#idk just a thought dump

[artkaninchenbau]

People keep on asking for more Baby Robin and Papadile so here is more Baby Robin and Papadile. Now never ask anything from me ever again

[faerieomenart]

KURT ART GO! Sí, sí, y más. Another art dump. Close ups. VVV

I love fuzzy Kurt but I can't draw it well for my life :(( some Gambit and Rogue to heal the soul btw. They're in love ok ok? Btw beared Kurt in the sketch dump is my phone lockscreen, just calling myself out. And my background is the doodle of myself fawning over him aksjdkj. No shame.

Also have no idea how to draw Kurt consistently rip. Sorry to anyone who tries and cares to read all the random notes, idk why I do that, but they're not important ajskjsk.

Lost the dates drawn, but idc bc they are recent.

[dawnofiight]

Now Presenting: Amanda

The most gyaru wolf ever.

[janahanooo]

Do you think Idia likes cats because they remind him of Ortho? No? Well anyways-

Idia: Meet my web-cat, Ori!

Yuu: Awwww, so cute! It has blue fur and your dorm uniform, so CUTE

Idia: I costumised it myself, and made him a little corner in my databank

Yuu: what

Idia: yeah, it's an AI cat, that act's like a cat and helps me by keeping the viruses away from my computer!

Yuu: ....so.... Ortho 2.0? But as a cat?

Idia: ....how could you say that? Ortho is Ortho and Ori is-

Idia: oh.

Yuu: I'm sorry

Idia: it's,- it's fine I guess, you didn't mean to. I guess you could say after "that", everything changed in me and my life, even the way how I see things.... Ortho had always resembled the behaviour of cats and maybe that's why I'm so obsessed with cats now days....

Yuu: dude... that's way too much trauma for a person like you

Idia: . . . The fuck does that suppose to mean?!

[cat-mentality]

Sad QSMP headcannons that have like half a toenail in canon.

The French version:

Baghera cries very silently, like someone who is used to having to keep quiet.

She also has a very high pain tolerance and she didn't understand why until recently.

When Pomme disappeared Baghera was terrified that the Federation had something to do with that, terrified that her little girl would be at the hands of the people who made her and hurt her so badly.

As much as she wants to hate the Federation for having hurt her, at the same time she can't and that makes everything so much worse.

Baghera doesn't have wings. But she does have two scars on her back where no feathers have ever grown.

Antoine was not prepared to actually get attached to any of the French, or even to Pomme. He knows he is in too deep, has too much to lose if he cuts ties with the Federation, and yet it twists something inside of him when he thinks about their possible reactions, especially Etoiles. For the first time in a very long existence he understands what friendship is, knows what it feels like instead of just watching others experience it, and is very aware that he will lose it all.

That is why Antoine was so pissed off at Osito for being careless with the picture, the earlier they discover about his true past, the earlier he will lose them.

If the Federation truly had Pomme he would have burned it all down himself just to bring her back.

The first time Cucurucho saw Antoine angry was after the torture session nearly killed Pierre for good. No one knows who was more shocked by his display, Cucurucho or Antoine himself.

Pierre continues to trouble sleeping and constant nightmares when he does, he can't remember the last time he managed to truly rest without waking up in a cold sweat or screaming, he is always on the verge of passing out and even when he does crash he still has nightmares.

He refuses to acknowledge it or even talk about it, hides his exhaustion with everything he has, pushes people away just to make sure they wouldn't realize there is something wrong, too afraid they will see a weakness to be exploited.

Pierre hates being alone as much as he craves it- He likes being by himself working on his machines and keeping his secrets close to his chest, but at the same time when he is alone is when the dark thoughts take over

He will, on occasion, not exactly seek to get himself hurt but not exactly avoid it either- If he can feel pain it means that there is something human in him doesn't it?

But Pierre hates dying and he will avoid and lash out when put into such a situation. He fears what will wake up, if it will still be him.

Sometimes Kameto look at the rest of the Islanders and he wonders what his own life could have been, what sort of bonds he could have forged with people, if the Federation didn't come for him first.

Etoiles does not know what his worth is if not as a warrior.

