#icons: Sergei Polunin

[beautifulfaces-icons-and-gifs]

Sergei Polunin on Murder on the Orient Express

as Count Rudolph Andrenyi on Murder on the Orient Express

Information on beautifulfaces

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[kindahoping4forever]

tag contribution time: Daddy but bag of tangerines, Daddy but wrecking ball, Daddy but Greyhound, Daddy but teething pup, Daddy but bendy baby, Daddy but Dancer by Mali-Koa, Daddy but Sergei Polunin, Daddy but Oscar nominee, Daddy but not getting near Mocha (she literally ran away when I played the song 😔), Daddy but shirtless gardener that doesn't put sunscreen, Daddy but wearing blue jeans now, Daddy but Black man bun, Daddy but dirty feet, Daddy but hates mirrors with a passion (mood) 🤡🖖😅

Ana I'm CACKLING omg excellent work 😂😂😂

[beautifulfaaces]

Sergei Polunin

Facts

November 20, 1989

Russian actor and dancer

Filmography

Sweets Cavalier [The Nutcracker and the Four Realms: 2018]

Konstantin [Red Sparrow: 2018]

Count Rudolph Andrenyi [Murder on the Orient Express: 2017]

Jack [Alice's Adventures in Wonderland: 2011]

Appearance

brunette

blue eyes

1.80m

Roleplay

playable: young adult, adult

Icons: Murder on the Orient Express

[neglectedrainbow]

so! as some of y’all may know, hozier is releasing a new song, called “movement,” TOMORROW!!!

and it gets better!!! the music video will feature the dancing of none other than SERGEI POLUNIN

this is the same man responsible for THIS beautiful, iconic, and mesmerizing performance of “take me to church,” which got over 25 million views back in 2015:

tl;dr: tomorrow’s hozier music video is going to be legendary

[enchanted-keys]

3 4 12 13 19 20 ! :)

Oh, bless you for this ask! *-*

3. Royal Ballet or English National Ballet?

HANDS DOWN, the Royal Ballet. I’d pick the Royal over any company.

4.Tutus or Ballerina skirts?

I love both, but I prefer tutus. They’re iconic and they allow you to see better all the feet work.

12. Marcelo Gomes or David Hallberg?

David Hallberg.

13. Olesya Novikova or Ekaterina Osmolkina?

Olesya Novikova.

19. Sergei Polunin or Ivan Vasiliev? Ivan Vasiliev, no contest. Not only Polunin is not nearly as impressive as people make him, but he’s also a horrible person and overall doesn’t deserve to be where he is.

20. Misty Copeland or Yulia Stepanova?

I think they’re both terrible, but at least Stepanova doesn’t pretend to be ill before the third act of Swan Lake because she can’t do fouettes.

THANK YOU SO MUCH

Ask me anything from this list

[pgbsimon]

"Arabesque" Ballet's most iconic pose demonstrated with technical precision and aesthetic perfection by ballet icon Sergei Polunin.

[1trailersmove]

The White Crow (Trailer)

Ralph Fiennes' THE WHITE CROW was inspired by the book Rudolf Nureyev: The Life by Julie Kavanaugh. The drama charts the iconic dancer's famed defection from the Soviet Union to the West in 1961, despite KGB efforts to stop him. Fiennes directs from a script by David Hare (The Hours). Acclaimed dancer Oleg Ivenko stars as Nureyev, alongside Adèle Exarchopoulos as Clara Saint, and Fiennes as Russian ballet coach Alexander Pushkin. Also featured are ballet-world enfant terrible Sergei Polunin, Chulpan Khamatova, Olivier Rabourdin, Raphaël Personnaz and Louis Hofmann. (Source)

Watch: 480p, 720p, 1080p Download: 480p, 720p, 1080p

from HD-Trailers.net (HDTN) http://bit.ly/2Bc3KIg from Blogger http://bit.ly/2t7tdOJ HD-Trailers.net (HDTN)

[bizlong]

Portrait painter of the year

PORTRAIT PAINTER OF THE YEAR SERIES

Portrait Artist of the Year will air on Sky Arts, Freeview Channel 11, and streaming service NOW.

