#ian bavitz

[moistalabaster]

"Life's not a bitch, life is a beautiful woman,

You only call her a bitch 'cause she won't let you get that pussy.

Maybe she didn't feel y'all shared any similar interests,

Or maybe you're just an asshole who couldn't sweet talk the princess."

-Aesop Rock

[fangomusic]

Aesop Rock, Integrated Tech Solutions

New music Wednesday

The ninth album from the New York rapper highlights a shift in his approach from energetic performances on the microphone to more expressive, inventive, and abstract styles. Supported by some of his finest production to date, the album continues to draw attention primarily for his captivating wordplay. His skill in maintaining the listener's interest remains evident, especially as he explores diverse lyrical and conceptual paths. It contains collaborations with Billy Woods, Hanni El Khatib, Rob Sonic, Nikki Jean, and Lealani Teano.

[bisexual-yuri]

@aesoprocklyrics

ReinBork — Today at 9:50 AMomg okokok so hang on with me through this thought. You remember the old school Korn art style for the music videos (Right now)? Like the eerie cartoons they would use? Or like Gorillaz music videos (Saturnz Barz) I can totally picture a music video with the song you just sent and like a full adventure those two are having snowboarding through the woods and coming upon a monster or something they fight

Alifyre — Today at 9:50 AMyes I actually

[9:50 AM]AIM TO DO THAT

[9:50 AM]WITH THIS MAN

[9:50 AM]THE ARTIST HE IS MY

[9:50 AM]IDOL

[9:50 AM]ahahahahah

[9:50 AM]I want to animate this whole albu, for him

Ian should hire me to animate the rest of garbology I already srtarted.

[chrisryanspeaks]

HEAR: Aesop Rock - ‘Integrated Tech Solutions’

Rating: 9/10 - Excellent Album “Integrated Tech Solutions” is AI-sounding voice at the outset of MC and producer Aesop Rock‘s 10th album. Aesop Rock is an established and ingenious American rapper and producer known for his complex and dense lyrics, as well as his unique and innovative approach to hip-hop. Born Ian Matthias Bavitz, he has been a prominent figure in the underground hip-hop scene for many years. This latest album is a ingenious album with complicated production. Aesop Rock's style on Integrated Tech Solutions is characterized by intricate wordplay, intricate rhyme schemes, and a wide-ranging vocabulary. His lyrics often delve into complex and abstract themes, and his storytelling ability is highly regarded on this album. His production style is diverse, with beats that range from gritty and experimental to more traditional hip-hop sounds. This is certain to be one of Aesop Rock's most acclaimed albums. The album features thought-provoking lyrics that touch on social and economic issues, as well as personal reflections on life and work. The production on the album is diverse, with beats that complement Aesop Rock's intricate rhymes. Check it out below: Read the full article

[audiofuzz]

HEAR: Aesop Rock - ‘Integrated Tech Solutions’

Rating: 9/10 - Excellent Album “Integrated Tech Solutions” is AI-sounding voice at the outset of MC and producer Aesop Rock‘s 10th album. Aesop Rock is an established and ingenious American rapper and producer known for his complex and dense lyrics, as well as his unique and innovative approach to hip-hop. Born Ian Matthias Bavitz, he has been a prominent figure in the underground hip-hop scene for many years. This latest album is a ingenious album with complicated production. Aesop Rock's style on Integrated Tech Solutions is characterized by intricate wordplay, intricate rhyme schemes, and a wide-ranging vocabulary. His lyrics often delve into complex and abstract themes, and his storytelling ability is highly regarded on this album. His production style is diverse, with beats that range from gritty and experimental to more traditional hip-hop sounds. This is certain to be one of Aesop Rock's most acclaimed albums. The album features thought-provoking lyrics that touch on social and economic issues, as well as personal reflections on life and work. The production on the album is diverse, with beats that complement Aesop Rock's intricate rhymes. Check it out below: Read the full article

[outofcontextaesoprock]

