#i've made my mistakes

[cat-bit]

Her name was supposed to be Reynard 😔

[nipuni]

Casanova sketches!

[narsh-poptarts]

Long time no FD how we feelin

[potates-tga]

Me after I spill ginger ale on my stream set up.

[achillean-knight]

[lolli-popples]

I had too much time but no brain power on Monday, so I decided to see who the Hermit of the Day was and just draw them. I liked the sketch enough to actually spend the extra time to finish it. So, here's Cub, 2 days late!

[floralcrematorium]

Happy Valentine's Day from The Women Of All Time

@femslashetalia

[buglaur]

floating head in cas mod!

i made a piece of cc that hides the body in cas for ease of making transparent head icons and other such edits. it doesn’t delete the body permanently, it just acts as an invisible bodysuit that can be removed when you’re done

found in the outfits category

teen to elder / both frames

doesn’t remove the feet so you can still access the body menu

⚠️ when you’re finished with it, click on the sims shoes/feet, you can then access the outfit category from there to remove it!

gif preview under cut

download at simfileshare (free no ads)

GOD i hope it works, i didn’t ask for any testers. it should though!! just please lmk if you find issues ❤️❤️❤️

[nibbelraz]

Oh! Can I kindly request Bingliushen of some flavor? (your style is so cute!!!)

Love to think that they have to schedule time to be with Shen Qingqiu and they go feral if they go above the time

It's ok he kisses it better

Always jealous

[rosesofenvy]

How Far We’ve Come - Music Theory Analysis

[Disclaimer: I went to university for music as a violin primary and have the most confidence with classical strings. I passed my piano proficiency courses, but that is the extent of my piano knowledge. It has been a few years since I have done an in-depth composition analysis of any piece, let alone transcribing a piece by ear and then analyzing it. Music theory has never been my strong suit! Please excuse any mistakes in notation, and any inaccuracies in my transcription or analysis. I did my best and this was purely for fun *shaky thumbs up*]

----------------------

'How Far We’ve Come' by Harlan Guthrie is a duet between Grand Piano and Cello. This piece opens with solo piano, either in a pickup measure or in a single measure of 2/4 before transitioning to 4/4 time in measure 2. Throughout its entirety there are many moments of rubato which have been notated as ritardando and a subsequent a tempo. To most accurately follow the phrasing, listening to the recording is highly recommended.

This piece begins in the key of F#M or the enharmonic spelling of GbM. Although unpleasant to look at with either 6 sharps or 6 flats, depending on which spelling is followed, this key is often used by composers to invoke emotions of a conquest story, evoking relief, triumph, victory, and clarity. As we know from our story in Malevolent so far, this meaning is not lost on us. I have chosen to keep this piece as F#M since that is how I originally began transcribing it. I have also attached the GbM version at the end of the post, however all the analysis follows F#M spelling.

The lone piano begins on the third of our I chord with a hesitant, heavily rubato 8th note pickup into measure 1. The transition from measure to measure in this first phrase gains little confidence, especially with the transition from the pickup into m. 1 as this is the only instance in the piece where the set of 8th notes in the left hand do not lend itself into the next right hand pickup (four 8th notes instead of five). Each lead-in to the downbeat is stretched, pedal held throughout the measure to allow the sound to linger. Each press of the keys is deliberate, yet maintains a mezzo dynamic as the sound fades. m.2 is introduced with a vi chord, creating a hint of unease before resolving in m.3 to a IV(add7). We end our first phrase with a half cadence to a V chord, leading into a V7 as our next phrase begins with a B. 

As we enter our second phrase it is similar to our first with  m.5 beginning with a I chord, m.6 expands our vi chord compared to its first iteration, resulting in a more confident feel as we continue into m.7 with yet another expansion to our IV(add7). M.8 ends this phrase as we reach another half cadence V chord almost V7. 

Beginning m.9 the piece has a few possible paths of analysis, we arrive on a vi chord if we are remaining in F#M, which unlike our other initial starting phrases this throws us into a melancholic mood. There is a possibility of modulation to the relative minor (D#m), however I believe it remains in F#M and utilizes inversions of our chords and will continue with this assumption for the next phrase.

Remaining in F#M, m.10 could be a vi(4/2) inversion, or a I(6/4) inversion. Because Measure 11 moves to a ii chord, I believe it makes more harmonic sense for m.10 to be a vi(4/2) inversion as moving from a I(6/4) - ii is less common than a vi(6/4) to a ii. 

M.11 into m.12 is a fascinating progression. We have a V with the (g) in m.11, then we are descending to a Dnat, A#, E# progression. The Dnat is what has thrown me off the most, as it is a minor chord of sorts but doesn’t exist within our key of F#M, or relative D#m. The E# A# progression I believe is a I(4/2) chord, as it is leading us back into the next phrase. Even spelling enharmonically as a A#, Cx, E# chord it does not naturally occur within our existing key. After many hours of checking theory textbooks, writing out possible modulations, and playthroughs of the chords, I’m choosing to leave this as a V-I(4/2) progression and accepting my loss that I do not know what chord exists in the downbeat of m.12. However, I can say that resolving to something that is not a root tonic further creates this sense of melancholy.

