and ANOTHER thing about sage!!!
'smartest character in the world' is always such a difficult trope to write because the writers can almost never make that pay off in a satisfying way. but it WORKED here. not only did it work phenomenally well from a plot perspective, they made it work so beautifully from a character perspective!
the fact that she's doing this for enrichment! just to prove she can! because for her entire life she's been disrespected and pushed aside and underestimated not only as a supe, but as a black woman? revolutionary. best character in the show. i'm in love.
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(madoka magica / rebellion spoilers below. TW: suicide and controlling behavior)
I don't know the direction in which walpurgisnacht rising will take homura's character but I can say with confidence that from at least where rebellion left off that I truly believe that homura made the decision that she felt was the most correct one even if it meant she had to become a monster in the eyes of every person that loved her. she felt that if things were left in the way the law of the cycle was currently running things that it was inevitable that kyubey would eventually capture madoka in her goddess form, study her, and use her to as a source for mass amounts of energy at the suffering of herself, the others within the law of the cycle, and magical girls at large again. this is something he explains very clearly when talking to homura before her transformation into homulilly.
I get so exhausted when I see people try characterize homura as an actually evil person with completely selfish desires and no regard for others. all of her actions, while not explicitly explained outright, when looked at closely always indicate that she does things out of her care for the other girls but feels like she bears the burden of having to do it alone because she believes she's the only one who doesn't let her emotions get in the way of protecting madoka and the others from kyubey and sometimes each other.
I will always use the scenes of her interactions with mami and sayaka in rebellion as huge examples of this. she has no reason not to kill them if she's a completely selfish and unemphatic person that only cares about madoka and no one else when given many opportunities to do so. I also don't personally think she keeps them around JUST because of madoka's happiness either. she very easily could have suppressed their roles in madoka's life with the world rewrite and clearly choose not to. I believe her mocking sayaka and acting in a clearly "evil" manner is deliberate acting on her part to frame herself as a villain. she might believe this would her actions more palatable and will create distance between herself and everyone else to protect them as well as allow her to assert more control in this situation. it is further emphasized how she truly feels with imagery displayed in homura's new world around herself (shoes abandoned on the side of a building to potentially indicate suicidal ideation, a half moon alluding to homura feeling unfulfilled and unhappy with this decision, her dancing around happily before stopping and slowly falling off the cliff side with a similar implication as the shoes).
homura's relationship with the others is incredibly complicated but she cares for them deeply too as they are also people she considers friends, she just had a particularly strong attachment to madoka. we don't get to see as many instances of her interacting with them as we do them interacting with each other as we are unfortunately only really privy to homura's life after she began looping for the most part but we can see it in the way she has expresses concern and distress for them in moments where she believes they are in real, tangible danger of being hurt (she's winces and tries to turn away when aiming for mami's leg and screams out when she believes mami is about to be truly harmed after their gun fight, which neither ever had the real intention of hitting one another with any of those bullets in the first place). her entire witch's labyrinth is one where everyone is happy and gets the lives they desire. why would her labyrinth, which is meant to reflect in-part her inner feelings and desires, appear that way if she didn't truly want that for everyone?
rebellion is so compelling to me for all of this and so much more!! (I could write a whole other post on the way it presents it's freedom with danger vs control with safety question at the end of the film) she is a girl who has repeatedly suffered incredibly traumatizing events and longs for a world where the person she loves and the friends she considers dear are safe. homura is not really the devil, but she wants to appear to be because being the devil would be easier than being a human being in these circumstances.
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hatecore rook sketches cuz that new Yeat album had a vibe attached to it. Anyway he's fucking tortured ok. emotional pin cushion moment ‼‼
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the entire eleventh doctor's run is like. every episode is the coolest concept in the world but the execution doesn't give anything room to breathe. every scene has to have The Highest Stakes so you get these JAMPACKED stories where individual moments are really really interesting but they just don't cohere. there's 65% more episode per episode but when you try to pick apart the details of what's going on it all falls apart
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I'm not even kidding when I say that 'Hey, better manners when I'm holding a dart' is one of the sexiest lines of all time.
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