#if its easy if its fun then somethings missing

[heavysighing-dreamyeyes]

Devout

Guardian Angel alternative POV, or Jason Todd is the Arkham Knight, and he can't stop himself from watching you, from clawing his way into the cracks of your life in a twisted, mangled mirror of what he used to be ~3.5k words

CW: Jason commits a few murders, some gore, stalking, some religious imagery for fun

Jason Todd shouldn't be watching you. He knows it's wrong, knows he shouldn't be perched on the shadowy rooftop across from your apartment building, staring intently into your windows.

He knows. He knows. But he's doing it anyway– been doing it for weeks.

You haven't noticed once, so wrapped up in your own life, your peace of mind that no one would break the sanctity of your own home that you don't even consider closing your blinds.

He thinks you should know better. Gotham is tainted– he is tainted– yet you never spare a glance over your shoulder when he follows you down the street, never linger on that sixth sense that screams that you're being watched.

You pick up on his presence on the rare occasion, he thinks. The days you walk home quicker or the nights you actually slam your blinds shut makes him wonder if you do know you're being watched. But then you go back to normal, brush off every sign and every lingering feeling that something isn't right.

It almost makes him angry, sometimes, that you'd be so careless with your safety. But everything makes him angry now. It's a constant, tight grasp in his chest, the righteous fury he has against the world, against the city and its filth, against Batman.

The anger makes him reckless, or maybe he's just cocky. Maybe he wants you to know he's there. Jason doesn't let himself wonder why he does it. He might just be a masochist. He might just miss you. But he opens the faulty window to your living room that he knows squeaks and never quite locks right.

The first time he breaks into– visits your apartment while you're asleep, he doesn't touch a thing. He just takes in everything that's you, cleanses his fractured soul in the space he used to know like the back of his hand. The trinkets that sit on your counters. The paintings on the wall. The color of the blankets thrown over your couch.

He doesn't touch anything the second time, either. Or the third. The fourth time, though, he picks over the photos you keep on your shelves, the books you leave lying around. He moves them, just slightly. Just to see if you'll notice.

You don't. Not really. Not until the eighth time. He doesn't know why he does this either. He just does. He picks up your keys from where you usually keep them and moves them. It's something you can't deny. Something tangible and real and clear, an unyielding truth. He was here. He exists, and he can affect your life, change it with his hands.

(It's the first time he feels like he's truly alive since the asylum, the first time there's more than just revenge and watching you from afar, even if he feels like he's corrupting something that's only meant to be seen and not touched by impure, broken hands)

If your keys being displaced affects you, well, you don't show it for more than a few moments. And that bothers him. You might not know he's here– alive– and maybe he's not ready for you to, but he's still a part of your life, isn't he?

So he gets bolder. He doesn't want to scare you, not really. But he can't help but dig his nails into the parts of your life he can change. It starts simple, innocent. You were annoyed when you left your kitchen, out of sugar, just another thing on top of everything else you have to deal with.

And he wanted to help. Like he used to. It was easy to get a bag of sugar, even easier to sneak into your kitchen. He leaves just enough for a few days, just enough to get you through the week, enough that you'll think you misremembered how much was left.

And he should have left it at that. But he's never been good at doing things halfway, especially when it comes to you. So he fixes your apartment up while you're at work. Makes sure your window doesn't squeak, your shower doesn't rattle, your oven actually heats up. All things he's heard you try to get your landlord to fix.

He makes a note to give your landlord a visit as he's looping the footage in your cameras over, effectively erasing any evidence of who he is.

Honestly, he's proud of you for finally doing something about him, it's just a shame he has the skills to outmatch your attempts to figure out his identity. Not that any pictures of him would do any good. He's still nameless in Gotham as the Arkham Knight, and if he's not wearing a mask while he's easily picking the new lock on your apartment window, his hood and ballcap do the job of hiding his face just as well.

