#icons zulu

[blackstarlineage]

The Hypocrisy of Fake Love for Black Revolutionaries: A Garveyite Perspective on the Betrayal of Our Icons, Leaders, and Ancestors

From a Garveyite perspective, one of the most dangerous betrayals in the Black community is the false admiration for Black revolutionaries, icons, and ancestors. Many Black people praise these figures publicly but refuse to embody their teachings, sacrifice for the movement, or apply their wisdom in daily life.

Marcus Garvey himself experienced this hypocrisy: he was celebrated by millions but was ultimately betrayed by his own people, leading to his persecution, imprisonment, and the destruction of the Universal Negro Improvement Association (UNIA).

This false love for Black revolutionaries is a form of empty hero worship—where Black people:

Wear the names of Black leaders on their clothes but refuse to carry their ideologies in their hearts.

Quote Malcolm X, Assata Shakur, and Garvey but live according to white capitalist values.

Praise the ancestors but continue the same behaviours that kept Black people in chains.

This analysis will explore:

How Black revolutionaries are romanticized but ignored in practice.

The betrayal of Black leaders in their own lifetimes.

How the system benefits from keeping Black leaders as symbols rather than applying their teachings.

The failures of modern Black movements to truly follow Garveyite principles.

How we must break the cycle and truly honour our icons with action, not just words.

1. The Romanticization of Black Leaders While Ignoring Their Teachings

Many Black revolutionaries are treated like celebrities rather than serious leaders.

A. Turning Black Leaders into Symbols Instead of Following Their Actions

People wear Malcolm X shirts but still believe in integration and white validation.

They post Garvey quotes online but refuse to build Black-owned businesses or invest in Pan-African economic power.

They celebrate Dr. King but ignore his late-stage radicalism against capitalism and imperialism.

Example: Malcolm X rejected integration and white liberals, yet today, many of the people who claim to admire him fight for assimilation into white institutions instead of Black independence.

B. The Empty Worship of Black Ancestors Without Change in Behavior

Many Black people claim to honor the ancestors, but still:

Use their resources to enrich non-Black communities.

Reject African traditions and spirituality in favour of white religions.

Teach their children Eurocentric values instead of Pan-African principles.

Example: The same Black people who praise Queen Nzinga and Shaka Zulu will still vote for anti-Black politicians, neglect Black-owned businesses, and refuse to defend their own communities.

Key Takeaway: Garveyism teaches that honouring our icons means CONTINUING their work—not just admiring them from a distance.

2. The Betrayal of Black Revolutionaries in Their Own Lifetimes

Throughout history, many of the same Black leaders we celebrate today were rejected, attacked, or betrayed by their own people when they were alive.

A. How Marcus Garvey Was Betrayed

Garvey built the largest Black movement in history, but many of his own people helped destroy him.

W.E.B. Du Bois and the NAACP opposed him and worked with the U.S. government to undermine the UNIA.

Many Black elites and integrationists mocked his call for African self-rule and repatriation.

Example: When Garvey was arrested on fraudulent charges, some Black leaders celebrated his downfall, showing their loyalty to white power structures over Black independence.

B. Malcolm X and the Nation of Islam Betrayal

Malcolm X risked his life for Black people, but when he started exposing the weaknesses of the Nation of Islam, he was abandoned and ultimately assassinated.

Many of his former supporters refused to stand with him when he needed protection the most.

Example: After Malcolm X was killed, Black people mourned him—but where were those same people when he was alive and fighting alone?

Key Takeaway: Too many Black people only recognize greatness AFTER a leader has died—but real support means standing with them while they are alive and fighting.

3. The System Benefits from Keeping Black Leaders as Symbols, Not Teachers

The white power structure wants Black leaders to be icons, not active ideologies. They understand that:

A dead revolutionary is harmless; a living one is dangerous.

A Garvey shirt is acceptable; a Garveyite movement is not.

Dr. King’s “I Have a Dream” speech is promoted; his speeches about fighting capitalism and imperialism are ignored.

Example: The U.S. watered down Dr. King’s radicalism and now uses him as a symbol of “peace” rather than a fighter against white supremacy and economic exploitation.

Key Takeaway: The system promotes a version of Black history that is safe and non-threatening—true Garveyites must reject this watered-down history and embrace the full revolutionary teachings of our leaders.

4. The Failure of Modern Black Movements to Apply Garveyite Principles

Many modern Black movements:

Focus more on representation in white spaces rather than building independent Black power.

Seek validation from white liberals rather than unifying with Africa and the global Black world.

Celebrate Black icons without practicing self-reliance, cooperative economics, or Pan-Africanism.

Example: Some modern Black activists claim to admire Garvey but spend more time appealing to white-owned corporations for funding than building their own economic power structures.

Key Takeaway: Black liberation can not come through white money, white validation, or white institutions. Garveyism teaches that true power comes from self-reliance and unity among Black people worldwide.

5. How We Must Break the Cycle: Honouring Black Icons Through Action

To TRULY honor our ancestors and revolutionaries, we must:

Practice Pan-Africanism – Work with Black people globally, not just within colonial borders.

Build and support Black-owned businesses – Keep wealth circulating within Black communities.

Teach Black children about REAL Black history – Not the whitewashed version.

Protect Black revolutionaries while they are alive – Not just mourn them after they die.

Reject the trap of white validation – Stop seeking approval from the same system that destroyed our leaders.

Final Takeaway: Garvey warned us: Black people must stop being spectators in their own liberation. If you love our leaders, SHOW IT by continuing their work—not just praising their names.

Conclusion: Time to Put Respect in Action, Not Just Words

If Black people TRULY loved Garvey, Malcolm X, Assata Shakur, and our ancestors:

We wouldn’t be begging for acceptance from white society.

We wouldn’t be spending trillions on white businesses while Black communities remain poor.

We wouldn’t be waiting for white governments to save us instead of uniting with Africa.

True love for Black revolutionaries means:

Practising their teachings.

Building the systems they fought for.

Sacrificing for the future of Black liberation.

As Garvey said:

"We must canonize our own saints, create our own heroes, and elevate our own history."

Words are not enough. The time for REAL action is NOW.

[ptseti]

Typical African on Twitter

@Joe__Bassey

THE AFRICAN ORIGIN OF BRAIDING The origin of braids can be traced back 5000 years in African culture to 3500 BC—they were very popular among women. Braiding started in Africa with the Himba people of Namibia. The country’s Mbalantu ethnicity uses eembuvi braids as an initiation into womanhood – our first examples of single braids or “box braids". In Angola, among certain tribes, hair grooming was an activity trusted only by other family members — something that women were taught at a young age and encouraged to participate in throughout their lives to promote womanhood. The origins of the ever-popular Bantu Knots have been traced to the Bantu people who exist across central and Southern Africa. “South Africa’s “Zulu Knots” are said to be the original manifestation of the style, and South Africa is also credited for the invention of “Box braids”, with evidence of the style being traced back to 3500 BCE. Braiding’s roots in East Africa have been traced back to 3500 BC, with cornrows (called Kolese braids in Yoruba) maintaining the top spot in popularity for just as long. Historically, Somali women have been recorded donning long, small braids when approaching puberty. Ethiopia has maintained an admirably close relationship with its traditional forms of braiding. In the Southwestern Omo Valley, the Hamar people have perfected their hairstyles as a means to dictate male worth and female marital status. The importance of braids in communicating identity is a rich part of Uganda’s history, too. In Kenya, the Maasi and Kikuyu tribes have donned their famed matted braids, intricate beading, and gold detailings ever since. West Africa boasts an abundance of hair braiding styles, many of which have influenced global African culture and trends for decades. The Fula people, whose 30 million strong population exists across West Africa, gifted the world with Fulani braids. In Ghana, the iconic Banana or Ghana braids have gained favor for their easy application, upkeep, and excellence in providing protection to natural Black hair. The first examples of this way of braiding are traced back to hieroglyphics and sculptures found around 500 BC. Similarly, Nigeria’s rich history of braiding can be traced back to a clay sculpture dated to 500 BCE depicting a cornrowed member of the Nok tribe. Mali's Dogon people has various spiritual idols depicting cornrowed spiritual leaders, and the retained tradition of The Dama dance have allowed us the privilege of understanding the bewildering society that contributed to our understanding of our universe. In Sierra Leone, Mende people's hair is closely tied to femininity and is juxtaposed with the way forests grow out of the Earth – the vegetation covering Mother Earth grows skyward the way Afro-textured hair grows out of the head. Senegal’s Senegalese Twists or “Rao” as they’re known locally came in vogue as an alternative means of creating individual, long braids – if locs or “box braids” aren’t your style. Gambian warriors were known to march off to war with tightly coiled braids, too. The Mangbetu people of the Democratic Republic of Congo, known for their practice of wrapping their skulls into a cone shape from infancy, locally referred to as “Lipombo, ” the elongated heads were then adorned with braids plaited into a crowned, basket shape called edamburu. Cameroon’s bountiful Fulani community has kept many of their hair traditions well and alive, while the region’s Bantu population participated in the popularity of the now-famed ‘Bantu knots’. In Chad, women of the Basara ethnicity are known for their thick, long, luscious hair – often plaited into waist-long individual braids. In Kemet around 1600 BCE, hair braiding amongst women of royalty, nobility, and concubines was adorned with gold, beads, and perfumed grease, while common folk kept to simpler styles necessary to get work done. #Africa

[margaretkart]

Hiya! 🌟Anon back again! Just wanted to come in and let you know my dad knows he was called an icon. (I did have to explain to him what that meant, I told him it meant that he was very correct in a cool way.) We got to talking about it in his truck about all these Greek myth retellings, he said he absolutely refuses to watch Kaos because even the trailer looks stupid, so then we got onto the racebending in all these movies, and the lack of actual Greek actors to play these Greek characters. And then he gave this great idea.

Dad: You know, I wanna create a movie on Shaka Zulu. But for all the Africans I'll cast them as Japanese and Chinese actors, and all the British will be played by goats. So that way Hollywood can see how ridiculous this whole racebending thing is.

Our discussion concluded with the fact that Hollywood loves to pretend that they're progressive by having people of color, but love to ignore mythologies and historical events from parts of the world that aren't in Europe and instead cast people of color to play what's supposed to be white people instead of giving them their own characters or almost forgotten historical people of color to aspire from.

Exactly 💯 your dad is an icon for this honesty i would pay to see his movie even.

That's the weird thing not many discuss. Hollywood pretends to make diverse movies. But the truth is they are so greedy they stopped caring ages ago about cultural diversity. And people point fingers on people especially Greeks for EVEN DARING complaining about series that mock the culture.

Defending a greedy corporation is ridiculous 😅

So i recommend you watching a great greek mythology adaptation made by Greeks and it's Iphigenia (1977).

[elysefz]

HSHQTASK059: FAREWELL !

when did you join ? what made you join ? what do you remember from the plotlines that were current at the time ? where were you in life when you joined and where are you now ?

i was in college! april 2018. but i was looking for something new to join. i liked the political aspect of the rp, it was still a pairs rp with the alliance system that seemed fun. i was in the middle of my political science major so i liked the idea of using what i was learning. also the main was very pretty. a lot of it was new to me, that's when we were all using icons and i didn't know what the heck small text was.

which characters have you written over the years ?

oh no, let's see: elyse, aslan, michael, daisuke, roxanna, stella, rebeka (i think was her name??) (stella part 1 kinda), ester (remember the pons?), domas (daisuke part 1 lbr), there was a daniel bruhl fc early on rip to him, ming fa (jianguo part 1), jianguo (my sweet boy, i did you dirty), queen of nambia i don't remember your name but you were fun, duchess of brittany i think?

what is your favourite plotline that you've been part of ?

andorra! also layslan my beloved.

what about other people's plotlines ?

the russian plots were always super sexy and the zulus were so good. also england. just all of it.

who is your favourite character from the ones you've played ? why ? what made you love them ? what made them so fun to write ?

elyse, my little nightmare. she grew up with me it feels like. i was studying nationalism and populism in my undergrad degree and i wanted to play with those styles of politics. she's so screwed up but i love her. her insecurity and the way that makes her clings to her choices, even when they are clearly bad. i think we all do that sometimes, we fear something and the create the situation that we fear. honorable mention to my baby michael and my favorite villain domas/daisuke who would just plan fun.

if you could relive a plotline, which would it be ?

i wish i could live in farnauld forever. novel version when?

is there a plotline that you'd edit now if you could ?

probably my early ones, like early prussia. i learned so much in this half decade about writing, storytelling, and working in a group. i am entirely grateful to all of you for teaching me with kindness and love.

what's a plotline you wish you would have been able to finish before closing or just write more of ?

i'm not going to lie, i've had kalyse on my mind recently. but we had a whole thing with michael planned out and northern ireland which would have been fun. and we had some stuff planned for daisuke too that would have been interesting. also, if we had done it, you would have screamed at the mexico/cuba plot

what is your favourite ooc memory ?

all of them but hshqmas is always a delight. also all the april fools admin announcements which got me every year and now this *weeps*

where can others find you if they want to get in touch ?

i'm on discord as ladyjane and my rph is @abbydoesrph. maybe i'll up a 1x1 someday. idk hmu.

what else would you like to say ?

i'm not going to say everything i want to say because i'm in my feelings. i feel like i grew up in hshq; as a person and as a writer. i've joined and left a lot of groups in this time but i always come back here. come home. i want to say thank you. and thank you for your patience and communication and still loving me when i know i screwed up. i can only hope i've left you with as many good feelings as you all have left me with. and thank you in particular to the admins for your care, attention, and dedication to the group. honestly, you're outstanding. i wish i had bosses who would asked for and provided feedback as well you three. all of my love, and i mean all of it, to hshq. xoxo.

