#if you think about it the less time you spend on a drawing the less it can hurt you so
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ellecdc · 7 hours ago
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Hiii! I adore all of your poly couples so I was seriously (Sirius-ly har har I’m so funny) struggling to pick one. But I just reread the poly!Jily and omggg I love the idea of lily becoming James 😭
Anyway I think
“are you blushing?! that’s adorable”
Would be such a cute prompt for them!!
yessssss! and great choice, babes.
poly!Jily x fem!reader who picked up some Potterisms [615 words]
CW: one negative comment about Snape, reader is Slytherin and usually a little grumpy maybe?, fluff
James knew from experience that after spending so long in the company of your friends or loved ones, one quickly picks up on some of their behaviours and mannerisms. 
James started to hear some of Sirius’ barks of laughter escaping his own lips. He also found himself using more colourful language that he no doubt picked up from potty-mouth Moony. James was far more likely to try new and unique cuisines since befriending Peter. And he even found himself calling the odd Slytherin git a toe-rag à la Lily Evans. 
What surprised him was just how much James Lily managed to pick up from him in their relationship by the time they met you. 
The usually blithe, somewhat snide, proud and determined witch could be seen almost tripping over herself in excitement when she saw you. And if James had been a hopeless romantic, Lily was an all out love-aholic. 
But he had more or less gotten used to that since you agreed to go out with them a few months ago. 
What he was still trying to get over were the random bouts of him he saw in you. 
“Oh my goodness!” Lily nearly shrilled as she watched a first year shyly approach another first year with a small bouquet of hand picked flowers held behind his back. “That is so cute.”
James found himself laughing. “Sure, it’s cute when they do it, but when I tried to give you flowers in first year, you threw them in my face.” 
He could hear you giggling from Lily’s other side, but James knew better than to draw attention to your uninhibited reactions and just enjoy them, lest you completely shut down out of embarrassment. 
Lily hadn’t managed to figure that one out yet, so James was glad her attention was still directed towards the now red-in-the-face first years smiling at each other and glaring at their friends’ teasing. 
“You weren’t nearly that cute in first year.” Lily commented breezily. 
“Come now, Evans,” you drawled, “there’s no need to be rude.” 
“I’m not being rude,” Lily argued as she stuck her nose up in the air, “I’m simply telling the truth.”
“You were just blinded by your devotion to Snivellus.” James snickered, causing you to wrinkle your nose in disgust at the thought of your housemate. 
“Oh shut it.” Lily hissed, swatting excitedly at the two of you when she noticed the two first years now holding hands. 
“Ah,” James let out with a fond sigh, “young love.” 
“Isn’t that just the sweetest thing you’ve ever seen!?” Lily squealed. 
“Second sweetest.” You commented casually, causing both Lily and James to look at you in question when they realised you weren’t moved to explain. “I do get to look at you, every day.” You added, shooting Lily a wink. 
James felt a disbelieving laugh escape his lips as he stared at you with a wide smile. 
“Where has this Y/N been all this time!?” James cheered then before turning to see Lily staring at you in shock with her mouth wide open.
“Oh my Godric, are you blushing!?” He asked Lily, holding his hand up to her pink cheeks as if he needed to feel them warm under his touch just to be certain. “That’s adorable.”
“I think you broke her, L/N.” Remus commented as he and Sirius showed up. “I’ve never seen her reduced to a blushing mess before.” 
“And was that a Potterism I just heard you make?” Sirius added with a salacious wink, and James delighted in the glower you shot at his best friend, knowing you likely had a similar heat radiating under your cheeks as Lily.
Merlin, he was so in love.
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cartwheellou · 23 hours ago
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He looks so charming and curious! I can tell you put a lot of effort into the coloring, what with all the scale detailing. I think the scale patterns look very nice, especially on his face.
Digital art can be a very different beast from traditional. Sorry in advance if anything I’m about to say is obvious, or you’re already doing it. Theyre all things I didnt know to do when I started transitioning from traditional to digital art.
Sometimes, the lines you draw on the traditional version look great as is, but when you digitize it, it just feels so wonk. Treat your traditional drawing as a rough draft. Focus less on tracing the traditional art, and spend more time looking only at what you have digitized and going, ‘do i like how this looks?’ It can help you from, at the end of the process, from going, ‘why did it turn out like that?’ And if its still not working out, turn off the traditional art layer and try freehanding it.
Inverse advice, while still making sure you spend time zoomed out looking at the whole piece, zoom in to draw lines. Yes, even further. It will make your lines straighter and help you bend that curve in the direction you want it to go. Then you zoom out and check it looks like you thought it would. It will also help you add detail where you would otherwise be afraid to put it in a traditional piece, like adding lots of detail in a folded wing.
What drawing app are you using, and what hardware do you have access to? Its stupid how much my art improved leaps and bounds when I switched to a better app and got a second hand tablet instead of using my laptop trackpad (if you can, use literally anything besides a laptop trackpad.)
Explore whatever app youre using a little more. Find a different brush, or at the very least, change the brush thickness depending on what youre drawing. It can be nice to have big, bold lines around the edge of the form, or to define his head from his body, but they suddenly seem clunkier when detailing his wing shoulder. A brush that changes thickness based on pressure is great for that, but again, just making the brush smaller does the trick too. The smaller brush will also help make added detail feel less clunky.
And whatever you do, dont berate your artistic skill if you dont like your digitized stuff. Its a different skill that you havent built yet. I can tell from this drawing that youre a good traditional artist, and you can be a good digital artist as well (after a series of what feels like failures but is actually just part of a learning process). Most of the stuff that Id pick on in this drawing are the product of unfamiliarity with digital art, and not having access to a tablet with a great drawing app and a pressure sensitive stylus. You can do great digital art without it, but it is harder and it does restrict your style.
Once you feel comfortable with it, try drawing something digitally without uploading a traditional rough draft. I actually found it a little easier!
I did a traditional drawing a few weeks ago and I decided to turn it into a piece of digital art :D
I would really appreciate some advice on how I could improve this :)
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(yes I know he isn't grey idk what I was doing)
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deoidesign · 19 days ago
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Look at these stickers my brain is literally so huge. God. I love them so much.
I hadn't tried to do a sticker sheet at home before because I knew it would be difficult, and I was right! Getting the cut lines to line up with the print was super hard and there were many failed attempts, but it was so worth it I'm so happy with them!!!
This sticker sheet is for my patrons this month ^^
#like seriously I wasted like 10 entire sheets#normally when I do stickers I get to arrange them on a 'print and cut' sheet#which basically has these black marks in the corners that the machine can scan so it can cut based off of where those marks were#so it gets to line up muuuch easier#but with this I didnt want to have just like 2 sticker sheets a page... I wanted to have 4 for an 8.5x11 piece of paper?#cause of obvious reasons I feel#cause the print and cut takes an inch all around#I'm not sure it would be replicable either tbh? like if I were to design another sheet I would have to waste a bunch of papers again#cause for some reason the individual cut lines werent like... it wasnt like it was just entirely offset or entirely scaled 1:1#it was like some parts had to scoot up some spots had to scoot over some down whatever#so I think I would have to print cut and test again#but. also I did all that and realized. I could have been testing this on normal pieces of paper... I didnt have to use sticker paper#its fine! just makes me feel less bad about trying to do this again in the future#the sticker paper isnt that expensive this wasnt terrible#anyways. might do more in the future! I only have one other idea right now for a sticker sheet bt I wanna do it eventually#not like I wont ever have other ideas. obviously.#I just generally try to only make stuff that i'd actually wanna have so i'm not trying to make a ton of designs or whatever#this is actually also why i'm often sort of... late? on the patreon designs#not late like i send them out as soon as payments get processed for that month the design was for#but ideally id be making them ahead of time enough that people could sign up or sign off if theyre interested or not...#but I just dont wanna make a design that feels procedural... I CAN but I wanna make things that are creative and worth paying for!#so. I often will spend multiple days mulling over ideas for that months designs. so I'm not very ahead at all haha#anyways. yeah these are for october and then I've also gotta draw a halloween themed drawing for this year in general that will be the prin#i lov halloween#anyways.#patreon#merch#my bf didnt get it the gravestone box. its like a nerds box shaped like a gravestone...#and the nerds are. ghosts... its good. its good okay you agree
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icewindandboringhorror · 7 months ago
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sometimes looking at like Self Help Strategies lists for the symptoms I'm having is always just like:
thing that I already do
thing I have tried 10 times
thing I already do
thing that I don't have the money to do
thing I already do
thing I've been doing since I was 10yrs old to no avail
thing that is impossible given my situation
thing that doesn't apply to me
thing that I already do
thing I have already tried
hrmm, oh wait, maybe finally- OH, yeah.. okay. thing that I already do but it was just phrased slightly differently
thing I have already done
#I think maybe productivity tips help less if the reason you're unproductive is partially like.. physcial health and other extenral things#out of your control. rather than just like having trouble paying attention or spending too much time on tiktok or whatever#all the strategic to do lists in the world are not going to somehow prevent me from waking up with a debilitating migraine or whatever#or having external stressors or lacking resources and connections or other Productivity Essentials etc.#especially many tips involve stuff like 'cut off from social media' since thats the modern day time waster for so many poeple#and it's like.. lol.. i can hardly even maintain a blog even thuogh i actively WANT TO DO SO. 'shut off your smart phone!' already#done babey i fucking hate smart phones i shall never use an app unless i am forced to. 'delete tiktok' yep. already covered. tiktok and#all of those thinsg are my enemies. 'save money by cancelling some of your services' cool. already ahead of you.#who the fuck is out here paying for like 10 different subscription services. pirated videos uploaded to google drive and youtube to mp3#my beloved. etc. etc. and so on. 'socialize less' .........LOL.. if only you knew.. mr.writer of the article. i can barely muster#talking to friends more than once a month and even less if I'm actively sick (often occurence) etc. etc. ... hewoo#I think maybe instead of generic productivity tips I need more like.. how to refocus and be productive anyway even if you have a headache#or are nauseous or etc. Not that those are always things to ignore. and of course you should let your body rest and etc. But plenty of peop#e have mild physical symptoms and just work through them. Ithink something about the way my body/mind is SOO hyper attuned to all#sensory information just makes it like... constantly 'GRR well I cant focus on WRITING right now because my lef#t ear feels weird and my socks are too itchy and my back has a strange pressure and I'm vaguely warm and my eye feels some ssort of#way it doesnt normally feel and I'm hyperaware of my breathing and also nauseous for no reason' and like half of those things I#think '''normal''' people wouldnt even notice or at least would be able to just live through. but for me it's like.. nealry impossible to i#gnore and soooo distracting always. like 'wahh.. nooo we can't draw or get anything done.. my legs feel slightly heavy or something!!'#like............. ok......... who cares. thats not even a PAIN sensation it's just something weird. but it's just like.. NO. constant#mental alerts about the 'heaviness' of your legs be upon ye. Though Imean like.. yes.. 70% of the time I am in genuine pain#or having some sort of actual ailment with trackable physical symptoms. but sometimes it's just like... we could totally be working right#now and ignoring this silly thing but my brain is fixated on it for no reason uncontrollably. etc. etc. I guess it's the same way that like#most people can go to a grocery store without the whole experience being so overwhelming and so much stuff going on at once#that they have to rest afterwards but like.. in my own HOME doing NOTHING i feel like I should be able to not get overwhelmed lol. ANYWAY#Rolling my bastard little rock up a dumbass hill and so on and so forth
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n0bluev · 11 months ago
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Theres a fine line between everything and nothing at all
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bingobongobonko · 1 year ago
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Lord, O Father Up In Heaven, give me the strength to not murder my managers for starting to place me in 5-day work weeks. I caught it early but NO fucking way buddy. I can barely handle 4-day work weeks. NO! MA'AM! im gonna be so polite when i tell her but i have a murderous glint in my eyes. Do not.
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cj-the-random-artist · 24 days ago
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Is this my best comic ever?? Nope. Do I think I characterized either of these two particularly well in this comic?? Not really. Did I spend an unreasonable amount of time on it to the point that it would be a waste to not post it?? Yes, yes I did.
I really committed to this one, spent a lot of time on those backgrounds and treated myself to ample suffering with the perspective, which is not my strong suit but I am happy with how it ultimately looks. Yay perspective and background practice!!
(Tbh I shouldn't talk like I think this one sucks, I think I've just been staring at it for so long that my brain has decided it's not good and it's actually way better than I think it is, and honestly I am quite happy with it. The artistic process really is something, isn't it?)
The inspiration was basically me reminding... myself... to take breaks sometimes... by drawing for several hour stints during my only little bits of free time. Which totally tracks. Probably. But I've been rolling around in my brain this idea that Lambert is a very uptight people pleaser and anxious workaholic, but Narinder, at least since adjusting himself to the circumstances (which probably took at least a century, maybe two) has discovered the joys of self care, and has made an active effort to chill tf out. This has not made him any less terrifying to the cultists (save for Lambert's closest disciples), nor has it made him friendlier to really anyone but Lambert (and maybe his siblings), but he sure has found some serious peace of mind. That said, I can't place what his motivations are here. Perhaps he is secretly concerned about Lambert's sanity, because he doesn't want them to turn into what he was, or maybe he's just trying to steal away some quality time with his one and only friend, but regardless of the reason, I spent too much time on this for nobody to see it, dang it.
That said. Enjoy this silly little comic that I spent way too much time on, and I hope this silly comic brings you some joy today.
