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pedrosgrogu · 1 day ago

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Born Too Late - Chapter 5

pairing/au: neighbor!joel x reader // no outbreak

Warnings: MDNI!!! SMUT (2 chapters in a row :0.. So much for slow burn), age gap, no use of y/n, i think thats it fr, dirty talk, unprotected p in v (be smart yall, wrap it up). thats it i think, lemme know if i missed something :)

Summary: Sarah's conference is this week and seeing Joel is not on your list of things you want to do. Then he invites you over to talk. You need to set the boundary now, what could go wrong? (1.6k+)

a/n: i tried to write a lil more than usual bc i feel bad about inconsistent posting. (shoutout no personal life bc work/school) hopefully with winter break i can post a couple times a week. also trying to figure out how to make a taglist so if you want to be notified of new chapters, lmk!! If you have any suggestions, give em to a girl. i love to see/hear feedback :) <3

Yet again, you’re avoiding Joel like the plague. You have an unknown amount of missed calls from him. You also have conferences today. This means you have to see him, and you feel like you could throw up. He’s your last one at 5:30 p.m. The day goes by slowly, and you have lunch duty so you don’t have time to finish planning your conference notes. After lunch is the worst part of the day. Kids are tired and barely give a shit, but you have a couple good ones that you try to focus on. Sarah being one of them. The 2:30 bell rings and by 2:40 your class is empty. Conferences start at 3:30 so you finish your notes and try to eat your lunch but that sinking feeling is still there.

By 5:15, you’ve talked to so many parents that they’re all starting to blur. You’re exhausted and would rather be quite literally anywhere else by now. You gather Sarah's notes and sit them on the table, one stack in front of you and a copy of your stack in front of where Joel will sit. Sarah really enjoys a select few books from your classroom library so you sit them on her desk for her in case she's with Joel.

Before you see him, you smell him. The air in your classroom fills with hints of cedarwood and lavender. You look up and Sarah is already at her desk looking at the books. You stand to greet Joel. “Good Evening Mr. Miller” you reach to shake his hand but he doesn't move, he is staring right through you. “Sweet girl, you don't have to call me that.” He says, still staring. You smile and invite him to sit. “So” you start “Sarah is doing phenomenal, she loves to read and write, and is always very engaged. I pulled a few samples of her writings from the last couple weeks so you could read them. They’re the first sheets inside your fold-” “Babygirl” he says gruffly “I know my daughter, and she has excelled and exceeded every year. I'm here for you. Why have you been avoiding me?” You look at him, wide eyed. Half wanting to laugh and half wanting to cry. Your door is open and anyone could walk by and hear him, Sarah could hear him. “Joel I promise I'm not trying to avoid you” you say quietly, lying straight through your teeth. And he knows it. You stand up and walk to close the door and can feel his eyes burning through you. “I just dont think-” “I've called you more times than I can count, and you aint returned a single one. Shit baby, your bra is still on my bedroom floor. Taunting me every night.” You can feel the warmth begin to rise on your face, and between your legs. “Mr.Miller, now is not the time or the place for this conversation. If we could please get back to Sarah.” He looks at you, deadpan. “Alright, come to my house tomorrow night at 8. Sarah will be with her mom for the weekend.” Internally, you groan. Externally, “Yes sir”. You watch him stir in his chair at your words, repositioning himself.

The rest of the conference goes well, Sarah reads some of her writings to her dad, and shows him her favorite books. He asks her so many questions about her work and she is extremely detailed in every answer. He seems like a great dad, and it puts him in a different light for you. Now he isn't only hot, and great at sex, and great at aftercare, but he's a good dad. You are so fucked.

Friday comes and goes, yet again you're exhausted. You take a steaming shower when you get home. Shaving your legs, just because. NOT for Joel. Once out of the shower, you change into a pair of blue biker shorts and an oversized Texans crewneck. You throw your hair up in a bun and make yourself some coffee. Hoping the coffee will help combat the sleepiness, you throw yourself onto the couch and turn on some Grey's Anatomy reruns, and begin to drift into a nap. You try to fight it, but it's inevitable.

You wake up to your phone ringing. You check the time. 8:17. “Shit” you grumble. You flip your phone open without even checking the caller ID. “Hello?” you say, groggily. “There's my sweet girl.” He says, pausing briefly. “You’re late. Better get here fast, dinners gonna be cold.” And before you can get a word out, Joel hangs up. “Fuck fuck FUCK.” You say, frustratedly. This has gone too far, and god forbid your work gets wind of this disaster. You’d be screwed. You throw your shoes on and walk next door.

Joel opens the door right as you walk up the steps. The smells instantly take you back to that morning. You still remember how he felt inside you, how his lips felt on yours, how his hand fit around your neck so perfectly how- “You gonna come in or you just gon’ stand there?” Joel snaps you out of your trance. You follow him the rest of the way in, kicking your shoes off at the door this time. “I made spaghetti with garlic bread. Stuck it in the oven to stay warm since you tried to stand me up.” He says, grinning. “Joel look” you start, “I really appreciate this, and I really had a” “Sit down and eat. We can talk after.” He says, pulling a chair out. He walks around to the fridge, opening the door. You can't stop staring at him. His shoulders so broad, and biceps borderline busting out of his shirt. You’re in a trance. “Red or white?” he says, but you don't hear him. You’re too busy eye fucking him, completely forgetting that the only reason you’re here is to end this before it starts. He turns around and sees you still looking straight through him, undressing him with your eyes. He grins a devilish grin and you snap back to reality. “Huh? Sorry I was-” “No need to explain, I asked if you wanted red or white wine?” he says, grinning “Oh.. ummm.. White please!” He sits the glass next to you, along with your plate of food.

Dinner goes well, you talk about Sarah and how great of a student she is. You realize Joel could go on and on about her, because he does. Before you know it, its 10:00 and you're fighting sleep again. But this conversation needs to happen. You gather the plates and wine glasses and begin doing the dishes. “Darlin’ don't worry about those. I can do them in the morning.” “Joel, we need to talk.” You say, hoping it doesn't come off too harsh. You turn the sink off and dry your hands. “Joel, I had a lot of fun a few weeks ago. But I don’t think-” he cuts you off. “Why’re you thinkin’ baby? Thinkin’ don’t never lead to nothin’ good.” He says, wrapping his hands around your waist. As much as you don’t want to, you lean into his grip. “Joel, please.” you almost moan. “I don’t want to get in trouble at work, it's a huge ethical misconduct if the school were to ever find out, especially since Sarah is in my class.” He’s kissing up your neck, and you aren't doing anything to stop him. “I just want to taste you, just one more time.” He groans into your ear, nibbling on the tip. “This has to be the last time.” you think to yourself.

You don't fight it, you give in. And you enjoy every second of it. Joel picks you up and lays you on the table. The same table you just had dinner on. Your shorts are thrown across the room and your sweatshirt is being used as back support. He’s devouring every inch of your body. Leaving bite marks in unseen places. You hear his belt hit the floor and watch his shirt peel off of his body. You moan at the sight. He lines himself up with your aching cunt. “What was all that earlier about you gettin’ in trouble at work?” he says, comically. “Joel, please not-” and before you can squeak the rest of your sentence out, he's ramming his cock inside you. Over and over. “What's wrong baby? Can’t speak?” he says, laughing. Hes fucking you so hard that the goddamn table is moving. “I need something more stable.” He grunts, picking you up and throwing you on the island, his cock never leaving inside of you. He rubs vigorous circles around your clit, watching your eyes roll into the back of your head. “Dont. Stop. Joel.” You manage to say in between breaths. “I don’t ever plan to babygirl.” He says, rubbing faster. Your release is on the horizon. Everythings gone white and all you can focus on is the sound of skin slapping skin. Your back arches and you scream with pleasure. “Let it out babygirl, cum for me.” Just as you begin to come down, you feel Joel's cock tense up inside you, and he falls to your ear, moaning. He pulls out and you moan gutteraly. You feel the warmth of his seed dripping Yet again, he disappears and reappears with a warm washcloth. Cleaning and kissing every inch of your body.

You get cleaned up and dressed. Joel puts on a pair of sweatpants, no shirt. You could go for round 2 but 2 times is 2 too many. You begin to put your shoes on. “Darlin’, why don't you stay the night?” You instantly get nauseous, and feel tears? Maybe? You barely know this guy, what the fuck? “Joel, I told you. This cannot happen. Not again.” You say, trembling. “We can-” You cut him off. “No more Joel.” and you open the door and walk out. Leaving him just as quickly as you found him.

Masterlist - Chapter 4

#joel miller #joel miller x reader #joel miller fic #last of us #neighbor joel x reader #neighbor joel #cliffhanger #joel miller smut #pedro pascal #joel miller x you #the last of us #neighbor!joel #joel x reader #daddy joel #joel miller fanfiction #joel miller x f!reader #my writing #tlou #joel tlou

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hestzhyen · 2 days ago

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Analysis: Hakuri & Abusive Backstories

Hello dear void. Hakuri is a character that is near and dear to my heart so I wanted to yap about him and why his story is so important to me on a deeply personal level.

This is a LONG yapfest- the Tumblr Edit Post UI is hitching and lagging while I try to type this little notice there's so much word vomit in here. I honestly don't expect anyone to read it all the way through. I just wrote this to figure out why I was so goddamn attached to a fictional character and decided to jettison it into the ambivalent embrace of the internet. I spent too many hours on this to just delete it all once I found my answers, so... if you wanna strap in, go ahead. But maybe make sure you've got a decent chunk of free time and high tolerance for extremely subjective interpretations first.

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DISCLAIMER: This is purely my opinion- I can't speak for anyone's experience but my own.

First, this isn't a trauma dump. Not for me at least. I'll be talking about what Hakuri endured and how it shaped his character in relatable ways thanks to the quality of the writing. But there won't be anything discussed outside of what happens in Kagurabachi canon, so rest assured on that front.

