#if we include them it's 22 minutes shorter which is like 75% of the album do you see my difficulty here đ
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what are your favourite tracks on the show right now?
i already loved heaven and meltdown, so i am excluding them, but i'm obsessed with if you leave me to the point where i just keep repeating it instead of moving on??? the slinky groove, his vocals, the way he sings, "hope you know that you're sentencin' me to a life on my knees." "can't you stay for the rest of my life"?! A BOP. save my life! the horns, the SAXOPHONE, the VIBES, impeccable. science is so, so pretty. never grow up is so sweet and so quintessentially Niallâą, like that's one of those songs where you simply go, yep, that's HIM! must be love because, as previously noted, he wrote that one for the nervous overthinkers and we love him for it <3
...i just named 7 songs off a 10 track album. byeeeee?! on a night like tonight, easy breezy beautiful, i feel like he could match it up with everywhere from hbw in a really cool way on tour. the show is very touching and epic. you could start a cult is romantic with a curious hint of darkness, and i found it a little jarring at first, but it's growing on me. so clearly i love the record overall lol
#if you leave me is that girl though#my only problem with the album is it's TOO SHORT#it's 16 minutes shorter than hbw and that's not including dress and nothing (they SHOULD be included i love them so much)#if we include them it's 22 minutes shorter which is like 75% of the album do you see my difficulty here đ#and i wish it had one really big banger like small talk. hbw was so perfectly engineered and i said this before#but i think he has the wrong idea about why it wasn't as successful and it's nothing to do with the quality of the album#niall it's been three years and i'm missing like four songs here babe. yes i am greedy and spoiled đ#but anyway! the show is still terrific#anonymous#letterbox#nialler#the show has big SOTT energy and i don't think it's intentional but it gives me feelings#also JUSTICE FOR CHAMPAGNE LOVERS NEVER GETTING A STUDIO RECORDING#and justice for my best beloved heartbreak weather getting paid dust because of the pandemic she is still EVERYTHING to me
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REVIEWING THE CHARTS: 05/12/2020
Earlier this week, I finished and released by end-of-year list of the Top 10 Best Hit Songs of 2020, which, for once, was on time, being released on the 1st â or 2nd â of December, depending on your time zone. That means Iâve already spent hours discussing music, and to be honest, I have a pretty bad headache in addition to this, so you know, Iâm not really in that chart-reviewing spirit. Thankfully, we have very few songs to review here, and a lot of it should be pretty inoffensive. Now, before that, letâs talk about the actual state of the charts because it is looking ridiculous. Ariana Grandeâs âpositionsâ spend its sixth week at #1, and welcome to REVIEWING THE CHARTS.
Rundown
Much like last week, it was an absolute bloodbath for any non-Christmas song this week, and this especially affects the hip hop and R&B on the chart. In the UK Top 75, which I cover every week, thereâs a drastic difference to the US Billboard Hot 100, and that is the lack of radio. Radio impressions or plays have never been counted on the UK Singles Chart, and whilst in the States, I understand that a lot of Christmas songs rely on the radio, this is not true at all across the pond, because, for whatever reason, Christmas songs are streamed and bought a lot here even 60 years after the songâs original release. This is likely due to a smaller, arguably less diverse population and the immense amount of streaming service-curated playlists, which serve the same purpose as radio and often have the exact same label gimmickry and payola. Regardless, there