#idk this can't be normal right??

[heartshattering]

Either the people around me are lying because they don't want to admit they're wrong, OR I really am saying things out loud that I don't remember saying out loud, and NOT saying things out loud that I thought I had said out loud, and uhhhhh... that's concerning! :')

[shima-draws]

I'm rewatching GF since the whole world seems to be into it right now (thank you Alex and the Book of Bill) and AGHHH I FORGOR about the body swap episode when the twins find the secret room and Stan picks up Ford's glasses and later we see him sitting on the couch looking at them wistfully...

Shut up shut UP that's NOT okay

[cozmic-ash]

Gordon/Barney/Alyx is really really funny to me conceptually bc it's like, two hot geniuses in their 20s who look at the 40-something smartass who hangs around and go 'yeah that guy. we both want him carnally'

[puppetmaster13u]

Prompt 129

Danny, now an adult, has just moved to the city of Gotham. Actually he’s been an adult for a while, but every once in a while he has to end his life, at least legally, lest someone get suspicious. Usually whenever Dan or Ellie does an oopsie and pulls a firebird with being reborn through their core. 

So legally, one Danyal Nightingale, has just moved to Gotham to open a bakery (Thank you for the wonderful recipes and bonding Clockwork) while taking care of his practically newborn son Jordan. Of course Elnath- Ellie- had to pull a core retreat too, which is just his luck. 

It wouldn’t be a problem, but he’s trying to not be so broody. A ghost- even a half-ghost- carrying another core though, has instincts turned up to like, eleven. Which again, wouldn’t be much of a problem if not for someone falling into his dumpster late at night bleeding. A vigilante, which he’s sworn to stay away from that life years ago. And it’s not a lethal wound…

But his instincts are screaming to not let the person bleed all around his nest, and he knows from experience that it would continue to bother him. Which is how he ends up with Batman on his couch to Dan’s glee if the ghost chirps are to go by. 

[alongtidesoflight]

i swear my stepdad is so illogical AND stubborn it hurts

[katyspersonal]

Lrb dear god, this reminded me of that time when Alfred-chan got sooooo mad at my post explaining why fans should respect bisexual headcanons for Maria and Malenia instead of pretending like they're canonically lesbians and that they get oppressed and erased by mxf ships with them. They kept vagueing that post for like a MONTH in their blog including in tags under reblogs of Maria fanart, passively-aggressively changed their url to character+sexuality to "spite" me and then even made a sockpuppet account to start shit with me in the comments.

They deactivated when me and Val completely obliterated their "you cultivate lesbiphobic following by telling people why they should respect all sexuality headcanons instead of acting cultish or assuming their experiences and stereotypes equal canon confirmation" garbage with actual facts and logic tho but I screenshotted everything fjthfgfj (I learned to document everything the hard way after they've changed the she/they pronouns to they/they pronouns ONLY to accuse me of misgendering, so thank you for making me wiser I guess 😎). Even more vile, as they, a white person, larped as an Arab in that sockpuppet to hold even MORE "privilege" against me in discussion gjtjfh Because for them race, gender or sexuality are just badges of honor and dishonor, they don't see these as traits of actual human beings. And Dr Eugene X, who worked with them and weaponized her race to accuse everyone who disagreed with her of racism, didn't bat an eye at such a terrible act too?? As usual, rules are not for their friends, lol

It is not even the worst thing Alfred did, and yet all of this just, just, JUST because I wrote a point on why bisexual headcanon people did nothing wrong and there is no ground to claim something is canon when it isn't. 🤦‍♂️ Like, they were soooo convinced that I hated lesbian headcanons and that I'd feel angry if they called Lady Maria a lesbian, when what I was angry at is this exact toxic behavior in the fandom. No matter how much you like a headcanon, don't be a bitch about it. Maria doesn't """belong""" to any gender or sexuality, she belongs to anyone who likes her and is invested in her complexity as a character!!!

