#im allowed to want to feel like im wanted. im allowed to want ppl to care abt me. that shouldnt be too much to ask for

[puppyeared]

mascot

[stupidrant]

Since we’re on the topic of video games, im tired of these fucking remakes. Ive said it before but i’ll say it again each time. These companies dont wanna invest in an actually good remaster or port and would rather waste their time with these remakes bcuz “ooh look how shiny and better the graphics look!!1!1!1” often times it has an empty feeling because everything has to be ultra realism super 6000. Its gotten so bad that now regular gamers are starting to gaslight you into playing or enjoying them. So much has been lost artistically, (like the cool UI designs) that it’s now considered “juvenile” and that i need to “grow up” and “accept it” 😂

[witchspeka]

It's always "Shou and Ritsu need to blow stuff up with their minds for mental health reasons" or Ritsu and Teru or even Shou and Teru!

But what about Mob? When does he get to blow stuff up with his mind for funsies? For shits and giggles? He didn't go through all of those meltdowns and character development for nothing, let him go ham on a junkyard car or something smh

I believe in Mob's narrative given right to fuck shit up sometimes

[possamble]

I'm not allowed to be on social media for more than two seconds today but I just wanted to say that Laios will absolutely have his own reaction to all this as someone who would die for Falin but has also imprinted on Marcille as his Emotional Support Comphet White Girl Not-Girlfriend along the way

[hauntingofhouses]

BRB thinking thoughts about Taigen's character, the TaiMizu ship, and a big chunk of fandom's perceptions regarding both those things.

(Inspired by @farintonorth's post related to this topic that just got my brain going brrrrr)

OK so let me just... start off by saying that I think that reducing stories to their tropes is seriously detrimental to the way some people are interacting with fiction, and while that honestly warrants its own post about the subject, I wanna talk specifically about how this affects the way some people in the fandom talk about Taigen and TaiMizu.

Because yeah, tropes are useful shorthand to refer to certain dynamics or archetypes etc, and they are indeed the building blocks to any story. But in a well-written story, characters and their relationships, actions, and motivations, are much more complex than just tropes. Because in a story that has characters who are more than just cardboard cutouts, their behaviours, backgrounds, motivations and all of that, are inseparable from the context of the overall story they exist in.

So like, sure, you can say Mizu and Taigen have an enemies-to-lovers or rivals-to-lovers dynamic. I also use those terms because it's easier. But I also think this is where things start to get a bit twisted, especially from an intertextual sense. Because "enemies-to-lovers" is also commonly used to refer to other ships in other media, whereby it tends to be rooted in an imbalanced power dynamic, such as oppressor-oppressed and bully-victim.

And while that's a whole can of worms that I won't be getting into because it can quickly derail into a whole separate sort of fandom discourse, I'd just like to make it clear that Mizu and Taigen, in particular, do not have an imbalanced power dynamic. They are not bully-victim or oppressor-oppressed. The only understandable reason why someone might actually think their relationship is imbalanced is if

A) they only watched the first episode, or

B) they cannot grasp the slightest bit of nuance in a character, or

C) they're being obtuse on purpose simply because the Mizu/Taigen relationship, or Taigen's character in general, just doesn't suit their tastes.

While yes, Taigen, along with his whole gang, had bullied Mizu when they were children, that dynamic does not exist between them whatsoever in adulthood. Whatever imbalanced bully-victim power dynamic that had once existed between them was decisively ripped apart the moment Mizu beat him in that duel in the dojo, and then completely obliterated by the end of the season.

Mizu is not a defenseless victim at Taigen's mercy. Mizu can beat Taigen's ass any time she wants (and she DOES, repeatedly in fact), and could even kill him if she felt like it. She taunts him openly and without fear ("I like your hair"; "I can beat you with any weapon you choose") and all he does is bark back, because that's pretty much all Taigen ever does. Time and time again, he yaps about how much he wants to kill her, but time and time again, his actions prove that all of it is just an empty threat. Because though his words say "I hate you", his actions demonstrate the complete opposite. He's shown how protective he is of Mizu, how unhesitatingly he sacrifices himself up for her, how loyal he is in enduring days-long torture to not give up information about her, how even when near-death and in pain, he's still willing to keep standing back up so he can fight by her side and help her win against her enemies.

