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magistralucis · 6 years ago

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Ed Banger House Party @ Electric Brixton, 25 Jan 2019 [Review]

😍 Fucking fantastic you funky little Frenchmen... 😍

This was a very wild night. I can’t quite believe I survived it, even as I finish off writing thousands of words about it. It’s probably the most detailed review of a concert or show I have done to this date. I finally saw Sebastian in the flesh, was treated to over eight hours of sweet sweet music, and feel that I have begun my Ed Banger-related pursuits for this year in the perfect way.

And the loot. The sweet, sweet loot.

Read on for more. Mobile users, be warned this is a very long post.

The Journey

If you’ve read my other gig reviews you know the drill: I don’t live in London, have to commute there from wherever I’m living at the moment, London is difficult to navigate. But I had no trouble with my journeys this time, there were no Underground closures, and this venue was exactly the same one as the TBB show two years ago. Nothing to report there, only that I give props to our driver. There was an accident on the motorway, about 25 mins into a 2hr 20min journey. He took us on a thirty-mile detour to avoid the scene of the crash and still got us to London in time. If you’ve ever been on a National Express coach, you know what a big deal that is.

That wasn’t the only accident we stumbled upon in our journey, somewhere in Croydon (part of Outer London for non-UK readers) there was an altercation between two drivers and something like thirty police officers were present. It is rare to see that many police officers on scene for a single collision, so I wonder whether something more sinister was going on. All of them were wearing fluorescent vests and they reflected the light of the traffic most gloriously for a ten-meter stretch of the pavement. It was very attention-catching. I like to think they shared the same general sentiment of (o_o ) when they looked over and saw an entire busful of people goggling at them, but that’s neither here nor there. It was around 8:30PM when I got to London, and I spent some time lingering in the train station before making my way to Brixton.

I like queuing up early. I had no idea what I was going to find there.

9:20~PM: If you follow Thibaut on insta you might have seen this.

This instastory. It’s not obvious, but these three were far from the only ones in this picture. I know this because I FUCKING WALKED IN ON THIS PHOTOSHOOT. THESE THREE WERE NOT THE ONLY PEOPLE THERE. THIS WAS A VIP GROUP SHOT SESSION WITH 25+ PEOPLE OUTSIDE ELECTRIC BRIXTON AND I NEARLY BARGED IN AMONGST THEM LIKE A MOTHERFUCKING IDIOT

I’m sorry! I didn’t mean to! ;A ;

I’ve met my favourite bands spontaneously. Gone for signings. Received compliments from Rammstein. I’ve shaken hands with Xavier. But I’ve never just happened upon an entire group of my favourite people engaged in a situation not meant for ordinary fans. I was honestly more terrified than elated. I knew they were VIPs because they (all DJs included) had blue wristbands on which allowed continued re-entry into the club, instead of the usual red club stamp on the back of the hand. Later in the show I recognized two of those people as stage photographers. Pedro was closest to me, Irfane passed by (he had very vivid eyes, even under poor lighting), and around the right-hand side Thibaut was putting his arm around Sebastian. I may have seen Vladimir Cauchemar unmasked. Shit was surreal.

This could potentially have been a good place to greet Sebastian zdravo. Unfortunately there’s a time and place for such things, and a VIP photo session I wasn’t involved in was not one of them. (Electric Brixton isn’t known for facilitating after-show fan meets either, due to the club’s structure and how everyone has to be herded out at the end.) Even if it were just the Ed Banger folks milling around, I'm not sure if I’d have been able to approach them in this case. ‘Cause ultimately, I am just an Animal Experiencing Fear, and I was caught so off guard; I stepped back and pretended I had nothing to do with the area. At least that way I could gather my thoughts and continue to observe.

I can tell you this entire moment took five minutes from 9:23pm to 9:28pm, but only because I checked my phone later. I didn’t want to take it out in the moment because I got paranoid they’d think I was a creep. As the phones and cameras were put away and normal conversation resumed I looked up and saw Sebastian five steps in front of me.

You know that recent Seb + Vinco picture. Hang on I’ll find it. You know the look Seb has in that pic?

That. That is his actual gaze. That is what Seb actually looks like when he has nothing to pose for and nobody to speak to. Unless something mind-boggling was happening in the empty space several feet away from where I was standing, that’s his normal nothing-to-see-here expression. At one point we met eyes. I think he blinked like once. You can’t tell his eyes are blue even from a short distance. He looked down, exhaled vape smoke, and bit his lip. Then someone (Myd?) ushered him into the open doors. And that’s how I accidentally stumbled upon the Forbidden Ed Banger Content, and while I was excited at what I saw, I think I’d prefer a do-over in the future. When they’re not all engaged in other business, when I have a pen and an adequate surface, and when I am not a fool with poor timing.

Also Sebastian was not as tall as I thought he was, but also far from short; Irfane was taller than I thought, but visibly shorter than Thibaut; Thibaut was taller than I thought, but no match for Pedro, whose height continues to boggle my mind. I have seen all of those people before, save for Sebastian. Pedro I have seen multiple times, with multiple people, in multiple contexts. Yet I still have no grasp of how tall anybody is in this label.

I don’t know what that implies about my visualization skills. At this point, I’m too scared to find out.