[mikeforest21]

Iz'Angel – The Rave Legend Behind Africa's New Electronic Music Revolution

When you think of the UK rave scene in the '90s and early 2000s, one name that echoes through the underground halls and bass-heavy dance floors is Iz’Angel. Known for his bold, boundary-breaking events and a near-mythical presence in London and Ibiza's nightlife, Iz’Angel is no stranger to changing the game. And now, he's doing it again—but this time, the revolution is African.

Welcome to African Jahva, the futuristic fusion genre redefining the global sound of electronic dance music.

From London Basements to Global Stages

Iz’Angel was born into the fire of the UK’s underground rave explosion. He was more than a DJ or promoter; he was a visionary architect of spaces where music, people, and culture collided. From Electrybe to Lazerdrome, Raw Club to the iconic London Astoria, Iz'Angel was behind some of the most unforgettable nights in rave history. His reputation earned him a passport to the global scene, especially the hedonistic heart of dance music—Ibiza.

In Ibiza, he curated wild nights at clubs like Es Paradis, Pacha, Space, and Privilege, pulling in thousands of partygoers. He even ran epic events at Kaos, now known as Eden, before founding one of the most legendary venues in East London: LOVE, a 24-hour rave club in Shoreditch.

LOVE was notorious for its gritty glamour and iconic after-parties like Trailer Trash and

Babushka by Pushca. Even after an infamous police raid shut it down, Iz'Angel relocated the movement to Hamburg's Reeperbahn, then eventually back to Ibiza and onward to Miami, keeping the rave fire alive across continents.

His revolutionary journey through the electronic music world was immortalized in the cult book "Rave Story", a must-read for anyone serious about the history of dance culture.

A New Chapter: African Jahva is the African RAVE SCENE!

Now, Iz’Angel has turned his energy and genius to the continent where rhythm was born.

African Jahva is his brainchild—a genre that fuses Afro House, techno, electronica, and

traditional African languages into one hypnotic, high-energy experience.

This isn’t just a sound. It’s a cultural awakening. African Jahva blends ancient African voices with futuristic beats, creating a genre that pays homage to the past while launching into the future. It embodies Afrofuturism, Pan-African pride, and a universal message of peacehttps://youtu.be/JIkasjddNaQ?si=ZzTv4Z-mhObvBEDC

Iz'Angel the Cultural Curator

Iz'Angel isn’t just remixing African music. He’s curating an entirely new global identity for it.

Songs in Akan, Amharic, Fula, Hausa, Igbo, Luganda, Mandinka, Swahili, Yoruba, and Zulu can be heard pulsing through his tracks. Each beat tells a story. Each language reclaims its power.

The genre has already taken off on platforms like TikTok and YouTube, with viral dance challenges and an ever-growing community of DJs and fans. Through African Jahva Radio, Iz'Angel is connecting 50 African DJs across 12 countries, each producing half-hour mixes featuring five African Jahva tracks. It's a sonic revolution sweeping the continent—and now the world.

Perfect Timing!

In a time when global music often overlooks Africa’s deeper cultural reservoirs, Iz’Angel is spotlighting them with flair, respect, and innovation. He’s not appropriating; he’s amplifying. And he’s doing it with the passion of someone who’s been part of music history from the start.

For anyone who lived through the golden age of UK raves, Iz’Angel is already a legend. For today’s generation discovering him through African Jahva, he's a revolutionary force blending two worlds into one unforgettable sound.

Join the Movement

Whether you’re a fan of electronic music, a lover of African culture, or someone looking to be part of the next big thing in global sound, Iz’Angel and African Jahva invite you to dance, connect, and transform.

Follow the movement. Subscribe to the YouTube channel. Feel the vibe.

Because the future of global dance music? It’s African. And it sounds like Jahva.

Subscribe now: https://www.youtube.com/channel/UCoy9Gf98KkVEKBjRVpOSgYw

#AfricanJahva #IzAngel #UKRaveScene #IbizaNightlife #Afrofuturism

[velvetwarfare]

I ain’t even gonna limit one 💖 per person so y’all just gonna hear me gush about my mutuals in one post

💖 - @vehxmence first off Zulu gives 0 fucks and is so unbothered by drama I WANT TO BE THAT. If you’re looking for someone w no sugar coating and a frying pan to the face w blunt honesty, it’s Zulu. And god am I SO grateful for that. Vibes are immaculate too, art is immaculate. Mwah. She got me through a rough patch and I’m eternally in debt honestly I love her sm…..write w me.

💖 - @skxrbrand I know I’m fucking awful and fell off the warhammer boat but I still love seeing Jax’s posts in my dash tbh I will never tire of the shenanigans w Skar. Jax taught me how to get by on Tumblr and took part in a BIG portion of Betty’s backstory w Heliinx and Skaven shit in general. Like, without Jax, Betty wouldn’t have been this interesting and this entirely mad BFGVXBDV thank you for traumatizing her it’s for great character development LMAOOO

💖 - @moonlightsdew Zero get over here so I can love on you. Art? Mwah. Writing? Mwah. Vibes? MWAH. I adore writing with you so much I just RRRRR every time you reply I fucking LAUNCH myself at my phone like YES MORE DRAMA MORE ANGST MORE FLUFF MORE ENTIRELY FUCKED UP PLOTS. That new AU you created? Amazing. I’m hooked. Ily.

💖 - @mothvalentino ughhhhHHHH YOUR VAAAAAAL. I already went off about your portrayal but I’m doing it again honestly LMAO thank you for letting me express Betty’s backstory and not running away because it’s a LOT to unpack but I’ve been thoroughly enjoying our threads 🖤 I also love the backstory you’ve given Val too, it’s interesting to see their similarities and differences and how what was once an entirely uncared for business deal became unlikely friendship in the end. that’s the GOOD SHIT I’m so excited to explore more of them

💖 - @hclluvahctel you deal w my jumble of ramblings and random ideas and I fuck w that so hard because you don’t tell me to shut up and seem to actually enjoy them so thank you GFHDBDGF I love the Candle and Adam interactions, I love little Avalon sm, I love that it was you that inspired her fallen verse to begin with weeps your icons are also v aesthetically pleasing to look at

💖 - @infernal-feminae fucking BETTY AND ROSIE MAN. PAIN. LOVE AND PAIN. LOVE HOW IT GOES FROM PURE ANGST TO THEM CONSTANTLY SMACKING EACH OTHER’S ASSES. LOVE THE CHAOTIC LESBIAN DYNAMIC. I also love your Carmilla sm that dancing event was so cute and I genuinely love seeing you on my dash good shit good food

💖 - @heliacalxrising your lucifer gives me life hello the emotional description and vulnerability has me wanting to squeeze him and protect him like a little flower……what a baby boy. I feel many things reading your writing which is a splendid thing because I admire writers who portray emotion well enough to where I can feel the character’s emotion myself and it’s always this warm soft feeling u give me

💖 - @doublejango bro I’ve only known you for two days and I’d die for both you and blitzo. you are so sweet and the excitement is contagious, thank you for being excited w me to write and with only two replies in I was like oh yeah. oh yeah, this is both hilarious and going to go places. it’s gonna be one of those movies where it’s all funny and crack shit at first then WHAM BAM ALAKAZAM TRAGEDY AND CRUSHING TRAUMA BONDING and I am fucking HERE for it. let’s GO

[rjones000]

Tyla 23rd Birthday New Year of the Snake

Thursday January 30, 2025 1.30 or 30.1 Waxing Cresent Moon 2% Illumination

New Year New Moon, 23 since 2002, Tyla has ventured through her 22nd Year. Why am I worried about her. She is a rare talent and icon of female feminiity youth proportions of Goddess Eirene. Of Indian, South African Zulu and Irish mixture. And her Gematria is noteable. Her doubling as Aaliyah in many ways even the date 3.22 Skull and Bones.

Through her, the Industry sell many products. Many of which doesn't go a long with her brand. She is used to bring Homosexuality to Africa and all that comes with it. When the rest of Africa is unaligned with it, serpentine groups like planned parenthood, the ford foundation and more are trying to sneak it in subversibly with Education for Girls. Ripping them away from marraige and children to pursue the goal of the papers and degrees. Meanwhile they are killin off the seniors, chiefs, griots with diabetes, cancer, drug overdoses. Imported toxic food, drugs, wavelengths. While the land grab is real and the Silk road widens to a broadway of evils and theft of the last frontier on Earth.

She better not drink opened drinks that may be tainted. She should keep activated charcoal as a daily detox. Don't get hooked on pharmaceuticals or psychiatric drugs at all. Keep vlogging so people can keep up with you and who is around you. If your people seems to become against you all of a sudden, keep your eyes open. They may even try to separate you from friends and family.

Leave this secular music alone and go with religious/ spiritual genres. Settle down and have a family, go to school and start businesses.

Aaliyah wanted to do that. Take 4 years off and have happiness while you can.

H

[moneeb0930]

THE AFRICAN ORIGIN OF BRAIDING

The origin of braids can be traced back 5000 years in African culture to 3500 BC—they were very popular among women. Braiding started in Africa with the Himba people of Namibia. The country’s Mbalantu tribe uses eembuvi braids as an initiation into womanhood – our first examples of single braids or “box braids". In Angola, among certain tribes, hair grooming was an activity trusted only by other family members — something that women were taught at a young age and encouraged to participate in throughout their lives to promote womanhood. The origins of the ever-popular Bantu Knots have been traced to the Bantu people who exist across central and Southern Africa. “South Africa’s “Zulu Knots” are said to be the original manifestation of the style, and South Africa is also credited for the invention of “Box braids”, with evidence of the style being traced back to 3500 BCE. Braiding’s roots in East Africa have been traced back to 3500 BC, with cornrows (called Kolese braids in Yoruba) maintaining the top spot in popularity for just as long. Historically, Somali women have been recorded donning long, small braids when approaching puberty.

Ethiopia has maintained an admirably close relationship with its traditional forms of braiding. In the Southwestern Omo Valley, the Hamar tribe have perfected their hairstyles as a means to dictate male worth and female marital status. The importance of braids in communicating identity is a rich part of Uganda’s history, too. In Kenya, the Maasi and Kikuyu tribes have donned their famed matted braids, intricate beading, and gold detailings ever since. West Africa boasts an abundance of hair braiding styles, many of which have influenced global African culture and trends for decades. The Fula people, whose 30 million strong population exists across West Africa, gifted the world with Fulani braids. In Ghana, the iconic Banana or Ghana braids have gained favor for their easy application, upkeep, and excellence in providing protection to natural Black hair. The first examples of this way of braiding are traced back to hieroglyphics and sculptures found around 500 BC. Similarly, Nigeria’s rich history of braiding can be traced back to a clay sculpture dated to 500 BCE depicting a cornrowed member of the Nok tribe. Mali's Dogon tribe has various spiritual idols depicting cornrowed spiritual leaders, and the retained tradition of The Dama dance have allowed us the privilege of understanding the bewildering society that contributed to our understanding of our universe. In Sierra Leone, Mende people's hair is closely tied to femininity and is juxtaposed with the way forests grow out of the Earth – the vegetation covering Mother Earth grows skyward the way Afro-textured hair grows out of the head.

Senegal’s Senegalese Twists or “Rao” as they’re known locally came in vogue as an alternative means of creating individual, long braids – if locs or “box braids” aren’t your style. Gambian warriors were known to march off to war with tightly coiled braids, too. The Mangbetu people of the Democratic Republic of Congo, known for their practice of wrapping their skulls into a cone shape from infancy, locally referred to as “Lipombo, ” the elongated heads were then adorned with braids plaited into a crowned, basket shape called edamburu. Cameroon’s bountiful Fulani community has kept many of their hair traditions well and alive, while the region’s Bantu population participated in the popularity of the now-famed ‘Bantu knots’.

In Chad, women of the Basara Arab tribe are known for their thick, long, luscious hair – often plaited into waist-long individual braids. In Kemet around 1600 BCE, hair braiding amongst women of royalty, nobility, and concubines was adorned with gold, beads, and perfumed grease, while common folk kept to simpler styles necessary to get work done. Back in the day, braiding hair was considered a special ceremonial practice amongst Sudanese women, even holding the braiding “events” on specific days when female neighbors and friends were invited to partake.

Reference

African Tribes and the Cultural Significance of Braiding Hair". Bright Hub Education. 9 July 2011. Archived from the original on 1 September 2017. Retrieved 1 May 2018.