And Mizu is not an idiot! She sees that too. She does not see him as a threat, an enemy, or even a bully. Especially not by the end of Episode 3, and definitely not by the end of the season. When she finds him in the dungeon in Episode 6, she smiles from relief, and doesn't think twice to take him with her. Mizu finds him, at best, an annoyance, or at worst, an infuriating hindrance on her quest for vengeance. Which is why, when Taigen is about to say, "It's a shame our duel's set for tomorrow; I have to kill you before you get your revenge," Mizu whacks him on the head without a second thought before he can even finish his sentence, and leaves him lying unconscious, face-down, in the snow.

And this further emphasises how he does not hold any power over her. There is no abusive power dynamic between them. She is more powerful than him, he knows this, and all he's ever done after they've met up again in adulthood is get his ass whooped by her, get mad about it and pester her and follow her around, get his ass whooped by her some more, and put his life on the line to protect her.

"OOoooOOoooH b-but he called her a demon at the end of Episode 7 and threatened to kill her again!!!" Oh my god. He called her that because he's calling her out on her selfishness to stay silent about her knowledge of Fowler's plans to attack Edo. Because to him, loyalty and honour as a samurai is more important than anything. So in his own brash-and-immature Taigen way, he felt betrayed that Mizu did not hold the same principles. That's why he got angry. He wasn't even that mad about letting Akemi get dragged off by the Tokunobu guards. It was about saving the Shogun and the Shogunate as a whole. That's why the first thing he does in Edo is not find Akemi, but try to warn the Shogun about Fowler's attack.

Look, I'm not defending his stupid ass, of course. Because calling her a demon especially after their cute little wrestling time was obviously rude and inappropriate, especially since words like "demon", "monster" and "Onryo" have had such a deep effect on Mizu throughout her life, and continue to contribute to her self-hatred. But like? That's the fun of realistic and flawed characters, and realistic and flawed relationships. They're not perfect, and it's why we as an audience root for them, wanting to see them work through their shit and find a way to prevail despite it all.

Also, him saying that was in the heat of the moment. He was angry, he felt like his initial belief of who Mizu was—a strong and loyal samurai, just like him—was shattered, and so he lashed out. Was it rude? Definitely. Was it immature of him? Yes, incredibly. But it's also very much in line with his character, because even though he's grown a lot over the course of the season, the show isn't over yet, so obviously his character arc is just beginning, as that is also the case for the other three main characters: Mizu is beginning to accept herself, Akemi is beginning to grow into her position of power, Ringo beginning to train under Master Eiji, while Taigen is beginning to simply be a better person.

On that note, when speaking of Taigen's immaturity, I think that's also one of the main things that people tend to gloss over when it comes to his character. Because when you boil everything down to its bare essentials, Taigen is, essentially, a boy. I've talked about this before, but to reiterate, Taigen very much behaves like an unhealed child. Even as an adult, he is insecure, prone to throwing tantrums, and is desperate to latch onto some material goal in hopes that it will make him feel better—initially he was chasing status/glory/greatness, and then when Mizu tells him that "Nothing comes from being a samurai but death," he immediately decides he wants to run away with Akemi in hopes that he will be happy.

And it's a big step, acknowledging that he doesn't truly want greatness, but had always just assumed it was his only path to a good life. But it's clear he still hasn't really figured it out. Because if he did run off with Akemi to get married and live in the countryside, he still wouldn't be happy. Because he still doesn't know who he really is, or what it is he really wants. Marriage at this moment is the last thing he needs, and as he is now, he would be a pretty awful husband. A simple life would be good for him, but would he be good at a simple life, when he still has so much he needs to work through?

So anyway, what I'm getting at here, is that he's trying and he is learning and growing. So yeah, he is flawed, but honestly? So is Mizu. And the funny thing is that they're flawed in very similar ways.

Because Mizu is also an unhealed child. That's why she's so angry all the time. That's why she pushes people away. That's why she, just like Taigen, is so happy when given the chance to playfully wrestle in the forge, laughing and rolling around like children without shame or pretense.

Again, this shows there is no imbalance between them. They had grown up together as peers from the same town. And while Taigen had had the upper hand back then, because he'd had a gang of other kids with him, that is definitely not the case anymore. Today, they are equally flawed, equally strong, equally skilled swordsmen, and equally bull-headed.

However, yes, Mizu is definitely leagues more mature than Taigen. But she still holds a lot of childhood wounds that mirror Taigen's own. And we see this especially in relation to her mother. Similar to Taigen who had an abusive and alcoholic father, Mizu's Mama was an opium addict and had hit her, berated her, had shaved her head without her consent as a child, and as an adult, had constantly emotionally manipulated and guilt-tripped her. Mizu's love for her Mama was what had driven her to a path of vengeance in the very beginning. And when she'd found out Mama was still alive, she had wanted nothing more than her Mama's love, and it was this alone that pushed her to agree to the marriage with Mikio in the first place. And now, knowing from Fowler that her birth mother is someone else entirely, is what makes her agree to keep him alive and haul his ass to London to seek answers.

