#if there's someone that can save him emotionally that's her

[space-invading-pigeon]

Hellfire Adopts Steve Pt. 2

Pt 1

Eddie may be repeating his senior year, but he's no idiot. He's intuitive, a quick thinker, and generally, he's an excellent judge of character. Which is exactly why he protested Gareth's decision to drag Steve Harrington, the former King of Hawkins High and current King of Don't Fuck With Me, to lunch with Hellfire.

Jeff and Freak are both genuinely terrified to have His Royal Highness picking at subpar mashed potatoes in the uncomfortable plastic chair across from them; to his credit, Steve Harrington seemed unbothered by the situation, even as Princess Nancy Wheeler and her own little pet outcast Jonathan pass him on the way to their own table. Eddie watches with growing interest as Steve boredly ignores Nancy's attempt to catch his eye (it's almost hilarious- he'd been at the Halloween party last month where Nancy got absolutely shitfaced and then screamed at Steve in front of the entire student body, and yet here they are, Nancy trying awkwardly to speak to Steve and Steve resolutely going about his business).

Gareth stammers through a story about their latest DnD campaign, his round face practically glowing with excitement as he uses the peas on his tray to illustrate what their party had been up against. Eddie fully expects Steve to say something rude, dousing Gareth's smile and deserving every bit of ire Eddie can muster, but Steve just smiles at Gareth and ruffles his hand through the unkempt curls Eddie's been trying to get Gareth to take care of.

From there it only gets weirder. Steve seems to have taken a real shine to Gareth and is nothing short of a perfect gentleman to Jeff and Freak, but he loves to bicker with Eddie. Honestly, Eddie's impressed at just how much Steve seems to like bitching at people.

Steve is also surprisingly responsible? After that first lunch, Steve is around all the time; he shows up to Hellfire meetings with his backpack full of homework and a Tupperware full of something delicious (Eddie had nearly cried the first time he took a bite of Steve's macaroni), only to completely ignore their entire session to study. Occasionally, the walkie Steve carries with him whenever they aren't in school will crackle to life, and Steve will make himself scarce pretty quickly.

Overall, Steve is awesome. Eddie hates to admit it, but watching such a prim and proper guy emotionally destroy someone for commenting on Freak's size, and Eddie just knows that the damage done to Tommy Hagan's car after Gareth showed up to Hellfire with a busted lip and glassy eyes was Steve's fault.

========

Steve is actually really enjoying his time in Hellfire. He doesn't really mention it to the kids, and both Nancy and Jonathan are still avoiding him, so Steve sees it as a win: he gets to make friends who haven't seen him get his ass beat by interdimensional horrorterrors that have ruined dogs and flowers for him forever, he gets to learn more about the game his new little brother is obsessed with, and innocent kids don't have to bear the brunt of King Billy's reign of terror.

Gareth decides almost instantly that he likes Steve; not only because he saved Gareth from bullies or brings them food better even than Wayne Munson's, but because Steve always listens to his DnD stories. Jeff and Freak (who Steve will only refer to by his Government Name, Melvin) grow to like him as well, not at all encouraged by the food Steve brings or (on one memorable occasion) the incredibly realistic melee weapon, straight out of a flick like Red Dawn, that they found under his seat one day.

[skania]

Kana and Ruby were desperate to be seen by Aqua/Goro. Meanwhile, Akane sought to see—understand—the real Aqua.

Aqua shines the spotlight on Kana to save her from her bad habits. He does the same for Ruby, freeing her from her burden.

The manga puts a lot of emphasis on the way Goro was Ruby's light, on the way Aqua brought out Kana's radiance. We're shown that Sarina wants to marry him, that Kana wanted to be his idol. Despite this, neither is privy to the burden Aqua is carrying.

With Aqua and Akane, the manga paints a different picture: It actually allows Akane to get involved. Aqua saved her life and ever since she has been doing her best to save his heart in turn.

What's more: Goro has been saving people all along, but Akane is the one the manga has actively taking mesures to return the favor.

[dykedvonte]

Ty for answering my asks! Recently, I saw some fanart of the gender bendered crew and it got me curios, how much would the plot change if Jimmy was a woman. I mean, she would still be emotionally abusive (esp to Fem!Curly), but at lest, I guess, the crash would've never happened (?)

Also, her relationship w/ Anya: if she was assulted still, it prolly would've been dissmissed, since it's between 2 women. Or, if Anya is male in this scenario, he couldn't really be able to talk abt it, since society decided that "women can't r*pe men", so it's not serious and he should suck it up. Man, it's just sucks to be Anya in any scenario my poor girl 😭

What do you think? If you have an opinion on that at all, that is

-💀

I think the scenario's where the gender was flipped or any level of gender based intersectionality is expanded makes it so much more complex.

If this is the scenario with fem!Jimmy, it comes with the territory of questionable internalized homophobia. Does Jimmy brush it off in this scenario because she doesn't think lesbian encounters are real ones? Is she struggling with her identity and taking it out on Anya who may be openly queer compared a fem!Curly who is either straight or just not interested in Jimmy? Perhaps it's a sort of weird entitled that can occur in female dominated spaces "We're both girls, I know what you have, it won't matter." It's still is something I don't see Jimmy denying in this scenario, he never really denies it in canon just talks around it with Curly. Here I can see it's less about the pregnancy and more so about the internalized homophobia. Not seeing Anya as anything but an unwanted aspect of her femineity and the allure of it, there's a lot more objectification of both Curly and Anya in this alteration as I would believe feels better thinking of them in that light if they are just fodder in her mind. Guilty pleasures that no longer bring her such. It's a careful situation because I don't want this to fall into predatory lesbian stereotyping, Jimmy is just a person who does not respect other people or their choice, if it conflict with what he wants or perceived is owed.

The idea of Curly having to report it and outing her not only as a rapist but queer and the denial, especially in the case Anya and Curly are both out as she feels a sort of resentment she can't be secure with herself that way. If it is masc!Curly, there could be the jealousy of him being able to actively pursue relationships he wants while she feels she can't, Anya and Curly playfully flirt, its casual but it's something she longs for in the same way she doesn't. She obsesses over Curly because she wishes she could be Curly in a social sense in both aspect male or female Curly.

If it's fem!Jimmy and masc!Anya? It's a much more delicate situation. In this scenario Jimmy gets pregnant. Maybe Anya does a blood test after the incident and finds out Jimmy is pregnant. It's a very sensitive matter because if it's fem!Curly her first assumption is Anya may have done something. That is just the immediate assumptions in cases like this. I think the fact that Anya is telling her would make Curly think it's not that simple, especially since Jimmy isn't brining it up or really caring but everyone reacts differently. Jimmy is pregnant however, and that's a big deal, she'll figure that out eventually on her own but how will she react? Curly knows it won't be good, Anya knows too.

I think the crash is instigated in this scenerio by fem!Curly actually doing more, refusing to sweep it under the rug because she can conceptualize that fear, likely she and Jimmy are the only girls on board. She trusts everyone, well did trust everyone, but it's just something you live with. She can't just live with that double standard but I feel like she really doesn't know how to address it. How does she bring it up to superiors without implicating Anya? What does she do with Jimmy, it still feels like she's catering to Jimmy but now the concern is primarily focused on the life this baby will be born into. If it is born at all. I don't think Jimmy would try to kill Anya in this concept but try to spin the narrative it was mutual up until she got pregnant. Curly doesn't really buy it but it's a lot of processing, a lot more he said she said but what Jimmy is saying just doesn't make sense. It gives Jimmy too much time to really settle with the fact she's pregnant and likely can't support a kid nor wants to give birth out in space. Jimmy feeling like she's being othered from the only other woman could also be a factor, maybe even starting into her thinking Curly is behaving like a "pick-me" for siding with a guy over her. The crash is more spiteful in terms of having to protect herself alone, due to Curly not outright supporting her delusions.

It really adds a certain horror to Jimmy's pregnancy hallucinations because after the crash they are about her, her symptoms the sign of showing. She doesn't want the child either and considering what being pregnant can do to your mental/physical state, especially some of the more negative symptoms, I doubt she is handling it well. A lot of Anya's struggles are with the stigmas around male victims. His body reacted so did he want it? He's gonna be a father and courts likely will make him pay or care for the baby even if they take Anya's side, their world is just like that. Would the other's blame him for not doing more, he is a man after all? Should he be considered lucky a woman was that into him? It's eating away at him because not only does he not feel safe, he actively blames himself.