PORTRAIT PAINTER OF THE YEAR SERIES

The series was recorded within strict Covid safety protocols at Battersea Arts Centre. Benedetta Pinelli is commissioning editor for Sky. Portrait Artist of the Year and Landscape Artist of the Year are produced by Storyvault Executive producers are Danielle Graham, Samantha Richards and Stuart Prebble. Landscape Artist of the Year is due to return in early 2022 and production is already underway. Watching paint dry has never been this exciting.” Philip Edgar-Jones, Director of Sky Arts, Sky, said: “Over the years Portrait Artists of the Year has unearthed, encouraged and nurtured some brilliant portrait artists – many of whom have gone on to successfully make a living from their art and that’s something we are really proud of as we welcome back a new intake of brilliant painters to turn our celebrity sitters into works of art. I wanted the show to be Joan and I painting portraits of artists while being watched by celebrities but apparently ’no one would watch that’. was painted in 1996 by Antony Williams as part of a commission from the Royal Society of Portrait Painters. Stephen Mangan said: “Joan and I have had the difficult task, once again, of watching a raft of talented artists paint portraits of a bunch of fascinating celebrities. 30 of Our Favorite Portraits of Queen Elizabeth II to Celebrate Her 63-Year Reign. The whole thing mixes talent with pleasure, effort with entertainment”. Joan Bakewell said: “I never cease to delight in presenting Portrait Artist of the year: once again the series brings a galaxy of famous faces and reputations, their faces as varied as their careers… each one challenging our eager competitors. This season’s Portrait Artist of the Year winner will receive a £10,000 commission to paint the esteemed Scottish-Italian classical solo violinist, Nicola Benedetti, which will be exhibited at the Scottish National Portrait Gallery. For our grand finale, three finalists will battle it out to take home the crown, painting the iconic Barry Humphries, best known for his on-stage and television alter ego Dame Edna Everage. Nine artists compete in each of the eight heats, and each heat winner will go on to paint rock and roll legend and former Pink Floyd drummer, Nick Mason in the semi-final. Taking the famous subject’s chair this year are: Celeste (Singer/Songwriter), Kelly MacDonald (Actor), Gabrielle (Singer/songwriter), Lydia West (Actor), Nish Kumar (Comedian), Alexa Chung (Model/TV Presenter), Alistair Campbell (Politician), Ian Hislop (Journalist), Hugh Skinner (Actor), Daniel Mays (Actor), Gyles Brandreth (former politician) Emma Dabiri (Author), Sophie Cookson (Actor), Jacob Fortune-Lloyd (Actor), Polly Walker (Actor), Philip Glenister (Actor), Chris Packham (Naturalist), Ali Jawad (Paralympic powerlifter), Arlene Phillips (Dancer), Grace Neutral (TV Presenter), Maggie Aderin-Pocock (Scientist), Sergei Polunin (Ballet dancer), Karen Gibson (Conductor) and David Olosuga (Historian).

[tpf1138]

There's a good chance you haven't heard much about Jennifer Lawrence's next starring role. That's because the upcoming film is still in production and is set for a 2018 release, and it only just released its first trailer. Called Red Sparrow, it's an adaptation of the novel that shares the same name. In short, it's about a Russian prima ballerina, Dominika, whose career ends after she shatters her ankle. With her life in pieces, she lashes out at those who hurt her and winds up in the most unexpected place: a training academy for Russian spies. It only gets wilder from there.

This past Autumn, I was able to view some exclusive footage of the film and to get further insight from director Francis Lawrence. I don't want to jump the gun, but this has the potential to be Lawrence's most captivating role to date. Yes, even after seeing everything she goes through in Mother!.

The exclusive footage we viewed was basically a 20-minute montage that gave us a broad idea of what we could expect from the film. It was utterly captivating, tense, and tightly wound. We saw blood, sex, nudity, opulence . . . the list goes on. Without giving too much away, we thought we'd give you a taste of what we experienced, why we think it could be Lawrence's next iconic role, and what else stood out from the film.

1. The Content Is Very Much R-Rated

This isn't just going to be an R-rated film. It's deep in rated-R territory. In just the short amount of footage we saw, there was a rather bloody altercation (or two or three), a steamy sex scene, nudity, and more. Francis Lawrence made it clear after the presentation that this was his vision from the very beginning. He's going for the "hard R." He wanted to toe the line and represent all aspects of the story.

2. Jennifer Lawrence Is Brilliant

Are you getting the sense that we already love Lawrence in this? Everything, down to her accent, is remarkably controlled. It's hard to pull off a Russian accent without it sounding like a caricature. But it's more than that; as she has with other acclaimed roles, Lawrence seems to disappear into her character.

Director Lawrence revealed that she had gone through rigorous ballet training to perfect that aspect of her character's story. More viscerally, you can see her living some of the heavy, emotional experiences her character is having. In just the short amount of footage we saw, Lawrence loses her career as a ballerina, cares for her sick mother, practically gets raped, and endures a special kind of mental terrorism that comes with training a deadly spy.

