#if we can get the script written and such we might do it next year
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absolutebl · 5 months ago
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This Week in BL - Getting hot under the collar and in the kitchen and on the pool table and...
Organized, in each category, with ones I'm enjoying most at the top.
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Aug 2024 Week 3
Ongoing Series - Thai
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Monster Next Door (Thai Thurs Gaga ) eps 3-4 of 12 - one of the things I'm enjoying about this show is the fact that the introverted super shy uke is having hot fantasies, and the extroverted seme is having the sweet fantasies. It's another way this show is highlighting God being the world's greenest flagged seme BL has ever produced. (And he's being given stiff competition this year - trend alert.)
Anygay: God is so cute and so not cool and so in love and all the consent asking word salad coming out of this boy. I LOVE him. 
Diew: It’s ep 4 so I’ve decided we can talk face-to-face.  God: So how many children do you want? 
The teaching him to play basketball bit, where God politely asks to hold his hand, is so freaking adorable I can’t.
I'm thinking of calling this show the anti-Mame pill.
Blue pill? Red pill? GREEN pill!
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My Love Mix-Up Th (Fri YT) ep 11 of 12 - We gotta talk. I do like this version, but it’s starting to feel lackluster. Perhaps it always was by comparison to the bright sparkle uniqueness of the original. Perhaps I didn't notice because I was distracted by G4. But now I gotta say it's become a bit disappointing and even my love for G4 can’t seem to bind me to this. Frankly, this show is making me want to watch either the Japanese version, or My School President. It’s never a good sign when a currently airing BL makes me want to stop that and go rewatch an old one I’ve already seen.
NO SINGING.
Meanwhile, the "locked on the rooftop" trope! I haven’t seen that one in years. Cool. Also cute kisses. They learning. 
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This Love Doesn't Have Long Beans (Fri iQIYI) ep 7 of 8 - I can’t believe this is ending next week. But also I can. And I have thoughts.
I really love SailubPon. They might be one of my favorite newer pairs on the scene right now. But I just don’t believe in these characters or this couple. I don’t feel like they are going to have a lasting relationship. It feels like they’re just using each other for sex and distraction, and that’s how the script to set it up, and as a result they’re never gonna make it as a couple. As soon as the sexual fire between them burns out, what do they have to build a relationship on? Frankly? That would be fine if this were a modern love drama, and not a BL. But this IS a BL.
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Putting the health code violators aside, I really do believe in the secondary pair, but they haven’t been given enough bandwidth to develop as a couple. There’s no way they’re going to adequately resolve Methas and JJ in the final episode.
At this juncture, I’m mostly finding this show annoying. Which in itself is annoying, because I wanted to love it.
Why is it that Thailand, the land of the best food in the world, king of BLs, struggles so hard to produce the restaurant set BL of my dreams? I’m really pissed about this.
That said, the Methas & JJ stuff is killer. Loved JJ running away. So good. Plus the age old decision - love or money? 
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Battle of the Writers (Sun YT) ep 2-3 of 12 - The issue was me and I've managed to get hold of this show again. The story within the story is so ridiculously badly written I'm going spare. I’m not sure if the outside show is not ALSO badly written. That said, I do love how the 3 writer friends are all shipping our leads. It’s VERY silly. Meanwhile, cohabitation trope is a go. 
I like the side couple too. Stern Daddy + lost puppy is a very cute dynamic, I hope we get more than just crumbs. I actually am enjoying this show now. Ep 3 kinda derailed into this weird chimera novel that they’re all writing together and I’m finding that bit the least interesting, but I adore the domestic components which I think may turn out to be TutorYim's strength (if they're allowed to lean into it). 
Addicted Heroin (Thai Tues WeTV) ep 1 of 10 - Man I hope this gets some kind of distribution at some point. It was a pain to find and watch. But I enjoyed it. The focus is more on the seme in Thailand’s version. Which I don’t mind since that's rare in BL, and it’s more August on my screen. It’s all round softer than China’s version but still feels very familiar. I know some fans are struggling with it, but not me.
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Sunset X Vibes (Sat iQIYI) ep 10 of 12 - I like that Sam’s crafty business espionage has paid off. Them teasing Sam & Yo really had me belly laughing. It was so funny.
Legitimate question. Would one put perfume on one’s cheeks in Thailand, as one does on wrist or sternum? Because of the sniff cheek thing? Scented face powders?
I do feel like with MosBank & SailubPon scorching up our screens, we’re being spoiled by some of Thailand‘s best high heat pairs at the moment.
I Saw You in My Dream (Weds Gaga) ep 5 of 12 - It remains kind of sweet and cute. It's also calm and slow moving. Oddly it reminds me of La Cuisine in its style and execution (if not content). I’m enjoying it more than I thought I would.
The Trainee (Sun YouTube) ep 7 of 12 - I don’t know. I’m getting bored.
Love Sea (Sun iQIYI) ep 10fin - Fort’s acting during the break-up was truly great. But I feel for Rak. It’s rough to learn that someone else is playing a long game with feelings while you were playing a short game with d**k.
Ultimately this is probably a solid 8/10 show but I’m mad I wasn’t madder at it, and I'm mad I was so bored throughout. So it gets a 7/10 and let us not speak of this again. I’d like to simply forget about it. Trash watch.
Ongoing Series - Not Thai
Sugar Dog Life (Japan Sun grey) ep 1-2 of 10 - OMG a uni student who looks young and a... COP! GAH. The subversion and kink of it all. I had to go grey to get it and I hate everything about what I had to do. But ya know what? Fucking worth every single repeated crash-causing advertisement.
I love it. The grumpy lonely little student cook and the cheerful mature police officer. What a fabulous dynamic. Is the cook looking for a boyfriend or a Daddy, and do we care if it has the same result? It is filmed VERY manga style camp. I’m a little nervous about that, but this means it’s also very fluffy and so damn sweet. It made me squeak with the cute. I’m gutted this didn’t get distribution.
Ironic that Tawada Hideya is in a new BL while Sunspot is re-airing.
Cosmetic Playlover (Japan Tues Gaga) eps 3-4 of 8 - Ah, the gays are doubting the bisexual again. How familiar. I like how this one is paced and moving through time, even if the relationship seems to be going comparatively slowly by contrast. I love the way Sahashi is always looking at Natsume, even when they’re in conversation with someone else. Ah yearning. I think the conflict was kind of inevitable, given the two personalities of the protagonists, and I like that. (No manufactured angst here.) But I still hope they can repair the breach and I’m still interested. Frankly this is so classically Japan - I don’t know what story beats it’s following and I’m not entirely sure where it’s going, but I kinda like that unpredictability. Makes me think it could go into "must you, Japan?" territory but fingers crossed.
I Hear the Sunspot AKA Hidamari ga Kikoeru (Japan Weds Gaga) ep 9 of 10 - I'm enjoying it very much. I could do without the girl character. I know she’s more interesting than most (this is Japan after all), but she’s not really for me. It’s the complexity of the connection between the leads (and why they like each other) that’s being executed so brilliantly in this show (and in the manga, FYI). Both actors are so on point with their roles and the nuanced emotions required of these characters that every time it’s only them interacting I'm riveted. I could do without the rest of the cast tho.
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Seoul Blues (Korea Fri? YouTube) ep 1 of 8 - I have a confession to make, I’ve been watching this whole series as it goes along. But this is the pair I absolutely like the most. I’m not sure I would necessarily recommend any of the installments, and I’m not sure how this one is going to go, but I’m VERY invested in this particular couple. They are so pretty!!!! This is a true friends-to-lovers struggle. I like that a lot. (Reminds me of I Cannot Reach You but a different dynamic.) Did I mention how pretty they are? And we already know they gonna kiss well. I bet the uncut version is stellar.
Meet You at the Blossom (China) - It's no one's funeral, turns out! Reports are in - not only are there kisses but it ends happily with wedding plans. So I'm eating crow, binging the fucker, and live blogging. I'm enjoying it. Ya'll know I adored Chinese BL before censorship. It has a certain unhinged quality I very much apreciate (and is the reason I'm so tolerant of the Thai pulps) that I think will marry well with Wuxia's effervescent and ever-present tropes. Watch me suffer here.
First Note Of Love (Taiwan Mon Gaga) eps 1-2 of 12 - About a singer with stage fright and his timid fan starring Charles (H4 the puppy one) and Michael Chang (the youngster in My Tooth Your Love), plus side couple featuring a Thai actor Jame (Koh in Gen Y) and Liu Min Ting (of Guardian fame). What a damn team. With their powers combined they are...
fine.
This is a fine BL. The fight scene was fun and I like the meet cute. I’m not sure about the chemistry of the leads, but I think they’ll probably do okay. I admit I’m struggling a bit with a singing and the music. Are you surprised? I think I like it enough, but I’m not wowed.
Takara's Treasure AKA Takara No Vidro (Japan Mon Gaga) ep 7 of 10 - Oh! Out of the blue attack kiss. What IS this show? I don’t get it at all. Bah. I guess they’re dating now. It’s… so odd...
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It's airing but...
4 Minutes (Thai Netflix/Grey) - A rich boy at uni suddenly gains the supernatural power to see four minutes into the future. I have a source, but I've decided to hold off and binge if it ends okay, since it's only 8 eps. I depend upon y'all to tell me if it's safe.
8/16 The Last Time (Thai Fri YT) ? eps - Convoluted story of loss and possible reincarnation or something. Again delayed? Not sure what's going on with this one but the continued push-backs do not bode well.
In case you missed it
The Time of Fever AKA Unintentional Love Story 2 (Korea movie) trailer IS COMING IN SEPTEMBER!!!! (Yeah this is gonna sit here until then).
Next Week Looks Like This:
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Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.
Still Coming This Month!
8/22 The On1y One (Taiwan Thurs Gaga) 12 eps - announced in 2023 this one has a high school set stepbrothers trope and is reputed to be high heat. From Taiwan! It's made for me. Based on a novel Mou Mou from the Your Name Engraved Herein folks, so it could go dark. Still, I'm very excited.
8/22 The Paradise of Thorns (Thai movie) theater release - Jeff Satur is back but this does not look like a BL (the gay lover's death is the inciting event). More in Goodbye Mother vein. Looks dark and dramatic. He opposite and extremely well known actor Toey Pongsakorn who has never done gay before.
THIS WEEK’S BEST MOMENTS
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WHY IS HE SO FINE?
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I truly belly laughed. Sam & Yo did not go in the direction I expected, but this scene alone made me not mind that they curtailed the suffering Sam was rightfully due. (SunsetXVibes)
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Tall boyfriend armpit, anyone? (Monster Next Door)
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The two extremes of BL in one show (Long Beans indeed).
(Last week)
Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.
The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs
Sigh, Tumblr in its infinite wisdom doesn't like too many tags.
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nyanbin · 5 months ago
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ღ infrunami — p.wb
03. awesome cool bros of apt 7a
꒰ EPISODE LENGTH ꒱ 2.2k words (oops...me when dat exposition pill hit)
꒰ AUTHOR’S NOTE ꒱ texts at the end of the chapter! also i took it upon myself to change the blog names on my taglist based on who i saw replied/asked!! so if you changed your blog name lmk if you want a diff blog to be tagged or if you would like me to remove the one i put :D
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𖦹 APR. 28 (YEAR 1, SPRING) — 6:42 PM
FROM YOUR SPOT BY THE WINDOW, you eye your potential roommates at their table across the café, observing the three of them as they chat and bicker. One of them, a taller boy who looked to be the youngest of the three, was in the middle of swatting another boy’s hand away as he tries to steal a piece from the pastry on his plate.
Was this really going to be your future?
Begrudgingly, you have to admit to yourself: Eunseok was right, after all. This was an almost ideal situation. A nice building you were already familiar with, relatively low rent, and your friends living right down the hall. It’s just… three male roommates? You must be crazy to be even considering it. 
But you’re not really in a position to pick and choose at the moment, because every other place you’ve looked at until now has been… subpar, to say the least. And you didn’t know how much longer you could withstand your current living situation: third-wheeling your roommate and her boyfriend for almost two-thirds of your day, every day, was not exactly a fun time. 
This was the best you were gonna get. How bad could it be, really?
Steeling yourself, you downed the rest of your drink and got up from your chair to make your way over to them, your hands clutching the strap of your bookbag.
A single thought rings through your mind the whole way there: God, I can’t believe I’m doing this.
None of them seem to notice when you approach their table, so you lightly clear your throat to get their attention. The first one you make eye contact with is the one you assume to be Wonbin, the doe-eyed boy who you had singled out to Eunseok earlier as “the one with the cute face.” With him in front of you now, you grimace inwardly. You would’ve never in your life confessed this thought to Eunseok if you had known you would meet him, let alone possibly end up living with him. When Wonbin notices you, he raises his eyebrows, blinking up at you. It’s a subtle gesture, but it has you nervously flitting your eyes to the other two boys’ faces, who are now also looking at you with similarly slightly surprised expressions.
You try a smile and a small wave, eyes scrunching in what you hoped looked like friendliness. “Hi… so—”
“Hey! You’re Eunseok’s friend, right?” One of the other boys speaks up before you can get another word out. “He must’ve told you we were here, too. I’m Sungchan, by the way; nice to meet you!” He has a toothy smile plastered on his face.
Flustered by his eagerness, the script that you had written in your head in preparation for this interaction dissipates into thin air. You blink at Sungchan for a few moments before coming up with a response. “Oh, um, I’m y/n. It’s nice to meet you, too.”
The other two boys introduce themselves to you as well. The one to the left was the one you had correctly assumed to be Wonbin. His introduction is curt, just his name spoken with a single corner of his mouth upturned. In the middle of the three was Anton, who seemed slightly more bashful, but still personable with the way he smiled up at you. Remembering his name from your conversation with Eunseok redirects your mind to the matter at hand, and now you’re trying to find a way to break the news to the three boys.
“I don’t know why Eunseok never introduced us!” Sungchan continues as you deliberate your options. ”I’m glad you did it yourself, I was worried he might never do it. And I don’t know what he’d do if we had approached you ourselves.” He ends his thought with a short, nervous laugh.
Wonbin, who you have been avoiding eye contact with the whole time, seems to realize you’re still standing over them, nervously fiddling with the strap of your bag. “You can sit, you know,” he murmurs, gesturing to the only empty chair left at the table.
You hesitate, but then nod sheepishly before taking a seat. Wonbin looks at you as you do so, as he sips on the straw of his drink, but you can’t tell what he’s thinking. On the other hand, Sungchan and Anton seem eager to get to know you, seemingly having forgotten their current commitment. 
Looking at their enthusiastic expressions, you figure you should tell them now or you might never get to, so you speak up before they can say anything. “Hold on, just—give me a sec,” you take out your phone and show it to them, the screen opened up to your text messages with the unknown number you now know to be Anton. “You guys are here for the apartment, right?”
They all lean in, peering at your phone screen. You watch their eyes flicker down as they read the messages, biting your lip as you await their reaction.
“Huh? So you… you’re the one who texted?” Anton asks first. “Oh my god, I forgot we were even here for that. I figured they just weren’t gonna show up after waiting for so long.” 
“We told you, Anton! You should’ve at least figured out their name first!” Sungchan says, chastising Anton with a light slap to his shoulder. “Now, look what’s happened. Hey, at least this got us to finally meet, huh?” he continues, turning to you, laughter lacing his words. Wonbin seems to find it amusing, too; he has a slight grin on his face as he shakes his head in disbelief.
“Yeah…” You inhale through your nose, exhaling as you say your next few words with uncertainty. “Well, I’m still interested, actually.”
The three of them stare at you, dumbfounded. “You still… want to move in? With us?” Sungchan asks slowly. His mouth is slightly agape, but the corners of his mouth are upturned in bemusement.
“I know, I know. I almost just gave up and left without talking to you guys when Eunseok said it was you three,” you say, hurriedly trying to explain yourself. “But, listen, I’ve been looking for a new place for ages and this is literally the best one I’ve found, and I don’t know when—or if—I’m gonna be able to find one as good as it. And I hate to have to plead my case, but I promise I’m a really good roommate, like the best! If it helps, Eunseok would be living, like, 50 feet away from us and I’m friends with the other guys, too! I just really, really, need this…” 
The three of them blink at you as you add a final, desperate, “Please?” They then turn to each other, and you sense they might have wordlessly agreed to something. Sungchan holds a hand up apologetically as they all stand, saying, “Sorry, give us a minute. Bro huddle.”
“That’s not a thing. We don’t do that,” Anton says, shaking his head, a frown on his face. He’s still waving his hands in denial as he’s pulled into the huddle. “Don’t listen to him.”
With their backs turned to you, Sungchan decides in a hushed voice. “So… she seems cool. I vote yes.”
“Dude, we’ve barely just met her,” Wonbin retorts.
“Well, yeah, says the one hardly even talking to her.” Wonbin opens his mouth in protest, but Sungchan continues without letting him defend himself. “Besides, if she’s friends with the other guys, I’m sure she actually is cool.”
“I don’t know, man. It’s just—she’s a girl, you know?” Wonbin says. When the other two boys narrow their eyes at him, he waves his hands, hurriedly saying, “I didn’t mean it like that! I just feel like living with a girl would be completely different. I mean, have any of you guys lived with a girl?”
They all pause to ponder his point, since, after all, he was right: none of the three boys had sisters. Then, Sungchan’s eyes light up and he snaps, remembering something. “Hey, didn’t you live with your ex before, Wonbin?”
“What?” Wonbin raises his eyebrows at him. “Do you mean the trip I went on with her family? All we did was sleep in the same house for like… three days.”
“That’s basically living with a girl!” But Wonbin, obviously, is still not convinced.
“Well, I think she seems nice, too,” Anton interjects. “And I feel like she’d be a better roommate than the both of you combined.” He shrugs as the two older boys shoot him glares. “I’m just saying; I don’t see how this could be a bad thing. If anything, she’s the one who practically poured out her heart and soul to us. We have no reason to turn her down!”
“Dramatic much?” Wonbin teases, and Anton scrunches his nose at him with a pout.
“In any case, that’s a 2-to-1 vote, Wonbin,” Sungchan declares. “You lose.”
Wonbin sighs, defeated. In truth, he wasn’t exactly sure why he was against you living with them. Like Anton and Sungchan, he found your demeanor to be actually quite charming, and he could easily see himself being friends with you. Yet, there was something about you that made him feel… nervous? Skeptical? Whatever it was, it was evident in the fact that he had spoken very little since you had approached them. But he chalked it up to him just being unfamiliar with you, a friend of a friend who had just offered to be their new roommate, and that whatever he was feeling would fade away soon.
Still seated at the table, you watch them murmuring to each other, nervously drumming your fingers against the tabletop. They break off the “bro huddle”, returning to their seats with serious expressions as if they just came from a very important executive business meeting.