[gltzgghln]

quickkkk follow thing rb if u post

jojo’s bizarre adventure

ben 10

bugs, snails, invertebrates in general and/or just Weird animals

lemon demon

jack stauber

aesop rock

marina diamandis

visually stimmy stuff

scene-/ravecore

[onlydreaming]

-Ophidian

Franz Kafka // Wageningen University // David Foster Wallace // @saint-ambrosef​​ // Ada Limón // Ben Capalan // Francisco Goya // Catherine Gildiner // Margaret Atwood // Laozi // Architecture mysticism and myth. 1892 // Adonis // Akwaeke Emezi // Anne Carson // Maya Marshall // David Cronenberg // Inio Asano // Maggie Stiefvater // Mark Z. Danielewski // Ian Matthias Bavitz // La Lampara Maravillosa // Brenna Twoh // George Abraham // Emily Dickinson // Heather Havrilesky // Gwen Benaway // Stig Dagerman // Yves Olade // Katy Wiedemann // Ajahn Chah // Katherine Mansfield // Sara Teasdale // The Judge, 1921

[mbti-sorted]

Aesop Rock

Anonymous asked:

Could you type Ian Matthias Bavitz

[glucophage5mg]

Aesop Rock Net Worth 2022: Age, Height, Weight, Wife, Kids, Bio-Wiki

Aesop Rock Net Worth 2022: Age, Height, Weight, Wife, Kids, Bio-Wiki

Aesop Rock Celebrated Name: Aesop Rock Real Name/Full Name: Ian Matthias Bavitz Gender: Male Age: 45 years old Birth Date: 5 June 1976 Birth Place: Syosset, New York, United States Nationality: American Height: 1.93 m Weight: 87 kg Sexual Orientation: Straight Marital Status: Divorced Wife/Spouse (Name): Allyson Baker Children: No Dating/Girlfriend (Name): N/A Profession: Hip hop…

[sultaniyaharsh]

Aesop Rock Net Worth 2020 | Oregon’s Rapper and a Musician

Aesop Rock is an Oregon-based rapper, artist, and music maker. Throughout the long term, he got perhaps the most mainstream emcees in the United States. A few fans are thinking about him an image of the new rush of the other option and underground hip-jump. He was an individual from different hip-bounce gatherings and groups, and in the vast majority of them, he was a main part. Allow us to give you a knowledge into Aesop Rock’s short bio and his total assets, starting at 2020.

Individual Life

He was conceived as an Ian Matthias Bavitz on the fifth of June 1976. He was brought into the world in New York’s locale Northport. His parents are Paul and Jameija. Ian has two kin, two siblings, Graham and Christopher, which are named in his melodies regularly. Each of them three were raised as Catholics, yet Aesop Rock asserts that today, he is a rationalist.

He went to the High School in Northport, New York from 1990, and he graduated in the year 1994. Since he was a kid, he had an enthusiasm for music and messing around. Alongside his two siblings, he played utilizing mechanical toys, which later roused him for his tattoos.

Ian was hitched to Allyson Baker, who as an individual from the mainstream musical gang called “Dirty Ghosts”. They wedded in the year 2005. Prior to their separation, they lived in San Francisco. He is a tremendous tattoo sweetheart and has done a few of them on his body. A few times, he expressed that he discovered motivation for his tattoos in tricks from his youth.

Vocation

Aesop Rock began his initial works in the year 1990. He saw numerous amazing gatherings from NY shaping and separating. Their music had a lot of effect on his future work and formed his vocation as of the entirety. His music symbols were Public Enemy, BDP, KMD, and Run DMC. At the outset, he played instruments like piano and low pitch guitar, yet later, he gained a sampler.

His first studio collection was “Music for Earthworms” delivered in 1997. From 2001 to 2004, he delivered three collections “Float” in 2000, “Labor Days” in 2001, and “Bazooka Tooth” in 2003. These three collections expanded his standing among the crowds and different rappers altogether of the United States. He turned out to be enormously famous. His different collections are “None Shall Pass”, delivered in 2007, “Skelethon” from 2012, and the most current one is “Impossible Kid” that was delivered in 2016 Metacritic.

