each other:)

Pt 1 || Pt 2 || Pt 3

[transgenderastarion]

hello baldurs gate 3 community again: This time im talking about modding!

hello adventurers and shifty-eyed people, I bring to you some important stuff. Mod compilations! Below the cut, if you are interested, I have compiled a few things for what I think the bg3 tumblr modding community wants (based on me being in the tag for a month straight). Things I have compiled include: - Super basic install of baldur's gate 3 mod manager (and a bit of vortex) (9 Easy Steps!) - My OWN special "Computer helper" mod bundle with super easy installations (helps it run on my piece of crap laptop who hates me so much but I love her <3) - Companion and player mods (visuals only, and like de-ab-ing and stuff, I'm not going around adding all the extra eye colour mods) INCLUDING TRANS TOP SCARS AND DADBOD MODS + MORE - Some personal favourite mods that really helped enhance my experience. Enjoy! (if you enjoy bg3 modding, please consider reblogging because I think posts with links are still shadowbanned in the tag lol)

HOW TO GET THE MOD LOADER FOR BG3 IN 3 EASY STEPS

go to the github download page and scroll down until you see the first downloadable file that reads "BG3ModManager_Lastest.zip"

extract the file into an accessible area (your downloads folder should work fine, I just put it on my desktop) (just anything that won't require you to give admin permissions to download it. I would also keep this off Local Disc (C:) for convenience) You can use any free extractor program, 7zip works, i used to use Peazip and now I use Breezip and that works well.

Tada! You should have an open folder in your extracted location. 2 things may happen here: You will get the extracted folder with the other documents inside. Congrats, you're done! If you have an extracted folder with ONLY the .exe file in it, go back into the zip file and drag the other files into the folder. This should fix the problem, all files from the zip need to be there to work.

(OPTIONAL) you CAN use Vortex mod manager to manage your bg3 mods on there, in which case any nexusmods mod will have a direct download button for you. Personally I have my subnautica mods loaded from there so bg3 is unavailable.

HOW TO MOD BALDURS GATE 6 IN EASY STEPS + SCRIPT EXTENDER

Make sure you have Baldur's Gate 3 Installed. I have it on steam, I don't know how to help with EA, sorry.

open your file explorer/documents. Go to Admin -> AppData -> Local -> Larian Studios* -> Baldur's Gate 3 (leave launcher alone). Create a mods folder if you don't already have one, but one should have been created on your first bootup. DO NOT CLOSE THIS TAB. THIS TAB STAYS OPEN UNTIL YOU ARE DONE MODDING. * I also just search Larian Studios in Local Disc (C:) but that does take some time to load

Congrats, you're ready to mod! Now, most good mods will need something called the Baldur's Gate 3 Script Extender. You can find the download page here, and this time you're going to hit the green "code" button. Ignore everything else. Hit download zip

Extract the file again, but this time into Local Disc (C:) -> Program Files (86x) -> Steam -> Steamapps -> common -> Baldur's Gate 3 -> bin* ** * MAKE SURE to extract it to the bin folder. Some other mesh and texture mods use the data bin, so confusing them is bad. ** you CAN directly extract the folder to the bin, but I personally find it easier to extract the zip back into downloads, then open my other file explorer and click and drag the whole extracted file into the bin folder

The fun part begins! Go find some mods you like (nexusmods mostly, gamebanana MAY have some). Extract folder to your mods folder in larian studios -> baldur's gate 3 -> mods. ONLY DRAG THE .PCK FILE. YOU DO NOT NEED ANY OTHER FILES UNLESS THE MOD MAKER SAYS SO.

USING THE MOD LOADER: you are done with file explorers! Go ahead and boot up the bg3modmanager.exe file from earlier. Any INACTIVE MODS must be CLICKED AND DRAGGED over to the ACTIVE MODS side. If you don't see any mods, hit the blue circle refresh button. After that, hit the "export order to game" button right beside "export". If you see a green popup at the bottom, you are good to go!

All done! You are now on your modding journey! (if you have any outlying problems, my dms are open and there is a whole host of modders out there with answers!)

NOW TO THE FUN PART: MOD PACKS!