To nail her accent, Francis Lawrence explained that he had a woman with a light Russian accent record all of Lawrence's dialogue. She used the recordings during the memorization process.

3. The Supporting Cast Is Just as Dazzling

Lawrence has a lot of stellar talent supporting her in the film. The brilliant Oscar- and Emmy-nominated Charlotte Rampling is the headmistress who runs the Russian spy school. Joel Edgerton, who just earned a best actor nod for his work in Loving, stars opposite Lawrence as an American federal operative. Joely Richardson, whom you might best remember from Nip/Tuck, plays Lawrence's mother. And there's more: Mary-Louise Parker and Jeremy Irons are in the mix as well.

As an added bonus, accomplished ballet dancer Sergei Polunin also appears in the film!

4. The Film Itself Is Exceptionally Well Done

Some of the more basic aspects of Red Sparrow really pack a punch. Overall, it's got a really gritty vibe to it, kind of along the lines of The Girl With the Dragon Tattoo in terms of style. There's something striking about the graphic depiction of the more violent and sexual scenes. It creates a world where very bad things happen, no sugarcoating. Even down to the music and the cinematography, every component of the film seems to come together as one exceptional project.

Red Sparrow hits cinemas on March 1, 2018.

[wallpapernifty]

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The appearance charge go on and acknowledgment to the internet, the apple is a all-around stage. From live-streams of new plays, to Shakespearean classics, and from ball to tragedy, from avant-garde ball to Tchaikovsky’s Nutcracker and its abstract Sugar Plum admirable pas de deux, the apple of achievement arts is accessible to anybody via online viewing.

It’s a benefaction for arts aficionados either priced out from absolute concerts or physically clumsy to accomplish it to venues. For instance, London’s acclaimed Royal Opera Abode is now alive chargeless ballet and opera. The iconic area has advanced staged online some of the classical world’s admired works including Tchaikovsky’s Swan Lake and Mozart’s The Magic Flute. Interestingly, in accession to its basic performances, the Royal Opera Abode is additionally alms admirers behind-the-scenes looks abaft its bankrupt doors and agreeable adept classes that get beneath the bark of both ballet and opera.

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This is a battleground moment in the assuming arts signalling aloof how axiological the internet has become to our lives. For example, in the apple of ballet online alive and classes are accepting added traction. Its admired account because the amount of a ballet dancer’s activity is the circadian class.

TOPSHOT – British ballet ballerina Luke Francis, affiliate of Leipzig’s opera abode (Oper Leipzig) … [ ] practices during an online training affair at his rental apartment, area he stays bedfast due to the communicable of the atypical coronavirus on April 3, 2020 in Leipzig. – The gates of the Leipzig Opera accept been bankrupt for about three weeks due to the atypical candelabrum communicable – but the choir and instruments of the artists are far from silent. (Photo by Ronny Hartmann / AFP) (Photo by RONNY HARTMANN/AFP via Getty Images)

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A Dancer’s Day

Whether it’s a adolescent aloof starting out or a prima ballerina, a dancer’s day begins with pliés and tendus at the barre. With so abundant of the apple online it’s hardly hasty that dancers are application the internet to allotment circadian routines with the public, auspicious them to ball forth with the pros

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The English National Ballet, for instance, teamed up with acclaimed aesthetic administrator Tamara Rojo to accommodate online classes. Tiler Peck, the New York City Ballet principal, is alive a circadian chic on Instagram. Former Royal Ballet dancer, Claudia Dean, provides a YouTube approach of tips and tutorials for all levels of dancers to explore. Acclaimed Russian dancer, Andrey Klemm, has a YouTube approach which appearance him teaching Paris Opera Ballet brilliant Amandine Albisson.

The BBC has additionally created a belvedere that guides

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[sergeipoluninfans]

Dogwoof announces that the live film premiere of acclaimed documentary film DANCER will take place at the iconic London Palladium on Thursday 2nd March and will be broadcast into over 200 cinemas across the UK on the night. Audience members will be treated to a screening of the film followed by a breathtaking live performance of ‘Take Me To Church’ by ballet sensation and star of the film, Sergei Polunin. This will be the first time Polunin has performed the routine - which generated over 10 million YouTube views within two months of its release - live in front of a UK audience. Following the performance, Polunin will also take part in a Q&A about the film and his career. Tickets for London Palladium and over 200 cinemas go on sale on Friday 20 January!