In the case Curly is still a cis guy, its that weird feeling guys often get when talking about male victims of assault. I don't think he'd victim blame but he likely asks or thinks about how it could've happened, why wouldn't Anya just overpower Jimmy? Maybe he couldn't? Maybe Anya didn't have it in him to strike a woman. He wouldn't. Now he thinks of what he would have done if Jimmy did something like that to him. SImilary to my trans!Curly post, he's wondering if it could've been him. It's likely one of the first times in his life he has to think of that type of vulnerability in terms of himself and other men and against likely his girl best friend. I think that arm pat right before Jimmy crashes the ship would really make him feel weird, not like he'd have the time to really dig into those feeling but y'know WERE GONNA CRASH!!!.

In terms of Jimmy and Curly's specific relationship, it just gets messier if they aren't both guys or girls. There's a lot of misogny on Jimmy's side with fem!Curly. He often points out she's a woman captain or makes a point of her being one of the few independent woman in her field and how certain men hate that. It's insidious but Curly doesn't think about or like to cause she likes to believe Jimmy isn't one of those guys. He can be a bit antiquated, maybe a bit of a pig but no ones perfect! Here a lot of his resentment is more gear toward a woman having that power over him as Captain/filling the typical male roles he fails at. He can't stand that she's above him in almost aspect and he likely takes it out on other women. Similarly, fem!Jimmy and cis Curly is just as bad. It's a fact of not knowing if she wants to be him, wants him or wants to destroy him. It's obsession without anything positive. She feels entitled to his space and life and time and he has a hard time setting up boundaries cause, well, Jimmy's a girl, his bestfriend and it comes with all the stigmas around boygirl best friends. To him it's a sort of oppressive doting, he feels wrong telling her not to pick and like he's being controlling. That's how she'd spin it whenever he'd try to make boundaries with her.

They are still just friends but most people can't tell even if they can tell it's not healthy, in both cases. Either way I feel like if they were opposite genders to each other there would a specific infatuation Jimmy would have with Curly that would be less hidden but sort of unaddressed because the idea of Curly rejecting them would make them lash out in a way Curly may just leave for their safety. It's also Jimmy wouldn't want to be with Curly specifically but just want what would consistently provide/available.

If they are both girls, its envy. It's that sort of hate that someone fits the standards you don't, wanting them to be picked second or crack. She likes to get into Curly's head, point out flaws and act like it's just her being helpful. She wants Curly to be a girls girl but only for her. There's a sort of possessiveness like purposely jeopardizing relationships because why would a man come first? That girl hates me and is a pick me, why are you friends with her still, Curly? Like this is silly but think about how Regina George treats Gretchen Wieners and that's effectively how fem!Curly and fem!Jimmy would work but technically Curly has the sway of Regina.

I believe the crash would always happen. Jimmy would try to escape responsibility or really thinking about what they did in any world, any gender. It's about facing the consequences, losing things he refuses to let go of or having to deal with responsibilities he's not ready for. The switching of sex or gender really doesn't change those core aspects.

[silviakundera]

Haha I also used the dickless bore. I thought that only the two main characters came back didn't know he did as well. I still don't buy him ever being into her but that's just me I do wonder if he's going to try and kill her again. I do think Li Rong is treating him too well for my liking she should at least treat hit similarly or worse than she treated ML I want to see wet paper towel non stop suffer.

on one hand, imo a SRQ who is heartless doesn't work for the story the writer is trying to share with us. On the other hand, it's totally ok to decide to be a full-time hater towards a minor character, just because it's fun. I support haters! 🎉 \o/ 🎉

One thing that I think is relevant when comparing LR's reactions: if PWX had killed her, the motive would have been as part of his mission to have his childhood love Qin Zhenzhen's son become the next emperor. (Remember, he came over to threaten her life over that right before she died and called his ex Zhenzhen lmao) THE AUDACITY. In contrast, LR is viewing her murder at SRQ's hands as part of the revenge plan for the Su family's execution.

Some passages of Li Rong's POV:

After a few moments, she whispered: “Where did the scent on you come from?”

“If I say it, you might be upset.” Pei Wenxuan’s eyes had a hint of gloating at others’ pain.

Li Rong thought for a while and frowned, “Su Rongqing?”

“Yes.”

...Li Rong said nothing. She blankly stared into the fire.

Pei Wenxuan turned the fish over and looked at her with a smile, seemingly quite happy. Li Rong found that he had a fearless, unabashed look of enjoying a good play and couldn’t help but be a little fazed.

She believed everything Pei Wenxuan said.

---

Su Rongqing was someone that she saved with her own hands.

That year, Prince Su rebelled, and Su Rongqing’s elder brother spoke up for Prince Su. Later on, he was falsely accused of colluding with Prince Su, implicating the Su clan with treason.

At that time, Li Chuan was so furious that he fainted. He put the entire Su clan in prison without going through the Joint Trial of Three Divisions first and put the men to death and the women into exile. She disagreed with this decision and rushed to beg Li Chuan before the Su clan received their sentence. After being subjected to ten planks, with Pei Wenxuan’s intervention, she was finally able to ask for amnesty for the Su clan.

Even if the death sentences can be forgone, it was impossible to escape punishment while still alive. Even though the men of the Su clan could live, they would be subjected to castration. The others couldn’t bear the humiliation, so they all committed suicide in prison. When she arrived, there was only one man “desperate for life and afraid of death” left among the men of the Su clan, Su Rongqing.

At that time, she had told Su Rongqing that she saved him without the intention of asking him to repay her. She could give him silver and a position, so that he could continue to live a good life in the future.

Back then, she didn’t have any special feelings towards Su Rongqing. It was just that he had saved her before, so after he took care of her, bit by bit, she felt grateful, and…vague sentiments towards him.

For the most part, she sought to save the Su clan for Li Chuan and her own conscience. The Su clan was a prominent, noble family. It was difficult for her to sit back and watch if they died in such an ambiguous manner.

At that time, Su Rongqing refused to go.

...It wasn’t that she had never thought that Su Rongqing would not take revenge on her. After all, it was Li Chuan who ordered all the men of the Su clan to be beheaded and exiled all the female family members. It was impossible for anyone to forget this blood feud, let alone the formerly first and most outstanding gongzi of that year?

For so many years, she had never dared to give him real authority, observing him and guarding against him while still trying to help him live a better life. She couldn’t actually kill him because of her own conscience, but she couldn’t actually trust him and give him power.

In the end, he still decided to act. He killed her first, then successfully took her authority in the name of eliminating Pei Wenxuan. If she guessed correctly, he would not leave with the advisors. Instead, he would borrow the excuse of taking revenge for her and enforcing the will of the people to join forces with the Empress, assist Li Xin in ascension, and fight to the death against the remnants of Pei Wenxuan’s faction.

...

She had anticipated this possibility from the moment she took Su Rongqing in, but she couldn’t help feeling a bit regretful when it actually happened.

[masked-puppetmaster]

do you think hunter ever felt guilty getting a new palisman. Like he has so clearly found so many ways to honor flapjack with the grave and the whole tattoo situation but like do you think he was worried about replacing flapjack when he (presumably) made waffles

[davlucies]

remember when imbalance came out and people managed to be upset griffin handled dav's perspective about cycle 92 & his relationship with lucretia with sensitivity, nuance, and realism

[prismbearer]

Re-invested in my DUrge ATM because I let myself accept they weren't fucking Gor.tash.

[inkoutsidethelines]

Thinking about how I would write an adult Scooby-Doo series, because I think it can be done.

The first thing I’d do is make the characters actually be adults.  Still young, but adults, in the mid to late 20s range.  Mystery Inc. is a private detective type business that they run together.  In this universe, the supernatural/ghosts/etc are real, but not necessarily common, so when they take on a case, the culprit might be a person disguised as a monster, or it might actually be a real ghost.  The stakes can be higher; sometimes a bad guy is legitimately trying to kill them.  Sometimes the mystery they’re trying to solve is a murder.  Sometimes they actually get hurt on their cases.