9:33PM: I’m going with this timestamp because that’s when I noted down that security cleared out completely with the VIPs, closing the front doors behind them. A girl comes up near me and stares at the venue, the ‘Ed Banger Records’ written in lights, then at the queue barriers (not open) for some time before turning to me. There were maybe five people altogether waiting.

Girl: Excuse me, is this the queue for people with tickets?

Me: I don’t know. We might be queuing to find out where the queue is.

Girl: [To a freshly emerged security guard, holding a sandwich.] Excuse me, do you know if there’ll be tickets at the door?

Security guard: [Incomprehensible - he’s speaking at close distance and a bus is freshly pulling up behind me, so I can’t hear them. He goes inside and shuts the door as soon as he says his piece.]

Girl: He doesn’t know. What am I going to tell my friends.

Me: Oh my God did you not get tickets.

Girl: My friends did! I was meant to get in early and get the drinks and stuff oh my God I DIDN’T KNOW THEY WERE GOING TO BE SOLD OUT 😰

Me: DIDN’T THEY SAY THERE WOULD BE A LIMITED RELEASE THOUGH 😰

By this time we’re both mired in anxiety.txt and others were coming forwards with the same experience. A group of three girls who got there shortly after me were all waiting for door tickets, and a guy came along who had a ticket for himself but was trying to get his friend (Asian girl, very pretty) in. (I will see this friend repeatedly throughout the show, but not the dude.) Eventually we looked up what the Electric Brixton website had to say, and gathered that a very limited number of tickets were available and they were all here at the right time to purchase it. As far as I know, everyone there got in without trouble.

First release tickets were £15.00. Later I was told it was £25.00 at the door.

Yeesh.

9:50PM: They finally open up the queue barriers. I’m fourth. Several of us in the line take a poll on who we’re here to see:

Pedro: ///

Breakbot: //

Sebastian: ////

Riton: /

Vladimir:

Myd: /

‘Everyone’: //

‘I’m here because of my friends’: /

The girl in the above section answered with the last one. Ed Banger rookie. Writing this now, I’m sure she had the time of her life.

I say Sebastian. Two guys in front of me nod sagely. One of them wears a Woman Worldwide T-shirt and a Justice logo jacket. We mutually express wonder that Seb’s, like. Doing anything again. At this point, however, the queue is split into two: ticketed and buying at the door, on the opposite end of the entrance. The girl and I say farewells as she departs for the latter. Unfortunately, I do not get to see her again. It’s a shame. She was lovely.

9:55PM: Security emerges with QR code readers and club stamps and starts to call us in go go go go go go go go

9:58~PM: The bouncer initiating pat down pauses over my portable battery for a very long time, seemingly considering whether that’s legal. Fuck my life. Eventually, though, he lets me in and I s p r i n t for the bar.

It has begun.

A note before I start: like the XOYO gig review last year, this review has been composed via rough notes, photos, and videos I took through the show. It was a longer night than last year, and everyone played for a lengthy period of time; this review is thus split into six sections, one for each DJ, including timestamped observations and photos/gifs of the night.

The gifs are taken from my own videos. Unfortunately, Electric Brixton’s setup made photography difficult for three reasons: 1) an abundance of flashing lights, 2) the elevation difference between the dancefloor and the DJ booth, unlike in XOYO where there was no audience-DJ divide, and 3) smoke machines, as well as actual vapers in the form of Sebastian Akchoté. Those three things make a mess onscreen, so images are potato quality compared to where I was (front center). This was a constant problem during the night, so instead of complaining about it with every DJ, I’ll just refer to this as the I Cannot See For Shit (ICSFS) syndrome and call it a day.

Busy P (10PM to 11:50~PM)

10PM: Mother fucking sons of bitches raised the price of water!

As mentioned in the TBB review, a 500ml bottle of water at Electric Brixton was £3.00 in 2017. (Even in 2019, at a supermarket it can be as little as 55p/500ml.) Harsh, but it is what you’d expect from London. But when I came back they’d raised it to a whopping £3.60. You could buy yourself a meal with that kind of money, albeit a small one, even for London. Disgusting.

But what can you do with something as necessary as water. I did expect it. I’m sore about it, is all.

10:05PM: Restroom visited, water bought and tucked into bag, jacket tied around waist. I was wearing armwarmers. I take my place by the barriers, front row center, with a guy on my left and an empty space on my right. Left-hand arrangement will not change during the night, while on the right it will be chaos.

10:10PM: Very superstitious / nothin' more to say / very superstitious / the devil's on his way / thirteen month old baby / broke the lookin' glass / seven years of bad luck / good things in your past

This is my first video of the night. Might upload it later.

10:21PM: USE IMAGINATION 💫 AS A DESTINATION 💘 USE IMAGINATION 💫 AS A DESTINATIoOoON 💘 USE IMAGINATION AND COME CLooOoOSER 👄✨ 👄 FOREVER BEEEEE 😘 😘💋

‘Pleasure’ summons the two dudes I was talking to in the queue to my right, especially the Justice fan guy. They stuck with me through Pedro’s set.

10:30~PM: Pedro looks a lot happier than he did at XOYO last year. He’s interacting a lot with fans, smiling, bopping about the way we have all come to expect from him.

10:40PM: I see the first glimpse of another DJ hanging around at the back. It’s Myd, drinking in a corner.

