#if you're a writer you're a writer even if it's not your job

[lamentationsofalonelypotato]

@zepskies

Honestly, your comments always make my day too sweetie 🥰

Totally agree on that's what makes him compelling to write for lol. Because it's such a unique challenge -- how do you create those softer moments for him, and/or character development, but still keep him "as himself." 😅 You did a really great job of it in this chapter, especially with the added dimension of the soulmate aspect!

Thank you!😊 I think it's going to be a lot of fun toeing that line in this series, because I think it's going to be even harder for him to act the way he always does when the reader is literally the other half of his soul. And really vice versa for the reader. She's seen all the things he's done and she's not sure how Ben is her other half. Basically there's gonna be a lot of drama and I love the drama lol

lmfaoo "perplexed" took me out. 🤣 The math is just really not mathing for Ben, is it?

Dude has never been good at math 😂

LOL once you put the idea in my head I could very much see it. The man is a mess. And the fact that he still goes to see her for conjugal visits. 🤣 Ben's "Just rip the bandaid off you fucking pussy" killlled me. Like sir, you'll understand his problem once you actually MEET your soulmate.

LMFAO 🤣

Tbh Bee Movie is more of an "experience" lol. It's basically just Jerry Seinfeld having a fever dream where he's a bee and that bee is in love with a woman. And like most animated movies there are a ton of jokes in there that hit very differently when you're an adult 😳. And most of the time you watch it and cringe at the events that take place and over the dialogue, and constantly ask "who approved this?" 😂

Omg pls, don't break me. 🤣🤣 I'll have to steel myself when that comes. I can only imagine how Ben is going to unintentionally fuck things up.

Girl, it's rough lol 😭😅

Each time I start writing something I think "oh I'll make this super soft and fluffy and cute and everyone who reads it will be happy," and then the writer goblin that lives in my head says " No. Make it more dramatic and angsty." 😭

Chapter 2: I'll Never Let You Go Again Like I Did

Pairing: Soldier Boy x f!Reader, Soldier Boy POV

Summary: With a birthday printed on your wrist that happened over a hundred years ago, you always thought that you were cursed to never meet your soulmate. But when you finally meet the man that's supposed to be the other half of your soul, you wonder if the stars were wrong, and wonder how this man was meant for you. Reader is Hughie's sister, is not a supe, and is a Literature Professor that gets dragged into the middle of things. This fic takes place in an AU set loosely after Season 3 and does deviate from the plot of The Boys

Tropes: Soulmate AU, Little bit of Grumpy and Sunshine, Age Difference (Reader is in her 20s), Protective Ben/ Soldier Boy, Jealous Ben/Soldier Boy

Warnings: Little bit sad, DENIAL, Homophobic Comments (Soldier Boy), Cursing, Mentions of drinking, Mentions of using drugs, Sexism, Mentions of Sex, Mentions of torture (Soldier Boy's Time in Russia) Loneliness, Longing (I mean… as close as Soldier Boy can get to it), Reader wears glasses?, Soldier Boy might be a little OOC.

Word Count: 6.4K

Song Inspiration For This Chapter: Until I Found You (chapter title is lyric from this song) and Coming Back For You

Note: Any references to the reader is made using you or your. There is minimal use of y/n. I tried my best to proofread, but nobody's perfect. If you don’t like, don’t read, but if you do like, you’re my favorite!

Internal Monologue Is in First Person And Is In Italics

Playlist for Series (Spotify)

Series Masterlist

Main Masterlist

A/N: Oh my goodness I'm so excited about this series and thank you so much to everyone for all the wonderful love and support so far! It really means the world to me 🥰

One Year Ago: Ben POV

Ben squinted his eyes as he stepped out into the brilliant sunshine of the early morning, shouldering the strap of his worn backpack with a huff. The people on the crowded, gum covered sidewalks shot him odd looks and gave him a wide birth as he made his way down the path, but he didn't care, in fact he didn't notice them. His mind was somewhere else.

He wasn't sure where he was going, just that something in the pit of his stomach was pointing him in this direction. Ben had started walking in what he thought was the way to Legend's apartment, but the streets looked so different than the last time he was in New York and he was a little turned around, but he wasn't going to admit that to anyone.

And there was something in the pit of his stomach, some instinct or gut feeling, that was telling him he needed to go this way.

It was an odd feeling that prickled on the back of his neck, as if he'd forgotten something. Ben wondered what exactly it was that he'd forgotten. He hadn’t spoken aloud to anyone other than the scientists who kept him locked in a cage so he didn’t exactly have a social calendar to follow up on.

I've been locked in a lab for forty fucking years, what is there to forget?

But the more he thought about it, the more it seemed just out of reach.

Ben raised his eyes from the sidewalk with a sigh to look at the people passing by, taking in their new clothing and different hairstyles to distract himself. He frowned at the bizarre groups of people to him that flit by on their merry way, muttering little things under his breath about how things used to be.

Ben had a feeling that he was going to be doing that a lot.

New York City was different, the same, but different. Even though Ben had been gone for forty years, it still felt like the center of the universe. There were still hot dog vendors on every street corner, still magazine stands with freshly printed newspapers that smelled like ink and were warm to the touch, still coffee shops that lined the streets and caffeinated the masses, and there were still cab drivers who wove through traffic as if they were unstoppable shouting at pedestrians as they went.

The memories he had of old New York City merged together with what he was seeing around him and felt himself slipping into the past only to be jolted back into reality by the strangeness of the future.

He didn't like feeling disoriented, but it was there, brimming just under the surface. His body was tense as he walked prepared for anything, unable to relax as he continued on his way to wherever the hell it was he was going.

The morning sunlight reflected off the glass windows of the skyscrapers that worshiped the rising sun and the sounds of the city vibrated against the brick and mortar. There was a buzz of electricity in the air, the low hum of power that Ben could always hear beneath it all. Cars honked sharply, people shouted in colorful language to one another, and the wind rustled through the long strands of Ben's hair crinkling against his ears and scratching against his neck.

He hadn't had time to cut it or his beard and it didn't seem to be as important as finding Legend and getting his affairs in order.

The smell of hotdogs, earth, cologne, and heavy perfume wafted up with the breeze that tugged and pulled at his sweatsuit. The same stained sweatsuit he had found in a rust covered locker before hiding in the cargo hold of a plane headed back to the U.S that was probably almost as old as him. The plane ride had been long, but when he'd been in a lab for the past forty years it seemed to pass in the blink of an eye. He spent the whole time stewing in his thoughts. He'd slept enough and like hell he was going to drift off and let those Russian fucks take him again.

Ben sighed when he felt his memories begin to unravel on the edge of his mind, unfurling and asking to be relived. It wasn't unusual or unwelcome. Ben was using those memories to justify what he was going to do to his old team. As long as the rage continued to burn against his skin, Ben would have no problem breaking each of them down piece by piece.

Ben didn't understand how his team could have done that to him or why they'd done it to him. He thought that he'd been a good leader, a good American, a good soldier, a good hero, and yet they'd all stabbed him in the back. Sure, maybe he'd been a little rough on them, but Ben saw it as the only way to toughen them up. They needed thicker skin if they were going to survive in a world like this.

All I've done is give my fucking life to this country and what did they do? They gave me to the fucking reds.

His hand tightens on the strap of his backpack as he weaves through the crowds, trying his best to keep to himself when all he can feel is his anger and frustration building and burning hot under his rib cage. His new power stirred beneath the surface, energy beginning to travel through his body, tracing his veins and pulsing in the center of his chest.

I should have seen it coming. I should have killed that entire fucking bunch of pussies the second I had the chance. Especially that bitch.

His frowned at the thought of Countess.

Truthfully, when the two of them started messing around it was only because Countess's soulmate had died a few years before and Ben knew he wasn't going to meet his soon if anytime. He'd messed around with plenty of other women for the same reason and well…

Ben's frown deepened as he stepped around a couple that was walking arm and arm, the dates on their wrists flashing gold in the sunlight. He ignores the feeling that comes when he sees them, pushes it down into the deep recesses of his mind as he has done his whole life.

Since he was a kid, Ben wasn't sure that he believed the "soulmate thing." Sure he'd seen hundreds of other people around him find "the one," but Ben wasn't sure that he was made to be a soulmate. Especially not with a birthdate on his wrist so far in the future. He assumed that it meant he wasn't going to get a soulmate and he'd spent the better part of his life pretending that he didn't care about that. He was a man after all, and Ben didn't want to need anyone. At least, that was what he told himself.