is a stupid amount of drop-outs and fallers this week, for pretty big tracks as well. Now as I said I only cover the top 75 of the UK Singles Chart because itâs just easier and really, who cares about those last 25 songs? On the UK Singles Chart proper, Lewis Capaldiâs âSomeone You Lovedâ, one of the biggest hits of 2019 and 2020, just spent its 100th week on the chart, which is insane, especially for a modern song. I think the song is dreadful but it is one of the biggest songs of all time here on the Isles, and since weâre going by my measures, it just dropped out (after spending seven weeks at #1, mind you). Of course, thatâs not the only notable drop-out â and to be notable, you have to have spent five weeks on the chart or peaked in the top 40 â this week. Letâs list them, shall we? We have âWatermelon Sugarâ by Harry Styles, which spent 40 weeks on the chart, as well as #1 hit âSavage Love (Laxed â Siren Beat)â by Jawsh 685 and Jason Derulo, âGiantsâ by Dermot Kennedy, âMood Swingsâ by the late Pop Smoke featuring Lil Tjay, âLighterâ by Nathan Dawe and KSI, âTake You Dancingâ by Jason Derulo, âHolidayâ by Little Mix, âTick Tockâ by Clean Bandit featuring Mabel and 24kGoldn, âCome Overâ by Rudimental featuring Anne-Marie and Tion Wayne, âLasting Loverâ by Sigala and James Arthur, âHolyâ by Justin Bieber featuring Chance the Rapper, âOne Too Manyâ by Keith Urban and P!nk, âPapi Chuloâ by Octavian and Skepta, âHeat Wavesâ by Glass Animals, âDeludedâ by Tion Wayne and MIST, âConfettiâ by Little Mix, âpovâ by Ariana Grande (to make way for another one of her songs weâll get to â also probably the only actually good song that dropped out this week) and finally, âLife Goes Onâ by BTS off of the debut at #10. On the chart proper, this is one of the biggest free-fall drops of all time, and honestly, who wasnât expecting this? Speaking of falls, we have a lot of those too. Whilst these are fallers, you should consider how impressive they are for even trying to survive the holiday season, which just canât be done for a lot of these songs, even the biggest hits of the year, some of which we just mentioned. One of the funniest parts of this to me is that KSI of all people survived the overload of Christmas songs through his Craig David chorus on âReally Loveâ with Digital Farm Animals down to #17. For a former YouTuber, he has an immense amount of star-power and itâs kind of worrying. Otherwise, our notable fallers include âParadiseâ by MEDUZA and Dermot Kennedy at #24, âTrain Wreckâ by James Arthur at #25 (not a good week for either of these guys â or anyone), âMonsterâ by Shawn Mendes and Justin Bieber at #26 off of the top 10 debut, âMoodâ by 24kGoldn featuring iann dior at #27, âHead & Heartâ by Joel Corry and MNEK at #29, âGet Out My Headâ by Shane Codd stripped of all of its gains at #31 (seriously, whilst most of these songs were fading naturally prior, this is worrying), âLemonadeâ by Internet Money and Gunna featuring NAV and Don Toliver at #34, âLonelyâ by Justin Bieber and benny blanco at #42 (giving him four songs as a lead artist on the chart â OCC, thatâs not how your dumb rules work; be consistent), âSee Nobodyâ by Wes Nelson and Hardy Caprio really having the most intense combination of streaming cuts and Christmas music at #44, âWonderâ by Shawn Mendes flailing at #45 (it will probably rebound next week), âBlinding Lightsâ by the Weeknd at #46 (same here), âGoldenâ by Harry Styles at #47, âLoadingâ by Central Cee at #48, âWhat You Know Bout Loveâ by the late Pop Smoke at #49, âi miss uâ by Jax Jones and Au/Ra at #50, âSunflower (Spider-Man: Into the Spider-Verse)â by Post Malone and Swae Lee at #52, âUFOâ by D-Block Europe and Aitch at #55, âPlugged in Freestyleâ by A92 and Fumez the Engineer at #56, âPrincess Cutsâ by Headie One featuring Young T & Bugsey at #60 (which happened to play as I was writing this), âLooking for Meâ by Paul Woodford, Diplo and Kareen Lomax at #61, âWAPâ by Cardi B featuring Megan Thee Stallion at #62, âDiamondsâ by Sam Smith having the biggest fall to #63, âAinât it Differentâ by Headie One featuring AJ Tracey and Stormzy at #65, âChingy (Itâs Whatever)â by Digga D at #69, âCome Overâ by Jorja Smith and Popcaan at #70, âSO DONEâ by The Kid LAROI at #71 and finally, âFlavourâ by Loski and Stormzy at #74. A YouTube comment on the video version of this chart read, âRIP to hip hop and R&B in the UK, 2020-2020â, and, I mean, itâs a fair assessment. Thatâs not all though, folks, as we have the returning entries, most of which are very explicitly Christmas songs. Letâs start with âHave Yourself a Merry Little Christmasâ by Sam Smith at #75, and continue up the chart with âCozy Little Christmasâ by Katy Perry at #73, âChristmas Lightsâ by Coldplay at #72 (always the best song on the entire chart whenever it returns), âA Little Loveâ by Celeste from the John Lewis advert at #64, âFeliz Navidadâ by JosĂ© Feliciano at #54, âSanta Babyâ by Kylie Minogue at #57, âLet it Snow! Let it Snow! Let it Snow!â by the late Dean Martin at #54, âSleigh Rideâ by the Ronettes at #52, âMistletoeâ by Justin Bieber at #43, âHappy Xmas (War is Over)â by the late John Lennon, Yoko Ono and the Plastic Ono Band featuring the Harlem Community Choir at #40 (always the worst song on the chart whenever it returns), âWonderful Christmastimeâ by Paul McCartney at #39 (this is an accurate ranking of the Beatles), âJingle Bell Rockâ by the late Bobby Helms at #38, âHolly Jolly Christmasâ by Michael BublĂ© at #37 and âItâs the Most Wonderful Time of the Yearâ by the late Andy Williams at #36. Yes, thatâs five consecutive Christmas songs returning to the top 40, made all the more ridiculous when you realise itâs topped off by âHOLIDAYâ by Lil Nas X... at #41 â and it actually gained this week! Oh, and we donât stop there either as not only do we have âSanta Tell Meâ by Ariana Grande returning to #16 as well, but we also have all of the gains this week. All of our notable gains are in the top 40 and all but one are Christmas songs, so letâs start with âOne More Sleepâ by Leona Lewis up to #33 (our greatest gain this week) and continue up the chart with âMerry Xmas Everybodyâ by Slade at #32, âThis Christmasâ by Jess Glynne at #28, âI Wish it Could be Christmas Everydayâ by Wizzard at #23, âDriving Home for Christmasâ by Chris Rea at #22, âRockinâ Around the Christmas Treeâ by Justin Bieber and Brenda Lee at #21 and #19 respectively, âUnderneath the Treeâ by Kelly Clarkson at #20, âStep into Christmasâ by Elton John at #18, âDo They Know itâs Christmas?â by Band Aid at #15 (looking at this chart, I think we ALL know exactly what time it is), âMerry Christmas Everyoneâ by Shakinâ Stevens at #14, âItâs Beginning to Look a Lot Like Christmasâ by Michael BublĂ© at #13, âFairytale of New Yorkâ by the Pogues featuring the late Kirsty MacColl at #9, âLast Christmasâ by Wham! at #3, and finally, âAll I Want for Christmas is Youâ by Mariah Carey at #2. I donât know if Iâll be happier if a 1994 classic hits #1 for the first time this Christmas, or an Ariana Grande song about sex positions takes the Christmas #1, given, of course, that LadBaby doesnât pull something out of his ass last minute. Christmas also actually lands on a Friday this week, so thereâs potentially two Christmas #1s: the #1 on Christmas Day and the #1 that includes Christmas Day. I mean, thereâs this issue every year but since the chart week literally starts and ends on the day this year, I guess weâll just have to see what the Official Charts Company decides. For now, after not-so-swiftly covering all of that garbage â and thereâs three weeks more of it to come, folks â letâs discuss some of our new arrivals, none of which I imagine will be all that interesting but, hey, at least theyâre not Christmas songs. In fact...
