#id just like to let everyone know

[lrndvs]

Boothill, yeehaw

print available

[carnivalcarriondiscarded]

Does

Does Barnaby

Does Barnaby tell the others to get off his lawn when he's angry

psh, who do you think he is, an old man? he'd Bark, like any lively young dog

[triglycercule]

sleep deprived dust can't recognize what's dream and what's real when he goes in and out of consciousness so i think dust is allowed to be incredibly reckless when he's awake but thinks he's in a dream. he will kill whoever passes by him (or attempt to. for him it's an instict to shoot bones anyways.) he will drink 4 bottles of alcohol just because he thinks its just a lucid dream. have incredibly loud conversations with phantom paps because he's asleep so nobody will hear him talk. or just have loud ass breakdowns because again he thinks he's asleep!!! nobody's gonna know what he gets up to in his dreams. and until someone (probably phantom paps) tells him that he's not asleep and this is reality he won't realize until he's done something really reckless

horror is seconds away from exploding dust's skull open with his magic while dust is trying to strangle him and FINALLY phantom paps tells him he's awake and dust snaps out of it. killer is walking around the house with bones sticking out of him like pins on a sewing pattern (casually too. another day in the life for him) and he just asks dust what that was about. dust just gets off of horror and shrugs his shoulders with an idk. and then walks away. this is the 6th time its happened this month

[aquickstart]

ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.

another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!

farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.

but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.

but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.

but the important thing is this.

farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.

farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.

the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.

as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.

but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.

and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.

to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).

to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.

and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?

but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.

the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.

so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.

[anistarrae]

I've had a Kirby hyperfixation since my childhood and your art and super good animations bring back even more of the joy the games gave me. The lighting captures such a sweet mood in all your stuff also as someone who tried animation briefly... Chefs kiss to all of your animations anyway if just thought I'd join in on thoughts about u and ur stuff <3

HI HI im so sorry for not responding to this for a month :sob:

this is EXACTLY how i want my work to feel to others! a brief feeling of joy, something to make you think, something to make you feel something. anything can be artwork, but my favorite kinds are ones that makes you think or feel something, anything. to be able to convey that through artwork and have it work, it feels so special everytime :') i really appreciate your words, i kept replaying this message in my mind, thinking id respond then forget😭.. you get a small part of a bg in an animation im working on as an apology............

[secretlythatsme]

i've seen a lot of dp fans in the dpxdc fandom talk about not having access to comics so here. it's completely free, good quality scans (for most things), basically any dc comic you could want is there. you should have an adblocker but the ads aren't the worst if you don't, just noticeable and annoying. you're not gonna get a virus, i've been using the site for years, as have many other fans.

if you genuinely want to read the comics, take advantage of the sites comic fans have been using. there's new and old stuff and everything in between. crossovers too. whatever you want to read, you'll find there.

[sainzofthetimes16]

formula one. the billionare boys club.

[xxplastic-cubexx]

made the mistake of reading comics at the start of the week now i have to just let doodle ideas marinate for five days and act like im not gonna think about them for the next 120 hours

[silverislander]

day 30: enemy

caitlyn comes out of the meeting room, boots echoing on the marble, and her face is stony.

"how'd it go?" vi asks, sitting up on the bench.

"she's disappointed." caitlyn sits down next to her. "we could have had her today, vi. we can't let her get away again."

it sounds like a warning more than a statement of fact.

"you don't have to talk to me like that, you know." vi's trying her damnedest to keep her own tone even.

"like what?"

"like you're giving me orders."

caitlyn has been easy to read since the day she stepped too close to vi's cell. this look that she's giving her now, though? vi can barely parse it.

it passes quickly, though. caitlyn closes her eyes, breathes deeply and furrows her brow, and vi finds comfort in knowing that that means she's disappointed in herself. "i'm sorry. i just- you know how important this is to me."

this being capturing vi's baby sister.

they haven't talked about what happens after caitlyn catches her. vi can't bring herself to ask, and caitlyn seems to think she should just know the logical conclusion. there's no option that makes her feel good: jinx banished oceans away where she'll never see her again, jinx rotting in a cell the way vi was supposed to, something worse that vi won't allow herself to name.

vi has been doing her best to prolong the inevitable, however it comes to them.

"take a break, caitlyn," vi's voice is almost a whisper as she puts a hand on caitlyn's shoulder, turns her so she can see her eyes, close enough to smell her perfume. "i'm going home- come with me. let's sleep it off."

prolonging means peace can't last forever, though.

the door in front of them opens again, and ambessa walks out. backlit by the evening, she looks like every avenging spirit vi's ever read about. it makes her understand why their first words are to not be afraid.

she doesn't say a word; she just gives them both a look that vi is sure is meant to be dismissive and walks down the hallway, out the door, leaving them alone again.

when vi turns back to caitlyn, that implacable cast is back over her eyes. vi's favourite colour was always blue, but that look makes her understand why people think of it as cold.

