#ide prewed

[waivyjellyfish]

Okay, first of all, thanks for the answers and a little insight. It’s very interesting to read. And sorry for making you relive it again. The punishment came from somewhere you didn’t expect. Second of all, thanks for your questions. (Getting ready to throwing lore) I was really glad to answer it. And if you have any more questions, feel free to ask. (<- A lot invented, almost nothing shared. Tearing to pieces.) About spoilers for surprises, I'm okay with it. Usually it even fuels my interest.

------

I'm kind of relying on readers understanding this feeling already, I didn't really know how to put it into words

Tbh I don't remember if I ever had that type of dreams. Maybe a clear separation of fiction and reality does affect that, dunno. But I still have really good imagination, so it's not hard to imagine this feeling. Some things should be left to the imagination of the reader, that much more interesting.

I'm usually more upset by their canon lack of interest in their past and future.

I think canon Es is probably afraid of theit past and future. Like, every time someone distracts them by questions or actions that don't relate to their current status, they either have a headache or they have a panic attack. So probably they need something different that will push them to find the truth, something that will overcome the fear of losing the path laid out for them.

I debated so long on naming specifics about what they saw, whether it was glimpses of your characters or small lines of dialogue... I still hadn't decided if I wanted the dream to be a real memory or just their imagination, though, so I kept it up to interpretation.(Also, I was so afraid of getting something wrong about who they'd be close to or how they'd react in your mind 😭 "he wouldn't fucking say that" fr)

And I think it was a good decision, because it didn’t hit only me, it hit orthers too. Plus, I still haven’t told much about my OC'es, so, yeah, it’s kind of hard to write and read about the characters you don’t know.

I'm always a sucker for the uniform being a symbol of Es' obsession with their role -- putting it on is the same as them putting up an act, even if they don't quite realize it.

Their look is the only thing they can fully control. Without uniform, they’re likely to feel very vulnerable.

As much as I loved the exchange, I wanted the gut-wrenching pain of Es rejecting their family rather than missing them at the very end

They're still playng their role, guard must not show weakness. Otherwise the last support under their feet will collapse and nobody knows whether the ground is far or close.

------

And now, let's answer questions. (rolls up sleeves)

(Warn at once, there will be a lot of nonsense because Dokuro are not humans)

When you picture them, are they wondering about their identity a lot? Would certain things be enough to jog their memory, or do only extreme situations get through to them?

In this case, I'm trying to follow the canon but with some additions from myself, Es prefers not to try to remember what was before, Es doesn’t try to think about what or who they are. It is painful, they can endure pain if the situation demands it, but deliberately burying in memory they does not want, it is unpleasant and scary.

And here we come to Dokuro Es. I decided that even if Es’ memory had been erased (completely, with little or no clue), the body’s memory should have remained, even if not completely. Some habits from the past have remained and sometimes put everyone in a stupor, but. Small pushes for a complete memory recovery is not enough, they can guide the way but stressful situations for this are best. (Although the result was even too extremely stressful. For prisoners.) Es’ full memory will return only at the moment of complete brain rebuild, when the body seeks to return to its original normal state. The Slimes are in a constantly regenerating state. No idea how but the Milgram was able to interrupt brain regeneration and erase Es’s memory, probably put some kind of stopper in their brain. So the easiest way to get rid of this will be to dissect the head in pieces and rebuild it again, already without obstacles in the head.

So uh, I guess, what would they dream about if it were 100% accurate to their real family? I also thought about making the dream a vision sent from them to communicate a message -- is this something that a family member could/would do? And which relative is Es closest to? I've heard you talk more about their father, but I wasn't sure if that necessarily meant they were the closest. (I wanted to make a more specific parallel with one of the prisoners. I'd pair them with Amane if they were close with their father, Haruka if it was their mother, Mikoto if it was a sibling. Since I wasn't sure, I thought Haruka was a safe bet.)

If it was about Dokuro. Probably food. Lunch with the whole family or something. Maybe a picnic. For some reason my Dokuro Es, pays a lot of attention to food, so. Or small flashes of a variety of the brightest memories. Like the first memory about the father. A sleep on the warm parquet smelling like the sun in the living room. The first harvesting with the family in the garden. No specifics, no faces, no names, just old feelings and memories. The message also can take place, (ideas for this I already had, but not through dreams) 35-th is an incubus, which means he can get into dreams. Although that would still require tracking Es’ location first. Hmm. of the six characters (counting the dead mother) I would probably say that the character closest to Es is Kern. Kern is Es’ familiar, practically their right-hand. They’re the same age and have been growing up together since they were babies, so they’re consider each other like syblings. 35-th is of course Es' father, but he’s always busy or on work-trips. Ka-Lun is too old for this, he can be the babysitter or granddad but not the close friend. Vaioleth and Seth has their own family.

I wonder what could actually drive them to the point of doing something dangerous in the name of getting memories back, or would they always be accepting of the situation, given their personality?

It think. If canonical Es probably would try as long as possible to not think about it as much as possible. Or at least try to walk cautiously through their own memories. Probably they're give up later.

Then Dokuro Es would fully trust their instincts embedded inside. Since Dokuro work for Irminsul, they train to solve a lot of scenarios as watchmakers almost from early childhood. So many of the solutions are almost engraved in their heads and hearts. The main thing to be able to at least use it. But do not stop until all solutions are tried. + In addition to the fact that Es received slime genes, this also adds to the usual scenarios many reckless scenarios, because for slimes it’s harder to die than for many other races.

So...

Slowly, thoughtfully, and with possible failure. vs Quick, clear, but with risk for life.

-----

Phew, I'm done. And again thank you for your questions.

Okay, kyanako said that I can ask for a director's commentary on the fic you wrote for me.

Is there anything you’d like to share about writing this fic? Any thoughts during the writing? Maybe any questions for me?