My own Game Optimizer Pack (basic): includes General Fixes (general bug fixes), Improved UI & Improved UI Assets (necessary for customization mods), and Mod Fixer (necessary for mods to work) *you CAN download all of these files individually from https://www.nexusmods.com but this is basically. a short version of that.

My own Game Optimizer Pack (deluxe): includes all previous mods as well as 5e Spells (spell fixer), Additional Backgrounds, Customizer Compendium, Show approval ratings in dialogue, Purchase camp clothes from merchants, Tav's hairpack

COMPANION MODS:

No Abs for companions/pcs

"oops all futas" (all female companions have penises, if you want like an all transfem run or something)

Customizable Origins (lets you customize if you play as an origin character)

Astarion:

Astarion Moles and blemishes mod

Vampire Ascendant (ability fixer mod)

TAV MODS:

Freckles and Moles as Tattoo replacers

Trip's Accessory Collection (has glasses & monacles)

Ophelia's Body Shop (top heavy/bottom heavy/chubby body alternatives)

Stronger Tav - Muscular Upper Body Mod

Top Surgery Scars

Alternate Top Surgery Scars mod for bodys 1 and 3

Strongfat body - humans and half orcs

Tav's Dadbod Mod

Softie Body - Tiefling 2

New Eye Colours and Blindess for all eyes

Transmasc Clothing options

Actually feminine and lore friendly dragonborn legs

Femme obese dragonborn body (no clothing options developed yet)

Chubby/thick/bbw body mods and clothes

Big gut dragonborn (male)

Female muscle mod

Less defined abs for male bodies

Game Enhancing Mods that I recommend! (if I have one marked starting spoiler! just. just download it and ad it just trust me dont look to far into it I promise it will be good. If I have one marked late spoiler! you can look at it and decide if you want it or later)

Faithful & Faithless - no mandatory choice of god

Mundane Blindfold (one eye cover)

No Romance Limit (polyamory mod)

highlight everything tooltip

Party Limit begone

No more spiders (all spider models replaced with dogs)

Ritual spells for rp fun

Colourblind friendly spell slots

Camp event notifications

Autosaver/Save timer (GET THIS IT SAVED MY LIFE SO MUCH)

Histories & Occupations - new backgrounds

Scratch colour variety (late spoiler!/not spoiler heavy)

Just Story (for those who just want the story. every enemy has 1 hp)

Wyll's Devil Form (starting spoiler!)

Eyes of the beholder (eye alts + scleras)

[raven-the-claw]

A Complete Guide To Chaotic Academia

bc its my fav aesthetic and there is not enough content about it

Outfits

most people say that chaotic academia is just dark academia but a little bit more messy, and, well, chaotic. the truth is, chaotic academia is A LOT more messy than dark academia. you can still use dark academia as kind of a "base", but you are going to replace your blazers with flannels, your turtlenecks with tshirts. as for pants, you can go with litteraly anything: cigarette pants, tailored trousers, ripped-up jeans or normal black leggings. i personally really ike ripped up overalls bc they give that "i dont really give a damn, im so misunderstood, my parents didnt love me, im a crazy lonely introverted teenage child" vibe...idk. whatever you wear, make sure you feel comfortable in it! even tho in chaotic academia there are almost no rules at all, here are some things that might help you!

colours: any earthy tones are fine, brown, caramel, dark green, dark red, white, etc etc

fictional characters that might inspire you:

-remus lupin

- any dpc character

- jess mariano

- sydney novak

accesories: flannels (a personal fav + they make even the most boring fit look better), cardigans, converse (bonus points if you draw/write on them or if you have them laced in a weird way), bracelets or necklaces that mean something to you, harry potter back packs, tote bags...

hairstyles: whatever you want, just make sure your hair is ALWAYS messy, looking like you just fucking woke up

Activities and Traits

ok now we're getting to the actually important part bc (repeat after me): chaotic academia is not about how you look, its about how you live and how you act. so here r some thing that might help:

- annotating books with the most unhinged random thoughts

- learning poetry or speeches word for word but not remembering most of the things for school

- studying in the (school) library and being besties with the librarian (optional)

- leaving notes (on trees, mailboxes or library books) for strangers to find

- "studying while listening to classical music" and then instead of studying you end up agressivly mouthing your favorite song

- im sure yall already heard this one, but yes, swearing and slag while discussing deep academic topics is incredibly important

- speaking of important topics: posting something important on social media knowing no one will read it

- doodles on your hands 24/7 (NO SUSAN, I DONT GIVE A DAMN THAT ITS BAD FOR MY SKIN)

- sarcasm. a lot.

