#idk if it's even coherent

[cashmoneyyysstuff]

sometimes katsuki gets really dramatic (but let’s be fr when isn’t he) and acts like you ghosted him when you don’t respond to his texts in thirty minutes. not in a creepy way, just in a dramatic, needy way.

he’s not worried or anything, he checks his phone every few minutes to see if any texts from you have come in. it’s a force of habit, because you usually respond pretty quickly but after a while it gets a little weird. and then he sends you a text and another one and unconsciously he starts spamming you a bit. again, not in a creepy way. just an annoying needy whiny dramatic baby, way.

“what’s up, bakubro ? you keep checking your phone.” katsuki doesn’t look at kirishima, eyes glued to his phone when he just grunts out an “‘m fine.”

and then kaminari just has to open his big mouth. his voice playful as he speaks “uh oh, trouble in paradiseee~?” katsuki scoffs, telling the blonde to fuck off.

and he isn’t worried..not at all. until he thinks about it and maybe there was trouble in paradise ?? were you maybe ignoring him ? what’d he do ?

you look up from your notebook at the sound of your phone vibrating. oh, it’s katsuki ! you smile just seeing his contact pop up.

“hi, katsu !”

silence, no response. you try again.

“…hello ?”

you hear a scoff from the other end, and some shuffling before your boyfriend graces you with an answer. “look at your phone, you idiot.”

“hello, katsu.” you snort. “yeah, yeah. hi.” you can practically hear the roll of his eyes through the phone, you giggle and your boyfriend huffs through the speaker.

it’s then that you see the wall of texts from him “oh, did you text me ? my bad i was studying.”

there’s a faint sigh of relief “‘s fine.”

“were you worried ?” you tease.

“fuck no. just—“ a sudden pause then katsuki grumbles “answer my texts next time, moron. bye. don’t overdo it while studying or i’ll kill you.”

“meanie !” you giggle, and when he hangs up you send him a text.

we can study together next time, just so you don’t flip out again 💗😚

katsuki scoffs a mean laugh, then sends you a middle finger.

[theelvishfiddler]

I’m too tired to write a thoughtful description but Splinter loves all of his kids so much you guys

[winterrbluess]

JJK spoilers

This chapter....THIS chapter has me sobbing a bucket like Yuji, he is so precious. His growth has astonished me so much. His introspection and the ability to step in other's shoes and sympathise with them (even Sukuna) is his greatest strength. His whole fight was to bring Megumi back, to save one person atleast and now not only he grew out of his cog mentality but is leaving the choice in Megumi's hands that it's fine if he wants to give up. For the first time someone tells Megumi it's fine to give up and not wanting to fight anymore or get stronger or fulfill any space or role. Yuji giving Megumi the agency to deal with his loss and trauma, to choose for himself...grieve and just end it all. It's so tragic yet beautiful with how Yuji is always there for Megumi and vice versa. And Megumi's monologue about wanting to enjoy the domesticity of life..God it's heartbreaking how he just wanted to...exist, to live like a 16 year old, safe and surrounded by his loved ones without the burden of being strongest in future on his shoulder.

This panel is so bittersweet...with it being directly parallel to Gojo one but with such stark contrast..Yuji is there for Megumi only..not an ally, not the strongest sorcerer of future but his friend.

[jazzyjesse]

working at a grocery store has only made me even angrier about inflation and how food, water, and shelter isnt free

like just looking at groceries (not water or shelter) i see just a few bags (maybe around 5 or so) of food costing over $125 USD regularly. I've seen orders upwards of $600. and sure those have been bigger orders but no food should cost that much.

my coworkers and i shouldn't be complaining about the price of food when we get employee discounts.

a single bag of food for myself (usually containing some small pizzas, crackers, milk, and cereal) regularly costs between $50-60. minimum wage in my state is 15/HR. thats about four hours of work for one bag of food

a coworker who works on the front end of our store prides herself on being able to catch theives. everyone says how good she is at it. and sometimes it makes sense, sometimes people are just stealing to steal. but how do you ever know?

when the card reader we take outside is broken we are supposed to have the customers come inside to pay for their groceries if they're paying with EBT. there's a woman who's a regular who has a few small children and when she comes to pick up groceries they're usually asleep in the car.