Not you too 😭😭😭 Haha, but thank you for the option to ask you questions, because I actually do have a few! My normal commentary is in pink, but I put questions in blue :) Some of them are specifics about your characters, but I also just want to hear your takes on writing Es 👀 I don't write them super often, so I'm curious how you characterize them...

Es clutched at their head. Their fingers tore through their hair. It was the middle of the night, so they resisted the urge to shout. They didn’t want to draw any attention to themself. If they remained completely silent, though, they wouldn’t need to refrain from crying.

And so they cried.

I wanted to start off right away by setting the theme of Es experiencing the typical pain of a child in their position, but refusing to be treated like the are.

You see, there is only one sensation worse than waking up from an awful dream: waking up from a very, very, good one. 

I'm kind of relying on readers understanding this feeling already, I didn't really know how to put it into words 😅 (Is this common for people?) It's happened to me several times, and it genuinely can hit harder than a nightmare.

Es had grown accustomed to the nightmares that Milgram produced. In these dreams, Es might take the place of the prisoners. Their stomach would twist with horror at the blood on their hands. Other times, they found themselves in the victim’s shoes. They’d wake in a cold sweat, feeling hands closing around their throat, or weapons swung at their temple. 

I feel like a lot of fics (rightfully) focus on all the messed up things Es experiences on a daily basis, like this. I'm usually more upset by their canon lack of interest in their past and future. Their refusal to miss/hope for anything better is really what hurts me, and it took a while to figure out what may push them to the point of finally acknowledging it. I thought a dream was a good start. When you picture them, are they wondering about their identity a lot? Would certain things be enough to jog their memory, or do only extreme situations get through to them?

But they weren’t prepared for a dream of absolute peace. They were happy. They were laughing. There were people nearby, smiling. It was all emotion and no detail – not a single face, place, or voice, was clear – but they knew for sure what the dream had consisted of.

Es was with their family. 

I debated so long on naming specifics about what they saw, whether it was glimpses of your characters or small lines of dialogue... I still hadn't decided if I wanted the dream to be a real memory or just their imagination, though, so I kept it up to interpretation. (Also, I was so afraid of getting something wrong about who they'd be close to or how they'd react in your mind 😭 "he wouldn't fucking say that" fr). In an early draft of this, Es had fallen asleep while cataloguing the prisoners' family members, and dreamed that they were a part of some of those families. It wasn't as effective as I'd hoped, so I got right to the point and made it their own family here.

So uh, I guess, what would they dream about if it were 100% accurate to their real family? I also thought about making the dream a vision sent from them to communicate a message -- is this something that a family member could/would do? And which relative is Es closest to? I've heard you talk more about their father, but I wasn't sure if that necessarily meant they were the closest. (I wanted to make a more specific parallel with one of the prisoners. I'd pair them with Amane if they were close with their father, Haruka if it was their mother, Mikoto if it was a sibling. Since I wasn't sure, I thought Haruka was a safe bet.)

They choked out another sob. 

For the longest time, they wondered if they even had a past to remember. But that was all foolishness – Milgram was in the business of judging humans, not creating them out of thin air. They’d tried asking Jackalope, once. He turned out just as cryptic as some of the prisoners in their interrogations. Another time, they had considered using the prison’s mysterious machine on themself. There was no way to operate it alone, though. And when it came down to it, they were always alone.

Yeah. So. I made myself upset realizing the isolation Es feels :((( They're at Jackalope's mercy as much as the prisoners are, but they can never truly bond with the others over it. They're different from the prisoners, but they don't even have that much power over them (only responsibility). I thought about including an actual attempt to use the machine without someone watching over them, and what a risk that would be. It ended up taking the story way off-focus, but I wonder what could actually drive them to the point of doing something dangerous in the name of getting memories back, or would they always be accepting of the situation, given their personality?

They curled themself tight, dragging the bedsheets with them. Usually when they wondered about their past, mere curiosity washed over them. Now, they were flooded with an entirely new type of longing. It filled their chest. No, that wasn't it. Rather, the feeling left a wide hole through them.

I'm glad you thought the curling up was cute ;--; I just wanted the reader to remember how young and small they are ;----; I was sad writing this and needed everyone to remember along with me 😭

If they did have a family, had Es been stolen away? Could there be someone else out there right now, crying in the middle of the night, just as hard as Es was crying for them? The thought was not comforting.

Or, like Es, had they forgotten all traces of their connection? That possibility also did more harm than good.

Es tried to reassure themself – if this family hadn’t come looking for them, maybe it meant they weren't wanted in the first place. Maybe Es had been willingly turned over to Milgram, their parents glad to be rid of them.

That thought didn't help at all.

I had a lot of fun evilly choosing the most painful possibilities for Es to consider >:3 (<- SHE'S LYING SHE MADE HERSELF CRY). The uncertainty would hurt any any reader, but as my target, I hoped to pinpoint some exact things you'd mentioned in the past. I was picturing the art of Es' father hunting Milgram down, and some of your comments about them remembering and missing Es.

Something clattered out in the corridor. That must have been what woke them. They rose from bed, ready to raise hell. How dare one of the prisoners rip them from such a dream. Es could never return. The offender would pay for this. 

It took only a moment to put on their uniform and wipe the tears from their cheeks. They swung the door open to find Haruka stumbling down the hall. 

I'm always a sucker for the uniform being a symbol of Es' obsession with their role -- putting it on is the same as them putting up an act, even if they don't quite realize it.

“Prisoner number one, what the –” they grabbed his arm. Only then did they notice the dazed look in his eyes. His body flinched, waking from what must have been sleepwalking.

“Ah! W-warden!” He blinked, his mind still stuck somewhere else. “I’m s-sorry! What, ah… I was dreaming... She was – she was right here…”

After this part I tried ending the drabble with Haruka saying, "I was dreaming," and Es replying bitterly, "me too." Haruka then says, "it was about my family," and much quieter, Es repeats "me too." As much as I loved the exchange, I wanted the gut-wrenching pain of Es rejecting their family rather than missing them at the very end 😎👍

Es took a measured breath. They steeled their expression. There would be no unleashing hell tonight. They had lost sight of their role. They had gotten distracted with childish emotions and silly dreams. They were Milgram’s warden, not some kid like Haruka who wandered around the prison late at night looking for his mama. 