Yet, apparently, common Malenia simps / Finlay shippers are no better than common Maria simps / Mariadeline shippers. Just, wild how after shit like this, many people have the guts to claim that it is "sexist redditbros" who are the biggest problem of creators in the fandom. 🤦‍♂️ They'd actually blush if they encountered what such self-proclaimed "feminists" do to their own (!!!) over headcanons. 🤦‍♂️🤦‍♂️🤦‍♂️

[danikatze]

[ID in alt text]

Another wip! It's kind of almost done :)

[hadesknockedupintheunderworld]

Thinking of the end of Zelda Twilight Princess and TP Link again

Since the start of your journey, all you've tried to do is keep your home and your loved ones safe. You hardly understood your own destiny at first, the major role you were to play in this world. Though you could never have refused the future that lay before you, it remains that it's this wish to protect your home, your loved ones, and to bring everything back to normalcy that drove you in the beginning. And it, too, remains that even though you found others to care for and had accepted your destiny (that there became a point where you embraced your role in fixing everything), that original goal still remained. After all, you, the people you care about, none of you can go home or live in safety until the threat is defeated.

What if you'd started out as a boy from a small, rural town, one who'd hardly dreamed large, but couldn't shake his curiosity in the world outside. You never wanted to leave your village for long, but you were interested in getting a chance to see Hyrule's capital, meet those people your older friend had told stories of. And then, when the monkey's paw curled and the goddesses gave you a grand adventure, all you wanted was to pave the way for everyone to be able to go home, including yourself. Once it was all over, you and everyone else could finally relax, right? Things would finally go back to normal, wouldn't they? And the children could forget the horrors they'd seen, like none of it ever happened.

But after all that... Even after shedding the hero's tunic, returning the sword of evil's bane to its resting place, and finally returning home with everyone...home is not the same anymore. You were supposed to feel safe again, comforted by the sounds of the nearby wood, the smell of the goats, and the rough texture of the pumpkins that grow in the village, but even lying in your own bed makes you restless and feel on edge. Sometimes, the children still run around the village like they used to, playing pranks on each other and playing hero, but each one of them has an air of...maturity that wasn't there before.

Colin is more confident. He doesn't follow you around or spend as much of his time watching the other kids play. He spends time telling his baby sister stories and training with his father (like you once had) to learn the way of the sword. The other kids don't pick on him as much anymore either.

And Talo. Talo thinks the village is much too defenseless now, especially after everything he's been through. He never really left the rooftops of Kakariko Village, the village lookout who was trying to protect everyone the only way he could. He's even confided in you before that he's trying to learn a weapon too, and trying to convince Colin to join forces with him as village protectors. According to Talo, Colin says there's no need to worry with you and his dad around. No better protection than a hero, right? But Talo says he knows you and Rusl won't always be around. And...maybe that's true. One day, you too will grow old with time, but something about the way Talo says it makes you feel...uneasy. As if he was seeing right through you. Was he seeing something you were ignoring, or was he really truly talking about the day in which you are no longer able to protect anyone?

Beth is still a bit boy crazy, still fancies herself more mature than the others as she had before, but there's some respect there now when she interacts with them. She refuses to tell you what she's been up to, but you've seen her working in her mother's shop, talking to Uli as she feeds her baby, reading with her father, and helping Ilia wash Epona in the spirit's spring. Ilia seems to know more than she lets on when telling you that it's a casual hangout, but you have an inkling of what it's about. Given the others, it's no surprise if Beth, too, is trying to find her place here, trying to help in some way.

Malo is perhaps the one who'd changed most obviously. While everyone had been happy to go home after the defeat of Ganondorf, Malo couldn’t simply stay the same quiet kid who'd followed his brother around. He'd built a growing business back in Kakariko, dedicated to making goods affordable to the common person and raising funds to fix up local infrastructure. He couldn’t continue to run it from Ordon (though Sera's told you that he'd made an offer on her shop). You've even been able to hear him muttering under his breath about the state of Malo Mart management, and plotting to skip town (after all, young as he is, and after everything that's happened, there's no way his parents would just let him go back on his own). As before, Malo doesn't speak to you often, but he had...said something that shook you not long ago. He'd not so subtly "hinted" that you could make an excuse to leave, and that it wouldn't be hard for him to stow away as you went on your trip. You didn't know quite what to say, but when you began to mention his parents he'd cut you off. "So you're too scared to leave."

(Are you too scared? No, of course you could leave if you wanted to. And you don't want to, do you? You're home again, which is the only place you've wanted to be since the world went to shit. It'll just take...time for you to feel okay again. No better place than home to heal, right?)

But it's...not just the kids who've changed. Fado was happy to have you back, of course (he's always said no one wrangles the goats quite like you), but he’d... Well, even though he was the one who extended the offer, he seems to fear this is beneath you, that he's tying you down, keeping you from a grander life. No matter how much you assure him this is exactly where you want to be, that you just want things to return to normal, he doesn't seem convinced.