There’s a beat of silence as you await their decision, and then Anton says, “Alright, you’re in.”
“Really?!” you exclaim, thrilled despite your apprehensiveness just a few minutes ago.
“Yeah, just to make sure, though,” he says, eyebrows raised and lips pursed, “you’re certain about this, right?” 
It dawns on you they’re probably looking out for you, since, even though this apartment checks a lot of things off your list, a girl living with three guys was still not the most ideal living situation. But this considerate gesture makes you even more appreciative of your future roommates, so you eagerly assured him, “Yeah! I’m one hundred percent sure!” (Definitely an overestimate, in retrospect.)
“Okay, cool, let’s talk details then!” Anton exclaims, clasping his hands together and setting them on the table. He goes into a spiel about what to expect once you move in, talking about things like the rent, the fussy old landlord, and how the garbage disposal has been broken for weeks now but they’re all too lazy to call a plumber so they resort to shoving a broom handle down there whenever it gets backed up. (A little concerning to you, but, hey, if it works!)
“Oh, and one last thing: you’ll have a room to yourself, obviously, but you’re gonna have to share a bathroom with Wonbin. Is that fine with you?”
You glance at Wonbin, who gives you the faintest of smiles. Ironically, he was the one you felt the least at ease with at this point, given his lack of engagement compared to the other two, but you had zero inclination to complain about such a small thing now. Besides, you were sure that this arrangement would somehow force the two of you to bond, in one way or another. “Yeah, I’m cool with that. My apartment right now only has one bathroom so I’m pretty much used to it.”
“We can show you around the apartment some time this week, if you want! When do you think you can move in?”
“Well, I’m busy with classes at the moment so I don’t think I’ll have enough time until, maybe, around the end of the week?”
“Sounds like a plan!” Anton proclaims, smiling with his eyes. Sungchan excitedly offers you an outstretched hand, ready to seal the deal, and you take it with a smile. You glance at Wonbin expectantly, but he still doesn’t say much, just offering a soft, quiet “congrats”, before leaning back into his chair. He seems content with being mostly an observer as you, Anton, and Sungchan get further acquainted with each other, only chiming in every now and then to make an offhand comment or give a brief response to one of your questions.
Sungchan, at one point, half-jokingly asks, “Okay, real talk though, who do you think’s the most attractive out of the three of us?”, causing Anton to jokingly grab the front of his t-shirt as if to fight him in your defense. To your surprise, Wonbin joins in, playfully wrapping an arm around Sungchan's shoulders in a half-headlock and ruffling his hair with a fist. Sungchan cries out in complaint, eliciting a fit of giggles out of you, your shoulders shaking as you watch the three boys grapple at each other.
It’s not something you would’ve expected from yourself half an hour prior, laughing and getting along with three boys who you had not only just met, but who were also going to be your new roommates within the week. But, hey, you figured that things change, right?
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꒰ AUTHOR’S NOTE ꒱ this took forever me to write for no reason sawryyy 😭 it also turned out WAYY longer than i was expecting but what can i say i am a yapper at heart (p.s. spot the new girl reference? :3)
꒰ TAGLIST ꒱ open! leave an ask or comment to be added :) (strikethrough = can’t be tagged)
@parkwonbinie @icyona @yoursyuno @onlyhyunjin @naviiy @eepiestgirl @jvngw0nlvr @i03jae @started-with-f-ends-with-uck @annswwa @secretiny @pxnklover @yipyipmorals @mumeimei @planethyuka @soheendo @film-sea @suzayaaa @molensworld @revehosh @winuvs @wonychu @shoberi @nujeskz @swagpersonthings @byeonwooseokabs @5telephones @gyehyeonist @snowyseungs @pinklemonade34 @bunni @fae-renjun @enhacolor
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tadpolesonalgae · 1 year ago
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Can’t Bring Myself To Hate You - Part 7
A/N: Right, this might get a little confusing, but you know how we (English speakers) kind of went from Latin, to old English, to Now English? I’m substituting those for the Old Language, ‘Middle Language’ (the transitional phase—completely made up), and whatever the common tongue is for Prythian? Yeah, sorry about that!
Warnings: none…? I don’t think…?
Word Count: 5,587
-Part 6- -🌌🌠- -Part 8-
You stare at the page, heart in your throat.
Stare at the page, and reach for a pen.
Who is this?
Ink stains the white paper, and stupidity heats your features. He probably left it as a taunt. It’s not like he’s going to respond. You groan, setting the pen down, covering your face with your hands. Mother above. Definitely not your smartest moment. Reach to flip the paper over—not wanting to be reminded of your naïveté.
More ink has appeared, just below your scribbled question.
You may hide your intelligence around your family, but that won’t work with me. Smarten up.
The words burn your features. Scowl at the paper.
Forgive me for not anticipating the paper to talk back, Eris.
It vanishes the second you’ve written the sentence, leaving you blinking at the empty space on your desk. Winnowing isn’t possible within the House of Wind—you’ve heard both Rhysand and Feyre say it before. Yet note passing seems completely acceptable, for some reason. You suppose no harm can derive from simple exchanges.
You’ve been surrounded by magic for nearly two years. It’s shameful to still be taken aback by its multi-faceted ways.
A reluctant smile gilds your mouth. That’s Eris alright. Readjust your hold on the pen.
And it’s embarrassing to rely on stupidly long words in attempt to prove your intellect. Just say it’s versatile.
The parchment disappears, then returns. Nothing’s been added.
Amusement brightens your mouth, raising the writing instrument, poising it to attack. The words dance on your tongue, weapons to provocation: You have a bad attitude to being spoken back to. But you shake your head, instead choosing compromise for your next reply.
Did you want something? I doubt you simply dropped in to say hi. Unless this is your way of making sure I got the book?
Perhaps it was my way of seeing where you fall in this alliance.
Brow draws together. He obviously means the alliance between the Night Court and him, but where do you fit into it all? How does this show your placement? What does he even mean, where you fall? Take a deep breath, release it. It will do you no good to fall for his own provocation.
I hope you were satisfying enlightened, then, you write back.
Quite.
Stare at the neatly scripted response. He’s leaving the conversation for you to direct. First thoughts go to where he acquired the book, but somehow you feel that’s not the direction he wants you to take this in. So, sighing, you stumble straight into the trap he’s laid out.
Why haven’t you told anyone?
Paper vanishes again. Takes a minute to reappear.
It’s pretty blackmailing material. Why waste it in common conversation?
Lips purse together as you read his reply. Manipulative indeed.
Whatever you think you’ll be able to extort from me, I can guarantee you’ll end up disappointed.
Not the family favourite?
Blink at the speed of the response. Like quicksilver. Vague amusement warms your chest—how clear the mockery is. Disconcertingly comforting to know he doesn’t change. The same in every form. Precious constancy. Lower the pen to parchment.
I suppose you would know all about that, wouldn’t you?
And I suppose you’ll hide beneath the guise of observation, now?
It certainly isn’t warfare. I’d think you’d be practiced at spotting pretty, bladed words.
Again, the parchment vanishes, leaving you in the silence of your own room. Feet tap anxiously upon the clear wood, leg vibrating as you wait on him. Realisation smacks you upside your jaw—you refuse to sit here wasting precious seconds for whatever nihilistic response he carves out for you. Instead, you turn to the anthology, flicking to the index, peering at titles. Searching for one that will catch your eye.
I’m flattered—you’ve sharpened your tongue since we last sparred.
Roll your eyes. Lips quirking at the inherent Eris-ness of the response.
Wooden swords will only serve me for so long. Why not experiment with steel in a controlled environment?
The parchment vanishes, and takes its time to reappear. Time you spend scanning titles, pondering their contents. Maybe you should ask why he gave it to you in the first place. Certainly not out of the kindness of his heart.
Paper reappears.
You think merely because there are entire courts between us that makes you safe?
Peer at his reply—try studying it. Does he want you to be wary of him? It seems unlikely, somehow. He wouldn’t be able to get anything from you if you’re afraid of him. He should be encouraging you to feel at ease speaking with him if he wants something.
Do you make a habit of being as unpleasant as possible to every person you encounter, or am I just lucky?
A smile warms your mouth as the paper vanishes, fantasising how irritated he might become. From your words! Exhilarating!
Eyes land on a title that piques your interest: Movement of Light. Brow narrows with interest, flipping to the registered page number eagerly. Upon the parchment, beside the tightly knitted words, lays a neat diagram. It appears to be of a rectangle with two small holes punctured through its thin mass. Interesting…
Do you make a habit of keeping secrets from your family?
Lips purse. Cutting to the core, again. Manipulative as he may be, he’s certainly skilled at finding the right bruises to target. You wonder if it’s a skill he’d been taught through books or word of mouth, or if, perhaps, it was a nastier kind of education. Shake your head free of thoughts, pulling away from the book.
Having no secrets at all is stupidly idilic. Are there any other misconceptions you would like me to clear up?
You’re surprisingly cynical for your age.
Strange how having one’s mortality ripped away will do that to a woman.
Even you can hear the bitterness bleeding through. But the words have been written, and the paper has disappeared, so there’s no use trying to take them back. Even if you’re mentally cursing yourself for allowing that kind of opening. Surprised at how easy it is to be caught up in conversation with him. Or sparring, as he so eloquently puts it.
Wonderful immortality not treating you well?
Again, with the taunting. Amusement and something else prickles beneath your fingertips. Irked.
I’ll admit, it’s not quite as spectacular as I might’ve thought once upon a time.
That seems measured enough.
I thought humans were raised to hate us.
Observe the words—how they sit on the parchment. The contrast between your short scribbles and his elegant font.
Might a deer not wish for a wolf’s strength?
Parchment again vanishes. Once you’ve counted to three, you turn your attention back to the book, scanning the passage of writing. Brows narrow at the leap in language—words you’re unfamiliar with. A photon? Maybe it would be better to start from the beginning. Where’s a damn glossary when you need one?
Paper reappears—you take a moment to pull away from the volume.
Have you always been in pursuit of grandeur?
Brow narrows at the question.
I’d say I’ve always been rather passionate about not starving. So I suppose I did once think having three hot meals a day would be utter luxury.
I would have rather rotted away than be forced to live amongst vermin.
A surprised laugh flutters from your chest, amusement sparking within you again.
You’re much too stubborn for such a miserable end, Eris; too bitter to resign yourself to such a fate, either.
Parchment vanishes. One. Two. Three. Return to the volume, start at the beginning. Where your eyes were intended to land. Sighing, you scan the title: The Foundations of our World—Stuff. Brow narrows, lips quirking upward at the vagueness of it. Stuff. Such a lack of precise articulation, yet here it is, in an anthology of noteworthy discoveries. Somehow, this piece had been selected as important; important enough to be the base for the entire book. Strange…
Eye roll across the tightly stacked letters, mind pulsing as words soak into your brain, thumping dully as blood rushes through your ears. Take everything at it’s basest nature, reduce it down to the fundamentals, and what sort of building blocks are you left with? What makes up the world as we see it?
‘Take the prefix a- from the middle language, and combine it with the Old Language verb to cut, creating the name for the indivisible: atom. The smallest bits of matter that can exist independently.’
Intrigue returns with crushing force, making it near impossible to tear your eyes from the volume when the parchment reappears. How long has he been writing? Maybe he was preoccupied.
And yet I understand it was the youngest of you who took up her weapons and headed out into the wild. For how adamantly you protested against my lack of action regarding something I could easily correct, you seem to appear quite the hypocrite. Why didn’t you go out into those woods?
Blink away the memories of frost. Of sweat-stained clothes, and matted, knotted hair.
Getting a little personal with the questions, don’t you think?
Writing to me at all is much more personal than you should ever be getting—I’m sure your friends would agree. Yet there you are, pen in hand, thinking up your next counterattack.
The reply comes with surprising swiftness, allowing you only a brief glimpse of the following passage. Just as you’re beginning to grasp the core of what the essay is talking on.
You write with the confidence sight, you reply, eager to return. Yet he seems to have put his own distractions aside, as the response follows promptly.
Magic is a wonderful thing.
Blood ices in your veins, limbs stiffening, tongue turning leaden.
You’re lying. The House is fortified with wards; practically impregnable.
Yet here we are, corresponding. Does your High Lord know what you get up to behind closed doors?
Heart spikes in your chest, fingers trembling just a little as you lower pen to paper.
You clearly want something; you’re not going to get it if you spook me away, so quit the games.
Very well, but I’ll admit I indulged in the thought of your discomfort.
Release a heavy sigh—he doesn’t somehow have a window into your room, able to watch every move you make. Surely that would be too far, even for his manipulative ways. Skin prickles at how easily he slid beneath it—fingertips brighten.
You share that delightful, sharp-written humour with your youngest brother, you know that?
The parchment vanishes, then reappears in a matter of seconds. You laugh to yourself.
Touchy subject, Eris?
The second you dot the question mark, the door swings open; you yelp, jumping in your chair, shoving the parchment away. Vanishes again a blink later, slightly crumpled from the violent rejection.
“I knocked…” Feyre supplies, features tightening with concern. “Did you not… Oh.” She blinks, peering at the door frame; the threshold. “I suppose it must have been set up to block out exterior noise, too.” Sighs. “I’ll get that fixed at some point. Seems a waste to have a sound barrier up if you’re unable to hear what’s going on outside.”
Swallow heavily, trying to look normal. Like you weren’t knowingly communicating with the heir to the Autumn Court throne. Blue-grey settles upon you, fingers fidgeting in your lap, shifting in your seat to get comfortable. Everything feels unsettled. Her brows arrow, “you’re… What were you doing?”
“Nothing.” You reply, quickly. Far too quickly to be normal.
Lips quirk. “Writing to Bas?” She teases.
Heavy sigh whooshes from your chest, deflating a little. “How do you know about him? I haven’t even mentioned him to ‘Lain,” you say lightly. Something flashes through her eyes, too quickly for you to decipher. “Az mentioned you had someone after you,” she laughs, stepping into the room, door closing behind her. “I had no idea it was so serious,” she smiles, the happiness so inappropriate with the context you have.
Shake your head in denial, “he’s just a friend. There’s nothing else going on.” She gives you a look to say she doesn’t believe you. “I’m serious,” you insist. “There’s nothing romantic going on.” That part’s true, at least.
Feyre laughs again, then shifts on her feet. A strange quest seems to overtake her. “You know things are different here,” she begins softly, “to how we lived as humans.”
Heat flushes your features, making you groan. “Oh my gods, Fey. I am not having this conversation with you.”
“I’m just saying, if you want to get out there…see the world…maybe a few males, too… That’s fine. That’s stuff we can do, now. Well, you can do.” She amends the last part. After all, she’s the youngest, and already has a mate, a husband, and a child. An entire family. The epitome of womanhood.
Shake your head adamantly, “please, stop.” You grimace. Her lips quirk, mischief in here blue-grey eyes. She’s so lively…spirited. Bubbly? But calm, too. When did she become so adult? She seems to have aged in the blink of an eye.
(Why didn’t you go out into those woods?)
She shifts again, peers around the room—it’s a superficial move. She’s buying time, building up to something. “Your floor’s clear,” she notes, nodding to the clear wooden boards. Nod in response, trying not to wring your fingers. You were doing nothing wrong. He had spoken first. Nothing to be guilty about; no one got hurt. It’s fine.
“About our last interaction…” she begins, quietly. Spine stiffens, heart spikes. “I wasn’t trying to find something wrong with you; I’m sorry it came out that way.”
Exhale softly, shoulders lose their tension. Smile easily, waving her off. “Oh, don’t worry about it,” you laugh. “I understand. I’m sorry for lashing out at you, it was unfair on my part to act that way.” Her eyes narrow on you. Keep up the smile. “Is this your way of saying you just don’t want to talk about it?” She asks, softly. Blue-grey shimmers with sincerity.
Lips begin to ache with the stretch. “What are you talking about? We’ve made peace, there’s no need to exacerbate this.”
“Do you not want to talk about it?” She reiterates, keeping calm and quiet.
“What is it?” You laugh, turning to face the desk, eyes flitting to the volume. Scan the page; absorb nothing. “What you said last time. About being a burden.”
Body stiffens, breath catches.
“Fey, I’m getting tired,” you excuse, voice steady.
“You’re tired a lot,” she replies, quietly. Still watching. “Maybe Madja should take a look at you.” Sigh. Lean back in your chair. Tilt your face back, peering at the ceiling. “I’ve had a long life,” you murmur up to the white wallpaper, “I’m allowed to be tired.”
“You’re barely twenty-two.”
“And a lot has happened. I’m allowed to be tired.” You repeat, not looking at her.
Silence stretches between you. Gentle, but taut.
“How about you?” You ask, shifting the conversation over. Turning to peer at her. Your younger sister. Feyre blinks, then nods her head. “Good. Wonderful.” Watch her silently. Mark the lowness of her lids. “Nyx still waking you up?”
Nods again, smiling faintly, traveling somewhere distant. Somewhere foreign to you. “Eight days a week,” she laughs quietly. “Rhys and I are taking turns looking after him during the nights. Despite his work-load.” Sighs, pushes hair from her cheek, tucks it over a pointed ear. “He’s been great. Supportive, attentive, perfect. I keep trying to get him to let me handle Nyx, but he’s insisting it’s a joint effort. Wants to be there in a way his father…” she trails off, eyes misting.
Nod your head slowly. “And I suppose you want to be there in a way our mother…?”
“Yeah,” she replies thickly. “I guess that’s part of it.” The quiet turns viscous, coagulating into something almost translucent.
“I read some things…” you begin gently, “about the turbulence of motherhood.”
Her features lift into a smile, “oh, don’t worry about me. Rhys and I are working through it. It’s difficult, but everyone’s there when the strain starts to set in.” You blink away subtle surprise. “Mor’s always up for taking him off our hands for a day or two. It’s the same with Cass and Nesta,” she laughs fondly. “Amren…well, she’s Amren. And Elain’s great at making little treats here and there. Smiley faces out of his breakfast and things like that—he loves it.”
You nod slowly. Blink. “That’s great.” Again the silence creeps in.
Then she’s shifting on her feet, and. You just know—
“What kind of person is Bas?” She inquiries, not at all subtly. Nosey.
“He’s my friend, and nothing else.” He’s much more than a friend, but there’s no way to explain that without an entire Court’s worth of misunderstandings and uncomfortable questions. Still, she nods, but remains in your room. “And he… His intentions?”
“Feyre,” you scold, incredulously.
Your younger sister doesn’t flinch. Keeps her gaze straight. “Okay. Okay,” she sighs, holding up her hands in defence. “I’m wary of him.”
“Please, you can trust me he’s harmless. To me, at least. I’m sure if someone swung at him he’d be the type to swing back, but that’s besides the point.” You leave out the part that you’re fairly certain he would be the one to also somehow provoke a fight. He can be pretty provocative when he wants to. Not always in a bad way…
(…a hot, male body that’s pressing you into the wall.)