10:50PM: Is that what I think it is. I think it’s what I think it is

10:51PM: POP THE GLOCK THE GLOCK YOU POP IF YOU OUTTA LINE IT’S YOU I’LL BANG POP POP THE GLOCK THE GLOCK YOU POP IF YOU OUTTA LINE IT’S YOU I’LL BANG POP

Fantastic to hear some Uffie in the mix. I missed her so damn much. I think I might upload that clip as well because I want to share the experience with y’alls.

10:54PM: Thibaut jitterbugs into the scene. The lighting’s too bad for a photo so I post about it on the hellsite instead.

11:19PM: The display in front of the DJ booth has remained constant until this point, displaying the Ed Banger logo with only the occasional change in lighting. But now the display suddenly starts changing. Check it out.

It got really trippy with Breakbot.

11:29PM: ‘Genie’ comes on. I can see Thibaut and Irfane at the back now, ready to take over. I take my first drink since I entered the club.

11:52PM: HE PUT ON ‘BURNIN’. HE ACTUALLY DID THAT.

Pedro picks up the mic at this point and greets us for the first time during the night. I have what he said on video but it’s hard for me to transcribe it over all the audience noise, it might have to be an upload later on; I have videos of most DJ-DJ segues of this night, so hopefully that should be an interesting exercise. According to the timestamp on this video, 11:52-53PM is when Thibaut put on the headphones and took over from Pedro, but he continues to linger

11:55PM:

just so he can cOMPLETELY LOSE HIS SHIT APPARENTLY.

Breakbot (Thibaut and Irfane) (11:50~PM to 1:30AM)

12:00AM: At midnight Thibaut and Irfane take over fully with ‘Break of Dawn’. There’s something wild about listening to people sing a song with no lyrics (da DA DA DA darararaRA).

12:05AM: Irfane was on serious mode all night. I’ve also realized that the light situation is not going to get better; if it was Pedro alone I could have forgotten about it, but Breakbot’s set was where the ICSFS got really, really bad. There are so many photos where I tried to capture beautiful moments between Thibaut and Irfane, as they were quite touchy with one another (not as much as they were at XOYO tho), and yet it all turned to shit. I’m so sad.

12:10~AM: The two dudes to the right of me leave. The music is most funky fresh and the smoke machines are on max, so much I cannot actually see either of the DJs on scene. A girl wearing light blue takes over to my right.

I think Electric Brixton has reached full capacity. It’s not a big venue, fitting only about 2000 people or so, but I can feel it in the air. I look behind me and all around me are unfamiliar faces, packed tightly in a crowd. It’s hot. I take off my armwarmers and cram them into my bag.

12:16AM: Irfane baby I love you but that was not a smooth segue.

(I don’t actually know what song he was on but the music like. Stopped 100% for a second. It didn’t sound intentional.)

12:25AM: I have a note on my phone that says ‘12:25 Pedro making heart’. I have no memory of this. Fangirl magistralucis what are your secrets.

12:30AM: you 😍💖 are all I think about 😍✨😍✨😍 keep me sulking and down 😘👇🏼 but you fill me with 🔥 so much 🔥 emotion 😳💖😳 and I’ll show my 🙏🏼🕊💐 devotion 💐🕊🙏🏼 to you ❤️🧡💛💚💙💜

12:31AM: I cannot see for shit. Here have a light show I guess.

12:36AM: Dance, dance with me / Life's a fantasy / Stand next to me / Like ecstasy

12:48AM: Irfane puts on ‘Funkytown’. Thibaut dances beautifully. I’ll drink to that.

12:51AM:

What the hell is this?

1:07AM: Extra, extra, read all about it! The Mysterious Ninth Planet, located at last! Turns out it was in the hands of funky Frenchmen all along, who were hoarding not just the ninth planet, but ALL THE PLANETS

1:08AM: You may have seen what was happening during the above in Irfane’s instastory, actually. He put on ‘Le Freak’. I wonder whether I should upload this clip from where I was.

1:10AM:

?????

1:20AM: Pedro comes back into view. I try to film him but it doesn’t work out, and for once it had nothing to do with ICSFS. The girl to the right of me, who was rocking out for all of Breakbot’s set, is beginning to slump over on the railing. "Are you okay?” I call, but I don’t think she heard. From how rapidly it came on, how she could barely stand during the first five minutes of VC’s set, and how frantically her and her friends left afterwards (she could barely walk), it is quite possible she was going into diabetic shock. She did not return.

This is a known issue. You generally cannot bring food into London clubs, even if you’re diabetic. Electric Brixton had a complaint two years ago that a diabetic person was not permitted to bring in their food to prevent this exact thing happening. I hope whatever she had wasn’t that serious, but. I do wonder.

This leads to a note about security, I suppose. There were none up front by the barriers. There was no one to call for help to, except for maybe the stage photographers, and that’s not what they’re trained to do. People who were falling sick or too inebriated to stand would have benefited from having security help them beyond the barrier straight away, instead of having to wade their way back through a tight crowd.

This continued to be a problem.

1:20~AM: Vladimir Cauchemar is visible. He doesn’t have the skull mask on, but with something smooth concealing his face, kind of like the Taikobots of Danger’s Taiko-era set. When he takes over he has put the mask on.