- random thoughts

- random quotes

- knowing a ton of conspiracy theories that you dont even beileve in by heart

- listening to all different types of podcasts

- one day reading the classics, the next ya fantasy and day after that ao3 smut

- multifandom, multishipper

- tea/coffee addiction

- adding b.c. to todays date when writing it in school

- random thoughts and the weirdest annotations in your school notebooks, especially the classes that you find boring

- "going to the bathroom" and then spending half of your math class drawing/reading/smoking/crying/thinking/whatever the fuck you wanna do there bc ur tired of everything

- stealing random stuff from stores (tho it is not encouraged blah blah blah)

- watching gilmore girls every fall

- telling people ur favorite colour is green even tho it isnt just to let them know that ur gay

- reading in class, on breaks, at home, parks, meetings, aethletic events, and generally all the fucking time

- doing (mostly) everything last minute

- bad at photography, but you enjoy it

- cold tea my beloved

- wearing one item every day: it can either be a necklace, a flannel, a bracelet, a badge, headphones, earrings etc etc

- extremely messy handwriting, always writing with black pen

- crying at least once a day, but only when ur alone, being super emotional but never showing it

- hobbies include reading, screaming in your pillow, learning unique languages that you will probably never use, rewatching dead poets society, harry potter, enola holmes, end of the fucking world and gilmore girls

- massive bookworm, reads all the time, always has a book with them

- skipping class, not that often tho

- 💫anger issues💫

- hyperactive and lazy at the same time

- uses big words but makes fun of other people when they do it

- writes (rebellious) book quotes everywhere, every single one of their notebooks had IF WE BURN, YOU BURN WITH US written in them lol

- random useless powerpoints

- analysing taylor swift's folklore and evermore instead of sheakspeare because its just better

- retired almost-emo, had a phase when they wore black and acted all mysterious but were never really emo i cant explain it

- likes mcr. this one speaks for itself.

- gay and sad. no explanation needed.

Books, Movies and Music

Books:

- Harry Potter by you know who (WE DONT SUPPORT HER THO)

- The Secret History by Donna Tartt

- Night School by CJ Daugherty (is that how u spell it lol)

- The Ninth House by Leigh Bardugo

- Six of Crows by Leigh Bardugo

- Heartstopper by Alice Oseman

- Pride and Prejudice by Jane Austen

- Emma by Jane Austen

- Hamlet by Do I Really Need To Say Who

- The Perks Of Being A Wallflower by Stephen Chbosky

- The Picture of Dorain Gray by Oscar Wilde

- Frankenstein by Marry Shelley

Movies/TV Shows

- end of the fucking world

- heartstopper

- harry potter

- enola holmes

- dead poets society

- gilmore girls

- httyd (no kidding lol)

im not really a film girlie so if yall have any recs please lmk

Music:

- Mother Mother

- Taylor Swift (obviously)

- Lana Del Slay

- Conan Gray

- Olivia Rodrigo

- My Chemical Romance

- Lovejoy

- Bowie

- Queen

- Radiohead

- Björk

- Those random Disney songs i know you scream to at 3am

also whoever sings the IMJUSTATEENAGEDIRTBAGBAABBYY song

here is my playlist if yall wanna listen to it

hope that helps lol

[squidslugs-art]

anybody else up completely redesigning the cast of one of their stories to make it original and not a pokemon universe based one

no? just me? shame

(tawny | nutmeg | hibiscus sarsaparilla | firecracker | stripes clawin | glare | arkea)

thoughts and philosphys behind their design changes and such below the cut!

tawny: borderline unchanged! besides a little bit of change to his ear markings and removal of all plusle association. and thank god because fuck those plus tails man. but his design is so strong i couldnt really change a whole lot - thank you 2020 wheat for making such a good design!