Not to mention the rumors in the village of your feats, all the talking behind your back. You'd been celebrated as a hero when you and Rusl returned back with the missing children, and now, since you've been trying to return to normalcy, others continue to be weird around you. You're a hero (were at least), yes, but are you not the same Link the villagers have known as long as you've lived here? Do you not occasionally assist with their troubles. Do you not try to make occasional small talk as before? So why do they seem to have trouble talking to you? Why do they have so much to say, and yet none of it said to your face?

Home has changed. And even that which has stayed the same doesn't feel...correct. That which is still familiar feels like nostalgia slipping through your fingers, not the reality before you.

But then again, when you spend weeks following your old routine, trying to act as you did before, and nothing seems to get better. When you lay in a bed (your bed) that's the same as it was when you first left it, you wake up sweaty and fearful from nightmares, and you feel exposed when you should feel safe, is it home that's the problem? What about when you look at the sunset and dream of places faraway, of the people you met and the things you've seen, and it feels like something's missing (something, perhaps, not wholly unrelated to the person people you'll probably never see again)?

Ilia was the one who first assured you that this path was the right one. When she finally had a chance to relax, deal with her amnesia head on, it was reminders of home and her past which comforted her, allowed her to get better. Of course, you know she'd never just forget everything she'd been through before, and she wouldn't expect you to either, but she'd agreed that being home would allow you to heal too. That's...that's what you've been hoping.

On many occasions you think about confiding it all in her, telling her what you've been going through, but you can't go through with it. Not when she seems...happy again.

So, after weeks of letting bits and pieces slip, you finally confide in Rusl. It's a day similar to all those months ago. The sun is setting as you and he sit at the spirit's spring after a long day, and he tells you about his week. You tell him that even as things get better, they don't really get better. When you don't have nightmares of tragedy and never ending battles and failure, you're dreaming of the people and places you met during your journey. No matter how much time you spend there, or how much furniture you move around to your liking, or decorations you add to the walls, the idea of your home being home feels like you and the feeling are separated by an impenetrable wall of glass. You can see that feeling of comfort, of home, of familiarity, but you just can't quite touch it. Your house is yours, and yet you can't seem to fit in it anymore. You've gone back to normal, and yet everyone is treating you differently. You try to relax, and you just can't quite sit still, feeling like...

You finally admit that feeling you've been stuffing down to him as you ramble (something rare for you to begin with). It's not just that you can't feel safe at home, that healing is a tough process, but that you feel like there's something yet you need to do. It doesn't feel right trying to be the person you were before. The routine which should be great for its simplicity and famliliarity feels wrong, almost stifling.

Did you really think you could just go home after all you'd seen and been through, go back to that small world and cut off the rest of it, just so things could be like they were before?

Maybe it's you who's wrong. Maybe you're broken and your edges dulled and chipped so the old pieces don't fit back together anymore–

But Rusl, ever a comforting presence in your life, just hugs you. He says he cannot even begin to comprehend the things you've been through. He acknowledges how hard it is to heal. Both things you already knew.

Then...he tells you his story, that he knows how hard it is to return to all of this after such an ordeal. You are not the only person who must deal with it now. You're not alone.

And then, as you consider telling him that if everyone is dealing with this, then surely they're handling it better than you, he tells you something that causes you to freeze.

"If you need to leave, you can."

"Of course," Rusl continues, "if you want to stay, we'll support you. You don't have to pretend everything is normal. And even if you go, it's not like you'll be banished. You can always come back here, even if you can't stay."

And so you speak the words you've thought every time someone suggests leaving here, or suggests that you won't stay. "Do I have to go? Is...does everyone just want me gone?"

Rusl shakes his head. "Of course not. We all love and care about you like we always have, hero or not."

Then...why do I feel like...this around everyone? you think.

"The question is...it's not whether anyone wants to you go or thinks you should go." Then, Rusl places a hand on your shoulder, face deeply serious as his eyes lock onto yours.

"The question is: Do you want to go? Do you need to go?"

For a moment...you're speechless. You know what you want, you think. You've wanted to return home all along, haven't you? That's...all You've been trying to do since you defeated Ganondorf, lost bid Midna farewell, shed the garb of the hero and returned the master sword to its grove. But...what do you need?