[apocalypticmovierp]

Lea Seydoux, Adele Exarchopoulos, Eva Greene & Gemma Arterton Land New Roles

Another day, another slew of casting, with a few them involving some actresses who’ve stepped in and out of the world of James Bond.

The “Blue Is The Warmest Color” stars are getting busy. First up, Adèle Exarchopoulos is joining Chulpan Khamatova (“Good Bye Lenin!”) and dancers Oleg Ivenko and Sergei Polunin to star in Ralph Fiennes’ next directorial effort “The White Crow.” About famous Russian ballet dancer and choreographer Rudolf Nureyev, the drama charts the iconic dancer’s famed defection from the Soviet Union to the West in 1961, despite KGB efforts to stop him.

Continue reading Lea Seydoux, Adele Exarchopoulos, Eva Greene & Gemma Arterton Land New Roles at The Playlist.

want watch movies online from The Playlist http://ift.tt/2kmwkvT by via watch movies online via IFTTT

[kindahoping4forever]

I was about to go to bed when I checked IG and decided to read what he had to say. Daddy but Sergei Polunin. Ana but Baba Vangja (she was a famous clairvoyant around these parts) 🤡🤡🤡

😂😂😂 I HOWLED when I saw that name drop! Iconic of you tbh 😌

[danzadance]

Review 2019 - The Dance Year from Dance Europe on Vimeo.

A collage featuring some of the wonderful dancers and companies photographed by Dance Europe during the past 12 months.

Photographs: The Nutcracker, Mariinsky Ballet - Kimin Kim and Maria Khoreva; Le Parc ch: Angelin Preljocaj- Alessandra Ferri and Herman Cornejo; Beauty and The Beast ch: David Bintley, Birmingham Royal Ballet - Delia Mathews and Tyrone Singleton; Yaoqian Shang; Faun ch: Sidi Larbi Cherkaoui, Paris Opera - Juliette Hilaire and Marc Moreau; Les Noces ch: Pontus Lidberg, Paris Opera; Blue Moon ch: Aletta Collins, The Royal Ballet; Odissi Solo - Mavin Khoo; What is BirdGang? - BirdGang; Don Quixote pr: Carlos Acosta, The Royal Ballet - Marianela Nuñez; Swan Lake pr: Nureyev, Paris Opera - Germain Louvet and François Alu; Léonore Baulac and Germain Louvet; Bon Voyage, Bob... ch: Alan Lucien Øyen - Tanztheater Wuppertal Pina Bausch; Hotel - Cirque Éloize; Swan Lake, Dutch National Ballet - Maia Makhateli and Daniel Camargo; Le Reveil de Flore - Mariinsky Ballet; Frankenstein ch: Liam Scarlett, The Royal Ballet - Federico Bonelli and Wei Wang; Russian Ballet Icons Gala - Marcelino Sambé; Julian MacKay; Romeo and Juliet ch: MacMillan, The Royal Ballet - Lauren Cuthbertson; Victoria ch: Cathy Marston, Northern Ballet - Pippa Moore; Marguerite and Armand ch: Ashton, Mariinsky Ballet - Diana Vishneva and Xander Parish; Push Comes to Shove ch: Twyla Tharp, Mariinsky Ballet - Victor Caixeta; Canto de Ossanha ch: Joonhyuk, The Royal Ballet; Medusa ch: Sidi Larbi Cherkaoui - Natalia Osipova and Matthew Ball; Don Quixote, Mariinsky Ballet - Elena Yevseyeva and Victor Caixeta; Maria Khoreva; Mayerling ch: MacMillan, Stuttgart Ballet - Friedemann Vogel; Giselle, Abay Kazakh Ballet; The Birds ch: MacMillan, Central School of Ballet; My First Ballet: Sleeping Beauty, English National Ballet School; The Great Gatsby ch: David Nixon - Kevin Poeung and Ashley Dixon; Mayerling ch: MacMillan - Marcia Haydée and Egon Madsen; The Two Pigeons, Paris Opera Ballet School; Dracula ch: David Nixon - Javier Torres and Antoinette Brooks-Daw; The Sleeping Beauty, Mariinsky Ballet - Xander Parish; YAGP New York, Grand Prix recipient - Gabriel Figueredo; Hummingbird ch: Liam Scarlett - San Francisco Ballet; Cinderella ch: Christopher Wheeldon - Emma Hawes and Katja Khaniukova; Alina Cojocaru and Isaac Hernández; Birthday Offering ch: Ashton, The Royal Ballet - Fumi Kaneko; Coppélia ch: de Valois, The Royal Ballet - Gary Avis; YAGP Paris, Grand Prix recipient António Casalinho; Don Quixote, Mariinsky Ballet, Chloë Réveillon; Dracula ch: David Nixon, Northern Ballet - Kevin Poeung and Joseph Taylor; Paquita, Dutch National Ballet Academy - Emma Mardegan and Philippe Magdelijns; The Nutcracker, English National Ballet - Matthew Astley; The Firebird, The Royal Ballet - Yasmine Naghdi; Raymonda, pr: Nureyev, Paris Opera - Dorothée Gilbert and Hugo Marchand; Giselle, Birmingham Royal Ballet - Momoko Hirata and Cesar Morales; Giselle, Mariinsky Ballet - May Nagahisa; Dada Masilo’s Giselle; Legend of Love, The Mariinsky Ballet - May Nagahisa and Timur Askerov; Manon ch: MacMillan, The Royal Ballet - Francesca Hayward; Cinderella, Christopher Wheeldon, English National Ballet - Shale Wagman; Rasputin, Polunin Ink - Sergei Polunin and Johan Kobborg; Raymonda, The Royal Ballet - Vadim Muntagirov; Powerhouse Rhumba ch: David Nixon - Abigail Prudames and Joseph Taylor; Bespoke ch: Stanton Welch, San Francisco Ballet - Angelo Greco; Spartacus ch: Grigorovich, Bolshoi Ballet - Anastasia Denisova and Denis Rodkin; A Month in the Country ch: Ashton, The Royal Ballet - Vadim Muntagirov; Swan Lake, Mariinsky Ballet - Oxana Skorik and Xander Parish; Boléro ch: Mats Ek, Paris Opera - Niklas Ek; The Red Shoes ch: Matthew Bourne, New Adventures - Ashley Shaw and Adam Cooper; Cinderella ch: David Nixon, Northern Ballet - Ashley Dixon. © Emma Kauldhar 2019.

