#im always hungry

[maidomaidomaido]

man im hungry

[kang-yina]

Eating is not enough, I need to photosynthesize

[follyenjoyer]

what the fuck im so hungry

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[vitamin-sour-gummy]

...

[puppyeared]

my attempt at making a fursona

[teh-inggris]

I need to chew both of them like a stress toy

[sebek-zigbolt]

get cramped idiot

[anoant-haikyuu-dump]

Timeskip fukutoras

[crumb-crumblet-s-crumbington]

oup… 🥣

[faunandfloraas]

You know it's serious when he loves his members more than drumsticks or eel

[lunarharp]

idle leftovers...i drew the dream from my last post

[gin-juice-tonic]

Not to get too into it, because to be honest I don't enjoy thinking about the bill book, but what with the panel being tomorrow/today it's on my mind right now anyway. So lets get a teensy bit into it.

The subject at hand: The giant back and forth block quote dialogues in the missing journal pages section.

I think we can all admit that's weird. To call it "significantly weird" would likely be a matter of disagreement, but it's definitely weird. Ford didn't write like that in J3.

But the thing about it is... It's not just weird in a vacuum.

It's weird and also paired with the context of the last however many pages before the journal ones having been essentially Bill's memoirs/biography/whatever.

Bill has been talking our ears off about himself for an entire book, and suddenly we get to these journal pages where it is for some reason of the utmost importance to quote every bit of dialogue Bill is delivering. It takes up several entire pages, over and over again. None of that was something that could've been paraphrased or otherwise condensed in some way?

While it is true that Ford had a lot of reverence for Bill pre-betrayal, I don't think it went so far as for him to feel he must record every word Bill said to him like this. (And continue to do so post betrayal as well?) Within Journal 3 proper, we don't even get a single quote in general from Bill until Ford details his time in the nightmare realm after his return.

I don't think Ford thought the journals needed all these direct quotes of Bill's in them. I think Bill does.

I think Bill's been screaming "pay attention to me!" for an entire book, and now you're gonna have to sit through his full set of remarks in these journal pages, because his thoughts and ideas and words are just that important. So important that he needed to insert them where they were never actually written down.

It could be that he genuinely said some of it, and wanted you, the reader, to 1) know that he said it and 2) know exactly how he said it. Some of it might be things he said but paraphrased or edited in that sort of "And then I said [xyz]" way people do when they tell stories. And maybe some of it he's just completely made up. I think there's probably a mix/assortment of all of these going on. But regardless of what of it is true and what isnt, I don't think any of it was ever in the journals.

.

Though I do admittedly have a stance on one "quote", and it's that Bill supposedly being the one who first said "Trust no one" has real "Yeah, I taught him that" energy. Like oh, I'm sorry. Ford's famous quote was actually yours first, Bill? The big quote central to the big mystery element of Gravity Falls and heavily affecting the attitude of the main character was one you came up with, not Ford? Sure, pal.

[ninoochat]

Holy fuck

[rouzys]

you asked me what i wanted, aimee wai

jim mcisaac / len redkoles / bruce bennett / bruce bennett / al bello / len redkoles / len redkoles / len redkoles / patrick smith / patrick smith / brian babineau

[todayisafridaynight]