Fred: the core of Fred’s character should be that he’s incredibly kind.  Like, give a stranger the shirt off his back kind.  The “Fred can’t talk to potential clients because he might take a case for free and we need to eat” kind.  He’s an honest and good person and sometimes gets himself into trouble because he assumes other people are too.  While he’s not very good at reading people or noticing ulterior motives, he’s brilliant when it comes to mechanical or engineering type stuff, so he’s the one who keeps the mystery machine running, builds their gadgets, and of course, designs the traps.

Daphne: she comes from old money, and her parents absolutely despise her life choices, to the point where they haven’t officially disowned her, but they have basically cut her off, so she doesn’t actually have access to any family money.  Growing up wealthy has granted her a variety of skills, including speaking multiple languages, horseback riding, and fencing.  She’s very into fashion and jewelry (even if she can’t afford it anymore) and has extensive knowledge of both that can occasionally provide a vital clue in a case. And even though her parents have cut her off, Daphne still has a wide network of contacts she can ask for favors sometimes, because she’s personable, and people tend to like her.  Daphne is also very emotionally intelligent, and is usually the one who can spot when someone is lying to them.

Side note - I ship Fred and Daphne, so I think I would start them off as an established couple for this universe.  Dating, engaged, married, I don’t care.  They are stupidly in love, ride or die for each other.  There’s no will they, won’t they, no worries about cheating.  They are in a healthy, happy, loving relationship, and no one (not even Daphne’s disapproving parents) are going to mess that up for them.

Velma: she is the forensics nerd who sometimes gets super excited about the wrong thing at the wrong time (”He was mummified in seconds? That’s so cool!” “Velma!  His wife is standing right there!” “Oh.  Sorry.”).  She’s not purposely insensitive, she just gets laser focused on her work and forgets to filter herself sometimes.  She’s also the one who can get so fixated on solving whatever mystery they’re working on, she’s willing to bend or maybe break laws.  Is breaking and entering really so bad?  Not if it gets them answers.

Shaggy: he is still the comic relief, but he’s the comic relief by being the only person in the group that actually has common sense.  He manages the business’s finances, he’s the only one who knows how to cook, and the others tease him for being a coward sometimes, but Shaggy maintains that if a ghost with an axe is coming for you, running is the only sensible option.  He should also have a range of random knowledge that sounds useless, but sometimes saves the day (ex ventriloquism, origami, the history of spoons, etc).

Scooby: as this is a universe where supernatural creatures exist, Scooby is an ancient eldritch type being that took a shine to Shaggy when he was a kid, and took the form of a talking dog to befriend and hang out with him.  Aside from the talking dog bit and not aging, he never uses his powers in a way that anyone notices.  The audience is not told upfront that Scooby is an ancient eldritch being; it should slowly be hinted at throughout the series so the audience put it together, but the characters never realize it.  Scooby genuinely considers Shaggy to be his best friend, and cares about the rest of the gang too.

[millionsknives]

i don’t think i’ve rewatched atla since becoming a committed pacifist and i just finished what was probably my tenth rewatch and i have never loved aang more. i've seen it so many times but i still came away with a new appreciation for the way the end of the story was handled. aang is the only survivor of a genocide and he is clinging to the last remnants of his culture and religion, and everyone is telling him the only way to save the world is to kill the dictator whose regime is responsible for the genocide, but to do so would abandon the deeply held beliefs of his people. if aang goes against his beliefs and kills ozai, his people's way of life dies completely and sozin wins.

aang knows it would be wrong but he can't see another way out so he prays for an answer, and the universe hears him and the spirits send out the lion turtle, and the creator answers him. and here's the thing that i never put together before today: aang would not have been able to energybend ozai if he had given in and wanted to kill him. the lion turtle tells aang that only the incorruptible can bend another’s energy, or else they will become corrupted themselves. and i think that aang, because of his love for the fire nation as he had once known it, was never corrupted by personal hatred for the fire lord or the fire nation. he was able to expertly hold two conflicting beliefs in harmony better than any adult could, the belief that ozai is a horrible person and the world would be better off without him and that he's still a human being with a life that is sacred.

and i don't think it's a matter of selfishness like some people make it out to be. aang is not some immature little kid who doesn't want to kill because killing is for bad guys. he's an incredibly wise and spiritual person who was shaped by airbender beliefs and upholds airbender beliefs, and he can see beyond the scope of this war. the balance of the world depends on the existence of the four nations, and aang does not just represent the air nomads, he IS the air nomads. he's all that's left.

despite many people’s interpretation of the four past avatars’ advice, none of the past avatars outright tell him to kill ozai. they tell him to be decisive, to bring justice, to be proactive, to be sacrificial. but none of them tells him definitively to kill him. he doesn't disobey or ignore their advice, he follows their ancient wisdom while still staying true to his beliefs. yangchen actually comes the closest to outright telling him to kill ozai (even more than kiyoshi, surprisingly) but what she fails to account for is that aang is not just the avatar, he is the last airbender, and being the last airbender is far greater a burden than being the avatar. no matter what happens, once he dies, there will always be another avatar. but if he is not careful to preserve the airbender way of life, there will be no more airbenders. yangchen could sacrifice her air nomad way of life for the sake of her duty to the world because there were thousands of other air nomads to continue their traditions. aang has no such privilege.

and it's not that he doesn't want to kill, it's that he actually doesn't think he can do it -- both that he won't be able to emotionally bring himself to kili someone, and, prodigy that he is, he doesn't have the raw bending skill to overcome a comet-powered master firebender. and then it turns from 'i don't think i can do it' into ‘i can’t do it.’ and when the avatar state gives him enough power to actually do it, he changes the answer to ‘i won’t do it.’ he overcomes all the combined power of his past lives to say no, i have found another answer and i will remain incorruptible. to kill is to maintain the power struggle of the fire nation and to reject air nomad wisdom and without airbenders the world CANNOT be brought into balance.

the only thing ozai cares about is power, and that's what the entire fight with ozai is about, physically and ideologically, because ozai only sees power in terms of force, fear, threats, and violence. to ozai, aang (and his entire people) are weak and undeserving of life because they are largely pacifists, but he fails to see the magnificent power that the airbenders do hold, spiritual wisdom and mastery of the self and contentment and joy and harmony and a deep understanding of the world that a man like ozai could never obtain. to kill ozai would ratify ozai’s worldview that power as he defines it is the most important pursuit in the world and the only way to assert one's right to be in the world is to be cruel and violent like him. i think to ozai, becoming powerless might be worse than being dead. he wants power, or he wants death, and aang gives him neither. it upends everything he believed in. aang, the avatar, but more importantly, the last airbender, armed by his past lives' power and his people's love and the spirit world's blessing and the lion turtle's omniscience (and toph's mastery of true sight through neutral jing), ends the war 100 years to the day after the air nomad genocide, in the way that his people taught him, with power that goes beyond force and violence, with spiritual wisdom, with an incorruptible soul, with mercy -- mercy that is not weakness, mercy that brings justice.

[sturnioz]

shy!reader has been pretty much m.i.a all week, and fratboy!chris does not care. no seriously, he doesn’t care.

he’s just kept his eyes peeled every night through crowds of sweaty bodies jammed into his living room, and even through the sluggish crowds of tired students in college hallways, yet he couldn’t find you.

it was on the 6th night when chris was seriously considering showing up at your place — for no reason just he needed your lit notes, of course —when he received a text from nick.

nick, the eldest — and no doubt more mature —triplet. chris’ eyebrows furrowed at the notification, why was nick texting him at 10:30pm on a weeknight? kid cares way too much about being on time for class in the mornings

—

Nick: *image attached* isn’t this one of your girls?

—

the somewhat blurry picture was taken from a distance in the old, dusty library on campus. you sat in a corner, a mess of notes, books and your laptop sprawled on the desk in front of you. you looked weak, your hair a mess, bags prominent under your eyes.

before chris could even react, his phone buzzed again

—

i’m not a total creeper, i’ve just noticed her here every night this week and i’m pretty sure she has not changed her sweatshirt once

or pretty much left this library.

i seriously hope this is actually her and not a complete stranger

you know what, i’m talking to her. don’t change my mind.