Vladimir Cauchemar (1:30AM to 2:30AM)

1:30AM: I gotta say, VC was the easiest and the best to photograph in this show, and I both respect and resent that fact.

VC’s lighting stayed a consistent red and black through his set, similar to how it was at XOYO, and the clearest images I have of the night are of him. I’m still not over his collab with 6**9*** so my impression of him isn’t out of the woods yet, which is why my notes for him are brief.

I tell you what, though. He got the crowd going. VC was the first DJ to get the dude standing to the left of me dancing, and this is the dude who stayed the entire eight hours of the night by my side while on my right people faded in, faded out, barged into places. (Dude was holding out for Sebastian, but stuck around for all of Myd as well.) His set had serious limitations - the most gregarious sin of which I’ve noted down below - but he had a great stage personality. I have very mixed feelings.

Still didn’t prevent me from standing out certain songs to go on Russian duolingo, but that was my pride.

1:35AM: ‘Aulos’ comes on. I will upload that video because I might as well, I’ve little else videoed for VC. Someone taps my shoulder. It’s the friend of the dude whom I encountered outside, the Asian girl. “Can I put this here?” She calls, and places her coat down beyond the barrier; there are steps on the other side where you can place your drinks, bags, coats etc if you’re front row. She withdraws behind me afterwards, and when I next look back, she’s gone.

1:40AM: I’m honestly surprised how many people are digging VC’s set. He was not first choice for anyone I asked.

1:51AM: Vladimir, Aulos is great but not twice in the same set.

2:00AM: Third drink of the night. My legs are getting numb. The first 3-4 hours of a set are always the hardest. I don’t remember what VC was playing. At several points he played Michael Jackson but I have no record of when. I stood still to rest my legs and distracted myself with other pursuits.

2:18AM:

Hi I’m in this photo and I don’t like it.

2:26AM: VLADIMIR. AULOS IS GREAT, BUT NOT THRICE IN THE SAME SET.

This. This is the major problem with his set. I know it’s his biggest hit, but VC exploits ‘Aulos’ way too much, and from what I hear he essentially does this for every set he plays. Would it injure him to play a different song every now and then. Seriously. There are so many excellent songs in the world, and some of them might even be ones he’ll drop in the future. Why stick to ‘Aulos’ alone. I don’t get it.

2:26~AM: As I was noting down the third instance of ‘Aulos’, the girl who put her coat down returned. “Can I have my coat back?” She calls over the sound, and I peer over. I can’t see the coat. The red spotlight passes over the floor; the coat’s rolled off the steps and is now lying on the ground.

“I can’t reach it.” I shout. “It’s fallen off.”

“Oh no.” She shouts.

“Can you wait until the segue?”

She shakes her head. “I’ll go over the barrier, but thanks.”

I offer to help her over, but she doesn’t think she'll make it. She ducks out past the crowd and goes around the side instead (no security to stop her), runs over to grab her coat, and then leaves straight away. She’ll be back for Sebastian’s set, but now it’s Riton time.

Riton (2:30AM to 3:30AM)

I didn’t enjoy Riton’s set very much. This had 0% to do with his music and everything to do with the chaos on my right-hand side, which made it worse. If it was the artist that was bad you chalk it up to a mismatch in interests, but knowing other concertgoers unilaterally deprived you of a good experience is a unique level of terrible. There are no timestamps for this section because I was too busy keeping an eye on my surroundings to take notes; he was also afflicted with the ICSFS, which didn’t help, but it’s a darn shame how much I missed out.

Oh and that too. That was his light show. Riton was a special guest and his name/logo was the dominant display for the entirety of his set. But I’m not here to talk about that. I’m here to talk about the chip on my shoulder.

Here’s the thing. I attend most of the gigs I go to by myself. I prefer it that way because I get anxious when things go wrong. I have a very specific set of items I bring with me to concerts, and practice very meticulous timekeeping. One of the rules I observe during gigs is that I do not move from my position: I prefer front centre or front centre-right generally, but wherever it is, I stay put.

I am not a tall woman. If I lose my place, it is unlikely I’d get it back. I’m full of anxiety about being at my place, but I’m more anxious to avoid losing it, so I defend it with all my might. I have never lost my place in almost ten years and this show was no exception. But my goodness did the guys to my right push my buttons this time. The guy who was to the right of me for Riton was with a group, all of whom were banging on the barriers and creating a ruckus. Just my luck he was the only one who seemed actually inebriated. He kept putting his head down on the railing, slumped over for minutes at a time, before suddenly raving and flailing around whenever Riton dropped a beat. He had no consideration for whoever he was accidentally knocking about (i.e. me) during this. And as I said, there was no security up front, so I was on my own.

At first I had some sympathy, because I still wasn’t over the girl who left earlier. I’ve never seen people who were inebriated/high during shows last very long where they were, either. But the fifteenth time dude nearly poked my eye out, it was just too much. I do not like people prodding their way into my personal space. I do not like it, Sam-I-Am.

The last time I had to be vicious with a concertgoer was at TBB, where a ginger-haired girl kept on trying to tear people from their place up front, and eventually was ejected by security after she got into a catfight with another girl next to me. Apparently this time it was my turn to give into Righteously Indignant Bitch Hours and the next time he started flailing his arm into my neck, I grabbed him and slammed his hand onto the railing and shouted “WHAT THE FUCK IS WRONG WITH YOU.”