Second, please don't assume I had a terrible life because I latched on to a character that was literally tortured for years! Even though the major themes resonated with me and many of my thoughts were eerily similar to Hakuri's, nothing I experienced rose to such an extreme level. Like, I genuinely deserved the one time I was hit for being a shitty over-dramatic teenager so it doesn't even come close lmao. Fictional characters don't have to be 1:1 mirrors in terms of type or severity of trauma to be helpful self-reflection tools is all.

Third, I started writing this around chapter 53 and it's being posted as of chapter 58. If it ages poorly, well, I'm not saying I'm smart just because I yap a lot.

Without further ado... prepare for an expansion of massive proportions under the cut.

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All too often we see shounen characters have an abusive sob story background to give them a sympathetic hook and a reason to start from zero. There's little to say about them other than they go from zero to hero for the good vibes and catharsis. They begin their story as a victim first and foremost, and there are little or no lingering effects from trauma once they have their moment of triumph. In the "good" cases they're healed and whole. In the "bad" cases they have negatively warped personalities for the rest of the story. There's not much in between the two extremes.

Portraying the abuse characters endure in such a shallow way is not the best way to write about it, from my point of view. Writing it as something that can be overcome with strength of will alone is harmful. So is writing the victim as a permanently damaged, defective person. Instead, we need more characters like Hakuri that are shaped but not wholly defined by their abuse, and aren't completely healed by putting the manifestation of their torment in the dirt.

Hakuri is the first character the [abusive past] attribute that actually worked as a hook for me. This is largely due to two key writing decisions: not centering Hakuri's entire narrative around overcoming the abuse he suffered, and carefully depicting how trauma influences his actions. It's necessary to read between the lines of what he says and does to see how much he hasn't said about himself- what he won't admit or recognize, despite how core it is to his character.

Chapters 19-23, Meeting and Getting to Know Sazanami Hakuri

Mantis imagery for courage!

The very first things we learn about Hakuri are as follows:

1) He pushes through hardship with sheer force of will 2) He lost his whole family and has probably been on his own for a while 3) #1 is a lie

I've brought it up before, but food symbolism is all over the place in Kagurabachi- it's often a short-hand for comfort and connection. So Hakuri spilling that metaphor out of his mouth right after telling us he's able to "push through" is a sign that he actually isn't coping with his situation that well. His thoughts about himself and his actual status don't match up. But it's ridiculous imagery that puts us off and pushes us towards thinking he's kind of pathetic rather than making us feel sorry for him. And the rest of his introduction, while accurate to his character, buries the lede on how much he's suffering.

As for his backstory: he was disowned, yes. He says his family will kill him if they see him, yes. But it reads more like Hakuri was punished for being a moral black sheep after he himself framed being disowned as punishment for "being weak" and "getting in the way of business". There's no hint of foul play on his family's part other than being low-life criminals to be fought as the arc villains. So he's primed for some sadness but probably nothing on Char's level. The only hints we have towards something serious until the chapter 24 reveal are not exactly obvious:

-He has a fatalistic mindset and thinks it's natural for him to be overpowered and kicked around because he's weak. (Could just be typical zero-to-hero shounen character things.)

-He's generally unafraid and highly tolerant of pain. He gives no shits about his condition after being kicked around by the Yakuza, smears the blood from his nose while casually talking to Chihiro, and willingly takes a strong hit and is able to yell encouragement to Chihiro while lying bloody on the floor. (Doesn't really stand out in a series as violent as Kagurabachi; this is kind of the bare minimum for being involved in the plot if you aren't a child to be protected.)

-Perhaps the only big tell-tale sign: we zoom in on his trembling fist when describing his older siblings as "strong and scary" in chapter 23. (Could be inferred as fearing for his life since he also says they'd kill him on sight in the same chapter.)

Hakuri's not written like a typical abuse victim in this intro. We don't get commentary from other characters about how much pain Hakuri seems to be in- they comment on how weak and dopey he appears instead. Nor do we get shots of him looking sad, flinching away from touch, or being hesitant to connect with other people. He's actually kind of unhinged with how passionate and eager he is to join forces with Chihiro. He's intense and ridiculous and gets used like a wholesome gag character more than anything else.

So there's not much to suspect here. Hakuri's got more to reveal to us but there are no signs of what we should brace ourselves for. Then the nightmare starts.

Chs. 24-26, The First Glimpse

This page goes from 0 to 100 REAL quick.

Well, shit.

Behold the understated reveal of Hakuri's status as a victim of abuse. The revelation at the bottom of the page only to see his suicide attempt on the page turn is an extremely effective "oh shit- OH SHIT-" two-hit combo that arrests the reader's attention, and I really wish that it was the most memorable part of the chapter for more people. Because holy hell, this recontextualizes everything we know about Hakuri. He's still a passionate, silly, and slightly insane guy, but damn he actually suffered more than he let on.

To find out like this is unusual, isn't it? Char's situation wasn't shown right away either, but meeting her as a scruffy orphan clued us in that she was going to have a tough past from the start. Hakuri, by comparison, gave us very few obvious hints about it. It's like he doesn't want to be seen that way. He openly admits to being "weak" and "useless" but his own pain? The suffering he endured? He's totally fine pushing past it all (lies).

But we're not even close to done yet.

Note how Hakuri's focused on Soya's hands...

Hakuri's first instinct being to jump to his death says a lot. Unlike standing up for the little girl or jumping in to save Chihiro, this is a purely reactionary response. There's no room to think back to Chihiro's bravery for inspiration as those memories overwhelm him. He's terrified. So he jumps and trembles in fear as Soya tries to talk him into coming back to relive his nightmares.

We laughed at the soda spilling out of his mouth and his expressions after he got hit in the face by Hiyuki, but this is deadly serious. Hakuri isn't okay at all. He's actually in very bad condition and the way he thinks about Soya says so much.

The panel explaining Soya's expression of "love" on the page above is important, but it's not emphasized in the same way as what's happening in the present. It feels like an unpleasant detour into Hakuri's inner thoughts for extra context while the main focus is on him and Soya in the moment. Hakuri doesn't even describe what happened to him directly- he says "punching and kicking" like it could be anything from hazing to broken bones, but the backdrop lets us know that it's probably closer to the latter. It gives the impression that Hakuri (understandably) doesn't want to think about this at all.

He also frames Soya's aggression towards him as an expression of "sincere" affection. That's preposterous and heart-breaking to most people- violence isn't love. Even most victims will acknowledge that... to a point. Violence hurts, it's unwanted, but it's still a valid expression of emotion to be acknowledged. It's something they earn or deserve. The rational people are correctly screaming NO IT'S NOT! And most victims would agree again... to a point. Somehow they're the exception to that mindset. Other people don't deserve it, but they do.

So despite it all, Hakuri is still able to be brave for Hinao's sake. He's not going to let Soya hurt anyone else if he can help it, even if it means putting himself back in harm's way. This adds an interesting layer to his character. He's laden with trauma, but he's still able to show courage for others. He thinks he's weak and won't prevent whatever abuse comes his way, but he will put himself at risk to stop others from experiencing the same or worse.

Why is he so devoted to protecting other people at his own expense? Sadly, it's not uncommon for victims to advocate harder for other people than they do for themselves. It also has something to do with the merchandise woman that was mentioned this chapter, but that reasoning won't be revealed for a while yet.

"This pathetic wretch was born a Sazanami, but he can't even do sorcery. He's useless. Worse, he's a hindrance. His life is worthless."

There's another thrill of panic when Kyora summons Hakuri to use his life as a bargaining chip. Hakuri's at his most pathetic here- he's on the ground, helpless under Kyora's foot, not even trying to resist or escape. None of the fire we saw when he saved the little girl, took that hit for Chihiro, or defended Hinao is present. Hakuri can't be brave for himself. He's quite literally trampled by what passes for the Sazanami version of "love" and "basic human decency". It doesn't need to be spelled out any clearer than this: Hakuri's woes come from his family, especially his father. The Sazanamis are fucked up even when it comes to how they treat their own flesh and blood. They're rotten from the head down.

It's obvious then why Chihiro's words and actions affect Hakuri so much. Hakuri thinks he has no value whatsoever- his father says as much, and he falls for Shiba's bluff implying the same. Only Chihiro steps in to directly repudiate Kyora's toxicity and say yes, Hakuri does have value. So much, in fact, that he's willing to trade the precious memento of his father (and the majority of his strength) to prove it. So they're able to leave, but not without Hakuri encumbering himself with a huge amount of guilt for how things went down.

The face of someone ready to spiral down and out.

It's telling that reassurances don't do much to help Hakuri feel better. Shiba tries to help by offering generic comfort (ice cream) and Chihiro tells him it's alright, but it's not until Hakuri hears that he's still needed that he's able to bring himself out of the mire of self-hate.

Of course it's extra effective for Hakuri because he was considered totally useless, but this is very relatable even for folks who weren't told they had no value on a daily basis. Offers of comfort only make the self-hate worse for some people who think they're utterly worthless. Even simple gestures like Shiba's twist the knife and reinforce the idea that the person doesn't deserve any kindness whatsoever. It just piles on the guilt. But being given something to do -especially if it's believably framed as something only they're capable of doing- feels incredible. They might have some value after all, even if only for this one thing.

It's something that I really appreciate the author doing since it's a touch that didn't need to be added. Hakuri could have just found a bit of solace in Shiba and Chihiro's words, which would have given more time for other things to be addressed in the chapter. But it's important to show that Hakuri struggles with accepting kindness because he took his father's words to heart. His feelings of worthlessness and uselessness are essential to who he is.