—

chris groaned, the realisation of finals week dawning on him. sometimes chris forgets how much college actually means to you, and how ridiculously sick it makes you.

he did not have time for this, he had customers to please, yet - he didn’t hesitate. he’s huffing and complaining pretty much the whole time, but he’s quick to make his way over to the library he’s really not too familiar with, saving you from the shackles that is a conversation with a redbull fueled nick sturniolo.

-

you can take it from here, love u pooks mwah

- 🫧

gonna take it from here in shy!readers pov cos i want nick and shy!reader to have some one on one time before fratboy!chris grumpily comes over !!

your back aches with a constant throb, your eyes feel gritty and sore, and a dull headache pulses at your temples, making it difficult for you to concentrate. hunched over in the dimly lit corner of the library, you've spent countless of hours — days — buried in textbooks, scribbles notes and laptop screens, desperately trying to absorb everything before your exams.

the week has been relentless, leaving you physically and emotionally drained, as if the weight of your studies is pressing down on you.

you haven't seen chris in almost a week. the silence has been deafening — no texts lighting up your phone, no calls breaking the quiet, and no facetime calls at late hours. truth be told, you did put your phone on do not disturb, silencing any incoming calls to shield yourself from distractions. it's not that you intended to cut off all communication completely; you simply needed space.

you needed to be alone, to gather your thoughts, and to focus on your studies, to not be distracted by his intense social life.

however, you are distracted when someone slams a stack of textbooks onto the table opposite you, the sound echoing in the quiet space. startled, you lift your tired gaze, and your heart thumps when you recognise a familiar that slumps into the seat across from you.

he runs a hand through his tousled mullet, adjusting the thin-framed glasses that rest on the bridge of his nose before flashing you a friendly grin.

you know who he is. you've seen him in countless pictures and instagram posts with chris and matt. yet, despite your familiarity with his image, you've never met him in person — you never even spoke a word to each other, and you find yourself sliding further down in your seat, a wave of awkwardness and shyness washing over you.

"hello—fuck!" nick curses as he sets his can of red bull down on the wooden table, only for it to topple over and spill a little. flustered and annoyed, he mutters under his breath, hastily dabbing at the tiny droplets on the table with the sleeve of his sweater. his eyes finally meet yours again, and he offers another grin. "hello."

"hi.." you manage to respond, your voice barely above a whisper.

"i've noticed that you're, like, constantly glued to this fucking seat, like you haven't moved the entire week—" nick pauses mid-sentence, his eyes widening as he realises how awful his wording sounds. he quickly holds up his hand, a look of urgency in his expression. "i'm not a creep. i wasn't staring at you. i know you—i think i know you—no, i do know you. you're, like, kinda with my brother. chris. that's you, right? god, tell me that's you, 'cos i'm gonna end up losing my mind—"

"yeah," you cut off his intense rambling, which is probably fuelled by the red bull he keeps fidgeting with. "that... that's me, yeah."

nick blinks at you in silence for a moment before he leans forward, resting his elbows on the table, and he bluntly says. "wow, you really are quiet," you become a little flustered at that, tearing your gaze away from him until he asks incredulously. "the fuck are you doing with chris of all people?"

a subtle smile pulls at your lips at that, especially when you glance back at his face and see the shock etched across it. honestly, you don't even know what you're doing with chris, but it wouldn't exactly be appropriate to go into the details with his brother. so, you simply shrug your shoulders in response.

nick suddenly deadpans. "blink twice if you need my help."

now that makes you laugh — a genuine, unexpected sound that splutters past your lips. you quickly cover your mouth, eyes widening as the sound echoes through the library and you glance around, paranoid that someone might shoot you the dirtiest look and demand you to shut up or leave.

but nick waves it off dismissively when he notices your worries, "they can go fuck themselves."

you remain silent for a moment, considering his words, before stating, "we... are in a library."

"then they can go fuck themselves quietly."

another genuine, but quieter, laugh escapes you. you find yourself relaxing a bit more with him, opening up and feeling more comfortable as nick takes charge of the conversation; showing genuine interest in your major, your studies, and your hobbies.

you do the same, getting to know him better, and even getting a little excited when you realise how many similarities you share. the more you chat, the more your cheeks start to hurt from smiling so much. the tiredness that had once taken over you begins to fade away, replaced by a lightness you haven't felt in days, and your books and notes sit forgotten on the table.

however, your head perks up in surprise when you spot chris walking through the double doors. he's wearing a beanie on top of his head with tuffs of curly hair peeking out, a hoodie that swallows his frame, and his hands are shoved deep in the pockets of his sweatpants.

he glances around the library, his eyes finally zeroing in on you and nick at the far end of the room. you can't quite read his expression — his face stoic as he makes his way over.

he drops down in the chair beside you, and nick immediately pulls a face, shooting you a look that makes you giggle again, and chris huffs at the sound, clearly unimpressed.

"stop botherin' her," chris mutters, his foot hooking comfortably beneath your chair as he settles in.

"m'not."

chris rolls his eyes, ignoring nick's response as he turns his attention to you. he takes you in for a moment, his eyebrows furrowing as he says, "tell him he's botherin' you, kid."

you can't help but smile gently. "he's not bothering me. he's been fun.. i like his company."

"told you," nick muses across from across the table. chris snaps his head towards nick, shooting him a glare as nick lifts the can of red bull to his mouth, a smirk spreading across his lips as he adds, "bitch."

[ecoterrorist-katara]

Zutara, romance novels, and the female gaze

Okay so I’ve been thinking about the female gaze a LOT so I checked out a subreddit about romance novels, despite never having read one. I came across this meme (which was initially a Tumblr post and then got posted to Instagram and then to Reddit and I’m now bringing back to Tumblr — Internet telephone, pls never change):

And…what is The Southern Raiders, if not a platonic grovel? Katara’s pain is central to the episode. It’s central to Zuko. Zuko asks Katara what he can do to make up for his betrayal; she demands the impossible. He reads between the lines, cockblocks her brother to get the necessary information, and then waits outside her door overnight (which he also did for Iroh, the one person we know for sure he loves). He basically makes himself a receptacle for her rage, and he holds space for her by coming with her on her revenge quest and carrying their bags and not saying a damn thing about what she should and should not do beyond like…asking her to rest. And obviously the grovel works! She forgives him and then they’re thick as thieves, bantering and fighting and saving each other’s lives, etc.

On a different note, I’ve been told that enemies to lovers is one of the biggest tropes in romance novels, similar to YA lit and fanfic. Here’s something else I found in the romance novel discourse:

And…yeah. In TSR, Katara really does show Zuko her worst self, because she doesn’t feel the need to perform for him. She doesn’t feel the need to perform moral perfection OR cold blooded vengeance. She bloodbends in front of him and he just goes with it. She doesn’t kill Yon Rha and he just goes with it. He doesn’t treat her any differently afterwards. Maybe they talk about it off screen, but I kind of like the idea that they don’t, because Katara doesn’t need to explain anything. And it’s so interesting, because some people in the ATLA fandom have a totally different read on TSR. They think Zuko was encouraging Katara to get revenge (by what, keeping his mouth shut?), and that Aang is the one who acts as her moral compass. I believe that either Bryan or Mike said in the DVD commentary that Aang is the angel on her shoulder the entire time. And this interpretation does make sense if you see it from the male gaze, where Katara as an object of affection is acting in an angry, irrational, threatening way. But if you see it from the female gaze, you recognize that actually it’s probably the most emotionally taxing experience Katara has to go through, and she doesn’t owe it to be nice or perfect to anybody. Katara’s formative trauma literally comes to a head, and she has to make a decision — no, a discovery — about who she is in relation to the tragedy that defines her life and even her identity (as a waterbender, as a parentified child who becomes the mom friend, as a genocide victim), and she’s accompanied by someone who trusts her judgement and validates her feelings.

I’m not saying TSR is explicitly romantically coded, but when it conforms so well to romance novel tropes…is it any wonder that so many people thought “yes this is her man?” And then he takes lightning in the heart for her and reaches for her when he’s literally dying, I will never be normal about that either

[bunny-norris]

MONACO

LN4 x Reader

Summary: Y/N suffers a horrid date, luckily a knight in shining armour seems to be there to save the day.