tawnys scars however got a HEAVY redesign them make them look more intense. those lame scratches from before did not come from a dragon. added a bit more spread out to his neck too for a big bite mark across the back of his neck. i kept his usual trouble with opening that eye over because i think its iconic and much more interesting than just keeping it closed or removing it

also he limps now. he broke his leg in the attack too and didnt rest it properly so it didnt heal properly. i decided against giving that a visual indicator because i dont think it would really have one logically - this isnt a cinderpelt situation, he broke it by landing at a poor angle and then didnt let it heal properly, so it wouldnt really be scratched up or be twisted in any way.

nutmeg/lewis: a name change to match some new lore about rabbits (naming them after stuff they'd know about instead of human names) and also because as much as i liked the name lewis, it felt very strange having it stand out as the super different name in the family

otherwise? also borderline unchanged besides a few new and recoloured markings to make them a little more unique from his brother. they arent twins or anything man. nothing else to say about it really, hes literally the same guy as before basically.

hibiscus: a complete design overhaul, although using the philosphy of her old design; she still looks like shes related to her kids without looking like a carbon copy like the old design. i wanted her to appear as Parent with only a few shared traits with her kids instead of all of them. you can see what they inherited from her and what they didnt instead of them being borderline clones of hibiscus

i leaned heavier into the pinks and making her lighter than her children (sunnyside warren is mostly dark coated rabbits, so shes on the lighter side for them) and i tried to inspire a bit of a flower motif with her face marking, relating back to her name. i wanted to actually make her look a bit like the flower in general

continues to be the only character in shattered glass with an accessory! i couldnt remove it. its iconic. and i made her future scars a little more obvious on her, although the design pictured is where she is early-story

sarsaparilla/elsa: a name change again for the reasons spoken of in nutmegs section, and also because of the unfortunate frozen association. i did not name them (they are from a very old rp and was the child of a character who was not mine)

a COMPLETE overhaul pretty much, going from poochyena to a jackalope of all things, making them the only fantasy animal in the story, although jackalopes are not regarded as such in universe (instead being considered a rare mutation of normal rabbits and are treated like and called rabbits). i thought it was fun as it makes their role as the soothsayer of the warren more standout in their design by giving them a very unique trait. im sure this special treatment given to them because of it implies nothing.

this was because becoming a xenofiction story, the implication of going 1-1 with their pokemon species and making them a wolf of some sort felt... contridictary with their role, so i completely overhauled them from a young-ish wolf to a elderly jackalope, old and wise and full of wisdom and future visions, for sure. i managed to keep a little bit of that old design intact with their markings and colours though, as a little nod to poochyena my friend poochyena

firecracker/jenga: so the backstory around sunnyside warren, the home of all of the rabbits we've seen so far, is that they struck a deal with stoats that moved into the area to stop them from hunting them. these stoats are firecrackers parents.

previously a mightyena/braxian hybrid, i wanted to go a completely different route for jenga. i dont know why i gravitated to the stoat family, it just slotted in... perfectly. they had been slated to have been a childhood friend of tawny and nutmeg before drawing away after nutmegs death and ultimately going missing entirely, i felt like slotting them into the role of the future guardian of the warren kept the reason for them to interact with the siblings since theyre of similar age while providing inheritant conflict that would keep them further apart when they get a bit older despite their shared experiences.

so! a changed name for a new stoat name custom (named after more human concepts) and basically the exact same colours with a different set of markings to give that firecracker name good reason. i think they came out SUPER solid and cute i love it sooo much

fun fact: i initially planned for it to have the black as a base with white and orange markings, but after colouring the rabbits first i realized that white would look nice as a contrast against the darker coats of the warren, and i think that was a good call.

stripes: OH BOY. the hardest of all the designs in here to figure out. ve was the only one i hadnt settled on a species on when i started sketching these about a month ago and i still didnt until about a week ago - i initially planned on vem being a pegasus, and playing around with the exact design of pegasi in the universe (they were going to be quite bulky and designed for mountain environments, and their wings were going to be more for gliding than flying), but in the end i felt this didnt suit xem, even if this meant ditching the wings from their design for reasons ill get into in arkeas section

i knew i wanted her to be big, and i didnt want to make xem a predator of some sort, so i was kind of stuck with either monkey, marsupial or large herbivore. i am NOT drawing a monkey and i couldnt think of a marsupial that really fit vem, so after much messing around i settled on mountain goat.