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lunarharp · 11 months ago
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more phoenix wright situations
#unnecessary addition.#ppl liked this a lot - thank you pffggghh...#i will be drawing more AA over christmas bc i am dwelling a lot. i love kristoph as a character bc he really does get his comeuppance#him convinced that he's been playing this dark flirty obsessive chess game with phoenix all these years they were suspecting each other#and that one kiss signified that phoenix Owes him for yet another thing - realising he is queer - when like...#you were just another single element in phoenix realising he wants to be with another man for the rest of his life#that would be the most abject humiliation for kristoph - just another instance where he isn't nearly as significant as he thinks he is#and will end up in prison - while phoenix ends up happily and sweetly married as he deserves...#i don't usually spend much time thinking about characters i don't at all respect but he's just so GAY...and does get his comeuppance.#obsessed with the part in game where HE brings up how other ppl wouldnt see a man as 'self-respecting' if he wears fancy nail polish#this man is one of those homophobic homosexuals. he literally wouldn't be happy if gay marriage became legalised#and phoenix shares that with him while visiting him in prison with the glint of edgeworth's wedding band#he liked feeling like he was seducing straight men to the dark side.. what a fascinating and foolish person#again - i don't care for villains much - qifrey is the most morally questionable level i usually could get attached to#but when they're GAY...and their crimes are like idiot murders they ultimately get apprehended for rather than being like. Creepy to women#Well examining and then defeating such a man is fulfilling. Oooh thought turning phoenix bi was your funniest victory didn't you.#He has been head over heels for another prissy rich boy since primary school..you are nothing#i also don't really care at all about klavier despite respecting him far more than his brother obviously#and klapollo seems pretty real but i truly do not care i'd rather think about kristoph. klavier is not my kind of character#those two really represent how the far less morally respectable character can be far more fun to think about and examine at times🤔#i do get confused when others seem loopy for nasty characters i find reprehensible bc i don't find reprehensibility interesting#but i mean we all enjoyed scar in the lion king. if a spiralling villain is unnecessarily gay i'm glad he's there#kristoph is the scar archetype. gay awful brothers who are really pissed off that nobody cares about them#becoming less and less deserving of anyone caring about them the more they secretly murder people#Like what is wrong with you for real.#also thinking deeply today on how narumitsu was designed by a BL manga creator and were always designed to be BL i love them#ace attorney is a childhood thing to me. christmassy childhood thing. love that they age w/ me. canonically they're my generation. Love it
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quatregats · 1 year ago
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Read Gender Queer by Maia Kobabe and I feel like I have been stripped to my soul, in like a good way though
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simplyholl · 3 months ago
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Filthy
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Summary: After a long mission, Bucky needs you.
Pairing: Bucky Barnes x Avenger F. Reader
Warnings: Smut. Minors DNI. 18+ ONLY.
See my Masterlist Here
"Would it be too crazy if we slept together?" Your sweet voice replayed over and over in his mind. He hadn't flat out refused your offer, but he hadn't said yes either. Now as he laid under the rubble of the bomb Hydra had detonated, it was all he could think of.
You were friends, one of the only people besides Steve to make him feel welcome on the Avengers. The others were wary of him, and he didn’t blame them. He had done unforgivable things as The Winter Soldier. Now he was fighting for the right cause. He couldn't help the reoccurring nightmares of the horrors he encountered in his past. He didn't want to get too comfortable in his new life, the one Steve helped him obtain because he was scared The Winter Soldier was still lurking around in his brain somewhere.
That's why he never dated. Sam would tease him, telling him he could have anybody he wanted, but he settled for his hand every night. Bucky couldn't afford to get too close to anyone. Especially someone who was weaker than him like the opposite sex. He was scared he would lose control while being intimate and hurt or even kill his partners. So he never let anyone get too close, until you.
You came bouncing into his life unexpectedly. You were brought on the team shortly after him. He would never forget your first day. Steve introduced you to everyone at the morning meeting. You were all smiles, your bubbly personality instantly drawing him in. The others were making comparisons between the two of you immediately. You were so happy, so upbeat all the time and Steve was the only one who could get Bucky to crack his cold exterior and actually smile.
Despite your differences, you got along great. Which was a bonus since Tony liked to pair you together for missions. You worked well together, complimenting each other in ways you had never thought of. Who knew almost dying together every week can cause you to form close bonds? You were spending all your free time together. You introduced him to your favorite films, some of them were awful, but he would never tell you that. You would stay up late together watching old reruns of 90's sitcoms for comfort after long missions. Bucky would go shopping with you, holding every bag you had and never complaining.
The team thought something was going on between you. Why else would the cold super soldier follow you around like a lost puppy? They put Steve up to asking about it, but Bucky denied anything but friendship. There had never been anything happen in the whole year you knew each other. You never sat too close or crossed any boundaries, never thought about it until a month ago.
One of the longest, most dangerous missions you had ever been on finally came to a close. There had been too many casualties and you were upset. Even the comfort of your warm pajamas and favorite movie didn't ease your mind. Bucky thought you needed to be alone, so he told you goodnight and headed for his room. You called after him pleading him to stay with you. You couldn't be alone, not after that.
He hesitated, he never stayed the night with anyone because of his nightmares. Tony even gave him a pass when a mission required room sharing. He was the only one who didn't have to pair up. He was afraid he might hurt you or scare you during his sleep. He tried to tell you, but you couldn't be swayed. He found himself under your fluffy pink comforter on heart shaped pillows, surrounded by a mountain of stuffed animals but he felt oddly at home.
You tried to cuddle up to him, but he scooted away. He didn't want you too close to him while he was asleep just in case he had a nightmare. But you didn't care. You told him if he attacked you in his sleep, you would blast his dick off. That made him a little less worried. "How do Tony and Clint do it?" You asked as you wrapped your arms around him, trying to snuggle the grumpy super soldier. "Do what?" He relaxed a little under your touch. "The whole normal family thing. They have a wife, kids, the works, and they are the only ones. The rest of us can't keep a relationship for more than a month, and some only do one night stands. It's hard being a hero when you have to give up stuff like that."
Bucky considers your words carefully. "Is that something you want?" You throw your leg over him, trying to get comfortable. "Eventually, I want to settle down. I'm thinking at least ten years from now, not any time soon. It's just hard to tell who is asking you out for the right reasons or because you're famous. I can't tell you how many phones I've destroyed after dates because they were trying to live stream the whole thing. Is that why you don't date?"
Bucky tenses, explaining how his past as The Winter Soldier scared him away from anything like that. "So you haven't been having sex because you're scared you will hurt someone?" He nods and you giggle. Bucky looks at you like you've grown a second head. "I'm sorry Bucky, that's ridiculous. Your arm must be so tired! Oh my God! Do you use the metal one?" His silence makes you laugh harder. "Bucky there are super powered women you could have been sleeping with this whole time. People who could at least put up a fair fight if something like that happened, but you're okay now right? I thought the code words didn't work anymore." You rub his back soothingly.
You gasp as an idea hits you. "Would it be too crazy if we slept together?" It was like word vomit. You didn't mean to say it out loud, but you couldn't take it back now. Bucky is so still that you think he's fallen asleep. Thankful he didn't hear your unhinged suggestion, you lay your head down to go to sleep.
"You mean that?" Bucky asks after a few minutes of silence pass. "If it wouldn't hurt our friendship then, why not? I trust you. And I could hold my own if things went sideways. Plus, I'm a lot hotter than your hand, you have to admit that." The quip earned a chuckle from him. "Can I think about it?" He asks, his seriousness taking over. "Of course." You snuggle back into him, sleep finding you more quickly than you would've liked. That was a little over a month ago, neither of you brought it up afterward. You figured he didn't want to hurt your feelings, so you let it go.
Steve grabbed Bucky’s hand helping him to his feet. "I thought we lost you back there." He says leading him to the quinjet. On the ride home, Bucky thought about his life, how unhappy he had been lately. He thought of you and how he kept you at arm's length to protect you from himself. You were always so open to him, always letting him know what was on your mind. When you suggested the two of you sleep together, he was shocked. Of course, he wanted to but he couldn't. You were too sweet, he was jaded. He would end up hurting you somehow, he was sure of it. But you weren't scared of him, you trusted him.
Bucky thought of all the times he laid alone at night, masterbating when he could have went home with someone instead. He always turned them down, he couldn't risk it. He lived too dangerously. He could lose his life any moment saving the planet from the next alien attack. Wasn't it time he started living for himself? He had his mind made up when the quinjet landed. Steve told him to go get the cuts on his face and arm examined but he ignored him.
He almost ran to the elevator, not bothering to wait for Steve to get on before pressing the button to shut the doors. When it finally stopped on his floor, he walked by his room, stopping three doors down right outside of yours. He should have cared that it was three in the morning, that he would be waking you up, but he didn't. He tapped on the door loud enough to wake you.
He regretted coming straight here as he waited for you, he should have went to his room to shower first. His leather jacket was dirty and torn. There was a small gash on his arm that had finally stopped bleeding. His face was filthy and according to Steve, he had a cut there too. He probably looked terrifying. He thought about leaving to clean up, but then he heard the pitter patter of your feet as you approached the door.
You pull it open slightly at first, to see who is outside, opening it wider when you see him. He steps inside as you shut it back, locking it behind him. Bucky looks around the dark room noticing the glow from your tv. Your hair is messy, you must have been sleeping fitfully. His gaze drops to your body, you're wearing a black t-shirt that stops at your hips and black lace panties.
"Are you okay?" You ask taking in his disheveled appearance. You turn to get something to clean his wounds, his vibranium hand catches your wrist. "Bucky? What hap-" He picks you up with one arm, holding you close to his body as his lips crash into yours. He walks you to the edge of your bed, tumbling on top of you as your back hits your fluffy pink comforter.
"Do you still want this?" He asks, his voice rougher than he intended. You can't think clearly, not with him on top of you, caging you in like this. His blue eyes search your face as he waits for an answer. Your panties grow wetter with each second that passes. Your nipples are peaked under your shirt, desperate to be touched as you press your chest to his dirty leather jacket. "Yes" You somehow manage to whisper your confirmation.
His mouth is on yours again, rough and demanding, almost desperate. You cup his face with your hands, "Slow down, I'm not going anywhere." You assure him, breaking the kiss. He groans, hating the loss of contact. "Can't" He rasps, his face nuzzling against your neck. He nips and kisses the sensitive skin there, his tongue licking from your shoulder to your jaw.
His flesh hand travels to your chest, rubbing his thumb over your clothed nipple. He keeps kissing his way back down your throat until he reaches the collar of your shirt. His metal arm grabs the top, slipping underneath to get a good grip on it. He rips it down the center with little effort.
You gasp as the cold air hits your now exposed chest. But you're not cold for long, Bucky's lips capture a nipple between his lips tugging and sucking like his life depends on it while his flesh hand toys with the other one. You're not sure what has gotten into him, you never expected it to be like this, like he needs you.
He kisses a trail down your stomach to your panties. They aren't exactly see through, but they don't hide anything either. His vibranium fingers dig into your hip as he lowers his face, his pink tongue licking up the center of your soaked panties. You whimper underneath him, your fingers sliding in his hair, pulling at the short strands.
He grunts as he licks you through the lacy material. You try to close your legs around his head, hoping to bring yourself more relief. Bucky's steel grip on your hip tightens as he brings his flesh hand to your thigh, pulling it off him. He opens you wide, continuing his desperate assault on you. "I need more, please." You whine, needing to actually feel him against you.
He thankfully takes mercy on you, removing his hands to grab both sides of your panties. "Lift your hips for me." You do as your told, and he slides the unwanted garment off of you. He drags you to the edge of the bed, lowering himself on his knees in front of you. He parts your thighs, metal hand returning to its rightful place on your hip. You place your leg over his shoulder, taking a deep breath as the anticipation makes your skin prickle.
His hot breath on your soaked core makes you tremble. You feel him smirk against you. "I havent even touched you yet and you're shakin' like a leaf." A dark chuckle escapes him and he dives in. His tongue flat against you as he gathers your slick, bringing it to your clit and swirling it around. He moans, loving the way you taste. He wraps his lips around your most sensitve part, drawing you in, causing your hips to buck upward.
His grip on your hip tightens, a bruise beginning to form under his thumb. "Be a good girl for me. Stay still." His voice is soft, gentle, a complete contrast to his actions. He alternates between sucking you roughly and licking you slowly. You squirm underneath him, you're so close. He suddenly stops, removing his face from you.
His flesh hand rubbing your stomach, before laying his arm on you forcefully to keep you from moving. "I said stay still." He growls, his tongue swiping your clit before he sucks it between his lips once more. It takes every ounce of concentration you have to not writhe against him. You've never seen him like this so needy, almost feral. He's like a wild animal slurping you down like you're the first thing he's eaten in weeks. You don't dare to disturb him. So you lie as still as you can, letting him have you.
He needs this. He needs you. He flicks his tongue expertly over your clit, sendng you spiralling. He holds you down as he takes all he wants from you. He's not satisfied until you come three times. Your legs are wobbly, you couldn't get up if you had to. Tears stream down your face from how intense it was. He finally stands, unbuttoning his pants, sliding them down just enough to free himself.
He adjusts himself between your legs, filling you up. You gasp, grabbing onto his grimy leather jacket for support. You wonder why he didn't bother with getting undressed, but you don't mind. You love how dirty he is. How the filth on his jacket rubbing against your bare chest is the sexiest thing in the world right now. How you can see the cut on his arm, dried blood on his sleeve. You don't know if it's his or some Hydra asshole's, and you don't know which is hotter.