He is not smart like the others, he doesn't build pretty buildings or incredible machines, he doesn't know how to do anything but fight. And if he can't fight, if he can't protect the people he cares about, then why is he still around?

War is everything Etoiles really knows. By the time he reached his late teens and was released from the battlefield he had seen more combat than some people in their old age, everything he knew how to do was to fight, he had nowhere to go, knew no one, had nothing.

He was never able to settle down for too long or even to truly build himself a home, Etoiles knew so very little about the world that he just decided he would explore it. Some people in the army talked about things they missed, things they thought worth fighting for, and Etoiles wanted to understand that feeling of fighting for anything but his own survival.

To this day he still feel more comfortable fighting than he ever does doing anything else.

None of them ever had families.

The concept of family was something Antoine learned by watching other species and for a very long time it was not something he truly understood or could relate. It was only after the plane crash and Pomme that it hit him that maybe he can understand this thing now.

Baghera always thought she was just an orphan with amnesia. She had very little memories of her young years and none of them involved other people, just her and a room, so for a long time she believed she was alone in the world. Even now she struggles with that emptiness, especially now that she knows that the Federation may be the closest thing to family that she will ever have.

Etoiles had parents once. He knows he did, but he cannot remember their faces or even their voices most of the time. He was still just a small child when they came for him and sent him to war.

Pierre was always alone. He had parents but they could as well be ghosts haunting their home, he hardly could see glimpses of them from time to time, all he ever truly had were his machines.

[lerrryyyyy]

Soulmate AU where people have different kinds of soulmate connections and TodoDeku's is sensing when the other is in danger. However, the way it manifests on the individual may differ - one may see visions while the other would have auditory signals.

For Tddk, they both have some kind of 'sixth sense' for it.

Todoroki's senses for his soulmate has always been in the back of his mind. Just a constant presence he eventually gets used to. He doesn't think much on why it often feels as if his soulmate is constantly on high alert - he figures they were just particularly clumsy.

There had only been that one time - before he met his soulmate - where his senses for his safety went haywire --where the blaring alarms in his head was almost deafening that he couldn't focus on anything else. He later finds out that this was the day Midoriya had been involved in the sludge incident.)

When they finally meet, Todoroki realises that the feeling is a constant presence because of Midoriya's anxiety. He eventually becomes so in tuned with Midoriya's trouble-magnet tendencies and learns when he's in real danger, or if the "trouble" Midoriya is in is a minor inconvenience. To the point that it becomes a running joke amongst their friends.

Now, imagine on Midoriya's side. Although it's not a constant feeling like Todoroki's radar for him, a part of his attention is still on high alert for any kind of danger Todoroki might be in. He figures that his senses only flare on certain situations because of Todoroki's reserved nature in general, so he does his best to constantly pay attention to any kind of signal from his 'sixth sense'.

But imagine an instance when Midoriya feels that sudden chill of danger, familiar yet somehow different this time. He momentarily drops his guard to search for Todoroki.

Not knowing that it was actually Danger Sense finally becoming active.

[silvermeww]

okay, when was someone going to tell me that

oh, idk, steven started at 19, burgh has a younger sister, clay actually isn't born american, skyla's whole fam thing and ELESA IS 15???? (even younger than skyla like wtf???)

(also the 'alder' at the bottom is supposed to be drayden lol)

and that's not all

say hello to:

viola being 18??? 'black whirlwind' korrina, RAMOS MEETING AZ'S FLOETTE AS A KID, genderfluid and apparently also age-fluid olympia, CLEMONT?? AND HIS WHOLE THING DOWN TO BEING 12 OF ALL AGES???

(you know what, marlon being 30 definitely makes sense with the hippie vibes)

wikstrom SAYING that he only wears that suit in pokemon battles but i've never seen his casual wear, malva being pr for flare lol, drasna selling dragon merch + great family lore if you want to know, siebold having to third-wheel lysandre and sycamore while eating (move aside malva, you're not the only elite 4 dealing with this) and 20?? YEARS OLD?? DIANTHA????????????

