#if all goes well caring for him i eventually want to get an orchid mantis ahhhhh

[mirkwood-trash]

New friends 🥺🥺🥺 spiny flower mantis and Philippine tangerine tarantula ❤️

[kootenaygoon]

So,

They called it the suicide blanket—the ominous, low-hanging fog that settled over Kootenay Lake and plunged Nelson into a perpetual grey gloom. 

Paisley and I huddled under porch blankets as the trees frosted at the summit of Elephant Mountain, the white descending slowly on to the city. Winter is coming. From the comfy warmth of our little hermitage I watched YouTube theory videos about Game of Thrones and scribbled on my chalkboard wall, creating character lists and fine-tuning a timeline for my ever-evolving thesis manuscript. I wanted it to be composed of multiple interlinking stories, like my favourite novel A Visit from the Goon Squad, but I was constantly swapping out one story for another, never reaching any conclusion. 

While Paisley worked on her desserts I huddled down at my laptop and hammered away at my real work. Journalism was still only a secondary concern in my head, a means to make money until I sold this manuscript and vaulted up into the world of novelists. I sent out excerpts to literary journals, receiving a flurry of rejection letters in response, and tried to ignore the fact that I hadn’t made any legit progress on my fiction since arriving in Nelson. I felt this insistent fear that I wasn’t good enough, that I wasn’t going to live up to my ambitions, while meanwhile Paisley would remind me that we had a pretty nice life and maybe I needed to chill out a bit, okay?

“I don’t think I can go into work today,” I said one morning. “I feel like somebody’s sitting on my chest. I can’t do this.”

“So take a sick day.”

“I don’t have any yet. You have to be an employee for like a year before you start getting them.”

“This is your mental health, Will. Calvin can handle things without you.”

I hesitated.

“Stay home and I’ll take care of you, okay? I don’t have a co-op shift today.”

Around that time I wrote a story for the Star about a music video called “Junkyard Bettie”. It was directed by a local dude named Jonathan Robinson and featured an Aussie singer named Sofiella Watt. She was backed up by her banjo-plucking hipster band the Huckleberry Bandits. Set in an actual junkyard just outside of town, the video told the story of a lonely young traveler struggling to make it through a Canadian winter. Oh, lady winter, you have done me wrong, you’ve done me wrong. Oh dark December, won’t you please be gone, please be gone? Played by Sofiella’s friend Lauren Herraman, the dark-eyed protagonist wanders morosely through a bleak landscape populated by derelict cars, only to discover some friends and end up at a barnyard dance party. When I interviewed Sofiella, she told me the lyrics were a true story she picked up from a housekeeping co-worker at a local hotel. The woman’s boyfriend had left her, her cat went missing, and all her missing posters were rained on and got torn down. 

Then the junkyard dog bit her.

“It was one of those quintessential blues song scenarios where everything goes wrong. I said ‘that’s terrible, but such an amazing story’. I asked her if I could write a song about that, because I could never make up something that good.”

I admired Sofiella’s ability to take a dark experience and create something beautiful out of it, but wasn’t sure how to accomplish that in the Star newsroom. Calvin had found himself embroiled in a number of community conflicts, and his stress level was rubbing off on everyone around him. I made excuses to leave the office when he was upset, setting up interviews across town or just wandering down to the park to take some pictures, because I couldn’t stand being around his energy. Tamara felt the same way, and when he wasn’t around we’d sit commiserating over all the unnecessary drama he’d brought into our lives.

“At the end of the day, you have to take care of yourself. And if Calvin’s negatively affecting your mental health, maybe that’s something you should report to management,” she said.

“I feel like such a whiner.”

“You’re not whining — you’re just expressing your truth.”

“The truth is I think he’s going to quit any day now, and I can’t wait.”