I wish I could say this made him stop. However, life is dumb. Dude was too out of it to comprehend his own actions, let alone my complaints. His friends pulled him out of the front row for about five minutes but then he came staggering back, muttering something about his lens cap (?) and if I’d seen it. It wasn’t long before he began to barge into the surrounding people again. Only elbows were the solution; I can barely move my right arm even now, it feels so bruised. I’m not proud of what I did, but I’m not sure what I could have done differently, and I would do the same even now.

But, you know. It could have been worse. If you’ve been front row, you know there’s a difference between those who’re trying to grab a good time and those who act out of malice. The former usually try to sneak a hand in next to yours on the railing, or crash into you from the back, or wedge their way in - but they almost always follow it up with an apology, and they tend to carve out their own little space, not actively steal yours. Yes I’m talking about that ginger-haired girl at the TBB show again. I’ve attended full on firebreathing industrial metal shows at much bigger, suffocating venues, and yet those audiences still managed to avoid being vicious and petty. She was the worst. Holy shit. It’s been two years and I’m still mad. Fucking bitch I hope you step in a puddle. What was I writing about again? Oh yeah the dude. He wasn’t acting out of malice, but out of irresponsibility. And to be honest, his friends weren’t that better, save for a girl who was about five feet eight tall and complimented that I was still standing later in the set: “I had to sit down after Thibaut and you’re still jumping like nothing happened!”

That made me think about my own stamina. I never thought I had much. I’m twenty-five years old. I’m in my prime, but I had more energy when I was eighteen, and I am old enough to keep that in mind. I’m not getting younger. After a show I’m bruised and my muscles ache and I pass out asleep for hours at a time. I’m usually awake for 30hrs~ during those times. I don’t eat or drink much before shows to prevent bathroom breaks. I ate on 3:30pm on the 25th and didn’t touch a single morsel of food again until 7am on the 26th, and even then it was a sandwich. After dancing for eight hours.

It’s been that way for years. But maybe most people? Don’t? Do that? And maybe I am? Actually quite strong? For regularly surviving what I do to myself?

I don’t know. Let’s move onto what I think 70% of you are here to read about.

Sebastian (3:30AM to 4:30AM)

3:30AM: Predictably, Sebastian gets the loudest cheers of the night when he comes on. Riton announces him and passes him the headphones. He still does the hand thing, by the way.

This thing.

3:30~AM: Not an observation of the moment, but of the entire set. Seb played some big name EDM songs and what I believe are versions of his YLS tracks. He was the only set I wanted to record in full, but I wasn’t tall enough and my equipment wasn’t good enough to do so. ICSFS is in play. I sort of hoped he'd stuck with his vicious red lighting from Primary Tour, and he did, but not to a degree where I could get good shots of him.

Is anyone excited for him to drop an album this year or what. Pedro said he would.

3:38AM: Seb also has the dubious honour of being the only DJ who contributed extra to the ICSFS problem. He vapes through the entire set. I have lots of feelings and I don’t know what to do with myself honestly.

3:39AM: Neither do the dudes to my right. They are the friends of the inebriated dude who has since staggered off into the crowd. They are completely losing their shit, screaming and taking their shirts off and kicking at the barriers. They contributed to some of the bruises on my right arm. But they still didn’t take my place so whatever.

3:40~AM: Seb is not a smiler. Photographer comes by and he gives him a single glance before turning back. I don’t know why I’m surprised.

3:43AM: The Asian girl with the coat from earlier comes back. She asks me to deposit a different layer of coat this time over the barrier, and stands behind me. I feel very protected.

3:50~AM: Balm to aid my pain: photographers start coming down from the stage to pass out Ed Banger pins and stickers. The first lot are thrown into the audience, but the second photographer takes the time to give all of us one. This is the first time I’ve scored thrown Ed Banger merch during a set. I usually can’t reach them because I am smol.

I am also bonding with the dude to my left during this time. We collaborate to catch the pins we want and share them out between the two of us. He gets the Ed Banger melody logo pin, and gives me the Ed Banger 15 Ans pin. “Are you sure?” I ask. He smiles and nods. I thank him and hand him a Breakbot sticker, one that’s of his name.

4:06AM: What the fuck the lights are changing

4:06AM: Is that

4:06AM: IT IS

4:07AM: IT’S JUSTICE. IT’S HEAVY METAL. SEB’S PLAYING HEAVY METAL AND HE’S DOING THE HAND THING AND THE LIGHT SHOW’S TRIPPY AS FUCK ALL OF A SUDDEN AND EVERYONE IS SCREAMING AND THE DUDE LEFT OF ME IS DECLARING HIS LOVE FOR SEB IN FRENCH AND I AM SCREAMING OH MY FUCKING GOD

4:09AM: HE SEGUES TO ROLLIN’ AND SCRATCHIN’. HE LITERALLY DID THAT. SEBASTIAN AKCHOTE IS PLAYING ROLLIN’ AND SCRATCHIN’ AND WE’RE ALL GOING BATSHIT INSANE. I’M SORRY FOR THE BAD CAMERA WORK. THIS IS HOW I DIE.