“I just want you to be careful,” she says quietly, eyes misting, going somewhere far away. “Males…people can be unkind. I don’t want anything to happen to you.” Amarantha, Tamlin… You nod your head, “I understand. But Bas…I can trust him. So please don’t doubt him; please don’t doubt me either, in this decision.”
Feyre nods again. Silence stretches, then she straightens. Pats the doorframe. “Well, I’ll have this fixed as soon as possible. It’ll need to be disabled, than I can remake it—so you’ll be able to hear people coming. It’d be awful if you got yourself hurt from being startled by one of us.” She gives you a sweet smile, then disappears out into the hall, door clicking shut behind her.
Unsure if it’s her silent feet or the sound barrier that prevents you from hearing her disappearing footfalls.
————
Skin is itching, fingers burning. Heart spiking.
Burning, burning, burning. Hands on fire.
Vision blurs, floor spinning. She’s on the ceiling.
Crash into a wall, bone crunching. Stumble to the kitchen.
Water. Where’s water. Burning skin. Charring fingertips.
Liquid drips down cheeks, splashing onto knuckles.
Scraped raw, searing pain. Bone splintering, nails peeling.
Cool water fills the sink, drown her hands.
Sweet strangulation, dulcet deprivation.
Lovely oblivion.
————
Breath eases in and out, soothing your lungs. In and out. Slow and steady. In. And out.
Chest deflates, keeping your body straight but relaxed—imagine sinking into the mattress. Cheeks puff up with the exhale, calm and quiet. Sit silently. Allow the world to fade. Tension seeps from your shoulders, muscles relaxing the way you’ve practiced. Now to make sure you don’t drop off instead.
Empty out thoughts, settle into the silence. Float away on a breeze. Imagine hands being set aglow. No. They are aglow.
Eyes remain shut, tight. Picture the radiant green seeping onto your skin, setting it alight.
Fingers twitch, bones itch. Teeth grind. Nails heat.
Eyes open in time to catch the glow as it fades, sinking back into your skin. A flicker of Starfall, then nothing. Sigh heavily, back slumping, shoulders sloping. It’s something; most importantly, it’s progress. Day three of fourteen. Slow movements, slower response. Gently stoking the flames.
Remove the light from your world, lids closing, return to the darkness. Seeking solace. Breath eases in and out, soothing your lungs. In and out. Slow and steady. In. And out. In. And out. Fingertips warm, but eyes remain closed. Don’t acknowledge it. Can’t look or feel for it. Allow it to grow in the back of your mind, allow into latch into your blood; flourish. Swirling and billowing, gaining momentum until it can move on its own, until it can function without nurture.
Keep your back turned to the power, allow it to remain unseen. Pull it upward; hear as it cracks and fizzles in your head. Rapidly dividing…splitting at high-speed…multiplying until it boils and bubbles. One cleaves another in two…into three…nine…
(…Twenty-seven, eighty-one, two-hundred forty-three…)
(…two-thousand one-hundred eighty-seven, six-thousand five-hundred sixty-one, nineteen-thousand six-hundred eighty-three…)
(One-million seven-hundred-seventy-one-thousand one-hundred forty-seven.)
Heat burns your fingertips, flashing pain blaring so rapidly, sparking like lightening across your palms, splintering phalanges…down into the carpal bones, nearing your wrists.
Vision blasts into view, pupils contract to tiny dots, shrinking away from the pale green light that’s blazing from your hands, barreling up your forearms, crackling past elbows, bolting up, up, up… Muscles seize, contracting against the hot itch scrambling your flesh, twisting at sinew. The blinding light dims, eyes peeking open as it dulls to a quiet luminosity, tinting your skin. Feels like poison ivy…the nettles by your old estate.
Swallow, staring at the radiance. Almost mesmerising enough to block out the burn. Throat itches, tongue sticking to the roof of your mouth. Deep breaths. Ease in. And out. Deep and easy. Calm and quiet. Collected.
Slowly, warily, you rise from your bed, door swinging open on the house’s command. Silently pad down the hallway, arms and torso concealed well by your dress, cardigan hiding the faint incandescence of your wrists. Hands—no way to hide them. Ignore it for now, you need a drink. Deep and easy. In. And out. Calm. Quiet and collected.
A glass waits for you on the table, walk steadily forward, fingers tremble as they clutch the cup. Water vibrates inside, tiny ripples fluttering across the surface. Effervescent bubbles shimmer at the base. Grow larger, swelling into compact air, fizzing up. Simmering in your hands. Tension coils your shoulders, brow dampening. Liquid heats up, boiling into a volatile mess. Bubbles pop at the surface, scalding water splashing onto your knuckles.
Scream as glass shatters, burning your bare feet as the liquid sprays.
Heart spikes, glowing brighter, inching up your arms, over your shoulders. Crawling across your collar bones. Muscles knot, tangling over themselves as they seize in terror. Power coils closer, snaking toward your throat, slowly…slowly…
“What—”
Hazel pierces into you, flicking over your hands, marking the shards of glass. He appeared in a flurry of darkness, shadows pulling back once he’s materialised in the doorway. Eyes already scanning for the source of distress. Fix on the slow spread of toxic green as it tip-toes higher. Hits a barrier. It’s a small hesitation—but it’s enough. Magic flickers, recoiling from your clavicle, enough hesitation to be quashed. Like a weight sinking down, an avalanche of rock crushing vermin, bones crunching beneath the pressure. Incandescence shoved away, dripping down your arms, cut back to your fingertips.
Sweet relief washes over you, waves of coolness cresting from your forehead to your toes. Lovely reprieve. Exhale heavily, spine nearly collapsing beneath the strain, leaving a slight glimmer to your fingertips, nails curved and warped from heat. Stagger back as he silently moves toward you. Scarred hands reach out, wanting to touch; wanting to steady.
“Are you—”
“Don’t,” you bark, snapping your arms closer to your body. Feel their unnatural heat as it singes the fabric of your dress. His nostrils flare, scenting the charred material, shadows flicker.
Call breath into your lungs, soothing. Deep and easy. In and out. Calm and quiet. In. And out. Calm and collected. A familiar scent has hairs raising at the back of your neck, eyes flicking up to lock with hazel. Closer than before. Despite the heat.
“What was that?” He asks, the deep roughness of his voice curling across your breastbone, soothing the heated skin like a balm. Swallow heavily, keeping your hands tight to your torso. Turn away; move to the sink. The tap turns on independently, cool water sizzling as it washes over trembling hands. Cold metal mollifies your skin, a comfy weight around your neck. The tiny barrier your magic had hit. Tripped up on.
Azriel doesn’t make a sound, but you can feel him nearby, standing at your side. Watching silently as the water fizzles and hisses, the last of the glow dimming from your fingertips. How close he’d come to touching the blisteringly hot skin. Slowly, the cold begins to souse into your digits, running smoothly over your hands, no longer bubbling or evaporating on impact.
The house has already cleared away the shards of glass; dried the pool of scalding water by the time you’ve dried your hands. Flaky, and ashen. The smooth, creamy texture seemingly been ravished by the heat. Yet all you felt was a slight itch to begin with. You don’t make any attempts to conceal how quickly you want to escape the room, but you’re kept where you are. Waiting…waiting for him to change his mind about keeping your secret. After what he’s just seen…
Feet are pinned to the boards, muscles unwilling to obey your mind as you explore them to turn and leave. Arms feel leaden, stiff and immovable. Wait for the compromise to be retracted. Hands tremble, teeth faintly bite onto your tongue. Wait for the condemnation. For being so foolish; stubborn.
“Are you hurt?” Words thud dully against your ears, keeping your hands as out of sight as possible, hidden beneath the sleeves of your cardigan. Nod dutifully. “I’m okay,” you murmur. Lips are numb, mind buzzing faintly. Floorboards spin ever so slightly, blurring in and out of focus. Deep breaths. In and out. Slow and steady. In. And out. Calm and collected. In. And. Out.
Boots appear at the top of your sight, just a little way from your own. Far enough not to be intimate. He holds out a scarred hand, palm facing upward. Almost expectant.
Blink away the dizziness. Flesh tingling…wriggling beneath your skin. Nails itching.
Wait silently to see what he’ll do.
Continues holding out his hand, waiting patiently to see if you’ll offer up your own. Remain rooted to the spot, numbness crawling beneath your sleeves. Mind buzzing with confusion at the outstretched palm.
Slowly, he begins reaching for your wrist, as if to inspect the results of the experiment. Analyse the consequence. Examine.
It topples you into motion.
Turn on your feet; quietly scamper off down the corridor. Behind the safety on your door.
With the wooden barrier in place, plus the sound block on your room, you can truly feel forgotten for a while. Like time’s stopped.
————
The shower had your blood moving again, temperature cooling to a regular heat. Mind working again, mentally cataloguing every thought you had, every twinge of unusualness that could have been the signposting you should have noticed to prevent that rapid surge of…burning.
Peer down at your hands, almost absently. Aside from the slight roughness to your skin; the chapped dryness to your knuckles, there’s nothing to show for the bone deep itch that had manifested within your flesh. Just the texture becoming sandpapery. Flaky.
A dark blue towel is draped over your shoulders like a shawl, preventing the damp ends of your hair from saturating the changed dress.
(What was that?)
It stopped almost out of nowhere. One moment, steadily spreading throughout your body, the next, it seemed to stumble. Like hitting a bump of some kind. Something that disturbed its momentum. Peer down at the necklace that’s sitting comfortably around your throat, resting just above your collar bones. In the dip of their joining point.
The small, glass pendant hanging from the bronze chain sits innocently on your person. Fingers brush over the map in wonder, curiously feeling. Cool metal contains the accessory, lead encapsulated within a gleaming polish. Even the underside has a pretty finish. Lead, bronze, and glass. Maybe some ink, but that’s all it is. No secrets carved to its base, no hidden compartment. Just a simple ornament, yet something about it disagreed with you. Thank the Mother.
Fingers play with the charm as you take a seat at your desk, reopening the volume. Rusty red leather creaks as you turn to your page, more than willing to submerge yourself in learning. The candles flicker as you ease out a breath, taking in the familiar scent of parchment and something pleasantly spiced. Maybe it’s an Autumn Court scent.
Crumpled paper lands on your desk, settling comfortably between the two large pages of the anthology.
It may surprise you to learn I have better things to do than spend all my hours writing to you.
Stare at the neat, elegant script. Debate the merits of responding willingly. Returning to this strange sparring match would be acknowledging your interest. There’d be no way to talk your way back to innocence. Putting pen to paper will mean…
And yet here you are, Vanserra, writing back to me.
Oh, you hope that irritates him. Hope he sends back something vicious. Something to make you spark awake again. To light up the numbness that’s turning your world monotone.
Would you like to tell me where these wrinkles came from?
Lips tug at the edges, but remain set in a dull line. Lower your pen to the roughed-up parchment. Fingers dry and somewhat cracked in the low light.
Nonsense, Eris. You don’t look a day over thirty.
Picture the way his sharp caramel eyes blaze with ire at the brazenness. Maybe his palms also heat when he’s in a mood. It’s a little comforting to remember power probably didn’t come naturally to him. Maybe. You’re making assumptions, though.
And you don’t dress a day over fifty. Considering Rhys’ wealth is at your fingertips, you have the fashion sense of someone who’s still destitute.
Mouth parts as you read the response. Brows flicking up your forehead. Harsh…
A smile quirks the corners of your lips.
I’ll have you know I dress for comfort. You’re the one who cares so much about prettification. Maybe I could visit your personal beauty parlour sometime, Eris?
Parchment vanishes, allowing you time to peer down at the diagram before you: a small rectangular table. There are various squares left blank, while others are filled in with one or two letters. The boxes that do contain letters attached are numbered, correlating with asterisks further down the page, displaying a full title.
Who would ever accompany you? It’s bad etiquette to visit a tonsorium on one’s own.
The smile fades after a few moments. Who would go with you if you wanted to visit somewhere? Elain? Feyre? …Mor? Shake your head, pushing away the dismal thoughts he’s brought to your attention. Divert elsewhere.
It’s worst to not entertain your guests. What a miserable (and sour) host you would be. I think I’m actually quite glad to not be visiting anytime soon.
Try to return to the anthology; find yourself awaiting his reply. Leg tapping against the floorboards. Minutes pass while you attempt to absorb more of the text, but nothing’s sticking. Like there’s a fog passing through your brain, stopping you from taking in the wonder of the world. More minutes tick by—the sky a solid dark blue the other side of your window. A few other candles gleam alight, and you murmur your thanks to the House. Flame flickers in response. Oddly comforting.
Eyelids start to feel heavy, weighing into your vision.
You don’t realise you nodded off until you wake from your nap. The desk is still void of a reply; you wearily peer around your room, attempting to orient yourself. Knuckles itch to be scratched, still rough to the touch. Gaze settles on your door. Perhaps it’s a little scary that you wouldn’t know if something was lurking directly the other side. Wouldn’t be able to hear any heavy breathing, or the scrape of steel. Deep breath, because there’s nothing there.
Stand to draw the curtains, but hairs stand on end. Remain still for a few seconds, centring on the feeling. Is it fear? Is it loneliness? Brow knits in concentration, absently drawing the curtains, turning back to face the entrance to your room.
(The only exit.)
Sigh in frustration. It’s not good to give into your…however you’re feeling. It will only encourage your mind to exacerbate whatever problem its fabricated. Still, you find yourself opening the door, peering down the well-lit corridor. Nothing there, no strange feeling, no lurking presences. Just your mind finding something to react to, creating a madness to subject you to. Deep breaths. The House of Wind is secure. Safe, and secure. You’re safe here. Nothing bad will happen; you won’t get hurt.
Deep breaths, heart lowering its pace.
Move to bring the door to; notice something on the ground, beside the frame.
Crouch down to pick up the small tin. Bring it inside, door swinging shut as you hold it up to the light.
Peer at the neat label. Pop open the lid; look inside.
It’s a small pot of hand cream.
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hannie-dul-set · 1 year ago
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the breakup soup [preview].
SYNOPSIS. you and jeonghan get into an argument in the middle of the meeting. the rest of your organization’s officers slowly start to realize that this isn’t just about whether the mountains or the sea would be the better venue for your event.
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PAIRING. yoon jeonghan x female! reader. GENRE. lovers to exes to lovers, humor, romance, mild angst, orgmate! jeonghan, college! au, a whole lot of forced proximity, there is only one bed trope will be sprinkled in there somewhere. WARNINGS. written breakup (obviously), so much swearing, sex jokes, will add more as i move forward. WORD COUNT. preview: 2.8k | full fic: est. 15k.
RELEASE DATE. november to december. TAGLST. send an ask/dm/reply to be added.
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NOTE. had a bathroom thought. wondered "wouldn't it be funny if a couple breaks up during an org meeting" and it has led me to this dumpster fire. i think it's funny. i hope you think it's funny. i understand that there might be some unfamiliar org jargon here and there, so please feel free to ask me for clarifications if some things are unclear so i can fix them in the final fic!
preview under the cut.
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“TODAY IS SEPTEMBER 7, 20XX. THE MEETING WILL NOW PLEASE COME TO ORDER. Mr. Secretary, please call the roll.”
The words robotically fall out of Seungcheol’s mouth as he turns over the pages of his clipboard, marking a precise, red dot next to the word ‘agenda’ on the page. Another day, another meeting. He can’t wait for the moment he can finally retire from this god damned position. Every single time he repeats his presiding officer script, it feels like a digit gets added to his age.
“Yes, Mr. Chair. Please say ‘present and voting’ once your name is called to be acknowledged.” 
Wonwoo starts the roll call, and Seungcheol is desperately trying to cover his yawn with the clipboard, else Seungkwan is gonna grate at him again for dozing off in his own meeting— the aforementioned straightening himself in his seat when his position is called.
“Public Information Officer 1?”
“Present and voting.”
“PIO 2?
“Present—” says Joshua, flicking a paper clip across the table and into Vernon’s nth latte of the day. “—and voting.”
“Next. Assistant Business Manager.”
“Prese—”
“Okay, got it.” Chan brandishes a look of offense when Wonwoo cuts him off. “Business Manager?”
“Present and voting. Do we really have to keep doing this one by one?” 
Mingyu has a point, Seungcheol mentally agrees. But his god damned seniors wrote in the damned constitution and bylaws that every meeting of SVT (Society of Virtuous Timetravellers. He’s in the process of renaming it because your organization that’s supposed to be for history and culture is attracting weirdos instead— and two of them are Soonyoung and Seokmin) must abide by strict parliamentary procedures, so he has no choice but to suck it up and listen as Wonwoo continues to read out the succeeding positions on the attendance list, and it’s starting to sound a lot like a lullaby.
“Secretary, yours truly, present and voting.” The scratch from Wonwoo’s throat signals Seungcheol that it’s to zone back in. “Vice Chairperson-External?”
“Present and voting.”
Your voice draws Seungcheol's attention. He turns his head towards you and he notices the sheets of binded up papers you have in your hands, straightened with a few taps on the table surface before you settle them back down, a swell of pride when he sees what’s printed on the topmost page. 
It’s impeccably organized, the task he assigned to you only three days prior. Hell, you even have page tabs sticking out of the sides of every page. Your work ethic never fails to impress him. On top of that, you’re always so professional— able to separate your personal and org life with strict barriers in between because even though you and Junhui have been friends for ten years, your sharp glare holds no reservations when you catch him folding paper turtles with sticky notes right next to you when inside the meeting room.
“Sorry,” Jun breathes out. You retract your leg from under the table after giving him a discreet kick.
Anyway, Seungcheol has high hopes for you, and he’s eyeing you to replace him as SVT’s Chairperson next year (he’s already in the process of manipulating you into taking the job: the compliments he gives away aren’t for free). You’re perfect. You’re flawless. There’s no one else fit for the position but you. 
Which is why the next course of events comes as nothing less than a shock to him.
“Vice Chairperson-Internal?” Wonwoo calls out but is met with silence. He looks around. “VCI?”
No answer. You scoff.
“Alright, moving on. Mr. Chair?” 
Seungcheol stiffens, second-guessing what he’d just heard, but the near-invisible crooked twitch of the corner of your mouth proves that no, that wasn’t just his imagination. You just scoffed. A sharp noise laced with derision and contempt. That should’ve been the first sign that something is off.
“Present,” he coughs out, resigning his attention back to the meeting he has to preside over. It must be nothing. Even you can get annoyed sometimes. Maybe Jun is fucking around again and you’ve just had about enough.
“There are thirteen out of fourteen officers present, Mr. Chair. We are in quorum.”