He thinks he could let it go on like this forever, just doing things for you in the shadows, never revealing himself. At least until he's routinely following you home from work one night, and he sees you get tugged into a dark, lonely alley. He recognizes the man that hauls you off the faux safety of the streets, the one that's lifting a shaky hand and a gun to wave it, demanding your possessions.

Murphy is a nobody in Gotham, just another gambling addicted alcoholic that takes work from whatever rouge is paying the most that week. Jason more or less only recognizes him because he lives on the third floor of your apartment building, but it's clear you don't know who the man snatching your things is.

The Arkham Knight resigns himself to stealing your wallet and phone back after you've gotten home, to keep himself out of your sights for as long as he can. That was the plan.

But there's a flicker in Murphy's eyes, a consideration– a passing thought that Jason can't ignore, one he's seen a million times. Maybe it's the idea that he could get more from you, or maybe he's realizing you've seen his face and wants to get rid of any witnesses, whatever it is, Jason isn't going to let it happen.

The Arkham Knight doesn't hesitate to drop himself between you and the gun. He breaks Murphy's arm without even thinking about it, effectively disarming him as he kicks the gun away from him. The sound of his bones breaking is loud, but Jason doesn't register it as something to be sickened by until he turns and sees the nausea and horror written plainly on your face.

Honestly, maybe he should be more disgusted with himself. He's just sent a man into shock, revealed himself to you in a way that's not at all comforting. But he doesn't care. No one was going to save you. No one but him. He protected you, and it's not like Bruce Batman– it's not like broken bones are uncommon in Gotham.

You take a step back. He steps towards you, drawn to you. He can't help it. He shouldn't. But his head is spinning, and he hasn't been this close to you since before the asylum. You look tired, older, but no less beautiful than he remembers.

"Who are you? What do you want," You snap at him.

Jason wants to praise you for your bravery, as fake as it is. It's a good tactic, to try and get him talking. He doesn't understand why you look so uneasy of him, though. He got you out of a bad situation, even if he's wearing military-grade armor and a mask that glows in the darkness of the alley, shouldn't you feel grateful? Safe? Happy?

He tilts his head, trying to read you. Would you feel better if he offered to walk you home? "I saved you," he tries, the modulator making his voice sound flatter than he intends to. The Arkham Knight silently curses himself. He should just leave. Should have shot your attacker from the roof without you ever seeing him. He's being emotional now, irrational under your gaze.

"You've been following me. You're the one who's been in my apartment," you accuse, eyes darting like you're trying to find an escape in the dead end alley.

He stiffens. Huh. Clever thing. You've always been too smart for your own good. A part of him wants to deny it, pretend he's just some passing good doer in a mask, pretend that he's some kind of knight, an angel here to shield you from harm.

The notion almost makes him laugh, "Have I," he prompts instead with all the air nonchalance. He wonders if you'll drop it then, actually thank him for stepping in and helping you. You don't.

"Yes," You say instead, voice low like it's a secret– a confession, "You have."

Jason finds himself impressed at your stubbornness, if not a little unnerved by your recklessness in confronting the supposed stranger you believe is breaking into your home alone. He has to give you credit for piecing it together, but who else, if not a freak in body armor, would be letting themselves into your apartment without a word just to fix what's broken?

He nods, unsure of what to do. You weren't supposed to figure it out, but you have. And now there's consequences.

The Arkham Knight turns his back to you, making a show of gathering your phone and wallet before standing and facing you again. He walks closer to you, each step measured and calculated. He holds your belongings out to you, a twisted, mirrored version of some kind of sacred offering.

He studies you as you grab at them, trying to tug them from his unyielding grip. There's bags under your eyes. He can practically see your pulse jumping under your skin.

You're less than a foot away, and Jason basks in that distance, how light he feels now that you're only an arm's reach away. He could brush his knuckles over your cheek, dip his head to take in the scent of your hair, kiss the hollow of your throat the same way he used to.

He does none of those things. Because you don't see Jason Todd. You only see a threat, a monster, some kind of demon that clawed their way out of the shadows and cracks that litter Gothams hallowed corners.