"I don't...I don't know what I need," is all you say.

"...Well," Rusl says, after a moment of contemplation. "I can't tell you what you want any more than I can accurately guess what you need. And I can't make your decision for you."

"...Right." So that's it then. Either you go, admit that there's no fixing you, no point trying to fit a misshapen puzzle piece in an old hole, or you stay, keep trying to move on and get things as close to normal as you can as you have been for weeks.

"Hey," Rusl says after a moment. "Hey, listen to me for a second."

You raise your head, shift your eyes from where you'd cast them at your sandals.

"You'll be okay, Link. You've been through a lot, and it's changed you—like it's changed all of us. But, you have your whole life ahead of you, and I suspect you have more choices than you even believe."

"...Yeah."

"I may not be able to tell you what you need, but I can tell you to follow your heart. If you listen to it, it'll lead you where you need to go."

"My heart?" You sound a bit skeptical.

"I mean...isn't it your heart that got you here? You didn't undertake the journey and save your loved ones by being weak of heart did you?"

And that...that's true. With everything that was at stake (especially that which you cared about most), it was your heart that wouldn't allow you to back down, wasn't it?

In the end, you nod.

Rusl smiles. "Then why ignore it now?"

"Why ignore it now?"

The rest of what Rusl has to say goes unsaid, but...you think you get it anyways.

"Why ignore it now? Has it ever lead you astray?"

"...Thanks, Rusl," you say, finally. You don't tell him that you feel a bit better now, but his smile grows regardless.

"It's no problem, Link. Anytime you need."

And so the sunset passes into night passes into morning, and there's a weight on you when you wake up. You know, somehow, in this moment, that a decision has to be made, a potential path chosen. There's no ignoring it.

And you find her—Ilia—in the spring.

"You're...leaving, aren't you."

"I..." You haven't even put on any gear, nor unearthed that special tunic tucked in your basement, nor have you saddled Epona up yet. When you woke up, you still didn't know what it is you need.

"...I am," you say finally.

There's a moment of silence.

"I...some part of me knew you would." Then, she adds, "One day."

"...Why?"

She shakes her head. "I can't explain it. You just...you haven't seemed...quite right lately."

I haven't?

You thought you must've seemed at least fairly normal, must have with all the effort you put in.

"You're... You weren’t..." Ilia hesitates for a moment, as if afraid to say the words at the edge of her tongue. But then, she sighs.

"You don't seem happy here."

"I-I've...I've tried to–"

"I know," she says, cutting you off. "I know. I have..."

You wait for her to finish her thought, but she never does.

"Hey, Link, before...before you go... Come back to this spring. I'll wash Epona for you."

There's a bit of strain in the smile Ilia gives you, but you nod, smiling back.

It's...it's not easy to leave. It never is, and it never gets easier, no matter how many times you have to do it. And so, as you gather some final supplies, thank Rusl for his advice, and put on your gear (finally unearth the tunic you'd hidden away), you remind yourself that this isn't truly goodbye. You're just...going on a little trip, chasing your heart. You'll visit sometimes, right? It's just a little trip.

And eventually, geared up, you make your way to the spring. As expected, Ilia is there, grooming Epona when you arrive.

Out of everyone, you feel Ilia has been both the easiest and the hardest to read. Ever since everyone returned to Ordon, it made sense the way she stuck right back to the comforts of home and her old routine. She's...not all okay, but it's seemed to make her happy. And yet...there's something else about her. There's a bit of weirdness there you can't parse out, and there's something in the way she speaks that always feels like there's something going unsaid. You feel it more than ever as she turns to face you in the spring, seems hesitant about giving Epona over, even as she says that Epona is washed and ready.

Although, then again, there's something nostalgic about this moment. As you mount up Epona and Ilia asks you to take care of her, and not to take on more than you can handle.

You know the moment is here. You can feel it. It's time to go.

And yet, there's one last thing holding you back. You look down at Ilia as she begins to speak again.

"...Link, I–"

"Hm?"

Silence.

"I...never mind." Ilia waves you off, mustering up a smile. "You should... You should go. Don't let me hold you back."

You nod in response. Her expression is a bit bittersweet, although perhaps the smile you return her is just the same.

And so you take off with Epona, galloping across the bridge between Ordon and Faron. You leave her standing outside the spring, and you make a beeline for Hyrule Field, craving to feel the wind in your hair and the sun on your face.