Es adjusted the hat over their hair. It was good, they told themself, that they couldn't remember a thing from the dream. They didn't need any of those people. They were perfectly fine on their own. Such a distraction would not happen again.

I had to mention the uniform hat again because I'm just too obsessed with the symbolism asdfsdfs. And yeah, like you said, all of this was an attempt to convince themself. They don't really believe it, but they have to make themself believe it, or else they'll be in even more pain...

“Let’s get you back to bed.”

“But, my p-parents, they were–”

“They’re not here. Nobody is. Back to your cell, prisoner.”

Of course "they're not here" is reflecting Es and Haruka both missing their parents, but I hoped the last line would also continue the parallels between them -- at the end of the night, Es is a prisoner here too :(

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[diahayumustikasari]

JUALAN KOK PASRAH?

Jadi, semalam ngobrol dengan suami tentang apa yang selama ini aku rasakan tentang sebelum menjadi istrinya dan setelah menjadi istrinya. Saya tetap jadi orang yang sama , suka jualan .

Pada saat masih bujang alias masih belum nikah, saya itu emang pekerja keras dan suka jualan . Mungkin saya sejenis punya bakat dalam komunikasi secara verbal juga non verbal. Saya bakat jadi copywriter dan juga bakat jadi sales, saya suka banget jualan yang emang saya suka.

Saking saya suka pakai batik, saya jualan batik. Saking sukanya saya dengan kacamata , saya jualan kacamata dan lain-lain yang saya suka .Saya jadi expert di bidang jualan, seolah saya bisa membujuk orang untuk membeli apa yang saya jual. By the way, saya ini bukan kuliah komunikasi atau marketing. Saya hanya suka menawarkan barang yang saya suka juga dan pakai.

Pernah banget saya jualan baju bekas yang saya beli di Tugu pahlawan Surabaya tiap minggu pagi, hahha.. buat yang tinggal di Surabaya pasti tau pusat baju bekas itu, saya sampai hafal dengan para penjualnya karena saya selalu borong . Nah dari situ selalu muncul ide yang sangat kuat untuk mencoba jualan baju bekas, jadi setelah saya laundry lalu saya upload baju itu . alhasil ... woow.. banyak banget peminatnya , dan saya seolah bisa membaca style dari para pembeli saya .

Saya pernah jualan di CFD berbagai kota, mulai dari Surabaya, Mataram dan terakhir Madiun. Mulai dari di usir sesama pelapak yang merasa punya kuasa atas lahan itu, juga di usir satpol pp. Tapi itu semua tidak membuat saya patah semangat, karena semangat saya di lapisi baja yang tebal jadi tidak mudah patah . hehehe. Saya memang suka jualan ,Saya senang melakukannya. Jualan itu bikin kita tambah sabar dan bisa ketemu buanyak orang dengan aneka rupa sifat, dar jualan itu juga saya mulai bisa mengklasifikasi sifat orang . hihi

Apapun yang saya jual, pasti saya juga suka, Saya senang pakai Batik, Saya jualan Batik bahkan sampai sekarang dan Saya masih punya kesempatan untuk berbagi rejeki dengan mempunyai karyawan saya dan beberapa cabang dan reseller.

Nah , setelah menikah dengan suami, tentang obrolan semalam saya teringat tentang usaha baru kami, jualan Basreng dan aneka snack lainnya, kenapa? Ya karena selama musim Kordoba ini saya banyak di rumah dan ngemil basreng. Eh tetiba saya memdapat tuntunan untuk jualan aja, jadi produsen lalu biar reseller yang jualan untuk membuka rezeki bagi yang lain. Dan 100% suami mendukung tentang semua usahaku .

Dari awal jualan batik hanya punya karyawan 1 untuk online shop kini , Saya punya toko dan punya 2 karyawan .

Itu tidak lepas dari dukungan suami, hingga pernah saking suka dengan tenun, saya mendesign tenun dan membuat sebulah Fashion Show Tenun IKAT pertama di kota Madiun. Itu juga di dukung suami, bahkan foto prewed kamipun memakai tenun ikat .

Setelah menyelami keheningan , saya makin sadar bahwa saya memang di takdirkan untuk tidak hanya diam, padahal bisa saja saya diam di rumah dan nonton netflix sampai malam , dan begitu seterusnya. OH TIDAK! Itu bukan saya .

Saya menyadari., bahwa diri Saya bisa berguna untuk banyak orang dengan tidak hanya diam, ketika saya menulis inipun saya juga tidak diam kan? Hehe sambil ngemil basreng sih. Eh eh bukan itu . Maksud saya adalah dengan dukungan dari Suami berupa modal dan fasilitas lain-lain ini seharusnya bisa saya manfaatkan secara bijak untuk memulai usaha baru dan bisa membuka pintu rezeki banyak orang, teringat bakat saya secara verbal dan non verbal alias lambe sales dan lambe tulisan, eh apasih ini.. hihi...

Hanya di bisnis ini atau apapun bisnis lain yg saya jalani, Tujuan saya adalah tidak ada tujuan. Target saya adalah tidak ada target. Loh kok bisa? Karena saya menjalani semua usaha ini dengan mengalir mengikuti apa yang semesta tuntunkan .

Kita telah melalukan yang terbaik lalu kita tinggal pasrah saja kan. Biar semesta yang bekerja dengan apa yang kita pasrahkan .

Rahayu Rahayu.

Ayu Mustika

Bekasi , 13 Juni 2020.