He cocks his head, letting go of your wallet and phone while greedily drinking down the color of your eyes in the dim light of the alley, "And if I have?"

"I'll go to the police," You tell him, defensive, and he wants to laugh as you shove your wallet and phone back into your pocket.

"They can't help you," he grits out, and it's the truth. No one knows who he is yet, what his plans are. Even if you told someone, whatever description you give won't be enough to find him.

"They can contact Batman," you bite out, and that does earn you a laugh. You really think Bruce can do anything? That Batman has any chance of standing between him and you? Batman couldn't even find– couldn't even save–

"He can't help you either," The Arkham Knight tells you. He gives into his desire to touch you then, partly in anger that you still believe in Batman and partly because he just misses you. He pats your cheek, but doesn't let himself linger. "Get home," is all he says before he grapples into the night.

He follows you back to your apartment from the rooftops and notes how you avoid getting too close to any more alleys. But, it's not until you're safe in your bed that he goes looking for Murphy– that he goes to finish the job.

The creep's nursing his broken arm in his dingy apartment when The Arkham Knight gets to him. He doesn't make it quick, but it is quiet. (It's difficult to scream when you're choking on your own severed tongue, after all) He brings down fire and fury and vengeance for daring to lay a hand on you and leaves nothing behind but a corpse.

Murphy's brutal death is swept under the rug by the GCPD, which Jason shouldn't be surprised by. Just another mob death, the tiny obituary in the paper reports. You don't even register the death in your apartment building. He doesn't blame you for that. Not when he knows he's scaring you.

He's getting careless, sloppy. He wants you to catch glimpses of him now, he wants you to know he's watching. It's sick. He knows that, knows it so well that it claws in the back of his throat when he breaks into your apartment to fix your fan.

He's guilty about it, sometimes. It's a pressing weight on his shoulder even when he's trying to help. So, he redoubles his efforts.

He sneaks into your room and stuffs six hundred dollars into the emergency fund you keep under your bed. He sends you flowers, fills your gas tank, finally visits your landlord, and pays off your rent for the next six months. (He's already bought you a better, newer apartment, he just hasn't figured out how to tell you that)

He knows it's all wrong, but sometimes, he doesn't feel guilty at all. He wants to do things for you, that's not a lie. He wants to do everything and anything you could ever want or ask for.

He starts letting you catch flashes of him outside your window, moves your things around just out of the sheer curiosity of what you'll do. He can't justify that, because it does nothing to protect you. But he does it anyway. The Arkham Knight needs you to know he holds a spot in your life, even if it's not as Jason Todd anymore.

He's getting bolder, much too comfortable. There's times you almost walk into your apartment as he's leaving gifts on your counter, times when you wake up and walk into your kitchen just seconds after he forces himself out your window.

He's going to get caught if it keeps going on like this. But he can't bring himself to worry or care. His plans are coming together, and while he doesn't exactly know where you fit into them yet, he knows he doesn't trust anything or anyone enough to leave you to your own devices once he unleashes his legions upon Gotham and her failure of a saviour.

He never seems to do the right thing when it comes to you, at least not since he came back. But saving you– guarding you against the vile filth of the world– that can't be wrong. He'd do anything to keep you as you are, untouched by all the cruelties Gotham has to offer. It's an unwavering, righteous mission he has commanded unto himself.

It's why he reacts the way he does when three men break into your apartment.

He was late. He always seems to be late when you're involved. He had just finished overseeing the arrival of tanks and men into Miagani Tunnel, just dragged himself halfway across the city for the slightest chance to catch a glimpse of you in your apartment, when he catches sight of it.

Your window– open. You never keep it open. Dread washes down his spine, and when he gets close enough to see the man pointing a gun towards the floor– towards you– he just reacts.

He shuts down, becomes nothing but instinct, and he brings hell on to Earth in your name.

He's clinical. He doesn't hesitate to shoot the man aiming a gun to your head through his temple. If the man were alone, he would have shot the gun out of his hand, but there's two other targets, and he needs to eliminate any threats to your life first.