His hair is disheveled. His face is scraped, dirt from the mission caked on him, remnants of your arousal still on his mouth. He fills you completely over and over, holding you as close as he can. His pants rub the back of your thighs as he pounds into you. You caress his face, "Can I be on top?" You ask quietly, afraid you'll offend him some way in his feral state. He flips you so his back is on your mattress. Normally you would be upset that your sheets were getting dirty, but you didn't mind at all. You place your legs on either side of him, sliding down his length. Your ass hits the fabric of his jeans as you take all of him.
You look behind you noticing how big he looks on your bed. His leather boots covered in mud, hanging off the edge. A gush of arousal floods his lap, his hands hold your thighs, pulling you closer. You begin to lift yourself up and down on him, your legs still shaky from your earlier orgasms. Bucky notices you won't be able to keep it up for long, so he clutches your hips, taking over. He thrusts underneath you, your hands land on his shoulders needing to steady yourself. You love that it's giving the illusion that you're in control, your body on top of his, but he's calling all the shots, moving your body like he owns it.
You've never felt so full. It's as if Bucky can read your mind, his flesh hand pressing on the bulge he's making in your stomach. He works you harder now, his vibranium thumb coming between you to swirl your clit. Your vision goes blurry, stars bursting behind your eyelids. You come with a loud cry of his name. He follows shortly after, spilling inside you. He holds you close, as you listen to his breathing slow down as he drifts off to sleep while still inside you.
Tags in the comments! ❤️
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vampiefemme · 2 months ago
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a blurb in which ellie’s a sex shop worker you’re becoming very, very well-acquainted with <3
18+ mdni! shoo!
you’re on the verge of what would be your most earth-shattering orgasm to date when your vibrator betrays you.
your naked body, painted with a thin layer of sweat, sprawls over the wrinkled sheets of your bed, the damp fabric clinging to your skin as you gasp for breath. you’re working the vibrator over your slick folds, through the creamy spend of your previous orgasm, and every sensation below your waist is pure ecstasy. it hasn’t taken long to bring you right back to the edge - your back arches of its own accord, your eyes squeezing shut as a flurry of daydreams passes through your head.
all of them, it turns out, involve the very person who’d sold you the vibrator buzzing between your legs. ellie.
her hands on your hips, your ass, your throat. her mouth on your neck, her tongue on your clit. you can almost feel the warm puffs of breath she’d huff down at you as she fucked you, splitting you open with her strap and leaving you empty-headed and spent.
the mental images alone are enough to send you reeling, and right as you’re about to pass the threshold into the white-hot, blinding pleasure of another orgasm, the persistent hum of your vibrator abruptly cuts off.
you could throw up. you could cry. you could exercise sound logic and just charge the damn thing, but instead of any of the above, you find yourself rummaging through your drawers for whatever clothes you can find. sweats and a band tee, a mismatched pair of socks. nothing else.
ellie’s behind the counter again when you pull the door open. the shrill chirp of the entrance sensors draws her eyes to you, and you’re unsurprised to find her smoking a cigarette, body huddled over the edge of the counter. her brows lift in surprise when she sees you.
“back already?” she asks, putting out her cig leisurely. “must’ve gone really well. or maybe really poorly?“
you don’t miss the way her eyes roam over your figure, lingering on your chest; you’re not wearing a bra, and the peaks of your nipples are visible beneath the thin fabric. your back straightens.
“it died.”
“oh,” ellie says. “did you… charge it?”
“no, i wanted to—i thought maybe i could try something else.” you chew at your lower lip, casting a glance at the wall of toys from which ellie had plucked your vibrating bullet the first time you’d come here. you turn back to ellie just in time to see something dark glimmer in her eyes. she nods.
“yeah, of course. think you’re ready for something more intense? c’mon.” she nods her head towards the toy section, her auburn hair cascading over her shoulder. you follow her and watch as she surveys the wall of toys, the sheer volume of packages just as overwhelming as last time. ellie reaches out for a hot pink box, shiny lettering spelling out Boss Lady across the top. you grimace.
“what kind of name is that for a sex toy?” you quip, reaching for the package. ellie snatches it out of reach.
“ah-ah, sweetheart, don’t doubt the Boss Lady. she packs quite the punch.”
“really, now?” you ask, cocking a brow. “you know from experience?”
ellie just smiles, dimples in her cheeks. “if the name is just too cringy for you, we can find something else. but i recommend her—i think you’ll have lots of fun with her.”
“okay, fine. you pulled my leg.” you reach for the box again, and ellie lets you grab it this time, her gaze on you as you flip the package over and read through some of the metallic pink text adorning the back. the only rabbit vibrator you’ll ever need, it reads. powerful dual stimulation will keep you satisfied!
it occurs to you then, as you follow ellie to the register and dig in your pockets for some cash, that you should probably be embarrassed. here you are, a week after your first ever vibrator purchase, ready to fork over some hard-earned cash for a second one—one with a questionable name, no less. your cheeks warm as ellie regards you from the other side of the register, the heels of her hands pressed to the counter. there’s a knowing look on her face, her lips curled into the faintest hint of a smirk, that dark look from earlier still dancing in her eyes.
god, she probably thinks you’re a sex addict. she totally thinks you’re a sex addict.
“is it weird that i’m back so soon?” you ask, before you can think to filter yourself. ellie’s brows knit together in confusion.
“huh? no, no, not at all—we have plenty of regulars, you know.” she types something into the register, eyes still fixed on you. “i’d say it’s weirder that you’re here at two in the morning.”
you blink. “two?”
“two twenty-one, to be precise.” ellie nods at the clock on the wall, the hour, minute, and second hands made of three different flesh-toned penis cutouts. “but hey, i get it. your vibrator died.”
you clear your throat. “how much do i owe you?”
“hm. well…” ellie drums her fingers on the cash wrap’s countertop. “i’m feeling generous tonight. answer one question for me, and Boss Lady is yours for free.”
“i’m awful at trivia,” you confess.
“trivia? jesus.” ellie barks a surprised laugh. “i’m not—it’s not trivia.”
narrowing your eyes, you shuffle up to the counter and nod. “okay, fine. ask away.”
ellie moves in closer, too, head dipping ever so slightly to allow her to peer down at you. it takes everything in you to keep your eyes from lingering over her frame and drinking in every inch of her: the bold lines of her forearm tattoo, the burn-holes in the collar of her shirt, the faint kiss of freckles on the bridge of her nose. but while you attempt to reign in your wandering gaze, ellie doesn’t hold back. she takes her time looking you over. bites the plush, pink swell of her lower lip.
then: “what were you thinking about?”
“huh?”
“earlier, when you were touching yourself. before the vibrator died. what were you thinking about?”
“that’s your question?” you chew on the inside of your cheek. embarrassment roils in your stomach; she has to know that, while your body writhed in the center of your mattress, cunt twitching and gushing, you’d been thinking of her.
ellie smirks. “you don’t need to answer if you don’t want to.”
“no, it’s… it’s okay,” you murmur. your palms are clammy and you force your gaze to Boss Lady, waiting patiently on the counter for her chance to help you see god. “i was thinking about, um… you, actually.”
you’re still staring at the gaudy pink package on the counter, hands squeezed into fists at your side. you can feel the half-moon indents of your nails digging into your palms, and just as the silence stretches a bit too long for your comfort, ellie laughs.
it’s a wicked thing, a biting sound. all self-satisfaction and enthrallment. you dare to steal a glance at her, and she’s grinning like a maniac, her cheeks tinged the prettiest shade of red.
“can i tell you something?” she asks, stuffing a hand into her pocket and pulling out a wad of cash. her fingers glide over the cash register, clicking at a few buttons, and she slides the money into each respective slot before pushing the drawer closed with a satisfying click. “i’ve been touching myself to the thought of you, too.”
mouth going dry, you gawk at ellie like she’s got four heads; she simply beams at you like she didn’t just admit that she’s thought about you with her hand between her legs. she leans over the counter, one strong hand reaching towards you to tuck a loose strand of hair behind your ear.
“you seem nervous,” she says.
“i’m—i don’t…” you trail off, cheeks positively flaming.
“tell you what,” ellie begins, retracting her hand. she moves back from the counter and crosses her arms over her chest. your eyes flicker over the whorls of ink that decorate her skin, biceps flexed just so; your cunt throbs. “you can go now, if you want. i won’t stop you.”
“or,” she says, voice dipping low, husky, “you can lock that front door, and i can show you how much fun you can have with your new toy.”
she reaches a hand out and taps the box for emphasis, and you’re struck by how at ease she seems. how comfortable she is with your mutual attraction and the opportunity to act on it. it lights a fire in you, one that engulfs every last trace of doubt.
you lock the front door, of course.
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idolomantises · 4 months ago
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Wasn't sure when it would be the best time to discuss this, but since the ending is drawing near... yes, Bugtopia is ending.
It was a decision I really wrestled with myself for months over it, before finally concluding that letting it end after 40 episodes was the better option. Just to be clear, webtoons did not force me to end the series. They even offered to give me a pay raise to continue the series. It was my decision due to a multitude of personal factors. I'll just repeat what I said on my patreon:
I just want to say, first of all, thank you all so much for patiently waiting for my series to release and for supporting my work as I began developing the series. Bugtopia was a series I genuinely loved and adored and it made me feel so incredibly happy that people were turning their heads towards a series about weird bugs and their natural lives.
However, as you can probably guess, it pains me to say that I am concluding the series after season 1. I had 4 seasons planned with new characters to introduce, but unfortunately, I cannot see myself continuing to work with Webtoons and I want to pursue other projects.
This decision was due to a compiling number of issues with the company, the final straw was when they had a mass layoff, fired my editor that I've been working with for two years, and did not inform me for a week, leaving me in the dark until they randomly assigned me with someone else. My new editor is great and I'm glad I'm working with someone so patient and understanding, but this decision to fire my previous editor, the one who got me the job to begin with, without prior warning made me feel disrespected and disregarded, and it killed all motivation I had for properly completing the series.
I also felt incredibly overworked, I was spending vacation days working on comics and avoiding time with family just so I could get something done for webtoons once I come home. I feel like so much time was being wasted away for a company that paid me so little that I had to work twice as hard building up funds on my patreon. Bugtopia just ate up so much of my time. The pay also didn't make up for it. It's commonly assumed that webtoons authors make about $800 for the episodes they do, but that's not true. In fact, you can make far less depending on the amount of panels expected for your contract. It doesn't help that the artwork i did for banners and promotions were all things I had to draw and didn't get paid for, and the work I gave was either tampered with or scrapped, making me feel like I spent more hours of my day wasting time. There were also comics I had to censor and scrap, likely due to another series being in hot water for its racially insensitive content. But it was just extra work I wasn't being paid for. It also frustrated me because I was seeing other series with far more explicit content getting away with a slap on the wrist (turns out you can't say "fuck" anymore without it being hit with a mature rating, disappointing!)
In all honesty, it just felt like webtoons needed me more than I needed them. I was making more money from patreon in a week than I was making from webtoons in a month.
Personally, while I don't really regret my time with Webtoons and met some great people along the way, I honestly don't think any artist should work with them. You will be severely overworked and underpaid, and will barely be featured in ads unless your series becomes an instant hit immediately. It doesn't really matter how successful you are, you're just a product to Webtoons, put yourself above the corporation.
I have tried my best to provide you all with a satisfying conclusion to Bugtopia, even if some episodes may feel rushed or incomplete, but I completely understand if the conclusion isn't to your liking and I do apologize, but I could not continue working on this series if this was the mistreatment I was going to continuously get. I owe a massive thank you to my editor and assistants for helping me complete the series, I truly don't think I could have ever finished it without them.
Though I am done with Bugtopia, that does not mean I want to stop projects entirely, so please don't feel bad for me. I have a lot of upcoming projects and ideas in the works, and I'm still continuing the Monsters and Girls series.
Will Bugtopia ever return... possibly. I retain complete ownership of the series after a few years, and I wouldn't mind continuing the canvas series (or possibly starting over). Unfortunately I don't think I can continue the Webtoon Original as it belongs to webtoons now, but never say never I suppose!
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dclovesdanny · 2 months ago
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Dead Serious
4/4
Danny had made peace with the fact he did not have a soulmate. He had! After several years of no response to the countless drawings and writing notes on his skin, he had grown resigned to the fact that he was part of the 5% who did not have soulmates. He was fine with that.
(Dash would tease him about how no one would ever love him, adding salt to an already irritated wound. His parents were soulmates, and he remembered when he was drawing on his father’s arms and watching as it appeared on his mother’s. Jazz had been drawing and writing to her soulmate for years. Her soulmates name was Jason, and she always talked about how he was with her. She was one of the few people who comforted him when he stopped drawing or writing to soulmate. )
Damien taught at an early age that there was no use for soulmates. They were only distractions. He knew grandfather had no soulmate, and his mother had never responded to her own. He never responded to the drawings on his arms notes the notes in English on his (and he didn’t try harder just because he wanted to read his soulmate writing that would be ridiculous.)
Damien never told his family about having a soulmate. Even as he slowly got used to the differences between them and slowly learned how his grandfather was he could never bring himself to respond to the slowly lessening drawings and messages.(He couldn’t bring himself to respond because deep down he knew he didn’t deserve a soulmate. He was a monster, a demon. He didn’t deserve it.)
Danny stopped trying so desperately to contact his soulmate at age 11(the age he held his sister as she cried, her soulmate’s last message scribbled in desperate frantic writing on her arm. He never resented his parents so much when they didn’t even leave the lab for two days, not paying any mind to their sobbing child on the floor above them.)(it was the first time he didn’t envy having a soulmate.)
He was fourteen when he started drawing on his arms again.(it was shaky, much more than the older drawings, but even if he didn’t have a soulmate, he wanted to leave them a mark, just in case, the same way Jazz wrote quotes from different books on her arms.)