Thus, integral to Mizu's self-hatred is also Mizu's intense longing for love and family. Just like Taigen, whose pompousness comes from his insecurity about being the son of a poor fisherman, Mizu's goals are also shaped by who her parents are. Remember, her vengeance is not against just anyone who's corrupt or evil, but specifically against the men who she believes had assaulted her mother, the men she believes had made her a monster, the men she believes had abandoned her to die and continue to try to kill her. Her vengeance is against a father, on behalf of a mother. In The Tale of the Ronin and the Bride, Mizu is not merely the Ronin, the Bride, or the Onryo, but also the Child.

This is also why Ringo is so good, not only for Mizu, but for Taigen as well. Ringo is wise and caring and considerate, but above all, he is in tune with his inner child in ways that Mizu and Taigen are not. He is always earnest and positive, he sees the world with childlike wonder, but is not naive or blind to its ugliness. His whole life has been a battle. Ringo brings out the best in Mizu, consistently acting as her moral compass and conscience, and Mizu's choice to save Akemi in the final episode is only because she promised Ringo that she would. Because it's the right thing to do. Ringo inspires her to be a better person, and to think outside of her narrow-minded goal of revenge. At the same time, Ringo also brings out the best in Taigen. While at first Taigen had looked down on both Mizu and Ringo ("Half-limb to a half-wit"), by the end of the season, he's proud to have Ringo as a friend and ally, he listens to Ringo's advice ("What would Master do?"), and asserts to the fucking Shogun that Ringo is a worthy warrior to have by his side.

Okay, I've gone on a bit of a tangent here, but my main point is that Mizu and Taigen are incredibly similar. They are equals. They are both flawed, unhealed children who are chasing some impossible outlandish goal in hopes that it will fill the void in their hearts. They also both have a long way to go in terms of character development if they were to ever build a healthy romantic relationship (either with each other, or even with anyone else). So while I believe things will be rocky (because duh, it's a story, we all live for the drama, etc), I think with Ringo's help, they'll get there eventually.

[toxooz]

Feel free to not answer this if its too invasive but what do you do for work? how do you manage your time to still create such awesome things while working? sorry if this comes off as weird I just want to find a way to work while still having time for my art

hoo boi ok i went into the job field hellbent on getting a more heavy duty job like welding and just do art as i please and preserve my passion for it so i dont get burnt out from an art job, but bröther ive realized the hard way my body just don't have the energy to balance working my ever sweatin ass off all day and Also have the energy to draw. I used to have a factory job building coolers but the management went to pure shit, all my good coworkers got fired or quit, and i was beginning to not trust myself holding a framing gun sOOO as of rn i '''technically''' don't have a job, my patreons payin the bills (and then some praise the lorTTTT) rn plus i got that mural gig that came at the most perfect time but im currently perfecting my craft at tattooing so i can get into that field eventually 🤙 i worked my ass off and drew my ass off for a while but my lack of energy made me crash and burn so i may not be the person to give advice on that AHHAAaa

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

[stuworbutwitheds]

I still think about Edd and May so let me talk about a little thing that i need to get out my head really quick

Yall remember this scene right?? May crying bc she got rejected and stepped on (literally) on her love confession and all.

Besides this being a very sweet act of Double D by giving her a card to not make her feel lonely on Valentine's day, there's something else about it.

Double D chosen the card it was supposed to be for Nazz. You know, the prettiest girl for most of the boys in the show. He gave May something it was meant to be for a girl he actually has kind of a crush on just to make her stop crying. I think that's cute.