4:15~AM: Myd is finally going back and forth. He will close the night after Sebastian has finished his set. Looking back on the videos of the night, I can’t believe he only played for an hour; it felt a bit longer than that, Sebastian never let up for a single second as long as he was onstage. Not a single minute wasted. And now you’re going to have to excuse me babes because he’s puttING ON STRESS AND WE’RE ALL GOING TO DIE AGAIN RIGHT HERE RIGHT NOW

4:24AM: AAAAAAAAAAAA

(Seb’s still playing Stress. Looping the chainsaw noises. Steady camera work lmao what steady camera work)

4:30AM: Sebastian hands over the reins to Myd at this point. I do not have a video of this segue because he does not announce the takeover; with one of his inscrutable hand gestures and a proud look, Sebastian takes up a whole bottle of wine and silently walks offstage. Again, I don’t know why I am remotely surprised. That is probably the most Seb thing I have seen Seb do all night, and it was a night extremely full of Seb things.

At this point I stop jotting down notes on my phone. But I’m at about 58% battery and going strong, so I’m still taking photos and videos whenever I can. Myd’s section is reconstructed from these records.

Myd (Round 2) (4:30~AM to 6:00AM)

4:30~AM: Not a specific observation. As mentioned in the Breakbot review of May 2018, I have unfinished business with Myd. Or at least: had. Myd played the closer in XOYO last year, and back then I was weak and I could not stay through his entire set. I swore to myself the next time he returned, and I was able to see him, I would last as long as he was onstage.

And I did. That’s one promise to myself kept, and what I hope was a little justice done for a DJ of Myd’s caliber.

4:35AM: Coat girl taps my shoulder again. “I’m going home. Could you...?” She gestures to the barrier, and I reach down and pull up her coat. It didn’t roll onto the ground this time.

“There you are.” I say. She takes it and gives me a hug. “Have a good night.”

“Have a good night!” Then she’s gone, alongside the exodus of people who are leaving the club. More people stuck around for Myd here than in XOYO. Guy to my left nudges me to look; stickers are coming around again, specifically the ‘Hello My Name Is _______ [Myd]’ one. We each take one.

4:44AM: I’m out of water. Actually I was out of water immediately before Seb finished, because for some reason I thought downing the last of my only means of hydration with over 1h 30mins to go was a sensible thing to do. I regret this decision bitterly, but I’ll probably survive.

4:58AM:

@_@

5:03AM: It is very difficult for me to ID Myd’s tracks. I suspect a lot of them are original or are from his recent release that I haven’t yet listened to. Appropriate to a closer, he takes a very trance-inspired line to his entire set, with lots of repetition and few loud drops; this was the same in XOYO. I wonder what a Myd headliner set must be like.

5:10~AM: The guy to the left of me is struggling. So am I. But further to his left, there is a guy slumped on the rails. His girlfriend is beside him. They’ve been there all night, but they’ve clearly reached their limit. My right hand side keeps refilling and emptying as people step away or leave.

I talk about that other guy because he summons Thibaut to him.

5:28AM: I took several vids of this but this timestamp belongs to the longest. Thibaut comes back with his own phone to film the audience. He winks and shyly gestures all of us to gather our strengths and be more pumped up, and I recall we obliged him because he asked so nicely. He lingered for some time, gazing at us as fondly as we were gazing at him. He then looked at the guy slumped over on the railing and hopped down from the stage, gently patting his shoulder to talk to him.

I didn’t hear any of their conversation, save for Thibaut asking the dude ‘where he was from’. By the way he clasped his hand to his chest several times, though, I’m inclined to think he was really concerned about the guy. They eventually shook hands and Thibaut made as if to hop back onstage. (The photo was taken as he was leaving.)

Except he couldn’t jump that high. He gave us another shy look and braced his foot against the barriers, perching neatly on the stage before clambering up. He stuck around for about five more minutes to check up on the audience.

I love Thibaut so much. He’s so gentle.

5:34~AM: Holy fuck my bag is full of crap. I haven’t organized it in some time. Discarded cups, beer cans etc have accumulated by my feet, and as I kick them away I’m trying to check my loot is in place and I still have my items. I can’t feel my passport and my blood runs cold for a moment. I turn the camera flash on to look.

“Are you looking for something?” The guy to my left asks worriedly.

I feel my passport in my front pocket. False alarm. “Just organizing my bag.”

(I didn’t see any lost foreign ID or driver licenses on the floor this time.)

5:43AM:

Russian duolingo says fuck millennial lives

5:50~AM: The smoke machine is turned off. I still can’t see for shit, though, because the lights flash rapidly between deep blue and violet and Myd’s hidden behind it.

My last video of the night is timestamped 5:55AM. Myd has a most benevolent smile on his face. He knows the night is drawing to a close.

6:00AM: I did it.

We made it.

I have made it through a Myd set fully and have survived the night.

Myd finished exactly at 6am and exited to a crowd of applause. There are calls for an encore, but given that it's... like, literally morning, it’s not realistic to expect him to stay any longer. Security comes by as soon as he exits, and we all leave Electric Brixton behind at last. The sun has not yet risen. I fall in step with the guy next to me.

Guy: Where are you heading to?

Me: Coach. I came up from Brighton.

Guy: From Brighton?! Was that last night or what?

Me: Yep, two hours before the show. I haven’t eaten or slept all night.

Guy: Wow. [Pause.] Though I think that’s the longest I’ve danced in my entire life, too.