[matane-hima-me]

Ide prewed/postwed

[weekendwarriorblog]

Weekend Warrior Home Edition – April 3, 2020 – Slay the Dragon, Tape and More

Well, things sure have gone to hell since I last wrote this weekly column that I’ve now been doing in some form or another at one place or other for over nineteen years! For the first time in those 19 years and probably a good 80 or 90 years before that, there were no movies in theaters. In fact, there were no movie theaters. Because of this, the last two weekends have been the first in history with ZERO BOX OFFICE. It’s kind of tough to write a column about the box office and theatrical releases when there are none, n’est ce pas?

So I’m going to try to evolve for the time being, and we’ll see how that goes. I’m not too thrilled about having to watch movies as screeners, let alone writing about movies that will probably never get a theatrical release, but I’ll try to make the best of it. (Oh, and Disney’s Onward, which opened in theaters less than a month ago will be available ON DISNEY+* tomorrow.) (*corrected)

This week’s “Featured Movie” that you absolutely must see, especially if you’re reading this from one of the “red states” and feel like government just isn’t doing things the way you’d like them to do, is Barak Goodman and Chris Durrance’s political documentary SLAY THE DRAGON (Magnolia).  It covers how gerrymandering is being used in census years (like this one) to maintain a Republican majority in local and state government.  Goodman’s doc begins in Michael Moore territory of Flint, Michigan and shows how gerrymandering was used to create a Republican majority that led to the town getting water from the nearby Flint River which contaminated the pipes and leaked lead into the system.

The film does a good job explaining gerrymandering in an easy to understand way by following a few specific cases of people fighting against the policies.  Counties and voting districts in different states aren’t just a straight grid on a map. Instead, the districts are drawn up to cause an unfair advantage to a party. This was especially true of the REDMAP program instituted in 2008 by the GOP after Barack Obama was elected President to make sure Republicans could dominate Congress as well as politics on a state level.  

Much of the film deals with Katie Fahey’s group Citizens United that has decided to take on the politicians with its grassroots campaign to allow the people’s voices and votes to start counting. (One of the programs that grew out of REDMAPping was that thousands of voters were not able to vote since a few states passed a law that ID was required to vote, thereby keeping black and brown voters from the polls.)

Yes, it’s a rather complicated situation but it’s one that people in the primarily liberal states like New York, California and others really need to know about, since it’s why we have a reality TV host as our President right now as well as why we have a Republican Senate that just prevented him from being impeached. All of the bigger politics goes back to the individual state politics and how gerrymandering and REDMAP unfairly sways the vote against those who win on the state level in census years (essentially every ten years including 2020). Originally, this was going to get a theatrical release in March but now it will only be available on digital and On Demand, so you can find out how to see it on the official site.

I also want to give a little extra attention to Deborah Kampmeier’s TAPE (Full Moon Films), which skipped its theatrical release instead to do an interesting “virtual theatrical run,” playing every night On Demand via CrowdCast. It’s available every night at 7pm eastern followed by discussions with the filmmakers and then will be on Digital and VOD on April 10. Again, these are changing times, but this is a haunting and powerful thriller based on true events, starring Anarosa Mudd as a woman trying to catch a sleezy casting agent (Tarek Bishara) who is preying on actresses and one in particular, played by Isabelle Fuhrman (Orphan). Both of their performances are pretty amazing, Mudd playing a shaven-head whistleblower and Fuhrman playing an ambitious young actress who think she’s finally gotten her much-needed break, but finding out there’s a lot darker side to the business than she expected. While a lot of people have raved about The Assistant as a response to #MeToo, this is a much starker and direct look at the abuse of power to take advantage of young women. The movie is not going to be for everybody, because it takes some time before you realize what Mudd’s character (who could just as easily be Rose MacGowan) is up to, but the way how things play out in the film makes it unforgettable. It’s a fantastic new movie from Kampmeier, who famously had an underage Dakota Fanning have a rape scene in her earlier movie, Hounddog.

A movie that was released last week that I didn’t get to write about (but it’s still available On Demand and Digitally, as many movies currently are) is Lorcan Finnegan’s VIVARIUM (Saban Films), starring Jesse Eisenberg and Imogen Poots. It’s a virtual two-hander in which they play a couple who look at a house in a suburban housing complex where every house looks the same. They soon learn that they can’t escape and things get weirder and weirder from there. I can’t say I loved the movie, because it just got weirder and weirder, almost to a fault at times.

Polish filmmaker Malgorzata Szumowska’s THE OTHER LAMB (IFC Midnight) is another movie about a religious cult, this one a group of women that live in a remote forest commune led by a man they call “Shepherd” (played by Michiel Huisman from Game of Thrones and The Haunting of Hill House). It follows a teenager named Selah (Raffey Cassidy) who begins to question her existence when she starts having nightmarish visions. This was okay, but I really have hit my limit in terms of movies about religious cults. They’ve just been overdone.

Mike Doyle’s rom-com ALMOST LOVE (Vertical) is about a group of middle-aged friends trying to navigate love and relationships with a cast that includes Scott Evans, Kate Walsh, Patricia Clarkson, Augustus Prew and more. Some of the characters are having marital issues, others are dating or getting into early feelings of possible love. It’s a nice distraction from all the serious stuff going on in the world today.

A great music doc now On Demand, digital and other formats (Blu-ray/DVD) is Brent Wilson’s STREETLIGHT HARMONIES (Gravitas), which takes a look at the early doo-wop vocal groups of the ‘50s and ‘60s that predated and formed the basis for Rock & Roll, Rhythm & Blues and other music genres as we know them today. It deals with acts like The Drifters, Little Antony and the Imperials, The Platters, and Frankie Lymon and the Teenagers. It includes interviews with some of the more recent acts influenced by it including En Vogue and N’Sync as well as Brians Wilson and McKnight. I was surprised by how much I enjoyed this despite doo-wop not being my preferred music style. (For the sake of transparency, I helped out with a little bit of publicity on this film.)

Also, Olivier Meyrou’s fly-on-the-wall doc Celebration (1091) is a movie that was commissioned by Yves Saint Laurent’s former lover and business partner, Pierre Bergé, more than ten years ago but was shelved for being too revealing. It was filmed over the course of three years where Laurent was at his most frail and mostly separated from the world as we get a look inside one of the last great haute couture houses. It’s now available On Demand and digitally.