[barbiebraganca]

HSHQTASK059: FAREWELL !

when did you join ? what made you join ? what do you remember from the plotlines that were current at the time ? where were you in life when you joined and where are you now ?

right at the beginning of 2016, around feb or march. i had just finished high school and took an off year to prepare for uni admission exams. i needed something to take my mind off studying for it and my friend julia suggested i joined her on tumblr rping. i had no idea what that was but she helped me through it and we joined another group together. at the time i also developed a bit of a thing for royals and made my character in that group an undercover norwegian royal, on some princess diaries bullshit. but looking up things for that group i decided to search norwegian royalty on tumblr and found the blog for a character in vik. olav if i'm not mistaken. i started stalking the group and got really interested in it and mentioned it to julia who told me she'd been here before and would join with me if i chose to so we brought barbie and biel. then the group closed and i completely gave up rping until one random day many months later i logged into tumblr again god knows why and there was a message from martha, she told me the group came back to life and i decided to rejoin. and here i am, haven't left since.

which characters have you written over the years ?

ffs, let me see if i can remember all of them: ayo, bruce, barbie, toni, leon, sergi, silje, ilija, zoey (silje's draft), pedro, noémïe (poor thing lasted 3 seconds), ionie. i feel like there's more, i just can't remember.

what is your favourite plotline that you've been part of ?

the zulu & the southern africa conflicts. even all of us applying together that day was such a moment, i loved every bit of it. i had so so much fun writing ayo even if he was one of those characters it is impossible to write filler threads with, i still felt so much joy when i got a notif that someone replied to him, even if the entire reply was someone hating on him hard.

what about other people's plotlines ?

it's impossible to pick one when you've been here from the start and have seen countless amazing ones but the english plot was truly a wonder, even the murder mystery event was fucking incredible. anything involving russia and the romanovs as well was so well thought and made so much sense when you put the pieces together you just can't help but love every bit.

who is your favourite character from the ones you've played ? why ? what made you love them ? what made them so fun to write ?

favourite to write i'd say ayo, for the same reasons i mentioned on the plotline question but if i had to choose only one to keep playing forever it would either be silje or ilija. i feel like those are versatile ones that i could go in different directions with if i'd wanted to. the one i had the most fun writing though was pedro for sure.

if you could relive a plotline, which would it be ?

the invasion in greece and i think everyone who was here for that would say the same thing. that was our most iconic event and for a reason, everyone put 150% into it and it worked out so so so so well we didn't even imagine the outcome it would have, we just wanted to traumatise everyone a bit but received the best event in hshq in return.

is there a plotline that you'd edit now if you could ?

i don't think there is, especially because i don't think i remember even half of them but even then everything was fun and a joy to write about so i probably wouldn't change anything.

what's a plotline you wish you would have been able to finish before closing or just write more of ?

the ones that never happened. e mentioned some of the things we planned and didn't happen on the timeline post but i assure you that's not even the beginning. at times we'd plan an entire year of events in advance and come up with a full story, reasoning, plot drops for it but when the time to have them came we forgot all about it and change everything to something we'd put together in 20 mins instead of the plans we spent days working on. even the cruise ship they were supposed to be stuck in was an idea we had so much fun coming up with and it didn't get to see the light of day.

what is your favourite ooc memory ?

every honesty hour chaos was such a fun time to be on the dash, or whenever something big would happen ic and there would be 100 ooc posts reacting to it on the dash and the jokes were the peak of comedy. but i'll always have a soft spot for the soletsky silent thread bc icb we actually had 40+ notes on that, it was priceless. the word lunch is stuck with me forever. AND that one time i got kicked out on this exact date a couple years back.

where can others find you if they want to get in touch ?

i won't delete the tumblr app from my phone just yet so if you want to send me a mssg, i'll be checking it every now and again. same with discord, i'm there under barbielandwired and we're not deleting the hshq server so we can still have that in case anybody wants to pop into the chat and catch up. i'll give you my socials too if anybody wants that, we're all friends here. i've known u lot for 8 years.

what else would you like to say ?

here.

[quinloki]

you know me the anon that said your were a icon. Iam a new anon say hi to 🐧 penguin anon.

Quick question whats your fav type of art? And artist what languages do you speak? I speak english, zulu(south africa language)

~🐧

i'll add you to the list \o/

Favorite type of art... hm, I like anime and comic styles a lot personally. I mean, old works like the sunflowers by Van Gogh are nice and all, but I just love the variety and motion in manga/anime/comic styles. I'm not a huge fan of more American cartoon styles, but they're not bad either.

Favorite artists - I really love @mewiyev @yamiyamiart @xamaxenta @attyattlaw @where-does-the-heart-lie @bountysantos and @magnuspirate's art styles. They're all very different in terms of style and coloring and such, but I love the fun and emotions that shines through them. The varied art styles are great, but it's the story telling and passion behind them that really gets me.

@stevienix and @ammosart are dear friends who I knew before tumblr, and I love their art a lot too! I've been fortunate enough to see them grow and evolve over the last few years and I they're wonderful people ^_^

As for languages, alas the USA is not renown for teaching multiple languages to its students, and I had... some interesting teachers. (gods save me a French teacher has forever ruined any hope for me learning that language).

I know pieces of Spanish, and I'm slowly learning Japanese, but in terms of fluency I'm only any good at English.

But for what it's worth my mother was insistent that a LARGE vocabulary would benefit me greatly, so I'm really good at English ^^; at least. And I do like learning new words, even at my current age, so I'm not complaining. =3

[douglysium]

Grand Lancer Candidate: Shaka Zulu (Full Profile)

*Note that all information in this profile is subject to change at any time.

Class: Lancer

True Name: King Shaka Sigidi kaSenzangakhona

Nickname: Shaka Zulu, Shaka, King Shaka, Sigidi kaSenzangakhona(Birth Name), King of the Zulu, King of Zululand, Founder of Zululand, Nodumehlezi(the one who when seated causes the earth to rumble), King of Conquerors, Horned King, King of Strategy, Grand Lancer Candidate, GLC, Mad King

Characteristics

Species: Servant, Heroic Spirit, Human

Gender: Male

Height: 177.8cm or 5ft 10in

Weight: 66 kg or 146 lbs

Blood Type: Unknown

Place of Origin: KwaZulu-Natal, South Africa

Birthday: July 1787

Age: 41

Personal Information

Addresses self as: Watashi / Watakushi / Boku / Ore

Likes: Family, Friends, Witty banter, Politicking, Talking, Beetles, Strategizing, Marching, Comedy

Dislikes: Loved ones getting hurt, Loved ones dying, People who don’t listen, People who don’t use their head, People who let their emotions control them, The Berserker Class

Talents: Planning, Fighting, Talking, Making good arguments, Improving Tactics, Improvising, Solving Puzzles, Drawing maps/strategies in the dirt or sand

Natural Enemy: Zwide kaLanga, Gilgamesh(Archer), Shaka Zulu(Berserker), Shaka Zulu(Avenger)

Image Color: Black, White, and Red

Affiliations

Zulu Kingdom/Zululand

Family Members

Nandi(Mother)

Senzangakhona kaJama(Father)

Sigujana kaSezangakhona(Half-Brother)

Dingane(Half-Brother)

Mhlangana(Half-Brother)

Nomcoba kaSenzangakhona(Half-Sister)

Dabulamanzi kaMpande(Half-Nephew)

Various Aunts

Various Uncles

Servant Stats

Type: Heroic Spirit

Source: Historical Fact

Region: South Africa

Alignment: Chaotic Good(Chaotic Neutral when under the effects of Madness Enhancement)

Hidden Attribute: Man

Armaments: Spear and Shield

Known Summoning Catalysts: A piece of his shield, The tip of one of his spears, A vial of some mud mixed with his blood, A small rock with some of his blood on it

Qualified Servant Classes

Lancer

As a Lancer he definitely takes on a more heroic and idealized form. He considered his Lancer and Shielder forms to be the most ideal forms to take and he is greatly displeased with his Berserker and Avenger forms. He is also a Grand Lancer candidate. Interestingly his parameters drop whenever he is attacking and rise whenever he is defending or retreating.

“By the way, I AM a Grand Lancer Candidate so I think it’s fitting that I be referred to as such... Hmmm, you’re right, that is a bit long. Alright, alright, you can just call me “GLC” instead my friend. It’s even shorter than “Lancer” and it’s very helpful to use in the midst of a battle where every second matters.”

Berserker

“Why would you want to summon me in a form that can barely talk my friend!”

As a Berserker, he dual-wields his iconic spear in one hand and a club in the other. Noticeably his famous spear is covered up to the handle in blood. All the stories of the fear and violence he has caused have furthered amped up his Madness Enhancement and exaggerated his Berserker form. Blood constantly drips from tears created in his skin created by muscles too strong and big for his body to contain and one can see veins bulge and pulsate from under his skin. Shaka doesn’t think it’s a good idea to summon him as a Berserker and finds a form in which he is affected so strongly by the Madness Enhancement skill to be shameful. However, this Berserker form seems to calm down if he encounters someone who reminds him of his mother and/or Dingiswayo, or if he is sure that those he cares about are safe and alive. When summoned this form will usually immediately go on a rampage if summoned in modern day due to realizing everyone he cares about has since died. As a Berserker, he is surprisingly capable of speech but can only use it to launch jeering and scathing insults to whoever he is talking to. Even his compliments are backhanded insults. He has a Noble Phantasm that shakes and disrupts the very earth itself. Unlike his Lancer or Shielder counterparts his parameters actually rise when he is attacking and lower when he is on the defensive or retreating.

Avenger 

Shaka is ashamed of his Avenger form and feels like it only highlights the flaws that led to his downfall. As an Avenger he is capable of absorbing both mental and physical pain in order to unleash it as a large-scale attack. He also inflicts a curse Noble Phantasm on anyone who killed him upon his death. When activating one of his Noble Phantasms he will say “If the world wishes to take away my mother then I will show the world pain in equal measure.” Similar to his Berserker form, veins can be seen bulging and pulsating from under his skin. Unlike his Lancer or Shielder counterparts his parameters actually rise when he is attacking and lower when he is on the defensive or retreating.

Shielder

When summoned as a Lancer or Shielder class servant he is at his most heroic and resembles the wise king he was, and potentially could have continued being. They are also what he considers to be his most comfortable forms and he takes great pride in them. One of his Noble Phantasms as a Shielder involves summoning a council of his most trusted aunts, and he has a special skill that increases the speed and agility of all his allies. Similar to his Lancer counterpart his parameters rise when defending or retreating and lower when attacking.

Parameters

Strength: C - B

Endurance: B - A

Agility: C - B

Mana: D - C

Luck: C - B

NP: A++

Interestingly, his parameters fluctuate depending on whether he is defending, dodging, and/or retreating or not. They increase when he is on the defensive or retreating and decrease when he is attacking. He uses this to his advantage by throwing his opponents off via his parameters rapidly rising and falling during a fight. This can make his effectiveness, movements, approach, and strength fluctuate wildly in a battle as he constantly switches from defense to offense. It is possible to lock his parameters in their higher or lower state through the use of a command seal for a short period of time.

His luck is increased by one rank as long as he holds his signature shield.

Class Skills

Magic Resistance: C+

Cancels spells with a chant below two verses. Cannot defend against magecraft on the level of High-Thaumaturgy and Greater Rituals.

The effectiveness of the skill is increased considerably while he is defending. He uses this in tandem with his fluctuating parameters to great effect. It should also be noted that his shield is capable of blocking even A-ranked magical attacks and his Magic Resistance is increased by one rank as long as he is holding it.

Personal Skills

Charisma: B++ 

Having a B Rank in this Skill is sufficient to lead a nation as its King/Queen. The morale of the military forces they command is extremely high. It also allows the user to negate the Emergency Prerogative skill of enemies. 

In Shaka Zulu’s case, as a Lancer or Shielder, it becomes more effective when talking and planning defensive strategies or retreats.

Imperial Privilege: B+

An ability that, due to the insistence of the owner, skills that are essentially impossible to possess can be obtained for a short period of time. In cases when the Rank is А or above, even the "burden to the body" can be acquired(such as Divinity).

As someone who is considered the founder of the Zulu empire and an important figure of royalty, he has been granted Imperial Privilege. He uses the ability in order to gain access to one of any number of skills that include Protection from Arrows, Bullet Proof Treatment, Battle Continuation, Unimpeded Movement, Reduced Earth, Disengage, Valor, and even Madness Enhancement.

GLC does not have absolute control over this skill as there is a chance of his Madness Enhancement automatically being called upon via Imperial Privilege when hit by a mental attack or if his emotions overwhelm him enough. It seems to function like some sort of intentional mental or emotional self-defense

He uses Protection from Arrows and Bullet Proof Treatment to help counter projectile weapons(usually while he’s trying to rush an opponent), Battle Continuation to help survive great wounds or continue fighting/talking for a bit longer, Unimpeded Movement to help cross dangerous, hazardous or unorthodox terrain, Reduced Earth to pursue enemies or move far distances, Disengage allows him to retreat and potentially lure enemies into traps, he often takes advantage of the Valor skill to increase the effectiveness of his melee attacks in order to finish off or overwhelm close-ranged opponents, and Madness Enhancement to boost his Strength, Agility and Endurance parameters by one rank while also making his reflexes and instincts even quicker and more refined. Although, the Madness Enhancement decreases his Luck stat by one rank and he tends to only use it in desperate situations when there are no other options because he doesn’t like how it messes with his head and clouds his thoughts. He goes completely quiet when his Madness Enhancement has been activated. 

Sometimes he will witness something that will cause him to get a “flash of inspiration” and unlock a new skill for his Imperial Privilege arsenal while on the fly. This can only happen if he witnesses a skill before hand and, with Imperial Privilege, he can learn or replicate it.

Unimpeded Movement is a skill that lowers the effectiveness of mobility and movement debuffs on the user. Allowing the user to continue to move as fast as possible across all types of terrain while also making it harder to slow them down.

Proof of Friendship: D+

A skill that suppresses an enemy servant's fighting spirit to a certain extent, where then a dialogue can begin. However, the enemy servant must not possess the Mental Pollution skill. In regard to a Holy Grail War, an advantageous check can be obtained when constructing temporary alliances.

He is someone who prefers diplomacy when possible but is not afraid to use threats or blackmail. This skill gains a boost if his dialogue or actions strike fear into the enemy.

Mana Defense: B--

Is a Skill of the same type as Mana Burst, where the user transforms magical energy into a defensive ability.

 In Shaka’s case, it is extremely mana intensive. This means he needs a lot of magical energy to use it properly. Thus, he usually ends up barely using it unless he has enough energy or absolutely needs to. However, at its strongest, it can allow him to protect an entire army. The skill is much more stable in his Shielder form.

