#idk what i'm yapping about

[starrysharks]

is this spoilers? only if you're dr novocaine

[unhingedlesbear]

"Frank Stone's host" 👁‍🗨👁‍🗨

[hey-its-zezzy]

i've always been ambivalent towards my tits but i just realized how awesome it would be if i got top surgery bc not only could i go topless during the summer, it would be super confusing to cis people, because in all other aspects i am entirely cis female presenting. what if i packed as well. peak gender confusion

[cffeine]

akutagawa (ryuunosuke) really kills me as a character. he's cool to everyone but obsessive over his goals (dazai's acknowledgment) this drives him in so much. he's the port mafia's rabid dog. he's dazai's dog, the one that gets kicked around and bites back but can never leave.

dazai is haunting him, atsushi is haunting him, akutagawa is haunting himself. he sold his soul at the promise of a reason to live. he trusted dazai because he killed the men akutagawa intended to, without any other reason. gin followed him, stays with him. he treated kyouka terribly but admitted to her face he was happy for her.

he fainted when dazai acknowledged him. he needs something to chase, craves something for him to do because he's never known how to live for himself. he has nothing to live for, no regard for his life, but lives anyway.

he's pushing higuchi away. apologizing for his treatment of her. he's nothing like dazai. he doesn't want to be. he hates him. he's at his beck and call. he's dying. he's never not been dying. no one knows except for atsushi. he's going to die without a reason to live. his final words were spent telling atsushi to run. don't come back for him. he's dying. he's already gone.

[anjasitdown]

I knew something was UP when the only film that helped Yuuji control his flow of cursed energy was the Lord of the Rings. Our boy Yuuji is TRULY a hobbit at heart. Chapter 265 spoilers ahead, but I'll put it under the cut.

It was back in season 1 when Gojo had Yuuji watch a variety of movies to teach him control of cursed energy regardless of the emotions evoked by the films. Gojo refuted Yuuji's idea that anger and other strong negative emotions are the only source of a strong cursed energy.

With that in mind, I don't think it's random that LotR is the one shown to us that helped Yuuji gain mastery over his cursed energy flow. Sure, Yuuji might've controlled it before watching other movies, but it feels as if it's on purpose that it's LotR, especially that scene at the river where Frodo tried to take the burden of destroying the ring on his own, fully aware of the dangerous journey ahead. But Sam didn't let him and willingly followed him, even if it would cost him his life.

Maybe, just maybe, Yuuji learned to control his cursed energy because he saw himself in Frodo. Yuuji looked so engrossed in the film as if he was feeling it—as if he was Frodo who, just like him, bears great evil within him. Not only that, but Yuuji saw in Frodo's eyes the same crushing weight of responsibility and isolation such an evilness entails. It was as if he's looking in the mirror. But Frodo wasn't alone. He had Sam and the others in the Fellowship who are also willing to lighten the burden he carries. And I think that's what got to Yuuji.

And I don't know if it's just me reading too much into things but Yuuji is at his best when he feels anchored by his friends' support or when they're relying on him, like that time when Yuuji held down the cursed spirit at the detention center to buy Megumi time to save Nobara and escape; when Yuuji and Todo almost defeated Hanami, and my favorite, when Nobara nailed down Mahito's double during Shibuya arc:

As corny as this sounds, Yuuji managed to pull himself from Nanamin's death and attack Mahito because he felt Nobara's presence, which encouraged him to continue fighting. Even if the sorcerers were scattered that time and most were left to fend for themselves, Yuuji didn't feel alone. This was the one thing Geto needed the most when he was spiraling down.

Yuuji reminds me so much of Frodo: Yuuji the vessel of the evilest sorcerer in history and Frodo the Ring bearer. But before that, they were nobodies living a simple life, which they treasure and work hard to keep. They're not ambitious and are satisfied being surrounded by their loved ones. They're the ones we least expect to defeat the evilest entities since they're surrounded by the strongest warriors/sorcerers, who could not defeat the said evilest entities. Yuuji, like Frodo, does not belong to the kind of world he got thrown into, and this is made pretty obvious in the recent chapter.