He climbs through your window with the ease of a man who's done it hundreds– thousands of times. You haven't moved to get up. It concerns him, but he's angry right now, so, so angry he doesn't even consider ending this quickly.

Everyone tries to take something from him. He keeps losing. If he didn't come to watch– see you tonight, he would have lost you too. The very thought makes his vision blur red, his ears ring.

It's not a fight, what happens next. It's a death penalty. The Arkham Knight is a weapon, and he proves it with each hit. He's efficient, brutal, and purposeful with each movement. He doesn't flinch at the blood that splatters on his armor, doesn't stop even when fluids and flesh start to stick to the knuckles of his gloves.

He doesn't stop, doesn't slow, until the only hearts left beating in your desecrated apartment are his and yours.

Then, and only then, does the blood pounding through his veins start to cool. It's only then, does he turn to look at you. He expects to meet your terrified gaze, but you haven't moved, still laying on the floor. It makes his heart clench. What's wrong with him? He just– while you–

He shakes his head, slowly tugging his gloves off and stuffing them into his belt. He walks over to you, kneels carefully to your side, and watches you breathe. He matches the slow rhythm of your shoulders rising and falling, and then he helps you sit up.

You're responsive to that, at least. The Arkham Knight presses his hands to your face, waiting for something. He doesn't know what, just anything. Some kind of sign. A message of what he's supposed to do. How he can make this all better.

When you finally open your eyes, they're hazy, not quite reactive. It makes him angry all over again. You got hurt. He wasn't here.

"Saved me again," you murmur, and his throat tightens. He failed you. Yet here you are, spouting words that make it sound like he's done something good.

He runs his thumb over your cheek, savoring the feel of your skin, soothing himself and you as he reassures himself that you're still here– still alive. But you aren't safe.

It's all he can think about. He saved you, but how long until you're in danger again? What if he's not quick enough this time? What if he's not there? What if– what if– haunts him. It weighs heavier than the nightmares that plague him when he finally has to succumb to sleep.

He makes the decision then and there to take you away from here, away from the rot and the fester to some place where it can never touch you again.

He picks you up, cradles you to his chest like you're made of shattered, stained glass and tarnishing silver, but nonetheless precious. You're talking, and he's answering, but he hardly registers what either of you are saying. His mind is working over plans, where he's going to take you, the guards he'll need to recruit to watch over you when he can't, which ones he trusts the most.

Jason only tunes back in when you point out that he could hurt you. It's funny, in a way. After everything he used to be to you, after everything he's done for you, he could still hurt you. He tips his head down to really look at you, the cloudy, exhausted look on your face, the heaviness of your eyes as you struggle to keep watching him.

He can't find it in himself to lie, so, he tells you, maybe he could hurt you. He tells you that he wouldn't like it. (And it's the truth)

Maybe you recognize that, because you drop your head to his shoulder and let your eyes fall shut. The Arkham Knight never wavers in his steps, mapping the path to the apartment he'd purchased in your name in his head. It's not perfect, not filled with everything you deserve quite yet, but it'll do the job for now.

Something in him simultaneously softens and hardens when your breathing goes even and slow against him, and he curls his fingers tighter into your skin. You're weak. Weaker than him. Too naive and too soft for what's going to come.

There's no other fate for you than this now. He'll have to take care of you, protect you from it all, from all the evil that festers in Gotham, even if that includes him.

He lets the mission engrave itself into his heart– into the fabric of his very soul and right next to his revenge. You're going to be safe. He is going to keep you safe, and he'll throw himself into fire to see it done.

[goldwingangell]

oh my god this songggg

[poorly-drawn-mdzs]

Spice is the variety of life!

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[crescentfool]

happy mochizuki monday!!!