(When he found out Vlad didn’t have a soulmate, he refused to acknowledge another similarity they shared. He refused to think about how Vlad’s desperation made Danny think of his own desperate writing for his soulmate. Soulmates were a topic he never spoke of, and Vlad must have known, must have found out about how Danny didn’t have one, but he never commented on it. (It was the only boundary that was never crossed.))
(Damian wasn’t disappointed when his soulmate stopped writing to him. he didn’t trace over his arms, wishing that he had the confidence to write back. He didn’t spend hours wondering if his soulmate was gone without knowing Damian had seen him. He didn’t trace over the drawings his soulmate made with awe after four years of silence.)
Damian always covered up, so he was the only one who noticed when his soulmate started writing to him again. Never sentences never notes like they were before, but shaky drawings appeared on his skin. They were less detailed than before, almost shaky, as if the person drawing them couldn’t hold a pencil, steady, but they were real. Damian never said a word.
It was October 15 when Damien saw something on his arms that made his blood go cold. A message that he read over and over while commandeering the plane and ignoring the rest of his family yelling for him to explain himself. He desperately calibrated the jet while staring at the words, praying to a God he did not believe in that he would not be too late.(Unaware that Todd was following going in the same direction with the similar message written on his arm from a girl that Jason had deemed too good for him.)
Dear soulmate, even if you aren’t there. Everyone in Casper high is writing on their arms and I might as well try to warn someone. I am from Amity Park, Illinois, and we are under attack. The GIW have cut all outside communication. We are currently hiding in Casper high school, barricading the entrances, but it will not last long.
According to the government, we are not legally sentient or human. The agents outside want to dissect us, citing that we are scum. I don’t want to see my classmates die at the hands of my parents. I don’t want to see my friends and my sister die.
I don’t know if you are there, or if I really don’t have a soulmate, but I don’t want to die (fully) without leaving some sort of note.
My name is Danny. I love you. I’m sorry.
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luveline · 6 months ago
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𝐧𝐨𝐭 𝐟𝐚𝐮𝐥𝐭, 𝐣𝐮𝐬𝐭 𝐥𝐨𝐯𝐞 | 𝐚𝐚𝐫𝐨𝐧 𝐡𝐨𝐭𝐜𝐡𝐧𝐞𝐫
When someone hurts you, you and Aaron both need time to get better, and to put things right. fem, 8k
cw canon typical violence, graphic scenes and imagery of assault/battery, recovery, mentions of being sick, issues eating. established relationship, lots of angst and comfort, hotch being vulnerable, jack being sweet 
˚‧꒰ა ✮ ໒꒱‧˚
You lay backward over the luxurious stretch of the couch and sigh as your spine gives a sharp crick. Your head feels heavy after a long shower, your arms ache from a day at work, but the feeling of soft cotton on your legs deters any moping. 
I hope these are more comfortable, his note read, a white post it note stuck to a boutique bag. You wrap an arm around your waist remembering how Aaron’s message had made you feel: spoiled, and considered. 
You’d mentioned in passing that all your pyjamas are old and rough as a consequence, thought nothing of it, and promptly forgot about the conversation entirely. 
When Aaron finally comes home tonight, you’re going to give him a proper thank you. You can imagine his reaction to such a thing, his smile as he says it’s no problem, his eyes shuttering closed as you press a kiss to his cheek. You hadn’t realised how prevalent affection would become in your life after meeting him, but everything he does inspires love. Awful, soft, marshmallowy love where he looks at you and you want to sit in his lap. 
You slide your phone up your chest lazily and click the button on the side to light the display. Aaron hasn’t claimed to know when he’ll be home tonight. All he’d said was to let yourself in. 
It’s odd but not the worst thing in the world to be alone in his apartment. There’s less and less free space each time you visit as Jack begins to outgrow his and his fathers lodgings, but there’s never a stain or bad smell, the Hotchner apartment feels homey. You’re excited whenever you’re invited to spend the night with them. 
Maybe some time soon he’ll ask you to move in, or better, to marry him. You’re not a hundred percent sure how you feel about marriage, about being someone’s wife, but there’s a great well of pleasure to be found in the idea that Aaron would want to marry you. He makes you feel loved already in a hundred different ways but the ring might be nice, like a symbol to signify how much you mean to him. 
You rest your hand across your eyes. It’s silly to think of. Sillier to want so soon. You’ve been together for just under a year, and you have no false hopes about rushing into the future, but it’s certainly a future you want with him (and with Jack, too). He’s taking things slowly for a hundred different reasons but he loves you, and gifts like your new pyjamas cement that. He really listens to you. 
Your phone rings a moment later. 
You smile at the screen. It’s nice to be in love with someone who loves you too. 
“Hey,” Aaron says when you answer, his voice warm even through the phone, “I didn’t think you’d answer.”
“How come?” You sit up with a little start. 
“It’s getting late, honey. I called Jess and Jack was already gone.” He doesn’t say anything further. 
“Are you okay?” 
“I wanted to hear your voice, I think.” 
“Well, where are you?” You struggle to envision him speaking saccharinely like this where his colleagues could hear him. He’s nice to you often, but he’s a reserved man. 
“I’m just,” —a crunching sound of metal, the trunk of his car closing— “about to get in the car. I’ll be home before ten. Can I have you until then?” 
“I don’t see any reason to say no. But do you think you could come home a little faster? I have a crick in my neck.” 
“And you want me to fix that?” 
“You always fix my neck.” 
“How have you done it?” There’s a sound you assume to be the car door closing, but you can’t hear anything beyond that. 
“I have bad posture.” 
“You have perfect posture.” 
“No, it’s quite bad.”
He laughs loudly. It took some time to draw the humour from him but he isn’t as stony as you’d think, and for a while he didn’t have much worth laughing for, anyways. Whenever you hear it, you try to prompt it twice. 
“You don’t have to lie to me, Aaron, it’s just like when you said my weird rash wasn’t weird.” 
He laughs again, to your pleasure. “It wasn’t weird, it was a heat rash, I promise. You act like you’ve never seen heat rash.” 
“One of us goes to hot cities all the time and one of us lives permanently in Virginia.” 
“What are you talking about? Virginia’s far from cold. You’re being argumentative, I can see your smile in my head. I’m never going to fix your crick if you keep acting like that.” 
“No, don’t be like that,” you laugh, tipping back into the cushions. “You’re always such a sore loser.” 
“What did I lose?” 
You can tell from his tone that you’ve promised yourself one of those hugs that borders on a straight jacket tightness, his face tucked into your neck as he asks you to repeat yourself. What did I lose? he’ll ask again, kissing your chin, the line of your jaw. Tell me clearly.  
“It hurts,” you say honestly, “please don’t be mad. I really need one.” 
“I’m not mad… I’m going under the overpass, my signal might cut out.” 
“Okie dokie. Hey, did you eat? I can make you something for when you get home. I got groceries.” 
“I’m not hungry, but you can make yourself hot cocoa, and I’ll drink it when I get there,” he says. 
“Or I could make us both some?” 
“It’s much more fun if I drink yours before you can, honey. You know that—”
You pause in the quiet, then hear a quick beeping. You pull your phone from your ear and find the call disconnected. 
Cruel overpass, you think. 
Sure he’ll call you back, you take your phone into his kitchen and set about finding all the things you’ll need for hot cocoa. One mug, because you should hate when he forces you to share, but you love the feeling of his fingers on yours as he takes it and the thankful kiss he dots on your cheek. 
The kettle is uncomplicated. You toy with the stovetop, set the kettle on the burner, and let the temperature rise. It begins whistling lightly a mere thirty seconds later. 
You click your phone on again. He’ll have passed through the tunnel now and will be calling you back any minute. You stare at the phone, hoping to summon him, slouched over the counter with the tin of cocoa powder by your fingers. The kettle whines with growing heat, but cool air kisses your back. 
Goosebumps rise. Up and down the lengths of your arms, the back of your neck—
A sudden chill. 
The lack of air comes before the hand, the pain a rush, a burst to be away from. Leather on your neck creaking without sympathy as a hand tightens and drags your body back against something hard. 
Not Aaron. Your scream comes strangled under cruel fingers as you fight to move forward again, straight for the burner, the kettle shoved across the burner grate and exploding with scalding water, heat of the burner kissing your chest— you scream, only it’s worse than a scream, sound from the deepest part of you forcing itself past the heat at your neck as you try to fling yourself away from the pain. 
You fall with a hard clout. “Stay still!” comes out enraged against the back of your neck. You drop to your knees, the pain lighting flaring up your chest, your gaze frantic as you search for a flame that isn’t there. You’re not on fire, you’re crawling and then scampering up into a standing position when the heavy weight drops itself on you again and smashes your face into the floor. 
All your fight leaves you. Your ears ring. Your panic wanes but the pain stays alert in your mouth. 
A hand grabs you by the back of the head and drives your face into the ground. It’s like light in your eyes and your nose, the brunt of it, the crack of your bone and the hot trickle of blood that swiftly follows. You gurgle in pain, spluttering and gagging against the linoleum, waiting for Aaron to turn you over and say sorry. It’s an accident.
Blood drains from your nose in spurts to match your racing pulse, so much blood you can see your eyes reflected in the dark stretch of it. Water drips down the front of the stove, your breath aches and begs, and your attacker takes a measured breath. 
He flips you over. You can’t slide away, there’s nothing left in you, your head a second body as he raises something. 
Your phone rings on the counter. 
“Please, don’t,” you plead with a sob.
You pass out as the pain connects. Just as quickly as it started, your body takes the reins. 
There’s a strange darkness waiting for you. Like waking before your alarm and stealing those last minutes, body aching, not wanting to get up and face the day. Aaron gets up early every morning, sometimes as early as four AM, and whenever you get up with him your eyes hurt for hours. 
Nothing, nothing, nothing. 
Hey, hey, I think your boyfriend’s coming.
What will he make of my handiwork?
You didn’t stay awake long enough for that one, did you? But you’re waking up now.
The pain is enough to wake you up again, a hot drag down the side of you to your hip and in. You aren’t aware of the sounds you make, but you can hear them. Your panicked squealing as the heat presses further and further in. Your crying, and your whispering, “Stop, stop.” 
“There’s handsome,” the dark voice says. “I’ve gotta go hide somewhere, does he carry after hours? I think I’ll find out.” 
“Oh,” you say, feeling sickly. You attempt to curl into yourself, when did you turn onto your back? “No,” you mumble, lips wet with something hot. 
“Honey?” a voice asks. 
“Honey,” you repeat, woozy again, darkness falling in all over again, where it stays. 
Honey, are you in here?
The window behind Aaron’s shoulder is cold. Rain patters fast like floods, thunder occasionally chewing through clouds, and Jack Hotchner cries sluggish tears into his dad’s shoulder. 
Aaron has his eyes closed. They’ve been at this for a while. “Shh, shh shh, buddy,” he says softly, patting the bottom of Jack’s back. He’d sway him back and forth if his arms weren’t about to fall off. 
Jack squirms closer, no room left between them. 
“I know it’s scary,” Aaron says. 
Jack just cries. This approach of quiet support isn’t working; Jack isn’t a baby that needs to be put to sleep, he’s a panicking little kid, and Aaron needs to change gears. He ushers him away from his chest and crosses his arm behind Jack’s back. Careful, he shifts Jack’s weight to free his other arm and brings his fingers up to the silky brown hair dropping onto Jack’s forehead. 
“She’s okay,” Aaron says, stroking Jack’s hair. His little forehead is clammy. “She’s not hurting. I know it looks scary, honey, but… she’s just resting.” 
Jack looks him in the eyes. “Her face.” 
“I know.” He nods emphatically. “It’s hard to see. Blood isn’t nice. You don’t have to see her again today, not if it’s too scary.” 
Jack lifts a hand to Aaron’s face. Clumsy but with clear attempts to be careful, he wipes at the skin under Aaron’s eye. Aaron bites back a smile. 
“I look tired,” he says. 
“Yeah.” Jack brings his hand back to wipe his eyes. He sobs as he does it. Aaron can’t describe the ache it gives him to see it. 
“Buddy, I’ll do it. Let me wipe your face. I can do it.” 
Jack drops his hands. Aaron turns his hand and wipes the smudge of Jack’s tears from hot cheeks, testing the waters with a little smile. 
“I couldn’t see you under all those tears.” 
Jack does a little smile back. “Yes you can.” 
“I couldn’t! But now I’ve wiped all your face I can see you again. You’re handsome, did we know that?” 
Jack giggles. He sniffles, and he presses his palm to Aaron’s neck. “I don’t want her to be sad, dad.” 
“She’s going to be sad, because something scary happened, but it’s okay. I’m gonna take care of her.” 
Aaron would offer to take him home, but they can’t go home. They may not go home for a long time —the team is still trying to work out how someone made it into the apartment without alerting the building’s security or Aaron’s internal system. And then escaped again without Aaron’s notice. Until then, Aaron has to make a decision about a safe house, for himself, Jack, and Jess, though she's extremely unreceptive to the idea. 
Aaron has to look after Jack, and he needs to take care of you. 
“What do you think, bud?” he asks, cupping Jack’s head in his hand. “Do you want to go home?” 
“You said I can give her a hug.” 
“If it’s too scary, we don’t have to. I don’t want you to get upset again.” 
“I’m not scared. I want to give her the hug,” he says. 
Aaron pulls him in for a hug of his own. “Okay, buddy. Just try to think of it like this. She’s where she needs to be to get better. Everybody here is looking after her. She’ll be okay soon.” 