In the year 2007, he made a tune that goes on for the 45 minutes for the running arrangement of Nike+iPod. His fan base developed colossally since he showed up in the last part of the nineties. He had an agreement with El-P’s record mark called Definite Jux. Yet, when the mark confronted a monetary rest, he transformed it. He was a piece of many record marks throughout the long term.

Net Worth

Him being a well known craftsman in the United States unquestionably brought his much abundance throughout the long term. Starting at 2020, his total assets is assessed at $3 million. Other than music, he showed up, however for the most part on the narratives, where he showed up as himself.

[trikkidetroit]

You know…. some days I sit back and think “the best is yet to come”

Then other days I wisen up to the fact that nobody has had balls to come to my face and explain what’s going on to me…. for years.

So I’m kind of at odds here, thinking maybe i am dead, and this is my hellish dream world schizophrenic nightmare punishment from god for OD'ing and killing myself back in 2012.

Can someone please call me and confirm this is real life so I can stop feeling like I’m going crazy? Please? 😢

It’s really not a kind thing to do to someone. I really don’t have any friends left but I know people can see what I’m doing. But saying this makes me sound crazy to the only people left in my life. I’m actually really afraid every morning when I wake up. And sometimes I “put on a show” just because it invokes RESPONSE from those who either hate me or believe in me.

So today I’m grateful for anyone who responds, but I would prefer you not say or post anything at all if you hate me, just change the channel on your tv or turn the screen off to whatever demented spy network is mass monitoring me.

After all, I did not choose to be the center of any of this. It was predestined since my birth.

Unless of course, I am dead. Or crazy.

But I will guarantee one thing, I will kill myself by November if this doesn’t resolve itself. And not with drugs either. I will lock myself in the garage with the car running when my parents are gone. Or just gain access to a firearm. Easy enough in this city to obtain one, trust. I’ll find a way.

And if I die at least I will have died sober.

You think I’m joking? Nobody thinks I am worth shit enough to sit me down in a room and talk to me. I’ve begged for years for this to stop as quietly as possible and it doesn’t. Obviously there isn’t anybody out there that loves me enough to tell me the truth, I don’t want to live like this in the world. You may think it’s not a big deal but this has become a nightmare for me. This whole production is too big for me and I would rather die than suffer another winter in it.

And people say you don’t talk about suicide you just do it and the people that talk about doing it aren't actually the ones that do it, well if nothing happens in the next two months I’m just gonna assume I didn't clue in anybody because in "reality" I’ve been talking to myself this whole time and I’m crazy so what’s the point of living a life where you are a schized-out nutjob who thinks celebrities are trying to send them messages.

Ian Bavitz looked right through me. I was standing right in front of your face. I didn’t yell, didn’t scream. I didn’t have a knife in my hand. I had your concert T in my hand. I asked for your autograph, but you had the nerve to pretend you had NO idea who I was.

You have been one of the, if not the, most obviously outspoken lyricist out of all of them in regards to your poetic interpretation/visionary explanations of my life. You make it so painfully obvious through your words it is scary. On top of this, you ROMANTICIZED it, you invoked feeling in me as a woman that made me believe that you gave a shit. That you recognized the atrocity of what was being bestowed on me as an unwitting participant in this circus side show. That your whole purpose in everything you were writing about was eventually to find me, even if nothing transpired, just to TELL ME face to face that everything was going to be alright. And in the end, you, nor anybody else thought of me as human enough to just pull me to the side and say “listen, I’m going to tell you secret, this is all a production and you are the star girl, whether you like it or not, just keep cool and I promise things will work themselves out” I couldn’t even get THAT out of you.

Really it was at that moment, face to face & your empty stare, that I vowed to never attend one of your shows again. But I wish you nothing in life but the best, Johnny Appleseed. Hope you got that big apartment too. May you have a blessed life.