Throughout the many months Yuji had been with various sorcerers and curse users, his principles and worldview got blurry. He started to assimilate their ideas, which didn't feel like him to be honest. From ideas of having a specific role in life and fulfilling it, wanting to give people a good death, and having a cog mentality to being the same as Mahito and becoming a monster to defeat another monster. That's not him. That's never him. And Yuuji realized that too, and I love seeing him change his perspective into that which feels more like him.

Yuuji never liked fighting others. He may have been blessed with physical prowess that might've been on par with Nanamin, but he never wanted to use it. Heck, Yuuji joined an occult club instead of becoming an athlete. What's important to him are the memories you make with yourself and with your loved ones—choosing to do things, even mundane ones, that bring you and others joy because that's what life is all about.

To Yuuji, there's nothing wrong if you lead a simple life doing things as mundane as walking your dog, sleeping, taking a shit, writing this meta, and existing. Living day to day is already hard as it is. Yuuji wants Sukuna (and us) to know that your worth to live and be loved and respected doesn't depend on the grand dreams you have, how far you've come in life, how powerful and strong you've become, how useful you are. Your worth to live is inherent to you, and no one's going to change that, not Sukuna or anybody else. And Yuuji's not gonna stand idly by and watch the likes of him trample on people's lives. They don't get to choose who's worthy to live and kill those who don't.

I read somewhere that Gege thinks Yuuji having no ambition, unlike Naruto wanting to be a Hokage or Luffy aiming to become a Pirate King, is the story's weak point. But I disagree. That's what makes Yuuji so unique and refreshing to watch as he develops. He may not be as ambitious as other shonen heroes, but he does have a strong moral compass, even as young as 15. It may not be obvious, but Yuuji is introspective, observant, and most of all he has this childlike love for life that the other characters have lost due to the nature of their jobs.

Back to the LotR reference—as much as similar Yuuji is to Frodo—when Sukuna switched to Megumi, Yuuji started to feel more like Sam and Megumi Frodo. No matter what happens, even if it would cost him his life, Yuuji's never gonna leave Megumi alone in despair. Megumi has become weak in mind and spirit that he's possibly on the verge of giving everything up. Still, Yuuji's not going to give up on him. He will destroy Sukuna and carry Megumi back home.

In the end, if Yuuji survives, all I could ever think of is his eyes full of insurmountable despair and mourning over the lives of the people he loved and lost. There's no going back after this. I can only hope that after the end of this story, Yuuji could still find a way to rest—be with a person or in a place—if there is anyone or anything left at all.

[it-came-autumnally]

the event name wasn't lying, he really did burn his soul (and the people. rip vivid street akito set everything on fire)

(I am joking but some of the phrasing for the fire symbolism is almost comical... out of context it sounds like Akito’s literally starting fires)

[mystiquedrops]

Ok just a thought I had- I don't know if it's just me but..

I just realized,

Despite how Whit jokes around a lot, and how he acts somewhat childish-

Whit is the most emotionally mature out of everyone in the cast- in my opinion atleast.

Because like- Hear me out chat.

He's the ONLY one that has yet to snap, go insane or breakdown in any way, while everyone else in this case, did.

I have no idea what I'm yapping about, but yayy!-

[sosadraws]

I don't know what kind of drugs Rose-Engine put on this particular design, because holy shit I've never been this enthralled by a character before.

[angel-fruitcake]

why yes i'm fine why do you ask

[x]

[scoliosisgoblin]

Which version of Rick is your fav?

it's so hard for me to choose tbh. HOWEVER, I'd say Evil Rick

then I'd say it's C-137 and Memory Rick

I love how pathetic™ Evil Rick really is tbh. love that he's being controlled by his Morty. can you guess who my favorite Morty is?

[sketchy-mf]

Scrolling through insta stories like

Oh hey it was a slicked back bowlcut as I suspected after all

JOOST WHAT IS THIS? 😭

[luifaro]

i didn't promise anything but hehe!! i've been working on something based on my random ramble i had about how reincarnated asriel could've been so cool if it was MORE ABOUT how it's kind of morally fucked with frisk having to kill a guy + flowey does not magically become good and nice... realized it'll take me a bit so i thought why not give a little bit of it NOW... as a treat.