xer colours stayed effectly the same, but i converted their "stripes" into sort of a patched classic tabby cat appearance. im not really sure why i did that, honestly i just thought of it randomly and thought it looked good. ve didnt have many markings before so i just started throwing stuff around until something stuck. some early concepts leaned more pink and orange calico markings or doing a cloud theme.

also, a missing leg, because i realized lately that i have a habit of making all my disabled characters anthro animals that fly who have a flight-related disability. while a fun idea to play with (coming up with the way flight aids would work, the ways a flight disability would effect someone in a flight-based society, etc), pegasus!stripes had this instead of the leg at the time, and then i realized my trend and wanted to make it something that was more grounded in real disabilities instead of making them all based in traits we, as humans, dont have.

CLAWIN: ohh. clawin clawin clawin. im so glad i went for a redesign angle on this story purely for him - i love minun, its one of my favourite pokemon, but that yellow looked so FUCK UGLY on him man. this design i did in one take, and i nailed it i think. its such a huge glow up im so proud of how it came out

first, his eyes, which i consider one of his most important traits - i kept over his weird heterochromia, although instead of giving him an unexplained blank red eye (leftover from when clawin was evil and the reincarnation of a dead character), i gave him a broken iris. coming from a concussion he had earlier in life, his vision is blurry in that eye as a result. its a fun way to keep his "strange looking" red eye while it having a reason to exist. not that i minded him having a random evil looking red eye, but i think its more fun to base it in realism.

i especially am fond of making him a hare instead of a rabbit, making him tower above most of the rest of the cast and giving me the option of making the guy ive always written as being very limited in his expressions (its probably autism now instead of being emotionally repressed) a little more creepy factor by leaning into hares really freaky eyes. not seriously or wahtever, but i think it gets weird when he stares at you for too long.

in general tawny and clawin are meant to contrast eachother as characters, and i wanted to match that design-wise too, which i think i finally succeeded with here. tawny being soft, round and sweet looking and clawin being long, lanky and a little scary looking, despite tawny being full of hate and clawin being nice to a fault.

GLARE: just like stripes, just a complete overhaul for them. again, 1-1-ing an umbreon, especially for the character who is romantically involved with clawin, felt strange for their dynamic. i ended up landing on a flying fox for him instead, since it still kept the 1-1 in concept (being a flying fox instead of just a fox) and its a lot more fun to get a little more out there with the species, especially in a story of mostly rabbits. i can see them being awkward going forward in terms of anatomy and interacting with other characters as a result, but i think it was a good choice and made glare, one of the less inspired designs in the cast before, far more visually interesting

i ended up keeping the umbreon yellow around though, although with a leaning into a heavier purple for the base and some new markings. i think it came out really nice in the end, although i did basically make up the markings on the fly instead of keeping any of their old ones (but they were just a normal umbreon, so...)

i did, for some reason, go the lineless fur effect, especially around the mane, something that i spring for occassionally to give "puffball fuzzy" as the texture im going for. i basically did this on vibes too. this whole design was just kind of winging it to completely remake glare from the ground up with little to no reference to their old design really.

ARKEA: ohhh boy. arkeas previous design was as equally as uninspired as glares and i think got thrown out EVEN MORE than glares too. at least glare shares yellow in common in umbreon. you wouldnt guess what pokemon arkea was before if you didnt know already (its an eevee)

i threw everything out but the kitchen sink and decided to add the only BIG carnivore of the series - a komodo dragon! a total overhaul from the previous design, which is what i wanted, with colours and markings inspired by chinese water dragons to finally give them the unique look theyve deserved for YEARS. being the """villain""" figure (not really but thats spoilers), i wanted to make them all big and imposing to contrast on them kind of being a bit pathetic, as the guy whos going around kidnapping and abusing people because they want the rabbit to kill a guy for them and/or teach them how to kill that guy.

being rebuilt from the ground up meant that theres no major philosphy behind their redesign to the new one though - i literally just made a whole new character with 0 relation outside of name really. i picked green because they were the last one i coloured and green was the colour i didnt use at all for the rest of the cast, so i just rolled with it, and thats pretty much it.

anyway if you read this far: thank you for listening to my horrible ramblings, feel free to send any questions you might have about my freaks to my main blog @squidslugs, and let it be known that the flower images i used as background are selected for a reason and if you can figure out what they are they might tell you a little bit about said character. WINK.