(way too many men in kalos are getting ladies, c'mon)

ethan being into history is such a neat detail hmmm, idk much of the frontier brains ngl, and we've finally got the region for looker and it's... hoenn??? you know what, makes sense with his chaotic vibes so i'll take it (throws away unova taped to a rock behind my back). also he's abolsutely cheating we all see that he's just relying on knowing us as protags, should've known smh

(um i think someone said that 'caitlin' should've been anabel but idk)

oh and the last one is charon, if we care about how much of a loser he really is. forget about birch and the poochyena, this guy is the lowest heh. imagine being charon (please don't).

(when the protags of johto are the same age as clemont lol) (yeah i know there are years between those events just let me have this)

and last but not least:

aaron 🤝 valerie: wanting to be pokemon (and ig gotta toss in shauntal with the ao3 writer gift heh, don't know if they would commission her or stay away), bertha's description???? i love flint just saying, cynthia 👀👀 is absolutely doing something illegal 👀👀, roark is WHAT??? (child labour laws in sinnoh must be lax ngl), maylene as well???? fantina watching scary movies is something i'll have to incorporate into my worldview and bryon?? are you okay??

so yeah. credit goes to @/KuroBlitz96 on the twitter/x for having this up, i'm just here to project sheer surprise at this massive dump of ages... my thoughts on pokemon have completely turned on its head once more lol (this is fine)

[atalienart]

I don't know what I'm doing with my life, don't mind me. I guess I'm procrastinating writing another chapter. Do you know any similar memes for procrastination purposes?

[craigularory-joe]

shoutout to all 201 of you. we've moved up to a 201 course instead of a 101 course. advancements everybody.

[whiskeyswifty]

One of my favorite things about TTPD is definitely the thread of what makes an artistic genius a genius that runs through it. Specifically, the very concept of genius as it pertains to Taylor swift and how she herself has evolved that definition within her own field, how she mocks it and interrogates it on this album. But also the way it conflates with how we dub her a genius these days; artistically, strategically, philosophically (depending on your mileage). The crux of the issue ultimately is that historically, geniuses are often characterized as men who are lonely and flawed to the point of unsociable. It is in fact their genius that tortures them and isolates them and subsumes them and makes them flawed. And then in turn, the only men who can create great works of genius must also possess those traits because they are decided markers of genius, and so on and so forth. Women geniuses, the few that earn that moniker, in turn are often marked by caveats tacked onto any praise or recognition of their genius work. (It’s all non-cis-men “geniuses” really but for the sake of this discussion, we’re talking specifically about women v. Men because Taylor is a cis woman in a predominantly cis male controlled space) In Taylor’s case, it’s fearless deserved AOTY because it’s impressive….. for a teenage girl writing about teenage girl things, instead of simply saying the album itself being a great work of genius deserving of the award regardless of her age and it’s subject matter. Another being instead of simply saying she is skilled at distilling the human experience, she is deemed adept at distilling the girl experience, the girlhood of her weepy, exuberant little girl audiences. Always a qualifier, always a subset and an othering of female genius. It’s genius…. Within the confines of the handicap of being a woman. 

If you trace back her relationship to this confine, at first, she did try to fit into this genius mold sculpted by men. Young and girlish as she was, she still peddled the idea that she too was churning out these genius songs from a sort of tortured and lonely isolation, albeit scribbled in gel pen ink with kicking feet and yearning sighs, but in isolation all the same. I say peddled not because she isn’t a fabulous solo songwriter but she wasn’t often in total isolation as per the (male) genius handbook, and there in lies the very thing her genius begins to push back on, and the genius presentation of women that often clashes with the defined genius mold of men. She’s incredibly social. Vivacious and thrives being around friends and family, and her line of work traffics in that vivaciousness as a pop star, smiling and dancing and giggling on stage for thousands. She enjoys collaboration and throwing parties and meeting new people professionally and personally. She seeks out interactions with her own fans, to varying degrees over the years but still her hand is always reaching out across the barricade. How much of this is purely a product of a public persona and how much is her innate personal qualities is a moot argument, because the fact remains the same that this is the persona we are presented with, who is the antithesis of the male genius. And it’s not to say that she isn’t lonely or flawed or tortured about it. 

