#icon katherine langford

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Katherine Langford

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HAYLEY LAW GIF PACK

— ✰ on the page linked below in the SOURCE LINK, you will find ( FOUR HUNDRED AND NINETY ) hq gifs of HAYLEY LAW sourced from her roles in SPONTANEOUS (2020) and the first half of MARK, MARY & SOME OTHER PEOPLE (2021). hayley is 30 but was 26-27 while filming these projects and is of jamaican & white ( polish ) descent, so please cast her accordingly. all gifs were cropped at 245x145 and were made from scratch by feifer for roleplaying purposes only. therefore, i am taking full credit for these.

gifs feature: Katherine Langford, Charlie Plummer, Ben Rosenfield, Sofia Wylie.

warnings/triggers: Costumes (witches, sexy maid), placed under observation (i have no clue), pregnancy tests, kissing, sex, partial nudity, alcohol (champagne, gin), drugs (weed), smoking (cigarettes), neon lights, animals (parrots), conversations/dialogue surrounding open marriages, pills (birth control), and conversations/dialogue surrounding topics of sexual diseases and sex prep materials (condoms).

CLICK HERE FOR MORE GIF PACKS OF HAYLEY

RULES FOR USAGE:

DO: LIKE or REBLOG if you found these helpful or have any intention of using these.

DO NOT:

add or compile into other sources ( gif hunts, gif sets ).

edit or claim in any way ( redistribute or resize into smaller forms - gif icons. giftangles, etc ).

use to portray the faceclaim in smut rps or real-life celebrity groups.

use these gifs as imagery/visuals for smut writing (EXCLUDES mark, mary & some other people).

[everysongineverykey]

glass onion is just one of those movies that would be so good if it was good. you know what i mean. like, i have to give it credit: the acting’s amazing, the soundtrack’s awesome, the comedy is brilliant throughout, the whole movie’s beautifully shot, and benoit blanc has so much more personality, but cmon. look me in the eye and tell me the story is as good as knives out’s. 

like. there’s a secret pair of identical twins. cmon lol. at that point rian johnson was just having fun. honestly, i wouldn’t have minded as much if it wasn’t written to be a twist- i would’ve preferred if we’d known about helen from the very beginning. i don’t think introducing her in a hurried flashback that takes up like ten minutes of the final act was a great decision- the entire movie up to that point had been building up andi’s character, so to scrap her in the last, like, 45 minutes and try to build up a completely different character in way less time just makes them both end up feeling kind of flat as characters. glass onion’s character writing struggles almost everywhere- the only character that really felt real to me was benoit (again, i have to give them credit. benoit was done WONDERFULLY in this movie). it’s funny, because glass onion’s main cast has around the same number of people as knives out, and yet the characters in the latter all felt so much more natural and down-to-earth and lived-in.

glass onion’s problem is that it tried to go WAY bigger than knives out, really grand and over-the-top and spectacular, and while i adored watching benoit yell at a techbro billionaire ceo and helen burning his stupid mansion to the ground, the social commentary in knives out was just better done. it was less in-your-face. if glass onion could only have been more subtle in its message, i think i would’ve liked it a lot better. contrast the final shot of knives out, with marta looking down at the rich assholes who used to own the balcony she’s standing on, just sipping her coffee, with the final moments of glass onion: a billionaire’s stupid extravagant dangerous vanity project burns to the ground while the working class woman who did the deed stares off into the distance, contemplative. i agree completely with the general spirit, but... eh, it’s just too much.

i think much of glass onion’s trouble with character writing stems from this very fact- it tried to do something insane, extravagant, unimaginable to the average person, and so it collected several typical “rich person” archetypes to build its main cast around. you’ve got the elon musk parody billionaire, the politician who talks tough but is really terrified of losing her following, the vapid, vainglorious fashion icon, the mra dickhead youtuber, etc. these are archetypes we know exist- we see them on tv, we laugh at them on the news and critique them from afar, but the average person does not know anyone like this personally. compare this with the cast of knives out, made up entirely of fairly ordinary conservative, patriotic americans who aren’t willing to give their money to anyone they deem beneath them. these are normal people. everyone has at least one aunt like jamie lee curtis’ character, at least one leftist cousin like katherine langford’s character. they can look at linda and meg and jacob and walt and say, “that’s like my republican grandmother, my trashy alt-right cousin, my trumpy uncle,” etc. 

not only does this give knives out a sense of down-to-earth-ness and (for lack of a better term) intimacy that glass onion lacks with its rich shitheads, it does a lot of the writers’ jobs for them- since many already know people like this, it makes it easier for the viewers to fill in the blanks. this isn’t me calling the writers lazy by any means, by the way- i love knives out, in case you couldn’t tell. i’m saying that these characters automatically feel more real because they are real. they’re ordinary people. the characters in glass onion feel like cardboard cutouts. most of the main cast just seems like they’re there to throw the audience off from realizing that miles did it. they do what they’re supposed to do- rattle off their respective motives for murdering miles and later andi- and in between, they get drunk and bicker with each other, and they say nothing of much substance. they don’t really feel real.

like i said at the beginning, i keep coming back to the helen reveal. was there any real reason for that to be a surprise reveal in the last 45 minutes instead of just telling us that from the start? all it really accomplishes is taking up like ten minutes of the final act in a long expository flashback (in which we also get like three other MINI flashbacks) and adding in an entire new character that doesn’t get nearly enough time to become fully realized or fleshed out. the only thing i really liked about it was the way the sudden context gave new meaning to blanc’s “there’s only one person who can tell us who killed cassandra brand,” because realizing after that flashback that it really was all about her all along really threw me for a loop, but that’s really all it gives us. it’s just misdirection for the sake of misdirection.

i dunno. i loved glass onion, let me make that clear. i thought everything else about it more than made up for the subpar story, and i’ve seen it twice now and i WILL watch it again when it hits streaming, and i desperately hope they make more blanc movies, but... yeah. the only thing that could make that movie better is if it was good.

[vocesincaput-arc]

Still don't have any ideas for a FC for Sharali. All they would be used for is her icon and to give people a general idea of her appearance. Minus the green skin and horns of course, lol.

The icon would probably be a closeup of the FC's face with a green filter over the top to give the illusion of green skin.

But my head just can't come up with ideas for her that feel right.

Doesn't have to have the same hairstyle as Sharali, obviously, but the long braid with shaved sides would still look good on them.

She's a Tiefling Warlock Bounty Hunter. Has wings. About 23-25 years old (fc could look that young but I can age her up a little. Def. in 20s though). Loyal to friends but finds it difficult to trust new people. Appears confident in herself.

I've thought about maybe Jenna Ortega, Natalia Dyer, Joey King or Katherine Langford, but I'm not sure. This is her character sheet on DndBeyond if anyone wanted to know stats for suggestions or getting to know her. Haven't filled out her backstory stuff on there yet.

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icons katherine langford please <3 thank you so much

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