Military Tactics: B++

It’s a skill for tactical knowledge used not for one-on-one combat situations, but for battles where many are mobilized. Bonus modifiers are provided during the use of one's own Anti-Army Noble Phantasm or when dealing with an enemy Anti-Army Noble Phantasm. 

He gained this skill from the many victories he led his troops to. In the case of his Lancer form, the skill receives a significant boost when taking defensive formations or retreating. However, if he was summoned as a Berserker the opposite would be true.

Strategy: A

Is the ability to seize things in the broader perspective, such as diplomacy and logistics in order to decide victory before the fighting even begins. 

Whether inventing new tactics, improving old ones, or engaging in diplomacy and logistics, Shaka's prowess for planning and strategy, for better or worse, cannot be denied. He often uses this skill along with his Proof of Friendship skill when talking in order to try to help persuade targets.

Mind’s Eye(True): B+

Capable of calm analysis of battle conditions even when in danger and deducing an appropriate course of action after considering all possibilities to escape from a predicament. 

Of course, someone with so many combat strategies and tricks up their sleeves has at least a couple of ways to get out of a hairy situation. Its effectiveness increases when he is defending or when he is traversing across the terrain in order to retreat or reach a target.

Shaka has a habit of saying the name of the skill he is actively using out loud when able. He claims it helps strike fear into his enemies while also hyping up both him, his troops, and anybody who may be watching. He does not do this for passive skills or skills that are always active at all times.

“HAHAHA!! I suppose they kind of do sound like cool special moves now don’t they? I mean when you think about it servants always run around yelling the names of their Noble Phantasms too so how is this any different?”

Noble Phantasms

Isihlangu: Brush My Enemies Aside- C+(Anti-Unit), Maximum Number of targets 1-5

King Shaka’s famous shield of choice, and one that was heavily incorporated into his battle strategies and the combat styles of both himself and his armies. In appearance, it is a massive cowhide shield that stands around 1.5 meters(or 5 feet) tall. It was to be held in the left hand and the king would have his warriors use it offensively by hooking the opponent’s shield and pulling it to the side in order to create an opening in the enemy’s defenses during hand-to-hand or close combat engagements. It was also capable of deflecting the spears and arrows of their enemies and, as such, it is a Noble Phantasm that gains a bonus when defending against projectiles and spears. It can also be used to temporarily disarm enemy servants of any weapons that make contact with the shield. Any weapon or equipment that has a lower rank than that of Isihlangu will be sealed for 1 minute if they are disarmed this way. The shield also has a Magic Resistance equivalent to that of A-Rank and it raises Shaka’s luck by one rank as long as he is holding it.

By releasing the Noble Phantasm’s True Name he is capable of exaggerating the concept of hooking an opponent's shield to create a concussive blast that stuns any opponent caught in its range, allowing him to score in a free hit or two. The limitation is that some part of the target has to make physical contact with the shield. Any projectiles or spears that are a lower rank than Isihlangu will be reflected when hit by this and any projectile with a rank higher than Isihlangu will have their rank dropped by one during the duration of the assault along with suffering a decrease in their damage output and effectiveness.

The shield does have a limit to what it can block though. As anything with a high enough rank can pierce through its defenses. Shaka is capable of using the shield in combination with Protection from Arrows or Bulletproof Treatment in order to slow down even legendary projectiles such as Gae Bolg to a point where he can catch them or at least survive one hit from them.

“FWHAHA!!! It’s as people these days say. A good defense is the best offense, ISIHLANGU!!!”

“Let me show you why you shouldn’t go around throwing weapons so carelessly my friend, ISIHLANGU!!!”

“Oi, Looks like you stepped a liiiiitle too close my friend, ISIHLANGU!!!”

“Hiding behind weapons and shields isn’t going to save you, ISIHLANGU!!!”

“Did you really think you could hit me with such an unwieldy weapon? ISIHLANGU!!!”

Ikwa: The Sound of Flowing Bloodshed- C+(Anti-Unit), Maximum Number of targets- 1

King Shaka revolutionized combat by ditching the throwing spears that were commonly used at the time for the Ikwa/Iklwa, a short 3ft iron-tipped spear made for close-quarters combat. He had his soldiers use these weapons and forbade them from throwing them, as there was a high likelihood an enemy could just pick them up and use them against the previous wielder and or their allies if the spears missed or were blocked.

As a Noble Phantasm, it is meant for close quarters combat and by releasing its True Name anyone stabbed by the spear will be inflicted with a curse that causes constant bleeding and a “mana leak” once the spear is pulled out of their body. As the spear is being pulled out it creates an audible sound and a brief but violent spray of blood and magical energy. This is all to say that when the spear is pulled out of an opponent their blood will not clot and both blood and precious magical energy continue to leak out of the wound until the inflicted either die from blood loss for as long as the spear’s True Name is released. This means that the curse will stop once Shaka deactivates the true name or when he dies. Wounds inflicted by the Noble Phantasm can be healed by magecraft or magic but even if the wound is instantly healed the victim suffers from losing a large amount of blood and magical energy.

While the True Name is released the spear emits a blood-red mist that smells metallic, and releasing the True Name while the spear is impaled within a living thing or is being pulled out of it will still inflict the target with its full effects. This allows Shaka to throw opponents off during combat by activating the Noble Phantasm later than expected. If the target has no blood only mana will leak from their wound.

“Oi, Looks like you stepped a liiiiitle too close my friend, IKWA!!!”

“Don’t worry my friend, this will only tear you to shreds, IKWA!!!”

“You shouldn’t have turned your back towards me, IKWA!!!”

Izimpondo Zenyathi: An Army That’s as Deadly as a Buffalo’s Horns- A++(Anti-Army), Maximum Number of Targets- 1000

In the same way that Iskandar’s Ionioi Hetairoi can be described as the actualization of Iskandar's commanding abilities and his kingship, this Noble Phantasm can be described as an actualization of Shaka’s battle prowess and revolutionary war tactics into a Reality Marble. The Noble Phantasm recreates Shaka’s famous “Buffalo Horns” formation. A strategy that split soldiers into three categories. The “horns”(made up of younger troops meant to encircle and pin enemies), the “chest”(made up of the best and strongest fighters to act as the main force), and the “loins”(acting reserves/backup that were made up of older and more experienced fighters). The loins would sometimes have their backs facing the battle until it was their turn for combat in order to ensure that they wouldn’t get too nervous and charge into battle too early or run away.

The activation of the Noble Phantasm is a bit literal. Shaka takes a spear or club and when he declares the true name of this Noble Phantasm two massive horns erupt from either side of the weapon’s head while the tip elongates into a sharp point. Once all three of these points hit something the Reality Marble will activate. Ideally, these “horns” and spearhead strike an enemy in order to deal extra damage or catch a target off guard, but it can be used on things like objects or the environment in order to activate the Noble Phantasm without having to get too up close and personal with the opponent. The Noble Phantasm is based around Shaka Zulu’s own deeds and exploits so it isn’t tied to a specific spear or club. What matters is that Shaka Zulu is the one wielding said weapon.

The space within the Reality Marble is that of a large sprawling and completely flat plains/savannah with the sole exception of a tall plateau Shaka is positioned on so that he may give orders to his troops and oversee the battle, but he is capable of leaving the plateau at any time in order to join the battle if necessary. In the Reality Marble, his voice echoes all throughout it and his Charisma skill is increased by one rank. All troops have troops have an E-ranked independent action while in the Reality marble

The troops within the Reality Marble have different qualities depending on what part of the formation they are a part of. The horns(which are summoned on either side of the opponent) are made up of the youngest troops and they have an E Rank in all their stats with the exception of their speed stat, which is D Rank. Some soldiers in the horns wield Iklwa spears while others wield weapons such as clubs. They all wield shields that are black in color. 

The troops that make up the chest tend to be the strongest and/or most talented warriors. They have E Rank parameters across the board but make up for this by having access to an E-Ranked version of Shaka’s Iklwa and Isihlangu Noble Phantasms.

The final group of soldiers is the one that makes up the loins of this formation. They are reserve veteran soldiers. Within his Noble Phantasm, they start with their backs facing the enemy and they all have a low ranking Madness Enhancement that makes them more aggressive and gives them a D-rank in their Strength, Endurance, and Agility. While within the Reality Marble all his troops gain a low ranking Independent Action.

The Reality Marble has some interesting attributes. First of all, anybody within it can simply walk out of it if they manage to reach the marble’s borders, but doing so will cause all their parameters to temporarily drop by one rank. The marble is also in a constant state of shrinking, and the border is guarded by soldiers in a defensive formation who move with the ever-encroaching border and attack any enemy that gets too close to them. If one found themselves caught at the point in which the Reality Marble completely shrinks into a single point they will become impaled and beaten with a countless number of spears, shields, and clubs and will have all their parameters drop by one rank. Their parameters will remain lowered until Shaka dies.

Both the shrinking aspect of the Noble Phantasm and the ability to simply walk out of it is a representation of the documentation and legends of the many people who went through great lengths to flee from and avoid his encroaching armies and conquests.

He can summon his soldiers outside the Reality Marble but he cannot summon more than four at a time(one from each section of his formation), and they lack Independent Action so they have a high amount of mana consumption. This usually limits him to only one or two at a time. He is capable of summoning them very quickly and utilizing them for sudden maneuvers, defenses, and attacks. They can only be summoned within arms reach of him however outside of the Reality Marble. Similar to Iskandar’s Ionioi Hetairoi, all the spirits from Izimpondo Zenyathi are masterless servants.

If Shaka ever found himself in South Africa during a Holy Grail War his Izimpondo Zenyathi would be elevated to EX-rank and it could easily go toe to toe with Iskandar’s Ionioi Hetairoi.

Despite the rank of this Noble Phantasm, it is completely outclassed by Noble Phantasms such as Excalibur, Sword of Promised Victory.

“YOU MESS WITH SHAKA ZULU YOU GET THE HORNS, IZIMPONDO ZENYATHI!!!”

“FWAHAHAHA, MY ARMY WILL PIERCE YOU WITH THE FORCE OF 100 HORNS, IZIMPONDO ZENYATHI!!!”

“FWAHAHAHA, RUN IF YOU CAN, IZIMPONDO ZENYATHI!!!”

“FWAHAHAHA, RUN ALL YOU WANT, BUT YOU CAN’T HIDE FOREVER, IZIMPONDO ZENYATHI!!!”

“LET ME SHOW YOU THE STRATEGY OF A GENIUS, IZIMPONDO ZENYATHI!!!”

“LET’S SEE YOU TRY TO ESCAPE THIS, IZIMPONDO ZENYATHI!!!”

“IT’S TOO LATE FOR YOU TO RUN NOW, IZIMPONDO ZENYATHI!!!”

“THIS IS GOING TO BE MORE DESTRUCTIVE THAN ANY HORNED BEAST YOU’VE EVER SEEN, IZIMPONDO ZENYATHI, FWAHAHAHAHA!!!”

Misc

He wears the clothes of a Zulu warrior and has very tough feet. His kicks can be very devastating because of their toughness and the infamous stories in regard to his training.

He almost always walks around barefoot. On the rare occasions in which he does wear shoes his agility parameter drops by 2 ranks.

He incorporates a lot of talking and diplomacy into his fighting style and will constantly try to distract or tide the opponent over with conversations and insults while fighting.

He can recognize virtually any kind of beetle species based on sight alone, whether they be normal animals or magical creatures. He is also very knowledgeable about beetle anatomy.

Background

Shaka was the illegitimate son of Zulu chief Senzangakhona, someone that ruled over a very small chiefdom. Due to bearing a child from a forbidden relationship, Shaka’s mother(Nandi) lied for as long as possible in order to avoid being caught having a child outside of a proper relationship. She claimed that her supposedly pregnant appearance was actually an intestinal condition caused by an Ishaka beetle. Senzangakhona attempted to deny any connection to the illegitimate pregnancy and his involvement with Nandi but he eventually pitied them enough to make Nandi his third wife. Shaka was born in the lunar month of uNtulikazi(sometime in July) in the year 1787 near the present-day Melmoth, KwaZulu-Natal Province, and at the time the Zulu kingdom was still but a small chiefdom. The marriage between chief Senzangakhona and Nandi would not last, forcing her and her son to seek sanctuary in other places. Thus, Shaka spent a lot of his childhood in his mother’s settlements. Proud of his heritage he would tell other kids about his relation to a famous chief by the name of Senzangakhona. However, very few of the other kids believed him and he was often bullied because of these seemingly outlandish claims.

Eventually, Shaka and Nandi would be taken in by one of Nandi’s aunts and would live with the Mthethwa people. He grew up in proximity to a man named Dingiswayo who welcomed with open arms and treated him with great kindness. As he continued to grow it became clear that he had the makings to become a powerful, skilled, and courageous warrior. These attributes inevitably caught Dingiswayo’s eye while Shaka fought within an impi(a type of army) under the command of Dingiswayo. Dingiswayo was greatly impressed by Shaka’s prowess and elevated Shaka’s rank at an early age, making Shaka a commander of his own regiment at some point. These great feats and skills in combat would lead to the creation of one of Shaka’s more famous nicknames, Nodumehlezi(the one who when seated causes the earth to rumble). While within the Mthethwa army, Shaka became increasingly enamored with strategy, battle tactics, and problem-solving. Dingiswayo continued to teach Shaka and help him grow, allowing him to gain even more accomplishments in battle. While under the command of Dingiswayo he found that taking off his sandals and fighting barefoot helped him maneuver better when in battle. He decided to walk around barefoot in order to toughen his feet, something that he would later make his own soldiers do.