Frisk froze as they stared down at the dusting gelatin monster. Flowey crept towards the weakened form, a vine slowly rising to grab its soul. Because regular monster souls are so difficult to absorb, the best way to do it is to grab their soul before they finish falling down. This way, when they die, you can snatch their soul before it fades with its owner. Did you know that gelatin monsters taste differently depending on their flavor? This one's soul tasted kind of like gummy worms. A little thick on the sour though. Huh. Dead, just like that. Kind of pathetic.

But that's just an opinion. Its soul begins weakly shining a dull white. Flowey, having already gripped the soul tight, absorbed it without a second thought. It tickled. Flowey could feel... something wiggling around in his body. For a moment, Frisk and Flowey stood there silently. Frisk's breaths grew heavy. They had an expression Flowey wouldn't be able to describe if he tried. The silence felt like it was never going to end. That this was all going to be for nothing. A monster killed for a plan that didn't even work. But then a light began to crawl through the flower's body. He could just sense it. It felt kind of... good? It grew ever brighter as Flowey's body began to contort.

The light grew so bright that Flowey couldn't see anything else. He was hit with an intense wave of negativity.

how stupid ARE YOU? do you really think this is going to save you? that everything will just fix itself? you coward. chara was right about you, you know? you're just a big crybaby. why would you even do this? why? why? WHY? is THIS what would've happened if you'd just listened to them? do you really DESERVE FORGIVENESS? who even are you? a child afraid of his own shadow, or an irredeemable MANIAC?! your hubris eats you alive. you'll never get out of here. you're just gonna sit on the ground and die like you were supposed to. you can't get up.

[torgawl]

instead of just cross eyes and star eyes distinguishing dynasties in khaenri'ah, why do some khaenri'ahns cover one eye specifically? there’s many things that seem interconnected regarding the lore:

crimson moon turning around to look like an eye; irmin the one-eyed king; the unknown god’s cubes containing eyes in their design (same ones present in the cataclysm as well as the crimson moon), her glitching looking like arlecchino’s, and the four pointed star pattern that appeared when she showed up to the twins; forbidden knowledge and nibelung’s influence; fischl's auge der verurteilung aka eye of condemnation (crimson eye) and her skin's description "o holiest of sovereigns, high princess of immernachtreich (kingdom of evernight)!".

kaeya's note about the alberich saying "i saved this one memento from the fire 'father' made while he wasn’t paying attention. this was in violation of our principles. our clan's affairs should never be recorded" and "though we could not restore khaenri'ah to life, we of the alberich clan should lead lives as those who blaze like fire, rather than those who wallow in the embers [small piece of burning or glowing coal or wood in a dying fire]", father being in quotation marks and references to fire and ashes; the orphanage in khaenri'ah that wanted to house children from destroyed worlds and non-threats that leaked into the kingdom, in hopes of finding beings from beyond the sky who could transcend the gods; perinheri's first memory being transversing something like a chimney, filled with ash and being asked if he wasn't dead just for him to see the eye (crimson moon) and being told he was reborn; dust and the blood of of dragons (or dragon-like beings like durin and elynas) being connected to rhinedottir and the art of khemia; fire as rebirth and life but also, the balemoon blood specifically being connected to loss of memories and loss of memory being equivalent to death (not physical);  despite the orphanage never being able to find that transcendal person, it had many unusual individuals who became knights of the kingdom.

irmin as the first divine halberd (that once pierced the axis mundi [cosmic/world axis, world pillar, center of the world, world tree, etc.] and connected the nine worlds), the prinzessin der verurteilungas (fischl) as the last one; fischl and kaeya comparing themselves to one another and their parallels to irmin and odin; der ring des nibelungen, in which the dwarf (or nibelung) alberich creates a ring capable of controlling the world, using gold he stole from the rhinemaidens (or rheintöchter "rhine-daughters"). the conflict that arises over the ownership of this ring eventually leads to the destruction of the gods and their home, valhalla.