Jon Abrahams directs and co-stars in Clover (Freestyle Digital Media) opposite the great Mark Webber, playing bumbling Irish twins trying to pay off their father’s debt to local mob boss Tony Davolo, played by Chazz Palminteri. Things get more complicated when a teen girl named Clover (Nicole Elizabeth Berger) shows up and the brothers need to protect her from Tony’s “hit-women.” Looks like a fun dark comedy.

Unfortunately, Saban Films didn’t offer advance review screeners of the action sequel, Rogue Warrior: The Hunt (Saban Films), directed by Mike Gunther, but it stars Will Yun Lee.  I’m not sure if this is a sequel to 2017’s Rogue Warrior: The Hunt, but I haven’t seen that either. It involves the leader of an elite team of soldiers being captured by terrorists, so his team needs rescue him. Oh, and Stephen Lang (Avatar, Don’t Breathe) is in it, too.

STREAMING AND CABLE

This week’s Netflix offerings include the streaming network’s latest true-crime documentary series, HOW TO FIX A DRUG SCANDAL, directed by Erin Lee Carr (Dirty Money), which covers the 2013 case of Sonja Farak, a crime drug lab specialist who was arrested for tampering with evidence but also accused of using the drugs she was supposed to be testing.  (It’s on the service as of this writing.)

Stuber and Good director Michael Dowse helms the action-comedy COFFEE & KAREEM, starring Ed Helms as police officer James Coffee, who begins dating Taraji P. Henson’s Vanessa Manning while her 12-year-old son Kareem (Terrence Little Gardenhigh) plots their break-up. Kareem hires criminal fugitives to kill Coffee but instead ends up getting his whole family targeted, so the two must team up. Also starring Betty Gilpin, RonReaco Lee, Andrew Bachelor and David Alan Grier.

Also on Friday, Disney Plus will stream two Disneynature docs, Dolphin Reef and Elephant, in honor of Earth Day taking place later this month. Previously, one or both of these movies might have been released theatrically but hey, earth is going to hell right now.

Now playing on Hulu is the latest installment of Blumhouse’s “Into the Dark,” Alejandro Brugué’s Pooka Lives, which ties in with “Pooka Day” (no idea what that is) but apparently, Pooka is a fictional creature like “Slender Man” that was created on Creepypasta  by a group of friends that goes viral but then manifests into creatures that become real. It stars fan faves Felicia Day, Will Wheaton, Rachel Bloom and more.

Next week, more movies not in theaters!

By the way, if you read this week’s column and have read this far down, feel free to drop me some thoughts at Edward dot Douglas at Gmail dot Com or send me a note on Twitter. I love hearing from readers!

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[poetrafoto]

(via Ide Foto Prewedding Outdoor Hijab: Lokasi Foto Prewed di Pantai Jogja) Ide Foto Prewedding Outdoor Hijab: Lokasi Foto Prewed di Pantai Jogja

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[satukanal]

TemaNgopi Tak Sekedar Kopi Kekinian

https://www.satukanal.com/temangopi-tak-sekedar-kopi-kekinian/

TemaNgopi Tak Sekedar Kopi Kekinian

Kedai kopi memang selalu menjadi pilihan pertama ketika kita hendak melewatkan waktu bersama sahabat. Ditemani segelas kopi dan cemilan serta lagu-lagu yang berputar samar, rasanya kedai kopi jadi tempat yang pas untuk sekadar ngobrol, curhat panjang lebar, ataupun meeting membahas bisnis yang hendak dirintis bareng sahabat.

Kini, kopi seakan menjelma menjadi bagian dari gaya hidup. Salah satu kedai dengan keunikan penyajian kopinya seperti TemaNgopi. Kedai kopi ini hadir di Kota Kediri, dengan mengambil konsep bangunan minimalis, juga menghadirkan ragam menu variatif. Seperti ragam sajian minuman nonkopi.

Diceritakan, Nico memulai usahanya yang diberi nama “TemaNgopi ” sejak satu bulan yang lalu . Bermula dari hobinya yang suka ngopi, akhirnya dia sering berkumpul, nongkrong, dan bertemu dengan sesama pecinta kopi.

“Berkat dorongan teman temannya kemudian ide untuk membuka kedai kopi akhirnya terealisasi,” kata Nico Puji Setiawan (25), pemilik kedai kopi TemaNgopi.

Menu menu kopi hadir seperti , kopi alus, kopi Kelud liberika dan kopi tubruk. Selain kopi, variasi minuman seperti chocolate hazelnut, cinge squash, leci squash, strawberry squash dan orange squash, juga disediakan dalam gelas plastik bersegel untuk dibawa pulang.

Selain minuman, kedai ini menyediakan banyak buku yang bisa dibaca sembari menikmati segelas kopi. Sedangkan untuk harga minuman bervariatif mulai dari Rp 4-13 ribu.

“Khasnya, ya seperti es kopi susu alus, jadi resepnya antara perpaduan kopi dan susunya berimbang dan lebih terasa, biasanya kopi es susu di kedai lain lebih dominan susunya,”kata pemuda yang juga bekerja sebagai ASN ini.

Tempatnya tak hanya asyik untuk tempat nongkrong para anak muda, kedai ini juga dijadikan tempat foto preweeding.

“Beberapa waktu yang lalu temenku mau prewed mas, terus minta rekomendasi tempat prewed di Kediri yang bagus. Kenapa gak adain foto prewed salah satu spot nya di kedai sini aja (Kedai TemaNgopi, Red),” tutur Nico.

“Setelah dipikir-pikir, calon istrinya setuju dengan konsep itu setelah melihat suasana di TemaNgopi yang minimalis dan cocok juga buat tempat foto prewed,” ungkapnya.