“Thank you. Seeing that we are in quorum, it is now legal for us to conduct business. Mr. Secretary, will you please read to us the agenda for today’s—”
The office door swings open. 
“Sorry, I’m late!”
And Mr. VCI rushes in with his white coat still hanging off his shoulders. The meeting is put to an abrupt pause as Jeonghan hastily walks up to his assigned seat, trying to explain the reason for his tardiness. “Our lab session took longer than expected,” Jeonghan huffs out, dragging out the chair next to him. “Dr. Han wouldn’t let us—”
“It’s common decency to enter the room and sit down quietly when you’re late so as to not disturb the ongoing meeting. Especially when you haven’t informed the body beforehand.”
Seungcheol flinches when he hears the interruption of your sharp tone. His head quickly snaps to your direction before gleaning Jeonghan’s reaction. His friend’s jaw tightens but he says nothing. That should’ve been the second sign.
“Mr. Chair, may we proceed with the reading of today’s agenda?”
He eyes you carefully and, with a hesitant drawl anchoring his tongue, proceeds with the meeting while Jeonghan quietly settles into his seat. “Mr. VCI, you may send your excuse letter later for record keeping. Anyhow, Mr. Secretary, please read to us the agenda for today’s meeting.” Wonwoo does as instructed. The problem is, Seungcheol can’t hear anything that he’s saying. Not when his seat is exceedingly uncomfortable at the moment.
It’s not his seat. It’s the two people cornering his seat that’s the problem.
Cold sweat breaks out from his forehead. The air is stuffy. You and Jeonghan lock eyes for zero-point-five seconds and there’s a chill in the atmosphere that only Seungcheol can feel. What the fuck is going on?
“Thank you Mr. Secretary. We’ll begin with the first agenda— SVT’s Orientation and Membership Training. Alright. As you all may know, this will be our organization’s first event for the academic year, thus I am expecting everyone’s undivided cooperation in making sure that this event will be a success. We have already discussed the initial details of the event during the previous meeting, and we also distributed the tasks to the officers and committees.” He flips through a page and clears his throat. “I believe our Vice Chair External was tasked to scout for the venue. Ms. VCE, have you prepared your presentation?”
You nod, rising from your seat. “Yes, Mr. Chair. I’ve prepared a comprehensive list of all our options.” Okay, Seungcheol breathes in through nose. You seem normal now. Maybe he was just overthinking things. “I ask for everyone’s assistance in distributing the copies.”
Seungcheol looks at the text written in bold when you pass a copy to him— SVT ORYE & MT 20XX: VENUE PROPOSAL. While everyone is passing the paperclip-bound photocopies to each other, you take the liberty start speaking. “If you look at the second page, you can see the overview of the entire document. I’ve listed five possible venues and compiled their respective addresses, rates, inclusions, menus, and of course, pictures for your reference. We’ll look at each of them one by one, starting with—”
You pause. Jeonghan is raising his hand. Your eyebrow twitches. Seungcheol gets a bad feeling. “Yes, Mr. VCI?”
“Thank you for the acknowledgement,” he says. “I’d like to ask why exactly are all of these venues located in the mountains? Don’t we have other options? It would be fine if it were just us officers, but I believe holding the event in such terrains would be far too inconvenient for more or less a hundred people.”
A very bad feeling.
“I appreciate your insight,” you respond. Uh oh. Your smile is strained and Seungcheol knows it. That’s the smile you wear when you’re about to pulverize a representative for a disadvantageous partnership to the ground. “However, I’d like to bring to your recollection that the theme of this year’s Orye is traditional South Korean folklore. That considered, I came up with the judgment that the mountainous and forested areas would be the most appropriate and immersive venue if we wish to bring this concept to life. I hope that is clear, Mr. VCI. Anyway—”
“It’s still impractical, Ms. VCE.” 
Your face stiffens.
Jeonghan just cut you off. 
Shit, he just cut you off. 
He stands up, leveling you from across the table. “What about our members with asthma? Heart problems? What if it rains on the day of the event? Do you expect everyone to climb up a mountain trail in all these conditions?”
“If you read through my document before inadvertently interrupting me, Mr. VCI, you’d know that three out of the five venues offer uphill transportation in order to get to the accommodations. And although I understand your reservations about the possibility of inclement weather, may I remind you that it’s also the driest season of the year. You’re being unreasonable.”
Fuck. Seungcheol thinks he needs to butt in but he can’t find the timing when there’s literally an invisible fucking electric fence deterring him from reaching the both you. He catches a glimpse of Joshua’s concerned eyebrows. ‘Do something,’ his friend’s eyes say. He’s about to until you drop a sentence that shoots the tension off the roof.
“Furthermore, I’ve surveyed all of the officers through text if they agree with my venue proposal and I was met with no objections. You’d know if you opened any of my messages last night, Jeonghan.”
Holy fuck.
Holy fuck, you called him by his first name. 
You never call anyone by their first name. At least not during meetings and it’s very clear that this is a reason for alarm because everyone else’s eyes fly wide open. Except Jeonghan’s. He just looks pissed— mirroring your very own expression. Something is wrong. Something is very wrong and Seungcheol is slowly starting to realize that this argument isn’t just about the venue conflict.
“Ahem.” He clears his throat for the nth time, a wound might break open. “We will take our VCI’s concern into consideration. If you believe holding our Orye in the mountains is impractical, where do you suggest we should hold it instead?”
Jeonghan’s shoulders relax. He gives you a momentary look before settling back into his seat. “Thank you, Mr. Chair.” You do the same. Seungcheol breathes out a sigh of relief. “I’d like to suggest that we hold it by the beach and sea. Not only would it be more accessible, it would also be considerably cheaper considering there’d be no extra expenses for transportation up the hiking trail. There are also more options if we hold it on the beach. I already have contacts from last year’s set of events. We don’t have to worry about negotiations.”
Seungcheol nods in response. He’s about to say something but once again, he hears an unmistakable scoff from your direction. “Of course, you’d go for the low effort option.”
Oh no. Oh god, no.
Jeonghan’s eyes dart towards you. “What was that?”
Seungcheol doesn’t get paid enough for this shit.
“I’m just saying that it’s so like you to go for the easy way out.”
He doesn’t get paid for this at all.
“What are you trying to tell me here, Ms. VCE?” Jeonghan’s tone is getting more pointed, and the rest of the table are starting to pick up on what’s going on. Mingyu is slowly inching off of his seat and finding the right time to book it. Chan and Seokmin are nervously flitting their eyes back and forth between Jeonghan and you. Minghao hao stopped paying attention. He’s got his airpods on and scrolling through his phone. 
“The sea is not theme-appropriate for our event, Mr. VCI,” you firmly press on. “There are myths and folklore that reference the sea and ocean, however as an introductory event for our organization we should defer from making far too uncommon references since most of our members are beginners to our advocacy.”
Vernon is about to be swallowed by his chair. Seungkwan has his face in his hands. Seungcheol’s phone vibrates and it’s a message from Wonwoo. Should I include all of this in the minutes? he asks. Seungcheol isn’t even sure if this argument is still about the venue.
“May I also add that beach events are overused. Everyone holds acquaintance parties, Christmas parties, sensitivity trainings at beaches and beach resorts. Should we follow that template, I doubt our event would be memorable enough for our members to remember.”
“Then it’d be the obligation of the program committee to make it memorable.” The said committee flinches upon hearing Jeonghan’s words. Joshua and Junhui don’t look like they agree with the additional burden. Jihoon’s forehead is wrinkling from secondhand stress. “We don’t need to sacrifice the affordability and accessibility of our location in order to hold a note-worthy event. And, may I also reiterate that we should consider our members with health problems, Ms. VCE.”
This is enough. This is probably enough. Maybe it’s time for Seungcheol to intervene.
“However, I understand,” Jeonghan continues. “I understand that it’s not easy for you to be considerate.”
But how the fuck is he supposed to do that when you two fucks won’t stop provoking each other?
“Oh, for god’s sake!” It’s hopeless. It’s gone out of control. Your voice has bordered on yelling ang Seungcheol himself is afraid of being caught in between. “Are you still mad about the cat thing?!”
What is the cat thing? What in the hell is actually going on?
“This is not about the cat thing and you know that.” There’s a ruffle in Jeonghan’s voice. He lets out a groan and throws his head back with his fingers digging into his hair. “Fuck. Let’s talk later.”
Yes. Yes, please just talk later so we can move on with the meeting.
“Did you just swear at me?”
Nevermind.
There’s a second silence. One second— until the corner of Jeonghan’s mouth twitches and he expels a huff of incredulity. It’s ominous. It’s a harbinger of uncomfortable destruction. “So swearing is crossing the line, but refusing to let me meet your parents and forcing us to keep this relationship a secret is completely justifiable?”
Well shit.
This meeting is done for.
Silence washes over the office once again. Wide eyes are being exchanged and not even Wonwoo is filling the tension with his incessant typing on the laptop. Chair, I don’t think I should include this part in the minutes, Seungcheol receives another message from him. Of course he shouldn’t. A relationship reveal isn’t part of the agenda. Neither is a breakup but he fears it’s teetering to that outcome.
It’s uncomfortable. It’s suffocatingly uncomfortable and Seokmin looks like he’s about to cry at any moment.
“Well,” you simmer. “I guess it’s not much of a secret anymore, isn’t it?”
“Damn.” Soonyoung receives an elbow from Jihoon. He gets hushed down very quickly to make room for another agonizing exchange between you and Jeonghan. 
“Is that literally all you have to say? You’re so insensitive, it drives me fucking nuts. This is why it’s so hard to keep seeing you—”
“Oh, so you think I’m not having a hard time? If you can’t understand why I had to do that, then let’s just stop seeing each other!”
“Fine, I’m glad we’re on the same page this time.”
“Great!”
“Great.”
“Your clothes better be out of my closet by tomorrow.”
“Throw them away, I don’t need them.”
“I will! Thanks for the suggestion!”
Things have now gone beyond the point of salvation and he can’t even interject to formally end this disaster of a meeting.
“Mr. Chair, I apologize, but I’m afraid I will be leaving early today.” Oh, so now you remember his existence. You’re fuming, slinging over your shoulder bag and haphazardly collecting your things from the table, and Seungcheol simply massages his temples and nods in acknowledgement to your sudden leave. “Please go through the document at your discretion and I’ll be respecting whatever decision the body makes. Thank you and have a good day.”
Just like that, you’re gone. Jeonghan also starts collecting his things. “My phone lines are open in case you need anything. Goodbye.” With that, he also disappears with the harsh swing and slam of the door, leaving behind another blanket of uncomfortable silence for everyone else to drown in.
Seungcheol sighs. He feels a headache kicking in. 
“So...are we having the event in the mountains or by the sea?”
He groans.
Is it too late to file a resignation?
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THE BREAKUP SOUP. © hannie-dul-set, 2023.
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mikachacha · 8 months ago
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𝚅𝚊𝚖𝚙𝚒𝚛𝚎 (𝙰𝚌𝚝𝚛𝚎𝚜𝚜! 𝙱𝚊𝚍𝚊 𝙻𝚎𝚎 𝚡 𝙰𝚌𝚝𝚛𝚎𝚜𝚜! 𝚁𝚎𝚊𝚍𝚎𝚛)
Synopsis: You have to work with Bada, your ex who cheated on you
T.W.: manipulation, deceit, angst, cursing, mentions of cheating
A/N: I'm back bitches with another angsty shit 🥹
You thought you'd be okay working with Bada 6 months after your breakup but coming to work and having to interact with her every single day makes you want to walk out and scream from the pain you're still feeling. It doesn't help that you're doing a drama and it involves cheating on her part. You couldn't help but laugh bitterly at how the universe is really fucking you over. The thing you're acting out is how things happened between you and Bada. So you're basically reenacting all the pain you've gone through for the paycheck and for everyone's enjoyment.
"Y/N? Can we talk? The next scene we're doing.. I-" Bada approached you and you just looked at her, trying your best to not look too affected.
"Oh don't worry, I can handle the scene just fine. I'm pretty sure you'll give a stellar performance as well." you cut her off and she was about to say something when the director announced for everyone to be on their mark as the filming would start.
"1..2..3.. Action!" that was your cue and you approached Bada, you couldn't hold back any longer as all the painful memories came crashing back like it was just yesterday when your world crumbled as you found out Bada has been cheating on you with multiple women on the course of your 3 year relationship.
"You said it was true love.. But wouldn't that be hard?" you approached her, you're aware that your eyes are welling up with tears already. You weren't acting anymore at this point and you didn't care.
"You can't love anyone, 'cause that would mean you had a heart.." you laughed bitterly and you could see Bada's expression becoming grim as she held back from saying something while the cameras were still rolling. She took a deep breath and placed her hands firmly on your shoulders, staring you down.
"Listen, let me explain to you-" she says and you shrug her hands off and look up at her, some tears fell down your cheeks but you still had that defiant look in your eyes.
"I tried to help you out, but now I know that I can't!" The staff and the director looked at you both, it was definitely not in the script but the raw emotions and the lines being thrown is definitely much better than what was originally written.
"'Cause how you think's the kind of thing I'll never understand.." you wiped your tears away and slapped her hand when she tried to reach for you. Bada could feel her heart sink and shatter as she sees your tears. She knew she fucked up so bad but she still loves you.
"What? You've got nothing to say now?! Blame it on some shit just to take the blame away from you?!" your heart is racing, you could feel your hands become sweaty as you looked at Bada. She looked hurt and broken, something you've been craving ever since she fucked you over.
"Jagiya.. I made some real big mistakes, I know. I hid those things from you because I know they would hurt you!" Bada says and her reasoning just made you angrier.
"I should've known it was strange that you only call me at night because you're so damn busy fucking other girls during daytime!" you could hear murmuring from the other cast members and staff, one even suggesting to cut the scene but you didn't care anymore.
"I'm sorry.. Please.. Forgive me.. I thought what I did was smart because I didn't wanna hurt you, jagiya.. Please forgive me." her voice sounded so broken and full of regret. You didn't dare glance at her, scared that you might fall right back into her trap and get hurt once more. You removed your hands from her hold and stepped back from her.
"You made me look so naive! And don't you fucking dare call me jagiya! After all those things you did?! And you didn't wanna hurt me? Oh please.. You and I both know you're just saving your cheating ass for being exposed." your tears continued to fall as well as hers but you weren't backing down.
"Aren't you ashamed? Don't you feel the slightest twinge of guilt whenever you tell me you love me but still have the audacity to cheat on me, multiple times?!" you yelled and Bada got up, her hands were back on your shoulders, forcing you to look at her and to listen.
"I didn't mean for those things to happen! I really didn't mean to hurt you like this.." Bada says and before anyone could react, you had slapped her already.
"You didn't mean to? Don't bullshit me! You're a fucking liar!" you were about to storm off when she pulled you back by the wrist and held you in her arms, making you sob uncontrollably.
"I still love you.. I still do.. It never went away.." you could hear her faint voice as she just held you in her arms, both of you crying.
Everything felt like a blur, you can't remember what happened after that but here you are, face to face with the director along with Bada.
"I don't know what went on between both of you though I hope it won't affect our production too much. As much as I love what happened earlier, the improvisation was perfect! I'm pretty sure people will see it and think it's the most realistic scenes but I think it's something personal between you and Y/N. It's up to you both if you want to give us rights to use that or we can reshoot if you're not comfortable." The director says and Bada looks at you like she was waiting for your decision.
"It's okay if you use that. As you have said, you think it's perfect." you spoke and didn't look at Bada since you know you'd start crying again if you do.
"If it's okay with Y/N then I'm okay with it." Bada finally says and with both your consent, that confrontation was included in the drama.
As predicted, it was easily the most memorable scene in the drama, it even earned awards due to how realistic and raw the emotions were. You couldn't help but think if people knew the story behind that, would they see it differently other than just acting?
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mrs-stans · 4 months ago
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Sebastian Stan Talks Career Interests And His ‘A Different Man’ Film
By Jeff Conway
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Sure, you likely know him for his many Marvel film appearances as Bucky Barnes, but actor Sebastian Stan has often taken “the road less traveled” when it comes to his career, having built quite the unique repertoire of memorable performances in far less conventional films.
That observation has arguably never been more visible than with his involvement in the new A24 film, A Different Man. Written & directed by Aaron Schimberg and co-starring Adam Pearson and Renate Reinsve, it tells the story of Edward (Stan), an aspiring actor who undergoes a breakthrough medical procedure to transform his facial appearance, but soon regrets his decision when he becomes obsessed with reclaiming what he has lost.
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I sat down with Stan, Pearson and Schimberg to uncover the origin and the creative thought process that went into this new project, which is now playing in select theaters in New York and Los Angeles - nationwide come October 4. For filmmaker Schimberg, this purposefully uncomfortable narrative and the overall project hits rather close to home.
Schimberg said, “I mean, for me, it’s sort of a personal story. I have cleft palate and it’s just sort of me thinking about how it’s affected me in my life and others’ perception of me and my perception about myself. My previous film [Chained for Life] also dealt with the subject in some ways, so that’s sort of what I am always thinking about when I am starting to write a film. I was also thinking about Adam because I had worked with him previously and he played a shy character in Chained for Life, my last film, and he’s not shy at all - and yet, people I think sort of thought that he was playing himself in my movie because they sort of assumed that he must be shy. So, I was inspired to write something that was closer to who he is - taken to a comical extreme, maybe, and I wanted him to show off his range, but I also just wanted to work with him again, so these were some of the starting points.”
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Pearson, a British actor with neurofibromatosis, which is a rare genetic disorder that typically causes benign tumors of the nerves and growths in other parts of the body, went on to share what it was about A Different Man and his Oswald character that most intrigued him to want to make this his next film.
“Well, I enjoyed working with Aaron the first time, so when he said, ‘Would you consider working with me again?’ Straight away, I was like, Ding Ding! Round two - let’s rock and roll. Then the script - all the words have weight. There’s very little wasted motion in the script. The end result of the film is quite challenging and holds up a mirror to an audience. I’ve never been a fan of hand-holding or sugar-coating. I think audiences can be a lot smarter than we often give them credit for. A good film will change what you think for a couple of days, but a great film will change how you think for the rest of your life. We’re certainly trying, at least, to be in the great film business.”
With Stan not only acting in A Different Man but also an executive producer, I wondered how he has perhaps noticed his interests and priorities towards the stories that matter most to him as a professional and human being evolving as time goes on.
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Stan said, “Well, you get a little older and the questions get a little scarier. A few years ago, I just decided to kind of just be a little bit more aggressive about finding specific work that was interesting and different and kind of challenging for me than what I was getting to do. Eventually, you find yourself in conversations that are in the development of certain things and that might lead to a producing kind of aspect. I think in this [A Different Man] situation, I was involved before A24 came on, which never really happens for me. Not only because of obviously how I felt about the story and so on, I felt really brought in by Aaron and [producer] Vanessa [McDonnell] into their journey with this film and like what they were wanting to do. So, I felt a much bigger attachment than I usually do as an actor in a way.”