After this we see him at Chihiro's beck and call, prioritizing his requests over everything- relaxing with Char and Hinao, even his own comfort with another ice cream/food metaphor. It's framed as something silly and dog-like for the laughs, which once again encourages us to downplay the severity of this issue for him. None of the other characters ever directly point this out either. It's one of those informed traits that influences Hakuri's actions without any acknowledgment from himself or others, but just like the soda spilling out of his mouth, we're invited to treat it as a gag.

From here, the focus shifts entirely to building tension for the raid on the Rakuzaichi. Hakuri's circumstances are put on the back-burner to simmer for 5 weeks in real time until he confronts Soya in chapter 30.

Chs. 30 & 32-34, The Soya Rematch (what Chihiro and Shiba know):

Hakuri puts his fear of Soya aside to bait him out to help the mission. Chihiro and Shiba gave him a job to do, so he'll see it through no matter what. Unfortunately things don't go as planned and he ends up all alone with his biggest tormentor.

I'll have more to say about Soya himself in his own section with Kyora later, but it's very clear what his role as Chief Bully is, narratively speaking:

In a lot of ways, Soya is more object than actual character. He's our almost cartoonishly evil device to represent everything that's been repressing Hakuri. He's the demon in his head telling him he's useless, pathetic, weak, and so on. So Hakuri trying to square up to Soya is also him facing off against the things he's internalized that hold him back.

Hakuri's struggle against Soya before he awakens seems very hopeful and standard shounen. He's fighting the internal battle at the same time as the external, telling his brother to "shut up" while his mind races to figure out what he should do now that the situation went belly-up. He could keep playing the victim and take Shiba up on his offer to help since he can't reach Chihiro, or he could play dead and wait for it all to be over... or he could try believing in himself. Because Chihiro saw something in him and even if he can't bring himself to think he's strong and capable, he can at least have faith in Chihiro's words that they would end the Rakuzaichi together.

This time it works and he's able to shove Soya close enough to the tree wall so that Chihiro can give us a great visual metaphor to show us what just happened to Hakuri:

Chihiro is the one who broke Hakuri's mental barrier for him. He couldn't do it himself, but someone he admired believing in him in return made all the difference. Hakuri just needed a little support to start coming into his own.

He stays behind to handle the rest of the fight on his own while Chihiro goes ahead to meet up with Shiba- he can do this himself now that he's awakened thanks to their help. Very wholesome, extremely shounen. But there are deliberate writing choices which make it obvious that there's more going on beyond the surface that winning this fight won't fix or even fully address.

In Chapter 32, Hakuri tells Chihiro and Shiba a slightly condensed version of his experience as an uncomfortable reminder for the reader. Oh, right, Hakuri was abused- at least that explains why he survived a Flame Bone punch to the face. Anyway, let's move on to ditching John Hishaku and kicking Soya's ass.

The framing is so interesting to me. Chapter 32 uses preexisting panels that are cropped and presented slightly differently compared to how they originally appeared: Ch. 24

Ch. 32

Full page for reference.

When Hakuri recounts a version of the abuse flashbacks, they're not merely downsized to fit. They're cropped to downplay the gang-ups and are smaller in size compared to the rest of his story, almost as if he doesn't think it's that big of a deal compared to being unable to keep up with his siblings. We don't even see his own words describing what happened despite him talking freely about everything else. Instead, the abuse sequence is treated like the panel where he describes Soya's "love"- Hakuri talking to Chihiro and Shiba about his suffering is an unpleasant aside to give context rather than the main event.

Seriously. The dialogue of him explaining why his family gave up on him over the reused backdrop of the Sazanami estate is given more time than him being hit and kicked. Chihiro and Shiba get the "it wasn't so bad" version of events compared to what Hakuri remembers experiencing, and we're invited to treat what's normally the foundation of a character's entire existence as a convenient explanation for why he's so goddamn sturdy.

Neither of them noticeably react to his story too. We got a bit from Shiba in the car in Chapter 26 when he realized Hakuri was probably stewing in self-hatred, but we've never seen any of Chihiro's thoughts or reactions since he was disgusted by Kyora using Hakuri as a bargaining chip. He does reassure Hakuri that they'll be there to help him, but isn't it strange we don't see Chihiro's reaction to this information at all? We see little panels of his concerned faces all the time for less than what Hakuri talked about here:

Chihiro cares a hell of a lot, and he's very attentive to boot.

Obviously we don't see Chihiro and Shiba's reactions because they aren't important. This isn't about Hakuri's abuse- we already knew about it. The focus is on Hakuri's awakening and his faith in Chihiro, not the past.

This is a victim's mindset manifesting as clever visual storytelling, in my opinion. Of course it's not that bad when he has to talk about it; he invited it by being weak and not living up to standards. It wasn't a big deal though. There's more important stuff to do right now anyway. And the story moves on as if to agree with him- we go right back to our regularly scheduled action scenes interspersed with some flashbacks to contextualize other characters, namely Tenri and the Sazanamis before Hakuri was rejected.

That's right, Hakuri once again dodges abusive past cliches by being doted on and cared for before he was found lacking. He knew what it was to be loved, even if the Sazanami version is manipulative to the point of being abusive all by itself. There's more to say about this under Kyora's section but no wonder Hakuri's so fixated on being useful- he wants that affection and sense of belonging back more than anything. It's fucked up, but it's all he knows. So Hakuri was abused twice over: emotionally and physically. Damn. He turned out pretty alright despite it all, huh? Wonder how that happened...

Well, it's time to move on now so he can ascend and overcome it all. He's gotta yell "Isou!" and prove himself, and the next two chapters seem to be putting him on course to do just that, albeit with some difficulty. Can't make a character's awakening too easy or it won't feel earned. He's got some serious trauma to overcome thanks to his family's bullshit.

Then chapter 35 hits and we get the nightmare fuel.

Ch. 35, The Real Backstory (what Ice Lady knew):

Chapter 35 is that long-awaited full-chapter delve into Hakuri's painful past with the mysterious woman, and boy does it have some unsettling revelations.

Ice Lady's tragedy is framed as the important driving force for Hakuri as we know him- she broke him free from his family's grip and motivated him to seek help to end their evil ways. She's the entire reason we meet him in Chapter 19. Everything Hakuri is doing this arc ties back to how badly he fucked up with her, setting the stage for him to become the savior he tried to be when we met him. Oh yeah, we got more Hakuri abuse lore. Can you believe that WSJ let the author get away with showing someone slitting their throat in front of a kid?! And make it at least partially his fault? Jesus Christ. Now it's truly time for him to come into his own, though- oh man that cliffhanger at the end of the chapter...! Wait, what do you mean there was more to his suffering besides the situation with Ice Lady?

I was being a bit facetious there but the point stands. We didn't get a tear-jerker reveal chapter dedicated solely to Hakuri's pain and suffering at long last just to make us feel bad for him and nothing else. Instead, we got a full-blown tragedy caused by the Sazanami cycle of abuse. The nightmare of Ice Lady killing herself in front of Hakuri overshadowed the reveal that damn, Hakuri actually had it super rough. Because yeah, that was unexpectedly brutal even compared to Chihiro being baited with Char's severed leg last arc. It really drove home just how fucked up the situation with the Sazanami family was and how it affected everyone that got tangled up in their bullshit.

So the presentation of what he endured is once again subdued even though the panels showcasing the tools took up half the page. Soya breaking Hakuri's finger was called "bullying" (いじめ[ijime], not 虐待 [gyakutai, abuse]). A single flash back frame off to the side seems small compared to the emphasis on Hakuri telling Ice Lady (and us) that it's "not that bad" because Soya keeps losing the tools and going back to using his fists (the terror in Hakuri's expression in that panel is completely at odds with how calm is explanation is, though). It's also not unreasonable to presume that the jump rope, peeler, and wrench were shown for the audience's benefit to clue us in that Hakuri's holding back again, much like the panel describing Soya's "love" in chapter 24. He's always saying the bare minimum and trying not to think of the rest- he buries that shit deep.

But he has to if he wants to keep going. There's no way he can sit down and process all of this right now:

Hakuri: "It's normal for my brother to break my bones and worse before he loses the tools. He usually only hits me anyway, so it's not like this happens all the time."

Woman betrayed by the man she loved to be sold at an auction as merchandise to the boy overseeing her captivity: "That's messed up!"

"This is as close as I can get to being cherished by the people who are supposed to care for and support me."

He even misses the point when he finally does open up:

"You're the one who's trapped in a cage."

This part is the hardest for me to write about, honestly. Again: I was never tortured or anything, much less hit. But this chapter is the one that made me take a good, hard look at what I went through and connect some dots. Hakuri's mindset, the things he says, the way he phrases things- that's someone who doesn't want to acknowledge that they're in a bad situation that's not their fault.

Hakuri will talk about his own worthlessness and all his defects that "invite" the abuse, but he won't acknowledge that he doesn't deserve what's happening to him at all. He's not the kind of shounen character who understands that his situation sucks and uses it as fuel to become better. Instead, he's stuck in that oh-so-relatable spiral of self-deprecating negativity that keeps victims trapped.

It's easier for Hakuri to think he deserved it for his own failings. This wouldn't be happening if he hadn't earned it somehow. He's in this situation because he's weak and any "love" is better than none at all. Then it's reinforced by the genuine helplessness and vulnerability of being too isolated to escape or know better, compacting down into dense layers of denial and self-hate that act as defensive armour against emotions that are too difficult to face. Like anger or the desire for something better. Like hope. Those are only felt on behalf of others, not himself.

At any rate, it's a bit distressing that so many people forget that Hakuri's actually a hell of a lot more complex than he was hinted to be before this chapter. He's not an innocent in all this like Char was, which is incredibly smart and realistic writing from the author. Hakuri was also an abuser himself. An accidental one, but doesn't matter when you talk to someone the way he did to Ice Lady. He didn't swing the knife but he did kill her with the same mentality that was crushing him down on the inside.