It wasn’t just work getting me down. Though I couldn’t admit it to myself, cannabis had become my primary mental health problem. In Victoria we’d been consuming a little baggie of weed a week, maybe two, while in Nelson we were literally burning through hundreds of dollars’ worth of pre-rolled joints a month.  Was it the solution, or was it the problem? It was like an extra rent payment. Somewhere along the line we started buying pot before groceries, and a few times we ended up with an empty fridge while we waited days for the next paycheck. Sometimes we went begging to our parents. It was our ritual, the way we bonded, watching Pineapple Express and making candy runs to 7-11, but it was also the way we coped with our feelings post-fight, it was how I treated my depression and she treated her pain, and increasingly it was more of a chore than a fun time.

As we started to make friends our age, it became apparent that we weren’t alone. We were surrounded by functional chronics, people who operated in a perma-stoned state, and for many of them cannabis was nearly interchangeable with coffee. Both were something you consumed to tweak your mood and outlook, both lasted a few hours, and both cost around five bucks a hit. I found myself hosting never-ending debates in my head about the benefits and drawbacks of my new lifestyle, trying to weigh what it was costing me against all the benefits I was becoming dependent on. Was my memory worse? Was I less present? Could I really stop smoking if I wanted to? Paisley and I repeatedly made vows to quit, sometimes lasting a few days, but inevitably it crept back into our lives. Whenever her parents visited we had to do a thorough job of hiding the evidence.

“I never would have predicted that I’d become a stoner,” said Paisley. “My whole life I avoided it, never touched it, was never interested. And now it’s got this fucking hold on me.”

“You can’t blame yourself.”

“Watch me.”

Despite this, Paisley’s job at Kootenay Co-op was going well and she was making new friends. Her desserts were generating us a third income, and she was writing recipes and coming up with new culinary innovations all the time. From September to December she was happily busy, walking downtown once a week to practice her burlesque routines at Boob Camp with Charlotte Coco Orchid, and the rest of the time she spent nesting with the dogs and decorating our house. She went out and purchased the costume she was going to need for the upcoming show, then showcased it in our living room before heading out to a photo shoot with the other women. She looked adorable, in clown makeup and fishnet stockings, and I held her in my arms.

“I’ve been thinking,” she said. “Maybe you should be in the show.”

I snorted. “It’s next week.”

“Charlotte’s looking for a male performer to pick up the clothes left on stage between sets. I was thinking about it, and you went to theatre school. You should totally do it.”

“I’m not going to do burlesque.”

“Why not?”

That was a good question. She continued to push the issue until I agreed to talk to Charlotte, and pretty soon I’d been recruited. Paisley took me out shopping for a pair of white “manties”, a baggy Speedo decorated with bright red hearts, then we bought a set of blood-coloured wings that matched the plush bow and arrow I would be carrying. I did love being onstage, and had arguably done more outrageous things in high school, but the concept of prancing around in my underwear in front of a bunch of Kootenay strangers definitely gave me pause. It would be a spectacle. For it to work properly I was going to have to be thoroughly shit-faced, I knew. I worked my way through four or five beers before we even headed down the hill to the show, at the Hume Hotel.

“You’re not allowed to hit on the other girls,” she said. “And don’t be creepy.”

“I won’t be creepy.”

“I mean it.”

“The only one I care about is you, okay?”

Once we arrived in the warm-up room, it was game on. Women were rushing in and out, changing from one costume into another, and some wild-haired dude was giving himself a sponge bath in the sink. Show-tunes and party anthems were blaring from nearby speakers. I met a little person named Cotton Candy and an older burlesque legend named Suzanna Sultry who the women all worshipped. We all posed together for a photo. One of Paisley’s friends took charge of decorating my torso with lipstick, inviting the others to leave kisses from my treasure trail to my collarbone. Don’t be creepy, I reminded myself, as they took turns kneeling in front of me. Over the months that Paisley’d been doing Boob Camp I’d come to know a bunch of them, and a few of us ducked into a back alley to smoke a joint. Upon my return the photographer grabbed me, and said she wanted a few shots of me with Paisley. I turned to her, held her close to my chest, and gave her a gentle kiss as the shutter snapped. Eventually Charlotte gathered everyone into a circle for a pep talk. The topless woman standing across from me was missing one of her nipple tassels, so was clutching her boob with one hand.