Aaron looks over Jack’s head down the hospital hallway. It’s a quiet ward, and here between the main ward doors and the hallway that leads down to the individual rooms there’s complete silence. Night is approaching quickly again, and with it comes Aaron’s panic. Your head turned into a puddle, your face lax of expression in the dark. He can’t stop finding the women he loves bloody and on their backs. 
“Ready?” he murmurs. “Can you walk with me? My arms are tired.”
“Yeah.” 
Aaron puts Jack down gently onto his feet. He neatens his hair, chucking him under the chin as he goes to see his smile. He’s so pretty, like Haley was, with shiny eyes. He’s a beautiful kid. Aaron takes his hand and together they make their way down the hallway to your room. 
You’re sleeping. 
Aaron herds Jack through the door and to the plastic covered chair by your side, where he lifts him up and sits him down. He stays between you both. Jack isn’t scared of you, just the blood, but he wants to show Jack that he’s going to protect him from anything he needs protecting from. He also desperately wants to touch you, and reassure himself that you’re still breathing. 
He looks for your hand. Your pinky finger is splinted, but he can take it with care, give the palm of it a squeeze. 
The blood matted in your hair has finally been washed away after a turbulent day, as well as the staining that marred your face. Your nose is broken, and looks it, the bruises so fierce your eyes have turned puffy and your top lip has inflamed. There are second degree burns in multiple places but most affectedly on your chest. There’s a stab wound at your hip, allegedly done with a small blade. It nicked your small intestine. The bandages laid over you are a lump under your hospital gown. 
Aaron looks at you, and he feels a passionate disdain for himself. He wishes he could… be someone else. Someone who doesn’t have such a deep connection to a job that hurts the people around him, over and over. Haley used to say he was obsessed with being the hero, but this doesn’t feel heroic. 
“Do you wanna give her your cuddle?” he asks softly. 
Jack stays sitting. 
He’ll have to give it to you himself. Careful, Aaron leans down over your prone body and presses a half kiss to your ear, the only place that won’t hurt. 
You have an IV drip going into your arm, painkillers, an ECG monitor to the left. The room is white but busy, you’re a burst of colour against it all, your cuts and bruises, the evidence of violence he can’t remove. Aaron’s tired. He perches on the gap of bed by your leg and holds your hand, turning to Jack, who watches with a frown. 
“She’s sleeping,” Aaron says. 
“When can she come home?” 
“In a few days.” He feels the pad of your hand, terrified of your broken finger but needing to hold a part of you. 
“Why is she sleeping all day?” 
Traumatic experiences are exhausting. “I think she might want to be alone, so she sleeps.” 
“Should we go?” 
Aaron shakes his head. “I think we should stay. When she wakes up again she’ll be happy to see us, because we’re not strangers.” 
“We’re family,” Jack says. He’d liked that, when the nurse asked you how Aaron was related to you. Family only.
“We’re her family,” Aaron agrees. 
If he somehow miraculously fell out of love with you, you’d still be family to them. You’ve given so much of your heart since you met them. Aaron wants everything you have to give. 
You wake in a slow, slow upheaval. It takes effort on your part, the opening of sore eyes, the dreary decision to face your pain. Your hand jumps in his but relaxes when he shushes you, your slimmer fingers stilling under his rubbing thumb. For a split second, you keep your gaze half-lidded, jaw soft, like you’ve been indulging in a stolen nap. 
Then your breath catches and you screw your eyes tightly. 
“You’re okay,” he says, quietly, and not as lightly as he means to, “you’re okay, you’re okay, you’re okay,” in quick succession. 
“Hurts,” you say, and gasp, a whine stuck in your throat. 
He doesn’t know what to do. Jack shouldn’t watch this but he can’t leave you alone. “It’s okay,” he says, holding your wrist to stop it climbing up your bruised face. 
You were worse the first time you woke up. Catatonic, then sobbing. You mumble and whimper now, pain threading goosebumps down your arms. 
“It hurts too much,” you say. A sob falls out of you like you’ve been ripped open. 
Aaron doesn’t think, but an instinct sparks. The pain, to hit you right out of the gate like this, to make you say something like that when you’ve always always made your problems small, must be torture. It must feel new and sudden all over again. 
Aaron checks that Jack is alright and leaves the room. He looks down one hallway and then the other, but there’s no nurse around —he races to the reception desk and begs the two nurses there for help with you, “She’s in intense pain,” he says, grasping the desk. 
The nurse he’s more familiar with clears her throat. “Mr. Hotchner, she’s already had enough motrin for two people at your request, she really shouldn’t need–”
“Pain is just as important to treat as the injury.” 
A second nurse puts her salad down with raised brows. “Do you want to overdose her?” 
“Excuse me?” 
Aaron has always seen himself as a gentleman, but the argument that ensues is tricky to navigate while remaining respectful, and he’s no closer to better treatment for you by the end of it. He gives each nurse a disapproving glower and takes his phone from his pocket, turning on the spot, ready to call whoever it is he needs to call for a second opinion. He’s not gonna listen to you cry when there’s no need. 
He pushes the door open with the phone still clutched in his other hand. Jack’s climbed onto your bed. He cuddles your face, sitting by your pillows and bent over you protectively. 
Aaron lets out a breath. 
“It’s okay,” he says, his arm behind your head and his arm on your shoulder. “W’gonna take care of you.” 
“I know,” you say, crying without sound, shaking under his arms.
His cheek smushes against your forehead. Your eyes are closed and your face braced for contact Jack doesn’t make, careful not to hurt you as he rubs his cheek into your skin. Your blankets are falling off of you from the squirming and your bruises shine with tears in the light, but Jack has calmed you down some. 
Aaron shouldn’t have left Jack with you. He’s been so scatterbrained since he found you when he should be the opposite, but Jack is doing better than Aaron managed alone. 
“I’m sorry for crying,” you say slowly. “I’m hurting, but it’s not bad. I’m okay.” 
“That’s good. You have a big scratch on your face, and bruises.” 
“I know.” 
“Dad says you have a bruise on your tummy too.” 
“I got lots of bruises, but it’s okay. Don’t worry about me.” You bring your hand up injured and uncaring to rub his leg. “You’re being a really brave boy, thank you.” 
A tear rolls down your cheek. 
“It’s teamwork,” Jack says. “I hug you and you hug me.” 
“Is that what you want? You want a hug?” 
“I want to go home,” he says, hugging you harder. 
You grasp his arm loosely where it’s just under your chin. “Jack, can you move your arm?” you whisper. 
Your breath comes quickly, but Jack moves his arm away from your bruised neck and you try to calm yourself down. 
Aaron jolts himself back into action. “Sweetheart,” he says, rushing to sit Jack back and give you more space. “Are you okay?” 
“I’m fine.” 
He watches. Not sure what to say. Not sure saying anything is wise. You squint at him through your lashes, eyes opening slowly, your mouth a line pressed hard to stop from crying. 
“I think it's time for Jack to go home,” he suggests gently. 
“Yeah,” you say, eyes swimming with tears. 
“No.” Jack squeezes your head again, to your panic. 
“Jack, buddy, please don’t touch her neck,” Aaron says, grabbing Jack from your pillow. 
He erupts into tears again. Frantic and vying for you, Aaron tries to calm him and he kicks against his chest, tears turning to disgruntled sobs at not getting what he wants. You wince, pressing your face completely into the pillow. 
Aaron carries Jack from your room, phone in hand. 
Is she breathing? Can she talk? 
I don’t– I don’t know, I don’t– She’s breathing. Honey, can you hear me? I don’t know what to stop. I don’t know where it’s all coming from. 
Where’s the worst of the blood? 
It’s everywhere. 
Abdominal? Chest? 
I can’t tell. I can’t tell. 
Mr. Hotchner, you can’t panic. Does she have a chest wound?
Yes. Yes, but– 
Is she conscious? How’s her pulse? Be ready to start chest compressions. 
Honey, can you hear me? 
Your name said clearly. 
“Hey, can you hear me?” 
“Yes,” you murmur. 
“If you need a minute, that’s okay.” 
You cover your mouth with your hand. Emily Prentiss has a soft voice like your boyfriend’s when she wants to have it. She’s never spoken to you like this, none of his colleagues have, but since the incident, everybody treats you like you’re made of glass. 
Cognitive interviews are meant to happen immediately after an accident, but you weren’t up for company. Aaron promised this would be on your terms, that Emily is the most practised, and that she’s reaped the most information from them than the rest of the team. So far, it’s worked to drag bad memories to the surface. 
“Maybe we should start from the beginning.” 
There isn’t a beginning. There’s just conversation. Aaron’s hand on your heart and his shaky voice, so unlike him.
“Okay.” 
Emily reaches for your hand. She smiles, and her nice features get nicer. That’s another thing they all share, good looks. “Okay. What did you notice, in the kitchen? It’ll help if you close your eyes,” she reminds you. 
You close your eyes. 
“What stuck out?” 
“Nothing,” you murmur. “I’ve been in there lots of times, and nothing ever changes.” 
“Nothing? Not even the drawings on the fridge?” 
“Jack’s particular about his best work, even if I think they should all be on display.” 
Emily’s voice turns to a shard of itself. “What did you do? Can you take me through it step by step? Make yourself a cup of hot chocolate.” 
“I never got that far.”
“What did you do?” 
“I filled the kettle.” 
“What kettle?” 
You don’t understand the need for specificity, but you answer. “Aaron got it for me, when he… he told me he loved me, and when we got home he’d bought me a kettle and a bunch of stuff to make my being there easier. The kettle, because… he said something about superheated water. How the microwave can be dangerous, and this would be easier than a pan.” 
“Alright. Okay, and what did you do after that?” 
“I put the kettle on the stove.” You lit the burner, and heat kissed your palm, and suddenly the room had felt cold. “I got goosebumps.” 
“When?” 
“The kettle started to whistle, and it was cold.”
“And then–”
“Then he grabbed me.” 
“Yeah,” Emily says softly. 
You touch your nose. “I tried… He didn’t feel like a person. He didn’t feel like someone I was fighting, it was just painful.” 
“Like he was quick on his feet?” 
“He was silent. I didn’t hear him until I made him fall.” 
“How big did he feel?” 
Your stomach churns. Big. He’d felt big. 
Where’s the worst of the blood?
“He said he was going to hide,” you remember. 
“He said that? He said ‘hide’?
“Yeah. And he asked me if Aaron carries after hours.” 
“When was this?” 
It’s a headache. You try to remember more, because that’s what they need right now. If you ever want to go home, if you want Jack to go home, you need to remember more. The BAU are good, but nobody can make a map out of slivers. 
“That was at the end,” you say. 
“After he stabbed you?” 
You wince. “Yes. After.” 
“You’re doing so good,” she praises, “I just want to fill in the gaps.” 
“I can’t remember. I was unconscious.” 
“When Hotch found you?” 
“No, before.”
“Before?” she asks. 
You’re sick of sitting there with your eyes closed. Sick of your hands shaking with nowhere to hide them, and sick of feeling sick, your nausea as present as the stinging pain of your burned wrist against your sleeve each time you move. 
You open your eyes and look around the conference room for something interesting. How nice would it be to think of something else for a few minutes?
“He called it handiwork when he cut me. Asked if I thought Aaron would like it,” you say, bordering monotonous as your gaze fizzles, unfocused, across the room. 
“Okay, Y/N. Okay. I know you’re tired.” She reaches for your hands to squeeze at the same time. “You did really well. Any details at all are details we can use to find him.” 
You’re not in the mood for talking anymore. Tears burn your eyes, waiting for a blink to set them loose. 
“I want to see Aaron,” you confess quietly. 
“I’ll find him for you.” Emily stands but bends, the dark of her hair a contrast to her pale face. She’s lovely, and her hand is gentle on yours. “Are you okay? Can I get you something to eat?” 
So Aaron’s not keeping that to himself. “I want to see him, please.” 
“Yeah. Okay.” 
This is a horrible room. It’s not their fault, but the big white board is tacked with bad photos of grisly cases —currently your own. You stare at a photograph of your blood in the kitchen and don’t know what to do. Should you look away? You hadn’t realised you bled so much. 
You turn your chair toward the door. Emily looks back as she leaves and smiles at you softly, but your eyes are already moving to the smaller dry erase board by the doorway. It’s ‘Hotch’s turn to clean up on Thursdays. How strange that they make the boss clean the conference room. 
You can picture him picking up coffee cups and wiping down the table. You can always picture Aaron. 
You can see him hovering over you, his hand pressed to the bloody mess of your hip to stop the blood. 
“It’s okay,” you whisper to yourself, wanting to break from the memory, following Aaron’s example. “It’s okay, it’s okay, it’s okay.” You repeat it into your hands, head tilting down. You sink until your knuckles touch your knees. 
That’s all he says when you panic. He’ll say it over and over again until you can breathe right. I have you, I have you, you’re okay. 
He’s much quieter this time. You hear his footsteps, his familiar gait, your head pounding too hard to move. Aaron makes a sound between a sigh and a hum, like he’s saying a sorry hello as he kneels in front of you. His hand takes your face, rubs softly over your ear. 
“My head’s just hurting,” you murmur. 
He doesn’t respond. You sit together for some time as your mind races with bad memories, your fear a rush of goosebumps down the lengths of your arms and thighs. It’s hard not to think about what happened, mostly because you’re still a walking bruise, your stitches sting when you move, the blisters on your chest ache, all of it inescapable. But it’s your anxiety that plagues you most. You’re in a constant state of dread. 
You had no idea someone could hurt you as badly as they had until it happened, and now you’re desperate not to be hurt again. 
“You have to look after me,” you say eventually, throat sore with how awful it feels to say. 
“Yes, I do.” 
“Please don’t let me get hurt again.” 