irminsul (irmin + sul) meaning great pillar and being a reference to the yggdrasil, the tree that supports the universe; the description of the item silver twig – collected in the center of the world - talking about a sage that hanged himself upside down in the irminsul tree to gain knowledge of the runes and the cosmos, then going into a secret kingdom down its roots [also a reference to hanged man in tarot that symbolizes wisdom, divination, sacrifice, prophecy, etc.]; odin who hung himself upside down from the sacred world tree, yggdrasil, for nine days and nights sacrificing his eye and throwing himself on his spear (gungir) as a ritual sacrifice in order to obtain secret wisdom; memories, fire and crimson moon hand in hand with the irminsul, king irmin and the concept of fate; the fake sky, the stars and being able to see fate but also fate being a means of the heavenly principles to control the world (neuvillette calling it puppet strings); khaenri'ah, a supposed godless nation but the crimson moon dynasty revering the moon (and hilichurls worshiping istaroth); the crimson moon having an eye on humanity and always being present associated with punishment and destruction (fall of gurabad, remuria and the catclysm).

crimson moon's semblance (arlecchino’s weapon) implying the crimson moon sought vengeance (“few survived the utter destruction of their kind, hiding in the shadows where the sun did not shine, longing for the crimson moon to decree their desire for vengeance be repaid”); the design of the weapon and arlecchino’s boss attacks resembling the double helix present in deathly statuette material dropped by abyss heralds, abyss lectors and shadowy husks, which has a single red eye. it apparently whispers "see, my child. all that lies under the throne of heaven shall be destroyed by upheaval. the eternal peace of the pitch-dark void shall embrace us all.” as you gaze at it.

the abyss order being founded by chlothar alberich and pierro being the first harbinger; the "sinner" – the crystal in chains from the chasm, protected by an abyss herald - not being a god but still worshipped by the abyss order. the voice stating to chlothar and the traveler’s twin that he "[knows their] fate well" and urged them to become a "transcendent one" saying he would "shed a tear at the end of time... as i gaze back upon your life". he also imbued chlothar with the power of the abyss, which alleviated his worsening conditions. the “sinner” refered to chlothar as “dear creature”; dainsleif, pierro and kaeya being examples of khaenriahns who hide their right eye; dainsleif being called “bough keeper”, bough is a branch of a tree, but also his constellation being a snake ring like ouroboros – representing the eternal renewal cycle of life, death and rebirth; the loom of fate being an operation of the abyss order first encountered during "a herald without adherents" quest.

“the threads of your fate lie in my hands” a quote by fischl connecting to the weaves of fate; fischl stating that if she does not obtain the divine halberd “...this world and everything in it is going to burn in hellfire” (legend of the shattered halberd vol. ii). some other excerpts of the book also include: “but unbeknownst to him, this was the greatest cursed sword of all, that had once burned the entire world to cinders: laevatain [in norse mythology, a weapon crafted by loki and the only capable of defeating the cockerel viðofnir, inhabiting the top of yggdrasil], the sword had extinguished after the world was burned, but... it burned bright once more. ‘the whole world... destroyed again...’ weiyang [fischl] fell unconscious as she spoke” (vol. iv), and, "the world is beyond repair. it shall be born anew from the ashes of the last” (vol. vi); dainsleif saying “none will escape the flames. see for yourself” but also neuvillette’s character story including “the puppet strings glossed as "divine rules" would one day be burned away by the fires of judgment” when talking about constellations; burning away the old world, project stuzha by the fatui and the image of dottore burning the irminsul; nahida saying fontaine's prophecy was engraved in the irminsul, implying the tree also contains the history of the future; sibylla, a prophetess who guarded the irminsul in an ancient city located in what later became the high seas (referred to as abyssal depths). she sacrificed her life for the sake of creating phobos, remus' grand symphony, but her lack of a will ultimately caused the project to fail, as her vague desire to "grant happiness to all in the world who are called humans" caused phobos to attempt to satisfy everyone's desires — including destructive and selfish ones — and set remuria towards the course of its self-destruction (possibly tying concepts of will and fate together); thinking of dottore's plan, it would make sense to burn the tree that holds memories with a fire able to erase them (arlecchino's balemoon powers) so that the world can be born anew breaking away from the shackles of fate.