NEW ARRIVALS
#68 â âBodyâ â Megan Thee Stallion
Produced by LilJuMadeThatBeat
...Itâs the antithesis of what it means to be wholesome, commercial and festive. You all know and love Megan Thee Stallion by now, and whilst I didnât listen to that debut record yet â it is 17 songs after all â I have heard pretty positive reception so I will check out Good News at some point. Rico Nasty did release a record thatâs only one less track and 13 full minutes shorter, so to be honest, Iâm a lot more excited to check out that album, even if it wonât have any impact here. I did laugh at the track list when I saw âIntercourse (feat. Popcaan & Mustard)â though, which is one of the few times I have genuinely laughed at just a track list. âShots Firedâ is a pretty great Tory Lanez diss track though, so Iâll say that. âBodyâ is relatively deep into the track listing, yet seems to be the biggest hit, mostly because of that polarising earworm hook and the music video. Oh, yeah, and it straight-up samples a woman having an orgasm, so donât expect this to stick around. In fact, thatâs the only melody behind this dirty South bounce-adjacent track, and even with that, it only comes in on that chorus, which is less annoying to me as it is just catchy. Itâs not like men havenât done the same thing, though, I mean, Dr. Dre famously â or infamously â âpaused 4 pornoâ on his album 2001, and just in 2018, Kanye released âXTCYâ, a song that is hilariously lacking in any kind of moral compass, let alone born-again Christianity. It did the same thing that âBodyâ does with the moaning yet it also covers it in this really eerie sample, as well as spare 808s and a drum beat that doesnât feel like it gets in the way of whatever the hell Kanyeâs doing on this track. It also helps that the moaning doesnât just come in on the chorus, instead we have a string swell to distinguish it, and that Kanye has more of a comical lyrical nature on âXTCYâ. This comparison is only fair when looking at the production, though, as whilst Kanye has âsick thoughtsâ, Megan is just bragging about her own body-ody-ody-ody-ody, etc. over a pretty mainstream, accessible beat, even if it has really ugly, loud 808s that kind of do get in the way of the rapping here. Thankfully, Megan rides this beat forcefully â no pun intended â and with some really great wordplay, even if there are a few immediately dated references here and there. That third verse is also pretty funny, and whilst I donât want to focus too much on this song â itâs a family show after all â this is pretty lively and whilst Iâm not a fan of this beat, Megan makes it worth sitting through and honestly, the song sounds a lot shorter than it is. Check it out.
#67 â âLove is a Compassâ â Griff
Produced by PARKWILD
I didnât say the word âcompassâ on purpose knowing this song would be next, although perhaps I subconsciously snuck the word in. Maybe I should have made it seem like I foreshadowed this song, but honestly what about this warrants foreshadowing? I donât mind Disney music at all. In fact, a lot of the films are full of really classic compositions that have aged incredibly, including the Renaissance era of their films, especially. In fact, âIâll Make a Man Out of Youâ from Mulan â the original â is one of the few soundtrack songs that is directly related to and featured in the film yet I can still listen to outside of that context. Iâve not even watched either Mulan â or have Disney+ - so itâs not like Iâm a big fan, but I can appreciate the music when I find it, even if I mostly despise everything Disney stands for as a company. The issue with this is that it cannot apply to âLove is a Compassâ. Iâm sure Griff and her producer PARKWILD are talented musicians, but this is purely a product. This wasnât even made for an original animated feature, or a painfully weak adaptation of one of their original animated features starring Will Smith as the Genie. This is a generic piano ballad made for an advert, because just like literal shops and manufacturing companies like John Lewis, Disney has a Christmas advert. Thereâs nothing artistic about this. This âemotionalâ piano ballad is layered in reverb and egregious Auto-Tune that drains Griff of whatever emotion her delivery could have had. It doesnât sound good in this context at all and it is so obvious, which is unfortunate because her voice, Auto-Tuned in a similar way, could easily work over more lo-fi and interesting production. As it is, this is repulsive, sonically and on every other level beyond that.