Bringing us to our next phrase at m.13, similar to our previous phrase a vi chord but instead of resolving to an A# it resolves to the root D#. M.14 is identical to m.10 with the exception of the lower octave A#3 before resolving in m.15 to a ii chord until the fourth beat of the measure which leads us into measure 16 - resolving to a IV-V half cadence by the end of the measure. 

Reaching m.18 we are returning to our original phrase. This is where our cello enters for the duet, in which I have some observations about musicality first. As the piano is using a significant amount of pedal to sustain the sound, the cello utilizes a wide vibrato to create a warm sound. Notably, this doesn’t occur as significantly when entering with the lower notes. The cello is confident, encouraging the piano forward and maintaining a solid momentum even with the hesitance the piano has shown. 

M.18 we begin on a I chord, supported by the cello playing a low F# as the root. In the pause between phrases, it's as if you can feel the performers breathing together before they move to m.19, our vi(add7) chord. 

Measure 20 I have quite a bit to talk about. Stacked chord analysis is not my forte (pun intended). From what I could hear, there is a B1, F#2, B2, F#3 in the cello, while the piano continues with a IV(add7) chord. B1 is impossible to play on a cello with traditional tuning, in order to achieve this note they would have to tune their lowest string - their C string - down a half step. The chord B1/F#2/B2/F#3 is also impossible to play on a single instrument. If one cello tuned their C down to a B, then they could feasibly play the bottom chord, possibly the two B’s in octaves. It is possible for a cellist to play an F#/B/F# chord, however it would be uncomfortable and not result in a good tonality with it being a triple stop - but, the second cello could split the chord and play a different combination (F#2,B2 or B2,F#) with success. Other solutions to this could be having a double bass play the pedal B, as it would be within their ability on and remain in the correct octave, or having the piano cover the pedal B. This massive chord then resolves simply to a half cadence V chord in measure 21. 

Entering our last section, m.22, we return to a phrase similar to the beginning, with a confident I chord. With each measure we go to a more traditional chord progression to a V-IV-V in measures 23, 24, and 25 respectively. In an exciting turn of events, we land on a I chord in our final measure. The first PAC in the entire piece, and yet, it doesn’t sound as if the piece is finished. Throughout its entirety, all the phrases have been a form of inauthentic cadence. We end on a Perfect Authentic Cadence, a V-I, it should sound resolved. And yet, it continues on. The notes ring, and if left on repeat (as I have done for this analysis), it makes sense for it to continue. 

In conclusion, I believe this duet is in an general AABBAA format, with A being Major key tonality and B encompassing a minor key tonality. This piece is a conversation, it’s full of emotion and hesitance and is a fantastic representation of everything we’ve seen Arthur and John go through so far in the podcast. I can’t help but think of “I’ve come so far…and I have miles to go before I sleep” with this piece as a reflection of that. This composition is saying “Look, see how far we’ve come, what we’ve done to get here. How we’ve changed and grown.” All this to say, it’s an amazing story and an amazing composition. If you made it this far, I’m glad you came along in this musical journey with me and feel free to add anything I may have missed (or possibly mistaken). 

[catlover4536]

@carnivalcarrion Remember when I said I had something for you?

Yeah, me too.

[jouska-the-deer]

Sonic Twitter and TikTok Takeover 2023 Masterpost

Guess what? I saved every response to the takeover like I did last year, and here they all are, with a bonus.

I created a transcript of every single answer and saved it in a Google Doc, which you can find the link to [Here]

Links to all the individual Tweets and Tiktoks can be found below in order of when they were answered.

Intro [Twitter Link][TikTok Link]

Sonic: Question from @MetroGamer21: “How often do you keep your quills sharp? Do you brush it yourself or do you have someone else do it?”

Sonic: Alright. Question from At Xyn…qieqie underscore- “Okay Knuckles, I just gonna know what’s under your gloves!” Uh, geez. “Is it weird spiked hands or is it just the design of the gloves?”

Amy: This question is from @SilentNayuri. They ask Eggman, (Clears throat) “Out of every machine you’ve built, which one was your favorite?"

Tails: This question is from @Prisma_Sonic. “To Sonic, have you ever wondered if there were other versions of you out there? Asking for a friend.”

Sonic: This question’s from Jack. “For Eggman.” Oh. “Why did you get rid of the yellow cape? It was so fashionable!”

Sonic: Well this question is for me from At daniel nu beh n… “For Sonic, who in the group do you think is the prettiest!”

Amy: From @Rayfun_25028. “To Knuckles, I always wondered, how are you able to glide, actually.”

Sonic: This next question comes from @pabloandoogway. “Why do none of you use the emerald power anymore?”

Eggman: Question coming in hot from @BlueBlur68. Let’s see. “For Sonic, since you guys were in Eggman’s dream, what would Sonic’s dream be like?”

Tails: Question from Leyla. They ask, “Do you guys sometimes feel dizzy when you do a spindash or jump? If not, why?”

Amy: Aw! This next one’s from @selkadombom1n. They said, “Hey gang, big fan here. Today’s takeover is actually very special because it’s also my nineteenth birthday.” Aw. “If it’s not too much to ask, could I get a happy birthday serenade from your beautiful singing voices?”