Ben had lived long enough to see other soulmates find one another, witnessed the goofy looks on their faces when they locked eyes for the first time, and had the super hearing to listen to what came next.

But instead of focusing on the impossibility to meeting his own, Ben focused on the lie he told himself, that it seemed ridiculous to be intertwined with someone as soon as he was born. Not to mention that Ben wasn't sure that he wanted to be with someone, not when he didn't age and not when he'd have to watch whoever it was, if anyone turn to dust.

Yes, he could see himself settling down with someone, having a few kids, but Ben wasn't sure that whoever was supposed to be his other half was within reach anyway so why care? Ben knew that he didn't age, but he didn't actually think he'd ever get to meet you or that you would actually ever exist. Not when you were born so far away from him and not when he'd been trapped in that lab.

But that didn't stop a part of him from thinking about the possibility of meeting you. When things were quiet in the lab and he was left alone for a few precious moments, he felt his mind begin to slip into the question of what if?

What if you existed and what if you came for him?

He knew that it was a long shot. The only people that knew he was there were the people who stabbed him in the back. And Ben didn't want to cling to some fantasy, it felt feminine to fanaticize about the person who was supposedly meant for him breaking down the thick metal door and pulling him from the lab.

Again, Ben was trying not to believe in the "soulmate bullshit."

Countess had been a way of passing the time as had the numerous other women, but with them were moments when he'd feel something odd settle in his chest, something that he never could put a name to. In those moments he would raise his right arm and look at the birthdate printed on his wrist, the same one that Ben had kept hidden for most of his life, the one that when he was a boy people mocked him for, and the one his father chastised him for having as if it was Ben's fault that some celestial body had decided to single him out.

All of his childhood friends had found their soulmates and Ben had spent the better part of his life covering it up to avoid the conversation that always happened when someone saw the date. No ones soulmate was born so far in the future and Ben’s father had spent a lot of money making sure that word didn’t get out his son was a freak.

His father already made Ben feel like a disappointment and a fuck-up, but Ben was already thinking it himself every time he looked at the date printed on his wrist that seemed impossible. When his mother was alive she would try her best to make Ben feel better telling him that it wasn't impossible, that one day it would all make sense, but after her death Ben stopped feeling comfort, joy, and anything warm. All he felt was the cold shoulder from his father and the words that Ben pretended didn't hurt when his father was halfway through his second bottle of scotch with a third prepped and waiting on the kitchen table.

It made Ben feel like a pussy every time he looked at the mark and thought about his future soulmate, but he did it in private, usually after he'd had a few glasses of something and a few puffs or snuffs of something else to numb his mind. And he'd allow himself a single moment to think of you, wonder if he'd ever meet you, and wondered if you'd ever actually exist. In those few fleeting moments he believed in soulmates, but then he'd snap out of it and wake up the woman in bed next to him to distract him for another hour or so.

Ben's eyes flick to his right wrist covered by the gray and maroon tracksuit, his brow furrowing together. He was trying not to think about you or rather the possibility of you today. He didn't have time for that, not when all he wanted was to make his old team pay for everything they did to him.

But there was a little whisper of something in his ear, a small wisp of hope that he had finally made it to you, the one thing he didn’t think would ever happen, that he lived long enough to be alive the same year you were, and that you were out there somewhere waiting for him.

No. Ben tenses. I'm not going to think about her, not when those butt fucks need to be dealt with. I'm going to go to Legend's and then I'm going to-

He didn't see you in front of him until it was too late to move out of the way. Your body hits his full on in the chest, sending the bagel between your lips tumbling into the street, but Ben barely feels the hit, what he does feel is the dam he built forever ago burst open and warmth soaks into his body. Electricity skitters along his skin, crackling in the air as his eyes lock with yours only for a second. He feels like he's caught fire, as if the pieces of himself deep down inside are overheating and vibrating until there's nothing left, but you and him.

Any thoughts he had of his team and revenge are lost in the flood of emotions that fill the hole inside he tried so hard to ignore with the lie he continued to tell himself: “I don't believe in soulmates.”

And yet, there you were.

He can hear his heart and yours beating together as one, his own pounding so hard under his ribcage as if it wishes to break free and cross the space between your bodies. Seeing you for the first time feels like taking a bullet to the chest, the sharp jolt backwards when it lands and the pinch of flesh against Kevlar. It was worth the bruise if looking at you was the same way each time.

Ben can feel the world slipping away, going silent, and in that silence Ben is lost in you.

Holy Fuck.

You were the perfect amalgamation of every single beautiful woman that Ben had ever seen and fantasized about in his entire life. And yet you weren't what he was expecting. Over the years Ben had bedded many women, the ones who captured his attention for a night, but none of them were anything like you.

In all the ways those women were bold and dramatic you were confident, but not boisterous, beautiful but not haughty, respectful but not prude, and there was a kindness reflected in the warmth of your eyes that Ben had never seen before, but there it was staring back at him unblinkingly.

You reminded him of the women that came arm in arm with men to his parents lavish parties when he was a boy, the ones who were classically beautiful and reserved with the golden dates on their wrists catching in the light. The exact kind of woman he hadn’t seen for the better part of eighty years and the opposite of the women who had thrown themselves at his feet forty years ago.

Your hair falls forward into your face from the force of your body hitting his and Ben itches to push it back, to touch you, to feel his skin against yours to quench the burning that he can feel in his soul.

All of his instincts are telling him to pull you against him, that you're too far away even though you're standing only inches apart.  That he needs to breathe the same air and feel the warmth of your skin against his rough fingertips.

The birthmark on his right wrist sears his skin and he knows what it means, that you're the woman he's been looking for his whole life, the woman that always seemed just out of his grasp, the woman that was made just for him, and the woman he thought would never exist.

He watches your eyes widen with the same realization about him behind your round glasses, eyes that are the perfect color and eyes that Ben can imagine staring in to every day for the rest of his life. He'd never wanted to spend more than one night with a woman, never wanted more, but all of that fades into you.

The idea of a soulmate no longer seems ridiculous, no longer seems like something he’d never have, not when he’s looking into your eyes and nothing else seems to matter.

Not when looking at you is like seeing the sun sink into the earth at the end of the day and feeling the hope that it'll rise the next morning.

The lie he told himself for so long is slipping away the longer he stares at you, because although he never wanted to want anyone he knows that he needs you. It's an odd feeling for him. He's never once cared about anyone, told himself that it was weak to, that having a soulmate was a stupid idea and not for him, but all of the things he ever thought about soulmates is evaporating in the heat that is consuming his body by being in your presence.

Why now?

The thought makes the world come back into sharper focus.

I've lived decades without her and now the moment I come back to the U.S I just run into her?

It was laughable .

The moment of clarity allows the fantasies of his revenge to come creeping in and Ben feels the anger and rage ebbing on the edge of the wonderful feeling building in his chest when he looks at you.

You weren't a supe. Ben could tell that just by looking at you. He didn't think he'd ever seen someone so soft and yet someone that he wanted to possess so badly that it almost hurt to stand inches away from you.

I don't want her to be apart of this.

The thought is immediate, stirring some primal urge within to protect what's his. Because you were his. You were the missing piece that he pretended not to need and the woman who always seemed to slip into his mind when he was alone and all was quiet,.

The thoughts of what he's about to do to his teammates come surging up and he didn't want you involved in any of that. Not when he knew that he needed to protect you, that he'd drag you along, and you'd see all the ugly parts of him and see the horror of what he was about to do.

He didn't want that for you, he didn’t want the first time that he met you to be like this, him looking like he'd crawled out from under a rock and full of so much anger, rage, and frustration it felt like he was going to explode, him having a new uncontrollable power that meant he might hurt you, and him being unable to give you his full attention when all he could think about was the team that stabbed him in the back.

What he was, was selfish, he knew that about himself.

But I won't be this selfish.

Ben had made many mistakes his life, he knew that, had done some things that he wasn't proud of, but you wouldn’t be one of them. He didn't want to put you in danger and realized that there was only one way to protect you, because after all, he was the only one who knew that you existed.

His eyes trace your face one more time, memorizing it before he does what he thinks is right. Ben turns away from you and forces himself to keep walking. Each cell in his body is screaming at him to turn around, to run back to you, but he can't. He doesn't want it to be like this and he knows that you deserve better.

I won't do this to her.

“Wait-“ He hears you shout over the sounds of the street.

The sound of your voice is a soothing melody, a warm soak in a hot bath, a steady hand against his back, and a salve over the gaping hole where a piece of him was missing for so long, the hole that he tried to ignore  his whole life. He grits his teeth and continues to walk away from you, each step feeling like he's walking through tar the further he gets.