TTPD specifically interrogates that idea both through the lens of observing a guy who fancies himself a genius in that very male way, but also her own representation of genius in the world and how she repudiates the male genius mold foisted upon her. Mocking the stereotypical misanthropic traits of this male “genius” she encountered on songs like the title track, but also mocking the way he (and us by extension) try to classify her as a genius with all the trappings of one. Going as far as to refer to herself as an idiot in contrast, not intellectually perhaps but in terms of her comprehension of the world and her place in it, she doesn’t feel like a genius, not the way the man she’s speaking to seems to cartoonishly categorize them anyway. She doesn’t want to hole up in the Chelsea hotel with a typewriter wallowing in the burden of her genius because she doesn’t feel burdened by it that way, but rather her genius makes her curious and compelled to continue living boldly and blindly. If his (and the world’s) idea of genius is that willfully lonely tortured poet, then she’s much happier to cast herself as a modern idiot. She continues to push back as the album progresses, wherein she doesn’t claim she doesn’t get lonely or she isn’t flawed, but simply that she doesn’t define herself that way or even let those feelings steer her. Broken Heart is a quite literal example where she endures one of the biggest heartbreaks known to humankind and touts her ability to continue to perform her job due to the fortitude of her compartmentalization, not letting it decide how she will live her life. The Prophecy, where she bangs her fists against the forces that insist that she must remain in the lonely tortured poet mold in exchange for this genius, be they arcane or the small mindedness of modern world around her. She becomes animalistic, feral as she howls at the moon even, refusing to be shackled. Which brings us to Who’s Afraid, the most violent push back against the male genius you could say. She does not retreat to the folklore cabin in the woods as she once did when she is lonely and flawed and tortured, but instead lashes out and monstrously displays her emotion in the faces of those who scorned her, promises to never retreat and to instead haunt them, and perhaps all of us, forever. A Frankenstein’s monster of herself, where she is both doctor and creation. A story whose comparison is apt for its subject matter, but also in its creation that gets to the core of how she redefined genius. 

Mary Shelley, a woman, wrote Frankenstein, a seminal work of literary genius, and while the book is about a genius tortured in isolation by his genius creations, she didn’t write it in lonely tortured isolation herself. She came up with it in a house full of friends where they played a game to see who could come up with the best ghost story, for fun. The impetus of its creation was to share it with others and emotionally connect with them. The manuscript closes out TTPD with a harrowing but frank recounting of a transformationally damaging relationship in her life where the song itself confronts how she hid the scope of the damage from others, and even to a degree herself, behind the genius works she created about that relationship. Ironically, some of which are the single works that had the big wigs and critics and greek chorus of the music world finally cement her genius. The lemonade out of lemons she could have said and been done with it. But it wasn’t the declaration of genius that those works afforded her that brought her closure and peace on the matter, as the Manuscript dictates. It was the way the work of artistic genius was received and emotionally resonated and connected with people that allowed her to emotionally connect to it herself over the years and create more art from it until she finally understood the experience fully. Understood what the agony of it all had been for back in her early twenties, and thereby understood what the genius is all for now. If being a woman is seen as a handicap by her genius peers or by those who decide genius in others, merely a hysterical woman or a weepy little girl, perhaps it also could be a huge reason for why she’s able to redefine it, due to her access and ability to embrace those hysterical weepy emotions as only women are allowed to do in modern society writ large.

And so Taylor reshapes the identifying image of our genius as a bitter, tortured, stoic man in his cabin into a smiling face of a woman overwhelmed by a thousand emotions, clasped hands reaching out over barricades. Or one of eyes searching and recognizing herself in the faces of 80,000 people in an audience. Even seeking artistic collaboration with her friends that often results in sharing ghost stories of their own kind out of a desire to connect with each other. As sad and heartbroken and lonely she may feel, she will never be alone and the great mistake of the tortured and isolated male genius is thinking that he must be. If you believe that there is some divine purpose that bestows artistic genius upon a person, what Taylor Swift discovered and redefines and insists upon is that it is not a lifelong curse of loneliness but a gift of boundless and eternal human connection. 

[alligaytorswamp]

my chaeya-core

one two three four

[vspin]

I find these passages by Drizzt so interesting. I always felt like he, in some way, places the Drow in their own little category/box so separate from everyone else and never really examines them past being evil because of Lolth. But, he will look at humans and try to figure out why they do what they do. It's almost as if he doesn't want to think about it.