Warnings: dickhead man, inappropriate touching (not detailed)

Can be made into a part two if requested - not proofread

Monaco glittered under the afternoon sun, a perfect day for lunch by the marina. Y/N smoothed out her dress and sighed, looking over at her date, Adam. She had hoped for a pleasant afternoon, but he had been insufferably rude from the start.

Y/N had been hesitant to go on this date from the very beginning. She was working in Monaco at the time, and she hadn’t been there for long. Even though she was dating, she had met someone who seemed to be interested in her, and so she went for it. But it was not going in the way she wanted.

Unwanted touches on the leg, which Y/N quickly pushed away, caused her chair to move a little bit away from him. Remarks on her looks included the following: he didn't think highly of the things she was wearing, she wasn't grinning enough for him, and her hair could have been styled a little more well. Y/N was raised to be a strong woman who ignored the opinions of others and always looked out for herself, so she knew she should speak out, but this was unlike anything she had ever experienced. It was emotionally draining, and all Y/N wanted to do was run out of there and go home. She had sat there nicely, not wanting to cause a scene, wanting to get it over with.

"Excuse me," Y/N said softly, standing up to leave, clearly at her breaking point. Adam grabbed her arm roughly, yanking her back into her seat. "Don't just walk out on me," he snapped.

Y/N flinched, the grip Adam had on her arm hardening as he glared at her, clearly realizing that she was no longer wanting his company. Y/N looked around, seeing that people were beginning to stare. “Please stop, I don’t think this is going to work out, so I’m just going to go home now. Thank you for asking me on a date, but you’re not for me.” Y/N whispered, trying to jerk her arm out of his grasp.

“Excuse me,” a voice said behind Y/N. “I think the lady asked you to let her go, so I’d appreciate it if you did so.”

Adam just rolled his eyes at the man. The man was young, Y/N guessed around 23 or 24 years old, well-dressed in a white buttoned-down shirt and smart pants. He was nice-looking, and he smiled sweetly at Y/N when she turned her head to see who was talking. She smiled back, her heart rate slightly speeding up at the sight of him.

“What a waste of time,” Adam muttered, rolling his eyes and letting go of Y/N’s arm. Pushing past her, Adam stormed out, leaving Y/N looking at the man who seemed to save her. “Thank you for that,” she said, smiling slightly and looking down, playing with her nails.

"Are you alright?" the man asked, his voice gentle. "That looked pretty intense."

"Yeah, I'll be fine," Y/N replied, though her arm still throbbed slightly. "I’m just going to go home, I’m sorry for interrupting your lunch," she said, looking slightly behind the man to the table that he had come from, a round table full of people who Y/N believed to be his friends, all chatting away to one another, every so often looking in the man’s direction.

"Let me drive you home, it’ll be quicker, maybe get some ice on your arm," he offered, concern etched on his face.

"You don't have to. I'll be fine, I’m really sorry for interrupting your lunch, but I really appreciate what you did, you seem like a good man," she insisted, though part of her felt grateful for his offer. She turned, beginning to walk away, towards the restaurant door.

“Miss, excuse me! Miss!” the man shouted after her. Y/N turned around to face him. “Look, I know you’ve just been through a really shitty date, and the last thing you wanna do is talk to a man since I know we as a species probably seem really shit right now. But I promise, I’ll drop you off home safely and leave you be. I think you’re really pretty, and you definitely didn’t deserve to be treated like that, so I just want to make sure you’re going to be okay.” The man rambled, almost out of breath, and Y/N just slightly giggled, not quite sure what to make of the man, but he seemed sweet.

“I’m still walking home,” she said, as the man looked slightly defeated. “But, if you want to walk with me, you’re welcome to join me.” She smiled and began walking, with the man quickly catching up to walk with her.

They walked together through the narrow streets of Monaco, the city bustling with life around them. Y/N glanced at her unexpected knight in shining armor. "Thank you again," she said. "I don't even know your name."

He chuckled, a bit surprised. "I'm Lando. Lando Norris."

She tilted her head, not recognizing the name. "Nice to meet you, Lando. I'm Y/N."

"Nice to meet you too, Y/N. So, what brings you to Monaco? Other than going on terrible dates."

"I'm here for work," she explained. "I’ve been here for about a week, but I go home in a few days, so I thought, why not just ruin it by talking to shitty men.”

Lando faked a shocked face and wounded heart. “I do hope I am not in that category.”

Y/N laughed at his expression. “I guess I’ll have to decide by the time you walk me to my door. I’d rate it currently a 5 out of 10.”

“I guess I’ll have to try harder then,” Lando laughed.

As they continued to walk, they chatted about everything and nothing. Lando shared stories about his travels and racing, though he didn't mention the specifics of his career, and Y/N talked about her work and the quaint village she called home.

"I have to admit," Y/N said after a while, "Monaco is beautiful, but it can be a bit overwhelming."

"I can imagine," Lando replied. "It's a different world here. But it does have its charm."

"It does," she agreed. "Especially today."

They reached her hotel much too quickly for Y/N's liking. She turned to face Lando, feeling an unexpected pang of sadness at the thought of their walk ending. "Thank you for walking me back," she said sincerely. "And for standing up for me. It means a lot."

"Anytime," Lando replied, his eyes meeting hers. There was a spark there, an unspoken connection that neither wanted to break just yet.

Impulsively, Y/N stood on her tiptoes and pressed a soft kiss to Lando's cheek. "Thank you," she whispered against his skin before pulling back.

Lando blinked in surprise, his hand touching the spot where her lips had been. "You're welcome," he said softly, his voice slightly hoarse.

Y/N smiled, feeling a flutter of excitement. "Maybe we'll see each other again before I leave?"

"I'd like that," Lando replied, his eyes shining with hope.

With a final wave, she disappeared into the hotel, leaving Lando standing on the steps, a smile playing on his lips. There was something about Y/N that he couldn't quite forget. As he walked away, he couldn't shake the feeling that this wasn't the last time their paths would cross.

[obxanon]

Addressing the OBX drama and the speculations:

Was JJ’s Death planned?

No, Rudy asked to leave the show. It wasn’t something the writers planned. He didn’t want to renew, the writers were rightfully upset and then decided to kill JJ off.

Did the writers/producers create an uncomfortable set?

No, they didn’t. This post is not true. The brothers were never inappropriate.

Was Madison a bully on set?

I’ve seen a post going around of someone saying Madison was a bully, controlling the set, and bluntly treating Rudy and crew members like crap. That is NOT true. 

Was Rudy’s decision sudden?

Yes and No. No as in he let the Pates know ahead of time he didn’t want to continue (some time during the strike, so they had time to change what was already written). Yes, as in they were shocked by it.

Was there on set drama between Rudy and the Pates?

Yes, there was many disagreements/personal problems during s4. Yes, Elaine was involved and so was Lilah Pate. They are civil now.

Why did every ship but Jiara get a still?

The jiara still does exist but idk why it was not released. My source doesn’t know either and I don’t want to spread something not true. Rudy and Madison took pictures just like everybody else did.

Why did the cast chemistry seem off in part 2?

They shot episodes 1-5 first, THEN 10, then 6-9. The cast didn’t know rudy asked to leave until they received the script for episode 10. You can tell there was a drastic change between JJ and Kiara in part 2 because after the cast found out, Madison was upset with Rudy and his decision, so she didn’t put in as much effort into the scenes with him. She was upset because she knew that would mean the near end of obx and her character… in a way.

Was there alternate endings?

Yes, but that was only because they wanted to see if rudy would change his mind. There was even scenes where a funeral was shot (obviously they didn’t air it so I’m assuming they’re saving it for s5). From March-June of 2024, they spent the entire time doing reshoots of some scenes. That is why some things don’t make sense.

Did Rudy and Madison talk on set?

Yes, but not closely or anything. They’re not friends, they just did the scenes they had to do and that was it. All those people saying they’re hiding their friendship from the cameras or whatever… that is not true sorry. The pates can’t force them to act like best friends as long as they were doing their scenes.

Why did Jiara have “less” than everybody else?

It’s true that Jiara scenes were toned down. Part of it was Rudy asking for it. Madison didn’t care as much. Another part was just Rudy and Madison not doing more than what the script asked.

Was Elaine uncomfortable with Jiara scenes?