And deep down Ben is hoping that he did the right thing and makes a promise that he'll come back for you.

Present Day Ben POV

Why the fuck am I coming to this thing again?

Ben thought to himself standing outside the closed apartment door holding an expensive bottle of scotch. The same bottle of scotch that he was going to break open as soon as he crossed the threshold to get through this. He didn’t think that Hughie would appreciate it the way he would anyway.

Probably drinks those fucking fruity drinks with the umbrellas.

Ben didn’t understand why Hughie had invited him to this party or why Annie would let him invite Ben to it. Ben knew how much she hated him and the feeling was mutual.

Ben sighs as he stares at the door thinking about walking back to the elevator. 

Invited was a strong word. Ben had overheard Hughie talking about it in the break room with MM and when Ben walked in, Hughie felt the need to fill the awkward silence by inviting Ben to the housewarming party. 

Ben didn't know why anyone needed a housewarming party, but he chocked it up to another thing about the 21st century that he didn't quite understand.

He thought about all the people inside that he saw at work everyday, the ones that he tried to avoid all shoved in the apartment in front of him and groaned to himself.

Fuck, I should just go home.

Ben frowned at the thought of going back to his extravagant penthouse apartment downtown. The one that was two stories with a private balcony, six bedrooms, five bathrooms, a study, a media room, an exercise room, and overlooked Central Park with a view that would make anyone else salivate. His real estate agent had been surprised when Ben hadn't batted an eye at the price, but Ben didn't think about money the same way everyone else did.

He didn't have to, not with the money he'd earned over the years and not with the money his father, grandfather, and great grandfather in his accounts.

When he'd first bought the apartment he had been happy to get out from under Butcher's eye, who had a tendency to watch Ben like a hawk whenever he thought that Ben wasn't paying attention. But the apartment was large and cold, furnished with furniture that Ben had hired some twenty year old interior designer to buy, who charged him an outrageous amount of money to do absolutely nothing. She'd called it "minimalism," Ben called it "a fucking rip off."

Not one piece of furniture was comfortable to him and being there never felt like home. Then again, Ben didn't have a "home" to compare it to. His family mansion back in Philadelphia after his mother died had been cold and most of the rooms were closed off and the apartment he had in New York before he went to Russia was almost as big as his new one, but it never seemed like home. It always seemed like a way station, a place for Ben to entertain women for a short while before he went to a commercial shoot, a party, or on location for a film.

Even his cleaning lady and housekeeper would comment on the little things about his apartment that Ben tried to ignore. Honestly, Ben thought that she was fucking nosy, but she did her job well so he kept her on.

That and because he couldn't seem to remember her name no matter how many checks he wrote.

Ben didn’t like being in his apartment at all, but he knew that it wouldn't change if he moved. It wasn't where he lived that was the problem, it was that you weren't there with him.

It had been an entire year since he'd seen you and every day Ben walked the same path he had the day he met you for the first time hoping to run in to you. He didn’t have your name or your address or anything that he could have someone at work plug into a computer to find you. He'd tried to "google" you, but there was only so much he could do with the little information he had and he didn't understand how to find you other than the old fashioned way.

So he was back to sitting home alone every night trying his best not to notice how empty the apartment was, the one he bought that was more than big enough for two people. Sometimes he tried to stay out as long as he could to avoid going back to it, but each time he went through the front door it only emphasized how empty it was.

Ben's life was empty. He hadn't realized that before, but nowadays he was hyperaware of it. In the past he would have filled his life with women eager to warm his bed, but ever since he saw you Ben hadn't been able to think about anyone else.

Ben couldn't remember the last time he felt this frustrated and it only made everything harder for him. And as much as he tried to relieve the tension it never seemed like it was enough. He needed you.

And after he spent twelve months trying his best and he was tired of feeling restless he tried to pick up a woman in a bar.

Every cell in his body screamed wrong at the top of its lungs when he spoke to her, using lines that he'd perfected since he was a teenager. Ben knew he was good at that, but he fumbled the ball each time he opened his mouth. He tried to shake off the ghost of you, but when he spoke to the woman leaning against the aged wooden bar with a martini in her hand and wearing a dress that left little to the imagination, he got a flash in the corner of his eye of someone coming in through the door and he'd thought it was you.

He hadn't been expected to feel so ashamed, guilty, and embarrassed at the thought of you catching him with someone else. He'd been sleeping with women longer than you'd been alive and he'd never felt that way, but now that he knew you existed and knew there was a possibility of you running in to him, it was all different.

Ben's outlook on soulmates being "ridiculous" had evaporated on the spot the moment he locked eyes with you. He couldn't pretend that he didn't care anymore and couldn't pretend that you didn't exist.

How could he when you were the most beautiful woman he'd ever seen? How could he when a piece of him was with you? How could he when you were always on his mind?

He'd never had a woman have a hold on him so completely in his entire life, but you did.

She fucking does and I only saw her once.

It only made him feel worse. He wondered if he'd made the right decision when he turned his back on you.

Sometimes he liked to think back to the moment of when he first saw you when everything was quiet and he was sitting up in his bed staring down at the mark on his wrist that shone a brilliant gold. His mind would slip into those few moments of bliss and he would wonder what would have happened f he just said "fuck it" and didn't go after Payback, if he'd stopped and asked for your name, and allowed you to let him forget everything that happened in the past forty years so he could start his life with you.

Unfortunately, those moments were usually followed by the same self-deprecating thoughts that Ben had, the chauvinistic ones that he'd carried with him over the years, and the ones that his father had impressed on him from the moment he could walk and Ben couldn't seem to shake.

He'd berate himself about how it was stupid and pussy-like to pine over a woman.

Because that's what he was doing, he was pining over you and he didn't like it.

He didn't want to think of you as much as he did, but he couldn't help it. Now that Ben knew you existed he didn't want to miss out on another moment of your life.

Of course, he couldn't find you and that was the problem. Sometimes he wondered if you were looking for him as hard as he was looking for you, if you walked the same way each hoping to catch a glimpse of him.

The dreams didn't make it any better. He'd never heard of someone living the memories of their soulmate when they slept, but every night he was subjected to watching your life and it only made him want to find you more.

He'd never knew that someone could feel so lonely surrounded by people, never knew that someone could feel so out of place, and never knew that someone could be as sad as you were, but each time he relieved a memory of yours at night Ben could feel his heart twinge.

Ben watched the lonely birthdays you spent with a cupcake and a beer for him, saw the jeers of the people in your hometown and the pitying looks from your parents, felt your shoulders shake when you cried alone in your room and stared at the birthdate on your wrist, and he felt you losing hope as each year passed.

Ben didn't usually allow himself to feel emotion like that, but watching you go through it all hurt him more than anything those Russian fucks did to him. He wasn't used to that and he wasn't used to thinking about other people as much as he thought about you.

But something about him felt different after meeting you.

Ben had asked Legend about soulmates, specifically the dreams, but Legend had muttered something unintelligible under his breath and took another snort of cocaine from the mirror on the coffee table instead of answering. Their relationship had been a little awkward after Ben slept with Legend's soulmate forty years ago, but Legend didn’t seem to be too upset about it… anymore. Mostly because Legend's soulmate tried to pull a Lorena Bobbitt one night and Legend caught her before any permanent damage was done.

She was in prison, and Ben didn't understand why Legend still went to see her for conjugal visits, but he figured that she was as much of a freak as his old handler.

Just rip the bandaid off you fucking pussy.

Ben thought staring at the clean white door in front of him.

Truthfully, Ben was tired. He'd been running himself harder for the last month, throwing himself into his work because he was starting to believe that he was never going to meet you again, and it seemed like work was the only thing that could distract him long enough. But he couldn't escape sleep.

When he'd come back from Russia, Ben had avoided sleeping the best way he could and he got through a few days before he collapsed. The first dream he'd had of you had come on suddenly, but clear as day.

You reading on your bed in your apartment smiling down at the pages as if it the book was telling you a secret.

Ben wasn't a reader, didn't see any merit in it if it wasn't a western or a war book. The most he could tolerate was Ernest Hemingway, but he could have sat there and watched you read forever. You looked so peaceful, content, and happy that Ben was afraid to interrupt you even though it was just a dream.

But whenever he thought about you dreaming his memories, something dark settled in the back of his mind, because what were you seeing? He'd done a few things he wasn't proud of and Ben didn't want you to think that he wasn't a hero or that he was a bad guy.

Ben sighs and raises his hand to knock hard against the door with his free hand, trying not to open the bottle preemptively before entering the apartment.