Your wants, your desires...those deep down ones may be impossible. But it's something. Traveling, following where your heart leads, it feels familiar. It feels...right.

And once your journey begins, you think it's almost laughable that you thought that you could just go back home after all that you'd seen and experienced and...lost. At least now, though your future is uncertain, though you still can't quite feel safe, though you still can't banish the nightmares, at least you no longer feel...stifled.

At least you can be free now.

[marshmellowtea]

celia hates basically all of chris's friends by virtue of them Being Chris's Friends (it personally offends her that there are people who love him better than she ever could in his life), but she has a special distaste for sandra, who she not only dislikes for being a dirty whore promiscuous, but she's also openly accused her of trying to steal chris from her, an accusation that held no weight when it was first leveled at her cuz sandra hadn't thought she cared about chris like that but it slowly became a self fulfilling prophecy as she spent more time with him and his parents and decided "yeah, actually, i am going to steal your son from you and your creep husband you piece of shit, fuck you celia fuck you fuck youfuck you"

[prosebushpatch]

Okay so I recently, finally, watched Wish and I have some thoughts. Overall, not as bad as everyone makes it out to be, but still has a lot of fundamental story problems and I've got to get them off of my chest. I'll mostly be focused on Magnifico because I think his motivations and arc largely represent the problem with the overall theme.

Okay so my biggest problem with Magnifico is his motivation. His tragic backstory. How on earth does he go from losing his whole family to thinking, the only way he can prevent that from happening again is to grant wishes? The logic doesn't track. It almost makes sense in his creating a kingdom where he protects everyone and "doesn't even charge rent," but it does not make sense with his wish granting. Having a great need to be control to make sure he doesn't lose anyone ever again can be a compelling motivation for a villain, where we see lines crossed that don't justify the intent, but in the movie, he's too self-absorbed to seem to have any actual care for the people of Rosas.

I think if the motivation was changed to something like Magnifico had once been a bright-eyed, enthusiastic wish granter who blindly believed all wishes were good but learned the hard way that that wasn't true could have been a better fit for the overall goal of the movie. Imagine that he granted a wish for a wicked person who used that wish to hurt others, or if Magnifico granted a wish but that wish ended up ruining the person's life because what they wanted wasn't what they needed (i.e. Remember The Princess and the Frog? Dig a little deeper) and that person could have went after Magnifico and blamed him for their troubles (harkening back to We Don't Talk about Bruno). This would be an understandable tragic backstory for Magnifico, and better explain why he's so careful about the wishes he grants. And, perhaps the reason he keeps the wishes he doesn't want to grant is to keep the people in his kingdom docile. No one will be angry with him for not granting their wishes if he makes them forget them and lose that drive and motivation, which makes more sense than the unexplained hording them like he does in the movie? Why does he keep them in the movie other than admiring the wishes? It doesn't make sense to me.

This would give Asha more of a reason to oppose him, if it's shown how his desire to not get hurt or to inadvertently cause hurt turned into a paranoia where he drains people of wishes to fly or play music that inspires others. And, as a side note, we need to see more of how Rosas is a kingdom of people who lack drive and motivation, where only those younger than 18 have that special part of them that inspires them to chase after a dream (something that Astor Rhymemaster touched on). Because that's the point of wishes, right? That's the point of the entire Disney canon. A dream is a wish your heart makes. That star can only get you so far, it takes hard work and determination. It's wanting something better in life, it's dreaming of leaving behind all you know to chase after a tangible light. It's finding a new dream, it's finding a new wish as you grow and learn about yourself and the world.

I don't think the movie Wish understood what makes wishes so important in Disney stories. You know what wishes do? They ignite change. It's not about getting what you want, it's about finding the courage to chase after something better. Ariel wants to be where the people are, but really she wants to be somewhere where others are willing to understand her and in the end, she finds that and makes amends with her father, who finally is willing to see her for who she is. Rapunzel wants to see the lights, and that desire pushes her to leave a tower she's been trapped in her whole life, learning that the world is not as cruel and cold as her abusive mother told her. Cinderella wants to go to the ball, to dance with people who treat her as a person and not a servant of cinders and ash. That wish is granted by a fairy godmother and gives her a hope that is worth fighting for, a hope that helps her reclaim what is rightfully hers; a glass slipper that fits only her and the love that comes with it.