He doesn't use his suffering as an excuse for anything he does, good or bad. Not even in the sense of wanting to save others- that's all about Ice Lady and his family's terrible legacy. What happened to him isn't worth mentioning or acting on. Yet another distressingly accurate facet of a victim's mentality, unfortunately.

But this must be it. This chapter was a depressing surprise but surely there's nothing left to reveal. We had his big moment of sadness so it's only going up from here. Hakuri's going to overcome everything and it'll all be okay! Back to standard shounen powerups!

Chs. 36-43, Putting the Past to Rest (things only Hakuri knows):

Oh.

In chapter 36, the storehouse reveal somewhat overshadows all the instruments of abuse Hakuri unwittingly stored inside it. There are a lot of people who completely forgot about the objects in there during the hype of the moment, and I never get tired of seeing "WTF?!" posts and comments from folks doing re-reads of the arc. It's so easy to overlook the rope and sticks and all the other tools when you're cheering hard for Hakuri to finally, finally overcome his tragic past by putting Soya down. Worst Big Bro is gonna pay and Hakuri's ascension will be complete! ... Wait, was that a goddamn chair?

There's also a point made of Soya's defeat not being a resounding victory.

Still framing Soya's abuse as love, but it's got a bitter feel to it this time.

Hakuri is the one who gives Chihiro strength in the moment despite everything he's just been through.

We're cheering when he awakens and pressurizes Soya's guts, but then these panels remind us that there's nothing to celebrate from Hakuri's perspective. He doesn't savor finally overcoming Soya as his abuser or the manifestation of everything that's messed up about his family. There's no immediate sense that things will be okay from now on either. To Hakuri, this isn't a personal victory. It's just something that needed to be done for Ice Lady and all the victims of the Rakuzaichi.

This is a sort of capstone to Hakuri's backstory. The second-to-last new thing we learn about him is that the abuse was still somehow worse than we thought. He really, truly buries the lede when it comes to what he suffered and the writing is in cahoots with him on it. He won't even take the time to smile or feel a little relief- he's not ready for that yet. Instead he just walks past Tenri's mutilated corpse to pull Chihiro along to get the job done.

If this was a different series we might get a little more catharsis- even just the barest hint that Hakuri's gonna be just fine from now on. But this is Kagurabachi and the author fucking gets it so there's still a little more to unpack before Hakuri can have an opportunity to begin the healing process.

In chapter 37, the pain of Kyora looking away was framed as just as important to Hakuri as the fond memories of when he was loved and wanted:

"... I still wanted you to praise me, Father."

The very last thing we learn about Hakuri is that he wanted his father's love despite it all.

Hakuri ended the torment from Soya- he'll never have to worry about his skin being peeled off or getting beaten with a pipe ever again. But the cycle that caused it- and the complex feelings for the people who hurt him- aren't so easily dealt with. It's not so simple as being hurt and flipping a switch to stop feeling affection for the perpetrator. So Hakuri acknowledges that he still wanted his father's praise in spite of the years of torment the man knowingly enabled.

In the end, Kyora grants Hakuri's secret wish and acknowledges him at the very last as the chaos fades away so that they're the only thing in each other's view. He really, truly won it all. He doesn't rejoice in victory, though. Once more there's no triumph for Hakuri to celebrate. Killing his father was just another thing that had to be done so that there would never be another Ice Lady.

It's hard to say what exactly Hakuri's feeling about Kyora's death since it's yet another thing we haven't seen him talk about- and may never. It's not too much of a stretch to think he's got a complex mix of sadness, relief, and guilt going on, though. At least the moment when their eyes met was intensely cathartic after all the times Kyora deliberately looked away. But Hakuri's still not okay yet.

It's not like life suddenly gets better when the abuser is gone for good in some cases. Hakuri's still struggling in the immediate aftermath of seeing his father die at last. It's a relief that there won't be any more pain caused by the Sazanami clan -and Kyora in particular- but it still fucking hurts to lose someone so important to you. It's also frightening to suddenly be thrust into the unknown without a guide of any kind.

Fortunately for him, Hakuri is able to find new purpose with Chihiro. He gets to walk away from his family and stay with the people who believed in him. This is another thing that I can't praise the author enough for. It's far, far too common for writers to frame victims reforming their abusers as some kind of ultimate victory.

No, no, no!

The most charitable way to explain this is that the survivor is so saintly that they'll even reach out to the ones who hurt them to help them become better people. But that is such utter bullshit I don't even have the words to express myself properly. It's terrible messaging for survivors. They don't have any obligation whatsoever to help the people who hurt them. They don't even have to keep tabs on how the abusers are doing in a general sense. They get to fucking leave and find happiness with people who treat them well. That is the true ideal.

Hakuri being given a clear out to leave is where the rest of the catharsis in his story comes from. He doesn't have to stay and fix things even though he absolutely could as the first person since the clan's founder to have both Isou and the storehouse powers. Kyoura and Soya are gone- he could have stepped in to make the clan right their wrongs and atone as a family. But there's not even a hint of guilt tripping from the author about Hakuri's decision to follow Chihiro. It's framed as the best possible thing for him to do, in fact.

If he stayed, he'd never work on the other issues around self-worth that he's burying so deep inside. Switching from villainy to good deeds won't resolve the issues with the clan's mindset about being living tools for a greater cause either. Not to mention the fact that there's nothing his siblings can offer him even if they treat him like a king for the rest of his life- the damage was already done long ago. There's nothing left for him there except more misery and stagnation. He needs to go with Chihiro, his new north star, to learn how to heal.

But lest this outcome be too heartwarming, Hakuri's still not directly facing everything that he went through. Hakuri phrases working alongside Chihiro as "proving the value that [Chihiro] saw in him", not "starting over" or "making the world a better place together" or even "paying Chihiro back" by helping him on his mission. He's still trying to be useful in the service of someone else like a tool.

Hakuri's bruises are already fading; or at least they were until I had to edit this part in light of the events of chapter 56 onward. But the mental scars of the abuse are still guiding his actions and thought processes even if he doesn't acknowledge it. And that's where we come back to the torture implements still hidden in his warehouse.

Hakuri's not home free despite us collectively sighing in relief that he got his Happily Ever After, subdued as it was. He needs to face what he's been avoiding and burying so that he's not endangering Chihiro's plan and the people around him by throwing himself in danger just to be even the slightest bit useful.

Oftentimes, trauma is an invisible scar that needs to be worked around for the rest of someone's life- hence why he's still got those physical manifestations stored deep inside where only he can see and grant access. Hakuri's only just started out on the path to redemption and recovery. He needs to start addressing the guilt over Ice Lady and learn some tough lessons about self-worth before he can even begin to look further inside to those Visual Metaphor Tools.

After that, if the author's interested in continuing this part of Hakuri's character, is exposing them and what they mean to someone who can help Hakuri get rid of them. Whether that's Chihiro, Shiba, or someone else doesn't really matter. Hakuri's got a long road ahead dealing with the lingering after-effects, unlike so many of his fictional fellow survivors. He's still very much in need of a lot of support from his new found family- now more so than ever after what happened in chapter 58.

Soya and Kyora

There's something to be said about the writing for the primary abusers, too. The Rakuzaichi arc was well-received in large part to Kyora being an incredible villain and Soya being... Soya.

Soya

And the "Worst Big Brother" Award goes to...

Soya serves two primary purposes in the narrative: to contrast Hakuri's character, and be the manifestation of everything that was wrong with the clan.

Soya and Hakuri share similar looks, hand gestures, and extreme expressions but they couldn't be more different. Soya has the inverse of Hakuri's character framing: he's shown to be competent and strong, and almost everyone in-universe acknowledges him as such-we're even told he's smarter than Kyora. But he's actually quite the pathetic loser due to his freakish obsession with his "weak" little brother.

More obviously, Soya is the rotten core of the family. He's obsessive over Hakuri to an extremely alarming degree- he even refuses his duties as the next clan head and a member of the elite Tou to find and stay with Hakuri. Kyoura tells him to "stop fixating on that failure" but Soya's having none of it, he just can't let go of his "endearing" weakling of a little brother. Bullying Hakuri is what he lives for and he does it all in the name of purest love. Just like the clan lives for the Rakuzaichi and are devoted to it mind, body, and soul. They're both extremely toxic and Soya's the guy who gets to represent the deleterious effects of cleaving to abusive mentalities on individual members.

Soya's fists and words to Hakuri are the blatant messaging about what the Sazanami mindset did to him. He had that mental block preventing him from using his sorcery because he was constantly being told he was weak and useless. It was literally beaten into him as a form of love, but not all abusive mentalities need to be reinforced with violence. Soya was just there to make the point too obvious to be missed.

Hakuri's final words to Soya say it all. Soya throws a tantrum over Hakuri refusing to lay down and take the abuse any more and screams "Why won't you go down?! Why won't you die?!" Hakuri simply responds that it's because Soya "always loved [him]" and deals the final blow. He was able to recognize the strengths his family gave him through Soya's "love" but he's not grateful in the slightest (and he shouldn't be). He's simply ready to sever all ties and move on with tearing it all down now. Hakuri was finally able to accept that he didn't want or need that kind of love in his life any more.

Kyora

And the "Worst Dad" Award goes to...

Obviously, Kyoura is the key to this whole mess. He's the one who instilled his children with corrupt values, enabled Hakuri's abuse, and generally Fucked Up Big Time when it came to loving his kids properly. But he thought he was doing the right thing because what's what he went through. He was both abuser and victim himself, just like Hakuri.

This is the key part of abusive backstories that are so often missed. Abuse doesn't always come from deadbeat caretakers that hate the innocent little kid. That scenario is actually way too over represented in fiction, honestly. Abuse isn't always constant malice- it can start later in life. It can even be born from love. Ultimately, it's all too often the unintended consequence of a family haunted by the specter of the cycle. And Kyora is the perfect summary of how and why it echoes through generations.