Me: You’re not kidding. I really didn’t think I was going to last beyond Sebastian.

I think he was a Londoner. We say farewells in front of the Electric Brixton bus stop, and I leave for the Underground. My legs are numb and I can barely walk, but somehow I stumble past the barriers and sink into the seats of the train. Back at Victoria Train Station I drop in at Sainsburys for a sandwich and two cans of grape soda, and then realizing I need a resealable container to take on the bus, buy a bottle of Pepsi. The grape soda was just because I really love grape soda and I cannot find a place in Brighton that sells any. It was around 8AM when I finally got on the coach back home.

I had not slept for some twenty hours. I continued to not sleep on the bus. I tried very hard to, but I couldn’t, because I was still buzzing from the adrenaline. It wasn’t until I got home, just after 11AM, that I began to feel sleepy for real. Sig. other made me a cup of tea, and I took the interval to admire some cat slippersocks that had arrived for me in the meantime.

LOOK AT IT.

Overall I’d say this was a fantastic night. I have taken care of unfinished business and seen Sebastian in the flesh. I have, however, come away with another unfinished business to replace the deal with Myd - I should seek out Riton again, the next time he comes here, and deliver a full review of what that was like. To think of the Ed Banger crew making their way across Europe in 2019, with new material and a new Sebastian in tow...