#66 â âAngels Like Youâ â Miley Cyrus
Produced by Louis Bell and watt
So, Miley Cyrus dropped her album, Plastic Hearts, last week and I expected more impact on the chart but the two singles are really THAT big that not any of the album cuts had much of a chance, even if âPrisonerâ dropped a few spaces. Other than that, âMidnight Skyâ is still in the top five and near the end of the chart, we have a debut: âAngels Like Youâ. Itâs clear why this charted because this isnât just a highlight from the album or a personal favourite of mine, but itâs a fan favourite honestly, a career highlight â which may not be hard to make, I mean, itâs Miley Cyrus weâre talking about â but it still impresses me with how much I really love this song. This is more of a mellow ballad than many of the tracks surrounding it on the record, with Cyrusâ raspy country twang finally met with a fitting blend of acoustic guitars and a genuine orchestral swell in the chorus, even if at times it decides to start clipping. The shift in guitar tone to a dirtier, aggressive one after the first chorus is a genius touch, and even the pretty stiff drum machine here feels like it adds a lot to the power of this song, especially when it starts kicking behind the screeching guitar solo, leading into an admittedly anti-climactic final chorus... that might even be fitting for the content, which is a break-up song but not one that decides to deflect blame or even focus entirely on the break-up, rather being an acknowledgement of what both parties here did wrong, and why they ended up in the relationship to begin with. Both Cyrus and her ex-girlfriend Kaitlynn Carter were in rough spots coming off of previous relationships in late 2019 and those dark spots are what Cyrus understands lead to the collapse of this relationship. She discusses the lack of connection between the two in the first verse, leading to a literally nameless relationship where it was full of romantic gestures but not any depth. The chorus is a complex look at how Cyrus knew she would look back on the relationship as little more than a fling, but how she regrets that this is her only view of the relationship. She didnât want anything more and split after things started getting too serious, and feels genuine guilt for using Carter to heal her own depression, because âmisery needs companyâ. She uses the biblical metaphor to demonstrate how she feels she tugged down her girlfriend, described here as an âangelâ, to the hell Cyrus thinks she resides in, which may be melodramatic, sure, but Iâd be lying if I said Cyrus doesnât completely sell it here, with some of her best vocals to date, backed up by gorgeous production and really well-written lyrics. This is a genuinely brilliant ballad, give it a listen.
#58 â âNaughty Listâ â Liam Payne and Dixie DâAmelio
Produced by TMS
Iâve been writing these producers as âTM5â for so long without realising itâs an abbreviation for âThe Music Shedâ. Anyway, I hope we can all agree that Liam Payne is probably the worst off when comparing the One Direction boys and their solo careers so far. Harry Styles is one of the biggest stars in the world, making a twist on 70s classic rock that I donât like at all but he IS making headlines and having massive chart success. Niall Horan is having mild success making rock and folk albums that are honestly alright, ZAYN has two albums under his belt that may not be listenable but at least the first one was a success and he did go into a more mature R&B direction, and Louis Tomlinson might not have been met with any success from his album earlier this year but at least thereâs some quality there. Liam Payne, however, has been releasing straight garbage to no fanfare for the past three years, dating back to âStrip that Downâ with Quavo, and continuing down the path of feigning maturity and development with music clearly not backing it up, demonstrated by the bisexual fetishism on his delayed debut album and how his collaborations went from relying on Zedd to relying on J Balvin to relying on TikTok stars on a sexually-charged Christmas single that couldnât even crack the top 50. I have no idea who Dixie DâAmelio is other than seeing her sisterâs controversies on Twitter in passing, but it is depressing that a major-label pop star needs DâAmelio to chart this high â and no, given his most recent singles with bigger features like A Boogie wit da Hoodie and Cheat Codes, as well as the shoddy performance of his last Christmas song, Iâm not even considering that itâs the other way around. This immediately, in its first 15 seconds, makes sure you know this will be awful, with its tedious acoustic guitar strumming fused with cheap sounding sleigh bells and dated trap percussion, even with little âhey!â gang vocals straight out of 2014 that make this sound a lot less new and fresh than I think Payne thought it did. Also, something about these lyrics sounds really odd when you consider the age gap between the two vocalists. I mean, DâAmelioâs 19 years old, so itâs not like this is illegal in any way (and they didnât have any chemistry to begin with), but the childlike imagery in the chorus just makes this gross. âSanta saw the things we did and put us on the naughty listâ? This has less subtlety than 3OH!3âs Christmas song they released this year. Yes, that happened, and somehow the two washed-up early 2010s pop stars made a âdirtyâ Christmas song that is miles better than Liam Payneâs, probably because of the more interesting lyrical detail, and that, you know, it isnât a duet. Check out âKISSELTOEâ if youâre interested, itâs really good. I liked their comeback single with 100 gecs too so Iâm pretty excited for whatever comes out of 3OH!3âs recent productivity. This song, on the other hand, as well as the upcoming joke, is just Payne-full.