Hakuri was loved and wanted for at least half of his life. His family might not be wholesome or have healthy attitudes about affection, but he wasn't born hated and mistreated just for existing. He was cared for to the best of his dad's ability just like Tenri and his other siblings.

Even when Hakuri failed to live up to expectations, Kyora didn't just write him off and turn him loose. He kept Hakuri around for years feeding and clothing him and let him try to do what he could. Kyora simply couldn't justify protecting him or showing love since the family ideals were so warped around being able to serve the clan's tradition. He wasn't "allowed" to love a failure, no matter how much he wanted to.

Kyoura struggled about his feelings for his "worthless son" in the flashback we saw through Tenri's PoV- he wanted Hakuri to succeed. He acted like Hakuri forced his hand to punish and marginalize him for failing too hard, not out of ill-will. And during the raid itself he was actually "bent out of shape because he used Hakuri's life as a bargaining chip", according to Enji. It wasn't even until Hakuri showed up to break into the storehouse that Kyora truly cast everything away to prioritize the Rakuzaichi. He really did love Hakuri in his own way.

Kyora was a shitty dad and person, don't get me wrong. No one should put family tradition over their child's well-being and he more than earned his death just by being a human trafficker. But it's clear that Kyora wasn't written to be a shallow, irredeemable monster of a person- he didn't exist in the story just to be a villain and to make us feel bad for Hakuri. He's a tragic character in his own right.

He couldn't even understand why his wife's final words about the auction ruining their lives was replaying in his head near his final moments. The what-if scenario of his happy family sitting down to eat dinner in an apartment somewhere showed his longing for something that he could have had, if not for the goddamn auction. If not for the abuse that made him into the person he chose to be until the very end.

It's why Hakuri getting to walk away is such a poignant end to the Rakuzaichi arc. He's the one who gets to break the cycle on his own terms, and that's the true end of the Sazanami dynasty. The auction hall doesn't collapse until he decides to stand tall and follow a new path. Whatever Hakuri's siblings do with the Sazanami legacy isn't his concern any more- he's free.

What About Char?

Char's story was also well told! It's the earliest evidence that the author actually gets it when it comes to depicting abuse victims. She's reticent despite her desperation, unable to open up even when Shiba and Chihiro tell her she needs to or they'll send her to an orphanage. Eventually Chihiro wins her trust through his altruism and she comes to believe in him. She and us are the only ones who know exactly what happened with her mom, but it's not important for the rest of the cast to be in on it. She's safe and happy now and that's enough.

Even though Char's arc ended close to that overly-simplistic "everything is k now" scenario that I hate, there's one key difference that sets it apart to let us know that no, she's not truly okay yet.

Char's still got some attachment issues, which makes perfect sense. She lost her mom in a traumatic way so of course she's happily surprised that Chihiro came back to her. Char's on the path to healing- she's able to thrive thanks to Team Goldfish's care- but her abusive past still shapes who she is in small ways like this.

I doubt we'll see more development of her beyond checking in now and then. She's too young to be consistently involved in the heavy themes of Kagurabachi's story, much less the fights. But it's good to know that the author includes little details like this so we don't assume Char's 100% fine now. He understands that trauma doesn't just vanish when the victim's safe in their Happily Ever After scenario. That's why he made sure we knew that she's going to be okay in the long-run.

Ch. 26, right after Chihiro trades Enten for Hakuri

But Hakuri's not there himself yet.

Food as a metaphor for comfort, security, and/or connection is constant in this series. It's very obvious symbolism to let the author convey a bit more context in the scene than dialogue alone can. So when Hakuri rejects food here, he's rejecting reassurance from Shiba. Meanwhile Char's already comfortable enough to accept it. Good for her, truly!

Hakuri's situation wasn't necessarily worse than hers, but it was a lot more complex. So even though he's safe now, he's not really able to pursue his happiness yet. All those tools he keeps locked up inside, the mindset of being one himself- they're still issues for him to work through. But there's hope for him too.

The author went out of his way to show us that Hakuri's also on the path to healing here. The last time Hakuri shared food with someone, he was forcing his abusive ideology on Ice Lady. She started finishing the meals and truly internalizing the hopelessness of her situation. He fucked up the food as comfort/connection metaphor bad with her.

Yet in Chapter 47, we see Hakuri sharing some snacks with Chihiro on the train. Sharing food isn't connected to the situation at hand or the information dump it's serving as backdrop for, so it's definitely a deliberate choice on the author's part to depict this instead of literally anything else. It was shown to let us know that Hakuri's on his way to his own Happily Ever After.

He's able to connect to Chihiro and not worry about the repercussions. This is a huge step for his character and speaks volumes about the level of trust between them; this is the first time Chihiro's willingly accepted food from someone else too. Hakuri's not only still reaching out to other people, he's still able to provide warmth to others despite it all.

What's Next?

I'm not going to pretend that I can predict what Hakuri's story will look like from here on out. He'll have a hard time for as long as he's slated to get development though- Kagurabachi takes the adage "suffering builds character" very seriously. We're only 58 chapters in as of finally posting this so it's best to strap in and expect a lot more pain.

That said, I feel like Hakuri's self-sacrificing mindset is going to be addressed first. As of chapter 55, he's set up to fail and cause problems by throwing himself into danger despite not being fully healed or rested. The root of this issue would likely be his atoning savior mindset. Hakuri needs to protect and save others very badly after what happened to Ice Lady. He also loathes the idea of others making sacrifices for his sake. So he's willing to throw his life away even when it would be better for his allies if he stayed out of the fighting.

There's also a good reason we met the Makizumi clan in the arc immediately after the Rakuzaichi fell- Hakuri needs to start dismantling the "tool" mindset that was drilled into him. He's only switched his fervor from serving the Rakuzaichi to serving/saving others. This is extremely toxic when combined with his guilt over Ice Lady and drives him to go to extremes to do good, to the point where he's ignoring everyone trying to get him to rest and heal for the sake of the mission if nothing else.

In essence, I believe we are going to finally address the lie of his introduction- that he can keep pushing through hardship with sheer force of will. Because that is not how overcoming trauma actually works.

After that, only the author and his editor know exactly where things will go. But I hope that no matter what happens, Hakuri's lingering trauma is exposed and dealt with. It's informing all of his actions, positive or negative, whether he wants to acknowledge it or not. I have faith that this author can tackle this subject compassionately and realistically- he's already done it twice with Char and the Rakuzaichi arc.

So that's that. If you read all this... thanks. Take care, and choose kindness for yourself for today.

#kagurabachi #sazanami hakuri #Being an abuse survivor isn't the crux of who a person is #But it leaves permanent invisible scars that they define themselves around- knowingly or not #Promise I'll never get this personal again #long post #Only partially fueled by annoyance over how many people don't seem to understand Hakuri's character #He didn't get so much thoughtful and intricate development to be written out or killed off either #This is just my extremely long Hot Take but dammit I'm so tired of people asking why he's still around or why he's pushing himself so hard #Don't get me started on the BS about him “needing” to be nerfed either #Or giving up his sorcery to wield an enchanted blade #Writing another essay in the tags is how we roll around these parts

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afreakingdork · 2 days ago

Text

Writing Request: Reader x Donnie College Meet-Cute 💜

We got an anonymous request callers! Inspired by Stress Test, I got a request to do the college edition of a reader x Donnie meeting! Since the meeting in Stress Test is pretty indistinct as they're practically strangers, I'm going to write an original college meet-up!

From now until the poll closes, if you can prove to me that you voted Hassan/Mikey in this poll then I will write any short 100-400 word request like below or draw you a doodle of your choosing!

ᴰᶦˢᶜˡᵃᶦᵐᵉʳ: ᴵ ᵃᵐ ⁿᵒᵗ ᶦⁿ ᵃⁿʸʷᵃʸ ᵃˢˢᵒᶜᶦᵃᵗᵉᵈ ᵒʳ ᵉⁿᵈᵒʳˢᵉᵈ ᵇʸ ᵗʰᵉ ᶜᵒᵐᵖᵉᵗᶦᵗᶦᵒⁿ ᵒʳ ᶦᵗˢ ᶜᵒⁿᵗᵉˢᵗᵃⁿᵗˢ.

All ages fluff below the cut!

New semester, new classes.

You weren't, however, new to the college so you knew where to go. There was no freshman fumbling around as you cruised down the hallway. Your class was in this wing and you had the number. You just had to locate it and there were vague enough signs on the walls. You followed the arrows and, after counting down, found your door.

You were just early enough that you had a nice selection of seats to choose from.

The front you would skip as it was too close to the roving eyes of the teacher. You weren't sure of their style just yet, but you weren't particularly interested in hiding in the back. Thus you were left with the cent which seemed like the safest choice.

As you gazed over those choices, a dead center seat jumped out at you. The seating was broken up into two sections with a complimentary center row. One such aisle seat was plump for picking and you headed toward it. It would mean sitting right down next to a student in the adjacent seat.

Usual courtesy dictated you would leave a buffer seat for them, but you had seen the roster when you were checking your class schedule. This class was full and you'd soon be packing in anyway. The person seemed alright enough as they were buried in their hoodie and poured over a book. That read to you that they wanted to keep to themselves and you had no problem allowing it.

You took your seat and were careful not to jostle the table. Your seat mate continued to read on as if you were never there and that satisfied you. You took your time in getting your notebook ready for first day notes and settling in. You hadn't been too early, so soon students were filing in. You watched them come in with a tilt of your head toward the door and in your periphery you saw the book the student next to you was reading.

You recognized it instantly; it was the graphic novel version of a movie you had just watched.

The one none of your friends particularly cared for, but you loved.

You lit up.

"Is it good!?" The words came out of your mouth before you could stop them. "I was thinking of reading that!"

For a second, you were caught in stasis.

The silence went on just long enough that it seemed like your table mate hadn't heard you.

They could have had headphones in, you realized then.

They could just be ignoring you.

They could be enraptured in reading.