"Ben?" Hughie says it like a question when he opens the door, eyes wide with the same stupid look on his face that always grates on Ben.

Ben forces his signature tight lipped smile that he flashes around the office. "Hey there sport."

"Hey. Wow, you're here." Hughie clears his throat and looks over his shoulder as if he's nervous about something.

Ben raises an eyebrow. "I was invited."

"Well yes but-"

"But?"

"Um-"

"Spit it out dipstick."

Hughie clears his throat. "I didn't think you would come."

Fuck I should have stayed home. He doesn't want me here, neither does his fucking beard.

Ben frowns listening to where Annie groans under her breath further inside the apartment and talks low under her breath to someone that Ben can't see.

"Well surprise and congratulations or whatever." Ben rolls his eyes holding out the bottle of scotch. He was hesitant to lose sight of it, not when talking to Hughie for less than five minutes made him want to down the whole bottle.

"Oh wow this is really," Hughie's eyes widen as he takes in the label and realize how much money Ben spent on the bottle. "Expensive stuff, thanks Ben."

"It'll put some hair on your chest." Ben claps Hughie hard on the shoulder as he pushes past him into the foyer of the apartment.

The entire apartment could have fit in Ben's living room and kitchen. It was made in a similar fashion to his, sleek white walls, sterling silver appliances, large glass windows that let in the light-

Ben stops so suddenly inside the area that leads into the kitchen that Hughie plows into his back, but Ben doesn't feel it.

He can't move, can't breathe, because he's noticed the person talking to Annie is you. This was the last place that he'd expected you to be, but he doesn't care, because you're here and you're more beautiful than he remembers.

You're standing there pouring ice from a large bag into a pink acrylic bucket with an adorable amount of concentration for such a simple task wearing the same sweater you were the day he first saw you. You're also wearing a little more makeup and your hair is longer, and not pulled back into the messy bun as it was that day, but you’re still you and you’re here.

His fingers twitch with the urge to run his hands through the tangled tresses, to feel if they're as soft as he imagined for so long.

Ben's body swells with emotion, goosebumps flicker over his skin, and all other sounds in the room vanish, because seeing you was like watching the sun rise and feeling the world hold it's breath as it basks in the early morning rays.

And Ben wanted to bask in everything you were, every day for the rest of his life. Now that he found you again he wasn't going to let you out of his sight.

Your soul sings to him as he nears you, the cells in his body vibrating so fast that he can feel every single one begging him to touch you.

You turn into him by accident, sending the bag of ice tumbling to the floor, but feeling your body against his sends him into overdrive and he can't hold back anymore. He reaches out to grab your shoulder as gently as he can without hurting you.

Hurting you was the last thing he wanted to do. And because you weren’t a supe he knew how fragile you were.

You gasp under your breath at the contact from his hand, but to Ben it sounds thunderous in his ears. Ben trails his hand across your shoulder, up your neck, to cup your chin and raise your face to look at him. He feels like his whole body is igniting as he makes contact with your skin.

He can feel an odd vibration in his chest as he does so, energy crackling and pulsing around the two of you, but the rest of the room falls silent. He can’t look away from you, not when seeing you again is like staring too long at the sun and he's left with the imprint of your light and beauty on the inside of his eyelids.

Ben can't focus on anything else, doesn’t hear the awkward chatter, doesn't feel the discomfort he had upon his arrival, doesn't notice the way everyone has turned to stare at the two of you, and doesn't feel the air conditioning turn on and blow cool air against his warm freckled skin.

All he knows is you.

Your eyes are wide and he suspects his are as well, pupils blown but still beautiful and hypnotic as they were one year ago. Ben feels a smile pulling at his lips and he lets it go, because standing in front of you, feeling like this, it’s impossible to do much else.

Your skin is warm to the touch beneath the roughness of his fingertips and he touches you with a reverence that he has never graced anyone else with, because you were his. Every part of you was made for him just as every part of him was made for you.

The your soul was calling out to him, weaving a golden cord of energy in his mind that snagged in the center of his chest and made him feel whole for the first time in life.

You reach out to touch him, the soft palm of your hand falling just over his heart and it makes something inside him break open to flood the space between the two of you.

Hope stirs in his chest with your gentle touch and your unblinking gaze, warmth trailing from where your hand lays against his shirt. His eyes drop to the wrist to see his birthdate, a glowing ember against your skin where the sleeve of your sweater has fallen down an inch.

Your eyes lock with his once more, full lips slightly parted, and breathless.

"I've been looking everywhere for you sweetheart." Ben murmurs, trailing his thumb across your cheek with a gentleness that he's never possessed.

Ben was not a gentle man, but for you he would try. He would be anything you wished him to be, for as long as he lived, because now that he found you, he was never going to let you go.

And he welcomed the challenge of anyone who tried to stand in his way.

As always thank you so much for reading! Reblogs, comments, and likes are not required, but are always welcome and appreciated! I really love hearing what y'all think. ❤️ If you'd liked to be added to the taglist for this series please let me know :)

Taglist:

@reidtomewinchester @livya99 @pascal-rascal424 @xaviersgifted @zepskies

@bagpussjocken @bitchykittenconnoisseur @kamisobsessed @goldenmaknaes @ophennie

@infinityonhighhhhh @modiddys-blog @globetrotter28 @roseblue373 @tulipsvanilla

@annoyingrebelsoul @soldiergrimes @megara0224 @zpandaqueen @ladykitana90

@corruptedcruiser @podiumackles @criminalyetminimal

@deangirl96 @kr804573 @the-super-who-locked-wizard

@pamwritessometimes @roger-that-cap @my-obsession-spn

@52ndstreeet @mrsjenniferwinchester @impala67stellawinchester

@bookchik26 @anna6307

[kiwiana-writes]

20 Questions for Fic Writers

A big ol' fuck you to @rmd-writes for the tag xoxo

1. How many works do you have an AO3? Lol. Lmao even. 289.

2. What's your total AO3 word count? 914,620 on AO3, but that includes co-writes as well as things I've podficced where the fic and pod are in the same work. My actual personally-written wordcount, per my Batshit Spreadsheet, is 771,819.

3. What fandoms do you write for? Mostly RWRB these days, though most of my back catalogue is Schitt's Creek. Also The Pairing and various other things scattered about.

4. What are your top 5 fics by kudos?

Kinda think that I might be his type aka Alex and Bea fake date coming in at the top spot, which will never not bewilder me. Don't get me wrong, it's a lovely fic!! But I am always surprised that it was a few hundred more kudos than:

With so much of my heart (that none is left to protest), the Much Ado actors AU. My magnum opus, my beloved.

We were supposed to find this - baby's first soulmate AU and my first RWRB fic. The brainrot really took hold with this one lmao.

All the Lonely Starbucks Lovers, in which Henry takes 'open mouth insert foot' to a whole new level.

Warm like the glow that you feel head to toe, the age gap fic with older Senator Alex and younger Prince Henry. This is probably the only one in my top five that really surprises me, considering age gaps are... divisive.

5. Do you respond to comments? Always always always.

6. What is the fic you wrote with the angstiest ending? I mean I did write that one MCD fic in Schitt's Creek, though I maintain the other five parts in that 5+1 are in fact angstier than the MCD ending.

7. What's the fic you wrote with the happiest ending? Uhhhhhhh, the rest? The Doylist answer is any of my fics where the HEA is literally forever rather than 'till death do us part'; so, the Schitt's Creek afterlife AU and the RWRB zombie!Alex AU. (Is that all? Am I forgetting one?)

8. Do you get hate on fics? Yeah, sometimes. Weirdly, more through tumblr anons than on the fics themselves? A lot of them I just delete, sometimes I'll give them a bit of a public scolding etc. Frankly at this point if you come into my ask box to be a cunt on anon I'm going to assume you have a public humiliation kink and will indulge you accordingly.

9. Do you write smut? Who's to say.

10. Do you write crossovers? I'm more inclined towards a fusion than a crossover (love a good media fusion) but I did write a short RWRB/The Pairing crossover for VoiceTeam.

11. Have you ever had a fic stolen? Not to my knowledge.

12. Have you ever had a fic translated? Nope. Someone did ask recently, so we'll see!

13. Have you ever co-written a fic before? HEAPS. @ships-to-sail is an ongoing collaborator, but I also did a bunch of "each write a chapter" type collabs in Schitt's Creek. Currently co-writing something truly fucking incredible with @indestructibleheart.

15. What's a WIP you want to finish but doubt you ever will? IDK if it's a WIP by the strictest definition, but every day the likelihood of the SC kink!verse series being completed slips further away lol.