I got NO messages to save my soul during those years. I got a quick “we all can see you” message from a hired being in my “social circle”

Even my own boyfriend of 5 years, it was SO OBVIOUS he was hiding something from me, with a stack of cds from “independent labels” in the back of his loft and only letting small vague nuggets of shit out of his mouth every once in a while, but still looked at me like I was nuts when I would try to talk to him about it.

I was ripped on, pulled apart, picked at, made a fool of, exposed, DESECRATED as a human being by people I liked, and trusted, and called my “friends”, plus a lot of local pond scum that I’m sure are below me (even though “we are all equal”…. yeah right, brotherly love, if I was your brother) and if I was I man I guarantee I would have been treated with more respect than this throughout this process.

I guess there’s still a part of me that doesn’t want to believe that the people around me are such pieces of shit that they would keep something like this for me for so fucking long and not think about my sanity or my safety or health in their complete indifference and apathy. There’s a part of me that doesn’t want to forgive the ignorance, but I have to. Right?

I am strong but there is only so much one human being can take.

I will find a way to kill myself painlessly unless this stops.

I am begging, please just make it stop.

PLEASE.

[soundtracktracklist]

Aesop Rock #hiphop #rap #composer #singer #TheWeathermen #HailMaryMallon #TheUncluded #Bushwick #AesopRock Aesop Rock (Ian Matthias Bavitz) is an American hip hop recording artist and producer, composer, actor, a member of the groups The Weathermen, Hail Mary Mallon, The Uncluded, Two of Every Animal. He is known for his work on Bushwick (2017), Infinity Baby (2017), The Warriors (2005), Tony Hawk's Pro Skater 4 (2002), Tony Hawk's Underground 2 (2004).

[thejoyofviolentmovement]

New Video: Aesop Rock Releases a Cinematic Track off "Freedom Finger" Soundtrack

New Video: Aesop Rock Releases a Cinematic Track off "Freedom Finger" Soundtrack @AesopRockWins @rhymesayers

Ian Matthais Bavitz is a Syosset, NY-born, Portland, OR-based emcee and producer, best known as Aesop Rock. Releasing the bulk of his critically applauded, boundary pushing work through El-P’s Definitive Jux Records, the Syosset-born, Portland-based emcee and producer wound up being at the forefront of the underground and…

[joneswilliam72]

Review: Aesop Rock and TOBACCO enter a dysfunctional state of matrimony as experimental hip-hop duo Malibu Ken

For the better part of the 21st century, Ian Matthias Bavitz, best known by his stage name Aesop Rock, has galvanized an image that found success within the fringes of hip-hop and the forefront of “conscious rap.” Possessing unmatched sophistication, playful verbosity and an acerbic flow that cuts through the sub-conscious like butter, no emcee can wield the English language to their will quite like Aes.

Then there is TOBACCO, the audio-visual mastermind behind neo-psych luminaries Black Moth Super Rainbow, whose sage-like presence as a producer lends a magical flair to whatever he touches. Together, TOBACCO and Aesop as Malibu Ken, nosedive into an uncanny exploration through drug-induced paranoia, folklore and the pervasive mundanity of humanity.

This pairing did not pop out of the blue. In fact, the origins Malibu Ken go back a decade when the TOBACCO and Aes toured together. 10 years later, they find themselves neck-deep in a marriage that shouldn’t work on paper, but surprisingly it has. With TOBACCO’s iconically colorful hues of synth as the foundation, Aes’ rasp and grimy demeanor operate as the perfect foil to the eccentric producer’s often celestial style. The result is a record quite unnerving and even extraterrestrial.