[willowser]

i feel like. shouto doesn't understand why you can't still do things together once you've broken up. like he's texting you, calling you, inviting you to eat lunch with him and you're not answering ?? and then he's talking to deku about it, probably wondering if he should be concerned because you always send him like three texts in a row, and midoriya is like shouto...shouto....you're not together anymore...but he's just like 🤔 so ? 🤔 we're still friends, right ? 🤔 friends do stuff together 🥺

[good-beansdraws]

Massive Milgramsona art/info dump as a treat to myself!! Alas, my fatal flaw is being unable to shut up about anything even while simultaneously embarrassed/nervous to share, so here's literally all the info I have on her 😅

Profile:

Name: For the sake of posting online I’ll call her Rose!

Number: 012

Color: #E7355B

Age: She’d be 20 when Milgram started

Status: Milgram Staff, Machine Technician

Song genre: Pop/theater (a mix of Mahiru and Kazui's vibes)

Backstory: She is studying abroad in Japan to work on technology related to the mv machine when she stumbles into top secret info about the trials. Horrified at the lack of prior testing, she demands to be included in the experiment to make sure the brand new tech runs smoothly and doesn't harm anyone in the process. To prevent her leaking info to the public and deciding an extra participant wouldn't hurt, Milgram agrees.

Role: Rose performs routine maintenance and updates on the extraction machine, and checks in with prisoners' health to make sure it's not having any adverse effects. She listens in on the interrogations, ringing the bell to signal Es when the machine is ready for use (re: my theory on how it works >:3). She then watches the mvs after Es to make sure there are no glitches.

(Though she is a personal milgramsona, her role in the story is supposed to reflect the audience's experience overall when it comes to how much info we know, emotions we experiencing regarding guilt/responsibility, and how much power over events we actually have given the voting system and trial breaks.)

Trial 1

Jackalope's comments during trial commencement: Oh, I almost forgot participant 012, Rose. We've never had more than one staff member before, so we figured that sort of numbering would be fine. Hey, don't look at me, it's not like it was our idea to include her. She's not a prisoner -- the only crime she's committed is sticking her nose where it didn't belong... You can ask her for the details, but she's just here for maintenance on our extraction machine. It's not easy keeping that thing running smoothly, you know? As part of her duties, she'll be privy to all the same information as you, but don't let her be any more of a busybody than she already is -- she has absolutely no authority when it comes to your verdict decisions, got it?

MV: Mic Check - “Can anyone hear me?”

VD: Positive Feedback

Cover: Pathological Facade - Ghost

Her album would release last in line. The VDs aren't interrogations since there's been no crime -- Es asks about her duties and observations of the prison. In them, she admits her predictions that she and Es will eventually be on trial for their involvement in the prisoner's fates.

Thus, her mvs are focused on her emotions towards the prisoners, her pride in helping bring justice, and her guilt at providing Milgram a means to pass judgement on people she cared about. I'm going to Goncharov the actual mvs/songs, but Mic Check is generally an introduction to her job behind the scenes prepping the equipment that will allow the prisoners' songs to be heard, as well kick off symbolism of her as a performer herself. She'll make a comment about how the experiment is leading to tragedy, "as if someone said Macbeth" (then covers her mouth, as she's standing in a theater herself).

I kept getting tripped up looking for Deco*27 songs that worked and weren't already taken, so I decided to go with some favorites and vibe-matching songs from other artists!

Comments during trial closing: It's good to hear you weren't a pushover when Rose gave her thoughts on the verdicts -- you guys disagreed on quite a few of them, eh? Ah... so she's not the type to pick fights, is that it? I guess that explains how she's managed to get along with everyone. (sigh) Even you knew better than to get attached like that. Well, at least she's kept our machine up and running the whole time.

Trial 2

Commencement: Now I need to wake Rose. We're going to need some extra upgrades to our machine if we want to get the most out of this round of extractions. I've got a sneaking suspicion that she and her bleeding heart are going to try and sway you during this trial. Her duty is specifically to look out for the prisoners' safety, but yours is only to judge them. Don't forget that.

MV: Changement - “Don’t say ‘break a leg,’ if it might just break.”