16. What are your writing strengths? Rae, you're the worst.

Smut, I guess? Giving people new kinks, apparently. Character voice. Also a very specific type of world-building where I explain nothing because the characters already live in that world and let y'all infer how it works, which came up a LOT on one of this year's Kinktober fics in particular and led to my spouse saying "okay so you're basically the Brennan Lee Mulligan of tree fucking", which is sure not a sentence I expected to ever be directed towards me, but here we are.

17. What are your writing weaknesses? Anything original, apparently. Good thing I didn't quit my job to be a writer or anything OH WAIT.

(In all seriousness, though, I am genuinely shit at, like, plotting. And action sequences.)

18. Thoughts on writing dialogue in another language in fic? If it makes sense for the character, sure! I'm enlisting someone who speaks it for anything more complicated than, like, a pet name - I've seen what Google Translate tries to spit out for my second language and therefore don't trust it lmao.

19. First fandom you wrote for? terf queen mcgee's property.

20. Favourite fics you've written? The RWRB fic specifically based on the episode The Husbands of River Song from Doctor Who. Hands down the best thing I've ever written.

I also fucking LOVED the Much Ado actor AU. My love letter to Shakespeare and theatre and queer joy.

-

Tagging @blueeyedgrlwrites @cactusdragon517 @cricketnationrise @firenati0n @getmehighonmagic

@hgejfmw-hgejhsf @indestructibleheart @inexplicablymine @notspecialbabe @orchidscript

@piratefalls @sherryvalli @sparklepocalypse @stereopticons @whimsymanaged and, as always, anyone who wants to play! 

[nientedal]

Is it worth watching Megamind rules? I know I’m not the target, but I’m curious yet also really really nervous. I know it’s for a younger audience but I’m still very on the fence and nervous. Also, love your writing

Omg, thank you, and thank you also for asking and yes yes yes 100% it's worth watching! It got crapped on by a bunch of people who decided based on the trailer alone that it was going to suck (how fun, a movie about a guy who everyone decided would be bad despite not knowing him got a spinoff show that...everyone decided would be bad despite not watching it, lol), so there's a lot of hate out there for it. I'm assuming you've caught wind of some of that, and that's why you're nervous? But for what it's worth, I was staring at the screen like :D basically the whole time.

Some more specific notes below the cut, but the tl;dr is please do give it a chance, if you can find the time. A G-rated direct-to-stream spinoff show wasn't what a lot of people were hoping for, and there were some folks who watched it and didn't care for it. But from a writing and storytelling standpoint, I think it is genuinely good! If you go in expecting a cute kids' show with some silly jokes and social misfits finding their way forward together, and keep an open mind, I don't think you'll be disappointed-- in fact I think you may be pleasantly surprised.

Just a gentle heads-up on some stuff because I'm not sure what you've heard about the show yet, and I'm also not sure what your existing expectations are!

The show was given a shoestring budget and not a lot of time to go from writers' room to final product, and yes, there are places where you can tell. But that was always going to be the case-- Dreamworks was absolutely not going to be spending big bucks on a franchise they've barely even acknowledged in more than a decade-- and it wasn't the fault of the people making the show. And even with the low budget, I think the animation is still genuinely solid, especially in later episodes! The people who worked on it really did a great job with what they were given.

And the writing!!! Holy shit!!! My skin is clear my crops are watered etc. The original writers handled this project and they absolutely delivered. Megamind & Roxanne's whole Thing progresses and grows and blooms in a really sweet and realistic way. Roxanne & Chum have a great dynamic. (Minion's name needed to be changed for legal reasons, but the writers worked that into the show and I gotta say, as a trans person, it was really lovely to see everyone else respond to "actually, because of [spoiler], my name is Chum now" with "oh! cool okay" and just keep rolling. I love that that was modeled for kids.) The character development is tangible; we get to watch Megamind really grow as a person and come into his own over the course of the series. And the new characters are really fun-- I genuinely enjoyed Keiko and everyone else.

Even if you never watch it (it's OK if you don't!) please just know: this was not a cash grab; Megamind Rules was made by people who truly cared about this world and these characters.

It's also worth noting that Megamind Versus the Doom Syndicate (the extended pilot) recaps a bunch of the same lessons as the original movie, so it can feel a little bit "...didn't we JUST do this??" but I'm pretty sure that was because Dreamworks didn't want to rely on kids to watch a 13 year old movie rated PG instead of G in order to get context. So like, I get it. And it's still cute! But it did mean I was nervous about what the rest of the series would be like until I was laughing my ass off halfway through Episode 2. If you're nervous, you can probably skip MMVtDS.

But yeah. I truly do think Megamind Rules is worth watching, and I've been so sad about the reception it received. Thank you so much for asking about it, and not just deciding it sucks and moving on. I appreciate you.

[thessaralka]

smth i've noticed and adore so deeply about writers is how readily they embrace their darkness and the taboo aspects of themselves, and bleed those aspects into their work. genuinely the least judgmental people on the planet, the most open minded, most people who pursue writing passionately have lived through shit (or are going to) - you can't get a phd in Real Life and come out the other side ignorant and closed off to ideas. combine that with a way with words and a creative spirit and you have a recipe for genius.

[o-uncle-newt]

I think that the thing is that Sayers a) always has SOME kind of a point if you don't take it too far and b) she's such a good and convincing writer that while you're reading, she can basically convince you of anything just by saying it. I noticed this when reading Unpopular Opinions, her book of essays, which are great but which rely a lot on "I am saying this and making it sound true so it is true, you have to trust my Vibes." And guess what, for a bunch of it I absolutely trusted her Vibes, even after I thought about it for a while with the book closed! She's just a fascinating combination of an incredibly clever and often actually wise person who combined that element of herself with weirdly nostalgically conservative politics. Always SUPER fun. (At some point I need to do my Sayers and the Jews essay but I want to do some reading first.)

The thing with Bunter is that I don't think there's much discrepancy there- the relationship between Wimsey and Bunter where Wimsey treats him somewhat like an equal wouldn't be the same if Bunter didn't already go out of his way to treat him as a superior. Wimsey can make the overtures of semi-equality because he knows that they aren't in equal positions- not in the sense of it being false or rubbing it in, but him also being more sensitive to their class differences because he's aware of them. (Incidentally, I was just reading Clouds of Witness and Wimsey stops Bunter before he can accidentally "forget himself" and insult the Duke's intelligence... as though that would be a step TOO far.) Sayers often returns to this well of "when everyone knows their place in society then everyone is happier," with the corollary being that the place of the aristocracy is to be friendly and condescending (in the non-negative connotation) to the common people and servants in a way that shows that they value them and are looking out for them. In Busman's Honeymoon, she basically has Harriet say this outright and appreciatively about Peter slotting into the role of local squire; and Murder Must Advertise, a book that seriously annoys me as I mentioned earlier, has this scene:

“Well,” said Mr. Smayle, “Tallboy always says that Dumbleton is a public school.” “I daresay it is—in the sense that it has a Board of Governors,” said Ingleby, “but it's nothing to be snobbish about.” “What is, if you come to that?” said Bredon. “Look here, Smayle, if only you people could get it out of your heads that these things matter a damn, you'd be a darn sight happier. You probably got a fifty times better education than I ever did.” Mr. Smayle shook his head. “Oh, no,” he said, “I'm not deceiving myself about that, and I'd give anything to have had the same opportunities as you. There's a difference, and I know there's a difference, and I don't mind admitting it. But what I mean is, some people make you feel it and others don't. I don't feel it when I'm talking to either of you, or to Mr. Armstrong or Mr. Hankin, though you've been to Oxford and Cambridge and all that. Perhaps it's just because you've been to Oxford and Cambridge.” He struggled with the problem, embarrassing the other two men by his wistful eyes. “Look here,” said Miss Meteyard, “I know what you mean. But it's just that these two here never think twice about it. They don't have to. And you don't have to, either. But the minute anybody begins to worry about whether he's as good as the next man, then he starts a sort of uneasy snobbish feeling and makes himself offensive.” “I see,” said Mr. Smayle. “Well, of course, Mr. Hankin doesn't have to try and prove that he's better than me, because he is and we both know it.” “Better isn't the right word, Smayle.” “Well, better educated. You know what I mean.” “Don't worry about it,” said Ingleby. “If I were half as good at my job as you are at yours, I should feel superior to everybody in this tom-fool office.” Mr. Smayle shook his head, but appeared comforted. “I do wish they wouldn't start that kind of thing,” said Ingleby when he had gone, “I don't know what to say to them.” “I thought you were a Socialist, Ingleby,” said Bredon, “it oughtn't to embarrass you.” “So I am a Socialist,” said Ingleby, “but I can't stand this stuff about Old Dumbletonians. If everybody had the same State education, these things wouldn't happen.” “If everybody had the same face,” said Bredon, “there'd be no pretty women.”