Kedai kopi TemaNgopi yang beralamatkan di Jalan KH Ahmad Dahlan no. 95 Mojoroto Kota Kediri, buka mulai pukul 10.00 – 24.00 WIB. Suasananya cukup ramai, sebab lokasinya berada di pinggir jalan yang notabene sering dilalui masyarakat.

TemaNgopi Kopi juga cocok untuk bercengkrama maupun berdiskusi. Pengelola juga kerap memutar beragam musik dengan irama rancak untuk menghidupkan suasana.

[makeuptrendy-blog]

New Post has been published on https://makeuptrendy.com/3926/toi-gi-sam-dut-mot-mon-do-hieu-khi-ban-co-the-di-thue-voi-gia-cuc-mem-dien-vai-hom-lay-le-roi-tra-lai/

Tội gì sắm đứt một món đồ hiệu khi bạn có thể đi thuê với giá cực "mềm", diện vài hôm "lấy le" rồi trả lại?

Nếu khái niệm thuê nhà, thuê xe, thậm chí là thuê người yêu đã quen thuộc hết sức thì mời bạn tìm hiểu về một khái niệm khác nữa: thuê thời trang. Chính xác là bạn có thể thuê được cả tá váy áo xịn sò ho��c những chiếc túi hiệu trong mơ hoặc bất cứ món phụ kiện thời trang nào phục vụ cho công cuộc mặc đẹp và nâng tầm phong cách. Đã bao giờ bạn bạn nhìn thấy một chiếc túi đắt đỏ của Chanel, Dior khiến bạn khao khát hoặc một bộ cánh, một đôi giày giá “trên trời” mà bạn ước rằng được một lần diện chúng chưa? Nhưng nếu chưa có đủ kinh phí để “múc” hàng hiệu thì làm thế nào để trải nghiệm đây? Câu trả lời là hãy đi thuê chúng với mức giá thấp hơn giá gốc nhiều lần chứ còn đâu nữa.

Ở Việt Nam, dịch vụ cho thuê thời trang chưa phổ biến, nên nếu bạn không biết đến cũng không có gì ngạc nhiên, nhưng ở nước ngoài thì nó lại vô cùng thịnh hành. Thuê thời trang hay thuê lại những món đồ đã qua sử dụng hoạt động dựa trên hai mục đích chính: một là thoả mãn nhu cầu sở hữu trang phục của các tín đồ trong thời gian ngắn với mức giá tiết kiệm và hai là bảo vệ môi trường, thiên nhiên.

Cho thuê đồ hiệu: Tưởng mới mà không mới

Cần phải nói thêm, cho thuê thời trang không phải là một hiện tượng mới, đơn cử như việc Rent the Runway – một trong những công ty cho thuê đồ hiệu đình đám nhất đã hoạt động hơn 10 năm, nhưng sự gia tăng về mối quan tâm đến môi trường, hệ sinh thái khiến việc thuê quần áo càng trở nên phổ biến hơn bao giờ hết. Bởi ngành công nghiệp thời trang, suy cho cùng là một trong những ngành gây ô nhiễm nhất trên thế giới và việc cho thuê/chia sẻ tủ quần áo hoá ra lại là một công đôi việc, vừa thoả mãn khao khát sở hữu của nhiều người, vừa đỡ được “gánh nặng” cho thiên nhiên.

Doanh nghiệp cho thuê thời trang Rent the Runway được định giá là 1 tỷ đô la vào tháng 5/2019, chứng minh độ “hot” của dịch vụ cho thuê trong thị trường bán lẻ. Hay như HURR Collective, một dịch vụ hoạt động dựa trên hình thức chia sẻ tủ quần áo cũng công bố những con số “biết nói” như thu thập 62kg quần áo từ HURR đồng nghĩa với việc giảm khí thải carbon CO2 xuống 6000kg và tiết kiệm được 99.000 lít nước sạch. Victoria Prew, vị đồng sáng lập HURR tin rằng hình thức cho thuê chính là tương lai của thời trang và của cả tài chính và môi trường.

Đến cả H&M, Urban Outfitters và Banana Republic cũng cung cấp các dịch vụ như vậy. Các trang web bán lại đồ như Thredup, Depop, Poshmark và The RealReal đã bùng nổ trong những năm gần đây, mang đến cho quần áo cũ một cuộc sống mới.

Người tiêu dùng: Có “tình vài đêm” với quần áo, phụ kiện sang chảnh

Về phía người tiêu dùng, thì đây cũng là một dịch vụ đáng thử lắm chứ không đùa đâu. Bởi bạn sẽ có “tình vài ngày” hoặc “tình vài tháng” với những món đồ trong mơ. Thử nghĩ xem, thay vì mua mới một chiếc đầm sang chảnh diện đi tiệc tùng, hoặc tiết kiệm “thóc” để sở hữu chiếc túi hiệu mà ngay cả bạn cũng không chắc sẽ yêu thích chúng trong nửa năm hoặc một năm, thì cách tốt nhất là lượn lờ vào những trang web cho thuê để trải nghiệm chúng trong thời gian ngắn hạn.

Ứng dụng cho thuê đồ Girl Meets Dress ra đời khi nhận thấy việc những người nổi tiếng có thể mượn váy từ nhà thiết kế để diện một lần khi tham gia sự kiện thì với những người dân bình thường, việc thuê váy cũng đáng để triển khai. 10 năm trôi qua, tủ quần áo trên nền tảng đám mây của Girl Meets Dress có hơn 4.000 items để thuê. Chi phí thuê váy 2 đêm từ 19 đến 119 bảng Anh, tuỳ thuộc vào giá trị bán lẻ và mức độ phổ biến của chúng.