[pumpkster]

The coloring process also

Your art doesn't seem to one or the other both are essential to making the abusolute eye candy that you make

HAHAH thanks so welcome back then

im gonna use the scuffed giovanni for this . you should have a gray background by the way (in the progress at least, white backgrounds in the end are fine)

pick a white (which is not white) (i might change it later)

base colours (i like to go pastel / less saturated so the shading can be the heavy + showy but you can do whatever)

you have all the base colours in 1 layer then you do this (described in the other post) basically you put a gray layer above it so you can picture better where the shading would be

i was going to show the next step but remembered some tips to help stuff blend better

(first one adds the tone of the skin to the bangs) (second one adds fading on the forehead) LOL now back to giovanni

above the grey layer you create a new one in the same mode where it doesnt go out of the lines and you shade with red (or any colour, its your choice)

you delete the gray layer anddd you copypaste the shading layer 3 times (in the colours i recommend :>)

gotta look like this , i like to put the brown, red and blue in multiply (the layer mode) and play with the opacity until i find something i like (purple not that much)

(%25 brown multiply, %13 blue multiply, %5 red multiply if you like the recipe)

tada (im going further in shading but this actually is a good solid result to end in) okay okay , now new layer on top

you go and fill the shading enough so it has an outline (i understand myself) and experiment with the layer modes again , im gonna try light blue/purple and green, not pink because giovanni is already pink , he has warm colours so gotta go to the opposite side of the wheel

%13 of green on luminosity if u care, i could try flashy colours but no need to over-do it, its just him chilling

this isnt part of the tutorial i just like to add shade to his face like if he was up to something, also i made him look evil idk i dont like how he looks (bc i wasnt planning on colouring this)

now lets put colour in the lineart

better

i went to add fading to his arm because i dont want it to be the focus and i ended up adding light also to his cape LOL pretend i know what im doing (soft light layer)

im stopping here but thats it

[paleo-cafnir]

whats your general work flow in zbrush to make your realistic dinosaur textures, im still trying to figure out how to make my dinosaur textures look realistic ;w;

Hey, thanks for the ask! I saw your edit where you meant substance painter instead of zbrush so I will do a breakdown on my texturing workflow in there.

I find the key to realism is a lot of contrast, noise, variation and randomness!

I always start with just the base colours where I remember the above keys and fill in the patterns on the animal. Some colours are also just easier to make look realistic on dinosaurs than others! I find browns just about always look good while blues as an ex can be much harder to make work.

Using my Tarchia as a reference this is how it appeared after I painted just the colours, which I did using mostly the default dirt brush and a few other dot, mold, dust and other dirt default brushes. Afterwards I also go over with a few dirt and noise textures set to overlay to add more variation.

My next step is to add in ambient occlusion and curvature generators. I usually do 4-8 set at different colours, balances and some at multiply and others at overlay. This automatically puts in any ambient occlusion and natural fading to the scales that helps in final rendering.

During this process I also add lots of variation in the roughness maps! Keratin especially should have a very shiny base and then have lots of dirt generators over the top to add sharp variation while between the cracks have little to no reflectivity, which I also apply to the scales.

Now my final and favourite part... Cement das conk creet baybee!!

I literally just put a cement dirt generator over the top of the colour and as a high roughness. I don't always do this but usually I find it helps give the appearance of dirt and dust that's gathered in between the scales. a lighter colour brings more attention to the individual scales and a dustier appearance instead of just blending into the shadows and AO. It also adds extra noise detail for when you zoom in that is basically impossible to achieve at such high detail in the sculpt alone.

Extra things that can help are adding a specular map on top of the roughness with lots of noise breakup. If you're doing close up shots, UDIMs and splitting the head and body can help too like I did with my Tarchia. Most of the texture quality comes from the colour and normal map in my experience.

Best of luck! And remember good lighting can make even the least realistic textures look real!