Total silence. You sniffle at his lack of an answer, only slightly comforted by his hands at your wrists now, pulling them from your face. “Let’s sit up,” he says, standing himself. “Come on, let’s sit up. You shouldn’t be putting so much pressure on your abdomen.” 
You lean back and everything aches like a stretch after a long run or a bad night’s sleep. 
Aaron pulls a chair next to yours. When he sits, your knees are pressed in between one another’s thighs, so close he could hug you. You might need one.  He’s given you a ridiculous amount of them each day, some for him and some for you. 
He has with him a takeout box and a bottle of water. 
“Here,” he says, popping the seal of the drink. “Three sips.” 
You feel like crying, but you drink. He opens the takeout box to reveal a normal looking sandwich already cut into two halves, but he takes a plastic knife from his pocket, peels away the wrapping, and cuts the sandwich again into quarters. 
“I’m gonna be sick,” you say. 
“No, you’re not. You won’t be.” He presses the sandwich flat with his hands and holds it to you until you take it. “Please, Y/N. You only have to eat what you can.” 
“I don’t want it.” 
“Please.” 
“Did Emily tell you about my interview?” 
He reaches for your thigh. Mildly unlike him when you aren’t at home. You assume it to be a tether for your sake. “No. Is there something you think I should know?” 
“I don’t want to say it again.” 
“Then you don’t have to. Someone will tell me when I get back.” 
You pinch the fluffy bread in your hands, eyeing wearily at the wet insides. “Can I come with you?” 
“You’re having trouble in the cognitive interviews, you won’t want to hear what we have to say.” 
You split the sandwich in half again, watching as salad and mayonnaise ooze from the bread. 
“If you don’t eat, you won’t get better,” he says, a touch stern. 
“I can’t eat when you won’t let me come with you.” 
“I’m not the only person capable of protecting you. I…” He circles your wrist before you can make a mess. “Can you please eat it?” 
You take a bite to appease him, your stomach roiling, food wet and cold on your tongue. You eat the whole quarter queasily, a lump at the back of your throat begging you to stop. 
Aaron takes an empty hand and rubs it tenderly. “Thank you,” he says, that rubbing turned more forceful, his hand journeying to your elbow and back again. 
It’s sweet how attuned he is to your needing his touch, but mortifying. This entire experience had been embarrassing from start to end. Couldn’t defend yourself, can’t get to grips with it, and can’t keep anything down. Aaron looks at you and your bruises and you wonder if he’s seeing you with blood matted in your hair, or hearing you beg for him to get you something stronger. All you’d wanted was a sedative. 
“I’m far from the only person capable of protecting you,” he says. 
“You saved me,” you say. You mean it in every sense of the world. 
“…This is my fault.” 
“I want to be with you,” you say honestly. “I don’t feel okay by myself right now, I just need you, or I feel so sick I wish that I died.” The anxiety is marrow deep. 
Aaron looks gutted. “Don’t say that.” His hand goes back to yours, back to tenderness. “I know you're scared.” 
“Then why won’t you listen?” you ask weakly. 
“I’m listening to you,” he says, his tone a dulcet, pleasing softness you’ve never ever heard before, “I need you to be safe, and I need Jack to be safe, and I can’t do that while he’s still out there.” His brows pinch together, agonised. “I’m sorry you’re scared. I didn’t protect you. But I won’t let anything happen to you again.
“I love you. Please believe that I’m doing what’s best for you right now.” 
You turn your head away. He cups your cheek regardless. 
“I love you,” he says again. 
“I know.” 
“No, I love you.” 
He’s saying sorry.
“I love you,” you mumble back. 
“How are you feeling? Is anything hurting more? Weeping?” 
Your eyes are heavy at his touch. “You only looked at me a couple of hours ago.” 
“Alright. Can I kiss you? I need to go.” 
You don’t answer. Aaron kisses your chin, your jawline, the type of roving, teasing kisses he’d give as he squeezed your sides, only he doesn’t squeeze you, he can’t without hurting you. His hand hesitates just above your deepest wound. 
His bright kiss works to spark a modicum of life back into you. Not a lot, but enough. It was likely his intention, some quick prodding kisses to remind you of something happy between you both. 
You curl your fingers over his hand and turn your face for a chaste peck. He smiles, the curve of his lips evident and relieving against yours. 
“Someone will take you back to the safe house, okay? Give Jack a kiss for me,” he says. 
You nod. Aaron strokes your cheek. 
Your assailant could have killed you while you were vulnerable, but he didn’t. “He assumes he’ll have another chance,” Emily surmises. 
“That’s cocky,” JJ mutters. 
“It’s telling,” Aaron says. “But he won’t.” 
The coaching has been extensive. You, sick, a breath from tears and hurting, your shoulders in his hands and his grip too tight. If someone tells you I’m dead, you wait. If Morgan tells you I’m dead, you ask Rossi. If he says I’m dead, you ask Emily. You can’t believe the first thing someone says. No one is going to move you from this safe house to another without seeing me first. If I do get hurt, you and Jack will be moved separately. You will always get my confirmation before you’re moved. 
I’m not gullible, you’d said, wincing at his sharp tone. 
It’s not about that. People will lie, and they will lie well. They will talk their way into the house if you let them. You can’t let them. 
I won’t. 
He’s racing against a countdown, because no matter what he says, what you know, or how many agents wait outside your house, sometimes it’s a force of will. 
Foyet didn’t need much more than that. 
He admittedly feels on surer footing knowing where you are. The decision to guard you without putting you in WITSEC is aching and scary but better, too. He knows where you are. He can be there in ten minutes. No guessing games, but no hiding for you either. 
Your dread is taking over everything you do. Today’s the first day since you came home almost two weeks ago that you could function without a live-in nurse or Jess there to look after Jack, and already he’s worried, because he’d convinced you total honesty was what’s best for the both of you, and so your texts are candid. 
One an hour for his sake, more if you're up to it.
Threw up my beta blockers. Jack misses you, he wants to make you a Lego boat and fishing rod, but I’m not sure how to do it. Please make sure you eat dinner. 
Your next message makes him smile, thankfully. I’m kidding about the dinner thing. Ha. I had one of those gels you got for me, and Jack wants fries, so I’m making waffle fries. 
He texts back quickly. Eat dinner. Please tell Jack I miss him too, and don’t worry about the boat, he’ll work it out. Then, feeling awful, he adds, I love you
Aaron should go home. He’d feel better if he knew he was there to help you keep your medication down, but if he leaves… He knows his team will give you everything they have, but he has more. He can fix this. 
He can’t fix this, god, his head hurts badly. You’re covered in cuts and bruises and burns and he thinks he can make up for that? You’ve been brutalised. Aaron can’t believe this is happening again. 
He rubs his brow. 
“You okay?” Emily asks. 
When he looks up, JJ is gone. 
“I’m fine.” 
“It’s okay if you’re not.” 
He’s not fine, but he knows what she’s asking. “I’m okay enough to do this,” he says. 
It’s hard not to confuse you with memory, your hurting similar to his own, your situation one that he’s already lived. Haley will haunt him for life. It doesn’t usually feel as punishing as he fears he deserves: he gets to remember the best parts of her everyday. He sees her in Jack all the time. He sees her in you, occasionally —you’ll touch his hair or rub his arm like she would’ve done, and it doesn’t make him miss her any more than he does, he’s not in the business of wishing you weren’t yourself, he loves you, but he remembers her. Aaron remembers how he failed her every day. 
He can’t fail you, too. 
“Is it ever easy?” Emily asks. 
Aaron looks around for a bottle of water. “Is what?” 
“Being in love.” 
He thinks about it. “I must make it look hard.” 
She laughs softly. “Sometimes, yeah.” 
Maybe that’s not fair, then, to you. For him to make it seem difficult to love you. To fail to correct Emily when she asks. 
He chooses his words carefully. “Loving her is the easiest thing in the world. But… I continue to work a job I know makes me hard to love in return.” And that puts you in danger. 
It doesn’t feel wrong to be sincere. Perhaps it’s easier with Emily. She saw so much of him during Foyet, and she’s family, truly. He can tell her how intense it’s felt. 
“Well, it doesn’t seem hard for her,” Emily says. 
He shakes his head. 
She continues regardless, “Even during her cognitive, she mentioned the first time you told her you loved her. When it was over she wanted to see you over anything else.” 
But I put her here, he wants to say. Or doesn’t want to say at all, but instead knows with surety. 
“She can’t eat if I’m not home,” he says. What a thing to do to someone. “It’s my fault.” 
Emily smiles, hair slipping off of her shoulder as her expression turns to playfulness. “I think you’re seeing it all wrong. Something bad happened to her, and you’re so safe to her that you make it better when you’re with her. That’s not fault, Hotch. Just love.” 
He turns his attention back to the board without another word. 
When the day comes, when they find the man who hurt you, you’re sitting at home with Jack Hotchner in your lap. You’re laughing at his laughing, cartoon fish on the TV, and Aaron’s got a gun in his hand fifty miles away. You both giggle, nearly in hysterics as the safe house living room glows pink and red, Jack’s favourite character swimming hurriedly across the screen, as Aaron negotiates the arrest. 
Usually capable of mediation, Aaron finds his patience completely unravelled. He offers the UnSub two choices: he surrenders now, immediately, and he keeps his life, or he deliberates and Aaron kills him. 
He has reason to believe the UnSub will try again, of course. Will keep hurting you until it sticks. 
He goes home satisfied.
“Dad’s home!” you say excitedly, your movie long finished, your thighs numb and stitches stinging where Jack has leaned against you. You encourage him off of you as the front door closes, the cold air from outside rushing in. 
“Honey?” Aaron calls. 
“Yeah!” You stumble into a standing position, sure you look about as disgusting as you have since the situation began, promptly sitting back down as head rush hits. 
Jack races for the door, meeting Aaron in the hallway with a whoosh. “Hey!” 
“Hi, buddy, what are you doing?” 
“We watched Finding Nemo,” Jack says, “and now I’m hugging you, duh.” 
“Duh. Well, I need to talk to Y/N for five minutes. Can you wash your hands for dinner?” 
“Yeah.” 
“You okay?” he asks. 
“I’m fine.”
You hear the sound of a light kiss, and then Jack rockets across the hallway and up the stairs. Aaron walks into the doorway, tie still knotted but with no suit jacket, and you know what he’s going to say before he says it. He wears a strange expression.
“You got him?” you ask. 
He puts a white bag on the coffee table, looking down at you fondly. “I got him.” 
“How did you find him?” 
He crouches down in front of you. He’s so careful to be harmless to you now, so tentative. “You’re not the only woman he hurt. We dealt with him in the past. From the information you gave Emily during your interview, and the information he left behind, we found him… If you weren’t as brave as you are, I couldn’t have kept you and Jack safe.” He holds your knee. “Thank you.” 
You stare at him. Staring, wondering what he means. “Brave?” 
“Brave.” 
“I’m a coward.” 
He shakes his head. “No. You’re not.” 
All you've done for days is cry and throw up and bleed, literally. You’ve ruined clothes and sheets, thrown up in his lap, terrified and aching. Each time was met with the same gentleness. A kiss on the cheek, or a hand rubbing your back. Is that bravery? You feel like a baby. 
Aaron’s brow is relaxed. He takes your two legs into his hands, and he looks at you with a reverence that leaves you breathless. 
“You’re hurt forever because of me,” he says quietly, you strain to hear him, “because of who I am, and what I choose to be.” 
“How can you say that? It’s not your fault.” 
“It wouldn’t have happened to you if I hadn’t missed his MO the first time.” 
“You’re not putting the knife in anyone’s hand,” you argue. 
“But it keeps happening.” 
His hair shines dark and wet. It must be raining outside, the safe house walls are thick, the windows shuttered permanently, you haven’t heard a peep. You stroke it back from his forehead. 
“Remember… when we first got together, and you told me you were sorry for how hard being with you could be. And I said it was okay, that it wasn’t hard, and you said it would be?” 
“I remember,” he says, practically mouths. 
“I was so afraid when...” You swallow roughly. “I still am. But not– not of you. Not of what you can do. When you told me it was going to be hard, I thought, well, it’s worth it, because I really liked you then and I love you now.” Tears collect in your eyes. Safe. I’m safe. “And you look after me, so– so–” 
You stop as your voice turns to glass, worried you’ll make a fool of yourself and cry in his hands. 
“I didn’t want this for you,” he says. 
“Nobody wants this. Bad things happen to everyone, but who has someone like you to look after them?” 
He breathes out heavily. “Please… don’t cry.” 
You wipe your cheeks, taking a lengthy pause before you say, “I’m okay now.” 
He looks at you in silence. 
“Come and sit with me,” you say, scrubbing your cheeks, hot tears cooling on the backs of your hands. “Your knees.” 
He actually smiles. It changes his entire face. “What about my knees?” 
Aaron sits on the couch next to you atop Jack’s blanket, a bag of pretzels tipping between your leg and his. You attempt to rake his damp hair into submission as his fingers run against your thighs, fishing for pretzels to put back into the bag. 
You’d like for him to grab you and kiss you harshly, give you one of his straight jacket hugs, some roughhousing, but you won’t get that from him until you're better, and even then, it’s up in the air. So much has changed. 
But not everything. 
“I love you,” you murmur, fingertips scratching down behind his ear to the back of his head. 
He turns to you, sagging with relief and exhaustion. “Kiss?” he asks quietly. 
You nod. He holds your cheek, and you close your eyes at the same time for a kiss. It’s not a lot, but you have time. He can give you another one when you’re both better recovered. 
He pulls away. You open your eyes, finding his closed, his face downturned. “I love you.” 