[iwoulddieforienzo]

Something really great about the persona 2 cast is that they all individually fucking SUCK to talk to casually. Every single one of them. They are all infuriating. We have:

Tatsuya, who will stare at you blankly if you try to initiate conversation (IS) and will dip without saying a word afterward (EP)

Batsuya, who will scoff and brush you off/otherwise act dismissive

Eikichi, who might honestly be the best to talk to in the IS crew and that is not saying much, who WILL talk extremely loudly over you (probably not on purpose?) and will not be paying particularly close attention to the conversation beyond whatever he wants to say (gets points for talking about his gf. gets points taken away for constantly talking about his gf)

Lisa, who will automatically assume bad faith and will be rude to you the entire conversation unless you manage to defuse her temper (good luck)

Jun, who is uncommunicative at BEST and requires an encyclopedic knowledge of flowers, metaphor and body language just to get a HINT on what he’s thinking, and who will be extremely polite but completely unhelpful. If you tried asking him what he wants for dinner I guarantee it will be the longest 30 minutes of your life as he goes “oh I have no opinion :) whatever you want. :))” EXCEPT HE DOES HAVE OPINIONS. He has SO MANY OPINIONS. He is Expecting you to be able to pick up on his “obvious” clues. He will be passive aggressive if you don’t. (Jun babygirl you suck so bad I love u)

Maya, who is a delight but will very quickly become grating if you try to talk to her about anything serious as she hits you with the white suburban mom's "how to live a happy, healthy life" lifecoach slogans. You can’t even mention, like, stepping in a puddle or something without her hitting you with the positivity beam.

Yukino is great actually. 10/10. She’s fabulous we love her. Incredible conversationalist, chill and fun and easy to get along with. But she’s from Persona One, she doesn’t Count.

Ulala, who WILL bring up her relationship problems in every conversation within 10 minutes at least once. Any longer and she will start talking about Maya.

Do I even need to explain Baofu. Have you seen him.

And finally, Katsuya, who is a cop and a kiss ass and Very Obvious about these things. Also he can't talk to women. He can barely talk to men. Help Him.

And yet they all work wonderfully as a group. They are so annoying I love them

[deep-sea-anemone]

Thinking about starting a discord specifically for One Piece fan authors/artists. Like, a place to bounce ideas around/share WIPS and get feedback.

Would anyone be interested?

[savage-rhi]

Fuschia/Magenta?

[im-still-a-robot]

Sailor Merope!!!

[maskofenigma]

another fallen london essay ramble whoo boy (i dont plan these btw) (spoilers for firmament and light fingers in particular plus general spoilers)

ok so do yall remember that one line in Firmament Chapter three where Summer drinks moon milk and looks directly at the player character and nothing happens? if not i get it, that section was pretty hard to follow and it was ultimately inconsequential and also optional so here it is

(from the fallen london wiki - Suggest Summer do it instead)

anyone whos played Light Fingers or is familiar with that plotline knows that this makes zero sense. even normal moon milk has extreme effect if ingested. and unless we're going to have some kind of toxic romance arc with Summer (which would be great but given the lack of foreshadowing and other aforementioned reasons is highly unlikely) we can chalk this up to sloppy writing and unfamiliarity with that ambition on whoever wrote this. such frustration seems to be the consensus on this chapter, at least on here

But! ive been following some liveblogging of early Light Fingers, reminiscing etc etc, when i remembered one other odd tie in to moon milk, in the cave of the nadir. now analyzing the nadir is similarly difficult to zenith because its very vauge and theres a lot of disconnected elements in there all in service of making a place thats confusing and dangerous and unknowable and whatever so take this with a grain of zalt. im sure theres some juicy deeplore in there but what i want to focus on is this

(from the fallen london wiki - "It was the milk... it was the milk, wasn't it?")