Yes, and she has been since s2. It got worse during s3 and obviously s4. That was part of the conflict.

What is the Rudy and Madison Drama?

Obviously what happened between them is private. It wasn’t the fans. The fans were more so the catalyst to something that had been brewing. 

It is true that the girlfriends are involved and that they weren’t happy. Madison hurt Rudy, but not by being a bully. It was emotionally. The feeling was then returned on his end and it just got worse from there. It didn’t help when the girlfriends and fans were involved. It is true that it’s not a coincidence this happened when they both got involved with relationships. Most of you have speculated correctly, that is all I will say. I think you know by now what I’m trying to say.

Also when I say fans, I don’t mean the “shipping.” They never cared about that. What I do mean is that all this drama happened when Jiara fans were at their peak. Them wanting to see those characters together put Rudy and Madison in a problematic situation because they knew they couldn’t avoid each other on screen. Instead they just did so off screen.

Should the Writers/ Directors/ Producers stepped in?

Yes, but what I need you guys to understand is that these writers were basically father figures to those actors. They watched them grow their careers, supported them, made them who they are now. It’s hard when you spent so much time with each other and became a genuine family. Even their conflict with Elaine was hard because Jonas knew her family, his wife treated her like a daughter, and lilah treated her like a sister. They had every right to be bitter because from their POV, it’s basically like “hey I trusted you to bring my project to life and now I’m being forced to go in a direction I never wanted to go in.”

What’s going on behind the scenes right now?

A mess. They knew it would be bad but infact it is worse and they know that.

Am I reliable?

Honestly I don’t care if you believe me or not. You didn’t before and I got attacked (literal death threats in my inbox). I’m just a messenger. I’ve given you info before and clearly I didn’t lie about it. It’s up to you to decide.

[sixosix]

synopsis in which satoru really needed to start reading the gc more often. solves a lot.

tags slight making out scene… satoru is an asshole but what’s new, satoru is also hopelessly infatuated, all the readers i write are emotionally constipated sorry, getting together(?) fluff bit angsty tho

a/n this is a little stupid and unrealistic but bear with me because this is my first time writing in a looong time to get back in the groove of writing ^__^

Shoko wrinkled her nose as Satoru made the show of tossing a crumpled-up vending machine can into the bin on the other side of the street. It landed perfectly in the middle because why wouldn’t it? Emboldened by the impressed glances of passersby, he reached for Suguru’s pocket, where there was a balled-up paper in his bontan pants. Suguru winced when it was your head instead, where you had started crossing.

Your glare cut a thrill down Satoru’s spine. You huffed and bent down to pick up the trash, your knuckles white, like you were imagining it was Satoru’s head instead. Satoru was just appreciating how gracefully you’d bowed, the curve of your back captivating him for a moment until Suguru elbowed him.

“Stop littering,” Suguru said sternly, but his eyes spelled out that it was not about the littering.

Satoru shrugged. “I wouldn’t have missed if it weren’t for Y/N.” 

Satoru called out after you as you dropped the paper ball into the bin directly. “Oi!” You ignored him and continued walking, a considerable distance lengthening between you and the three. “Ha, you embarrassed?”

“Anyone would be if they were seen with you,” you spat out almost reflexively, then blinked at your own words. Satoru almost swore you wanted to apologize, but you composed yourself by turning your back on him altogether.

Satoru grinned. “It’s okay,” he said. “Shoko and Suguru don’t need to know I had to save your ass from a low-grade curse.”

You didn’t dignify his taunt with a response, but your shoulders tensed for a moment.

“So moody. How does your boyfriend put up with this?” Satoru snickered as he eyed the back of your head. He relished in the way a vein pops on your temple, breathed in the way you looked over your shoulder just to say—

“Shut up, Satoru. I mean it.”

He wasn’t unfamiliar with envious or hateful gazes; it came with his birth, really. Awe and fear and there are impossibles, but not for Gojo Satoru said with contempt—he didn’t care. Yours were different. He took pride in affecting people in ways where they could never ignore him, but the way you looked at him felt thrilling. He wondered if your boyfriend saw how your eyes would set ablaze for Satoru.

But he didn’t actually care, he would say. He never cared for a lot of things. It showed, at times, others would say.

“Whoa, did someone get their heart broken today?” Satoru whistled, his tone lilting upwards in what seemed to be a way to lighten the mood. No moods were lightened.

Your head whipped around to give him a look that had him frozen on the spot. His eyes widened behind his shades. He felt like that paper ball at the moment, about to be squashed flat against your palm. That look felt familiar, but not in the way that he knew he was familiar with because of you. It was familiar because of everyone else.

Suguru shot him a look that said he would’ve shoved him had it not been for his Infinity on. “Satoru.”

You walked on ahead, brushing past them with hiked-up shoulders. You looked like you were about to break at the slightest touch—it looked wrong. You had always looked so strong in Satoru’s eyes. Not stronger than him, of course, but… seeing your lip tremble like that made him itch the wrong way.

Satoru glanced between Suguru and Shoko, lost. “Am I missing something?”

Suguru said, “You didn’t hear?”

“Oh, so you know, but I don’t? What is this? Leave-out-Satoru club? You have a group chat without me?” Satoru did not mean for that to come out that bitter.

Shoko exhaled, smoke faintly billowing from her lips. She regarded Satoru with a look. “Maybe if you actually read our group chat with you, you wouldn’t be so ignorant.”

And so Satoru scrolled through his phone, wounded. Suguru and Shoko whispered among themselves as his eyebrows arched up so high that he looked elated.

“That’s it?” Satoru scoffed. “Trouble in paradise? Y/N almost got hurt by a curse because of some man?”

“Idiot,” Suguru sighed. “You’re also a man.”

Satoru knew what was going on in Shoko’s head with her expression. She was calling him trash. “They’ve been together for years. Before Y/N even met you.”

Satoru bristled. “So?”

“So don’t think of this as some chance,” Suguru said. Since when was he some love expert? “And stop terrorizing. No one brokenhearted would want to see your stupid face.”

He gaped. “So rude!”

And then he backtracked. “And I wasn’t thinking of this as a chance.” He was. “I don’t even like Y/N like that!” He does terribly. “I’m just glad I don’t have to hear from that asshole non-sorcerer again. Have you heard the way he says baby? Even through the phone, it gives me the creeps.”

Suguru hummed thoughtfully. “He was an asshole.”

Shoko laughed. “That asshole got to date Y/N before you, though.”

Satoru decided to spare Shoko, feeling too delighted to let anyone ruin it.

“Did you read all the messages?” Suguru asked.

“Nah.” Satoru stared at the back of your head. “I got the gist of it seeing Suguru’s reply, ‘he was an asshole anyway.’” He flashed his teeth and quickened his pace. “Come on, before Y/N gets flung around by curses again.”

Suguru and Shoko shared a look that he missed completely.

You eyed the plastic bag Satoru was holding out distrustfully.

It was too dark already, but that was no problem for Gojo Satoru. He came here—your room, your door—with a mission in mind. That mission involved ice cream because he saw in movies that people liked to eat ice cream and cry after breakups. You weren’t crying, which relieved him, though he didn’t know why. He wanted to convince himself it was because he didn’t want to deal with tears, but he couldn’t lie to himself well when it came to you.

“Nice try,” you said, pushing it back to his chest. You startled at the cold.

“What— It’s not poison!” Satoru said. He flicked it open and showed you his gift, one you should appreciate for his efforts and thoughtfulness.

“Ice cream?” you said suspiciously. Then it dawned on you. Your lips turned up in a disbelieving smile. He'd take it much better than the look you gave him that day, even when dregs of weariness dulled your eyes. “Were you worried?”

You looked awful, which was probably the norm for someone going through a breakup from a long relationship. Satoru didn’t like your sad face at all. It pissed him off, like some puzzle piece that didn’t fit. Still, to Satoru, he supposed anything was better than not getting to see your face at all.

“Yeah,” he found himself saying before he could think about it.

Your face fell. “Satoru.”

“Just take it, or else I’ll eat it in front of you.”

Your hand gripped the door tighter.

Satoru cleared his throat. “Okay, or you can just shut the door on me and go back to sleep.” And then, silently: “You can just take it, and I’ll leave.”