“I love you, too.” 
“Was Jack good?” 
“Jack’s always good.” 
“Did the nurse have anything to say about your chest?” 
“She said it’s healing okay. That I need to use, uh, scar patches when they start to scab.” 
“I can get those.” 
“I know, I knew you would.” 
He gathers you up for a hug. For a moment, you think he’ll move on, that the end of your nightmare will kill his remorse, but he breathes in, nose wedged against your cheek. 
“Do you think that tonight, we could pretend it didn’t happen?” You’d like to just sit with him, press your hand to his chest and doze. It’s the first night in a while that you’ll feel completely. 
“Yeah. I can do that.” He hugs you rather tightly. “Do you want to see your present?” he asks, relaxing his grip. 
“My present?” 
He grabs the bag on the coffee table and places it in your lap. “I’m worried it’ll remind you of bad memories, but I wanted you to have nice things then, and I still do.” 
In the bag, there’s a pair of pyjamas. Very different to the ones you’d been wearing when you were attacked, they were girly and sweet, soft in your hands, these are sturdy. Still soft, but thick. The shirt is short-sleeved and the pants cuffed at the ankles, a hoodie tucked underneath them, and a packet of minky socks. 
“Thank you,” you say. 
Thanks for everything, for saving you twice, for taking care of you at your worst, and for wanting you to have something comfortable to wear at the end of it. To have experienced an abjectly cruel battering will leave its marks in your forever, but you meant what you told him. He looks after you, and you love him. 
He kisses your shoulder. “You don't need to say that.” 
He doesn’t add anything else, his nose pressed to your shoulder, his hand on your hip. Whatever goes unsaid can be felt in the other’s touch. 
˚‧꒰ა ✮ ໒꒱‧˚
thank u for reading!! it’s been a long time since I wrote a fic for hotch and it’s hard to write him being vulnerable but I hope this is alright anyways and that you enjoyed :D please consider reblogging if you did enjoy it (cos that way my fics get shown to more people <3) ❤️
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bayjaruchel · 1 year ago
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Underneath The Strobe Light
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Pairing: Mike Schmidt (2023)/AFAB Reader
Rating: Explicit
Summary: You're aware of your feelings for Mike, but you're unsure if he feels the same. A single late-night conversation changes everything. (4.2k | originally posted on ao3 | Masterlist )
Extra Notes: Posted October 29, 2023
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You know Mike, sometimes. Mainly in bits and pieces. 
You know he has that poster of Nebraska above his bed; you know he's got a soft spot for terrible eighties cartoons. You know he likes his steak well done. Maybe it's generally useless information — but you've tucked it all away in a dear corner of your brain, in a well-worn cardboard box with his name scrawled fondly on the side in Sharpie. 
He's been busy nowadays, especially with his awful new job at that abandoned restaurant. You've always been there if he needs someone to watch over Abby. It's a strange juxtaposition— spending more and more time at his house, but spending less and less time actually talking to him. But you know he's exhausted, both mentally and physically. 
You don't expect much. You don't need much. Even though Mike's always offered to actually pay you for babysitting Abby, you've always declined. 
However— needing and wanting are two very different things. 
And you want. So, so much. 
Sitting here, on the couch in his living room, your mind always wanders back to him. Abby's a really nice kid, even if she's a little on the eccentric side. Whenever you're sitting with her, watching her draw or watching the television, you can't really focus on Mike. But now, with her safely put to bed … There's nothing to stop you. Nothing to distract you from the empty spot next to you on the couch. 
You blink, already bleary-eyed from the hour. There's some mediocre sitcom playing on the television. It's practically white noise, and you can feel yourself slowly but surely being lulled to sleep. The stubborn part of you wants to fight it. The tired part of you wants to just let it happen. You fumble for the remote instead, switching the channel. 
World News Now? 
Not bad, you think wryly, slumping back into the pillows. You liked the guy playing the accordion and singing about the news, polka-style. Hopefully they'll bring that back. Maybe large broadcasting networks actually do know their audiences. 
Yeah, no. 
You stifle a yawn, tugging your blanket a little tighter. The room's dark, so the only real sources of light are coming from the kitchen and the bluish glow of the television. The only sounds besides that of the T.V. are the occasional car passing by, joined by the gentle chorus of crickets. It's quiet, but not in a discomforting way. 
It's kind of perfect. Like your own little bubble in the world. Untouchable. Not until the sun rises, anyway. 
Your bubble suddenly pops when a car pulls into the driveway, tires crunching on the pavement, and your heart skips. 
It couldn't be anyone else. 
About a minute later, there's the sound of keys turning in the lock. The door swings open and then shuts behind him. Softly. He knows Abby would wake up if he slammed it. Then there's the thump of him setting down his stuff— carelessly. 
The couch cushions squeak a little when Mike sits down next to you. Silently. He's gotten rid of that stupid security vest. 
"Hey," you offer. 
"Hi," he obliges. 
You're sure he's not really paying attention to the T.V. "How was work?" 
It's bland small talk at best, and brutally annoying at worst. But it's the only way to move into interesting conversation territory. And he didn't just trudge past you to go flop down on his bed, so you're assuming he does want to talk. You might pretend not to know, but you're well aware of his social life— or lack thereof. Everyone needs to talk, sometimes. 
"Pretty dull." Rolling his probably stiff shoulders, he lets out a small sound of discomfort. Sheepishly, he murmurs: "I kind of … I kind of just napped, to be honest." 
"Aren't you supposed to be a security guard?" You tease. "That's a really important job, you know. You have to stop all the dangerous teenagers from breaking in and spray-painting dicks on the walls." 
He huffs out something reminiscent of a laugh. "Honestly, the pay's too low to take it seriously." 
"And yet … " 
"There weren't any kids, okay?" Mike shakes his head. When you turn to look at him, though, he's smiling. It's faint, but it's there. "No dangerous teenagers that I had to fight off. It was fine." 
"Fine?" 
"Fine." 
You don't want to let the silence set in. 
"Oh, yeah, we finished the leftover spaghetti earlier. For dinner. I hope that's okay." 
"No, it's terrible," he deadpans. "I hate you." 
"Asshole." 
"Whatever." Mike snickers, and you bask in its gloriousness. "Yeah, it's okay. I know that I probably wouldn't have eaten it anyway. Did you, uh … " He pauses for a split second. "… Did you like it?" 
His tone makes you wonder, but you hastily brush it off. "Yeah, I did," you clarify, "the sauce was pretty great. Was it store-bought, or?" Because if it was, then where can I get it?
"Yup," he replies, popping the 'p'. "Great stuff, for something that's canned. But I always add a little more garlic powder, too." 
"Oh, really?" 
Mike hums an affirmation. "It's like magic, I'm telling you. Doesn't even take a lot to add flavor." 
"That's cool." You rustle with your blanket again, adjusting it more out of habit than anything else. That, and it's kind of cold. "I'll try and remember it for later." 
He's almost cheeky when he speaks. 
"It's life-changing." 
You can't help but snort. "You sound like an addict." 
Incredulously, he glances at you. "To what? Garlic powder?" 
"Pretty much, yeah." 
"I can't believe that you'd say that." He slowly shakes his head, for the second time in the span of roughly a minute. "Especially as someone who's experienced it firsthand—" 
"—you're the one talking about how life-changing it is—" 
"—you can't possibly ignore the irresistible savoriness of garlic powder." 
You look at one another for a moment. The sheer absurdity of the situation sets in all at once. And, well. He starts giggling, and you can't hold it in, either. How could you? Even though he looks at least part zombie, his eyes are still very much alive. Despite the blatant awkwardness and lingering shyness that always follows him around, he's still got a very contagious laugh.  
After you both calm down, he lets out a long sigh. 
"It's getting really late." 
You cling to what little stubbornness remains. "Yeah?" 
"Are you gonna head home?" 
Again, there's something there. Despite his nonchalant attitude, it's almost like— 
—but you're probably overthinking. Wouldn't be anything new. He has to get some rest, and so do you. The drowsiness repeatedly threatening to tug your eyelids closed is a testament to that. Normally, you'd just pass out on the couch or something, and take off early in the morning; before Mike and Abby wake up. But now, it's different. Now, you actually have to make a choice before your sleepy body makes it for you. 
"Um." You rub your eyes again. "I mean. I could, if it's bothering you—" 
"It's not." 
He interrupts you so quickly that it catches you off-guard. It seemingly catches him off-guard, too, judging by the way he promptly averts his gaze and pretends to care about the guy on the television going on about some sort of plumber strike in the city. 
"Oh." You need a second to process. "Oh, okay. Well, in that case … I don't really think that it'd be safe for me to drive right now." You laugh, a little too airily for it to be completely genuine. "I'd probably fall asleep at the wheel or something." At least that's the truth. "I'll just take the couch. As usual." 
"Okay," he says. He's back to murmuring. 
"And I'll be gone before you eat breakfast." Subconsciously, you're fiddling with the slightly frayed edges of the blanket. It's well-loved. "As usual." 
You think you hear him suck in a breath, seconds before: 
"Why don't you stay?"  
Your own breath stutters in your chest. 
"... what?" Is all you can manage, without horrifically humiliating yourself. 
"I mean," he rushes to correct himself, "you come by sometimes because you want to spend time with Abby— she likes you a lot, you know, sometimes I think she likes you more than she likes me . I think—" He's properly nervous now, his knee bouncing up and down. But he's already continuing before you can get a word in. "I think she'd like you to be here in the morning. And you don't accept pay, anyway. You just— won't." 
His nervousness is spreading to you. "Hey, I—" 
"Why are you here, anyway?" 
The question sounds like it's been a long time coming. He's demanding you now, brow furrowed and eyes sparking with emotion. "Is it out of pity? Do you feel sorry for me? Do you feel sorry for Abby? Because if you do, then— then you can just—" 
"It's not!" You exclaim. 
Immediately, you realize that there's a sleeping girl not too far away, and shamefully lower your voice. 
"... It's not, I promise. I just—" It takes a little while for you to gather the right words, and when you do, you don't drop your gaze from him. All of his previous frustration is all but gone, replaced by a slightly wide-eyed expression that's making your heart ache a little. "I genuinely really like spending time with Abby, okay? She's really sweet, and creative, and just a really great kid. And I—" 
You stop yourself. 
"And you what?" Mike asks, gently. 
Might as well, huh? 
"And I really like spending time with you, too," you admit, finally unable to meet his eyes and focusing on your lap instead. 
There's an incredibly tense beat, in which you swear your life flashes before your eyes. 
Then: 
He's barely audible when he speaks. His knee has stopped bouncing, but he's playing with his thumbs. Clearly, your confession— vague as it was— resonated with him, in some way. You hope he understands what you meant, because you couldn't possibly put it all into words in a way that would make sense. 
"Feeling's mutual," he mutters. 
Your head almost snaps up at that. Maybe you had expected it, deep down— you're not oblivious, duh— but it's one thing to have a hunch, and another to have that hunch proven. And out loud, no less. 
"Yeah?" You dare to ask. 
Slowly, he looks up. He meets your eyes. 
"Yeah," he repeats breathlessly, like the wind's been knocked out of him. 
You let your blanket fall from your shoulders, and it slides all the way onto the floor. 
You reach out. 
He lets you lace your fingers through his. 
Mike's palm is sort of clammy— and he's shaking a little— but he still squeezes your hand. On instinct, you guess. It still makes you smile. He doesn't return it, but his lips are parted a little, and you really, really like that. More than you probably should. You like a lot of things about him more than you probably should. 
You scooch a little closer, and he doesn't move away. You let your gaze drop back down to his lips again, making your intentions clear. Still, you don't know if it's clear enough. You lean in, just barely. 
"... Can I?" 
His reply is almost instantaneous. 
"Please."  
You swallow all of the witty quips you could make, and kiss him instead. 
He's very tentative at first. Like he hasn't done this for a while. But you ease him into it— and before long, he's got one hand on the back of your neck, the other somewhere near your waist. He tastes like coffee and something else you can't really put your finger on. It doesn't really matter, though. Because you are kissing him, damnit! 
His eyes are still shut when you part— with a soft smack — but they flutter open after a second. You're not sure if you're supposed to say something meaningful. Luckily, he leans in instead, and your thoughts are immediately transported elsewhere. 
You kiss like this for a while. It's really nice, and you know he needs it. So do you. 
However— when you start losing track of time, lost in the moment, he makes a noise. 
It's quiet, definitely. But it's nothing like the little hums and sighs he's been making so far. It makes you shift closer, pressing more insistently into him. And he responds, enthusiastically wrapping his arms around you, closing the little distance between your bodies that there was. You can practically feel his heart jackrabbiting in his chest when you slip your tongue past his already kiss-swollen lips. 
He moans.  
You indulge yourself. For a little longer. And Mike chases you when you part. 
"We shouldn't do this in the living room," you whisper, nearly panting. "The couch is a little—" 
"Okay," he whispers back, already sounding wrecked. "Okay." 
You've been in his room before. You've sat on his bed— you've even laid on it before. But you've never straddled him on it before. It's a position that makes your head spin a little, and you occupy yourself with kissing him again. His hands fit perfectly on your hips, but they don't stay there for long, tragically— they trail upwards, up your waist, to your back. To your shoulders, and then back down again. It's as if he just can't get enough. You can't either. You need more. 
So, you tug at his shirt. He gets the message right away— hands scrambling to pull it up and over his head. He's still rather slim, but with a slight softness, mostly located in his midsection. There's a light dusting of dark hair on his chest, as well as the provocative happy trail leading down from his navel. You drag your eyes downward, admiring him, and then decide that you're wearing too much clothing. Your top comes off, dropped onto the floor near his. 