Hay như Cocoon, một dịch vụ cho thuê túi ra mắt tại Anh cũng đang phát triển rầm rộ khi cung cấp cho các thành viên bộ sưu tập túi xách mùa mới, những phiên bản giới hạn được tìm kiếm nhiều. Nó được định vị là nơi “cho thuê phong cách” bởi bạn có thể “giải khát” cơn thèm muốn sở hữu loạt items của hơn 30 thương hiệu thời trang xa xỉ như Chanel, Dior, Saint Laurent, Fendi, Jacquemus, Bottega Veneta…

Với khoản phí là 99 bảng Anh một tháng (~ 3 triệu đồng), các thành viên Cocoon có thể chọn bất kỳ túi nào để thuê. Dịch vụ này cũng hợp tác với bên thứ 3 là The Restory để đảm bảo rằng các món hàng sẽ được bảo trì, kéo dài tuổi thọ để các thành viên khác có thể “thưởng thức” tiếp sau. Ngoài ra, một món hàng càng được kéo dài vòng đời sử dụng bao nhiêu thì doanh thu của doanh nghiệp càng tăng bấy nhiêu.

Một số trang cho thuê thời trang nổi tiếng.

Những rủi ro khi thuê đồ

Cứ xem như thuê túi chỉ là chuyện nhỏ đi, vậy điều gì sẽ xảy ra nếu bạn làm hỏng hoặc làm mất món đồ đi thuê hoặc những chiếc túi bị vấy bẩn? Tại HURR, có một khoản phí bảo vệ thiệt hại là 5 bảng Anh (~ 150.000 VNĐ) bao gồm những vết bẩn nhỏ, thiệt hại khoá kéo… Riêng với những khoản thiệt hại lớn hơn như bị mất thì người thuê sẽ phải trả giá bán lẻ niêm yết của sản phẩm đó.

Rent the Runway cũng có cách bảo trì các sản phẩm của họ bằng việc mở rộng nghệ thuật giặt khô, chính thức trở thành công ty giặt khô lớn nhất nước Mỹ. Khoảng một nửa số váy đầm trả về có vết bẩn cần được làm sạch bằng tay. Theo đó, những công nhân lành nghề có thể xử lý dễ dàng mà không ảnh hưởng đến tính toàn vẹn của chiếc váy, đảm bảo món đồ sẽ trở lại như mới khi đến tay người dùng sau.

Tóm lại, nếu có ai đó hỏi bạn xu thế hot nhất nhất trong làng thời trang là gì thì bạn có thể tự tin đáp lại là cho thuê quần áo, phụ kiện. Bằng chứng là các công ty cho thuê thời trang đang xuất hiện ngày một nhiều hơn, dễ thấy nhất là trên Instagram. Hình dung đơn giản thì nó giống như một tủ quần áo lớn mà bất cứ khi nào bạn cần đều có thể lôi ra để mặc, và tất nhiên, phải trả phí!

Tổng hợp

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[sekeping-koin-emas]

Terniat 2017. Gatau ide gila dari mana. Mas yang notabene suka hal hal aneh, ngajakin foto prewed dengan remake pose photobox di mat*s. Awal kita kencan setelah dapet restu bapak ibuk ya ke mat*s ini, aku ajak photobox. Dan dia bilang itu masih pertama kali seumur hidupnya. Sebenernya sih ga ada niatan bikin foto prewed. Pengennya foto postwedd aja. Jadi sekalian aja habis ijab terus dicetak. Tp dia ngotot minta photobox atau dia ngambek ga mau akad. Wwkkwk. Awalnya mau pake baju putih2 biasa, tp dia bilang harus totalitas. Jadilah pinjem baju kesana kemari. Minta tolong adis dari mua sampe jepretin, dan untung adis ho'oh aja sambil seru²an. Lucunya mendekati hari H untuk foto dia masih tanya harus pake baju apa. Terus tanya ngapain aku pake baju kaya gitu. Padahal dulu dia bilang kudu totalitas. Dasar! Hari H pun tiba. Uda didandanin kece sama adis. Sampe photobox awkward banget. Bayangin pake baju putih² mana di bokong ada tanda merah kena kutex (ini pas temenku habis ijab terus bajunya kena kutex ponakannya yang naruh sembarangan. Nggosokin nya setengah mati waktu itu. Iya. Ini baju pinjeman). Jalan² di mat*s sok²an habis wisuda. Untung memang pas hari itu ada wisuda. Setelah kongkalikong dan menjelaskan sama si mbak kitapun foto. Gila banget. Ricuh banget. Adis dan adekku ngarahin gaya sambil ngoreksi. Ketawa tok isinya. Mana mas lompat kesana kemari. Properti yang dulu dipake ga semuanya ada. Tapi Alhamdulillah jadilah foto dengan maksud dan tujuan kami. Beda-beda tipis tapi ini niat kok bikinnya. Dan low budget. 12x jepret, ukuran nya gede². Terlebih lagi ini lebih murah daripada pas kita foto untuk buku kua yang cuma jepret 2x. Huhu. Ini foto indoor, yang outdoor masih di adis. Yang outdoor lebih gila lagi. Hahaha

[faldomaldini]

Polusi Visual

Momentum mudik adalah momentum yang membuat semua orang di Indonesia merapat ke beberapa titik seperti kampung halaman, rumah keluarga, atau tempat-tempat liburan yang menjadi momen untuk menguatkan kembali silaturahmi. Titik-titik tersebut adalah titik strategis karena ada banyaknya orang yang berada di sana. Sebagaimana biasa, hal-hal strategis pasti selalu menjadi incaran manusia, termasuk para Pejabat :)

Sebelumnya, Saya telah menjabarkan beberapa hal terkait mudik dan pulang kampung secara positif dan ada isinya di tulisan mengapa harus (rajin) pulang kampung dan juga tentang bagaimana baiknya bermaaf-maafan di momen mudik ini. Namun, tetap saja, ya yang namanya manusia (yang diberi akal dan pikiran, apalagi para Pejabat!) selalu mampu dan bisa melihat peluang dan lubang yang bisa menguntungkan, termasuk di momentum hari Idul Fitri ini. 

Apakah hal strategis, momentum dan hal yang menguntungkan itu? 

Banyaknya poster mereka memenuhi jalanan di kampung (saya!)