To me, this is kind of the summation of Sayers's whole attitude toward class and education as relayed in the books- if you stay where you're meant to be, you're taught the way of dealing with your class and privilege/lack thereof in life, how you're supposed to relate to others, etc. If you socially climb then you end up in uncharted territory where you're a) not meant to be and b) made to feel out of place, which you then end up pushing onto other people, making them feel uncomfortable.

You can kind of see where she and others who look at it so nostalgically like that are coming from- as depicted/essentialized here, part of Wimsey's privilege also meant responsibility for those beneath him, and part of a more "common" person's commonness meant, or should have meant, a sense of security. While MMA goes a lot into anti-consumerism in a way that's hard to deny, in Unpopular Opinions her essays get a lot more into it as a problem in that it destroyed the normal order of work- where instead of having a hundred shoemakers all (apparently) happily making 10 pairs of shoes a day, you have five shoe factory managers and forty-five miserable and overworked employees making two thousand pairs of shoes a day and fifty people without their "proper job." It's a totally different angle on the issue that rings a bit more false when the ideas of both class essentialism and, as you note, bio-essentialism are removed from the picture.

...And of course that's what makes Parker so interesting! On one level, Sayers clearly doesn't believe in an "aristocracy can only marry aristocracy" kind of a thing because Peter marries Harriet- and in fact there's a through line in the books about Gerald and Helen's marriage being a cousin-inbred disaster with Harriet pointing out in Busman's Honeymoon that the injection of common blood into Parker and Mary's marriage made their kids basically normal. So that's not inconsistent. But it's also so interesting that Parker is himself this innately religious, conservative kind of a guy- in many ways more so than Wimsey, who describes him as a "perfect Victorian"- and he himself, in two separate books, is insistent on highlighting the class lines that exist between him and Mary as a barrier between them, with Wimsey essentially having to give him permission to a) have interest and b) later act on it. Though, of course, in the end he actually DOES act because Wimsey suggests that his indecision is making Mary unhappy... so it really is about love and not permission, I suppose!

What's fascinating to me is that at the end of Strong Poison, when Peter is trying to convince Gerald that Parker's suitable for Mary, he makes the point that Parker will climb the ranks and will likely eventually end up with a title/knighted. Obviously, to a degree that's him trying to speak Gerald and Helen's language, where they REALLY care about that kind of thing. But it does I think speak to something else which is that Wimsey and Parker seem to have become friends because Wimsey saw something in Parker and let him in. And I think that your point about Parker kind of earning his way out of the lower/middle class by being not just smart but dedicated and, in his way, intellectual is very solid. It's made clear that he had a decent grammar school education, works to transcend it while also not being pretentious about it, tries to improve his French, reads religious commentaries, is conservative socially... it's like Sayers is drawing a sketch of someone who isn't trying to climb but is trying to be the best of the kind of person who he innately is, while also having the talent to back it up. And THAT is what makes him worthy of Lady Mary. Because, of course, upon marriage she descends to his level in terms of lifestyle and such (even with all that money behind her for their kids later). He's not trying to climb so he's allowed to.

I just re-read Gaudy Night, and it's interesting how it feels very relevant and very dated at the same time. There's so much discussion about a woman's "place" and whether a woman can (or should) still have an intellectual life/job outside her husband if she's married, and it seems like many of the academic women in the story feel on some level that they have to choose one or the other. On the one hand, this debate, again, feels very dated in an era where most women do have jobs regardless of whether they're married or not. On the other hand, women still are frequently expected to put their families before their jobs, while men are usually not; and women are still frequently expected to sacrifice their own careers and interests for the sake of their families, while men are usually not.

The "question" of whether women belong in academia no longer seems to be a question in mainstream culture, but women in academia still don't get the same amount of respect or opportunities as men. And while British and American society no longer demands that unmarried women remain celibate, I think there is still a great deal of discomfort at the idea of women who choose to remain single, and with the idea of voluntary celibacy in general.

It's also interesting that the Senior Members of the college (all women) seem to more or less jump to the conclusion that the college "poltergeist" is expressing some kind of psycho-sexual frustration born of celibacy and academic isolation, when in fact it's someone seeking revenge. It seems like even though these women have been in academia/running the college for decades, they still harbor some insecurity over the legitimacy of their profession and lifestyle.

And then, of course, there are the casual mentions of eugenics and the one woman who thinks execution is wrong and that murderers should be used for scientific experiments instead (because that's more humane somehow??). There's also the instance where one of the porters (who is otherwise very likeable) says that Britain needs "a Hitler" who will put women in their proper place. Interesting times...

Idk, Gaudy Night fascinates me because there's SO MUCH going on in it that even on my second read, I think there's a lot that I'm probably missing. The various philosophical debates in it make me really curious about what Dorothy Sayers' own views were.

[street-corner-felines]

Zero Day (2002)

[visceravalentines]

this is a post scribbled angrily in glitter pen in my diary pls ignore <3

[lupismaris]

when the worst person you know invokes mary olivers name in an attempt to be both poetic and holier than thou

[rustystars]

s1 of true detective has its own share of misogyny but at the very least, there’s a thread throughout it that not treating the women in your life with respect leads to those women not wanting to be around you. marty consistently views women & girls as either in need of protection or in want of sex rather than as complex people, & the story punishes him for this. maggie leaves him & his daughters barely talk to him & his girlfriends are few & far between. & this doesn’t make him a bad person! he’s the hero of the story & he cares incredibly deeply about them, but until he sees them as people, it’s hard for them to want to be around him. it’s a baseline understanding that misogyny, both systematically & on personal levels, leads to women being miserable.

compare that with s2, which somewhat builds itself around conversations of sexual agency & exploitation, but cannot define a single woman outside of her relationship to men. women are abused by men & must be saved by them; when women help themselves they do so ineffectively; they scream & cry & fuck & even then men know how to do it better. even ani, the main character & the Strong Badass Woman detective, is punished for having sex. she cannot protect herself or process her own sexual trauma (only men can help her do that), & she cannot make good decisions in terms of partners (& it's only fair that men degrade & shame her in response.) the only way she, & any other woman in s2, can be happy is through marriage or motherhood. she expresses nowhere in the show that she wants to be a mother, but the viewer is meant to accept her ending as happy, because she has a baby, so she MUST be. the only women who matter, or who can find any sort of contentment, are the mothers of sons. every child in s2 is a boy because women exist only to raise or fuck them, & have no experience of girlhood at all. you can be happy only if you find a good man, & if you can't, only if you commit yourself to being a good mother to your sons. women can only be happy with men to guide them. & also the mystery is boring to watch because fuck you

[panuccispizza]

anti fict people are like catholic fujoshis

[calliopechild]

“When we lie about the basic values of our culture (that women must be beautiful) and yet do everything in our power to adhere to that value (we kill ourselves to make ourselves beautiful) and lie about the labor women must put into adhering to the unspoken value of our culture (we have to be effortless), we ensure that nothing will ever change. We can’t change our culture when we lie about what the culture is. We can’t accept ourselves until we stop pretending that we already do. And we can’t value our work until we acknowledge that this is work—this, THIS (please imagine me gesturing expansively at the world)—that existing in a body as a woman in this world is work.”

[thevalleyisjolly]

I recognize that I have extremely picky reading tastes, but if I pick up a book and the author’s idea of introducing the characters is to have them deliver a carrd monologue about themselves, I’m gonna hurl first the book and then myself into the sun.

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[radioactive-earthshine]

Writing tips for long fics that helped me that no one asked for.

1.) Don't actually delete content from your WIP unless it is minor editing - instead cut it and put it in a secondary document. If you're omitting paragraphs of content, dialog, a whole scene you might find a better place for it later and having it readily available can really save time. Sometimes your idea was fantastic, but it just wasn't in the right spot.

2.) Stuck with wording the action? Just write the dialog then revisit it later.

3.) Stuck on the whole scene? Skip it and write the next one.

4.) Write on literally any other color than a white background. It just works. (I use black)

5.) If you have a beta, while they are beta-ing have them read your fic out loud. Yes, I know a lot of betas/writers do not have the luxury of face-timing or have the opportunity to do this due to time constraints etc but reading your fic out loud can catch some very awkward phrasing that otherwise might be missed. If you don't have a beta, you read it out loud to yourself. Throw some passion into your dialog, you might find a better way to word it if it sounds stuffy or weird.