When it came time to film A Different Man, Stan recalls the production not having much time, which he actually found to be helpful within his producer role “because when you’re involved in some capacity beyond acting, sometimes you can kind of go, Hey, let’s continue shooting or something. You can help add more to the making of it in some capacity and that was big for us, given our time - that we didn’t have a lot of time.”
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In fact, during one particular scene in the film, Stan remembers while everybody else was wrapping up the production trucks for the night, he decided to head out on the streets of New York City with his A Different Man director of photography Wyatt Garfield and Schimberg to grab additional footage. “I just kind of took one of his other little cameras and then we started going up and down Columbus Avenue. It was Friday night and we just got all these shots. Maybe you don’t always get to do that, so that was helpful.”
As I began to conclude my conversation with these three gentlemen, I wondered what Pearson and Stan would say to their A Different Man characters, Oswald and Edward, after seeing their stories play out on-screen and understanding their wants out of life.
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Pearson said, “I’d be like to Oswald, Maybe turn it down a little bit. Be nicer to [Stan’s character Edward] because he might not say it, but he loves you and he needs you right now.”
As for the message Stan would tell Edward, he said, “Listen to me! I’m here - I’m telling you. I don’t know how I feel about this. Just hear me out.”
He then added: “It’s very interesting because we all have these moments in life, big or small, where you make a decision or you even say something because you’re with other people or you’re supposed to say something the right way, but you know your reaction in the moment or the decision you’re making is not what your gut is like really telling you. Then, you feel kind of like you’ve abandoned yourself, but then you just quickly deny that - that can kind of like spiral down. We’ve all kind of not owned certain things in the moment and that’s sort of what happens. He kind of drowns out that voice.”
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johanna-swann · 2 months ago
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I'm sorry, I just can't stop wondering what the hell happened to 911. It was never highbrow art, but it was genuinely entertaining and enjoyable. And people keep saying it's been going down hill since season 4, but season 8 has hit an entirely new low. They're really limbo-dancing with the devil at this point.
I mean. I wasn't a big fan of the season 5 opening disaster or the ppd arc, the season sure had its ups and downs. But they also did something interesting with Eddie for once, I am always a Taylor Kelly stan first and a 911 fan second so I enjoyed having her there, the story around Jonah was maybe a little far fetched but still fun, we had May at dispatch wihch I LOVED, Michael and David were still around and the season finale was pretty decent.
Season 6 also had a relatively strong first half. Once again not a big fan of the opening disaster, but Hen's med school storyline was still going strong at first, we got that Henren begins episode, we learned more about Athena's family and childhood (including conflict between Bathena and Beatrice), Madney was house-hunting and then we had the lightning strike and its aftermath of course. So most of the protagonists had stuff going on that we hadn't seen x times before.
After that... well. There was no reason to push Buck back into dating so soon after he had just learnt that being himself and by himself could also be enough. For Eddie it sort of made sense at this point? But it still felt like he wasn't dating because it's what he wanted, he did it because it was expected of him. Madney getting engaged was somewhat predictable though I would've also loved it if they hadn't done that. Lots of families with children and a house are happy without the parents ever getting married. And the finale in season 6 was really bad. Very underwhelming, very rushed.
But at least 6b had an excuse? The show was about to be cancelled. At the time those scripts were being written they probably didn't know yet that there'd be a season 7. And then season 7 had even more excuses why it was, well. Like that. (Network change, multiple strikes, the showrunner changed, a drastically shortened season, etc.) I can forgive a lot under those circumstances.
Season 8 though? Season 8 had it all. They had their og showrunner back and he had already had time to find his bearings. They knew about the renewal very early this time, so they had a lot of time to prepare. There were no more huge strikes. They got a full length season again. The network wasn't new anymore. Despite season 7 being a bit of a clusterfuck, they did manage to set up a few storylines to explore further in season 8. Everything was lining up perfectly!
And then they completely dropped the ball. I already went into detail post-8x06 on a different post, I didn't even watch 8x07 in full because it sounded rather boring (and police brutality heavy). Then they gave us a mid-season finale that was centered around an irrelevant comic relief side character who most people found annoying or boring. On the side we had another Athena B plot that had nothing to do with the rest of the episode and didn't influence any of the main characters in any way. Eddie announced that he might consider moving to Texas which for now doesn't mean anything, nothing else of importance happened. And that was the mid-season finale! Like. Guys. The episode wasn't horrible, but for your "great fall finale"?
And Eddie STILL hasn't put even a little bit of work into processing his trauma around Shannon's death. He was told once by a stranger that he deserves nice things and that fixed him? He's ready to confront the conflict between him and Christopher now? Yeah, sure Jan.
Maddie is attacked in her home and gets abducted by a violent and dangerous criminal who has the intention to murder her? Wonder where I've seen that before. Oh right, it was on the same show and it happened to the same character. Cool. Glad to see I won't miss anything new when I don't watch 8b next year.
It's not even funny anymore and I sure hope they have a reason for this and they haven't just lost all their braincells over the summer hiatus. But we won't know if any of the conspiracy theories about impending cancellations or main cast members leaving are correct until sometime next spring.
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rmwb-fanfics · 2 years ago
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How to remake Harry Potter:
(A step by step guide)
We’ve already had one god-awful adaptation that way too many people think is good. This is our one chance to have the book characters represented correctly, along with the plot they support.
I’ve put YEARS of thought into this. I’ve written scripts for episodes of a hypothetical tv show. I’ve drawn concept art. I’ve done shit. So I figured I’d share my thoughts.
1. Stick to the books*.
Stick to the books has a massive asterisk next to it because I mean the plot and characters. Some stuff (as you’ll see later) should be changed.
Nothing in this show should feel out of character. Harry should be closer with Ron than he is to Hermione. Snape should be a real d*ckhead. Hermione should be judgmental of those who don’t think like her, etc etc. The way these characters navigate their relationships is why the fandom is still relevant. It’s why canon-compliant fic is popular in the first place. We like their dynamics. SHOW THEM APPROPRIATELY.
Plot is a sticky thing because I’d say there’s wiggle room, but not too much. Certain characters have to die. Certain events must happen. You cant change that stuff.
2. Use the Medium.
You’re using film as a format to tell your story. Ideally you’d us animation, but I know Warner Bros has less creativity than Disney’s remake department, so I won’t even try and pitch that.
Use colour and saturation. It can help contextualize emotion. It can make us subconsciously recognize things. For instance, the scene growing more saturated when Ron walks into the room when Hermione is wearing the horcrux, or any multitude of other uses this could bring.
Bring in costume design that (actually fits the world) but also helps show how that character is feeling. What they’re thinking, their personality, their future, etc.
Make magic fun™️. The books sort of sidelined magic in 5-7. Don’t do that. Divert from the books. Magic should feel alive. Colour-code them so we as an audience can recognize spells and what they might do before we see it. Implement sound design to make each spell unique and vibrant. Make this world subtly bursting with magic like it was in the first few books. Have it weave around characters, wrap them up. Be creative with action scenes. Force transfiguration into battle scenes. Choreograph your duels. Show don’t tell us that a wizard/witch is powerful. Turn people into portraits. Lock them up as mice. USE MAGIC.
Your set design should reflect this. Everything should be bursting with personality. Don’t just use the shitty movie sets. Inject some colour, have the surroundings aid you in telling the story. Get weird with the camera. Use these tools to their fullest potential.
Actually fucking try.
3. Utilize Music.
Music is just… such a massive part of film. It’s frustrating how often even the best filmmakers overlook its use. Characters should have themes that mature and develop as the series goes on. Have action arrangements of the themes to play with heroic moments. As the series progresses, we grow attached to these themes. When they appear, the audience FEELS something. Don’t reuse great pieces to force emotion. (Dumbledore’s Farewell in The Prince’s Tale. Are you fucking kidding me?)
For example: Have a theme for Neville that starts out timid and uses very shy instrumentals, but we first hear a change when he stands up to the trio at the end of PS. Then it gains more instruments until OotP, when it grows again. Once we get to DH, it can be used in this heroic swell as he chops the head off the snake in front of Voldemort and everyone watching. The audience, consciously or not, will feel that moment even more.
Have a theme for Ron and Hermione that might not even be romantic until HBP when it gains that element. PLAY WITH MUSIC.
Themes for mystery, adventure, loss, love, friendship, LOCATION. Let them come back throughout the series to highlight various moments. See Lord of the Rings and The Hunger Games, as well as (surprisingly) the Fantastic Beasts films.
Let music affect the visuals. Magic can bend and swivel with the music. Use it to tell the story. Use it to show emotion. Use it to progress a character’s arc. USE CONSISTENT MUSIC.
4 . Be Bold.
This is the big one and it may seem like I’m contradicting myself but I’m not. Rowling’s work hasn’t aged crazily well to modern fiction standards. This is your chance to rectify that. Fill plot holes, actually think through the politics. Introduce world-building elements that enhance the story/characters. (The house system, and how Slytherin fits in. The logic behind avada kedavra???) Get creative with solutions. Contradict the original work when it comes to description of location. If it doesn’t work for the film format, don’t force it to work here.
Spend more time with characters we know are relevant, but maybe not to the plot. These are your Ginny Weasleys, your Seamus and Deans, Nevilles, etc. Really fill them in. Give them more scenes. Ginny has two phenomenal arcs that play completely off-screen, explore them. Show us her friendship with Hermione. Show us her insecurities and her faults. Give us more of her and Harry’s friendship. We know they get married, so maybe fix the whole “Rowling wrote the epilogue first, but didn’t realize she was waiting too long to introduce these characters until HBP”.
Add scenes. Add jokes. Add smiles and covert looks. You have more time, which means you have a chance to focus on friendships, and romance, and world building.
Tell multiple storylines. Give Remus and Tonks a cool spy/thriller subplot interjected with the main story in OotP. Show us more of Fleur staying in England. Give us more of Harry and Sirius bonding. All of this stuff can fit loosely into canon, and be welcome creative additions.
BE BOLD.
And finally,
5. This is your chance to not only retell the story, but to do it better.
RECOGNIZE THIS. Take advantage of this opportunity and enhance canon, don’t fight it.
Don’t add Hermione and Harry dancing because *YOU* don’t like where the romantic pairings went. Don’t add Draco sympathy because you want him to have a redemption arc. Don’t dumb Ron down because you don’t like the fact that he’s just like the teenage boys you dated in High School, and he was a bit immature.
Make changes, be bold, use music, stick to the books*, use the medium, but take this as the opportunity that it is to enhance what came before.
Thank you.
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carigm · 2 years ago
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Today Millie had a fan panel in which she answered that her ideal ending would be Mike and El getting married and Will being happy and confessing to Mike (lol) and ofc the Stranger Things fandom kicked up the old Byler vs Mlvn war once again, regardless of the fact she doesn’t write the show. But I want to break down some points here about things I’ve been noticing today, but also for a while and that I think need to be discussed. Keep reading if you want.
I’ve seen a lot of hostility towards Byler and Bylers on Twitter lately, saying we’re delusional and don’t know what we’re talking about. This always seems to be the go to argument even tho it’s all in the narrative. Today it got really bad after Millie’s comments and even people that were merely disagreeing with her opinions got called everything from delusional to misogynistic.
IF the Duffers suddenly decided to ignore everything they’ve carefully crafted and put into their narrative that doesn’t make anyone delusional, it just makes them terrible writers. Who would be doing a great disservice to all three characters involved in the love triangle.
There’s been an insurgence (on Twitter) of so called “Will stans” who seem to be completely fine with the idea of mlvn being endgame because “Will can just get another boyfriend” Not only is this insulting to what the writers have already established for Will’s character but it’s also a defense and endorsement of the worst kind of lazy/bad writing that could graze our screens.
The Duffers CHOSE to tie Will’s character arc to Mike’s and El’s.
How do you expect them to undo that and create a well fleshed out character that’s deserving of Will, in 8 episodes that we know are not just gonna be dedicated to Will’s supposed love interest, because there’s a shit ton of stuff to resolve?
If this was the route the Duffers were going for, they could’ve clearly given Will a love interest last season (like with Robin) or two seasons ago (like with Dustin) And yet somehow, people think it would be totally okay for Will to get the most meaningless romance of all time as the writers ignore the same story they’ve created.
Another point I’ve been seeing a lot from these people is “Mike won’t come out. Let it go. He’s just a very unlikable character” What does that say about the quality of the writing and content you’re willing to consume then? You’re okay with characters being poorly written? And please someone explain to me how Mike’s actions, especially in S4, make any sense unless he likes Will.
The more people try to simplify this story the more plot holes and inconsistencies it creates.
The funny thing is that a lot of these “Will stans” used to be Bylers themselves but are so deathly afraid it won’t be endgame that they’ve started to use the same rhetoric mlvns use every day to justify what would be atrocious writing.
And this next thing might be controversial but I think it needs to be said.
So many people on Twitter have hit those who disagree with Millie’s opinion today with “y’all are misinterpreting Millie’s words” and let me tell you, no one has. She’s been saying the same stuff for forever and quite frankly she’s never had a coherent thought about Will. Which is fine, at the end of the day that’s not the character she plays. However, I haven’t forgotten how last year (at another panel) she was asked about Byler and said it was just a reflection of Finn and Noah’s friendship and that was what people were seeing…
Whatever the fuck that means, I guess.
Again, I’m not taking her answer today too seriously cause truth be told she’s been saying some version of this since she was around twelve, and has even at times said she was joking about it. If a wedding were actually happening she wouldn’t be able to say it cause I’d literally be a spoiler, even if she doesn’t have the scripts yet or doesn’t know I’m sure there’s things that would be off limits for any actor to say at this point.
But this defense squad that formed today begging for us to not misconstrue her words because “she really cares about Will’s character” is laughable.
Her answers regarding the topic of the love triangle have been anything but nuanced. If she doesn’t want to get into it or address it, that’s fine. It’s her choice.
But of course, mlvn stans are gonna take her answers seriously, as well as those who are now “Will stans” who basically ship mlvn too.
And to me there’s a fundamental flaw regarding the ship wars in this fandom, which these people don’t seem to grasp. At this point, it isn’t so much about “which ship is better” but “which outcome isn’t violently homophobic”
That’s it.
I don’t care how much you ship mlvn, this is the undisputed truth here.
But when your lead actors act like it’s not a big deal, it’s no surprise the fandom doesn’t give a shit.
I can only hope the Duffers were smart enough to see reason and were able to write the only outcome that won’t set television back around 10 years or so.
And hopefully one day, when S5 is out, we can get a more in depth and honest conversation with the actors about all of this.
As for me, I’m gonna lay low and not give much of a fuck until we start getting those Reddit leaks, which were very much accurate for last season. I’ll take a peak at those, and depending on what they look like, I’ll stay around or dip completely.
If you read all of this, thank you.
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gascon-en-exil · 1 month ago
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AO3 Wrapped (Writers' Edition)
Found a list for this here, and following in the vein of a mutual on another platform I thought I'd go ahead and answer all the ones that I can to commemorate my first year as an actual fic author.
1. How many words have you written this year?
209,263...on AO3, anyway. I'm not counting my blog or YouTube scripts for any of this.
2. How many works did you publish this year?
6
3. What work are you most proud of (regardless of kudos/hits)?
Hard to pick. What Burns Between Us kicked everything off and has been the blueprint for all the stories that have followed, but I think I might actually like To Make as Much of Vices as Virtues a bit more. I somehow wrangled an even longer fic laden with flashbacks and relatively dark content out of two NPCs who don't even have official art. Also, because of this fic I can say that I've written the only Papp/Roque smut currently on AO3.
4. What work of yours has the most hits?
What Burns Between Us
5. What work of yours got more feedback than you expected?
To Make as Much of Vices as Virtues, because it's as mentioned such a tiny pairing. A lot of those comments came from just two people, but still.
6. Favorite title you used
Children Believe What We Tell Them is such an ironic twist on a classic film line (in translation, anyway). Given the subject matter of that fic I was tempted to go for a more familiar reference to Disney's Beauty and the Beast, but Cocteau worked a lot better for me in the end.
7. If you use song lyrics, which artist’s songs did you pull from the most?
I don't, but I do pull titles and original/incidental character names from literary sources: Wilde, Whitman, Chopin, Faulkner, and even Freud among others.
8. Pairing you wrote the most for this year?
Osvald/Partitio, a.k.a. the first of the many ships I've had that managed to inspire me to write fic. I'm still not entirely sure how that happened.
9. Favorite pairing you wrote for this year?
It's either them or Papp/Roque, and while I had to fill in more substantial gaps in canon to flesh out the old man yaoi I do think I'm going to have to say Osvitio again for this one.
10. What work was the quickest to write?
Through the Long Moonlit Night, which I rushed out in roughly ten days to get it done in time for Halloween. That was on me for getting inspired to write a monster fic with less than two weeks to go for it to be timely.
11. What work took you the longest to write?
To Make as Much of Vices as Virtues was around three months total, and it also took more initial planning compared to What Burns Between Us which largely follows the motions of canon.
12. How many WIP’s do you have in your docs for next year?
Oof, I don't even want to think about it. Eight or ten, at least...including a couple of non-Octopath ideas.
13. What’s your longest work of the year?
To Make as Much of Vices as Virtues, at over 77K words.
14. What’s your shortest work of the year?
Polymorphous Perversity, at just over 6K and my first actual oneshot.
15. What WIP are you taking into next year with you?
I do have both a short Papp/Roque piece as well as my first stab at Temenos/Crick (with Osvitio) in the works that I may or may not finish before the end of the year. The big one in the planning stages currently though involves Osvald trading places with himself in a different universe to explore weird new facets of his character...and also to make Partitio cry some more, because that's what I do.
16. What’s your most common “Additional Tags” tag?
Alternate Universe, unsurprisingly. My first fic establishes a partial AU running alongside but still distinct from canon Octopath Traveler II, and all the rest follow it in one way or another.
17. Your favorite character to write this year?
Roque Brilliante, because he's such a humorously terrible person and yet isn't hard to wring pathos out of either because at the end of the day he's a sad old queen who got dumped on so much he decided not to have any morals. He absolutely doesn't deserve the happy ending that the game gives him, and I've kept it that way by never writing a proper redemption arc either...but he has a husband and son who love him in spite of his many, many flaws so he gets that ending anyway.