there’s also the improvisation kaeya does during the play in his hangouts. "do you believe in fate? if fate decreed your life was to end in tragedy, what would you do?". he then throws a prop and we interact, choosing if we would face our fate bravely or challenge it and rise above it. kaeya then goes on saying "then so must it be! yes, so must it be! i shall discard this intaglio and rid myself of the shackles of fate", "fate means to send the machinations of war to every corner of the land to fan the flames of conflict till they ungulf the entire world… fate would see my sword tainted with the blood of innocents, that the bright banner of my homeland might fly in every nation known to mankind. but i shall not bow to the will of fate i am no pawn in heaven’s plan. i, qubad, will spend the rest of my days in a foreign land, 'till i breathe my last in a place far from home" and finishes the play with "but i must walk this path, or freedom dies by my hand. goodbye, my tribe and kin. farewell, sweet land of my birth". the prop we get from kaeya, the intaglio, symbolizes the noble origins of prince qubad in the play and the blood-red jewel (blood, red... funny, uh?) is said to be a crystallization of the question kaeya asked us about destiny. furthermore, an intaglio can be a type of engraved gem or metal signet ring.

[maingh0st]

I always noticed that Warner guy is always compared to Cardan. Thoughts?

hm, wild. they live in very different categories of characters in my mind haha. I guess on a surface level, they occupy similar spaces narratively: they start out as a more antagonizing figure to the MC, but you can tell that their obsession with the MC is shot-through with attraction. and they eventually become the I Worship My Wife kind of MMCs, which is fun but not exactly uncommon in fiction.

but while Cardan is an individual schoolyard bully who represents something very personal to Jude (he is a living reminder that she does not belong in Elfhame), Warner is an active representative of an oppressive global order that has made Juliette's and countless others' lives Very Bad. the power dynamic is really different, and has to be handled a lot more sensitively. and (in my opinion) I'm... not sure it is.

I think my biggest gripe with Warner as a character (and I am really not trying to start discourse here—people enjoy what they enjoy, whatever; I thought he was hot when I was a teen, too) is that his actions are almost always presented very romantically, and the narrative rarely tells us he's wrong. Juliette is the silly little woman who just doesn't understand, but thank goodness the love interest knows that she does like him, she is attracted to him, and she does want the power he offers her. silly girl, he knows you better than you know yourself! this is not uncommon in fiction; authors seem to think that a male character knowing better than a female character and forcing her to "become powerful" is somehow girlboss feminism (SJM and the "it's your choice" nonsense 🔪)

Warner also demonstrates a frankly concerning level of obsession with Juliette (maybe another reason people try to compare him to Cardan?), going so far as to steal and memorize sections of Juliette's diary, which she feels very violated by (they're her most private, intimate thoughts from a very dark time in her life! holy shit buddy who gave you the right!). but rather than the narrative being like "wow isn't this scary and weird and a total violation of her privacy?" he gets rewarded for Knowing Her So Well and ultimately gets to be her malewife.

Cardan, on the other hand, is wrong. we know he's wrong! the author knows he's wrong! and while the narrative shows us reasons that he is the way he is, it does not use those reasons to justify him. it makes him more understandable, but he still has to apologize and change. Jude is not treated as silly for disliking and mistrusting him; she's absolutely in the right! and Cardan has to realize that he has misunderstood her and both underestimated her (not realizing just how much of a threat she is) and overestimated her (thinking that nothing really hurts her bc she's so tough).

also, Cardan is more fun. there, I said it! Warner is melodramatic and purple proses @ the reader about what a Conflicted Guy he is. Cardan is a slutty little dude with crushing self-confidence issues who gets tricked into the Number One Job He Did Not Want and decides to cope with it by being Very Silly, and then somewhere along the way realizes that he can actually do a good job at it. he oopsies his way into being Elfhame's best king. who's doing it like him?

[katsy-kitty]

I'm going to vacuum my apartment, which means I'll be out for the next few days.

Keep me in your thoughts.

[fizzygator420]

I'm bein gang stalked by Hyperion, they put Slag in my veins /ref

(i know these suck but I'm not very good at coming up with poses okay)