Photos of The Royal Ballet courtesy of the Royal Opera House.

Curtain Calls Dutch National Ballet, Gala, National Opera and Ballet, Amsterdam

Mariinsky Ballet, Don Quixote, Mariinsky Theatre, St Petersburg

Abay Kazakh Ballet, Rediscovering Bach/Boléro, Almaty

Paris Opera, Raymonda, Opera Bastille, Paris

Bolshoi Ballet, Don Quixote, Royal Opera House, London

Mariinsky Ballet, The Nutcracker and Marguerite and Armand Mariinsky Theatre, St Petersburg

Music - ‘An Orchestra’ licensed by Envato

[informer82]

Titel: Review 2019 - The Dance Year Text: A photographic collage recalling some of the wonderful dancers and ballets photographed by Dance Europe during the last 12 months. Photographs: The Nutcracker, Mariinsky Ballet - Kimin Kim and Maria Khoreva; Le Parc ch: Angelin Preljocaj- Alessandra Ferri and Herman Cornejo; Beauty and The Beast ch: David Bintley, Birmingham Royal Ballet - Delia Mathews and Tyrone Singleton; Yaoqian Shang; Faun ch: Sidi Larbi Cherkaoui, Paris Opera - Juliette Hilaire and Marc Moreau; Les Noces ch: Pontus Lidberg, Paris Opera; Blue Moon ch: Aletta Collins, The Royal Ballet; Odissi Solo - Mavin Khoo; What is BirdGang? - BirdGang; Don Quixote pr: Carlos Acosta, The Royal Ballet - Marianela Nuñez; Swan Lake pr: Nureyev, Paris Opera - Germain Louvet and François Alu; Léonore Baulac and Germain Louvet; Bon Voyage, Bob... ch: Alan Lucien Øyen - Tanztheater Wuppertal Pina Bausch; Hotel - Cirque Éloize; Swan Lake, Dutch National Ballet - Maia Makhateli and Daniel Camargo; Le Reveil de Flore - Mariinsky Ballet; Frankenstein ch: Liam Scarlett, The Royal Ballet - Federico Bonelli and Wei Wang; Russian Ballet Icons Gala - Marcelino Sambé; Julian MacKay; Romeo and Juliet ch: MacMillan, The Royal Ballet - Lauren Cuthbertson; Victoria ch: Cathy Marston, Northern Ballet - Pippa Moore; Marguerite and Armand ch: Ashton, Mariinsky Ballet - Diana Vishneva and Xander Parish; Push Comes to Shove ch: Twyla Tharp, Mariinsky Ballet - Victor Caixeta; Canto de Ossanha ch: Joonhyuk, The Royal Ballet; Medusa ch: Sidi Larbi Cherkaoui - Natalia Osipova and Matthew Ball; Don Quixote, Mariinsky Ballet - Elena Yevseyeva and Victor Caixeta; Maria Khoreva; Mayerling ch: MacMillan, Stuttgart Ballet - Friedemann Vogel; Giselle, Abay Kazakh Ballet; The Birds ch: MacMillan, Central School of Ballet; My First Ballet: Sleeping Beauty, English National Ballet School; The Great Gatsby ch: David Nixon - Kevin Poeung and Ashley Dixon; Mayerling ch: MacMillan - Marcia Haydée and Egon Madsen; The Two Pigeons, Paris