Mike takes more time to admire you when your torso is completely bare. His hands are warm on your bare skin, and slightly rough. Like before, he's hesitant at first, but when you encourage him— either literally or with physical indications— he grows bolder. His stubble scratches gently against you when his lips find your collarbone. 
You squirm a little, not even realizing it— and you feel him. Simultaneously, you both gasp. He's not fully there, but he's at least half-hard— and it can't be comfortable in those jeans. 
"Should I—" 
"Yeah—" 
With steady fingers, you unbutton his fly, and then unzip him. It's a little awkward when he shimmies out of the jeans, and when you wriggle out of your bottoms— you both snicker a little, but he's back to comfortably breathless when you settle back onto his lap. Under normal circumstances, you would tease him again. And yet, you can't bring yourself to. Not right now, at least. 
All you want to do is keep going. 
You roll your hips, testing the waters. His breath audibly hitches, and his hands fly up to settle back on your hips. He looks up at you, eyes already half-lidded— and they close when you grind down again. And again. His lips are clumsier this time when you kiss him, but he still reciprocates all the same. The sensation of him directly underneath you like this is intoxicating. You can feel every little twitch and every little jolt. 
"Fuck," he breathes, long and drawn-out, " God, I can— I can see the spot on your—" 
"Yeah?" You encourage, grinding down again, drinking in his answering groan. "You like that?" 
  "Yes —" 
"You want me to take 'em off?" 
Mike's pupils are blown wide, even though his eyes are already dark as is in the dimness of the room. He nods, once, then twice. "Yes," he murmurs. "Please," he adds, for good measure. 
He stares openly when you get off him, just enough to peel off your last remaining layer of clothing. And when you sit back down, well. It's obvious that you'll have to give him a second. "Can I," he says, finally, "can I touch you?" The way he's looking up at you again is just so sweet, so needy, that you consider saying no. Your throbbing core quickly shuts that idea down. 
"Go on," you encourage. 
He helps you move so he has easier access, and—  
His fingertips find your slit, already wet for him.
"Look what you did to me," you murmur. 
He visibly flushes— and then carefully works one finger into your slick heat. The feeling, combined with his thumb brushing against your clit— it's relief that you've needed this entire time, and you can't help but let a quiet sound escape your lips. It's apparently enough incentive for him to quicken his pace a little. Deliberately, he continues massaging your sensitive nub in a firm but easy pattern as he gently pushes a second finger inside you. 
Mike may be out of practice, but evidently, he still knows what he's doing. He peppers kisses up and down your neck, some more open-mouthed than others. Crooking his fingers, he maintains his diligent rhythm. A thought floats through your mind, unbidden— he must have strong hands, if he's been able to keep up like this—   
Two becomes three, and you're spreading your thighs a little wider for him. He's still transfixed, but speeds up at your urging, breath hot against the divot between your neck and shoulder. You chance a glance down, and you can see the visible outline of him through his boxers. You did that to him. He's desperate— for you. 
"Mike," you gasp, "nnh—" 
"Yeah, c'mon," he mouths, against your neck, "c'mon—" He's not letting up in the slightest, and when you tell him to, he speeds up again. He needs to see you cum just as much as you need to feel it. Your needs and wants are rapidly blending into one. You squeeze your eyes shut, but open them to look at him. His dark curls are a mess, his hand working tirelessly between your legs. 
  "Mike —" 
He says your name in return, like he's the one in the vulnerable position. 
"Mike , 'm gonna— 'm gonna—"  
"Please," his breaths are ragged, debauched, "cum, please, c'mon, lemme see it—" 
"Oh —" 
The tension snaps, and you spasm around his fingers. Your hips twitch, and you moan, your mouth falling open as you ride out your orgasm. You're rising— falling — molten honey pooling in your core, before flowing throughout your body. And Mike keeps going throughout it all, letting you enjoy the sensations until you're fully satisfied. 
Nearly boneless, you sag backward. His fingers, soaked with your glistening release, slip out of your cunt with a wet noise. He doesn't waste any time in bringing them up into his mouth, cleaning them off with his tongue— at the taste of you, he groans, even though it's muffled. Your mind takes a moment to catch up again with the world, but another thought manifests itself— how would he react, if you let him use his mouth on you? How would his head look between your thighs? He would be noisy, wouldn't he? Enthusiastic, pliant, and—
Your desire, although it waned for a short minute, comes back tenfold. But you take one look down again and— you can do that later. Right now, you want him inside you. 
Mike lets you tug him down for another kiss. He lets you feel the worn fabric on his thighs, almost playfully. When you palm him through them— he hisses through his teeth, hypersensitive even though you've barely touched him yet. You're going to fix that, though. Hooking your thumbs into the waistband of his boxers, you tug them down. 
You were right. He's desperate. As soon as his overheated skin meets the cool air, he lets out another quiet hiss. And when you take him in hand— 
"Mmh —" A firm stroke from base to tip, and you've already got him. He's average in length, but a little girthy. You know he'll be perfect. There's a little drop at the head of his cock, and you resist the urge to lick it off, focusing instead on warming him up a little. He whispers your name, once, when you pump up and down, twisting your wrist. 
"Got a condom?" You ask, stilling for a second. His eyes snap to you. 
"Oh my God, " he quickly mutters under his breath, before raising his volume, "uh, yeah, I think so. Lemme—" And he's already scrambling off the bed, opening the drawers of his nightstand with speed, but somehow simultaneously managing not to make much noise. He rifles through them, but soon emerges victoriously with what he was looking for. It's a little funny, how he doesn't waste any time in ripping it open and tossing the garbage into the mostly-overfull pail near his bed. Hastily, he rolls on the condom. You think he's expecting you to lay back or get up on your hands and knees so he can fuck you like that— you wouldn't be entirely opposed to it— but that's not what you want right now. 
You place your hands on his chest and push him back down so he's sitting against the headboard. He goes without complaint, even shifting when he understands what you want to do. He's flushed almost down to his neck. 
When you sink down on him in a smooth slide, still slick from earlier, you both moan. He sounds strained— he's biting his lower lip, squirming until he finally bottoms out. You have to take a moment to catch your breath, too; the fullness is just how you imagined, but it's so, so much, especially because of your lingering sensitivity. 
"I'm not—" He audibly swallows, hands tightening on your waist when you move just a little, "oh, fuck, I'm not gonna— I'm not gonna last long." He's babbling a little. "You're tight, fuck." 
You rock back and forth, once, and it's enough to force a choked noise from his throat. You watch his face, observing every little twitch, the clenching of his jaw. You can't hesitate for much longer, though— so you begin lifting yourself and dropping yourself down on his cock. Just in little movements at first, so you can get used to the feeling. His eyes squeeze shut— 
"Look at me," you demand, and he does. He doesn't try and thrust up into you when you really start to move. Up and down, up and down, with lewd plaps that accompany your sounds; his grunts—  you swear you hear him whimper .  His eyelashes flutter open and closed, as he struggles to follow your command, wanting to be good. For you. Even though you can see his thighs flexing as he holds everything back. You ride him for all you're worth. 
True to his words, you can tell when he gets close. Maybe he's been on edge this entire time. You thread your fingers through his hair— he buries his face into the crook of your neck, maybe out of embarrassment. You can feel how flushed he is, a thin sheen of sweat covering both of your bodies. Your muscles are aching, but you're determined to make him cum. You're determined to do this for him. 
He says your name, but it's more of a whine. "Please — I'm gonna— I can't — "  
"Go on," you pant, "you can. Don't hold back." Your arms are wrapped around his neck, now, holding him tight; just like his arms around your waist. The contact is almost too much, but somehow it's still not enough, despite him being inside you. "Go on," you repeat, after he whines again, the sound sending white-hot heat straight to your core. "Cum." 
Mike twitches, and you can feel him pulse— the sound he lets out is high-pitched, muffled into your skin. You slow your movements— the aftershocks of his orgasm last longer than yours. It might've been a little while for you, but it had definitely been longer for him. 
He doesn't let go, even after his breathing's slowed down. 
Gently, you pull his head back so you can look at him. He looks up at you with slightly wet eyes. The kisses you press to his cheeks and forehead make him scrunch up his face. 
"Hey," he rasps, "I gotta throw out the condom. Hang on." 
"Yeah, okay." 
When he slips out of you, you both sigh a little. With unsteady fingers, he ties up the condom before chucking it into the pail. 
The sheets are cool on your skin when he pulls them over you both. The room reeks of sex, but both of you are too exhausted to care. When you turn to lay on your side, he's behind you, throwing an arm over your waist. Tugging you closer. Almost absentmindedly, there's a kiss pressed to the back of your head. 
"Thank you," he mumbles. 
You stare at the far wall, unable to close your eyes just yet. 
"For what?" 
"For—" A pause. "For everything, I guess." 
The awkwardness is back. But you let it in. You smile. 
"You're welcome." 
He doesn't respond, but shuffles nearer, chest pressed up against your back. It's not long before you're both fast asleep. 
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burntoutdaydreamer · 1 year ago
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Weird Brain Hacks That Help Me Write
I'm a consistently inconsistent writer/aspiring novelist, member of the burnt-out-gifted-kid-to-adult-ADHD-diagnosis-pipeline, recently unemployed overachiever, and person who's sick of hearing the conventional neurotypical advice to dealing with writer's block (i.e. "write every single day," or "there's no such thing as writer's block- if you're struggling to write, just write" Like F*CK THAT. Thank you, Brenda, why don't you go and tell someone with diabetes to just start producing more insulin?)
I've yet to get to a point in my life where I'm able to consistently write at the pace I want to, but I've come a long way from where I was a few years ago. In the past five years I've written two drafts of a 130,000 word fantasy novel (currently working on the third) and I'm about 50,000 words in on the sequel. I've hit a bit of a snag recently, but now that I've suddenly got a lot of time on my hands, I'm hoping to revamp things and return to the basics that have gotten me to this point and I thought I might share.
1) My first draft stays between me and God
I find that I and a lot of other writers unfortunately have gotten it into our heads that first drafts are supposed to resemble the finished product and that revisions are only for fixing minor mistakes. Therefore, if our first draft sucks that must mean we suck as writers and having to rewrite things from scratch means that means our first draft is a failure.
I'm here to say that is one of the most detrimental mentalities you can have as a writer.
Ever try drawing a circle? You know how when you try to free-hand draw a perfect circle in one go, it never turns out right? Whereas if you scribble, say, ten circles on top of one another really quickly and then erase the messy lines until it looks like you drew a circle with a singular line, it ends up looking pretty decent?
Yeah. That's what the drafting process is.
Your first draft is supposed to suck. I don't care who you are, but you're never going to write a perfect first draft, especially if you're inexperienced. The purpose of the first draft is to lay down a semi-workable foundation. A really loose, messy sketch if you will. Get it all down on paper, even if it turns out to be the most cliche, cringe-inducing writing you've ever done. You can work out those kinks in the later drafts. The hardest part of the first draft is the most crucial part: getting started. Don't stress yourself out and make it even harder than it already is.
If that means making a promise to yourself that no one other than you will ever read your first draft unless it's over your cold, dead body, so be it.
2) Tell perfectionism to screw off by writing with a pen
I used to exclusively write with pencil until I realized I was spending more time erasing instead of writing.
Writing with a pen keeps me from editing while I right. Like, sometimes I'll have to cross something out or make notes in the margins, but unlike erasing and rewriting, this leaves the page looking like a disaster zone and that's a good thing.
If my writing looks like a complete mess on paper, that helps me move past the perfectionist paralysis and just focus on getting words down on the page. Somehow seeing a page full of chicken scratch makes me less worried about making my writing all perfect and pretty- and that helps me get on with my main goal of fleshing out ideas and getting words on a page.
3) It's okay to leave things blank when you can't think of the right word
My writing, especially my first draft, is often filled with ___ and .... and (insert name here) and red text that reads like stage directions because I can't think of what is supposed to go there or the correct way to write it.
I found it helps to treat my writing like I do multiple choice tests. Can't think of the right answer? Just skip it. Circle it, come back to it later, but don't let one tricky question stall you to the point where you run out of brain power or run out of time to answer the other questions.
If I'm on a role, I'm not gonna waste it by trying to remember that exact word that I need or figure out the right transition into the next scene or paragraph. I'm just going to leave it blank, mark to myself that I'll need to fix the problem later, and move on.
Trust me. This helps me sooooo much with staying on a roll.
4) Write Out of Order
This may not be for everyone, but it works wonders for me.
Sure, the story your writing may need to progress chronologically, but does that mean you need to write it chronologically? No. It just needs to be written.
I generally don't do this as much for editing, but for writing, so long as you're making progress, it doesn't matter if it's in the right order. Can't think of how to structure Chapter 2, but you have a pretty good idea of how your story's going to end? Write the ending then. You'll have to go back and write Chapter 2 eventually, but if you're feeling more motivated to write a completely different part of the book, who's to say you can't do that?
When I'm working on a project, I start off with a single document that I title "Scrap for (Project Title)" and then just write whatever comes to mind, in whatever order. Once I've gotten enough to work with, then I start outlining my plot and predicting how many chapters I'm going to need. Then, I create separate google docs for each individual chapter and work on them in whatever order I feel like, often leaving several partially complete as I jump from one to the other. Then, as each one gets finished, I copy and paste the chapter into the full manuscript document. This means that the official "draft" could have Chapters 1 and 9, but completely be missing Chapters 2-8, and that's fine. It's not like anyone will ever know once I finish it.
Sorry for the absurdly long post. Hopes this helps someone. Maybe I'll share more tricks in the future.
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