Wishes inspire change. The movie should have been about that. Magnifico could have been right, that some wishes inspire negative change that can drag down multiple people. The kingdom of Rosas could have been so placid because change is scary. Maybe Magnifico could have convinced people, after taking their wish, that it wasn't worth it. Maybe the wish ceremonies could have changed so it wasn't portrayed as some sort of lottery everyone looks forward to, but Magnifico would grant wishes on the spot if he decided they were good and worthwhile, and he would lock away the wishes that would cause trouble and tribulations. 18 year olds could be enthusiastic to give him their wishes, thinking they were surely good and worth granting, only to forget their wish and be told that their wish would have only brought about their unhappiness, this would have justified a more solemn tone in the kingdom, setting up a world where people are mostly downtrodden, thinking their wishes are bad and pointless and they're better off without them. Imagine Cinderella or Rapunzel being told their wishes weren't good, reinforcing all the things their abusive families tell them, taking away that hope and courage to find something better for themselves.

Here's where the true conflict could come in. Asha could be onto this from the beginning, and her opening song could have been about this concern that the people who didn't get their wishes granted aren't willing to try at all. (Because, after all, why doesn't Sabino play music at all? Having that taken from him would take so much joy and creative expression from his life!) But why does Asha know something is amiss?

Simon.

Imagine that Magnifico has a strict rule not to ever share your wish with another person because then it wouldn't come true. It makes sense with our own superstitions, and then makes it so that no one knows anyone else's wishes. Maybe your best friend changes so drastically after giving up their wish, but you believe, like everyone else, that their wish would have only caused suffering. What can you do about it? Well what if Simon told Asha about his wish? What if Asha knew his wish wasn't dangerous and couldn't imagine a way that it could go wrong? That would give her a reason to doubt Magnifico and put more emphasis on how Simon has lost his drive like all the other adults in the kingdom. And it can also emphasize in the end that sharing your wishes and dreams with others can be a powerful thing. Just the act of sharing your dreams can inspire others to go after their own, and they can give you the encouragement to chase your wish too. Wishes inspire change, love gives you the courage to make it happen.

Imagine if the star boy used to be a human, who wished to help others and lost his humanity to do it. Imagine his wish confirms Magnifico's belief, that wishes cause suffering because star boy lost his tether to earth and is separated from the people he loves. Imagine how he foils Asha who also wants to grant everyone's wishes. Imagine him ensuring she doesn't make the same mistake he did while she gives him a reason to change again, to anchor himself to humanity again because he loves her enough not to leave for forever.

Imagine the movie confirming that, yes, change is scary. Chasing your dreams won't always make things better. You might fail more than you succeed and some wishes cannot coincide with each other, leading to grief and strife. But some wishes are worth it. Sometimes, chasing after something better and failing is worth leaving a worse situation. Sometimes taking that chance is worth it, and, like in all fairy tales, if you are kind and generous and act with love, that will make all the difference in the end.

Also, I know everyone wished for a Magnifico and Amaya evil power couple, but imagine if Magnifico was truly in love with Amaya, as he is in the movie, but that love is eventually his undoing. Like Amaya leaps in front of Asha, and Magnifico stops or redirects his attack because she's the one thing he loves more than himself and that is the weakness that Asha and co can take advantage of. Imagine Amaya keeping Magnifico in the mirror and he gets to dote on her from his imprisonment for forever. I'm just saying. At least 30 sickos like me would be into that. Imagine the depth it would give to the themes of love and change and wishing and how acts of love make all the difference.

Alright, I'll get off my soap box. I just really wish Wish could have been stronger because these fairy tales Disney is famous for matter. They really do. But the movie feels too stale and shallow and too much of a cash grab that knows the outline of a disney musical, but is unable to understand the heart of why they work.

[leatherbookmark]

our flag means death S2E3: the innkeeper

[lordelmelloi2]

🥲

[ruvviks]

is this a safe space

[shorelinnes]

this might sound a little crazy but if you forget to download a skype update before talking to your family when you scheduled a meeting ahead of time, is that proof that you're completely mentally unstable or is it just a normal mistake to make sometimes...

[hildegardladyofbones]

Are you FUCKING kidding me

I am 26 hours into the game. Twenty. Six. And i *just* got access to the fishing village.

[sherlock-is-ace]

.