“Look at all the power in this room,” Charlotte said. “I am so proud of each and every one of you. You’re going to go out there and blow them away. You’ve done all the hard work, and now you get to reap the reward.”

Standing back-stage clutching a beer, feeling cold sweat collect in my hairline, I wondered if I was about to humiliate myself. There had been no rehearsals, no real instructions. Was I supposed to go out between every number, or just a select few? Was I supposed to dance, and if so, what kind of dance was I supposed to do? There’s a subversive element to burlesque, I knew, and a sense that nothing is sacred and everything is silly. I could get down with that. For her first performance Paisley marched out with the five other women, working her way through an elaborately choreographed sequence that saw the women crawling across the floor, hurling themselves on to their backs and spreading their legs wide. I congratulated her as she came breathlessly off-stage, then kissed her as Charlotte beckoned me forward. I was in bare feet, brandishing my bow and arrow, and upon my entrance the audience roared with approval. I gyrated, spinning around to bend over like a porn star, and frolicked drunkenly as I went searching for the various layers and lacy bits that had been left behind. Charlotte was loudly announcing something into the microphone as I gave the audience a last wink and departed. My back and shoulders were shimmering with sweat, my hair wet against my forehead, my limbs vibrating.

I can’t believe I just did that, I thought.

While the show progressed I stood at a gap in the curtains and looked out at the rowdy crowd, some of them in costumes, who were roaring and shouting for the performers onstage. These are my people, I thought. Charlotte was a champ, commandeering the entire thing while performing multiple sets herself, and Paisley cuddled up beside me. Charlotte chased Cotton Candy around the stage, both of them half-naked, and then a boylesque performer did a leather-clad striptease. I was continuing to drink, and somewhere along the way I’d been forgotten — which I was fine with. I wanted to get back into my real clothes, but that would mean cutting through the parking lot in my underwear. I was just planning my escape when Charlotte introduced Isla Valentine, who was performing her first ever solo set. A milky-skinned brunette, she slinked across the stage and threw herself down on a chair. She smiled languidly at the audience, undoing her bra. Upon release she whipped it into the air triumphantly and flung out her jiggling breasts — dislodging both her pasties, which flew into the audience.

“Oh, shit,” said Paisley, as the crowd gasped. “She must not have glued them right.”

Isla quickly clasped her hands to her nipples, her face furrowed, and for a moment it looked like the number would be over. But as we watched, a look of determination crossed Isla’s face. Fuck it. She dropped her hands, stood up, and continued dancing to elated whoops. Striding from one edge of the stage to the other, she jutted out her hips and whipped back her hair, grinning defiantly.

“Wow, she really went with that,” I said. “Good for her.”

“No, not good for her. She’s going to get Charlotte in trouble. She told us ahead of time: the hotel can get fined for nudity.”

“Really? You think they’ll actually fine Charlotte?”

“They could.”

“It was a mistake! What was she supposed to do?”

Paisley frowned. “You don’t get it.”

The remainder of that evening is a haze, but one memory remains intact: meeting Ryan Martin, the owner of the hotel. I’d heard from multiple people in town that he was an important person to know, a powerhouse in the business community, but we hadn’t crossed paths yet. While I padded along the carpet coming back from the bar, double-fisting and still in my underwear, I nearly bowled him over coming around a corner. As soon as I realized who he was I was embarrassed, and felt like I needed to explain myself. Nearly naked, with lipstick smeared all over my stomach and the crimson wings drooping over my shoulders, I knew I was something of a radical sight. I stammered out that I don’t actually drink that much, told him this wasn’t usual behaviour for me. He grinned and clapped me on the shoulder.

“Don’t worry about it,” he said. “This is the Kootenays.”

The Kootenay Goon