"i'm going to be in the office," caitlyn says. "you can come or go home, whatever you need, but i'm going to stay. i'm going to make sure that next time, we won't fail."

won't fail. whatever that means. vi's already failed, letting any of this happen.

she can't help herself. before caitlyn can get up to go, vi stands, spits, "good night, sheriff," and walks away.

[taegularities]

🤍🫂🌹

[trainingdummyrabbit]

catching myself wanting to draw more melancholy art of This Fucking Thing

[ntj2pj]

[gettinshiggywithit]

Hello! I'm new on this requesting stuff on Tumblr, so please don't mind it if i make a mistake/explain my request badly! (Also English isn't my first language.) Can you do a Kenji x gn reader fluff? reader is the same age with Kenji, and readers ability is like demon, idk how to explain it but the reader has the same abilities with nezuko from kny. if you don't want to write it, that's okay! Thanks if you do it <3 Have a nice day/night!

「ᴋᴇɴᴊɪ x ɴᴇᴢᴜᴋᴏ!ʀᴇᴀᴅᴇʀ」

Scenario:- what’s it like dating the ray of sunshine of the ADA? Oh and also you happen to have a radass ability!

Pairing :- Kenji x gn!nezuko!reader

Genre:- fluff

Type:- headcannons

W/c:- 494

A/N:- I FINALLY GOT THE MOTIVATION TO DO A REQUEST YAYY🥳🥳🥳🥳 also heads up because incase it wasnt clear,reader is 14! I hope u enjoy this nonny!

First of all he finds your ability so fascinating! The fact that you can grow and shrink and use your blood as a weapon?????

“You city folk really are amazing”

Also loves that u have super strength just like him!

Would definitely teach you any little games he made up to play using his ability.

Also i think he’d definitely think its cool and a little funny that both the other kids in the agency that are his age have a ‘demon’ related ability!

Would take you out to all his favorite places in yokohama if ur new and would introduce you to all of his friends around the city

When you have the (reasonable) fears or doubts about some of his ‘friends’ he just laughs and says that theyre harmless!!

When you ask atsushi about it he tells you about that one time he was assigned to work with kenji and how he absolutely REKT those gange members

You never question kenji about his friends after that,okay maybe not never but you do it significantly less.

He knows your ability is hella strong so he doesn’t really worry about you keeping yourself safe much.

And after you get a bit of training from the agency members he’s even more sure of you!

But if by chance you get captured or are in actual active danger,he loses his cool.

He wants to protect the people he cares about but he also knows he needs a clear head.

So after Kunikida gives the team a plan of action,kenji leads the charge.

If you’re in mortal danger he may not even wait for the agency to give him a plan of action.

Kunikida knows he cant stop him so he just sends atsushi and dazai with him.

For dates, other than the aforementioned restaurant trips i think he’d love taking you to parks or places close to nature.

He’d teach you everything he knows and would tell you all about his family and farm

Loved telling you about his cows tbh.

He also gives really tight hugs!

Like the kid will pick you up and spin you around! I mean he can, so why would he not!

The rest of the agency think y’all are cute af

Kyouka loves that there’s someone else her age too!

The three of yall have best friend outings and chill together!

Just three of yokohama’s youngest and deadliest ability users~ no biggie!

When u joined the agency,yosano and dazai made a bet on how long it’d be till yall got together.

Yosano lost and owed dazai a loveless crab dinner btw~

Overall he really does love you and actually thinks you might be the one he wants to spend the rest of his life with!

He’s adorable like that 🥺

Tagging:- @kemis-world @diagonal-queen

All rights reserved © 2023 gettinshiggywithit . Please do not repost, modify or claim as yours.

[araneapeixes]

just gonna quietly say here that my patreon went live :) it's fairly bare bones so far as it's mostly my recent art (but with way longer rambling descriptions) and some wips and sketches. And for future art it will be where I post process shots and full .sai files for anyone curious to download. At least some nsfw art I draw in the future will also be patreon exclusive lol if I get any subscribers :o)

Most importantly perhaps I've been wanting to do a commission batch soon (start of May) and pat members would get priority and discount!!

[biblicallyaccuratecanine]

i need to have this answered

ex for yes (for malicious reasons): you use /r just to be mean/trick someone

ex for yes (because of nerves): you use /nm when you are actually mad because you dont want the other person to feel bad

[stevethehairington]

ALSO you know what i find just absolutely wild? how few people i see talking about patrick zweig. like. maybe im just missing it, but it seems like EVERYONE is talking about art and going on about what a sad puppy dog art is — and that's TRUE that's SO TRUE — but you know who is an even BIGGER sad puppy dog? who is even MORE pathetic and sopping wet? PATRICK FUCKIN ZWEIG PEOPLEEEEE