Shaka’s father, Senzangakhona, died in 1816, and Sigujana(Shaka’s half-brother) took the throne as the legitimate heir to the Zulu chiefdom. Shortly after this Dingiswayo grew anxious and, in a move to make sure he kept his political authority secure, lent Shaka a regiment so that he would be able to defeat Sigujana and ascend to the throne. This led to a relatively bloodless coup that led to Shaka becoming chief of the Zulu clan. Although, even with his new title and power he remained a vassal of the Mthethwa empire out of loyalty to the dear friend and mentor that was Dingiswayo. As Shaka’s political power continued to grow he was able to spread his thoughts and ideals with ease while continuing to expand his territory through a combined method of attacking quickly and overwhelming foes with military might and utilizing a surprising amount of diplomacy, patronage, and politics. He found a way to get chieftains, such as Zihlandlo of the Mkhize, Jobe of the Sithole, Mathubane of the Thuli, and others, to join him without having to conquer them in battle. He also revolutionized combat by having his soldiers use the Iklwa and focusing more on close-quarters combat along with the creation of his famous “Buffalo horns” formation.

Disaster eventually struck when, a year later, Dingiswayo was caught off guard by an attack led by Zwide kaLanga, the powerful chief of the Ndwandwe nation, and was subsequently defeated and beheaded. Enemies, and later white settlers, attempted to tarnish Shaka’s public image by spreading rumors and propaganda that he had purposefully let Dingiswayo die by withholding reinforcements or even outright betraying him. However, Shaka was filled with an indescribable rage at the death of what he considered to be not just an amazing teacher but also like family. He vowed to get revenge on Zwide through almost any means necessary. 

Dingiswayo’s defeat caused the Mthethwa forces to become scattered and led to the creation of a power vacuum due to the empire that he once led collapsing. A vacuum that Shaka readily filled before using the power he gained from it to reform and gather the remnants of the Mthethwa along with other regional tribes he conquered or allied with in order to create a force to defeat Zwide. During their first clash Zwide barely managed to escape and Shaka came across Zwide’s mother, Ntombazi, who was also a sangoma(a type of healer). As he attempted to use her to find about Zwide’s whereabouts or as bait to get Zwide to return and fight him he came across a strange number of skulls collected by Ntombazi and, upon recognizing one of the skulls as that of Dingiswayo’s, Shaka flew into a rage and decided to get some amount of vindication on Zwide by trapping Ntombazi in her own house and placing wild animals inside it to devour her. After her death, he burned the house down along with her collection of skulls. 

Zwide eventually knew that he would have to defeat his biggest rival and threat if he wished to have any chance at both surviving the conflict and allowing his kingdom to flourish successfully so he launched an attack on the Zulu Empire. Shaka would eventually defeat Zwide’s forces by having his own troops feign a retreat in order to lead Zwide’s army into a trap deep within Zulu territory before striking and defeating his forces at the cost of sustaining heavy casualties. One such death was that of the current head military commander at the time Umgobhozi Ovela Entabeni. Zwide managed to barely escape once again and ran from the encroaching Zulu. In another attempt to draw Zwide back to fight him, Shaka tried to wipe out as much of what Zwide cared about as possible. Threatening to destroy everything Zwide cared about. His anger would eventually subside somewhat with time and he would begin to feel that he had achieved justice for his dear friend Dingiswayo. Although, he felt that Zwide being forced to spend the rest of his life running from Shaka was a fitting enough punishment. Eventually, Zwide would die from mysterious circumstances sometime in 1825. Part of the main Ndwandwe forces fled and he eventually encountered these forces and managed to get the majority of them to yield and join him. He continued to train the soldiers he recruited in his methods of combat.

His reign lasted ten more years after he had defeated the Ndwandwe. During which he continued to expand his territory. He offered chiefdoms he encountered the choice of submitting and allying with him or potentially being conquered by force if they were not forced to flee from an assault by Shaka. He left local administrations in the hands of the reigning chiefs or members of the traditional ruling family that he had appointed. He would also allow soldiers who no longer served in the army to return to their original community, so the identity of each individual community was not completely lost due to conformity within Shaka’s empire. Each settlement of his contained a section of royal women that were usually headed by the most formidable of women. These women would typically be one of Shaka’s many aunts. This, along with him not wanting to produce a legitimate heir, led to his households being dominated by stern older women of the royal family. Whenever he was absent both a female ruler of the settlement and an induna(an advisor, commander, and/or mediator) would wield administrative authority together.

Despite some of his more militaristic methods, Shaka ultimately preferred diplomacy over fighting and would try to talk things out whenever possible. He would almost always give opposing tribes a chance to join him without any conflict but if they refused he would often conquer and/or destroy them with unyielding force.

In 1824 the first white traders arrived at Port Natal, and at this point Shaka was in control of a wide-spanning monarchy. Upon meeting them he sent a goodwill delegation, engaged in diplomacy, and was extremely curious about the technology, and machinery of these visitors. He would go out of his way to view and analyze the various demonstrations of European technology and knowledge. One of these many demonstrations included the showing off of a weapon called the gun. However, after analyzing it, disassembling it, and reassembling it he came to the conclusion that the technology was not yet refined enough and it took too long to fire and reload in the combat of that age. He stated that his forces could beat opponents wielding those rudimentary guns by using the proper tactics and rushing them fast enough with a large enough number of men. It is important to remember that Shaka had a point as these were really early guns and not modern guns that could be fired much more quickly and more accurately. He continued to be interested in the culture of the visitors and the possible benefits he could gain via trade and diplomacy with them and Europe. Shaka would eventually give them land and permitted them to build a settlement at Port Natal, but he remained vigilant and wary of their ulterior motives. He wanted to be closer and more accessible to his potential allies or foes at Port Natal while also keeping a close eye on them so he decided to build a military barrack at Dukuza. He did not want to fight them unless he absolutely had to so he treated them very nicely and did what he could to prevent any conflicts from being encouraged between the visitors and his people.

Sometime in October 1827 his mother, Nandi, died. This filled him with emotion and the fact that it reminded him of his feeling of helplessness when Dingiswayo was killed only exacerbated these emotions and clouded his judgment, causing his behavior to become erratic and increasingly violent. He started forcing his entire kingdom to mourn his mother’s death and if he caught anyone showing insufficient grief he would put them to death. He also went as far as to have the mothers of calves killed so that both the calves and the people who witnessed it could know the pain he felt. In a bought of madness, he even went as far as to order that no crops be planted, no milk be used, any woman that became pregnant during this time would be executed alongside her husband and he pushed his military far beyond what was normal in increasingly violent military campaigns. Some rumors say that this was another one of his cunning plans in order to kill political opponents or to get back at those who bullied him in his childhood. However, it was still clear that he was lashing out even at people who didn’t harm him and that he was not in his right mind. A Zulu man by the name of Gala eventually had enough of this madness and during a meeting stood up and objected to Shaka’s outlandish measures. Saying “Nandi was not the first person to die in Zululand!!!” as he berated him. Shaka was at a loss for words but after having some time to think and being reminded of both his younger self and purpose by Gala’s outburst he called off his self-destructive orders and rewarded Gala with cattle.

However, he acted too slowly and his mistakes were beyond the point of being overlooked or forgiven by most of the people within his kingdom. He had no way of bringing back the people he had killed or making it up to the people he had hurt. In 1828, while Shaka’s forces were absent and he lacked guards around the area he was assassinated by his half-brothers Dingane and Mhlangana. They had received support from some other chiefdoms who had all become dissatisfied and horrified by Shaka’s previous actions and, while an iNduna by the name of Mbopa created a distraction, they attacked him. As the king bled out he gave Dingane two warnings. The first thing Shaka said was “Brother are you stabbing me, kings of the earth thinking you will rule? The swallows will do that!!!” as a warning to Dingane and his people about the European colonizers and their malicious intentions and his final words were  “You will come to an end through killing one another.” A warning that would ring true when Dingane took the throne and attempted to remove those who were loyal to Shaka before getting involved in a civil war and getting overthrown after 12 years of ruling by his other half-brother. After the assassination, Mbopa, Dingane, and Mhlangana quickly buried Shaka’s body in an empty grain pit and covered it with rocks and mud.

Whether lionized or demonized, whether loved or feared, it is undeniable that he changed the course of history and his combat prowess and strategy were top-tier as well as his immense foresight and long term planning abilities. The ambiguity and contradicting details of his story as someone who ends up embodying aspects of hope and genius as well as violence and fear add to his level of mystery. The stories of him being a great and noble hero and a brutal tyrant mix together to create a servant that, as a Lance or Shielder, is the ideal ally and worst enemy on the battlefield. However, as a Berserker or Avenger he is a danger to almost everyone around him and is prone to self-destructive behaviors.

Appearance

He is a noticeably muscular, man who stands at a height of 175cm or 5ft 10in. He has dark skin and a square chiseled jawline. He has a pointy nose and his hair looks like a spiky afro with parts of it being red in coloration along with red pointed sideburns. He has sharp teeth, which he apparently sharpened himself. His feet are covered with scars and he has a scar on his back and chest, both of which correspond to the location of his heart and where he was stabbed during his assassination by Dingane and Mhlangana.

Personality

Surprisingly, despite some of his reputation Shaka is a servant that prizes talking and diplomacy more than combat. It is not uncommon for him to attempt to try to persuade or antagonize the opponent while utilizing defensive battle tactics along with counter-attacks and disarming techniques. He is also not above using jabs, insults, or more underhanded tactics to win a fight. He is also not afraid of running away from a battle, using aspects of the environment to his advantage, or feigning retreat. This gives his fighting style a really odd and hard to predict feel. It is usually quite difficult to tell if he is actually losing, winning, or bluffing in any given fight.

Part of the reason he tries so hard to avoid fighting if possible is because anyone could be a potential ally in the future. Plus, once he starts fighting within a certain range of his full strength he often gets caught up in the battle, excitement, and adrenaline to the point where it is hard for him to stop until the fight is over.

He hates seeing his loved ones in pain and if they are killed by someone he flies into a rage and will enact merciless vengeance on the assailant. It’s one of the few times where he won’t even attempt to talk to his opponent first, he will simply strike silently and swiftly while utilizing the Madness Enhancement skill. He considers this aspect of his personality to be somewhat embarrassing and does his best to keep his emotions in check and prevent himself from ever regressing into a previous and more violent state. He cherishes every moment with his friends and family and tries not to leave their side if he can help it. “You should appreciate your loved one with all your heart because you never know when the world will choose to snatch them away from you my friend. I have very few friends and a lot of enemies too…”

At times he can give the illusion of an extremely weak clairvoyance due to his prediction and strategy skills. However, at the end of the day he is still a man, or I suppose a spirit, now and he cannot account for every possibility and is capable of making mistakes or miscalculations. Not to mention that he cannot make accurate guesses if he lacks information.

He tends to be very blunt with his predictions which can unintentionally make him come off as menacing or rude.

He feels immense regret over the killing of innocent civilians in a kingdom that was supposed to protect them. His own kingdom and by his own hands at that. In order to try to atone for it, he promised himself that as long as he’s a servant he refuses to kill humans and tries to save as many humans as possible. He is currently aiming for 7,000, and he likes to keep a mental note of every person he saves. Although, saving the same person over and over, even in different situations, does not count. It should be noted that this does not apply to nonhuman entities and things that are already dead, like vampires, zombies and spirits. This means he is fine with killing other servants as they are already dead and are spirits that are no longer humans.

Interactions

Leonidas- They have an obvious and immediate similarity due to the fact that they are both Lancers with notable shields. Some have also compared Shaka’s shield-based tactics to that of the famous Roman phalanx formation. They get along great and can often be seen discussing military tactics and training together.

“I wonder if we are distant relatives or something my friend. BWAHAHA!!!”

“OI!!! Wanna see who’s shield is stronger.”

“I wonder who’s spear has felled more opponents…”

“BWAHAHAHA, my friend, I bet if we put our heads together we can come up with a defensive formation no one could penetrate.”

“ALL THIS EXERCISE AND TRAINING IS HYPING ME UP, WE’LL DO 100 NO 2000 PUSH-UPS!!!”

Napoleon- “It’s not every day you get to talk with a fellow tactical genius.. Well I guess when you’re at Chaldea it is every day. BWAHAHAHA!!! Although… that cannon seems unwieldy my friend…”

Gaius Julius Caesar- He greatly respects Caesar.

“W-what words WHAT ELOQUENCE MY FRIEND!!! Your speeches, your words, nay every letter you speak is done so tactfully. Have I found my equal on the battlefield of words and wit? Julius Caesar does not disappoint!!!! I must take notes.”

“Hey, do you think you could give me some pointers on this speech I’ve been working on? I’m trying to make sure it sounds less… brutal?”

Shakespear- “Bwahaha, my friend, you’re truly someone who knows how to wield words… Just… do me a favor and don’t make me another tragedy for one of those stories of you ok? I’ve already created enough of those.

“That First Folio of yours is quite scary…”

Da Vinci- He considers himself just as much of a genius as Da Vinci so he has begun learning how to paint in order to prove his point. Although, Da Vinci has been studying his battle tactics, formations, and how to use a spear and shield in order to prove that her genius is unparalleled.

Kama- “Yeah sorry, I’ve never really been interested in bearing an heir or any of that. . .”

Oda Nobunaga(Archer)- He sees her as his equal in terms of tactics, innovation, and strategy.

“I’ve never seen someone wield that many guns so masterfully. It almost makes me scared of them… almost.”

Ryoma Sakamoto(Rider)- “I can see you are someone who cherishes their loved ones with all your heart...”

Okada Izou- “I may not wield swords but even I can tell you’re an unparalleled genius, my friend. Hey, this isn’t going to your head is it? And what do you mean you’re not my friend?”