Knuckles: wyattron asks, “Do the Chaos Emeralds have different tastes with the different colors?”

Tails: @Razer, Ooh, asks, “Are there any moments where going fast is not the best option?”

Tails: This question is from Pastelz. “Knuckles, does Rouge ever come by trying to steal the Master Emerald?”

Tails: This question is from @thatblockholevt. “To Eggman. What would your fursona be?”

Amy: Yubby asks me, “Do you wear inhibitor rings?”

Sonic: Question from @HannahW_1031 to Amy, “When or how did you get into reading fortune cards and where did you get them?”

Knuckles: knulaa! asks, “What are your thoughts on knowing that you have a biggest fan?”

Tails: Question from At Real-Mephi-One-es-Fan, “To Amy Rose. How was the concert with Shadow? Did you go to any other concerts by any chance?”

Knuckles: Two Stars asks: “For Tails, where did your fear of thunder come from?”

Eggman: Question from @ShadowsTrueBiggestFan, “Can I adopt Shadow? He can’t say no he isn’t in the Twitter takeover.”

Eggman: @DigiDevilTrig asks, “Sonic, if you’re the fastest thing alive, why did you use the train to go to the Mystic Ruins?”

Sonic: This one’s from spiro. Hi Eggman, are you looking for another henchman? I could be your henchwoman? I’m on your side all the way! Team Eggman!"

Sonic: This next one’s from holz. They say, “Since Shadow isn’t present this time, what’re your opinions on him?”

Knuckles: @Sonic_Sunset asks, “We know Sonic was a huge inspiration for Tails, but does he have other sources of inspiration? Like Dr. Eggman’s machinery for example.”

Sonic: Let’s see. This next question is from ‘the dog is very cool’. Interesting, uh, username, there, but, I’m happy for you. They ask, “Can I borrow a couple rings? I wanna buy a bag of funions.” 

Tails: @45Euvee asks, “For everyone. If you were a flavor of cake, what flavor would you be?”

Knuckles: Uh, I think this is for everyone. thehiddenface52 asks, “What’s your favorite winter activity?”

Sonic: This is from sam. “To everyone, how much sleep do you need? Does the fastest thing alive need a full eight hours?”

Eggman: Question from @valiixe. “If Sonic was a worm, would any of you guys still like him?”

Knuckles: Autumn asks, “How can I convince my dad to give me all Sonic stuff for Christmas?”

Eggman: @TailsAustin9922 asks the class, “What is something that you don’t do very well that you’d like to improve on?”

Amy: Okay! Question from @JopieTropi. They ask, “If the five of you could swap roles with someone for an entire day, who would each of you choose?”

Sonic: Question from fan, “Why is it called an oven when you ove in the cold food of out hot eat the food.”

Sonic: At creator-super-long-underscore asks, “Is it painful to give Knuckles a fist bump or handshake?”

Amy: @SpongyRabbit asks Sonic, “Why don’t you just put Eggman in jail?” 

Eggman: @thefortnitelegend190 asks, “Eggman, why don’t you team with Sonic? You guys would be a really good team.”

Tails: @squidboi7674 asks, “Eggman, do you do commissions? Like can I pay you to do a custom badnik all for me, because that would be really cool I think.”

Sonic: @TyphonTwister asks, “You guys have beaten a lot of baddies over the years. This might be a little weird but, who was your favorite to fight? Besides the good doctor of course.”

Tails: ExcaliburSonic asks, “If flamingos are pink because they eat shrimp, then why are you blue? Do you eat blue paint?”

Knuckles: This is from kittyxpickle. They ask, “To Knuckles, rougher than the rest of them, are you allowed on the internet without supervision? If yes, please reconsider.”

Outro [Twitter Link] [TikTok Link]

Feel free to let me know of any mistakes or missing responses, in either this post or the transcript doc, and I'll try to fix it. I'll also take suggestions on how to improve the transcript, since this is my first time making one.

[karakuuls]

some more of my nasty death-shaped shepherd (guest-starring his vampire boyfriend who he hates)

[jonismitchell]

all of midnights is like "i have to walk out on you but it's the hardest thing i'll ever have to do" and ttpd is like "walking out on you was the worst mistake of my entire life"

[revolutionarygirlanthy]

asks user why they whitewashed anthy in their recent art (as in, paler even than movie anthy)

gets told to go fuck myself basically

lol

anyway: anthy is brown and if your draw her as paler even that her movie design you've done a racism.

[lexosaurus]

I think, genuinely, the coolest part about being in this phandom for so long and semi-consistently putting creative projects out there is that I can look back over the years and see how much growth I've made in all areas of my creativity.

Like, I'm writing things now I wouldn't have even dreamed of years ago, and I'm composing music that past me would have been shell-shocked to hear. And I can see with each new fic I put out, each new song I make, how much better I'm getting. And it's not to say that I've mastered the art of writing and composition, but I've certainly improved a fuckton since like 2017 or whenever the hell I made this account.

Damn, y'all. It turns out that all the experts were right and skill is just a LOT of practice over a long period of time.