am i supposed to make her choose between leaving her children alone in the car or waking them up and taking them inside?

four hours of work for one bag of groceries. is this not also theft?

four hours of work. let that sink in. four hours for one small bag of groceries.

we aren't supposed to accept tips but if we don't accept tips then how else are we supposed to afford our groceries?

i haven't seen a single person stealing food. you cannot steal whats already stolen.

although im no longer a christian, the teachings of my childhood have stuck with me, and in the bible it says "When you reap the harvest of your land, do not reap to the very edges of your field or gather the gleanings of your harvest. Leave them for the poor and for the foreigner residing among you."

society has reaped right up the the very edge and beyond of its fields, so it's up to us to reap what we can

four hours of work for one bag of food

[dreadark]

that ivan loves till is the most obvious thing about them

but. does ivan know that…?

the ivan that regards his own feelings as shallow, the ivan that learned how emotions are expressed only from copying others… does he even know that the love he’s felt for so long is love? probably not. and part of the reason is the one he loves himself

because the easiest example he has of love is till's feelings to mizi. till outright calls it love, and ivan watches him so much he has to be aware of this and till’s love to mizi is totally unselfish, right. he doesn’t seem to actually want much from her—just that she's still there and still "mizi"

but ivan can't be satisfied with just watching he… wants. ivan wants till’s attention, till’s affection—

surely this selfish wanting can’t be love

...no wonder he was never able to express his feelings straightforwardly when he belittles them so much but he can’t stand not having anything either, so he does… whatever he does instead to get any scraps of attention he can, from someone he's convinced doesn't care about him at all only showing affection when till can't see it, right until he knows he's going to die

but ivan's feelings for till are all he still has of himself... to think of them as shallow...

I've seen this translated as "I should've been kinder" to him (till) or to her (sua)

but really, the one he should've been kinder to was himself

[growling]

the way this website treats disabled people is actually horrendous

[shorthaltsjester]

having thoughts and feelings about perc’ahlia and their could-be-but-would-never-allow-the-other-to-destroy-themselves-enough-to-actually-become-the-briarwoods parallel/foilism. particularly with vex and delilah and potential places this season might go but also just vex’s “it’s like i’m a bad omen” and the fact that like. vex has full awareness of her feelings for percy and alludes to them to him. but then after she has sex with him it is so so compelling to me that vex is like. this is all i can have with him and i’ll take just this even if maybe it’s flying too close to the sun. and something something the shot of delilah embracing sylas after she’s brought him back, looking over his shoulder into a mirror where it looks like she isn’t holding anything at all and just . god. the like oppositional threads of delilah refusing to lose sylas and holding on tight at any cost and vex holding herself so far from percy to deny the pain that would come with losing/hurting him and the like. venn diagram cross over of something is lost anyway.

[frozen-seagrass]

The WALL-E au no one asked for

[twenty-qs]

Can’t stop thinking about the way patho 3 will recontextualize everything. Like it was always a given, of course, that Bachelor was doing stuff in the background of the Haruspex story. But looking at the brief glimpses of charts and numbers and graphs, it’s dawning on me how much flew over my head from patho 2. Like the first day of the plague, you’re just stumbling around and suddenly — fire. Guards. Blockade. It makes sense as a gameplay mechanic, so you don’t stop to question how it’s there. You’re so busy rushing everywhere trying to attend to the Town’s needs at the ground level that you don’t even really notice the way quarantines are set up every day around every plague district without fail. But in-world, someone had to get up every morning and figure out which district needs the quarantine and allocate the people and resources appropriately. And that someone is the Bachelor. Which means that in Patho 3 it’s going to be the player.

It’s like…small town administration, but a horror thriller. He sees the Town completely differently from Haruspex, but it’s no less valid. Even in the version of the game where Haruspex is the ‘hero,’ even with all the obvious ways Bachelor fails, he still helps to mitigate the harm. We’re finally going to see just how bad it could’ve gotten without an administrator running things from a bird’s-eye view. Without someone there to ‘flatten the curve.’