They eventually did move.

It was with a creak and just enough of a glance out of the depths of their hoodie.

They seemed to check if you were talking to them before looking down. "Yes. I've been enjoying it."

The response was cold, but something about it didn't completely deter you. "Sorry... I didn't mean to interrupt."

"It's fine." They put a bookmark that was another property you recognized, but you kept quiet about it.

Your professor walked in and class commenced. You took your notes, got your copy of the syllabus, and as these things usually went, your first day of class was over just as it started. You were dismissed and in the time it took you to close your notebook, you found the student next to you had disappeared.

On your schedule, you were back in class a day later, but you were running late. Experience taught you that while there were no assigned seats in college, there were stakes claimed. These were rocking in the first few classes as everyone adjusted to their needs which meant you perfect, middle-of-the-road seat, was in danger.

It had been a great vantage point and its proximity to the aisle meant you could leave without disturbing others.

It was the perfect seat and you were going to lose it.

Until you shot through the door and your professor glanced up at you with a snide comment.

There was a messenger back on the desk you used two days ago.

A black and purple one that matched a particular hoodie.

One that reached up and removed the bag as soon they noticed you looking.

They saved your seat.

Your heart shot straight into your throat and that was it. You spent the rest of your semester prioritizing getting to class early enough. No matter how much room you made in your schedule, he was somehow already there. Within the first few classes you found out her was a mutant and you equated that with his stoic attitude. You assumed he was nervous about judgment though you had none of your own.

What you really wanted from him was someone to talk to. It seemed like every time you brought up an interest, he had some opinion on it. It meant you could lob yours at him and he'd, in his limited capacity, would reciprocate. It pegged you has strange because his eyes betrayed everything else about him. By sitting right next to him, you'd see fires lit if you ever disagreed with one of his takes, but out of his mouth came lines that seemed per-recorded.

It only furthered your interest to the point where you could no longer tell if he actually care for your companionship or not. He was more of a fixture. A dimly lit lamp to read by as there was always a book in front of him. You were the one who came in stubbornly everyday and tried to change the switch.

All until he didn't show up one day.

The moment you walked through the door, his empty seat felt like a beacon.

There was a withdrawal deadline about to pass.

One that kept a class from impacting GPA.

Was that it?

Had he not been learning.

You sort of remembered him taking notes.

Really you had been looking at his hands.

How his two fingers twisted his pen between his thumb.

it was an agility you couldn't comprehend matching.

Remembering helped as class wore on. The presence beside you was one you hadn't realized you relied to heavily on. You rarely talked during class, but just knowing he was there felt like something you could count on. Even when time was up and he scurried off as he did, you day didn't feel complete until he gave that little bob of his head to acknowledge he would see you again.

You only realized then how bad your crush was.

It wasn't petty interest or a like mind for media.

You liked him.

You liked the way he smiled to himself during lectures.

You liked that you could chart his progress through how far his bookmark moved.

You liked how you had fallen for the old hoodie trick when in reality it was painfully obvious that he was a lovely shade of green.

"He's out sick."

You blinked up to find most of your class had already left.

"Donatello." The teacher spoke as he adjusted something at the podium. "Got an email, though it doesn't seem like he's going to get any notes from you."

You had a retort.

"You're quite the pair."

You swear you did.

"Do not separate." He chuckled. "Print that and slap it on your seats."

All you did was mumble a a thank you before finally packing up.

Perspective was now beating you down.

All those weeks.

All those classes.

Could you have been anymore obvious?

Was Donnie saving your feelings?

You called him Donnie without even asking if that nickname was alright.

it just popped out one day and he didn't correct you.

You were going down a hallway.

You need a break.

A diversion.

All these little cupid Donnie's were flying around your head.

When?

The question pounded your ears as you ran toward the library.

Other students were moving at a similar speed.

Everything was moving faster.

There was running.

There was yelling.

You stopped for no particular reason.

Your shoes etched the ground and it was as if you landed on the activation point of a land mine.

The wall in front of you exploded out and you watched several students who had been in front of you get blasted away.

Not you.

You had perfectly and accidentally stopped just shy of the damage.

"There! You know the maneuver!"

You knew that voice.

Rubble moved and pulled your eye to where the debris had gone.

Out of the wrecked reeled the squishy body of a frog mutant who looked up with a paralyzing amount of spite from where he had come from.

You were slow to look back.

In the hole, perfectly arranged were four brightly colored turtles.

The purple of which you zeroed in on and, again, on your command he spoke.

"You all have the maps. I told you enrolling to scout was a good idea!" His head tipped nothing, but cocky.

It was Donatello.

You knew despite everything oozing from this person was not your person.

"Nerd alert!" Another turtle chirped.

"Just admit you wanted to break into school again!"

"Gasp!" Donnie swung a hand up to his chest. "I would never! I applied and got in, clearly."

"He tried to jar the science lab air."

"The science lab was where this mutant and the three others were being forcefully mutated by that student!!" Donnie hissed.

A rock then rocketed at the group and took the orange one back through the hole.

"Enough gabbing!" The red turtle readied his fist. "We got the campus layout! They can't hide so let's smash 'em!"

You stood deathly still as they attacked the frog.

A white mouse soon joined the fray.

The orange turtle returned.

A starfish disrupted the turtles victory and its chopped limbs regenerated more suckered creatures.

You heard phrases tossed around like silverfish and several students tried to coax you away.

You couldn't.

Donnie was there.

Donnie was unlike anything you'd ever seen.

Images of his meek existence were obliterated one by one.

You didn't know this man.

You knew some guy in your class and idealized a book he probably kept as cover.

You still swore the bookmark moved with steady progress.

Wasn't that enough proof that at least something was real?

If that was, what else was?

Caught between that and the literal battle going on around you, you were stuck.

Until a brick whizzed by your face, but the pain came on a delay afterward.

You reached up like something out of a show and touched your cheek.

It came away with blood.

It darkened on your fingertips way faster than it should have oxidized.

You looked up in time and saw an entire slab bench was heading towards you and casting a shadow.

So this was it, you allowed your final thought to be just as anticlimactic.

Something else struck you from the side first.

It had the force of a rocket and your air was sucked from you at the speed.

It also hadn't hurt.

It was warm, if anything.

Momentum slowed and you were soon sat on your feet, though arms securely had your waist.

"Are you okay?! Your cheek! I have skin adhesive that I was using to lift key cards. Long story, but..." Donnie held you with one arm and searched his person with the other.

You stared.

He had the same face, but this was the first time you had seen all of it.

Or part of it with his purple bandana and what looked like a shoddy pair of modified welding goggles on his head.

His hand shot up with a pinched bandage slip "A-one dressing that is both repositionable and inhibits bacterial growth! Perfect for..."

He took great care in applying it to your cheek.

His hand lingered there and its warmth seeped through your skin.

"Who are you...?" You found yourself asking.

His expression shifted from something tender to something tinged with sorrow. "I'm still me..."

Your brows came together with knit distress.

"The Donatello that attended your classes was but a cover, but our interactions-!"

You watched him cut himself off.

"-are ones that evidentially appear... as part of said ruse."

You nodded.

His lips parted for a few false starts.

There was a distant crash and some cackling that could have come from either side.

Donnie glanced in that direction.

"You should go..." You told him.

Duty or whatever he was up to caught him and he straightened up.

You stepped out of his arms.

He said your name with clear intention.

For your time, you offered him what you thought would be a last look.

"I could really use your notes today."

You blinked a single time.

"I'm not... Well, I should say I have no intention of dropping out. Imagine the blemish on my academic record! They say it's not counted, but we all know that's not true. Besides, the material is child's play compared to my doctorates, however..."

You felt your mouth gape.

He only smiled. "Now that we, and I mean my dumb-dumb brothers who I am going to have woefully blind faith in that they've taken care of this mess, caught the rogue mutator I can finally take my studies seriously."

You stunted a hopeful breath.

"As in a study group, of course! Multiple students and not just us! Ah! Alone! Can you imagine!?" He quacked with flushed flesh.

Your heart shot straight into your throat.

"And I can trade you for the notes. My graphic novel. The first one that you wanted to read. We can call it collateral... until I show you that I can be trusted... If you were..."

"I didn't take any notes!"

It was his turn to stare.

"I... I was too distracted that you were gone."

"You...?" He pointed to himself.

You nodded.

"Me...?" He pointed to you.

Your head bobbed at a faster pace.

"Then we must catch up!"

"For class!" You added.

"Donnie!!" A voice called. "Gonna need that sticky stuff you got!!"

"You should-"

"I should-"

You both gave bashful grins.

"Wednesday."

"Wednesday. After class?"

"Consider my calendar cleared!" He lifted into the air before you like a vision and you thought you could get used to that as he rocketed back toward where one of his brothers was waving.

#me #fanfiction #my fanfiction #writing request #requests open #rottmnt #first time #rise of the tmnt #rise of the teenage mutant ninja turtles #donatello hamato #donnie x reader #rise donnie #rottmnt donatello #rottmnt Donnie #rally until the tally #tmnt x oc #oc x canon #oc x donnie #donnie x oc

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eloquentlytired · 4 hours ago

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logan howlett x fem goddess reader

note: this is basically a circe x odysseus!au but also not moving according to the actual story. I've alternated the ending too. I've always wanted to write logan in such a theme/au so I'm happy that I did. it's short but still feeling satisfied. I also blame Madeline Miller for her amazing writing, just finished reading circe and I cried AGAIN. first tsoa and now circe.

warnings 4 this ?? bittersweet, hurt to comfort, reader is just a girl that's thousands of centuries old, logan is a worn out warrior, he'll never introduce himself in the story btw

“I heard my men came this way, my goddess. I mean no harm or to intrude but to only ask your assistance to find them.” His voice was soothing but raspy. His shoulders sunburned but prideful. Age was evidently catching up to him but he remained as handsome as other mortal men you'd witnessed before, although not plenty. You wondered if he would be any different but then you remembered the nature of all men before him and you mentally shook your head. He was just another pig to be.