You stared at him as if expecting him to take it back.

Satoru felt his face warm. “Are you gonna take it or not?”

“It creeps me out when you act nice.”

He glared. “I’m always nice, but I’m not creepy about it.”

Your shoulders relaxed. You took the bag from him with a smile that felt like a shared secret. “Do you wanna come in?”

His first thought was, holy shit, but what came out was, “Sure, I don’t care.”

He had never been in your room before. Shoko was, a lot of times, most of the time. Suguru managed to, here and there, when you needed some help with heavy lifting. You kicked Satoru every time he used to even think about it. Your room was more ordinary than he expected. No posters, flashy souvenirs, or even clothes strewn over your bed. It looked lonely.

There was a box in the corner beside your closet that looked entirely out of place. Satoru must have been staring at it for a moment too long as you said, “Those are my ex’s clothes. I stole many of it, but I don’t want to wear them anymore.”

Satoru’s curious gaze turned into distaste. “Want me to get rid of it?”

“What?” You laughed. “I’ll just give it back.”

Satoru bounded over to the box and crouched, peeling the cover open. “Why not? There’s a dumpster nearby.”

“Well, they were nice. Not my ex, I mean the clothes. Felt expensive—I’d rather he take it back.” Always the goody two shoes.

“Hmmm…” Satoru lifted his head to stare at you. “Did you like wearing them? You can borrow mine. Much better than these cheap knockoffs.”

Your eyes flashed with interest, and Satoru knew he had said the right words. His clothes were no joke.

You blinked at him, a deer in headlights holding a tub of ice cream. “Are— Are you sure? It’s not like I actually need them—”

Satoru wanted nothing more than to see you drowning in his clothes. Instead, he said, “Yeah, I don’t care.”

He shrugged off his jacket and offered it to you. He felt a gust of cold, which should’ve been wrong to him, but he didn’t pay it any mind when you took it from him and stared at it. Your gaze shifted hesitantly between him and the red fabric. Your bottom lip started trembling before you bit it between your teeth, something Satoru wouldn’t have caught if he wasn’t staring. You whirled around and shoved the tub of ice cream in your mini fridge. What a shame. He was really planning for you to share it with him.

Satoru stood up, kicking at the box. He asked, “What were you doing before I left? Boring stuff? Were you watching sad movies without ice cream? It’s a good thing I came over.”

“You didn’t have to, I’m fine,” you said. You slipped into his jacket, the sight arresting him for a moment.

Satoru frowned. Something was definitely wrong. Maybe you were feeling tired? You must have been—emotions tend to wear out a person faster than any physical means. “Hey, lie down on the bed. You look like you’re about to crash.”

“I’m not,” you muttered but followed anyway because you must have felt it, too. “I’m not.”

You winced as your head collided with your pillow. It was unusual for you to succumb to rest while Satoru lingered in the same space.

“Sorry,” Satoru choked out, suddenly feeling guilty by the strong urge to embrace you. He was already crossing far too many lines today. He didn’t want to taint your memory of heartbreak from your ex with him.

You turned to face him, your hair splayed all over the pillow. “What?”

“For yesterday. I didn’t know. This, I mean.”

“You read the messages?”

He nodded. “I did.”

“That’s it? You’re not—” You yawned, blinking. Satoru was performing the highest level of restraint at the moment. “I mean, you’re not, like…”

The air was charged with something dangerous. Satoru looked away, thinking. He wanted to ask, did you expect me to care that much? But he knew the answer to that—he does.

“Satoru,” you said lowly. He shivered at the quiet of the night and how he can almost feel your voice. “You shouldn’t be so nice to someone heartbroken. Don’t you know how dangerous that is?”

Satoru sat on the edge of your bed, “That doesn’t make any sense.”

You looked up at him. Satoru felt want in his belly. It was dangerous, he realized, for him to be alone with you like this. It was wrong—but he never went doing everything right anyway, if it meant he could watch as your eyes flutter, as you longed for something he could never have from you once the wounds on you have healed.

“Doesn’t it?” you said. “You’re confusing me, too.”

Satoru realized his Infinity had been off already, though he didn’t know when. Was it when he sat on the bed to feel the softness of your sheets? Or was it already back then, the moment you opened the door, he was already longing for you to touch him?

“You’re so cruel, Satoru,” you murmured. “I hate you.”

Weakly, Satoru said, “I know. Get some sleep. I’ll leave soon.”

“Don’t leave.”

Satoru screwed his eyes shut, frustrated.

“Satoru.” He could listen to you say his name forever. You sighed his name in a way that felt like what aches in his heart whenever you even look at him.  “You didn’t read the messages, did you?”

“Did I miss something?”

“If you want to kiss me so bad, read it.”

His eyes shot open wide, a bit terrified. “What?” he said, dumbstruck. “Y/N— What?”

Clumsily, with no grace whatsoever, he fumbled with his phone, your words racing in his head. If you want to kiss me, read it. He bluescreened. If you want to kiss me—

you satoru doesnt read the messages here, right?

you i hate him if i never met him maybe i wouldnt have figured that i was not content with the love i had

you how do i even deal with this? i got dumped by my bf and he tells me if i love satoru so much why not just date him instead

you i love him can someone please comfort me

shoko oh no

shoko condolences for liking the most insufferable man on planet earth

suguru im sorry he’s an asshole you deserve better y/n

shoko the trashiest asshole are you sure about this?

you more than anything, unfortunately

Wait.

The asshole they were referring to was Satoru?

Wait.

Satoru jolts up from where he had been hunched over his phone, gaping at you. “Y/N,” he whispered reverently. “Y/N!”

You placed a hand on his chest as he moved towards you, preventing him from crashing into your space. He faltered. “Wait,” you laughed softly, languidly, beautifully, “not now. I’m sleepy.”

“No, fuck that,” he said, helpless. “Y/N!”

“It’s your fault for not reading our group chat.”

‘Kay, well. Satoru’s eyes narrowed like a cat prepared to pounce. “You can’t just make me read that and keep me from you like this. Why were you so mad at me yesterday?”

“Because I love you, and now my life is over,” you said, smiling.

“Say that again,” he demanded. 

“My life is over?”

Satoru was seconds away from crying. “Y/N, please,” he said, “say you love me again. Say it now.”

He held the hand on his chest and kissed it. Kissed it again, the back of your palm, your fingertips, repeating the same three words.

“I love you?” you said.

“Well, don’t sound so unsure about it.”

You laughed. “Do you even like me back?”

Satoru stared from the rim of his glasses. Instead of replying, he tugged you closer with your arm and kissed your jaw. He hoped you would get it—that you would understand. He loved you first.

“More than anything,” he echoed. He looked into your eyes, your lips, torn. “Please, let me kiss you. You’re hurting me.”

“Oh, I get a please now?”

Satoru’s eyes sharply dart down to your lips. Your grin faltered at the intensity of his stare. You swallowed, and he tracked every movement.

“You look a bit manic right now,” you said nervously.

“I’ll show you manic.”

You smiled, bumping your ankle against his back. When he glanced at it, you inched closer. His heart leaped to his throat, threatening to come out and get you.

“Are you seriously going to make a move on me now? My heart is broken, Satoru.”

“Is it really?” He grinned. “Or is it just split with me?”

“Okay, smartass,” you said, rolling your eyes. “Just kiss me already.”

Satoru cut the distance between the two of you. He crashed clumsily, making both of you wince, but he tilted his head and suddenly— much better. He held you closer, hoping he could wipe away any other men from your life with all he could offer—him, needy, longing, crazed.

“Satoru—” you tried, but it was swallowed by his mouth, wishing you could breathe his name from your lips to his. This was almost as good as hearing you say you love him anyway.

[thedarkdisgrace]

Ok, follow up post to the original cause I wanted to actually offer my analysis/interpretation on this.

I feel like this is a right/left brain analogy 🧵

Dazai covering his right side, the side supposedly responsible for the emotional & artistic things. It says alot about his mindset, accurate for that time.

It’s intriguing, then, Kouyou covers the “logical” side

I feel like this lends to why Chuuya & Kouyou do get along well. While both Chuuya & Kouyou are no doubt very intelligent (Asagiri literally refers to Chuuya as a genius) they both still lean very much into their emotional side as well. Even if Kouyou seemingly does so less.