VD: Control Variable

Cover: TOXY - Kujiragi

I did my best to write out the title pronunciation out in katakana since I wanted it as the name of the dance move, not a direct translation of meaning. I went with シャジェモ "sha-je-mo" as the closest I could get to the "shanj-mou" sound, but feel free to correct me if there's a better way to write it. The door is based off of various set designs for Clara's home in The Nutcracker. (There's no deep meaning that this is the only one not opening -- I realized too late all the others are cracked open and my art app doesn't have the tools to easily fix that so I'm sticking with it 😭)

A changement is a small jump in ballet -- I thought it was fun to combine that (which means "to change") with Control Variable (refering to the variable in an experiment that never changes). The video shows conflicting emotions as her decisions/inaction caused so much to happen between trials, yet at the same time she feels like there's so much she'll be unable to change even if she really wants to intervene. Her mvs show the prisoners pretty regularly (since they are her crime, she's realized), and the teaser line is paired with references to Mahiru's broken leg.

The thumbnail combines different areas of study -- mechanical, medical, musical, mathematical (theater spotlight, muscles, Weakness notes, motion formulas). I think it's super cool how many areas of expertise are passed around the fanbase when discussing the characters. I've picked up new facts about plants, food, anatomy, geography, music, animals language, (sigh. color theory.), hobbies, professions, mythology, etc from fans with different fields of knowledge. While that's one of my favorite aspects of the project from the outside, I think it would be super intimidating to someone on the inside trying to tackle so much information at once.

Closing: As for Rose... (laughs) I thought she was dooming herself before--! Not only has she gotten hopelessly attached to everyone over the course of this trial, she's even started a relationship with one of the prisoners! And of all the people she could have chosen... Eh? Oh no, we have no policies against that for our staff. I mean, the whole point of Milgram is to explore human nature, the power of emotions, the complexities of connections, all that crap. I'm just grateful she shows a bit more common sense when she's operating the machine...

Trial 3

MV: Showstopper - “There won’t be applause, but I’ll take a bow, okay?”

VD: Please Exit Left

Cover: Ironina - Nilfruits

I don't know the album theme yet, but this is the tentative sprite and thumbnail design. The T2 sprite was kind of an "innocent" one, since at the beginning she still has faith in her role in the prison, excited to work with everyone there. (Plus, I joined the fandom a little after t2 started so that's peak excitement time lol). The T3 sprite has much more of a "guitly" feel to it because, at the end of T2 and after this hiatus, she'd harbor a lot more guilt about her position and fear about the experiment's conclusion. As a fun little detail, her pencil has been replaced with a more permanent utensil as final verdicts are locked in.

Now listen. My artist brain was constantly fighting my science brain when doing sprite designs -- I know gloves like that and nothing else isn't proper PPE. I know none of those are safety shoes (god forbid wearing just socks??? to the lab???). There should be no jewellery at all. The whole point of a lab coat is that you don't roll up the sleeves and expose your bare skin. However. It's anime character design. There can be compromise.

Referencing Rose's personal life as a performance and comparing Milgram's trials to one, I wanted the mv to play on "showstopper" as both a great show and a literal attempt to stop the project before it reaches its finale. There would be creepy comparisons in the mv between operating stage equipment and prison executions: curtain/set ropes and nooses, heavy duty lightswitches and electric chairs, etc.

Misc.

And lightening things up again -- birthday art and minigrams :3

Birth flower: Camellias. Pink camellias symbolize love but also longing. The fact that they bloom in winter, and have a quick death (the entire flower wilts at once, instead of individual petals falling off), have inspired different meanings in different cultures -- overcoming hard times, facing death in battle, inseparable lovers, and so on

Three minigrams featuring my own annoyance that her design is a bit close to Shidou's coat/gloves look, a mandatory short joke, and a pun that works so perfectly for my Put-In-Situations guy

[coffeeforkris]

ART DUMP SINCE I HAVEN'T POSTED IN A WHILE RGRHDIKJK//...

[dan-whoell]

i keep thinking about a phandom book club, but i have no idea how to go about organizing it or if anyone would be interested or even where to host it

alternatively is there already a phandom book club i could join? because i would love that