6.) The moment you have an idea, write it down. If you don't have paper or a pen, EMAIL it to yourself or put it in a draft etc etc. I have sent myself dozens of ideas while laying down before sleep that I 10/10 forgot the next morning but had emailed them to myself and got to implement them.

7.) Remember - hits/likes/kudos/comments are not reflective of the quality of your fic or your ability to write. Most people just don't comment - even if they say they do, they don't, even if they preach all day about commenting, they don't, even if they are a very popular blog that passionately reminds people to comment - they don't comment (I know this personally). Even if your fic brought tears to their eyes and it haunted them for weeks and they printed it out and sent it to their friends they just don't comment. You just have to accept it. That being said - comment on the fic you're reading now, just do it, if you're 'shy' and that's why you don't comment the more you comment the better you'll get at it. Just do it.

8.) Remove unrealistic daily word count goals from your routine. I've seen people stress 1500 - 2000 words a day and if they don't reach that they feel like a failure and they get discouraged. This is ridiculous. Write when you can, but remove absurd goals. My average is 500 words a day in combination with a 40 hour a week job and I have written over 200k words from 2022-2023.

9.) There are dozens of ways to do an outline from precise analytical deconstruction that goes scene by scene to the minimalist bullet point list - it doesn't matter which one you use just have some sort of direction. A partial outline is better than no outline.

10.) Write for yourself, not for others. Write the fic you know no one is going to read. Write the fic that sounds ridiculous. You will be so happy you put it out in the world and there will be people who will be glad it exists.

[millermenapologist]

Fandom friends, we have won the battle (although we definitely did not win the war).

Yesterday, I wrote this post about lore.fm, an AI scraping app that was being marketed as an accessibility tool. Now, the person that has been promoting this app decided, in the light of plenty of backlash, to backtrack and pull it down, as they "feel uncomfortable" with how authors reacted to it.

Of this video, it's very important to highlight a couple of things:

the video is 3 long minutes of guilt-tripping: she keeps repeating that her (and her team, whose existence wasn't disclosed until yesterday: this app was marketed as being a sole woman's pet project) wanted to do good and create an accessibility tool. This comes with the underlying layer that all the authors who rightfully decided to defend their creations are ableist and in the wrong. It's a manipulation tactic;

there is no acknowledgement of the fact that the app was created by a team that specifically works to create apps that generate AI stories;

there is no explanation as to where the money to fund this app is coming from, and we all know that, when you're not paying for the product, you are the product;

this is backtracking, not genuine conversation: since the other day, the videos promoting this app went viral on r/Ao3, and plenty of people began contacting team@lore.fm to ask for their works to not be included. Then, the news spread on Tumblr too. They originally thought they could get away with "legally" stealing as much material as possible, and had to cut the project short because authors were doing everything in their power to stop them. The decision to take the app off for "reassessment" doesn't come from the goodness of their hearts.

At this point of the conversation, I think it's clear that the entirety of the project was relying on the perceived naïveté of fanfic readers and writers, who are oftentimes seen and stereotyped as being silly teens and not adults with real jobs and real knowledge of the law. When they saw dozens, if not hundreds, of authors contacting them to ask their works to not be featured, some of them threatening legal consequences, they had no other choice but to backtrack.

For now, the issue is closed, but don't think it'll be forever. Know your rights, even if you're "just" a fic author, and defend yourself and your works too from these scummy companies that see us as nothing but machines that churn out material for them to steal and profit off of with no consequences.

[inkskinned]

which is fine, because love is love, and you're getting gay-married, so it would be kind of ironic if love was only sometimes love.

except The King Of Demons (his is Edmund) is always late, to everything, always. which is fair, because time doesn't work in hell, and it's not like he can just catch a bus. except that you specifically asked him not to do this, didn't you, because he's always doing things like this.

He splays out his hands, the light catching on long, ivory claw tips. god, doesn't he know not to wear white to a wedding?

so many people are screaming right now.

it's not that he's the golden child. you guys had normal parents, middle-class. your mom was kind of an "almond mom," according to your fiancée, who pursed their lips when they found out about how your mom used to wrinkle her nose any time you asked for an extra snack in your lunchbox.

you close your eyes for a moment. think of your beautiful almost-spouse. ashe. their name like a bloom inside you. how the dress looks on ashe's body, their shy little smile. how they'd walked down the aisle, and you'd both been half-laughing, half-crying. your hands had trembled when you saw them. like the whole world was pouring down your throat, golden. like you were catching a moment and casting it in amber.

ashe'd been the one to help you when your parents were pushing for you to invite edmund. god, the amount of fights you'd gotten in with your parents - the same six sentiments, over and over again.

you'd been sitting on your bed, biting your lip, your fingers hovering over the little button send. ashe'd nuzzled your neck. you used to be close, and i think that's important. but you know your relationship to him the most. i'm willing to make the effort, and i love you no matter what you choose, they'd said. we don't have to if you don't want to, though, no matter what your parents say about him.

you'd thrown yourself down, supine, arm over the eyes. he's just... we are just.... you tried to phrase that-which-is-love-and-rage.

you're the normal twin. your "big thing" was only "being a lesbian." in high school, edmund started being able to make birds die by looking at them. you came home, trying to tell your parents i kissed a girl. i think i'm - and they just kind of nodded at you. edmund was eating the bible in front of them, like a goat.

on the bed, you'd held your hands out vaguely to ashe. edmund is a just always a lot.

ashe had shrugged. don't invite him then. and it was that - that they were okay with either of your decisions - that is why he even got an invite, in the end.

and now here he is, like how you wanted (?), and your hands are red, clenched hard around your bouquet. the officiant is crying. some people are on their knees, praying. some are trying to touch your brother, like he could impart a blessing.

"i made it!" he's triumphant. "i know i'm late, i'm sorry, there was - do you know anything about right-wing politicians?"

"i'm going to fucking kill him," you say, although you're not actually sure who you're talking to, or if he can be killed.

ashe is blinking, their face in a tiny oh of surprise. you take their hand, drop their hand, take their hand again. they blink at your brother. their voice is low but steady. "there's, um. is there a dark halo around him?"

you duck your head to meet their eyes. "fuck, ashe. i'm sorry. he wasn't supposed to -"

"did i miss it?" Edmund is swinging his head around far-too-wide. his 2 sets of horns leave little red mist any time they scour through the air. "I didn't miss the kiss, right?"

the town clerk is in the audience, and she's frowning. you send her an apologetic look. she shakes her head. "as we've discussed," she manages to throw her gentle voice over the din, "the wedding isn't official if someone objects. that is the legal statute. which people tend to be understanding of." she sends a dirty look to edmund, and that makes you love her. she seems completely calm, which makes sense, because she works in the town hall, and this probably isn't even her first demon-showing-up-at-a-wedding.

he somehow hears her, holds his hands up. "i'm not objecting!" the back of the event hall catches on fire. of-fucking-course. "i'm not - don't mind me, uh, please continue." edmund sends a look to the back-of-the-room fire and it whimpers and gutters out. he flashes you a winning smile, and then puts his hand to his king's-garb chest and mouths sorry! and then cartwheels his glittering talons to say go ahead.

"i think i'm going to throw up." the officiant's voice is barely a whisper.

you watch in horror as edmund tries to awkwardly slide into a waiting line of chairs. the sound of begging follows him, people on their knees at hell's king. he pats a few of them on the head, holding up his finger in a sheepish shh! while his touch leaves a bleeding rune on their skin. his hooves click, and his footprints leave ruby-bright fireroses in his wake.

he tries to sit down, but the wooden chairs are made for people and not the lord king of demons, so he has to span his furred hindquarters over two seats. he smiles again, offers you a little wave.

the room is dead silent, minus the weeping. you look back to ashe. you ruined this. you shouldn't have invited him. you spent so much money on this event, and ashe looks so fucking handsome, and you haven't even gotten to kiss them. to make it official.

ashe looks up at you, manages a little smile. "could be worse?"

you feel yourself start to smile too, but then edmund's chairs give out, and he falls directly on the floor, and with his startled yelp, everything around him bursts into the cold whip-crease of hellflame, disintegrating everything that isn't-a-person, including the flowers and the decorations and the cake and the tables. everything you saved for months to be able to afford. the venue that you both agonized over choosing. you picked this place because it was significant to both of you and was equidistant from both your parents and had a deal with the local hotel for people coming out of town. two years of planning, literally burning down around your ears.

edmund manages to stop the fire pretty much immediately, but it's too late. the officiant faints clear away. the town clerk gives you a sympathetic look and mouths see you soon and steps neatly out of the room, taking ashe's parents with her, chatting gently. an arched flower frame collapses into dust with a loud whoomp. pretty much nobody is left in the building, and you're standing at the top of the steps, at the fucking hour of your marriage, and there is nothing left but blue-cold embers, the lights blown out in favor of the eerie hellfire glow.

you sit down, hard. after a few seconds, you feel ashe sit down next to you. you put your head between your knees so you don't puke with rage, which would be somehow more humiliating than everything else happening at the moment.