Emiya, Gilgamesh(Archer), and Kid Gil- “HONESTLY, I can’t understand why you guys are so nonchalant about throwing your weapons around like that. Aren’t you ever worried that they will fall into enemy hands or something?”

Emiya-” Hrmmmmmmm, that Rho Aias reminds me a bit of my own shield. You see some of the similarities too right my friend?”

Gilgamesh(Caster)- He enjoys being around him as he feels he helps push him to becoming closer to an ideal king.

“If there is hope for him to be the wise king everyone needed then maybe there’s still hope for me… “

Jack the Ripper(Assassin) and Abigail Williams- “Ah, even kids can be quite cruel I suppose…”

Lancelot(Berserker)- “And THIS is why you should be careful about throwing your weapons around my friends!!!”

Elizabeth Bathory(Lancer)- “Make sure you keep a clear mind and don’t let your emotions and desires get out of control… or else you might end up like that vampire lady.”

Carmilla(Assassin)- He feels uncomfortable around her because in a way she reminds him of all his shortcomings and the madness that overcame him.

“Man, and I thought I was bad…”

Hector(Lancer)- “Our fighting styles are quite similar at a glance aren’t they?”

“Talking to you feels like I’m speaking to a treasured friend and fellow warrior.”

“I appreciate that there’s someone here who knows when to fight and when to run. A dead hero isn’t helpful for anyone.”

“Your fighting style is a lot like mine… have you ever considered using big shields into your fighting style more often.”

Chiron- “Great teachers like you always remind me of Dingiswayo…”

Jason- “It’s great that you understand your strengths and weaknesses and avoid combat but you shouldn’t throw your men under the bus like that my friend.”

“Your eye for recognizing and bringing out the true potential of heroes reminds me a bit of Dingiswayo my friend. Although, he wasn’t quite so scared to say the least...”

Hans Christian Anderson- “Heh, I appreciate your brutal honesty my little friend. Actually, you remind me a lot of Gala. Hmmmmmmm, YES!!! Someone like you can guide me to becoming a truly wise king. You wouldn’t happen to be free to be my new royal advisor perchance would you? Don’t worry too much, it’s only until I can get Gala back.”

Lanling Wang and Diarmuid Ua Duibhne- “Jeez… I never thought I would live to see anyone who’s beauty could rival that of Magaye’s…”

Queztoquaotle, Yasuke, and Damarchus- “I know some wrestling techniques myself y’know. If you ever want to train or get some pointers feel free to contact me my friend.”

Gilgamesh(Archer)- “I just can’t stand a king who throws away all their subjects like that… Yes, yes I know how hypocritical it is for me of all people to say that but trust me when I say it never ends well. A king can never stand on their own no matter how powerful they think they are.”

Christopher Columbus- “Ah, you’re another one of those swallows I see.”

Iskandar and Genghis Khan- Well, well, well. It’s nice to finally meet a fellow King of Conquerors around here. BWAHAHAHA!!! Hm? No, I’m not eligible for the Rider Class… HEY!!! BEING A RIDER HAS NOTHING TO DO WITH THAT TITLE!!!”

Hang Tuah- “BWAHAHA, As a fellow professional talker myself I can tell you also have a good grasp of understanding what people want to hear. We should have a chat sometime.”

“I suppose your smooth-talking only shows how good you are with your speech… well most of the time anyway.”

“I know this is a lot to ask of you but if I ever start slipping… y’know becoming “tyrannical” and all that… well… you know what to do...”

Hang Jebat- “Hm? You wanna see my horns… I see… I think there’s been a bit of a misunderstanding my friend…”

Connla- “If you have no spear of your own I can always craft you one. A good Iklwa does wonders for combat. Oh? You just copied mine… You’re just full of surprises aren’t you...”

Gilgamesh(Archer), Emiya(Archer), and Connla- “Pray I don’t ever catch you throwing around an Ikwa like that..”

Julie d’Aubigny- “FINALLY, a fellow servant who understands that words can be as sharp as any blade. Although, you are a better singer than I could ever be my friend BWAHAHA.”

Ever since they met they are constantly trying to see who is the best talker by bluffing and slinging insults whenever they meet. It has become a sort of game in which they attempt to see who is the first to falter, crack, or be at a loss for words. Julie’s charisma and aptitude as a star will occasionally attract the audiences of many Chaldea staff and servants to their banter-based duels. Currently, they are tied.

Laplace’s Demon and Maxwell's Demon- “No, no, no. Don’t give me any hints about your paradox. I want to try to exercise my mind by solving it myself.”

Nameless Soldier(Assassin)- “I’m pretty good at bringing out the full potential of soldiers and armies my friend. If you stick with me I guarantee we will keep losing to a minimum.”

“Even a genius like me is nothing on their own. Even the strongest, fastest, and smartest need a good army, and you’re like an army all rolled up into one neat package. Don’t worry I’ll be sure to give you plenty of breaks.”

“So like, do you y’know… remember me? You’re made up of a bunch of nameless soldiers from all throughout history. Which would statistically include at least one person who was under my command… I just wanted to say I’m sorry if that’s the case. I won’t fail you this time my friend”

“Make sure you’re getting proper rest. Rest is just as important as working. It helps keep your mind clear, sharp, and efficient my friend.”

“Man guns are a lot more compact, efficient, and quick these days… Maybe they’ve reached a point where I can incorporate them into my battle tactics.”

Dingane and Mhlangana(Assassin)- “While I agree that I had that coming, I hope you can understand why I’m uncomfortable being within arms reach of you guys.”

“Why are you looking at me like that? I’m not going to make the same mistake as last time I swear it on my life…”

*Hang Tuah, Connla, Damarchus, Julie d’Aubigny and Nameless Soldier are all fanservants created by MochiBoni and Omegazplayer respectively. Yasuke is a fanservant created by me and Dingane and Mhlangana haven’t been designed yet. Here are the profiles or art for each respective servant

Hang Tuah- https://docs.google.com/document/d/12mjNkmjnhIIeLgGRvSlVVLhRQqWd4cbEDygfQHSLPCg/edit

Connla- https://twitter.com/mochio_bonio/status/1425858835730685957?s=20, https://twitter.com/mochio_bonio/status/1419297258512601089?s=21 

Julie d’Aubigny-https://twitter.com/Omegazplayer/status/1416650069206573057?s=20

Damarchus- https://docs.google.com/document/d/1jArzQOnAWnvSv8MRelYSl1x5DZj-gUndaBmPtO74icw/edit

Nameless Soldier- https://twitter.com/Omegazplayer/status/1416632770059714560?s=20 

Yasuke- https://docs.google.com/document/d/1M7V-XS0S_hePGtpLHY3abI-rU8_ek889uqcYnq0cvb0/edit 

Dialogue examples

“Lancer is fine but I would prefer it if you called me Grand Lancer Candidate, or GLC for short.”

“Don’t worry my friend. Our enemies lost the moment I arrived.”

“The next thing you will say is…”

“BOOM SHAKA LAKA!!!! BWAHAHAHA, I’ve always wanted a chance to say that!”

“HA!!! You lost this fight the moment you opened your mouth!”

“Even for a genius like me, that’s a bit difficult…”

“This will not be a battle of muscle but a battle of words.”

“Hm? I talk a lot for a conqueror you say? (tsk) My friend, fighting should not be taken lightly. In the field of combat people can’t afford to hesitate to kill and there’s always a chance you or people you need and care about will die. When I was younger I reveled in fighting and combat and as a genius I eventually realized that whoever was left standing is the one who got the final say in the end and that means that when you fully commit to fighting you cannot hold back. Plus, an endless trail of fighting and combat isn’t exactly the smartest thing to do now is it? You also never know when you may make a powerful ally too, so it’s important you don’t go burning down bridges unless you have to.”

“I consider politics as important as any fight. When you talk you can fight for what you believe in and what you think is right. Just like any other brawl or war.”

“Dingiswayo? He was like a father to me of course… He never failed me or let me down but in the end I couldn’t save him… If only I had acted quicker… If only that damn Zwide could have just… Sorry, I got off track there… ”

“Well, obviously family isn’t just determined by biology. I mean my biological father wanted nothing to do with me… If you only define family using DNA then you are only stunting yourself in the long run my friend. There aren’t many people in this world willing to look out for you so treasure them!”

“Eh!? Are my diplomacy skills really that surprising? Some of those stories about my fighting and conquering were just a liiiiiiiittle bit exaggerated my friend. Besides, I engaged in diplomacy just as much as I fought, which is to say a lot.”

“See here’s the things. This may be a Holy Grail War but I don’t see why we can’t all work together to get something we both want my friend. So how about this…”

“I’m clearly leagues above you in power and I could kill you right now buuuuut if you’re willing to ally yourself with me and my master I’ll let you live. That’s a pretty good deal right?!”

“Who knows, maybe we’ll even make a new friend or two during all of this.”

“Oi!!! If you touch even a hair on my friend’s head… I’ll kill you!! …BWAHA!!! Sorry about that sometimes I get a little caught up in my emotions when it comes to my friends and family. But seriously, don’t try anything.”

“There are more ways to help someone than just fighting.”

“My friend, my spear isn’t my strongest Noble Phantasm nor is it my shield. So let me ask you this. Do you know why Izimpondo Zenyathi in particular is my strongest Noble Phantasm? It’s because even a prodigy like me can’t do everything alone. Soldiers, friends, family… people like my mom, Dingiswayo, Umgobhozi, Mzilikazi,  and everyone else. I couldn’t have done it without them. No matter how powerful you are you are nothing without allies.”

“We talk first and fight later ok?”

“Oi, less fighting, more talking!!!”

“I’ll have you know I’m eligible for TWO, that’s right TWO, grand classes my friend. Lancer and… I would prefer not to talk about that second one too much. (Sigh)Man, why couldn’t Grand Shielder be a thing?”

“Okay, I’m feeling nice so I’ll give you ten… no… thirty minutes to run as far as you can my friend.”

“KwaBulawayo? I’ll be honest I was just trying to sound intimidating… maybe it worked a bit too well… Dukuza had a much better balance between intimidation and cool factor.”

“Take it from me, you should consider your actions carefully and try to keep the collateral damage down to a minimum… Just promise me you’ll think with your head and not your heart ok my friend.”

“People I admire? There are too many to count!!! Well, I guess my top two would be Dingiswayo and my mother. Dingiswayo was like a father to me and one of the greatest teachers one could ask for. My mother was as strong as any warrior in spirit and never gave up on me and herself.”

“My plan? I never said I had any sort of plan. What’s with that face? It worked didn’t it? Sometimes one has to think on their feet my friend. Even I cannot predict everything that’s going to happen.”

“I figured valentines day was a great time to show the love I have for all my allies, so I;m handing out these chocolates as a sign of good will to all of my allies and friends. Shaped like the mightiest of beetles of course.”

“Don’t worry my friends, GLC HAS ARRIVED!!!”

“You didn’t think that would be enough to kill me, my friend? BATTLE CONTINUATION!!!”

“MANA DEFENSE!!!”

“MIND’S EYE!!!”

“RUN AWAAAAAAAAAY!!!”

“RETREEEEEEAAAAAAAAAAAAAT!!!”

“BWAHAHA!!! You would really doubt the power of a servant who is eligible for not just one but TWO grand classes my friend.”

“I’M NOT A BERSERKER, I’M A LANCER, L-A-N-C-E-R NOT A BERSERKER, AND A GRAND LANCER CANDIDATE AT THAT MY FRIEND!!! DO YOU THINK I COULD BE HAVING THIS VERY CONVERSATION IF I WAS A BERSERKER!!!”

“BWAHAHA!!! Don’t worry, the irony of the situation is not lost on me my friend.”

“Sharp spear and an even sharper tongue.”

“Oh c’mon, you don’t think I was really THAT ugly do you? Magaye was just so beautiful that he made everyone who stood next to him look ugly in comparison. So I wouldn’t consider him a good metric for looks. Do you understand what I mean my friend?”

“I’m sorry.. I just can’t forgive you for what you did.”

“I’LL MAKE YOU PAY FOR WHAT YOU DID 3 NO 100 FOLD!!!!”

“If I had known what those shady Nathaniel Isaacs and Henry Fynn were going to do to my image for the sake of that slave trade I would have killed them on the spot…”

Deathlines

“N-no, my kingdom”

“My kingdom…”

“Mom?”

“I guess even I can’t talk my way out of this one…”

“One last word of advice my friend…”

“Is that Dingane…?”

“Is that Mhlangana…?”

“Mbopa…”

“I knew I should have retreated…”

“Was I a good king this time…?”

“Heh, don’t worry… I had this coming.”

“I should've saved more people…”

Wish for the Grail

“I wish that I could have been the ideal and wise king so many people think I am. Someone who could’ve put their emotions aside…  and I wish I could protect all those I hold dear to my heart. So they never have to suffer or die… I suppose that’s two wishes though. I wonder if I can wish for just two extra wishes?

Fun Facts

If he was playable in FGO he would be a 5-star servant.

His least favorite class is the Berserker Class because they usually can’t be reasoned with and are hard to talk to.

On another note, he finds being compared to a Berserker in terms of fighting style or mentality quite insulting. Which is yet another reason he tries to avoid intentionally utilizing Madness Enhancement via his Imperial Privilege skill unless it is absolutely necessary. He is also afraid of becoming like that of his Berserker form.

His Magic the Gathering Alignment would be White-Blue-Black-Red with White, Blue, and Black as his center colors and Red as his secondary color.

If he was in the Epithet Erased universe his Epithet would be Horn and one of his moves would involve summoning horned beetles or beetle horns.

If he was in the Hunter x Hunter universe his Nen type would be Transmutation and his Hatsu would revolve around beetles and beetle shells in some way.