😍😍😍

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mediaini · 3 years ago

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Fintech Beri Edukasi Inovasi dan Layanan Tanda Tangan Elektronik Demi Mendukung Ekosistem Ekonomi Digital - JAKARTA, MEDIAINI.COM – Pandemi COVID-19 telah mengubah pola kehidupan masyarakat dan menggiring semua pihak untuk memanfaatkan teknologi digital. Migrasi operasional dari konvensional ke digital menjadi konsep sekaligus terobosan baru dunia bisnis dalam berinteraksi dan bertransaksi, khususnya dalam memutus rantai penyebaran virus COVID-19. Salah satu infrastruktur penting bagi adopsi inovasi digital adalah tanda tangan elektronik, khususnya dalam memenuhi otentikasi dokumen penting. Menurut, Undang-Undang Nomor 11 Tahun 2008 tentang Informasi dan Transaksi Elektronik Pasal 11 tanda tangan elektronik memiliki kekuatan hukum dan akibat hukum yang sah selama memenuhi persyaratan. Namun demikian merancang produk tanda tangan elektronik menjadi tantangan penting bagi penyedia tanda tangan elektronik. Asosiasi Fintech Indonesia (AFTECH) secara berkala menyelenggarakan Fintech Talk sebagai platform untuk meningkatkan edukasi dan memberikan informasi kepada masyarakat mengenai perkembangan inovasi digital dan perannya dalam mempercepat akses dan penggunaan inklusi keuangan, termasuk infrastruktur penting bagi industri fintech seperti tanda tangan elektronik. Saat membuka Fintech Talk bertemakan “The Key Role of Digital Signature Innovation and Services in Supporting Digital Economy Ecosystem” yang digelar secara virtual, Sekretaris Jenderal Kementerian Kementerian Komunikasi dan Informatika RI (Kominfo), Mira Tayyiba mengatakan, “Ada urgensi yang semakin besar untuk membangun dan menumbuhkan kepercayaan di lingkungan digital. Untuk itu, Kementerian Kominfo telah meresmikan Penyelenggara Sertifikasi Elektronik (PSrE) dan Tanda Tangan Elektronik (TTE) yang sekaligus bertujuan meminimalkan pemalsuan dokumen di Indonesia.” Ia juga menambahkan pemerintah, pelaku bisnis, dan para konsumen serta nasabah tentunya harus dapat merasa aman dan terlindungi saat melakukan transaksi dan aktivitas online. Tanda tangan elektronik adalah faktor pendukung utama untuk membangun kepercayaan dalam bertransaksi secara digital. Berbeda dengan tanda tangan basah yang dibubuhkan langsung secara fisik, tanda tangan elektronik memungkinkan seseorang atau entitas bisnis membuktikan identitas resmi dan memberi persetujuan terhadap suatu dokumen yang dipertukarkan secara online. “Di saat adopsi layanan keuangan digital (termasuk fintech) meningkat akibat pandemi, sangat penting bagi masyarakat untuk meningkatkan pemahaman terhadap produk dan layanan fintech, serta membangun kesadaran akan perlindungan data. Dibutuhkan koordinasi dan sinergi berbagai pihak dalam mengembangkan layanan keuangan digital yang andal, aman dan terpercaya. AFTECH sebagai wadah pelaku industri fintech di Indonesia, terus mendorong anggota kami untuk meningkatkan kemudahan akses dan keamanan terhadap layanan keuangan melalui inovasi teknologi, termasuk lewat tanda tangan elektronik. AFTECH juga berkomitmen untuk terus meningkatkan edukasi konsumen serta mengedepankan perlindungan konsumen,” kata Wakil Sekretaris Jenderal AFTECH, Dickie Widjaja. “Low touch economy menjadi konsep sekaligus terobosan baru bagi dunia bisnis yang mengarah pada ‘minim sentuhan’ atau ‘bebas sentuhan’ dalam berinteraksi dan bertransaksi. Tanda tangan elektronik yang aman merupakan metode yang paling efektif dan mudah diimplementasikan untuk memberikan akuntabilitas pada transaksi elektronik. Penggunaannya sebagai wujud perwakilan identitas tersertifikasi secara digital yang sah dan validitasnya terjamin baik untuk individu maupun perusahaan,” ungkap CEO PT Indonesia Digital Identity (VIDA), Sati Rasuanto. VIDA sebagai salah satu penyelenggara elektronik bersertifikasi di Indonesia memiliki peran sebagai trusted layer dalam memverifikasi data pelanggan/nasabah fintech. Tanda tangan elektronik yang aman dan terjamin menjadi solusi dan mengikat secara hukum. Verifikasi data terhadap pelanggan/nasabah fintech juga memanfaatkan sistem verifikasi biometrik berdasarkan data kependudukan dan liveness detection. Sistem ini memungkinkan terjadinya verifikasi identitas yang instan dan akurat yang mendukung kecepatan dan keamanan dari layanan keuangan digital. Lebih lanjut Sati menjelaskan VIDA berkomitmen mendukung pertumbuhan ekosistem ekonomi digital melalui kemitraan dengan pemerintah maupun pelaku industri lainnya. Hal ini merupakan bagian dari penguatan dan transformasi digital termasuk di sektor UMKM, serta sejalan dalam mewujudkan ekosistem identitas secara digital di Indonesia yang semakin terintegrasi. VIDA telah tersertifikasi ISO 27001 dan terdaftar sebagai penyelenggara sertifikat elektronik (PSrE) di Kementerian Kominfo. Sebagai perusahaan pertama di Indonesia yang terdaftar dalam Adobe Approved Trust List (AATL), VIDA mendapatkan sertifikasi Webtrust (sertifikasi keamanan internet yang diakui secara global). Verifikasi identitas VIDA salah satu yang terbaik di dunia yang masuk dalam rangking teratas di National Institute of Standards and Technology (NIST). Managing Director Adobe Southeast Asia, Simon Dale mengatakan, “Adobe Approved Trust List (AATL) adalah program yang memungkinkan jutaan pengguna di seluruh dunia untuk membuat tanda tangan elektronik yang terpercaya setiap kali dokumen yang ditandatangani dibuka pada perangkat lunak Adobe Acrobat atau Reader. Kemitraan kami dengan VIDA memberikan kenyamanan dan jaminan yang lebih besar bagi perusahaan di Indonesia saat menerapkan tanda tangan elektronik untuk meningkatkan pengalaman digital mereka. Pada tahun lalu, Adobe memproses lebih dari 8 miliar transaksi tanda tangan elektronik dan digital melalui Adobe Document Cloud. Hal ini memperlihatkan meningkatnya kebutuhan akan interaksi nirkertas dalam ekonomi digital, begitu pula permintaan akan keamanan, keaslian, dan integritas dokumen.” Di era transformasi digital, penggunaan tanda tangan elektronik adalah solusi untuk adopsi Proses Digitalisasi Bisnis. Pemanfaatan 100% digitalisasi dapat membantu dalam peningkatan keuntungan dan kepuasan pelanggan. Efisiensi, Otomatisasi dan Integrasi dengan sistem berjalan dinilai mampu mengurangi keterlambatan dan menghilangkan proses manual guna mempercepat akselerasi bisnis dalam mendapatkan persetujuan (Approval), Tanda Tangan Elektronik dapat bekerja di device apa saja dan dimana saja. “Teknologi Tanda Tangan Elektronik Adobe merupakan teknologi yang memiliki banyak keunggulan dari segi keamanan dan kecepatan dalam bertransaksi, sehingga penggunaannya tidak terbatas pada jenis industri, pemerintahan hingga bisnis kecil dan menengah, seperti perbankan menggunakan tanda tangan elektronik sebagai salah satu cara peningkatan mutu layanan.” jelas Direktur Techpac Indo Informatika, Thomas Lo. Adopsi teknologi digital yang kuat juga harus diimbangi dengan kemampuan literasi digital dan landasan hukum yang baik. Tanda tangan elektronik merupakan enkripsi dari konten digital dan sertifikat digital untuk menjamin identitas, integritas, nirsangkal dokumen digital dan transaksi elektronik, dianggap tepat untuk menjadi salah satu identitas secara digital di Internet. Sekretaris Indonesia Cyber Security Forum (ICSF), Satriyo Wibowo yang turut hadir sebagai narasumber mengatakan “Untuk sertifikat elektronik, kita telah memiliki tata kelola sertifikat elektronik berbasis infrastruktur kunci publik (public key infrastructure) yang mengatur RootCA dan industri PSrE/CA (Penyelenggara Sertifikat Elektronik/Certificate Authority) yang menjadi dasar identitas digital yang berlaku di Indonesia. Meskipun begitu, kita masih harus imbangi dengan UU yang melindungi perlindungan data pribadi dan keamanan siber sehingga keamanan negara dan masyarakat di dunia siber dapat lebih terjamin.” Inovasi dan teknologi yang ditawarkan oleh penyelenggara tanda tangan elektronik tersertifikasi di Indonesia, termasuk VIDA, diharapkan dapat mendukung transformasi digital, terutama dari sisi keamanan dan privasi informasi dengan memanfaatkan identitas tersertifikasi secara digital yang aman dan terpercaya.

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