Kouyou reveals herself, however, not only in her care for Chuuya but we mainly see it how she handled the situation with Kyoka.

She could have insisted Kyoka come back without ever changing her mind but when Dazai presents her with a way to save Kyoka from dark, she agrees quickly.

Kouyou clearly cares & wanted to help & protect Kyoka even if she went about it poorly. She was trying to help based on her past experiences, lest we forget that she tried to leave the mafia herself once, for *love* no less. She also tends to get emotional when talking about her past or her wish to help Kyoka.

But once she was presented with another solution, a far better one, she didn’t do “what’s best for the mafia”. Kouyou agreed to what was best for Kyoka & that was definitely a more emotional choice.

This is an area where Chuuya & Kouyou align. So, of course they would get along.

Chuuya always seems to find the balance between his logic and emotion. However, he can easily & often does lean more into his emotional side first, then his logical side.

It’s similar for Kouyou, even if we don’t see it as much from her.

Back to Dazai then, when he left the mafia & the cover on Dazai’s “emotional side” was gone Dazai seemed to also move more towards that balancing of the two sides.

He started off heavily relying on his logical brain & struggled emotionally. Often feeling numb or apathetic mostly, hence his suicidal ideation.

Then he meets Chuuya & this shifts. Chuuya forces him to experience new feelings. As Chuuya is a living breathing example of most things Dazai felt the world lacked. It opened Dazai to the idea that there is more to the world, there is more to *people*. Chuuya intrigues Dazai enough to make him want to live a little longer again. Chuuya gave him a reason to keep going, a promise of more.

From the moment he met Chuuya, it was a process of letting more & more emotions seep into his mind & his heart. We see how he feared for Chuuya in 15 even after they just met, even though Dazai *knew* it was a plan.

I might even venture to go as far as to say Dazai may not have feared for someone else’s life that hard before. It was a burst of unrecognizable emotions to him. After this, he only had more & more emotion seep in as the years went by. In Storm Bringer he was ready to sacrifice the city to give Chuuya a choice.

That relationship opened Dazai up to others later, namely Oda & Ango. Which only further encouraged the intermingling of his logical brain and his emotions. Then reaching the point at which the bandages were finally removed entirely and then he, like Chuuya, moved to striving to find the balance rather than relying on one side.

Bringing us back to current Dazai as he is still attempting to find that balance.

He still leans more towards his logical side. This, of course, in contrast to Chuuya who, while intelligent, more easily leans into the emotional.

Yet another thing between them that completes & balances each other. Soukoku will always pull the other back when drifting too far.

So, of course, Soukoku complement each other & it benefits them both.

Having Kouyou on Chuuya’s other side I think also does help Chuuya stay grounded while in the mafia. Chuuya isn’t one to lose who he is but I think having someone else who he knows *cares* like he does helps.

Now, additionally, if we apply this to Beast, I think this also says alot about beast Dazai & why Asagiri says beastzai would be the hardest for someone to portray.

Because *this* Dazai, is perhaps *too* far into his emotional side. He’s always intelligent but in beast, his actions aren’t fully logical, they’re emotional.

He appears cold & calculating as always but he saw another version of himself suffer the great loss of a best friend & allowed his emotional desire to prevent that from happening take control. Thus, his emotional side takes over, thus him covering the opposite side from canon Dazai, he’s covering his “logical” side.

I feel like this is the main difference between all the various Dazai we’ve seen.

PM Dazai relied heavily on his logical side, especially before meeting Chuuya. He rarely took emotion into account unless it involved the 3 people he actually cared for. We see him make emotional choices when it involves Chuuya, Oda, and Ango. Dazai did seem to let more and more emotion seep in over time as a result of knowing them, however, leading to that moment the bandages are removed.

Beastzai is leaning far too heavily into his emotional side, getting lost in it even. Acting solely on an emotional desire rather than a logical one. His desire to prevent a tragedy. He only was using his intellect to further that emotional desire.

Canonzai went through a steady progression, meeting Chuuya starts to open him up, this extending over time to Oda & Ango, leading to the cover on his “emotional” side being taken off.

But beastzai skipped all of that, all the *progression* to that point for canonzai & so beastzai just got all these intense emotions he never experienced before all at once when he saw canonzai’s memories & therefore he sunk far too deep, too quickly into his emotions.

Now current/ADA Dazai is the balance of the two extremes, and seemingly the closest to happiness.

ADA Dazai uses his logical brain as always but he also actually takes emotion into account as well and has more people he actually cares for now.

I think that says alot to the theme of bsd, leaning into that “everything is grey” dynamic. Everything is about the *balance* of things. Showcasing that anything in extremes in either direction doesn’t work.

Anyway, just some thoughts I had and interpretations of mine. Take them as you want, as always.

Oh and just to be clear, I don’t think Dazai was ever “emotionless”, even at his worse. Even if he was numb and apathetic. He was also lonely.

Just saying the more people he came to care about (Chuuya, Oda, Ango then later the ADA) the more he was able to feel a variety of emotion.

My original post:

[flawseer]

"#21 - Ancient", follow-up

I'm not going to be able to finish Smaugust #23 today, so that will have to wait until tomorrow. Apologies.

Instead, for a change of pace, let's talk about something different. I've seen a few reactions to my submission for day 21 that wondered what on earth must have possessed Secretkeeper to romantically pursue Morrowseer, and what that must have been like. Did they love each other? Was there any tenderness or affection between them? I figured I should give you my take on them.

I believe that Morrowseer--somewhere deep within his black, twisted lump of a heart--did indeed have feelings for Secretkeeper. You can kind of see this in the Prisoners short where he very unfavorably compares Farsight to Secretkeeper and sings the praises of the latter. He holds her in high esteem and seems to value her intelligence. He probably really wanted to have a meaningful relationship with her.

Unfortunately, he is wracked with the burden of having to be Morrowseer; a bitter, deeply unpleasant, emotionally shallow old dragon incapable of the humility required to be compassionate. For all the prestige and clout that Morrowseer has as an elite member of the Queen's court, his social life seems very empty and sad. He has no friends, only co-workers (who don't like him) and underlings (who butter him up), and I think he feels incomplete because of that. To fill this void, he fixates on asserting his importance and is desperate to maintain his status. He deeply desired to be the father of the prophecy Nightwing--which would have cemented him as the one dragon who saved his tribe--and the fact that he failed to sire a child in time not once (necessitating Starflight), but twice (necessitating Fatespeaker) eats him up on the inside. He perceives this as a huge failure, and Mastermind (who succeeded where he failed) picked up on this and mocks him for it. His entire conversation with Farsight reeks of "I am mad and jealous that your kid is special! It should have been mine!! Goddamnit why wasn't it mine!??"

For Secretkeeper's side... no, I don't think there's any deep affection there. I don't think she anticipated this relationship happening in the first place. But she did want to have a child, and when Morrowseer approached her, she weighed her options. If one can stomach living with someone like Morrowseer--who always has to be the most important person in the room--it's not an entirely bad deal. You get a lot of social clout as the Queen's right hand's mate, and since Morrowseer is exempt from the strict food rationing policy, you also get to eat. And he actively wants to have children to secure his legacy, which, if that's what you want as well, is pretty good. So in my mind she probably just went "Yeah, I can probably make this work. I'm sure he's not as bad to be around when he likes you." and agreed out of convenience.

But I doubt she loved him. There isn't really a reality where I can reconcile "She loved him" and "She kept their shared child a secret from him because she did not trust him". The only thing Secretkeeper genuinely loved about Morrowseer was that she was able to have Moonwatcher. So she stuck it out for her daughter, and I don't think she was upset for very long when Morrowseer died. She might have even felt a sense of relief that she didn't have to keep lying anymore.

I've seen people point to the fact that Secretkeeper felt a desire to tell Moonwatcher who her father was, and then posit that this means she did have feelings for him. I'm not sure I really agree. All that tells me is that she has feelings for Moonwatcher and wants her to know the truth. But if the truth is "I didn't really love your father, he was an awful and unpleasant person and I was just with him so I could have you", it becomes understandable why she would choose not to tell her.

That's my read of the situation anyway. Yours might be entirely different!