His overall servant rank is around A-. Although it would be A+ if he found himself in South Africa.

He dresses like some sort of beetle every Halloween.

He takes Mother’s Day very seriously.

Shaka Zulu’s Alter form would have a beetle motif, with parts of his body having a strong and sturdy exoskeleton. He would also have multiple limbs and a pair of wings.

Zwide kaLanga is also eligible for the Lancer and Berserker Classes.

Both Shaka and Zwide’s Berserker forms have a Noble Phantasm based on the Mfecane.

Zwide was unaware that his mother was collecting skulls.

Dingiswayo is eligible for the Archer, Lancer, Caster, Rider, and Berserker classes. While he is a capable fighter his true power lies in drawing out the maximum potential of others. Under perfect scenarios, he can permanently increase the ranks of a servant’s parameters, skills, and/or Noble Phantasms and allow an ordinary human to fight on the level of a low-ranking servant.

Magaye is eligible for the Lancer, Shielder, and Berserker class. His Noble Phantasm is quite similar to that of Lanling Wang’s or Diarmuid Ua Duibhne love spot. He also wears a bag over his head most of the time for a reason similar to why Lanling Wang wears a mask. Apparently, the average person looks ugly in comparison to him.

Gala is eligible for the Foreigner class and fighting isn’t his specialty. As a servant he is capable of combating and dispelling madness itself and is resistant to most mental attacks. He is considered by many to be a “chain” that binds people to reality. He is apparently very blunt, to the point that he can come off as rude, and stresses being firmly rooted in reality over getting caught up in imagination and wishful thinking. He basically never directly lies or leaves out information.

Shaka’s favorite Pokemon are Heracross and Pinsir, with Falinks being a close second.

If he had a Pokemon type he would be a Fighting type.

The true name of his lily form would be Sigidi kaSenzangakhona, and such a form would be eligible for the Lancer, Shielder, and Berserker classes.

Visual References

[schooloftuneage]

Lesson 3: This is not a test...

CLASS IS IN SESSION

Rick Rubin is one of the most influential producers in the music biz. He turned Linkin Park from what could have been a two-album flash in the pan into one of the deepest acts in alternative music (no kidding, A Thousand Suns remains one of this berk's top 20 albums of all time). He introduced the world to more iconic acts than I can count. And before all that… he was in a shitty punk group that was more known for fake fights and fake arrests than anything else. (His dad was a policeman and would pretend to arrest Rick when he got into planned altercations with planted hecklers - an attempt at getting traction that failed.)

But at the same time, Rick was keeping his thumb on the pulse of the New York music scene, and when he found out about a few rapidly growing groups that were turning out incredibly danceable music with an antiestablishment ethos, his first thought on listening to them was that it was Black Punk Rock.

The music in question was, of course, hip hop.

Let's delve in.

Hip hop was influenced by numerous sources - talking blues, disco, R&B - and tracking all those down would be great, but we're going to truncate slightly today, because A) I'm saving a lot of that for a later lesson, and B) because the most pertinent one is actually disco, believe it or not. See, like punk rock, there was a single spark that ignited the movement, and while it was slower to burn, it had the perfect kindling. The place was in the slums of the south Bronx, in a rec room at 1520 Sedgewick Avenue. The person was DJ Kool Herc, who spun records for dance parties there.

The above documentary gives us a good glimpse at how Herc did his thing. Today we just know it as basic mixing, but back in the day, this kind of thing was revolutionary. Add in an emcee - Coke la Rock - who would handle the microphone while Herc was mixing, and you had the first emcee-deejay combo.

Over time, more groups came together. Grandmaster Flash picked up Herc's skills, and then hammered them down, bringing them to new heights of awesomeness. He couldn't even try to get on the mic while he was mixing, too focused on the beats he was crafting, so he got an enterprising B-boy they called Cowboy to do the honors. Over time he amassed a group of five emcees to work with him - Grandmaster Flash and the Furious Five. The Treacherous Three, the Funky Four (Plus One More) - you can see a sort of theme in these early groups. Rap battles were a thing, inheriting a little bit of gang battle ethos from their founders - early rap adopters the Zulu Nation were ex-gang members who were trying to veer into a more constructive direction, and they did so well.

But for most, the genre was locked away. Sure, rapping was easy enough to do, but to be a real hip hop artist you needed a deejay, and that equipment was expensive. As I said, the spark was there, but it needed kindling.

And just as punk had its watershed moment in 1977 in London, so hip hop did in 1977 in New York. On July 13th, NYC had a city-wide blackout that lasted just over a full 24 hours. A mob mentality decended over the city, with widespread looting… and in the aftermath of these riots, a lot of expensive sound equipment made its way into the hands of enterprising would-be deejays, either through their own actions or through pawnshops who didn't ask questions about where the equipment came from in the weeks after the blackout.

Now, there is much - MUCH - to say about this scene… but as I'm delving in, I'm realizing that someone else has already done this lesson, and arguably done it better than I could ever dream of doing it. Cartoonist Ed Piskor has done a series, Hip Hop Family Tree, that chronicles the early rise of the scene beautifully. And in the spirit of the early rap bootlegs that we're going to be discussing… you didn't get it from me, but hereyago:

That's twelve issues of greatness right there.

Now, with THAT link dropped, let's talk seminal moments for the origins of hip hop.

The first track on wax that was nothing but a deejay showing off their mixing prowess? "The Adventures of Grandmaster Flash on the Wheels of Steel". This one was even more notable because Sugar Hill Records didn't like paying royalties to artists that they sampled, and tended to use original compositions rather than having Flash or other deejays mix in the background (which, yes, was kind of insulting to the art of the deejay…). Also, please note, there are NO editing tricks here. This was just Flash at his best, and he laid the whole track down in only four or five takes.

The first rap "superstar", arguably, was Kurtis Blow. At the very least, the man was both responsible for the first gold record in the hip hop genre and the man who brought it to Soul Train, with "The Breaks".

And now, we're going to zig-zag-zig back to an earlier point.

The early hip hop scene was full of bootlegs. Some were recordings of live events - Grandmaster Flash and the Furious Five had a full live track that had never been released recorded, and it's still more popular, as the studio version lacks the passion of the live recording. (Bozo Meko's version of 'Flash it to the Beat', fyi.) Unscrupulous producers would record artists in the studio under the guise of 'letting them play around' and release their work under different names - and again, that happened to the Furious Five, with "We Rap More Mellow" being released as the work of The Younger Generation. And then there were bootleg compilations released for the deejays - packages of "essential" disco songs pressed as unofficial collections, distributed behind the counter of record stores.

Our TRACK OF THE WEEK is the first of those. A recording of a live event - something that we now recognize as the first rap battle, Busy Bee Starsky vs. Kool Moe Dee. A battle that Starsky phoned in because he assumed he'd have no real competition, and Moe came loaded for bear for. This one's a slaughter, kiddos.

And we're gonna have a lot to say about hip hop in the future... but for now, that gets you to the starting line.

Class dismissed.

[emissary-of-stuff]

Hold on I just realized I never introduced my Rimworld colony

This is the colony of Elysium, a colony whose religion is based upon vampires and cannibalism (we don't eat every person we come across, it's a treat). We currently have 6 colonists.

The first one is Tate, whose icon is like that because he is currently in a vampire coma. Yes, he is a vampire. He is 51 years old and our best attacker with 15 shooting and melee, and very charismatic with 16 social, plus 12 intellect. He also has the nimble trait, meaning he is good at dodging traps and melee hits. Being a vampire (Sanguaphage technically) he cannot die and heals quickly, so this is a really good combo. Another trait of his is that he has pyrophobia, meaning he cannot fight fires.

Next is Kev, our 21 year old miner/builder/doctor. He has a construction of 9, and a mining of 11, and a medical of 10, with him holding a burning passion for those last two. He sadly has the Undergrounder trait, meaning he doesn't like being outdoors. Sucks to be him.

Zulu is 13, and he first joined the colony at 10 years old. I planned on him being good at melee, but he ended up having a burning passion for construction (9) and is good at social (6). He still has time to learn though. His traits are masochist and optimist, meaning he gets a mood buff whenever he's in pain and a mood buff in general. Him being a masochist works pretty well since it means he won't get a mood debuff if Tate needs to drink his blood. Well, none of the people with the vampire religion get that debuff anyway, but still.

Next is Wyshuk at 25 years old, who was a temporary colonist who decided to stay after we arrested her. (She tried to leave and I really wanted her to stay) She is now married to Gratian, the colonist who came with her on a quest. Being a Yittakin (animal person), Wyshuk is very good with animals, having 12 points. She is also good at construction (10) and medical (9). Her traits are jogger, wimp, jealous and psychically dull. This means she can move fast, can't take that many hits, gets upset if people's rooms are fancier than hers, and that psychic phenomena doesn't affect her that much. The jealous trait is pretty easy to solve so it's not that big a deal to me. The only issue is that she can't do firefighting, meaning she and Tate just watch while everyone puts it out.

Gratian is 23 and Wyshuk's husband. He has a burning passion for construction (7) and plants (9). Due to this, he is our resident gardener. A funny thing about him is that he has a burning passion for social, but he has the poor social gene, meaning his skill in it is a 3.

His trait is kind, meaning he is more likely to compliment people and won't insult them. He's a pretty chill dude and I like him in my colony.

Next up is Jimmy, the 17 year old who fell from the sky. He's Zulu's big brother and is passionate with construction (6), mining (8), and the arts (4). I'm really happy about that last one since I wanted someone in this colony to make statues and art pieces to keep people happy. Like Kev, Jimmy has the Undergrounder trait, so I'm trying my best with that.

A thing to note about Wyshuk, Gratian and Jimmy is that they do not follow the same religion as my colony, which I don't mind. The reason is that my colonists religion has them prefer the night, while the other colonists prefer the day. I'm not converting them because this way, someone will be working no matter what time of day it is. Very efficient in my opinion.

[mikeforest21]

The Rise of African Jahva:

A New Genre that’s Changing Global EDM Forever in the ever-evolving world of Electronic Dance Music (EDM), new subgenres occasionally emerge to shake up the soundscape—but rarely does a genre arrive with the cultural weight, sonic power, and global energy of African Jahva. This groundbreaking movement is more than just music; it’s a cultural revolution, a vibrant blend of Afro House, techno, deep electronica, and something ancient—the pulse of Africa’s native languages. African Jahva is taking over TikTok, igniting dancefloors across continents, and rewriting what it means to be global in the EDM scene.

🔥 What Is African Jahva?

At its core, African Jahva is a high-energy fusion of deep Afro House rhythms, electronic synths, and techno vibes, layered with the rich textures of traditional African vocals. But what truly sets this genre apart is its Afrofuturistic identity—an intentional act of blending the past with the future, combining Africa’s linguistic heritage with cutting-edge beats.

Rather than relying on English hooks or familiar commercial patterns, African Jahva revives endangered African languages, transforming them into hypnotic, soul-charged anthems that resonate with both local and global audiences.

Whether you’re hearing the beat of Yoruba drums, a Zulu chant, or the smooth vocal rolls of Swahili, every African Jahva track is a sonic journey through time, space, and culture.

🎧 The Sound of a New Era

If you’re familiar with the global explosion of Afrobeat or the rhythmic joy of Amapiano, African Jahva picks up the torch and takes it further.

Imagine the intensity of techno, the groove of Afro House, and the depth of tribal rhythms, all wrapped around vocals in languages like Akan, Amharic, Fula, Hausa, Igbo, Kinyarwanda, Luganda, Mandinka, Oromo, Shona, Swahili, Wolof, Yoruba, and Zulu.

These are not just lyrics—they are living, breathing elements of culture turned into dance floor poetry.

🎛 The Man Behind the Movement – Iz’Angel

Behind this genre’s rise is a name that might sound familiar to rave veterans:

Iz’Angel.

A true pioneer of the UK rave scene in the ‘90s and early 2000s, Iz’Angel was the mastermind behind legendary events at Electrybe, Lazerdrome, and the iconic London Astoria. His influence extended internationally, especially across Ibiza’s superclubs like Es Paradis, Pacha, Space, and Privilege—venues synonymous with EDM history.

But Iz’Angel’s story didn’t stop there. In 2000, he founded LOVE, a 24-hour rave club in Shoreditch that became infamous for its underground energy and outrageous afterparties. After a controversial police raid, LOVE went global, finding new life in Hamburg, Ibiza, and Miami.

And now? Iz’Angel has returned—not just to remix the past, but to redefine the future with African Jahva.

🌍 A Genre Rooted in Culture, Built for the World

Africa is home to over 1,500 languages. Some of them, like Hausa or Swahili, are spoken by millions. Others are endangered, on the brink of vanishing. African Jahva offers a creative lifeline—a musical preservation tool that brings these languages into mainstream EDM spaces.

This is Afrofuturism in action. Through thumping basslines and melodic loops, ancient African voices echo through time, now paired with club-friendly production that makes them accessible to global audiences.

African Jahva doesn’t dilute African culture—it amplifies it.

🔄 Going Viral: Why African Jahva Is Blowing Up on Social Media

It started quietly, with dancers posting to TikTok and DJs dropping tracks at underground sets. But soon, the unique sound of African Jahva began to catch fire.

Today, AfricanJahva is gaining momentum across TikTok, Instagram, and YouTube Shorts. Videos featuring dance challenges to languages most people have never heard before are going viral, sparking curiosity and excitement. EDM fans are craving something new—something meaningful, and this genre delivers.

Dancers, creators, and music lovers across the globe are now discovering the electrifying experience of moving to African Jahva beats.