18. The character that gave you the most trouble writing this year?
Osvald Vanstein, especially for his PoV segment of Wooing That Drifting Imagery. Canon doesn't offer much in the way of post-revenge flaws for him, so coming up with some that both matched his in-game character as well as the time period while also maintaining his relentlessly analytical voice was quite the challenge. I've gotten feedback on how off-putting Osvald's "benevolent" sexism comes across that I have ideas for how to tease at in future fics, so that's good. Additionally, I've received two comments calling my Osvald autistic/autistic-coded which...I guess? That definitely wasn't my intention or even anything I was thinking about. Canon Osvald is coldly rational to a fault and struggles with expressing himself even when he's saving the day with magic laser beams made of the Power of Love, so I just ran with that. (Him having a colossal dick on the other hand is purely for the comedic value.)
19. What’s one pairing you want to explore next year?
I've already mentioned that I want to try out Temenos/Crick for at least one fic. Hikari/Agnea may show up in some of my projects as a background element too. Aside from that, more of the same - although I've always thinking of strange new ways to explore those ships.
20. Which work of yours have you reread the most?
I reread my fics a lot, but proportional to their length I think I've looked back on Wooing That Drifting Imagery the most. It takes a lot of risks on the conceptual level: Partitio in full drag getting some kind of partial gender euphoria, Osvald's PoV, the kinky sex scene that goes sour, the prominence of my OCs.
21. How many kudos in total did you get this year?
148
22. Which work has the most comments?
What Burns Between Us, both in quantity and in number of unique commenters.
23-25.
All regarding collaborations and gifts, N/A
26. What’s your most common category?
Does this mean fandom category? Octopath Traveler II is currently my only category then. That may or may not change next year...although if I do get pestered into writing Fire Emblem fic it's probably not going to be exactly what anyone expects.
27. What do you listen to while writing?
Nothing specific; I'm not a very musically-oriented person. That's the main reason I don't do the whole Spotify Wrapped thing.
28. Favorite work you wrote this year?
Probably Wooing That Drifting Imagery, because of the risk-taking and all the New Orleans references I got to slip in.
29. Favorite line/passage you wrote this year?
Hard to pick. Possibly the ending of Chapter 5 of Wooing That Drifting Imagery:
Stepping forward, Partitio places his arms around Osvald’s neck and leans gingerly against the man’s shoulder, careful not to smudge the powder on his face. “What are you doing?” His hands are on Partitio’s waist, but he seems unsure. “Only…seein’ what it feels like to hug my husband.” Above him, Osvald’s breath catches. He wonders if they’re feeling the same thing. Partitio closes his eyes and inhales deeply. There are memories of sweat and dirt and darkness and the shame of need, of clinging to a muzzled prisoner with fire in his eyes and heart for protection from the unrelenting elements and the cruelty of man. Those memories are set aside – not wholly out of sight, but off in a corner. In their place emerges not one of Shrevelin’s fabrications, but something else both new and strangely familiar. There’s Osvald and his solid, gentlemanly warmth, and the faint fragrance of springtime that enfolds them, and the layers of fabric that separate them solely as a matter of modesty and not of the scorn of the world. Perhaps, when it’s only the two of them in this moment – which will fade like sunlight vanishing behind the trees into dusk, but linger still in the mind – he can be she. Osvald is her husband. She is his wife. “I’m ready.” Osvald takes up his hat and his cane, and offers his arm. Together, they stroll into the New Delsta sunset.
I liked writing this subtle transition where Partitio "sets aside" the memories of the start of his relationship with Osvald, internalizes the Mrs. Vanstein role to match how he's currently dressed as a society wife, and starts using feminine pronouns for himself...even if it's dropped several sentences into the next chapter out of anxiety over being in public. This is also the first time that Partitio refers to Osvald as his husband, when both of them had rejected marital labels for each other in the previous fic specifically because they're firmly stuck in the heteronormative mindset that they can't marry because Partitio isn't a woman. Well, now he sort of is.
30. Biggest surprise while writing this year?
That I wrote fic at all? If not that, then how well my fics have been received in this corner of an already small fandom. I love getting to read comments and bookmark notes and so forth saying how much people like my writing even though I'm still technically an amateur.
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the-starship-athena · 1 year ago
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Hey, guys! Welcome to the Q&A for Star Trek: Athena.
This will be the first of many Q&A’s for STA. I’ve gotten a few questions that I hope will clear up things. Let’s get started!
Q1: What is STA?
It’s pretty much what it says on the box.
In keeping with Star Trek tradition, I’ve named this project Star Trek: Athena. It’ll be following the adventures of the crew of the USS Athena over the course of their three year mission.
Q2: When does STA take place?
So…here’s the thing.
We know that Star Trek has two timeline, TOS (Prime timeline) and AOS (Kelvin timeline.) The relationship between fans and the timelines…well it’s complicated. You either love it or you hate it or you begrudging like both of them. I’ve been fan since I was kid thanks to me discovering Star Trek while bored during the summer and looking for something to watch.
The problem is the story that I wanted to tell didn’t fit into the prime timeline because there is already so much packed in there so I ultimately gave up on it but then when I watched the 2009 Star Trek movie I realise that maybe I could make my story but still keep it Star Trek. 
Thus, the idea for STA was born.
To answer everyone’s question, yes, it takes place in the Kelvin timeline. The story takes place in 2264 immediately after Star Trek Beyond.
Q3: Who is the crew?
Okay, so the crew is different. I kind of wanted a mix of both bridge crew and lower decks crew because I thought maybe it would be more interesting story wise. Star Trek Lower Decks did kind of influence a little bit of it but then so did The Next Generation.
I plan to release a crew profile soon so like you can get a preview of who is who and what their ranks are and what they do on the ship.
I had to do a lot of research both into the prime timeline and the Kelvin timeline about ldifferent ranks and ship classes and positions on the ship. So like I had a consult both memory alpha and beta, which was fun.  
Keep your eyes out in the future because I will post a full post about our new characters - 8 of them in total - and then the minor characters.
Q4: What do you mean by ‘episodes’ being released?
Okay, I think we’re all familiar here with the format of Star Trek so I aimed to do something similar but in a writing form. It’s not a script or a fan made movie or anything like that. Think more on the lines of the novelisation of certain episodes of TOS, kinda like that but in a shorter format.
It’s going to be a three-year mission, so I am dividing this up into three seasons. I have everything already planned out and drafts are written. Each season will most likely have 10 to 12 episodes and I’m thinking of adding like a little short mini episodes probably like in between seasons just know small little stories or maybe like deleted scenes that I didn’t think made the final cut.
The first episode of STA will be posted on April 10. Hopefully there will be no delays but I look forward to everyone reading this because I’m really excited.
Q5: Why did you start this project?
For fun.
I’ve always been a very big fan of Star Trek, ever since I was kid.
It’s the kind thing that shaped me as a person. So it’s natural that I want write something as a tribute towards it
So came up with the idea of here’s my little star starship crew and they go off into space and there’s all these cool adventures but then they also learn these important lessons… i wanted it to be in spirit of the original Star Trek while adapting some of the newer aspects of modern day trek.
But then I was like okay this might be a stretch and I realised, is this just like me day dreaming or is this something I actually wanna do and then I formed the idea of STA.
Then you know they came with the whole hammering out all the details and deciding what I wanted to do and then finally I realised let’s put this in the kelvin timeline because you know there’s a lot of unknown about this timeline so it makes sense to have this crew in this timeline.
I hope I haven’t lost anyone on this but you have question, dont be afraid to DM me.
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rynekins · 1 year ago
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Welcome, friends, to the Sideshow Bob Awards! Recently I did a few polls about certain elements of Sideshow Bob episodes, and now I shall give some commentary over the results!
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Why did I do this? Eh, funsies, but I’ll always look for an excuse to ramble about Sideshow Bob.
First up is the Award for Humor. Which Sideshow Bob episode is the funniest? Black Widower makes Honorable Mention. While an important episode with a lot of notable moments, I might not personally rank it amongst the funniest. Though Bob’s dry wit (as always) wins me over, and Bart explaining Bob’s plan to Homer, worthy of a chuckle.
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This overall ranking, out of all of the polls, I agree with the most. Sideshow Bob’s Last Gleaming has some stellar Bob moments: Bob on helium, mimicking the Colonel, his pathetic attempt to kill Krusty, and who could possibly forget the Air Show Rant.
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“Air Show? Buzzzzzz-cut Alabamians spewing colored smoke from their whiz jets to the strains of Rock You Like a Hurricane? What kind of country-fried rube’s still impressed by that?!” As for the Air Show Rant, I am also giving it the Award for Best Quote. Unfortunately, this poll did not have much engagement. I expected people to be shy, and I suppose I should have made it a normal poll for people to vote on instead of asking for more direct input, but there are simply too many good Bob quotes to narrow it down! How could I possibly? I had not the strength. His exasperation with his peers, mocking elitist tone, the venom, the sass, the hip swaying and crossing of his feet, going wall eyed and throwing his arms out cuz he always gotta be extra, if there is a perfect Sideshow Bob quote that exemplifies his character it would be this one.
Aside from that, mocking the military and garbage television, this episode offers a ton of laughs, worthy of at least Third place.
Brother From Another Series takes Second, and has a different brand of humor, but the kind that always gets me. It’s supposedly written like an episode of Frasier, which means the script is chock full of one liners from two guys too smart for their own good, constantly trying to one-up eachother. You wonder how both Bob and Cecil could ever end up in Springfield, an environment of pure dumbassery, and it clearly has had an effect on them (they must have drunk the water). Personal favorite moments are the boys with the slack-jawed locals, “especially Lisa, but ESPECIALLY Bart”, and “utterly hopeless”.
To no one’s surprise Cape Feare takes the crown. It often makes top 10 lists for its humor alone, and with good reason. This episode is packed with jokes, funny drawings, and goofiness, with running gags so memorable and powerful that they would get callbacks even 30 years later. The idiocy is at an all time high, both with Homer and Bob, which frankly is necessary to balance out the more sinister and rather tense scenes. Homer scaring Bart, the rakes, the drive through the cactus patch, The Rakes, “Hello Mr Thompson”, THE RAKES. This episode is iconic, and I completely understand why.
Next up we have the Award for Animation. For our Honorable Mention, we have Bob’s official debut, Krusty Gets Busted. I’m glad to see some love for season 1, when everything was experimental especially with the animation. The linework, expressions, poses, models, colors, everything seems off by today’s standards, but you can see the effort and love put into it. There’s something beautiful about how rough it looks because you know what a struggle it was to make it work. And it does work. But I’m biased toward things that are hand drawn.
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In Third for this category, the award goes to Gone Boy, the complete opposite of Krusty Gets Busted. We have the modern era, the clean colors, the characters staying on model, a lot of the stiffness that a lot of people don’t care for. However, there are moments that feel like a return to form in this episode. My eyes lit up when I saw Bob’s face as he encountered Milhouse. Then the dance he does as he sings is song-o. The wintery environment, a few ambitious angles, some great character acting. It’s proof that newer episodes have their beauty too. I only wish that the hallucination sequences went harder. Imagine, if you will, they suddenly went Courage the Cowardly Dog mode on you and changed mediums, turned into something more experimental and maybe truly nightmarish. This episode was great, but it could have been legendary. I am grateful for the feast we got. In Second, Black Widower returns, which dare I say has been robbed. Yes, I think it should have been First. This episode is gorgeous, but as I have established, I liked the earlier, rougher animation.
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Every single frame of Bob’s rant on MacGyver is absolutely wild, as is the skipping through the flowers. The colors in the night scenes. The glow from the explosion. There’s so much character here, so many expressions and extra motions with hands in scenes, even when no one is talking. The weight in Bob’s hair when he throws back his head for a maniacal laugh. What this episode’s got is flair. Once again, Cape Feare takes First. I can see why, because it is a very good looking episode. One of the best. Oh, how I wish the show still looked like this (the latest Treehouse Ei8ht made me crave what we have lost). But I must wonder if it might be taking the number one spot because of how memorable it is with other factors. No doubt it’s funny, with a lot of well done and imaginative scenes. Bob’s lil dance during his work out comes out of nowhere and is hysterical. You think for a minute that the episode is going to cheat you when the elephants are trampling him off-screen then it pans down to show you the exact moment one steps on and off his skull. The increasingly elaborate set and costume designs for Bob’s theatrical performance. There is a lot of artistry to appreciate here. It’s cinematic even. Then again, a lot of the cinematic moments can be attributed to its source material: the 1991 movie Cape Fear, some moments directly inspired. Not to say that all of the work was done for them, certainly not. They put their own spin on things.
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Perhaps the placement is deserved. The shot that goes from Bart’s window, flying over all of Springfield, to Bob’s prison is particularly impressive. There’s a lot of juicy saturation and shifts in color reminiscent of shots from Krusty Gets Busted and Black Widower. It’s safe to assume that I’m drawn more towards character details, and little things like all the lower angles we get from Bob work well in conveying menace, as if we, the audience, are in danger
This concludes Part One of the Sideshow Bob Awards, In Part Two I will cover Best Song and Best Mystery. As for intermission, picture THE RAKES!!!
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mocksfate · 26 days ago
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LET'S GET REACQUAINTED ! hey rpc ! lets be honest, datv brought us all back in one way or another either you're a veteran or new, i'm sure there is stuff that has changed or we don't know each other so let's have a game about it to reintroduce each other ! repost this to do the same & tag some pals if you want !
Name / Penname: nora! from eleonora. ppl irl call me ele, but online i've always gone with nora. for veterans, did you go by something previously ? name &/or penname: nope, i'm nora wherever i go. forever. age & gender ( if comfortable sharing ): 27 yrs old, a girliepop 😔 what was your first dragon age muse: idt i had a first muse. i'm p sure i started with a multimuse because of my inability of writing just one (1) character at the time. my fondest memories go to zev.ran, of course. he is and always be my favorite character of the franchise. do you have any other darp muses / blogs: i used to have a single muse blog for my surana (which ended up being a ton of fun while it lasted) but again, i just have too much muse for other little guys and they're constantly rattling the bars of their cages. what muses / blogs do you have outside of darp: i had other multimuses (a hsr one & a general gaming-animanga one but they're inactive rn) and obv my main @malewifezevran ✨ thedas has two moons: and they're lovers 🩷
single line, para, or novella: max i can do is 2k words on a good day chief....... language barrier + my bare ass script writing style don't help. i prefer one-two paras replies. plotting or winging it: i'm a plotting kinda girl. i like to put muses into Situations, but i prefer to figure out a possible dynamic or how the thread might develop with my writing partner ^_^ fighting threads, you bold enough for them? i have written very few in these ten years, but idt i'd mind? my vocabulary might not be as large to get a satisfying one. what content warnings are on your blog?: i honestly try to avoid triggering topics on my blogs, and if there are some, they're in the backstory of my characters which i won't openly write about unless my partner is cool with that. everything gets tagged, obviously. what things do you need tagged for your comfort?: mostly irl nsf.w pictures? those give me a bit of a ick. noncon (i follow nobody who writes it so thankfully i never have to read anything abt it), syringes and childbirth also are big nonos.
shipping preferences: single | multi | no ship | polyship. aw god, i'm THE multishipper. i cherish all kind of dynamics and i think so many characters just have the potential(tm). poly i'd be down only with close friends, cuz i know we can always write to each other/there's plenty of communication. shipping boundaries: never jump on/force a ship with me - we will lose mutualship as it makes me uncomfortable (exception to this rule are close friends with whom the ship has been developed beforehand in dms): i am here for the slow burn. i also don't like +13-15yrs age gaps (but nora, you write emmri- I PLAYED WITH A 46 YRS OLD ROOK, NEXT) and inc3st (duh).
fun facts about yourself that may have changed since in the past ten years: i'm way chiller and i can easily shrug things off than i used to omd. i sadly was one of those 'weh nobody wants to write with me ):' roleplayers and dear lord. thank you for the character development me @ me
be honest, did you miss darp. come on now-- did i.......... uh, i didn't miss it as a whole, but i did miss specific people because it was so fun to thread with them. i'm glad some are back 🥺
challenge round! put a small top five facts unrelated to dragon age ! - - i've been dungeon mastering for 5 years and i'm super proud 🩷 - i'm enjoying dos2 a bit too much and that scares me, chat - i own a big, fat cat named puka - my favorite dessert is the one and only tiramisù despite not being fond of coffee (yes, i got my italian citizenship card revoked for that) - i've never gone ice skating and it breaks my heart........
tagging: @venombloom ; @fatewoven ; @mcurnwatch & @celestrahl 🫵 (if you want to, of course)
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sparklyaxolotlstudent · 1 year ago
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I reincarnated into the villainess of Miraculous Ladybug!
Part 3
Yeah, after ten thousand years, a new chapter! I really couldn't work with Horrificator, so I ultimately decided to skip it and go directly for Princess Fragrance to get Chloe to Master Fu, and next will be Volpina. Hopefully not after other 10 thousand years
Chloe couldn’t believe her eyes.
She already knew this moment was going to happen sooner or later when she learned that Prince Ali was going to visit the sick kids of Paris, and for some reason she had to accompany him, instead of her dad, or a diplomat.
She still had to hide her glee from Sabrina. She had Tikki in her own hands!
She wished she could tell her everything she knew, and how much she admired what she and Marinette were doing.
“Did I hear you say Prince Ali?” Rose approached them timidly, after Chloe’s limo had arrived and Sabrina opened her door.
“Not that I want to, but yeah” She said quickly, hiding Tikki in her purse, muttering a “Sorry”, which Tikki for a moment thought was meant for her, but dismissed the notion. This was Chloe after all.
“Oh please, could you give him a special letter from me?”
“Sure, no problem”
“That is so amazingly sweet of you to do this for me!” 
“But just so we are in the same page, I can’t guarantee he will be able to read it, his assistant might confiscate it or something”
Rose deflated a bit with those words.
“But I will do my best so he can get it”
“I understand. Thank you, Chloe!” Rose smiled and went away, happy as ever. Chloe was happy that at least she was able to prevent her akumatization. She then was able to hear Marinette whisper yelling for Tikki.
On the one hand, she could continue with the script and keep Tikki for a couple of hours… but since she prevented “Princess Fragrance” being created, it could be difficult to return Tikki later. She sighed, and then took Tikki out of her purse.
“Hey, Marinette!”
The other girl turned around; worry written all over her face. Her face changed when she saw Tikki in Chloe’s hand, from worry to happiness, to a sudden realization to worry again.
“Is this uh… toy?... yours?” said Chloe not very convincing. Marinette nodded cautiously, ready to plunge if Chloe tried anything funny. To her surprise, Chloe carefully put Tikki in her hands. “You should be more careful, it looks delicate. I don’t know what it is, but it feels a bit hot, maybe you should take it to the doctor hehe” Chloe tried to joke, giving a hint to Marinette to bring Tikki to Master Fu, which Marinette found odd.
“Thanks… I… uh… I will?”
Chloe smiled and finally went inside the limo, not before noticing that Marinette seemed to be “talking” discreetly with Tikki, and suddenly ran to the opposite direction Chloe was going, which also was opposite Marinette’s home.