[rebelwithoutabroom]

Thinking about her... dsmp S2 amnesiac dream.... everyone remembers but you... how can you atone for mistakes you didnt make crimes you didnt commit but that everyone else blames you for.... oh dream my dreamie the only one thats got a clean slate and yet he cant ever be allowed to move on

[silvers-starrway]

So the wildest thing happened where @mactheactor decided to dub over (if that's even the correct terminology) the Chaos Sonic animation I made!!!!

I'm still in utter awe about this like, hands down the coolest thing ever I've been thinking about this non-stop. Hope y'all enjoy it as much as I do!!

[karliahs]

I tried to give myself a little break from writing because I thought that's what I needed, but turns out the writing is load-bearing at this point. what I really needed was a break from writing stuff that I ever intend to polish up and show anyone. tapping out random comfort daydreams full of square brackets and 0 context is vitally necessary in fact

[azure-firecracker]

I, like most people I’m sure, spent most of Small Potatoes laughing hysterically, but the more I think about it, the sadder the climactic scene makes me.

(And yes, I do think Scully knew something was up even though she may not have been sure what. You can see that she’s not leaning back into that kiss at all).

But I just feel so much for Scully in this scene. Because yes, she gave up on having a “normal” life ages ago. We know she’s drawn to the strangeness and charm of Mulder’s quest, maybe more than she’s willing to admit, and that she’s willing to sacrifice normality and conventions for that. But I don’t think that means she doesn’t want normality.

Mulder, I think, is someone who would be content if he never did anything other than search for aliens. And I think Scully would be content that way too, but I also think there’s a small part of her that wants to go on dates and drink wine and make scrapbooks and exist away from the danger where things are easy. And she knows Mulder can’t give her that, that the odd and dangerous is an intrinsic part of him, but still she wishes for balance.

(Fanfic does a great job of giving them more normal moments. In fact, it does such a great job that I forget how few there are in the show. But Eddie was right - they usually don’t talk. They’re connected more deeply than maybe anyone else could be. But they don’t talk).

The inherent tragedy of Mulder and Scully’s relationship is that Scully wants to be seen and valued, and though Mulder does see and value her above all else, he doesn’t show it in a way she always understands. She thinks she’ll always play second fiddle to his quest, and doesn’t see the moments where he reveals he’d throw the whole thing away for her sake. He runs off without her time and time again, and she’s left to pick up the pieces and do the less glamorous parts of the job, without seeing the lengths he goes to to keep her out of danger.

Scully is such a closed-off person that she wants to just exist comfortably and without fear and feel like she’s important. And though Mulder gives her that in some ways, it’s never quite in the ways she understands. She doesn’t know how much she means to him - I think that’s pretty evident.

And now she’s dying. The job she sacrificed all hope of normalcy, of being seen and valued exactly how she wants to be, for, is slowly killing her. And here comes someone she thinks is Mulder, wine in hand. And he finally gives her what she’s been craving - a shred of normalcy. A space she can be herself, be seen, be loved without everything being tied up in desperation and danger and fear.

It’s everything she wanted from Mulder that he couldn’t give her.

But it was all a lie.

[thecryptidbard]

ALSO can we talk about Hetty’s reaction after Flower tells her “You’re a good friend”???

Think about where she was at this point last year—having also just revealed a massive secret, one that almost irrevocably ruined one of her oldest friendships. She’d admitted in Ghost Court that friends were not something she’d ever had in life—something she hasalso just reiterated moments ago to Sam and Isaac, that one of the reasons she felt so trapped and alone and without options at the end of her life was because she had no friends.

Think about how far we’ve seen her come; in season one, it’s huge growth for her that after Jay’s possession, she admits to the other ghosts that she missed them. Or season two, how in a very un-Hetty move she’s willing to swallow her pride and apologize to Nigel (even though she’s sure she isn’t in the wrong!) for the sake of saving her friendship with Isaac. Or even earlier this season, how closely she’s clinging to Alberta in so many of the episodes, because she’s so grateful she got her friend back after being so close to losing her that she doesn’t even want to be physically separated from her.

And then now, she’s just once again revealed a secret she’s kept for well over a hundred years, in order to save Flower. She’s kept this part of herself from everyone for so long, and the very second she sees that Flower is securely out of the hole, she turns her back to everyone to gather herself and then bolts.