’Acid King’, the first single released from the duo, is an infectiously dark number. I would usually call a track of this nature an earworm, but there’s just something deformed and unkempt about ‘Acid King’. It burrows into your ear canal like a maggot ready to lay eggs rather than a worm trying to wiggle its way free. As distorted synth-bass percolates beneath, Aes takes us into a dark time during his childhood—1984 in New York, where the folklore surrounding Ricky Kasso—the Acid King—prevailed. Aesop expressed intrigue with Kasso and this peculiar small-town murder in the past with the track ‘Catacomb Kids’ off his 2007 album None Shall Pass, and with ‘Acid King’, the story of Kasso comes full circle with repulsive imagery and detail made possible by the only person qualified to tell this dark tale. Though the premise may sound like a perverse fascination, it holds deeper significance because of proximity to Aesop’s life.

One of the most dizzying cuts from this project, ‘Corn Maze’, is an anxious banger for antisocialites everywhere. Mixing in cutting wordplay like “In a lavish rabbit hole with no rabbits/ Young, dumb dust-bunnies jump into traffic,” and sincere reflection; “the voices in my head still talk tough/ I go to bed stoned, I got some walls up.” Aesop dismantles the “new blood” of hip-hop while battling his own distressed psyche. As complex Aesop’s raps are, ‘Corn Maze’ is a baffling example of experimental hip-hop where sound perfectly mirrors the production. Beneath the rapper’s agile banter, TOBACCO constructs exactly what the track title suggests— a maze of searing synths driving in and out of misleading pathways and explosive dead ends.

‘Acid King’ and ‘Corn Maze’ are two incredible pieces of experimental rap, but they‘re arguably the album’s highest highs. Because they were released as singles, the rest of Malibu Ken may leave listeners slightly underwhelmed by a seemingly homogenized concoction of TOBACCO’s synthesized compositions and Aes’ unrelenting flow through the first go-round. Needless to say, closer listening reveals some of Aes’ most cleverly nuanced lyrics and TOBACCO’s most textured soundscapes yet.

The entirety of Malibu Ken is defined by a comically dark and foreboding atmosphere. Beginning with the wonderfully grotesque account of Ricky Kasso in ‘Acid Rap’, the duo’s madness seeps across and into each remaining track. With ‘Tuesday’, Aesop spews about the grotesque monotony and laziness of humanity, likening himself and his mental state to bodily decay: “I'm bunions and contusions, bumps, lumps and bruises/ Discoloring, and other things I can't reach with a loofah/ Not a butcher, not a baker/ Pick a booger with a basic evolutionary failure.” Though not the most ravishing picture to imagine, the New York-born MC affirms such title by rendering personal self-loathing through sharp metaphors and a poetic flair.

This attitude reverberates louder as you move deeper into the album. With the track ‘1 + 1 = 13’, Aes’ despair magnifies as he ponders the perpetual “bad luck” that seems to plague his everyday life: “My lucky sevens only ever make it up to six/ Every three tries, Satan kind of wins.”

Though most of, if not all of Aes’ raps are left in the abstract, sifting through his heady references, childhood flashbacks and his current mental state will reveal an artist who is surprisingly relatable. Piercing through discombobulating wordplay, Aesop’s lyrics are as clear as day and often reads like a personal essay in the vein of Mark Kozelek—except Aes keeps his meander-ish introspection interesting via broader topics of discussion and interesting production.

TOBACCO’s work as producer proves to be the high-octane fuel needed to light Aesop’s fire. As he’s managed to do so well for more than a decade as the key figurehead of Black Moth Super Rainbow, TOBACCO pervades each track with a retrofuturist touch—a lo-fi sound compromised of analog synths and other pre-digital instruments. The result is an influx of psychedelic mania that ends up enhancing his counterpart’s festering lyrical voyages.

Random references and non-sensical metaphors aside, Malibu Ken is proof that abstract hip-hop is very much alive. While cloud rap and trap beats continue to grab headlines and garner streams, the potential of experimental rap may lie within the marriage between two aging and well-established artists. Through a mutual vision soaked in a bath of radioactive sludge—together—Aesop Rock and TOBACCO are the unearthly duo, Malibu Ken.

from The 405 http://bit.ly/2ASoXXh

[outofcontextaesoprock]