Then she realized, that she was going to Master Fu right now.
Without hesitation, she ordered her chauffer to return home and give the letter to her dad to give to Prince Ali. She left the limo and went after Marinette, not noticing Rose was staring at her.
-
Chloe followed Marinette, noticing how every now and then she kept opening her purse and whispering to it, no doubt asking for directions. They eventually reached a non-descript house.
Chloe decided to wait out until Marinette was done to enter and confirm if it was indeed Master Fu house, as she couldn’t be sure until she saw him herself. Idly, she reached for her phone to call her dad… and then she noticed she had a Akuma Alert message.
She didn’t even know there was a Akuma Alert App.
Opening the app, she read through it and her eyes went wide. It was Rose, or rather, Princess Fragrance. “OH, COME ON!”
She couldn’t believe it. Even if she tried to be nice, the universe conspired to create the akumas anyway… She sighed, and was about to go home to try to talk to Rose, or at least help Chat Noir until Tikki got healed, but then she heard the door of the house opening, Marinette getting out quickly, and then going into an alley. She then saw Ladybug emerge and go in direction to the hotel.
She looked at her options… even if she went to the hotel, she probably would only get in Ladybug’s way… or end up smelling like fish. Push comes to shove, she would go if Ladybug and Chat Noir couldn’t defeat her, but now… she wanted to talk to Master Fu.
-
She knocked on the door, and waited, eventually, Master Fu answered, and looked at her with a confused look on his face. It was obvious he knew who she was, and the normal Chloe Bourgeois would never be on a place like this. At least not voluntarily.
“Hello, my name is Chloe Bourgeois”
“Welcome to my humble establishment young lady. What can I help you with? A massage for your father, perhaps?”
“No, thank you. I…”
In that moment, Chloe realized that, for all the time she had spent trying to locate Master Fu, she had never planned on what to say. Master Fu looked at her even more confused, and a little concerned.
“Are you lost? I can call a taxi to take you to your home”
“No, I’m exactly where I wanted… Ah, screw it.” Chloe pushed past Master Fu, who was still confused, and now a little annoyed at her rude behavior. She planted herself in the middle of the room, staring at the gramophone that she knew was where Wayzz and the Miraculous were hidden” Without looking back at Master Fu, she took a deep breath and just started to talk.
“I know the girl that just left is Ladybug, and I also know who is Chat Noir, and that you chose them to fight against Hawk Moth. I also know you’re wearing the turtle Miraculous, and you have more Miraculous on that gramophone” she said in a single breath, pointing at the gramophone. “Wayzz is probably hiding in there too” she added.
Master Fu was wide eyed, he was obviously not expecting that, specially not from Chloe Bourgeois, who even he knew was the spoiled rotten daughter of the mayor. He just stared at the girl, unsure on how to react. “Who… what? No, young lady, you’re wrong haha” he tried to laugh. Chloe’s face was serious.
“I know is hard to believe that someone like myself would have such information”
Chloe took another deep breath, this time turning around and facing him. She was not sure how Master Fu would react to her story, but, well, if there was a girl running around in magical ladybug pajamas, it would be hard to not believe her.
“It’s hard to explain… I’m not the Chloe Bourgeois that was before… Or maybe I am… it’s confusing, to say the least…”
She proceeded to say what had happened to her, how “Miraculous: Tales of Ladybug and Chat Noir” was a show she used to watch on her previous life, and how everything seemed to match her memories, and how she now had two sets of memories. Master Fu listened to her, his confusion fading and more of an understanding reaching him.
“It’s hard to believe… but not impossible. Even if you had learned of their identities in some other way, I made sure to not connect myself to them. Wayzz, you can come out.”
The Little turtle kwami came out of the gramophone, and flied around Chloe, as if studying her.
“I knew there was something about you. I think she’s the anomaly I told you about Master”
“Anomaly?” asked Chloe a bit offended.
“I can tell…” Said Wayzz, still floating around Chloe. Chloe gulped nervously.
“What… I’m not human or something?”
“Uh?” Wayzz realized he was staring and blushed a bit. He shook his head. “No, sorry. It’s… hard to explain. You’re human, and you have only one soul, but it’s like… hmm”
Wayzz looked around, and noticed a notepad.
“It’s like this” he went and grabbed the notepad and a couple of pens. He wrote “human” in one page. “Master Fu and everyone else are like this… and you… are like this” he grabbed the other pen, and wrote human too. The first pen was black, the second was blue.
“I don’t get it”
“The word is the same. Same meaning, same work, the same person wrote it. And yet, one is black, and one is blue. Other than that, they’re the same”
“That is both extremely vague and also very helpful”
“If I’m correct, you’re still the Chloe Bourgeois we know, but somehow the memories of that other life were awakened. You’re you.”
“Do you know who Hawk Moth is?” asked Master Fu, finally able to process what Chloe had told him.
Chloe shook her head. “No. The season ended without revealing it. Oh! The last episode was about a new transfer student, and a book about previous Miraculous Holders.”
“The grimoire? Where it is?”
“Gabriel Agreste has it. Adrien will randomly notice that his dad has a safe behind the portrait of his mother, Plagg will open it and notice the book, and they take it. The new student stole the book, but Marinette and Tikki retrieve it, the last scene was Tikki bringing Marinette here to introduce you”
Wayzz and Master Fu looked at each other, concerned.
“If Gabriel Agreste has the Grimoire, there’s a big chance he also has the Miraculous I lost… Was anything else in that safe?”
“A picture of Adrien’s mom, I think a ticket… and…” Chloe’s eyes went wide. She took the notepad from Wayzz and drew something on it, and showed it to Master Fu. “This.”
Master Fu looked at the drawing and then at Chloe again. “The Peacock Miraculous…” Chloe nodded.
“That’s what the internet thought, but… well, Gabriel Agreste has made jewerly based on the other Miraculous, that new student bought a pendant that was identical to the Fox Miraculous, so it could be a fake, as Plagg also didn’t even noticed it when he saw the book”
“Do you know when this will happen?”
“No, the series was very loose with their continuity, but I already saw all the akumas from the season, the only one that is yet to happen is the new student one, so it could be any time now. “
“… I’m going to trust you” said Master Fu solemnly. “Ever since you came here, have your actions changed how you remember the… uhm… ‘show’?” Master Fu was visibly uncomfortable that their life was just a kid’s cartoon on another universe, but there was nothing he could do about it.
“Well… kind of…”
Chloe explained everything that had happened ever since she became… well, her. How even if she was trying to be nice, she was still provoking the same Akumas to happen. It happened with Max, with Mylene and now with Rose.
“The details might change, but I’m guessing Volpina will still happen no matter what I do”
“We’ll wait. Even if the book doesn’t make its way to me, since we know where it is, we can retrieve it. We could use one of the other Miraculous to infiltrate the manor.”
“I could go and confirm whether what Chloe saw is or not Duusuu’s Miraculous”
“Is too risky. If Gabriel Agreste is Hawk Moth, he could capture you. We’ll only use that as a last resort. Meanwhile, we have to keep our eyes open”
Chloe and Wayzz nodded. She was surprised that Master Fu had trusted her so quickly, but again, with a girl doing super heroics in magical ladybug pajamas, this was probably far from the weirdest thing he had experienced.
“Have you told anyone else about this?”
“No. I know their identities are important, and… well, I don’t think anyone would believe me, especially with my reputation. Heck, if it wasn’t myself, I would be doubting my own sanity. Oh, by the way, is it possible to be akumatized again?”
Master Fu nodded solemnly. “Yes. You could become Antibug again or get a whole new set of powers. And with the information you have… well…. We have to find ways to prevent that”
Chloe nodded, and the rest of the afternoon was spent with Master Fu teaching her techniques that could help calm down, and finding the heroic resolve to not be akumatized again.
When she left the place, Chloe had added Master Fu to her contacts with a turtle icon, and was happy to learn that Ladybug and Chat Noir had dealt with Princess Fragrance without an issue.
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ssa-sapphic · 1 year ago
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Pairing: Emily Prentiss × (POC)fem!oc
Previous Chapter: part one
Summary: When the bodies of several women show up all around LA, it's Garcia who aids the team in making the shocking connection that all of the victims look exactly like one of her favorite actresses, Sloan Hudson. Upon making this discovery, the team soon realizes that this famous celebrity might just be the unsub's final target, meaning that she is now in grave danger and needs to be protected. Unfortunately for Emily, her days of being a profiler are soon put on hold when Hotch assigns her to be Sloan's personal bodyguard.
Warnings: Basically all that an episode of Criminal Minds consists of. I don't really know what to specifically list, but if you have any additions or specific triggers, please let me know
Word Count: 4.6k
“Hollywood is a place where they’ll pay you a thousand dollars for a kiss and fifty cents for your soul.” - Marilyn Monroe
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“Good morning, everyone!" The talk show host introduced, directing his words to the huge camera lens a few feet away and the small audience sitting behind it. "We’re here with America’s Sweetheart, Sloan Hudson, daughter of the late world-renowned director and Academy Award-winning actor Omar Hudson, and she’s here to catch us up on how life has been treating her over the past year since her father’s passing.”
On the sofa next to him, Sloan sat with her legs crossed and a dazzling smile plastered on her face as she looked out into the crowd filled with many of her adoring fans and supporters.
“So, Ms. Hudson, first and foremost how are you doing?” He asked, politely.
With a glance at her manager, who stood backstage with a pointed look, Sloan swallowed the lump in her throat and addressed the man next to her.
“Well, Jimmy, I’ll admit things were rough the last several months after my father’s accident. Loss isn’t ever an easy thing to experience, and it was difficult picking myself up from such a dark place in my life. However, I knew the impact he left on this world would never be forgotten and in a way, it’s like he’s still a part of me. Of course, I know firsthand that life and the industry itself won’t ever be the same without him, but it’s that idea alone that has motivated me to continue in his footsteps and keep his legacy alive. He helped shape me into the woman and actress I am today and I will always be grateful and honored to share the same passion he had for acting.”
Once again, she looked over to her manager behind the scenes, who was now sending her a nod of approval, almost as if she had doubted Sloan’s capability to remember the simple words written for her on yellow note cards that morning. Did she honestly forget that reading pages and pages of scripts was part of her job?
“Yes, his death certainly shocked all of us who watched his career develop over the years but we’re glad to hear that the Hudson talent won’t be ending so soon,” Jimmy noted solemnly, allowing the audience to clap in encouragement before he moved on to his next question. “I think we’re all looking forward to seeing your career flourish just as much. Speaking of which, I hear you’ve already begun a new project that’s set to hit theaters as early as next summer. Can you tell us a bit about the film and what we can expect to see from you this time around?”
"Unfortunately, I can’t say much,” Sloan smiled apologetically, knowing she’d get in heaps of trouble for disclosing any details while production was still underway. “But I’m excited to introduce my fans to this new character I’m portraying. She’s nothing like the roles I’ve had in the past and I hope she touches their hearts just as much as she has mine. I know you’re all used to seeing me in romantic indie films and the like, but this one is going to be a real emotional and dramatic performance for me and I’m honored to be part of such a brilliant storyline. I can’t wait to see it come to life.”
“That’s amazing!" He exclaimed. "It sounds like maybe this could be your year to take home an award, what do you think?”
With a small chuckle, Sloan suddenly grew bashful as she hid her face behind her hands, while the crowd cooed and awaited her answer. Truth be told, her anxiety crept up on her like a shadow in the night from his question, but within a second, she managed to ground herself and slip her mask back on before addressing his words.
“Well, it’s like the famous painter Van Gogh once stated: I know nothing with any certainty, but the sight of the stars makes me dream. In that same aspect, I don’t know what the future holds for me or if I’ll ever take home an Oscar. All I can say is that I’ve been dreaming of it ever since I was a little girl sitting in my father's director chair, and that drives me to be the best that I can be. We’ll see if that’s good enough.”
“Ah, Miss Hudson, just as humble as ever, huh?” Jimmy smiled at her. He then turned to face the camera. “When we come back we’ll talk more with Sloan and even play a few games with her that are favorites on the show! I’m sure all of you watching at home don’t want to miss it. So, stay tuned and we’ll be back after a quick commercial break.”
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On the way out of the studio, lights flashed and shouts erupted as Sloan and her security team rushed through the crowd of paparazzi, journalists, and fans. Quickly they made their way over to the limousine waiting for her in front of the building, but not before being stopped by a woman with a microphone blocking their path.
“Sloan! Is it true you’re dating your costar, Colton Davis!? Are you engaged to him?? Where is he, and why isn’t he here with you!?”
“Who said he’s not here?” A male’s voice cut in, as the dirty-blond himself emerged from the limo and threw an arm around Sloan’s waist. She had to force herself not to cringe away from his touch as his hand lingered far more downward than she’d liked. “I’m always supporting my girl from the sidelines. Isn’t that right, babe?” He turned to her, leaning down to press a kiss to her lips knowing the press would have a field day with it.
But just as his chapped lips neared her freshly glossed ones, she moved her head so that they met her cheek instead. It was an act of nonchalance executed so perfectly and ritualistically, that no one seemed to notice. They never did, and it was one of the few reasons that made having a PR boyfriend manageable. As long as they were seen out and about together, that was all that mattered. The nonexistent kisses and intimacy could happen behind closed doors and away from the public’s knowledge.
Sloan ignored the rest of the questions thrown at her and blew a kiss to her fans before entering the vehicle, where she finally let out the breath she had been holding in since pulling up to the studio just hours ago. Moments like these were when she was thankful for whoever invented tinted windows, or in her case, the acting shields that allowed her to remove her mask completely without the worry of being seen. It was there that she could let her guard down and wipe away the thick layers of makeup caked on her face consisting of nothing but fake smiles and faux happiness.
She looked over to her manager, Vera, who was currently having what looked to be a serious conversation on the phone. The older woman spared a couple of glances her way, a mixture of worry and skepticism clouding her features, but Sloan couldn’t seem to find enough energy in herself to care. It was probably a modeling gig or another interview that fell through.
Cancellations and rain checks were like the end of the world to Vera, but to her, they were the calm between each passing storm. Moments where she could finally rest and step away from the limelight to have a day or week to herself.
Outside the car, she watched Colton wrap up his goodbyes. His proud demeanor and love for himself amused her to the point where she let out a dry laugh. The people out there didn’t care about him at all, and she knew that. They were all there for her and the only reason they gave him the time of day was so they could find out more information about her life. However, he was too blinded by his new rise in fame to see that.
Deep down, she couldn’t blame him though. When her career first set off, she too enjoyed the love and attention, but over the years she soon recognized it all for what it truly was:
Misconception.
With a roll of her eyes, she sat back in the leather seat and pulled her iPod out of her bag. Within seconds, “Please, Please, Please, Let Me Get What I Want” by The Smiths flowed through the earbuds she had placed in her ears. Listening to music was her usual way of grounding herself before getting into character, and knowing she was due on set within the hour, she figured the car ride there would be her only time to do so.
The song choice was deliberate, not only because The Smiths were one of her favorite bands, but also because the lyrics resonated with her in more ways than she knew how to explain. As a celebrity, you’d think she had access to everything she ever wanted. Truthfully, however, that was far from the case. There were many things she wasn’t allowed to have, and those specific things just happened to be what her heart desired most in the world.
“Sloan,” Vera called for her attention, having hung up the phone. “Don’t think I didn’t see that kiss with Cole. If you could even call it that.” She muttered the last part. “Remember what we talked about? You need to sell this relationship to get more publicity, and that won’t happen when you’re giving him the cold shoulder right in front of the cameras.”
“I still don’t see why I need a fake relationship.” She muttered. “I mean, I’m literally in the middle of filming a new movie. Isn’t that enough to warrant publicity?”
“That’s what showbiz is all about, you can’t rely on one single project to keep you trending, you know that. Besides, your fans don’t know anything about this movie aside from the cast. There’s not much keeping their attention. This relationship, however, is the key.” Vera exclaimed. “Haven’t you checked your socials? You and Colton are the hottest new couple, everyone and their mom is shipping you two.”
“I just don’t understand why it had to be him.” She mumbled in reply, looking out the window and watching him take a few photos with fans.
“Look,” Her manager sighed. “I know you’re still upset about our talk last week, but this is for the best. What you were asking me could’ve put you at risk for so much backlash and negativity. You’d lose hundreds if not thousands of supporters and that’s not what’s going to skyrocket your career, Sloan. What the people want from you is to see your face plastered on skincare ads telling them the secret to beauty, or on movie posters for upcoming blockbuster hits. I mean, you’re America’s Sweetheart for a reason. The public loves you, just as you are now. Why change that?”
“Seriously?” Sloan asked in disbelief. “Vera, this is just the kind of thing that could tell me who my true supporters are! I don’t care about the fake fans or what people think of me. People constantly come into my life just to end up taking advantage of me or using me for their own gain anyway and I’m so tired of it. For once, I just want someone to love me for who I am, not some false image that you or anybody else is forcing me to be. Why don’t you get that?”
“Because it’s ridiculous,” Vera answered simply. “We’ve worked too hard to get you where you are in this industry, and I won’t have you throwing it all to waste over some happily ever after fantasy that isn’t necessary when people literally throw themselves at you every day.”
With a scoff, Sloan put her earbuds back in. “You know, contrary to what you may believe, having people constantly throw themselves at you or want something from you doesn’t feel as good as you think it does. It makes trusting people impossible.”
“Sloan, come on–”
“No, Vera.” She cut her off. “I’m done with this conversation. If you want me to keep acting like someone I’m not then I’ll do just that. Luckily, for you, I know how to put on a good show.”
With that, she turned the volume on her iPod up to drown out any other remarks Vera threw at her. That, and also to distract herself from the overwhelming thoughts constantly plaguing her about life and adulation. It was all becoming too much, and Sloan just wanted to remember the passion she once felt for acting again. Lately, it felt like she was putting on this never-ending show for the world and she hated it. She felt used, empty, and hopeless. If she knew pursuing her dreams would end up making her sign her life away, she would have chosen a different route. At least then she would know who she was, because nowadays she felt her true self slipping away from her with each passing day, and it was starting to take its toll.
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“Agent Hotchner,” The lead detective, Owen Kim, shook his hand. “I can’t thank you and your team enough for coming all this way to help us out.”
“Of course,” Hotch replied, before turning and introducing his team. “These are Agents Rossi, Morgan, Prentiss, Jareau, and Dr. Reid. Our technical analyst Penelope Garica will also be here this evening to help assist. Where are we so far in finding Kayla Shafer?”
“Well she’s now classified as a missing person, so we have her face plastered on the news and her family has orchestrated a search party of their own.” He answered, solemnly. “We’re doing everything we can but I’m afraid we don’t have much to work on. My officers are heading down to the bus stop area in a few minutes though to see if we can find any working surveillance cameras along the route we think she would normally walk.”