#53 â âNo Time for Tearsâ â Nathan Dawe and Little Mix
Produced by Tré Jean-Marie and Nathan Dawe
Okay, so, I understand the marketing of releasing a single after a long time of not releasing a single and after your singles have all dropped out of the chart, but Little Mix are just being managed horribly here. Why would you release a single in the Christmas season that you want to be big? This isnât a holiday song in any way and doesnât even sound like one, so releasing it this early into the Christmas season is just begging for it to be forgotten and eventually flop. Nathan Dawe is an EDM DJ so he doesnât need this type of promotion as long as he can tour next year and heâs got big features, and Little Mix donât need any extra singles because theyâre still in the top 10 and theyâve branched out to reality television. Just let the girls breathe for a second and enjoy their success. Oh, and this song isnât just logistically unnecessary, itâs sonically unnecessary, acting as a house-pop club banger with that standard piano sound reminiscent of 90s house that has been adopted recently by DJs, with any of the infectious melodies and genuine drive sucked out of it, especially if Dawe is going to add a Goddamn trap breakdown in the second verse with the most pathetic set of percussion Iâve heard in years on a house track. Itâs not like Little Mix are saving this either because the lyrical content is re-tread and their performances are largely unrecognisable from each other and songs theyâve made before. Yeah, this isnât offensive, but it isnât interesting, outside of that bridge, but even then it builds up perfectly to a chorus thatâs interrupted by a pointless, repetitious interlude. This song isnât just uninteresting, itâs inherently unnecessary on all fronts, which if anything, is just kind of sad.
#35 â âAll Youâre Dreaming Ofâ â Liam Gallagher
Produced by Simon Aldred and Andrew Wyatt
Surely out of all of these songs, Iâd have the most to say about our top 40 debut, with Liam Gallagher, former frontman of legendary rock band Oasis, Â and his new lead single, right? Well, no, because here are some unfortunate truths: Oasis made two good albums, and theyâre not as good as you remember. Liam Gallagher is an awful person who continued to rip off his own band with his new one, without the songwriting ability his brother Noel had. Liam continues to be persistent in his making of enemies for no other reason than publicity. Noelâs reaching out to Liam for the sake of at least reconciliation goes completely unnoticed, ignored or criticised by Liam for no discernable reason other than an on-and-off again facade thatâs been going on for more than a decade. Noel wasnât even that great of a songwriter, relying mostly on musicianship and other peopleâs melodies he liked to co-opt for his own tracks. None of their solo work has been listenable yet still gathers attention that I imagine is to the dismay of those other band members in Oasis who, ultimately, made those classic albums as much as the Gallaghers. Whereâs the praise for Bonehead, Guigsy or even Gem Archer, who stuck it out despite decreasing popularity, utter lack of musical quality and increasing tensions between the people who kept the band afloat until they decided to break up? Both Noel and Liam look at Oasis with regret or admiration depending on how they feel that day but when you look at who REALLY won that Britpop battle tabloids liked to hype up in the 1990s, you realise how far away Oasis was from Blur or even Pulp in terms of not only their songs but having their stuff together. This new song is complete garbage as well, with a pretty awful mixing job, Liam being as distinctively nasal and infuriating as he is with any of his songs let alone his uninteresting ballads, and the COVID-19 charity pandering that comes off as really false, especially since even after Noel released an Oasis track this year as a result of the lockdown â and Liam whining about how he wants to bring the band together to help the NHS â he criticised the honest release of the demo, which Noel wrote and sang himself. Itâs also especially telling how the proceeds are only going to benefit charity for its first month of release. Afterwards, Liam and the label can scrape up whatever leftover streams they get from diehard fans. I donât like Band Aid at all, in fact the song is pretty damn rancid, but at least they keep on recording updated versions to give to modern charities. Liam, youâve got a bank account the average Manchurian would dream of. This charity single is a fraud, and a pretty hypocritical, immoral one at that.