Isaac and Sam make her see that, yes objectively she has people here for her now like she never had in life, but Flower coming in and thanking her is when she actually gets to see and experience the reality of how different her existence is now. “You’re a good friend,” she says, and it might be the first time someone has ever said that to her. And Hetty just looks up at Flower so surprised in that moment, and so heartbreakingly hopeful, because I genuinely think that until right then, she really hadn’t considered it like that before; she just knew that Flower was in trouble and that she had to help her whatever the personal cost, because not saving her wasn’t even an option.

So much of the ghosts’ relationships, especially early on, were transactional, and, especially in Hetty’s case, built around enforcing particular power dynamics: accruing a wealth of back rubs, extorting Pete’s TV time before signing Elias’s contract, or any of the countless occasions she brought up her status as ‘lady of the house’. So the fact that she makes this sacrifice that feels like a loss of power to her is in and of itself big; but Flower acknowledging that, and making sure Hetty herself sees it too, by calling her a good friend—it’s a whole different level of meaningful.

She doesn’t just thank Hetty. She makes sure that she sees what her actions mean to her. And Hetty is so taken aback by it, because Flower saying this to her and meaning it is a gift she was absolutely unprepared for; a “good friend” is not something Hetty has ever known herself to be, up until now. But she very badly wants for it to be true.

[spiderwing-nightman]

I love the new silly little superman show (it's a better adaptation of superman than anything I've seen in the past 15 years, possibly ever, and takes him back to his roots as an allegory for immigrants and introduces iconic villains and characters and brings back the importance of civilians to superheroes, while also updating all the characters. It also highlights the role of power and xenophobia and manipulation and hate in superman stories and deepens his story by making him most likely a refugee from a war).

[vaguely-concerned]

...the 'almond room' thing in the unwanted guest IS a reference to/play on words on amygdala, right? (amygdala comes from the greek word for almond!) I didn't read that wrong? it is stupid sexy Ianthe coyly inviting Palamedes into a different chamber of her brain, as it were?

(also the pieces of meat -- the feeding or kissing, it's hard to say which of it all -- being present right from the beginning... ianthe DOES know exactly what has happened to her, doesn't she. palamedes is just cutting his way through her layers of denial and repression all merciless and scalpel-like to get her to admit it. or, she knows subconsciously at least -- each person comes in and feeds her something that she's helpless to stop from becoming a part of her even in her coffin, with bloody kisses. oh baby love is feeding me bad meat and I have no choice but to swallow it down. like yeah I suspect that is how human contact can feel when your sense of self and boundaries developed to be a specific kind of Fucked Up lol. that shit could make a person dream of being a diamond in a glass of wine; perfect, inviolable, untouchable, eternally separate and safe. In the words of Andrea Gibson in Prism:

They say the womb is where we learn love is knowing the cord that feeds you could at any moment wrap around your neck

that is quite literally ianthe's first introduction to love -- her sister, a cord around her neck. Corona is Ianthe's other self, a second soul running around outside of her body, and she seems to consider herself as responsible for (and entitled to) the preservation of Corona's soul as her own. the way this mirrors that growing up, Ianthe had to be two necromancers in one body to let them stay together. (twins and ghosts all the way down I guess.) she's still just trying to do the same thing, I think, she's simply put on some bigger boots about it. the central problem of lyctorhood, self vs. connection/love, rears its head once again -- Ianthe existentially wants total self-contained self-sufficiency, perfect control, sovereign sway and masterdom over her soul... but she wants that at the same time as being in uninterrupted (uninterruptible!), eternal and indelible intimacy with her sister, whose soul also cannot be allowed to change. which, you know. freedom and love don't coexist the way you want them to, Ianthe, no matter how clever you are there won't be a way to get what you want. (especially not with a sister whose idea of what love is seems to go more towards being consumed, made one, by whatever violence necessary -- 'she could have taken me'.) man. Ianthe is a spectacular and ongoing piece of work, but sometimes it's hard to see how she could ever have turned out otherwise considering the conditions she was born and raised under haha.

the two-way street of the horror of digestion, whether you're the devourer or the devouree. part of you in me, part of me in you, whether either of us likes it or not we're both changed by this. bad news: you can't get out of interconnectedness by finding the cleverest loophole around it, ianthe. nice try, though)