“Great. I’ll have my team set up in the conference room and we’ll go from there.” Hotch spoke formally, watching Detective Kim nod and walk off before JJ slipped into his sight next.
“So, how are we going to approach this?” She asked, quietly, knowing they had to be careful with letting more details about the case reach the media with a celebrity possibly being involved.
Hotch sighed as he looked around the precinct, discreetly. “If Garcia was able to connect the pieces from being a fan of Miss Hudson, sooner or later other fans will too. Our priority right now is to work the case like normal until we hear back from her management team. Until then, I want you to call Garcia and work on putting together a list of all of Sloan’s past roles in chronological order so we have a map to base off of. Hopefully, we’ll learn who the unsub’s next targets might be.”
“Got it.” She gave him a quick nod, before stepping aside to make the call.
Once the rest of the team finished setting up, they equally dispersed in pairs to take care of the respective tasks given to them on the jet. Rossi and Reid headed over to the morgue to examine the other bodies while Prentiss and Morgan followed the LAPD officers to the diner where Kayla worked.
Immediately after walking in, they were hit with the fresh smell of burgers and fries wafting through the air as the bustling breakfast hours quickly turned into lunchtime for many customers. Waiters and waitresses scurried about, taking orders and wiping down counters left and right. Derek just managed to move away from a serving tray filled with plates of food coming his way as the family in the booth next to them got served their meals.
“Looks like we came at the worst possible time’,” He commented, removing his sunglasses and trying to look for someone in charge. Or at least, someone who wasn’t too busy enough to talk with them.
“There’s something so nostalgic about vintage diners.” Emily looked around in awe. “During my college years, I worked at one just like this so I could pay for my apartment. There was a jukebox and everything.”
Derek smirked, “And how’d that work out for you?”
“It sucked.” She dry-panned. “But it did give me a whole new level of respect for waitresses.” She added, just as a woman with ginger hair walked up to them.
“Table for two?” She asked, already picking up menus.
“Oh, no ma'am.” Emily politely declined, as she and Derek held up their badges. “We’re actually with the FBI, here to talk about Kayla Schafer. Did you happen to be working with her the night she went missing?”
“Yeah, we were on the same shift.” The girl answered, whose name tag was revealed to be Julie. “But it's like I told those other cops when they came asking this morning, I clocked out early for my hair appointment so I wasn’t here during closing hours. I don’t know if she left with anyone or not.”
“That’s okay,” Emily assured her. “We’re more interested in the hours you two worked together. Do you remember if there was anyone suspicious hanging around either without ordering anything or maybe even after paying?”
“Perhaps all they ordered was coffee, but they still stuck around for hours anyhow,” Derek added.
“I’m sorry, I don’t.” She shook her head. “As you can see, it gets pretty busy in here. Most days I’m so occupied with running back and forth between tables and the kitchen that my mind is elsewhere. I don’t focus too much on who’s ordering what, you know?”
“I understand.” Emily nodded.
“I really wish I could help, but I have to get back to work,” Julie explained, before reaching into the pocket of her apron. “Here, this was Kayla’s notepad she used to take orders. It might not be much help either but if you’re looking for odd customers maybe there’s something in it you can find. Kayla hasn’t been working here for too long and after an incident that occurred her first day, she’d often make notes about customer appearances to help her remember who ordered what.”
“Thank you.” Derek accepted the small notebook. “Can you tell us more about this incident?”
“Oh, it wasn’t anything major.” She dismissed it with a wave of her hand. “Some woman complained that her food wasn’t right and made a big fuss. Just the normal slip-up with orders. Even the most seasoned of us workers still have those days. I don’t remember it much but if she came back after that day, Kayla’s got it jotted down somewhere in that book.”
“Alright, thank you. We’ll let you get back to work.” Emily replied, nodding before she and Derek walked out into the parking lot.
“You think this has something in it?” Derek asked, flipping quickly through the pages to see quick scribbles of dates, food orders, and vague customer descriptions.
“I’m not sure,” Emily answered honestly. “We’ll let Reid take a look at it though. He’ll be able to read it faster than any of us and point out specific characteristics in the handwriting.”
After Derek agreed, the two of them entered the SUV and drove back to the precinct. Meanwhile, on the other side of town, Rossi and Reid were in the middle of examining the bodies of Jessica Dunnings, Rina Mendes, and Sofia Lombardi.
“The toxicology reports indicated that various traces of poison were found in each of the victims,” Spencer recalled, his hands gloved up as he leaned closer to Rina’s body. “Have you found out what they are yet?”
The M.E. in charge nodded, picking up his clipboard and reading the report. “We found white powdery residue in each of their nasal passageways which the lab identified as cyanide salt, so we believe they inhaled some sort of potassium cyanide prior to their deaths.”
“Most likely how our unsub abducts them,” Rossi noted, standing over the body as well. “They become dizzy, confused, and end up unconscious right there at the scene. Blitz attack.”
“Initially that was all we had discovered,” The examiner continued. “But after closer inspection, we found neurotoxins in the flesh of their hands consistent with aconite and mesaconitine as well.”
“Aconite and mesaconitine,” Spencer repeated, deep in thought as he lifted Rina’s lifeless hands to observe her palms. “The flowers each victim was holding when they were found were purple. I couldn’t get a decent look at the shape of the petals in the files but now after learning that I’m almost certain that it was Aconitum. Also known as wolfsbane.”
“You’d be correct.” He replied, handing Rossi the full report. “Each of them had signs of respiratory distress, which can happen when the neurotoxins of the plant absorb through the skin. It’s why in the crime scene photos there was no blood around the stab wounds. Cardiac arrest is what caused their deaths, the stabbing was inflicted post-mortem.”
“That doesn’t make any sense,” Rossi frowned. “How did the unsub have time to do all this at the disposal site? And what reason did they keep each girl for when there are no signs of torture or assault?”
“That’s another thing,” He went on. “When I checked for defensive wounds, I noticed that all three bodies had their nails neatly trimmed, and their hair was freshly washed. Not only that but their torsos had markings embedded in the skin from around their waist and up towards the chest region. Most likely from a corset or restraint of some sort.”
That piece of news instantly made the two agents look at each other knowingly. Perhaps their original theory of the case relating to Snow White might not be as far off as they thought.
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Once the team regrouped at the station and exchanged all of the new information they discovered, by that time Garcia was able to get in contact with Sloan’s management team. Unfortunately, they only had a small window to meet with Vera, but hopefully, it would give them enough time to convince her that Sloan needed to up her security and answer some questions that they had.
To keep things hush, only Hotch, Prentiss, and Morgan went to meet with her, while JJ drove to LAX to pick up Garcia (who was bummed out she wouldn’t be meeting Sloan herself). Spencer, on the other hand, stayed back to look through Kayla’s notebook with Rossi assisting him.
“Always a first for everything,” Emily spoke up, as the three of them pulled into the Hollywood lot location where filming was currently underway. Trailers were set up in rows all around, and crew members roamed about with several large pieces of equipment and props, making it hard for them to find a parking space.
Hotch furrowed his eyebrows as he scanned the lot, “Vera said to meet her in trailer seven, does anyone see it?”
“Over there,” Derek pointed out, motioning to the right.
Hotch nodded and maneuvered the car over in that direction. Finally, after finding an open spot, the three agents stepped out into the blazing heat of Los Angeles and walked over to the trailer.
“I want you two to scope out the trailer as I talk to Vera.” Hotch directed them as they neared the entryway. “Look for any signs of fanmail lying about or over-the-top gifts. If our unsub truly is obsessed with Ms. Hudson they no doubt attempted to contact her more than once.”
“How do we know for sure it isn’t Sloan herself committing these murders?” Derek wondered aloud. “I mean, we agreed that the crime scene photos depicted to be the clean work of a female. It wouldn’t be our first celebrity unsub case like that either. Remember Jonny McHale, the comic-book artist?”
“Let me stop you right there.” A new voice cut into their conversation, making each of them turn their heads.
An older blonde woman stood behind them with her arms crossed, looking at them with a mixture of impatience and skepticism laced in her features.
“Sloan has been working endlessly on this new movie, and in between set hours and resting she has had other bookings to attend to where she’s constantly followed by fans and paparazzi. That girl wouldn’t have time to kill anybody even if she wanted to.” Vera argued, defensively. “Now, I took the time out of my busy day to talk with you agents but I will not stand here and allow you to accuse her of murder. I’m sure you’d run right to the press with it and have it be the headliner for tomorrow’s paper.”
“My apologies, Ma’am,” Derek replied. “I’m just trying to make sure all possibilities are covered.”
The woman scoffed but said nothing as she quickly opened the trailer door and ushered them in before they were seen. After closing the door, she led them to the small living space at the end of the trailer and sat down on one of the cushioned chairs motioning for Hotch to sit on the adjacent one.
“You guys have 20 minutes before the cast is dismissed for the day,” Vera sighed, as she texted away on her cell phone. “What’s this about a bunch of killings related to Sloan?”
Emily fought the urge to roll her eyes at her blatant nonchalance, as Hotch introduced everyone and started diving into the case findings with her. She and Derek, however, took that as their cue to wander around the place looking for clues.
There wasn’t much to the eye besides the luxurious furniture and interior design elements. Still, Emily’s eyes landed on what looked to be a black notebook or journal sitting on the small table in the dinette. It was bound in leather and had gold letters imprinted on the cover that spelled out “HUDSON” in cursive. Inside the journal, she saw a white envelope poking out and wondered if it was fanmail or something more personal.
Though curiosity tempted her to read it, she ultimately decided to leave it be and ask questions later, not wanting to leave a bad impression if Vera had caught her snooping. However, when she averted her gaze over to the counter across the way, what she saw next certainly piqued her interest even more. A fresh bouquet of purple flowers rested in a vase by the sink, with the gifting tag still attached to it.
At the sight, Emily walked over and picked up the tag with her glove, but unfortunately, no name was listed. It was completely blank. She was about to call out to Vera and ask if she knew who delivered them but before she could, the trailer door creaked open, and Sloan herself emerged from outside with a look of surprise.
Emily’s breath nearly caught in her throat when she locked eyes with the young actress standing just a few feet away. Instantly, she was hit with flashbacks from the night before when she was watching one of Sloan’s movies with JJ and Garcia. Yet, Emily couldn’t remember a single scene that did the girl justice in terms of her beauty and physical essence. For one thing, her eyes seemed much more warm and vibrant in person. Whatever filters and color editing were added in the film completely dimmed the natural glow radiating behind her false lashes. She could only describe them as golden pools of honey hypnotizing her in the very spot she stood. Unable to look away, all she could do was stare in a trance as Sloan studied her back with furrowed eyebrows.
Though her presence was quite alluring, Emily was soon brought back to reality by the repellent attitude in Sloan’s voice as she slammed the trailer door closed behind her.
“Who the hell are you?”
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A/N: hope you liked this chapter! drop a comment and let me know your thoughts if you enjoyed :) also let me know if you want to be tagged whenever a new chapter is posted! thanks for reading <3
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undertaletheplayersfate · 1 year ago
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[ENGLISH]
Hey everyone! It’s been a while since I last talked about The Player’s Fate and my progress on it, so I decided to tell you guys what I’ve been doing lately (And you can probably tell what it is lol).
So, my current plan for TPF is making one whole season with around 6-9 Eps. I’ve already planned some things for the 1st season, but I am still not fully satisfied with a few things, like the lack of development in a few characters and the exploration of Chara’s “mysterious power”. So far I’ve already written 3 episodes, and I gotta say I am pretty satisfied with how they turned out! I had a lot of fun writing the scenes and dialogues, especially Chara and Asriel’s because they are a very comic duo and their dynamic is pretty adorable (I guess you guys will like them as much as I do).
But the only Episode that I’m 100% satisfied with is Ep 1, because it works perfectly as a first episode to introduce this crazy world of The Player’s Fate (specially the first and last scenes, but I’m not spoiling that!). I actually wrote a much shorter version of it originally but I decided to increase the world building and explore the region of New Home, a place that we barely spend time in the original Undertale and I thought of an interesting new approach to the region. 
I know you guys must be very confused with some things that I’m saying! lol “Development?” “World building?” You may ask… But these are simply a few writing tips I learned to help increase the writing of TPF. But it is still important to remember that I am just an amatour, I don’t actually know how to write a perfect script of anything like that, but I am trying to make the best one I can with my basic knowledge. 
Still, I am very confident with TPF’s 1st Ep, but you might be wondering why I haven’t begun making it yet, and I have a very special announcement to make… The Player’s Fate will have voice acting. Yes! I know! Crazy, right?! XD 
I want TPF to have voice acting since I think it helps transmit the emotions of the characters and make intense moments being way more intense than if they were just by texts on a screen. I know it’s much simpler to add a text on a screen, but honestly I couldn’t find a good way of adding these texts to the screen without it covering too much of it, and when I usually plan a shot to animate I imagine it without any texts on it, so when I have to add the text it takes out the original emotion I wanted to show. And I also think voice acting and lip sync can help make the characters more alive and make you connect with them much easier.
I know I probably made you guys excited for the result, and I gotta say I also am, but I haven’t decided who I’ll be working with to create TPF, and also I will be paying these voice actors so I have to find a way of raising enough money to do so… I have a very long way to go before actually making the 1st Ep, but I know it will all be worth it in the end!
One last thing I wanted to say is that I think the 1st Ep will come out next year (2024) or the beginning of 2025. I know it’s hard to wait so much but I need to focus on my Youtube channel in the meantime, since the series will be posted there and I want as many people as possible to watch it (and also because I’ve been pretty inactive there in 2023 and I want to get back on track for that). It will be a bit difficult, since (if everything goes right)  I’ll be dealing with college next year which will make my schedule very tight to work on TPF. 
And I also plan on making a special video talking about everything I can about this project, like the series premise, the themes, the voice acting stuff, and a lot more, since I don’t think I’ve ever talked very openly about it. I want to do all this so more people can know about TPF and become interested in it. I know it may seem kinda dumb but TPF is one of the most important projects of my life, and I want it to work and be the best thing I can produce even being an amatour on the area. 
Thank you so much if you read all that! XD 
And thank you so much for your support, I can’t put into words how much this means to me. Thank you for keeping up with me until here. I’ll see you guys soon! :D
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[PORTUGUESE-BRAZIL]
Oi pessoal! Já faz um tempo desde a última vez que eu falei sobre The Player’s Fate e meu progresso nele, então decidi contar pra vocês o que tenho feito ultimamente (e vocês provavelmente devem saber o que é ksksk).
Então, meu plano atual pra TPF é fazer uma temporada inteira com cerca de 6 a 9 Eps. Já planejei algumas coisas para a 1ª temporada, mas ainda não tô totalmente satisfeita com algumas coisas, como a falta de desenvolvimento em alguns personagens e a exploração do “poder misterioso” do Chara. Até agora eu já escrevi 3 episódios e devo dizer que estou bastante satisfeito com o resultado deles! Eu me diverti muito escrevendo as cenas e os diálogos, especialmente os do Chara e do Asriel porque eles são uma dupla muito cômica e  a dinâmica deles é muito fofa (acho que vocês vão gostar deles tanto quanto eu).
Mas o único Episódio que estou 100% satisfeita é o Ep 1, porque funciona perfeitamente como um primeiro episódio para introduzir esse mundo louco de The Player's Fate (principalmente na primeira e última cenas, mas não vou spoilar agora!) . Na verdade, eu originalmente escrevi uma versão muito mais curta, mas decidi aumentar a construção de mundo e explorar a região de New Home, um lugar onde que mal passamos tempo no Undertale original e eu pensei em uma nova abordagem interessante pra região.
Eu sei que vocês devem estar muito confusos com algumas coisas que tô falando! ksksk “Desenvolvimento?” “Construção de mundo?” Vocês devem estar se perguntando… Mas essas são apenas algumas dicas de roteiro que eu aprendi para ajudar a melhorar o roteiro de TPF. Mas ainda é importante lembrar que sou apenas uma amadora, e que eu na verdade não sei escrever um roteiro perfeito assim, mas eu tô tentando fazer o melhor que posso com meu conhecimento básico.
Mesmo assim, eu tô muito confiante com o 1º Ep de TPF, mas vocês devem estar se perguntando por que ainda não comecei, e tenho um anúncio muito especial a fazer… The Player’s Fate terá dublagem. Sim! Eu sei! Loucura, né?! XD
Eu quero que TPF tenha dublagem porque eu acho que ela ajuda a transmitir as emoções dos personagens e faz com que os momentos intensos sejam muito mais intensos do que se fossem apenas com textos numa tela. Eu sei que é muito mais simples adicionar um texto em uma tela, mas honestamente eu não encontrei uma boa maneira de adicionar esses textos na tela sem cobrir muito, e quando costumo planejar uma cena pra animar eu imagino sem nenhum texto, então quando eu tenho que adicionar o texto ele tira toda a emoção original que eu queria mostrar. E também acho que a dublagem e o lip sync podem ajudar a tornar os personagens mais vivos e fazer com que você se conecte com eles com muito mais facilidade.
Eu sei que provavelmente deixei vocês animados com o resultado, e devo dizer que também tô, mas eu ainda não decidi com quem eu vou trabalhar para criar TPF, e eu também vou pagar esses dubladores, então tenho que encontrar uma maneira de arrecadar dinheiro suficiente pra isso… Eu tenho um longo caminho antes de realmente começar a fazer o 1º Ep, mas sei que no final tudo vai valer a pena!
Uma última coisa que queria dizer é que acho que o 1º Ep vai sair ano que vem (2024) ou no início de 2025. Eu sei que é difícil esperar tanto, mas preciso focar no meu canal do Youtube enquanto isso, já que a série vai ser postada lá e quero que o maior número de pessoas possível assista (e também porque eu tive bastante inativa em 2023 e quero voltar com tudo agora). Vai ser um pouco difícil, já que (se tudo der certo) eu vou estar lidando com a faculdade ano que vem, o que vai deixar minha agenda bem apertada para trabalhar em TPF.
Eu também pretendo fazer um vídeo especial falando tudo o que puder sobre esse projeto, como a premissa da série, os temas, as dublagens e muito mais, já que acho que nunca falei muito abertamente sobre isso. Quero fazer tudo isto para que mais pessoas conheçam  TPF e se interessem nele. Eu sei que pode parecer meio bobo mas o TPF é um dos projetos mais importantes da minha vida, e quero que dê certo e seja a melhor coisa que posso produzir mesmo sendo uma amadora na área.
Muito obrigado se você leu tudo isso! XD
E muito obrigado pelo seu apoio, eu não consigo expressar em palavras o quanto isso significa para mim. Obrigado por me acompanhar até aqui. Vejo vocês em breve! :D
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