Conclusion
I think on principle on how fake it is and how awful the song is, I have to give Worst of the Week to Gallagher... but I have a rule against crowning any kind of charity single with that title. At the end of the day, at least something at some point is going to the people who need it. Worst of the Week in that case goes to âNaughty Listâ by Liam Payne and Dixie DâAmelio, with a Dishonourable Mention to the product that is Griffâs âLove is a Compassâ. Best of the Week should be obvious as itâs going to Miley Cyrus for âAngels Like Youâ, with an Honourable Mention to Megan Thee Stallionâs âBodyâ. Hereâs this weekâs top 10:
May I remind you this is the first week of December? Anyway, I doubt Shawn Mendes will make anything through the barrage of holiday tracks, but if he does, thatâs next week. Thank you for reading and follow me at @cactusinthebank for more ramblings of this sort, I suppose. See you next week!
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tagged by: @koi---kun lukaaaa youâre an angel (ăŁâ§â⊠)ăŁÂ âĄ
tagging: anyone who wants to do this iâm too lazy to tag people
RULES: ANSWER THESE 85 STATEMENTS AND TAG 20 PEOPLE
THE LAST
1. DRINK: water 2. PHONE CALL: my older sister 3. TEXT MESSAGE:Â also my older sister 4. SONG YOU LISTENED TO: miwakugeki - valkyrie; ughhhh this song is too gooooood MIKAAAAAAAAA â„ â„Â â„ â„Â â„ â„Â â„ â„ 5. TIME YOU CRIED: today bc of my goddamn cramps that thankfully donât hurt anymore ( hopefully ) 6. DATED SOMEONE TWICE: iâve never dated anyone 7. KISSED SOMEONE AND REGRETTED IT: iâve never kissed anyone either? 8. BEEN CHEATED ON: no.. 9. LOST SOMEONE SPECIAL: i donât think so.. 10. BEEN DEPRESSED: all of the time 11. GOTTEN DRUNK AND THROWN UP: no..
3 FAVORITE COLOURS
12. pastel colors 13. more pastel colors 14. just all pastel colors
IN THE LAST YEAR HAVE YOU
15. MADE NEW FRIENDS: yes â„ â„ 16. FALLEN OUT OF LOVE:Â no.. 17. LAUGHED UNTIL YOU CRIED: yeahhh.. that one time i was playing that one song on aichuu and it took me sooooo long to full combo it but when i finally did, i was 5 perfects away from getting that triple s and so i started cracking up and bawling my eyes out at the same time; my sister was just like wtf happened to you XDD 18. FOUND OUT SOMEONE WAS TALKING ABOUT YOU:Â i hope not.. 19. MET SOMEONE WHO CHANGED YOU: maybe.. 20. FOUND OUT WHO YOUR FRIENDS ARE:Â i guess.. 21. KISSED SOMEONE ON YOUR FACEBOOK LIST: i donât have facebook
GENERAL
22. HOW MANY OF YOUR FACEBOOK FRIENDS DO YOU KNOW IN REAL LIFE: i should make a facebook account first.. 23. DO YOU HAVE ANY PETS: i wish i did; i want a cat ℠℠24. DO YOU WANT TO CHANGE YOUR NAME: besides the fact that nobody knows how to pronounce my name properly ( including my relatives ); iâm fine with my name rn 25. WHAT DID YOU DO FOR YOUR LAST BIRTHDAY: i honestly have no clue.. what the heck did i do on my birthday last year ? ? ? 26. WHAT TIME DID YOU WAKE UP: 6 am; someone please tell me why.. i normally wake up at 11 am wtf.. 27. WHAT WERE YOU DOING AT MIDNIGHT LAST NIGHT: i was rather on tumblr or reading manga.. iâm pretty sure it was tumblr.. although i usually read manga after i turn off the lights in my room 28. NAME SOMETHING YOU CANâT WAIT FOR: KNIGHTS ALBUM ! ! ! and also the valkyrie album too ( i think thatâs in september tho..) 29. WHEN WAS THE LAST TIME YOU SAW YOUR MOM: umm two minutes ago when i asked her what we did on my birthday.. 