Opera Ballet School; Dracula ch: David Nixon - Javier Torres and Antoinette Brooks-Daw; The Sleeping Beauty, Mariinsky Ballet - Xander Parish; YAGP New York, Grand Prix recipient - Gabriel Figueredo; Hummingbird ch: Liam Scarlett - San Francisco Ballet; Cinderella ch: Christopher Wheeldon - Emma Hawes and Katja Khaniukova; Alina Cojocaru and Isaac Hernández; Birthday Offering ch: Ashton, The Royal Ballet - Fumi Kaneko; Coppélia ch: de Valois, The Royal Ballet - Gary Avis; YAGP Paris, Grand Prix recipient António Casalinho; Don Quixote, Mariinsky Ballet, Chloë Réveillon; Dracula ch: David Nixon, Northern Ballet - Kevin Poeung and Joseph Taylor; Paquita, Dutch National Ballet Academy - Emma Mardegan and Philippe Magdelijns; The Nutcracker, English National Ballet - Matthew Astley; The Firebird, The Royal Ballet - Yasmine Naghdi; Raymonda, pr: Nureyev, Paris Opera - Dorothée Gilbert and Hugo Marchand; Giselle, Birmingham Royal Ballet - Momoko Hirata and Cesar Morales; Giselle, Mariinsky Ballet - May Nagahisa; Dada Masilo’s Giselle; Legend of Love, The Mariinsky Ballet - May Nagahisa and Timur Askerov; Manon ch: MacMillan, The Royal Ballet - Francesca Hayward; Cinderella, Christopher Wheeldon, English National Ballet - Shale Wagman; Rasputin, Polunin Ink - Sergei Polunin and Johan Kobborg; Raymonda, The Royal Ballet - Vadim Muntagirov; Powerhouse Rhumba ch: David Nixon - Abigail Prudames and Joseph Taylor; Bespoke ch: Stanton Welch, San Francisco Ballet - Angelo Greco; Spartacus ch: Grigorovich, Bolshoi Ballet - Anastasia Denisova and Denis Rodkin; A Month in the Country ch: Ashton, The Royal Ballet - Vadim Muntagirov; Swan Lake, Mariinsky Ballet - Oxana Skorik and Xander Parish; Boléro ch: Mats Ek, Paris Opera - Niklas Ek; The Red Shoes ch: Matthew Bourne, New Adventures - Ashley Shaw and Adam Cooper; Cinderella ch: David Nixon, Northern Ballet - Ashley Dixon. © Emma Kauldhar 2019. Photos of The Royal Ballet courtesy of the Royal Opera House. Curtain Calls Dutch National Ballet, Gala, National Opera and Ballet, Amsterdam Mariinsky Ballet, Don Quixote, Mariinsky Theatre, St Petersburg Abay Kazakh Ballet, Rediscovering Bach/Boléro, Almaty Paris Opera, Raymonda, Opera Bastille, Paris Bolshoi Ballet, Don Quixote, Royal Opera House, London Mariinsky Ballet, The Nutcracker and Marguerite and Armand Mariinsky Theatre, St Petersburg Music - ‘An Orchestra’ licensed by Envato, Hochgeladen von: Dance Europe, https://ift.tt/35dstrR

[gessvhowarth]

What Are The Best Dance Shows In London This Spring?