[bunnyboy-juice]

spent the first hour and change at work deleting some old files and am having a grand ol time laughing at myself for not realizing i was a lesbian sooner

[hecksupremechips]

I’m not deep enough in the yttd fandom to really know if this is a controversial take to have but. I think soushin is interesting. I don’t think this in a “omg wow they’re soooo in love and I want them to be together” way, not at all lol. But I think to act like it’s impossible to see a romantic/sexual aspect of their relationship is really fucking stupid. I try to refrain from acting like there’s a solid truth to their relationship cuz the game isn’t finished yet so there’s always the likelihood that we’ll get more information later, but the thing that always gets me is when ai shin mentions that hiyori claimed to be an older student at his school but he later learned that wasn’t true. It sounds so eerily like a grooming story and the way we see human shin retreating into himself In reaction to that hits really hard, like he’s embarrassed it ever happened

Then there’s stuff like the detail that hiyori would always take pictures of shin without consent and would hang them up, or the fact that hiyori kept a personal shin ai for himself that he had control over, or the way that maple is supposed to parallel shin. It all just sounds like they had a relationship that blurred the lines a lot in a way that was very uncomfortable for shin. Moments like the shin ai sobbing and Hiyori saying “no don’t be like that show me your cool side shin!” and shin reacting to that, it’s like hiyori is trying to praise shin while hurting him. Seems way too much like a common occurrence

I think also (but maybe im just projecting) that shin is pretty queer coded in a lot of ways (hot springs scene, soft-natured personality that he tries to smother, his relationship with hiyori paralleling a romantic one, etc) and I think this plays into his relationship with hiyori a lot. Because of gender roles and toxic masculinity bullshit, i really doubt shins soft personality was allowed to fly under the radar for most people, so he was isolated a lot. Hiyori probably made him feel special at first with the way he seemed to like this about shin, but it becomes pretty clear that hiyori loves to fawn over shin and treat him like a cute baby and really only loves shins personality cuz he sees it as easy to take advantage of. I think it’s really easy to imagine a scenario where shin is a closeted teenager who finally has someone he feels he can confide in and hiyori blurs the lines between romantic and platonic a lot and shin latches onto this because he wants to feel like he can be loved by another boy and thinks this is his only shot. It’s way too common and all the pieces just fit right into place, you know? And I’m aware of the line where shin says hiyori is like an older brother to him but imo I think these two things can actually perfectly coexist cuz again, theres blurring of lines going on cuz this is an abusive relationship and feelings are being toyed with constantly

Basically all this to say, I very much think it’s likely that there was a romantic and sexual aspect to this relationship going on. I wouldn’t say they were labeling themselves as boyfriends or anything, more like it was a vague mess that hiyori refused to elaborate on. I don’t ship these two cuz I think it’s pretty clear shin wants out of this relationship, but I think inherently being mad someone wants to explore the idea of them having this kinda relationship is really ignorant and is only gonna result in only shallow ass takes about abusive relationships being allowed

[comradebestie]

fuck byu all my homies hate byu

[jrueships]

WHOEVER THE FUCK IS RECOMMENDING MED PPL TO GO INTO RADIOLOGY JUST CUS IF THE MONEY, IM GONNA FUCKING gET YOU

[toytulini]

me, stupidly and weirdly resistant to listening to audio books vs reading a physical book for no real reason: man i wish there was a way to like, read a book while i crochet like i do with tv shows and movies and podcasts

[firstofficerkittycat]

i love when the goy ally outrage at snw has nothing to do with bacon or anything and theyre just like SO APPARENTLY ETHANOL PECK IS NOT JEWISH IM GONNA KILL SOMEONE????? HE IS A JEWISH CODED CHARACTER AND IS SO IMPORTANT TO THE JEWISH COMMUNITYTOHAVEJEWISHACTORSPLAYJEWISJCHATRACDTHSIISBHVSGHUJ like yeah babes. zach quinto is also not jewish r u gonna call the cops. they are never gonna cast a jew to play spock ever again thats what u get when u ask for tos remakes just saying

[buryam-soul]

You can't show me nlou hate as the first post in the hthm tags while im having a headache man cmon

[dnangelic]

btwwww even if you have nostalgia for the series or think you know my muses because of it please don't try to project that onto my portrayal... there's been this phenomenon over the past few months where occasionally people seem to forget that i'm still an actual person(tm) behind all the dnangel stuff and therefore feel i should be obligated to entertain or write with them (as a mun, and having had many, MANY bad experiences on tumblr, i can in fact be extremely selective, things are happier when they're smaller but intimate for me) OR people don't pick up that my portrayal is in fact only semi-canon and is therefore unique and hand-built. if you come in constantly swinging with your own idea of my muse without being willing to ever actually actively listen to me about how my portrayal actually is, (even just a little or in general, i don't ask for total understanding!) i'm not really going to be happy about the difference. especially when 99% of people who go through dnangel don't actually pick up on some of the details (this is ok btw the manga is somewhat sloppy and esoteric and most people only read it in middleschool) or they haven't gone through the other formats of media (drama cds, light novels) for it. let me do my own thing but also recognize it as my own thing too!!