this is a weird callout, right? afaik thats one of the very few connections to an ambition in the nadir, alongside whatever the frost moth does in nemesis (havent gotten there yet). so like what gives? its not an especially rewarding action, and it doesnt progress the ambition or anything. its possible, given this comes after the orphanage section, that these two are like escapees of the orphanage after the fire / riot, but it could also be some disconnected memory its all very difficult to discern. and even if that is the case it doesnt really tell us much except maybe foreshadowing for Hephesta's situation. the best i can say is that, taken in context with the other options on that card, maybe its a parallel to Clarabelle's situation, with the references to eggs? there has to be some reason behind this reference, and if there isnt one, than at least let me headcanon this

i think the two instances above tell us very little on their own, but taken in together have fascinating implications. irrigo and violant are thematically opposed colors, forgetting vs remembering, and zenith / the nadir are explicitly connected both textually and in their names (zenith means the highest point of a space or object, nadir means the lowest), so that they both reference moon milk is interesting to say the least. I think this could be telling us that moon milk has different effects when under these two neathbow colors. Moon milk induced obsession seems to be resistant to the psyche destroying affects of the nadir, persisting for the two people in a place where memory is actively unravelled. the woman, even as she tells her companion to forget her, still clearly recalls the affect of the moon milk and her newfound obsessions. maybe this is somehow due to the milk's affect of overwhelming the victims previous life, in essence forcing them to forget what was previously important to them. or maybe, given irrigo's connection with lack of perception and drawing inward, the idea is that when the victim has nothing else to cling to in the nadir, the love instilled by the moon milk persists as a sort of internal source of comfort. in zenith, the violant light seems to dull or entirely nullify the milk's effects if that moment with Summer is to be believed. its stated that the violant forces the player character to be aware of every detail at once, able to perceive even distant objects with total clarity, splitting your attention everywhere at once. the way moon milk works is just an extreme version of a classic love potion: a victim falls deeply in love specifically with the first thing they see. maybe, because one perceives everything at the same time, the moon milk cannot properly take effect. or maybe the violant is just too oppressive, preventing the milk from occupying a victims thoughts as they are overwhelmed by the light.

whatever the case may be this is a very odd pairing. for a section so filled with moon misers, firmament has very little by way of references to Light Fingers, odd given thats one of the main places one would encounter a moon miser. no comment. and that moment in the nadir has always struck me as peculiar, if only for it being seemingly out of nowhere and disconnected to everything else. but moon misers are linked to apocyanic light with some degree of regularity, so i dont think its too great a stretch to connect them to other neathbow colors as well. one wonders how everyones favorite roof beetles might be affected by the other colors of the neath. even if im totally off base and disproven by some text in the high sancta or sunless skies or whatever there has to be something here im sure of it. or maybe ive lost it who knows certainly not me okay bye

[pitsommelier]

x

[themyscirah]

They'll be fine... right?

[whumpy-wyrms]

ITS BEEN A MONTH SINCE TLLR CHAPTER 11????? WHAT

[jel-jel-jel]

@/lisa-russell has reposted yours and many other artists splatoon art. While they include your user in the screenshot I take it they still did this without permission, just wanted to let you know.

I scrolled through their blog for A WHILE and found zero evidence they've ever posted ANYBODY'S art at all besides their own (it literally has their signature). Either you're mistaken about the person, or you're lying for some reason??? If you can provide me with an actual link to a post they've made containing my art, I'll get in contact with them.

But all I'm seeing them do is just reblog and add nice comments to comics and share youtube links to music they enjoy, doesn't seem like a reposter to me at all. Not sure what has lead you to believe they are, unless they mass deleted a bunch of stuff in the hours between you sending this ask and me actually seeing it.

Sometimes people on Tumblr just love to randomly defame other blogs for no reason, so I'm not taking this claim seriously. If you made this genuinely, I do thank you a lot, but I have found no evidence they've done what you're saying.

[nexus-nebulae]

Ive gotten so used to not being able to play most games bc of my hands and reaction time n stuff so ive basically gotten used to hitting a ceiling in a game where i can't play normally anymore and need to use assists/cheats so every time i find a game that i Don't need to do that for whenever it ends im just like wait huh thats it???

[ruairy]

.

[finalexpenses]

ibdont knowww. i want to love dams3l i really do but i just feel like Something could have been added in so it didnt feel so much like smitten is abusing her