You welcomed him to your home and offered him the best hospitality like you did to all of your guests. He ate as he spoke to you about a distant home he was missing, then his wife, and for a while you wondered if having a wife would make him less of a monster. But the men before him surely would have wives too, or loved ones, and if not most of them then some of them. Yet they had still been pigs.

He could sense your hesitation and you could sense his. At some point you noticed that he had not touched his wine — clever man he was. It was the wine that would cause him harm and he somehow knew. He kept twisting the full goblet in his hand without ever drinking from it, his mouth occupied by mere words of his trips and his suffering.

“You have not touched your wine.” You told him and his eyes glinted as he looked at you. He definitely knew.

“My goddess, if you'd allow me to speak honestly.” He said and you offered him a firm nod. You were fearless and he clearly liked that by the way he smiled at you. “My men. You have done something to them,isn't that right?”

A sly smile adored your features and to your surprise his own never disappeared.

“I let them in,fed them and cared for them. Yet they wished to steal from me.” You responded while circling him like a predator. That's what you were — and those stupid men were your prey.

“I have spoiled them. They're all idiots whose judgement has been clouded by the endless war.” The handsome man explained as he stroked his beard, his eyes following your every move. He turned with you as you circled him; as if this was a game. Perhaps it was.

“They are idiots and to that we may agree.” His smile grew at your words and he tilted his head slightly.

“I don't wish to fight you, my goddess. I see no reason to. Do you?” His goblet remained in his hand, untouched and filled to the brim. Despite him toying around with it, the wine never spilled from the cup.

“You knew about the wine.” You suddenly told him.

“And you know about the flower.” He shot back and the two of you exchanged glances longer than any season of time. Your face beamed with energy and warmth while your eyes moved like a prying serpent. His, on the other hand, were cautious but delightful to look at.

“Hermes gave it to you, did he not? And yet you haven't used it against me.” The man's next actions surprised you as he grabbed his satchel and threw it on the stoned floor. The roots of the flower, which was meant to go against you, were visible within the satchel.

You stared at the stranger in disbelief but he smiled again. Almost laughed.

“Like I said, respectful goddess, I see no reason to fight you. It's just not within reason to do so.” His words surprised you even more, how smooth of a talker he was but also how intelligent. Bards would die for this type of inspiration while others would sacrifice whatever for even half of his sentence’s worth. “My men are stupid but they mean no harm. The Trojan war has corrupted their minds but also I, their captain, have failed to properly teach them manners. They're young.” He took a step forward but you didn't cower. He appreciated that.

“Get to your point, mortal.” You said while raising your chin with pride, challenging him with your gaze.

He grinned and his teeth showed. “All I ask is to get my men back. In return, I will offer whatever I can to you.”

You thought about the events unfolded ever since your birth. How little you knew for your age; so old you'd forgotten it yourself. You were the daughter of a Titan, not newborn divinity. You knew what mistakes were better than anyone and you had learned, one way or another, to distinguish good from bad. This man was neither.

And then the agreement was made.

His men were back to their original humane forms and dined happily downstairs, finally at ease. You let them for the sake of the man that had charmed you with his words and brains.

“Our agreement.” That familiar raspy voice called out to you and you turned around, staring at his form on the doorway. He was leaning against it like he'd been here before but it didn't insult you.

He approached you slowly, one step after the other. His face hovered closely over yours as he spoke again. “One kiss.” The man repeated what you'd requested of him that night but before he could complete his pay, you stopped him.

He froze upon feeling your fingers upon his lips and his eyes stared at you — more worried than feared.

“I changed my mind.” You whispered as your fingers caressed his lips, chapped and rough. The man remained still as he listened. “I ,once, turned a girl into a monster for supposedly taking away a man I loved. I don't want to do the action which I punished someone for.”

The man nodded then smiled. “I have not met a woman wiser than you,my lady.”

His words brought a smile to your face, one that wasn't sly or contained hidden meanings. It was simply an act of delight.

“All this just to see her?” You couldn't help but ask, referring to his wife.

“Yes.” He answered with pride, and most importantly love, in his eyes. You dragged your fingers from his lips to his cheek and he leaned into your touch willingly.

“I don't know what that's like. To have a husband that actually loves you. All the men around me were never good to their wives.” You told him and something swirled in his orbs — rage.

“Then they were fools.” He whispered. “Even bigger fools for not treasuring you.”

You buried your face into his neck and he let you. His touch was warm and gentle, one arm hugging your waist while the other cradled the back of your head. The touch was so careful, almost fatherly, and you could not remember the last time someone had treated you so gently. So kindly.

You cried in his arms as he held you until the moonlight shed its final moments.

“I will need a few days to fix our ship—”

“Stay.” You cut him off. “As long as you need."

He nodded while tightening his arms around your smaller frame, his large hand still cradling the back of your head as if trying to ease the thoughts that weighed it down.

No matter what, you would help him and the others get home.

#wolverine #wolverine x reader #old man logan #logan x reader #old logan #logan howlett #logan howlett x you #logan howlett x reader #logan howlett angst #hugh jackman #hugh jackman x reader #hugh jackman x you #eloquentlytired #old man logan x reader #old!logan howlett #old logan howlett x reader #goddess au

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dollcherray · 1 day ago

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ㅤㅤ౨ৎ LETS DROP THE BEAT ⟡ ݁₊ .

₊⊹ TF2 MERCS WITH LUCIO READER

౨ৎ Pst! Cherry says: hello, it's been a while, i've been feeling better these days, but to refrain from feeling burn out again, I'll keep the requests closed and write some fanfics to cope for some time, hope this is okay<3 this was inspired by @papil0nglegs , make sure to check out some of their work 🫶🏼 (little bonus at the end)

｡𖦹° Type: Romantic/platonic, fluff, headcanons, reader isn't necessarily male, just has the same abilities as Lucio but can be seen as any gender u want <3

✧₊⁺ Characters: Scout, Medic and Spy.

♡ Song: PUNK TACTICS

⟡ ݁₊ . SCOUT

౨ৎ He's very normal about you. (he's not)

౨ৎ When Scout first met you, he was already really into your style and personality itself, finally someone who could keep up with his electric self! you two were inseparable at the moment you were put together.

౨ৎ Not only Scout likes your personality as a whole, he enjoys your way of battling, he finds it fun and its refreshing to hear some other noise other than the constant screaming and chaos of the battlefield.

౨ৎ Everytime he needs healing now he'll go to you for help, Medic also thanks you almost everyday from saving him from hearing "DOC!!" in that damn boston accent everyday, all day.

౨ৎ Is amazed by your social skills and how quick you are to befriend (almost) everyone in the team, Scout himself is a social guy but you just beat him easily.

౨ৎ So he matches your energy SO MUCH, everytime you go: "Lets do this team" or something of the genre, Scout always go: "HELL YEAH!!! U KNOW!" he loves when u do that.

౨ৎ Sometimes y'all race in the middle of the battle just for the fun of it, sometimes you win, sometimes he wins, but its always fun for both of you either way.

౨ৎ "Can't stop, wont stop!" "Hey! that's my line!"

⟡ ݁₊ . MEDIC

౨ৎ He's... neutral about you.

౨ৎ While Medic thinks your way of battling weird, he is quite fond of your way of healing, it's efficient and quick, but its kind of a bummer have to keep up with you in order to heal, and keeping up with you is something only Scout can pull off.

౨ৎ This old man also thinks your boom box so annoying, everytime you're near him, he gets an headache, seriously, Medic sometimes gets angry at how "unnecessarily" loud you are, but he doesn't say anything cuz he knows you don't really care about his annoyance anyways.

౨ৎ But like i said: you have some points with him for saving him from Scout: Medic could feel himself aging 3x faster just from hearing Scout calling him.

౨ৎ Doesn't really Uber you since you're also on the healing side too, so he thinks it would be a waste, maybe he would if you asked for i but if not Medic won't even cogitate.

౨ৎ I have to say: Medic's a bit jealous of your tech and healing skills, but his pride would never allow him to admit it, usually would just try to do something alike in secret, if you catch him, doc's going to deny it to the end.

౨ৎ Medic finds you polite too, a bit too electric, but polite, even when he ends up envying your tech and whatnot... you always is positive towards the old doctor.

౨ৎ Not much to say, this man is cool with you.

౨ৎ "You ready doc?" "Let's do this mein Freund"

⟡ ݁₊ . SPY

౨ৎ Oh please stop.

౨ৎ You guys are polar opposites, while he's all sneaky and silent, you're all intense and loud, he HATES that, is it so hard for you to keep it down??

౨ৎ Sometimes he asks himself how do you even is one of the most efficient mercs, Spy thinks the way you work is so unprofessional.

౨ৎ You two have beef and it shows, everytime you two ends up interacting in the battlefield you always got some funny remark to make about him, and so does he.

౨ৎ You may or may not blow up his plan of sneaking behind enemies by making noise to startle the enemy, consequently getting him eliminated.

౨ৎ Spy is getting gray hairs just from people mentioning you, another one that always ends up with headaches because of your music, but unlike Medic he voices his annoyance, but again: you do not care, so you just mock him.

౨ৎ You also sometimes switch your healing area to speed when Spy tries to enter it to heal himself, and your little smug ass go: "We need a healer!" while spy is just 🧍🏼

౨ৎ Spy labels you the #1 stressful merc to be around now, making Scout go to 2nd place! congrats 🎉

౨ৎ "Must you always be so loud?" "not my fault you don't like music."

⟡ ݁₊ . BONUS !!

⟡ ݁₊ . Little interactions dialog you have with them<3

౨ৎ "Yo Scout, you killing it with that bat!" "And ur killing with those skates!"

౨ৎ "We need a healer!" "Very professional..."