1. Masalah Foto

Sebenarnya saya termasuk orang yang sangat senang apabila pejabat bisa berkomunikasi dengan publik secara baik, tapi mbok ya kira-kira dong Pak, Bu. Apa salahnya desain Baliho yang dipasang di ruang-ruang publik tersebut dibuat menarik? Bukan malah seperti foto mau diwisuda (kaku), foto mau akad nikah (bukan prewed!), atau bahkan yang lebih gawat yaitu seperti foto 3x4 (pas foto). 

Kita sebagai warga pasti ingin melihat pemimpin yang “gagah” dan enak dipandang, bukan pemimpin yang kaku dan senyum di fotonya yang dibuat dan dipaksakan. Apalagi tidak sedikit Pejabat di Baliho memakai foto yang editannya ampun deh. Wajah politisinya bisa berumur 10 tahun lebih muda dari aslinya! Bolehlah lakukan edit foto, namun jangan terlalu berlebihan sehingga warga sampai tidak mengenali sang Pejabat ketika bertemu langsung karena bedanya bagaikan Faldo Maldini dan Hamish Daud alias beda banget. Hehe

2. Masalah Pesan Yang Ingin Disampaikan

Saya yakin dengan adanya baliho, pesan utama yang ingin disampaikan kepada publik adalah sebuah sapaan agar publik tahu siapa Pejabat tersebut. Hal itu tidak salah, saya malah mendukung! Sangat mendukung sekali. Namun mari kita bawa diskusinya ke tingkat yang lebih tinggi, yakni tentang message yang ingin disampaikan pada baliho tersebut. 

Ada banyak pesan lho Pak, Bu di baliho yang Anda sewa jutaan rupiah (atau bahkan bisa puluhan-ratusan juta) per bulan dibanding hanya sekadar ucapan-ucapan normatif:

Selamat Idul Fitril xxxx H. Minal Aidin dst

Pesannya kan bisa dimodifikasi seperti apa pesan Anda terhadap momen Idul Fitri atau bagaimana pandangan Pejabat terhadap momen tersebut. Ada ilmu dan teknis penulisan copywriting yang bisa digunakan. Dan yang paling penting adalah tentang adanya value yang harusnya tersampaikan pada baliho yang dipasang tersebut dibanding berisi pesan-pesan hampa.

3. Masalah Desain

Ini hal yang paling super parah menurut saya yang terjadi di kebanyakan baliho para Pejabat. Sudahlah fotonya aneh, message nya tidak sampai, desainnya pun membuat kita istighfar. 

Entah itu pilihan warna, font yang digunakan, komposisi atau bahkan tema desainnya. Saya bukan seorang desainer yang jago, tapi saya tahu mana desain yang bagus dan desain yang dibuat seakan-akan menggunakan aplikasi WORD ART (jika masih ada), alias desain yang sangat parah.

Desain adalah koentji. Desain bisa mengubah makna

Karena pesan yang disampaikan para Pejabat ini secara visual, oleh karenya desain menjadi salah satu kunci kesuksekan baliho tersebut. Desain adalah perwajahan ide, gagasan dan branding yang dimiliki Pejabat. Jadi, kesalahan atau kekurangan dari segi desain pada baliho Pejabat adalah hal yang seharusnya dihindari menurut saya.

Jangan Lupa Anda (Wahai Pejabat) Mengisi Ruang Publik

Karena kita sebagai warga yang tidak berdaya ini hanya bisa menerima dan melihat para Pejabat yang bisa membayar jutaan untuk mengisi spot baliho yang merupakan ruang publik, tentu kita hanya bisa berharap setiap pejabat juga memikirkan perasaan kita yang pusing melihat hal-hal yang tidak sedap dipandang di ruang publik, seperti baliho Pejabat yang bikin istighfar ini.

Sebagaimana bete nya kita melihat ruang frekuensi publik (TV-Media Cetak) yang direbut oleh para Pejabat pemilik modal, tentu kita juga berharap jalanan juga tidak mengalami hal serupa. 

Tentu kita masih berharap para Pejabat menyadari hal ini. Atau minimal para konsultan politik bisa mendampingi para Pejabat yang notabenanya Politisi dan pemimpin kita tersebut bisa menyajikan sebuah baliho yang baik. Apalagi jika bicara baliho yang cocok untuk para kalangan Millenials dan anak muda yang notabene future bigger voters, ada banyak sekali faktor yang harus dipertimbangkan oleh para Pejabat.

Jika TV dan jalanan sudah dipenuhi konten politik tidak berfaedah, apakah kita harus membuka wawasan tentang politik di internet saja? Apalagi internet sudah diserbu pula belakangan oleh para pemilik modal.

Nasib.. Nasib.. Semoga jika salah satu dari kita jadi Pejabat tidak begitu ya!

Aamiin

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Ini ide prewed aku, mudahan bisa gini sih🙏🏼👅

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5 Ide Foto 'Bukan Prewed' Buat Calon Pengantin dengan Bujet dan Waktu Terbatas. Layak Tiru Nih!

5 Ide Foto ‘Bukan Prewed’ Buat Calon Pengantin dengan Bujet dan Waktu Terbatas. Layak Tiru Nih!

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Melakukan sesi foto prewed menjadi ritual yang seolah menjadi kebutuhan wajib bagi calon pengantin. Selain sebagai kenang-kenangan, hasil foto prewedini biasanya juga digunakan sebagai pajangan pada undangan maupun saat pesta pernikahan. Nggak heran, banyak pasangan yang mempersiapkan momen ini mulai dari konsep, tempat, hingga busana yang dikenakan demi menampilkan kesan keromantisan.…

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Men's Off-White Mid Top Sneaker, Size 8US / 41EU - Black

Men’s Off-White Mid Top Sneaker, Size 8US / 41EU – Black

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YOUTUBE TRENDING - Photo prewed 5 gaya cuma 3 jam

YOUTUBE TRENDING – Photo prewed 5 gaya cuma 3 jam

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