While the spring season may seem less razzle-dazzle compared to last winter's big hitters (a la Matthew Bourne’s The Red Shoes or Akram Khan’s Giselle), don’t be April-fooled. There's still a wealth of gems up the city's dance sleeves. In this case: a few seasoned favourites, along with a host of inventive (and topical) premieres. Here's a few of our top picks.   Ballet on a bigger scale Marina Minguez as the Fairy Godmother in My First Ballet: Cinderella. Photo by Ash. Look out for Kenneth Macmillan’s devastatingly dark Mayerling at the ROH, based on the true story of the mysterious double death of Crown Prince Rudolf of Austria-Hungary and the 17 year-old Mary Vetsera in 1889. The genius of Macmillan's choreography lies in its ability to convincingly present lead character Rudolf with apprehension and discomfort. Listen out for music by prolific Hungarian composer Franz Liszt (Years of Pilgrimage). SS Publicised as the first ever abstract three-act ballet, George Balanchine’s 1967 creation Jewels also returns to ROH. Emeralds features art nouveau lampshades set to music by Gabriel Fauré; while Rubies utilises a jazzy Stravinsky score and a rich set. Diamonds dresses the dancers in white, and employs Tchaikovsky's Polish Symphony No. 3. SS The English National Ballet School heads to the Peacock Theatre for its sixth year with My First Ballet: Cinderella, enabling children as young as three to experience a classic ballet production. This reimagining of the popular fairy tale promises all the delicate steps and ravishing costumes of the traditional ballet, with the addition of a narrator and an adapted musical score allowing little ones to follow the proceedings. PE Jewels (Royal Ballet): Royal Opera House, 1-21 April 2017. Tickets: £4-£100 My First Ballet: Cinderella (English National Ballet and English National Ballet School), The Peacock, 11-22 April, Tickets £10-£25 Mayerling (Royal Ballet): Royal Opera House, 28 April-13 May 2017. Tickets: £4-£100. Mixed bills Pina Bausch's Le Sacre Du Printemps. Photo By Ulli Weiss. Not seen in the UK since 2008, Pina Bausch's iconic Rite of Spring (Le Sacre Du Printemps) is performed with a live Stravinsky accompaniment by the English National Ballet Philharmonic. William Forsythe and Hans van Manen also add to this hotly-anticipated triple bill, putting a spotlight on Tamara Rojo's English National Ballet this season. LS Considered by some as "the world's most popular living dance maker", Matthew Bourne takes audiences on a set of entertaining New Adventures this April at Sadler's Wells in celebration of his company's 30th anniversary. From a tour of Gay Paree in The Infernal Gallop to post-war vignettes featuring pas de deuxs and pastoral clog-dances in Town and Country, Bourne gives audiences a taster of his earlier works, and a clear reminder of his raw talent. The ROH showcases two new mixed bills that are not to be overlooked. One contains the first revival of David Dawson's The Human Seasons, Christopher Wheeldon's After the Rain of 2005 and a piece by Crystal Pite that is so new it doesn’t even have a name yet.  SS The other features the first revival of Christopher Wheeldon's Strapless; The Vertiginous Thrill of Exactitude, a classic work by modern master William Forsythe (that has not been seen at the Royal Ballet for nearly 15 years); George Balanchine’s Tarantella and a new work by Liam Scarlett set to Sergei Rachmaninov's brilliant Symphonic Dances. SS Ballet Black's Triple Bill — first presented at Barbican in spring 2016 — delighted a new generation of dance fans with an uncharted bold style of choreography. Artistic director Cassa Pancho commissions the triple bill once more, blending international dancers of black and Asian descent with edgy pieces from the likes of celebrated British choreographer Michael Corder and South Bank Award winner Annabelle Lopez Ochoa (who gives Red Riding Hood a surprising twist). Barbican also brings Julie Cunningham — whose performances with Michael Clark Company have won her a Critics' Circle Award — back for a double bill that utilises dance and spoken word to explore gender and identity. Expect a hip hop-influenced reworking of an ancient Greek myth and tracks by Anohni (Antony and the Johnsons) offering a contrast in the artist's dynamic approach. Julie Cunningham & Company with Julie Cunningham, Alex Williams, Hannah Burfield and Harry Alexander. Photo by Stephen Wright. Ballet Black Triple Bill (Cassa Pancho): Barbican, 2-4 March, Tickets: £16-£30 Julie Cunningham and Company - Double Bill (Julie Cunningham Company): Barbican, 8-11 March, Tickets: £18  The Human Seasons / After the Rain / New Crystal Pite (Royal Ballet): Royal Opera House, 16 – 24 March 2017. Tickets: £3-£50. Pina Bausch/ William Forsythe / Hans van Manen (English National Ballet): Sadler's Wells, 23 March-1 April 2017. Tickets: £12-£55. New Adventures (Matthew Bourne) Sadler's Wells, 3 April-8 April 2017. Tickets: £12-£45. The Vertiginous Thrill of Exactitude / Tarantella / Strapless / Symphonic Dances (Royal Ballet): Royal Opera House, 18-31 May. Tickets: £3-£100. Dance with a twist Wayne McGregor's Tree of Codes. Photo by Joel Chester Fildes. Inspired by Jonathan Safran Foer's book of the same name, Sadler's Wells associate artist Wayne McGregor's Tree of Codes comes to London following critical acclaim at last year's Manchester International Festival. The cast includes soloists and dancers from The Paris Opera Ballet and Company Wayne McGregor, with sets by Olafur Eliasson (think back to "that sun" at Tate Modern in 2003), and a score by Mercury Prize-winning Jamie xx. Ex-Royal Ballet prodigy Sergei Polunin brings Project Polunin to Sadler's Wells, where he aims to create new dance works through the collaboration of artists, musicians and choreographers for both stage and film. This triple bill includes the world premiere of Narcissus and Echo, a piece co-created by Polunin in collaboration with composer Ilan Eshkeri, who wrote the music for Polunin's biographical film Dancer, and photographer and artist David LaChapelle. A re-enactment of Casanova is brought to the stage by Northern Ballet — who in February won Best Classical Choreography at the National Dance Awards for their version of 1984. Don't miss a sultry, custom score from film composer Kerry Muzzey, played live by Northern Ballet Sinfonia, and designs from the Tony and Olivier award-winning Christopher Oram. Prepare yourselves for a fresh take on 18th century seduction. It wouldn't be a dance season without Akram Khan. In a much anticipated return to Sadler's Wells, the artist performs in his tale of home and heritage — Desh — which first opened in 2011 to great praise. Stories spanning both Britain and Bangladesh (the homeplace of his parents) are brought to life by Oscar-winning visual artist Tim Yip, Olivier Award-winning composer Jocelyn Pook, writer and poet Karthika Naïr and slam poet PolarBear. Akram Khan in Desh. Photo by Richard Haughton. Tree of Codes (The Paris Opera Ballet, Company Wayne McGregor): Sadler’s Wells, 4-11 March, Tickets: £12-£45 (look out for dates, most shows sold out). Project Polunin: Sadler's Wells, 14-18 March, Tickets: £12-£60 (look out for dates, most shows sold out). Dancer (featuring Sergei Polunin): in UK cinemas Thursday March 2 (with an exclusive satellite Q&A March 2). Casanova (Northern Ballet): Sadler's Wells, 9-13 May, Tickets: £12-£45 Desh (Akram Khan): Sadler’s Wells, 31 May - 3 June, Tickets: £12-£45 Making a statement Darren Johnston's Zero Point. Photo by Darren Johnston. Avant-garde artist Boris Charmatz allures audiences with an after-dark, off-site dance experience — danse de nuit — whereby six dancers move by "a palpable sense of urgency", taking into consideration events such as the 2015 Paris terrorist attacks, where people operate within a probable sense of danger. Stirring duo Project O revisit how dance can explore, heal and challenge the violence and oppression that haunts our society in Voodoo (presented at Sadler's Wells as a two hour spectacle with four back-to-back showings). Experience two women's attempt at tapping into their individual and collective power, and communicating with the past, present and future.   Barbican gets eclectic, or perhaps electric, with Darren Johnston's Zero Point that fuses digital imagery with meditative choreography. Hypnotic light and video projections promise to fill the stage-space, along with an ensemble of Japanese dancers. Canadian composer and pioneer of experimental electronic music Tim Hecker provides an additional energy to power the piece. The Place takes on Rosalind in a collaboration with Korean dancers and artists. Spearheaded by James Cousins, who in 2012 won the New Adventures Choreographer Award selected by Matthew Bourne, the show (as part of The Place's explosive dance season) tells the story of one woman's pursuit of enlightenment via the wondrous nights of a big city. Cousins prods audiences with the question, "Do women still need to take on stereotypical masculinity in order to find equality in our modern world’? Rosalind (James Cousins Company): The Place, 15-18 March, Tickets: £12-£18 Voodoo (Project O): Sadler's Wells Lilian Baylis Studio, 12 May, Tickets: £17 danse de nuit (Boris Charmatz): Sadler's Wells off-site location, 17-20 May, Tickets: £20 (£15 concessions)   Zero Point (Darren Johnston): Barbican, 25-27 May, Tickets: £16-£30 Additional writing contributions from Sam Smith (SS), Lise Smith (LS) and Phillipa Ellis (PE).

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