💫 The Spiritual Side of the Sound

At its core, African Jahva carries a message:

Peace. Love. Unity. Respect.

These aren't just words—they’re the pillars of rave culture and the spiritual backbone of this genre. African Jahva transcends the club and speaks to something deeper. Its rhythmic storytelling creates a collective trance, a kind of spiritual communion where modern beats meet ancestral voices.

It’s music that heals. Music that awakens.

It’s techno with a soul.

🌐 A Global Movement with African Roots

The best part? African Jahva is just getting started.

Already, producers, DJs, and vocalists across Africa, Europe, and the diaspora are joining the movement, creating tracks, hosting events, and building a becoming ambassadors of the culture, spreading its message and sound to new audiences every day.

From Lagos to London, Kigali to Berlin, Kampala to New York, African Jahva is connecting cultures, uniting dance floors, and redefining global EDM one beat at a time.

🚀 Ready to Feel It?

Whether you’re a DJ looking for your next killer set, a dancer craving something fresh, or just a music lover open to global vibes—African Jahva is calling you.

➡️ Subscribe to the official YouTube Channel:

African Jahva YouTube Channel

➡️ Follow the movement on social media

➡️ Share a dance, start a challenge, join the revolution

🗣 Final Thoughts

African Jahva is more than a new music genre.

It’s a cultural resurrection.

It’s a techno prayer.

It’s the future of global dance music built on the shoulders of African legacy.

In a world craving connection, authenticity, and deeper meaning, African Jahva is

the beat that brings us together.

So turn up the volume.

And let the ancestors dance through you.

Welcome to African JahVa

community around this genre. Fans are not just consuming the sound—they’re

[africanjahva1]

African Jahva – A New Era of Dance Music

A revolutionary music genre has emerged, shaking the foundations of Electronic Dance Music (EDM)

and igniting dance floors worldwide. African Jahva is a high-energy fusion of deep Afro house,

electronica, and techno vibes, infused with ancient African languages. The result is an electrifying

sound that pulses with rhythm, soul, and culture. With hypnotic beats, infectious melodies, and

Amapiano influences, this new wave of EDM is captivating a global audience.

At the heart of African Jahva is Iz’Angel, a visionary record producer from London, UK. A legend of

the early UK rave scene, Iz’Angel was behind some of the most iconic events of the ’90s and 2000s,

hosting massive raves at Electrybe, Raw Club, Lazerdrome, and London Astoria. His influence

extended to Ibiza, where he organized legendary events at Kaos (now Eden), Es Paradis, Space,

Pacha, and Privilege, drawing thousands of ravers to the island’s most exclusive venues.

In 2000, he founded LOVE, a legendary 24-hour rave club in Shoreditch, East London, famous for its

after-hours parties like Trailer Trash and Babushka by Pushca. After an infamous police raid, LOVE

relocated to Hamburg’s Reeperbahn, exploding onto the German club scene with nonstop

underground raves. The movement later expanded to Ibiza and Miami, cementing its place in global

dance culture. This journey through the electronic music revolution was documented in the book Rave

Story.

Now, Iz’Angel is back with a new mission—African Jahva.

There are over 1,500 languages spoken across Africa.

While some of these languages are spoken by millions, others are at risk of extinction, lost to time.

African Jahva is a new genre of Electronic dance music.

This Afrofuturistic style unites the raw power of Tech & Afro house This style acts as a sonic library,

showcasing some of these languages and bringing them to life in a form that resonates with the

Western ear. While you listen to the songs mainly producer by Izangel you can hear the beauty of

African Languages that include:

Akan, Amharic, Fula, Hausa, Igbo, Kinyarwanda, Luganda, Mandinka, Oromo, Shona, Swahili, Wolof,

Yoruba, and Zulu.

With its message of Peace, Love, Unity and Respect, African Jahva is taking social media by storm,

with thousands of dancers moving to its hypnotic rhythms on TikTok and YouTube. Deep basslines,

energetic beats, and the genre’s spiritual essence transport listeners into a new era of sound.

The sound of African EDM and Techno has arrived.

Here are 21 banging African Jahva anthems.

LOS ANGELES Vibes with #AfricanJahVa 🔥 Re-Connection By IzAngel ft Sana 🔥 Afro House |

Techno

https://www.youtube.com/watch?v=ixSmJbMol64

ZIMBABWE MUSIC Vibes in #AfricanJahVa 🔥 UFOs in Afrika by IZ'ANGEL ft Kuvimbika🔥 Afro

House Techno

https://www.youtube.com/watch?v=79XCBuTGplI

SOUTH AFRICA MUSIC Vibes in #AfricanJahVa 🔥 Eden is Africa By IZANGEL - ft Ukwazisa

Afrohouse Techno

https://www.youtube.com/watch?v=brpqrppFso4

UGANDA MUSIC Vibes in #AfricanJahVa 🔥 Rise Afrika By IZANGEL ft Okwegomba 🔥 Afro House |

Techno

https://www.youtube.com/watch?v=6dyB-MkFEEA

TANZANIA MUSIC Vibes in #AfricanJahVa 🔥Evolve Your Mind By IZANGEL ft Afya Njema 🔥Afro

House Techno

https://www.youtube.com/watch?v=A81RoajxCP0

KENYA MUSIC Vibes in #AfricanJahVa 🔥 Together We Rise By IZANGEL ft Afya Njema 🔥 Afro

House Techno

https://www.youtube.com/watch?v=BeW_q5zcd8A

ETHIOPIAN MUSIC Vibes in #AfricanJahVa 🔥 Build Paradise By IzAngel ft Jajjabina🔥 Afro House

Techno

https://www.youtube.com/watch?v=THtiO76Eahs

GHANA MUSIC Vibes in #AfricanJahVa 🔥 Accra Rave by IZANGEL ft Anidaso 🔥 Afrohouse |

Techno Amapiano

https://www.youtube.com/watch?v=mUPRqzSqXkY

SENEGAL MUSIC Vibes in #AfricanJahVa 🔥 'POWER' by IZ'ANGEL ft Saa 🔥 Afrohouse Techno |

Amapiano

https://www.youtube.com/watch?v=EuMfbQS5EqI

BOTSWANA MUSIC Vibes in #AfricanJahVa🔥 Unite The Diaspora By IzAngel ft Ukwazisa 🔥Afro

House, Techno

https://www.youtube.com/watch?v=OpVPzaVBa3I

NIGERIA MUSIC Vibes! in #AfricanJahVa 🔥 One Blood By IzAngel ft Onyegbule🔥 Igbo Techno Afro

House

https://www.youtube.com/watch?v=nJnTo0jVbz0

BEAUTIFUL SUMMER Bikini Show in #AfricanJahva 🔥 By IZANGEL ft Laɓɓi 🔥 TECHNO 🔥 AFRO

HOUSE AMAPIANO

https://www.youtube.com/watch?v=XaZ8FbNn39k

BURNING MAN in African Jahva by IZANGEL ft Okwegomba 🔥 Afro House | Techno

https://www.youtube.com/watch?v=Mn17ZPMgk1s

HEROES in African Jahva 🔥 By IZANGEL ft Isokan 🔥 TECHNO AFRO HOUSE Amapiano EDM

https://www.youtube.com/watch?v=fjS_g3cqdOE

The Arrival 🔥 By IZANGEL ft Labbi 🔥 AFRICAN JAHVA Techno Afro House

https://www.youtube.com/watch?v=J2Ic-WbmN6w

SPRING BREAK By IZANGEL ft Intsinzi

https://www.youtube.com/watch?v=ci1GW78TicA

BLACK PANTHER Vibes in AFRICAN JAHVA

https://www.youtube.com/watch?v=OGJxiNXEdsU

SUNDANCE By IZANGEL ft Alafia

https://www.youtube.com/watch?v=iYtyLuX02hM

MOTHER NATURE By IZANGEL ft Msukumo

https://www.youtube.com/watch?v=JIkasjddNaQ

LOVE By IZANGEL ft Onyegbule🔥 Nigerian RAVE MUSIC Igbo, #AfricanJahVa 🔥 TECHNO

AFROHOUSE EDM

https://www.youtube.com/watch?v=oHuvQEu4wK4

HIEROGLYPH By IZANGEL ft Andinet

https://youtu.be/9BaK_IBnTlc?si=aTQo4811CwsLvlO

Africa is home to over 1,500 languages. While many are spoken by millions of people, others—less

popular and often overlooked—are slowly fading, at risk of being lost forever.

Now, a new sound of EDM has emerged—spreading across Africa while preserving its rich linguistic

heritage in a technological and musical way the world has never heard before.

This new music genre is called African Jahva.

Blending the raw energy of AfroTech House with the ancient linguistics of the continent, African Jahva

is a powerful genre of electronic dance music that pushes the frontiers of Afrofuturism.

Created and produced by Izangel, you’ll hear pumping Tech House rhythms fused with hypnotic songs

sung in ancient tongues.

With over 30 dance anthems, you can experience songs in languages like Akan, Amharic, Fula,

Hausa, Igbo, Kinyarwanda, Luganda, Mandinka, Oromo, Shona, Swahili, Wolof, Yoruba, and Zulu.

With a message of Peace, Love, Unity, and Respect, African Jahva is setting social media on fire.

Thousands of dancers are moving to its bass filled rhythms on TikTok and YouTube, spreading the

movement worldwide.

The wave of African EDM and Techno is here.

Subscribe to our channel and Feel the energy.

It's Time for African Jahva.

[tripnest]

The Scenic Coastline of South Africa: Beaches and Coastal Adventures

Introduction With its stunning coastline stretching over 2,500 kilometers, South Africa boasts some of the most beautiful beaches in the world. From the rugged cliffs of the Cape Peninsula to the sandy shores of the Eastern Cape, South Africa’s coastline offers countless opportunities for relaxation, adventure, and exploration. This article will explore the top beaches, coastal towns, and activities along South Africa’s scenic coastline. 1. Cape Town’s Iconic Beaches Overview of Cape Town’s Beaches Cape Town is home to some of the most iconic beaches in South Africa, attracting locals and tourists alike. Top Beaches in Cape Town - Camps Bay: Known for its stunning views of the Twelve Apostles mountain range, Camps Bay is a popular spot for sunbathing, beach volleyball, and enjoying vibrant beachside cafes. - Clifton Beaches: Comprising four beaches, Clifton is famous for its white sands and beautiful sunset views, making it a perfect spot for a relaxing day by the ocean. - Muizenberg: Renowned for its colorful beach huts and excellent surf conditions, Muizenberg is a family-friendly beach with a lively atmosphere. Activities at Cape Town’s Beaches - Surfing: Many beaches offer surf schools and rentals, catering to all skill levels. - Beach Sports: Enjoy beach volleyball, paddleboarding, or simply relaxing under the sun. 2. The Garden Route: A Coastal Adventure Overview of the Garden Route The Garden Route is a scenic stretch along the southern coast of South Africa, famous for its stunning landscapes, diverse wildlife, and charming towns. This region is a must-visit for anyone looking to explore the best of South Africa’s coastline. Top Destinations Along the Garden Route - Knysna: Known for its beautiful lagoon and the Knysna Heads, this town offers a variety of activities, including boat tours, hiking trails, and local markets. - Plettenberg Bay: Famous for its pristine beaches, Plettenberg Bay is a popular destination for swimming, whale watching, and exploring nearby nature reserves. - Tsitsikamma National Park: This coastal national park features dramatic cliffs, lush forests, and a variety of outdoor activities, including hiking, kayaking, and zip-lining. Activities Along the Garden Route - Hiking: The Otter Trail is one of South Africa's premier hiking trails, offering stunning coastal views and a chance to encounter local wildlife. - Wildlife Tours: Explore the region’s nature reserves to spot elephants, buffalo, and a variety of bird species. 3. Durban’s Golden Mile: A Beach Paradise Overview of Durban’s Beaches Durban is known for its warm climate, stunning beaches, and vibrant cultural scene. The Golden Mile, a stretch of beachfront along the Indian Ocean, is a popular destination for both locals and tourists. Activities Along the Golden Mile - Surfing and Swimming: The warm waters and consistent waves make Durban’s beaches ideal for surfing and swimming. - Promenade Strolls: The beachfront promenade is perfect for walking, cycling, and enjoying the vibrant atmosphere with numerous restaurants and entertainment options. Cultural Attractions Durban is rich in cultural diversity, with influences from its Indian, Zulu, and colonial heritage. Visitors can explore local markets, art galleries, and cultural festivals throughout the year. 4. Wild Coast: Untamed Beauty Overview of the Wild Coast The Wild Coast, located in the Eastern Cape, is known for its rugged cliffs, unspoiled beaches, and traditional Xhosa villages. This region offers a unique and off-the-beaten-path experience for adventurous travelers. Top Destinations in the Wild Coast - Coffee Bay: Famous for its stunning cliffs and scenic views, Coffee Bay is a great spot for hiking, surfing, and exploring local culture. - Hole in the Wall: A natural rock formation that has become a symbol of the Wild Coast, this site offers breathtaking views and opportunities for photography. Activities in the Wild Coast - Hiking and Trekking: The Wild Coast is home to numerous trails, allowing visitors to explore the stunning landscapes and interact with local communities. - Cultural Experiences: Engage with the Xhosa culture through traditional ceremonies, local crafts, and community tours. 5. Conclusion: Explore the Coastal Wonders of South Africa South Africa’s coastline offers a diverse range of beaches, towns, and activities for all types of travelers. Whether you prefer the vibrant atmosphere of Cape Town’s beaches, the scenic beauty of the Garden Route, or the untamed charm of the Wild Coast, there is something for everyone. Embrace the coastal wonders of South Africa and create unforgettable memories along this stunning shoreline. Read the full article