31. WHAT ARE YOU LISTENING TO RIGHT NOW: miwakugeki ( again ) itâs just too good â„ ℠32. HAVE YOU EVER TALKED TO A PERSON NAMED TOM: uhhhh no.. 33. SOMETHING THAT IS GETTING ON YOUR NERVES: my period 34. MOST VISITED WEBSITE: tumblr, youtube, and kissanime 35. HAIR COLOR: black 36. LONG OR SHORT HAIR: i want my hair to be long agaaaaain 37. DO YOU HAVE A CRUSH ON SOMEONE: do kpop crushes count bc i have a lot of those ( like every member of blackpink ) 38. WHAT DO YOU LIKE ABOUT YOURSELF: nothing in particular 39. PIERCINGS: the ear piercings i got when i was like one year old 40. BLOOD TYPE: o.. i think 41. NICKNAME: on tumblr i go by rima; when i was little me, my older sister, and my cousin had code names and mine was sakura - my cousin shortened that to saku and now i laugh at that bc of saku uruha 42. RELATIONSHIP STATUS: forever alone; just me and my enstars boys 43. ZODIAC: scorpio 44. PRONOUNS: she / her 45. FAVOURITE TV SHOW: i never watch tv; my little sisters and my dad are always using it 46. TATTOOS: nope 47. RIGHT OR LEFT HANDED: right 48. SURGERY: nope 50. SPORT: volleyball is fun 51. VACATION: i want to go to japan 52. PAIR OF TRAINERS: whaaaat
MORE GENERAL
53. EATING: nothing 54. DRINKING: water 55. IâM ABOUT TO: maybe play aichuu 56. WAITING FOR: more money 57. WANT: to buy otome gaaaaames 58. GET MARRIED: uhhh probably not 59. CAREER: i donât have one; reminds of one of my security questions for my apple account in which it asked what my dream job was; i had no idea what 13 year old me put there when i made my account so i kept guessing and then as a joke i typed in seiyuu and it worked XDD 60. HUGS OR KISSES: hugs are warmer 61. LIPS OR EYES: i hate being stared at.. 62. SHORTER OR TALLER: taller people are bigger shields against sunlight? 63. OLDER OR YOUNGER: older people are more responsible hopefully? 64. NICE ARMS OR NICE STOMACH: is this a sports anime? 65. HOOK UP OR RELATIONSHIP: idkkk.. 66. TROUBLEMAKER OR HESITANT: both
HAVE YOU EVER:
67. KISSED A STRANGER: no.. 68. DRANK HARD LIQUOR: no.. 69. LOST GLASSES/CONTACT LENSES: almost; i once went to an amusement park on a school trip and my friend told me my glasses wouldnât fall off on a specific roller coaster so i wore them but they kinda flew off but i caught them before they flew away 70. TURNED SOMEONE DOWN: iâve never been confessed to? 71. SEX ON THE FIRST DATE: no 72. BROKEN SOMEONEâS HEART: i donât think so.. 73. HAD YOUR HEART BROKEN: all of the time 74. BEEN ARRESTED: no.. 75. CRIED WHEN SOMEONE DIED: yeah; like two weeks ago.. 76. FALLEN FOR A FRIEND: nope
DO YOU BELIEVE IN:
77. YOURSELF: hell no 78. MIRACLES: if miracles could have given me that one tsukasa card from that one event scout 79. LOVE AT FIRST SIGHT: SAKUMA RITSU â„ â„ 80. SANTA CLAUS: uhhhh no.. 81. KISS ON THE FIRST DATE: idk it depends.. 82. ANGELS: @koi---kun, @kamuisyato, @nagihtos, @kaiyochins, @kenmai, @iishihara, @edasshuu, @aarunomura, @kirei-na-jinsei, @shisiou, and omfg all of my friends ℠â„ ℠â„
OTHER:
84. EYE COLOR: brown 85. FAVORITE MOVIE: free! starting days; theyâre all soooooo adorable ℠â„
#tag game#omg i really had a lot of fun doing this ℠â„#i still have no idea what i did on my birthday..
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