"okay, it's definitely too soon," they whisper in your ear, "but i have to admit there is something that's going to be so funny later about my name being ashe and my wedding going up in flames." they wrap their hand in yours. "i can't believe we worried about candles. we should have just gone with them instead of worrying about safety. are you okay?"

you send them a look. "am i - am i okay? this absolute bitch -" you gesture with your free hand out to where edmund is trying to piece together the cinders of his chair, "ruined my fucking wedding."

your mom is standing awkwardly in what used to be the "family" row of chairs. your father is absent, of course. she makes a noise at you. "don't call your brother a bitch."

"oh my fucking god." you have to put your head between your knees again, fighting that stupid fucking rage-puke urge. your blood pressure has obviously reached "skyrocket".

"he's here, isn't he? you're not being particularly grateful," your mother says, because of course she does.

"oh my god! ohmygod. ohmygod." you feel yourself hyperventilating, and then you start laughing, and you hate the hyena hysteria of it, the way it pitches dangerously close to a sob. "this is just - this is just like you! this is the fucking - you blow out the candles on the birthday cake! you curse the kids i'm trying to babysit! you get straight-A's on every test without studying, and get all the friends, and everyone is obsessed with you! and then when i graduate from art school, do i fucking get a party? nope! but hey, let's throw edmund a party for his 300,000th tortured soul! and his 300,001st! and fucking everything else. and fuck me, i guess! edmund gets hurt on the playground, let's burn down the playground. i got fucking bullied, and our parents don't even notice. i am fucking struggling, but we need to pay attention to edmund. he gets fucking everything. while we're at it, why don't we let him fucking ruin my wedding!"

you are dimly aware of ashe wrapping one arm around you and then the other, and then you are sobbing into their shoulder.

"oh, come on. stop with the hysterics," your mother chides you. "you had a perfectly fine childhood. all kids fight. you should have gotten the ceremony done faster. and you know i didn't approve of you spending all this money when you have student loans to -"

"respectfully," ashe's voice is cold and cutting while they rub circles on your shaking back, "and i know you're about to be my mother-in-law, but -" you hear them force a smile, "maybe you could choose this moment to leave your daughter the fuck alone?"

you are so fucking in love with ashe at that moment that it stops your weeping like you got hit by a truck. you look up at them, and want to go back to crying, just overwhelmed by the sheer fucking amount you care about them, but then you look over at your mother, and her shocked expression, and you burst out laughing.

your mother makes a few almost fish-like motions with her mouth, and then turns on her heel, stomping over cinders on her way out. and then it is just you and ashe and edmund and how you are half-crying half-laughing quietly to yourself, like a tap that won't stop dripping.

edmund has put the chair down. he is staring at his hands. he is at least 500 pounds and over 7 feet tall (he doesn't use metric, he's the devil). and somehow, right now, he just looks... small. crestfallen.

"yeah, i mean." his voice cracks. there's no boom of thunder or hellhound echo. he sounds like he did as a kid, before the strange powers and the levitating and the souls of the damned. he sounds like he did the night he accidentally melted most of the pieces in your first glass art show. he sounds - like your brother. he puts the heel of his palm against his eye. "i ruined my sister's wedding."

ashe offers him a little half-grin. "i do just want to say i love the aesthetic, by the way. but you did very much ruin my wedding too."

he points at them, finger-guns. "....ruined their wedding too." something in the attempt at humor - how his voice breaks on the words, how lonely he sounds. it makes you have to close your eyes against the sound. "....you seem cool," he says. "it's... it was nice to meet you."

you hear him come over, his hooves clacking slowly on the floor. when you open your eyes, he's sitting closer to you.

he opens his hand. inside are two little ceramic figures. wedding cake toppers. "i... i made them for you two. i figured i would try - how you make art, without magic. i... i took a class, and i made - i made them." he looks down at the little white-dressed people in his wide, calloused palm. "it's... i wanted to be ... good. i..." he looks at you, and then at ashe. "i tried, you know?"

ashe reaches up, lets him roll the figures into their palm.

he stands up. folds his hands in front of himself. "i don't. know how to be good. i know it doesn't come naturally to you, either. i saw you... choose. to be kind. you could have treated me different, too. like everybody? i was weird, and everyone knew. if you'd been ... mean? it would have been okay. but you." he shrugs. "one time you tried to kill me in the bathroom."

you don't know why you're crying. you look up at him through the cracks between your fingers. "twice," you croak. "but the second time i had a knife." you tuck your hair behind your ears. "but that was only after you pushed me down the stairs at grandma's and i broke my leg before a dance performance. you fuckin' deserved that one."

"i pushed you because you were being a wretched bitch."

"hey now," ashe says, a little edge to their voice, "that's my wife."

you squeeze their hand. "no, he's right. i had deleted his pokemon gold save file right before the elite four."

ashe drops your hand like you scalded them, showing the only horror you've seen this whole time. "you - girl, what the fuck?"

you shrug a little. "i was being a wretched bitch. and he did break my leg about it."

edmund shifts a little. "i just - you are...." his voice dies.

in your family, you don't say i love you. in your family, you don't touch each other or show affection. in your family, you just show up for each other, quietly. neither of you knows how to speak or process what needs to be said. you can see that lacking flashing over his face, literally playing out in shades of crimson. you get that weird twin-sense of something unsaid.

ashe sets the little ceramic people to the side. "she treated you like a person when everyone else treated you like a prophet."

you cut your eyes to them, and then edmund, who gives you one very short, sharp nod. "i, uh. i can. never try." he clears his throat. "i can never try hard enough. for that. i can - what you gave me. by. doing that. by ... just. i made. one thousand. wedding toppers. so it could be perfect. because - i ... it needed to be perfect." he appears to be dying of embarrassment, which does imply he might be capable of dying. oh good. in case i need to try to kill him a third time.

the thought makes a weird, wet laugh bubble out of you. "remember that one time i failed my math test and you set mr. fog's car on fire about it?"

edmund looks shyly at you, and a very small grin spreads across his face. not the dark lord - just a 30-something year old man who has just upset his one-and-only twin.

"you're throwing us the most ostentatious, egregiously expensive wedding," you tell him. "above land."

he frowns a little. "okay, but i'm not doing anything in miami. the vibes there give me the heebie jeebies."

ashe holds up their hand. "and you'll be repaying the deposit on literally everything. oh, and replacing the cake."

you kiss their cheek and then point to him. "and you'll be on time for it."

he shrugs a little. "okay, i literally can't perform miracles, so like. set the bar lower. i can't promise i'll-"

you look down at your feet. "i'd like you to be my man of honor this time. like. by my side. so. you can't be late this time. okay? we do it the right way. finally."

"huh," ashe says, looking between the two of you. "you guys have the same smile."

edmund's grin becomes a little wider, a little easier. he raises an eyebrow at them. "okay, i get that you're cool, but you're like, very cool about this whole thing."

ashe lifts a shoulder. "used to work for the monster under the bed."

"oh shit, simon? fuck." he points to them. "remind me not to mess around with you."

you want to tell edmund i love you and i missed you, but you can't. instead, you pick up the figurines. they're not perfect, but you can tell hours of his life went into each. his hands are so big - it must have taken him so much work to make these things so small. you picture him with his back bent over a workbench, trying to get a face into a tiny clay figure. the ceramic version of you is smiling. he's given you little fangs and a unibrow. he gave ashe a tiny yellow crown. you make the two figures kiss.

snow is falling indoors, little icicles of hellfire. ashe reaches out and take edmund's hand, and then, very awkwardly, he reaches out and takes yours too.

for a moment, it's just the three of you, and the beautiful quiet of the room.

You’re standing at the altar, about to get married to your beautiful fiancée. When suddenly the king of demons bursts through the door of the room, which naturally causes panic. You tried to warn everyone that inviting your sibling to the wedding would mean trouble, but they kept insisting.