౨ৎ "Lets pump this battlefield!" "I like your enthusiasm mein freund."

#tf2 scout #tf2 spy #medic tf2 #tf2 x reader #scout x reader #medic x reader #spy x reader #team fortress spy #team fortress scout #team fortress medic #team fortress 2 x reader #team fortress 2 #team fortress two #୨୧ cherry works

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aspionagee · 9 hours ago

Note

First off-- I'm a HUGE fan of your writing, you have no idea how stoked I am for the next installment of A Patchwork Family. I was never a fan of severitus before I came across your fic by chance but your writing is so good it turned me onto it.

I was wondering if you had any severitus fic recs? I saw you post something about crime and punishment and gave that one a read (SO good), and since it seems you have incredible taste to go along with your incredible writing skills I was hoping you could help me out 💚

Thank you very much for the question! I actually have a ton of fic recs for Severitus, and I've been meaning to make a list for a while, so in no particular order here it is!

1. A Year Like None Other by aspeninthesunlight

This fic is also very special to me, and directly inspired A Patchwork Family. Snape ends up adopting Harry and Draco during their sixth year. It was written before the sixth and seventh books even came out, so there's a very fascinating plot!

2. To Trust by Clairdeloon

This one has a runaway Harry being sent to live with Snape after the Dursleys die before his first year. If you like angst this is the one to go for; it hurts so much but it's so worth it.

3. Time Left Today by gzdacs

After the situation with Quirrell, Harry is wanted by the Ministry for questioning. Snape is forced to transport him across Europe to hide him (with things progressively going more and more wrong!). Very enjoyable fic

4. Tension's Empathy: The Wanderers Curse by yarrowmirth

Another "Harry and Snape on the run" one, set after fifth year. I particularly enjoy how long it takes Snape and Harry to warm up to each other! It's also criminally underrated. I check so often for updates you have no idea

5. Grease & Lightning by Mothboss

Would highly recommend this and its sequel, Acid Reigns. Features Snape semi-accidentally acquiring eight-year-old Harry(with some of the best, age-accurate writing of a child I've ever seen). He takes on a protective big brother role and it's so perfect! Acid Reigns also uploads every Tuesday without fail, which I always look forward to

6. obscured by illisius

A recent fic discovery for me, where Obscurial Harry is sorted into Slytherin and Snape has to help him. I am rarely in this much pain when reading a fic, oh my god. The ANGST. It's just so perfect, and I'm so excited to see what's coming next for the universe!

7. The Potions Master and his Golden Boy by HazelEyes25

If you like your Severitus slowburn, this is the one. During Harry's second year, Snape slowly goes from Harry's mentor figure to guardian. It's full of lots of nice hurt/comfort!

8. aim & ignite by shostakobitch

The only biological father Severitus on this list, and HEAR ME OUT! Because if Snape turned out to be Harry's biological parent, this is EXACTLY how it would have gone down. Snape is perfectly canon; he is the horrible, snarky and cruel man from book canon even as he learns how to be a caring man to his child. Such a hard balance to strike, but it is done PERFECTLY. It also features Girl!Harry which I very rarely see in Severitus. With the beautiful prose thrown in on top, all I can do is beg you all to give this a go! So worth a read!!

9. O Mine Enemy by KirbyLane

This is a classic! I've not read it in a while and it's next on my reread list. Again, very good characterisation. Both Harry and Severus feel very human. Takes place during fifth year, and switches up canon a bit which I always like!

10. Crime and Punishment by Melolcatsi

Just in case anyone else didn't see the Crime and Punishment rec, I want to still put it here. This is one of the first Severitus fics I ever read, and it's so very special to me! Harry gets sent to live with Snape in the summer after fourth year when he is falsely accused of stealing. Snape's characterisation in particular is stunning

I could keep rambling on for hours, but this is essentially my top ten! I hope you all enjoy!

#Severitus #fic recs #ao3

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puckpocketed · 2 days ago

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hello i was tagged by @18minutemajor for WIP Wednesday. it is not Wednesday but i am also not a cop so . here we gooo!!!!!!! tagging my esteemed colleagues (very politely and with no pressure!!!):

@neonfretra @oensible @sorrellegiance @moregraceful @stereax

@wheelsnipecelebrini

@korshrimpski (EDIT: it won’t?? let me tag you. unless these are on separate lines <3)

what's in-progress in your life <3 writing? art? recipe? skill acquisition?

if any crafty people see this - if ANYONE sees this - and would like to join in, feel free and consider yourself tagged <3 (and tag me back so i can see your stuff!!!) link to 18minutemajor's post if yall curious :3 my VERY long wip dump + ramblings under the cut!

its christmas soon and i like to paint gifts for my friends + and i'm finally revisiting my anime/lineart/inking era (here you are K!! my lineart past, present, and future!! <3) so here are some things i've been working on/coming back to/MAY NEVER FINISH: hockey related:

this is juraj slafkovsky and his dinky little middle part which he can absolutely learn to style into something a little less dinky but never does. i am so charmed by him. i imagine he just rocks it because his pretty privilege supersedes dinky middle parts . LMAO!!

here is Sasuke from my Naruto Hockey AU. I am a little stuck on jersey mockups lol. here he is. our haunted little 1OA who is absolutely normal and regular about his captain (LOUD incorrect buzzer):

personal oc art

wanna know some puckpocketed deep lore? i've never been one to make OCs. i was just not a very creative kid tbh. spent all my time drawing sailor moon instead. i still go back to her sometimes because she is one of my favourite shapes in the WORLD!!

in my 20s i took up playing d&d because of the. uh. plague. <3 and got pretty close to having OCs!! those count right? anyway. here is my tavern-wench-turned-wizard!!! i think i painted this 2 years ago? <- put dates on your works guys it saves lives. her name is Mel (short for Melins (pronounced like melons. on account of her knockers. can you tell i never grew out of my 12 yr old booby/cock joke era?) i revisited Mel recently and have started painting her in earnest again!! :3

I briefly dated someone who was very into streetwear and fashion, and I fell down a techwear/gorpcore/cyberpunk rabbit hole for a couple days out of curiosity. i remember literally zero salient info on any of it except the broad strokes of silhouetting and Vibes. what i emerged with, however, was a ?? sorta OC?? im not sure what to call them. they dont rly have a name or gender. I did this little sheet ages ago + the aborted attempt at a portrait later:

Here are my most recent explorations (i have been doing SOOOO much art. <3) which include:

unfinished character sheet + chibi art. I played with their jacket (much more structured/square/tailored thing) and added a lotta random buckles and belts. i took textiles class years ago and have a little experience in garment construction. and i know for a fact this thing does not make any sense. it hurts me to look at a little bit LMAO so i've paused it while i go draft patterns (badly. i was never good at drafting. i think i may have to break out my scrap fabric stash and hand sew a real life mock-up. HELP!)

here is me having fun with them and imagining them as some kind of cyber-fisherman. the best part of every game is the fishing mini-game to me. i love fishing mini-games so much. I made their hair really big because i wanted them to have big unwieldy hair and the vibes told me i should add more movement to the piece aside from the fishing line. I messed with their jacket AGAIN because i can't stop thinking about what kinda jacket they'd wear. gorp-core ? idk. it sure is something!

gifts for my friends :3

back in my weeb era for real YAYYYY!!! up til now i'd been making hockey art using a zero pressure sensitivity pen brush because i simply did NOT want to deal with that. it is and has always been a barrier to me making art that uses line art. <3 easing my way back into it though!

I used to paint gifts for my friends and then get them printed into lil posters and mount them on nice backing :3 i am now ready and back to painting.

Here is my girlbestie's OC. just a rough pose sketch. i think im pretty unsatisfied with the gesture of the head/hand. i wanted to include her gun in some way. i fear i may have to rework the pose entirely <3

For the genshin girlies.. here are some of my friends fave characters.

Yelan - this one i started many holidays ago and put on the backburner because the colouring was wigging me out. you can see where i started rendering stuff + got sidetracked and started on something else (the crystal choker IM LAUGHING @ past me...)

Ayaka - I reaaally like what i did here with the perspective + foreshortening. I don't know if the pose or expression is in-character or not, but i had fun :3 got stunlocked looking at references of genshin weapons so this is where i left off:

if you made it all the way down here hi... <3 ice hockey really cracked the ketchup bottle open for me when it comes to making art again. i love the communities i've found, and i'm inspired by every artist on here every day. thanks for being so cool + have a great day :)

#hiiii... late with starbucks (gigantic wip dump now i feel good about sharing again)#puckpainting #tag game #eye contact #the . the tag thingy for half of these aint working HELP <3

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xylionet · 6 hours ago

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They can probably all see a bit of themselves in Omega, even if they don't quite understand it. She's like the version of themselves that could have been, if not for Kamino and being raised as child soldiers.

I think part of the reason Hunter focuses on Omega is that she's the one thing he can actually do something about. Can't do anything about Crosshair, can't do anything about the Empire, doesn't feel like he can do anything about Cid and is probably hoping that just following her orders will eventually yield a good result, even though it never does.

But Omega looks at him with those big brown eyes like he hung the stars and only wants stuff he can actually give. She is a source of positive feedback and affection and frankly probably the only thing keeping him sane (see S3, where he kinda went off the deep end the second she's gone).

Realistically, Hunter has always kinda had the Dad/Ori'vod/Big Bro vibes, he was just used to applying them to three chaos gremlins around his own age and with a common military background. Cut's child rearing advice was just a bit of a tweak to his existing process to be a bit more Very Smol Baby focused.

However, Cut's running away advice was much, much scarier. Basically "stop doing the only stuff you know how to do". Cut himself had Suu to support him through that transition. Hunter and the boys don't. They would if they stayed together but I also think at that point in S1 he kind of thought they'd be able to retrieve Crosshair and things might go back to "normal" relatively soon.

If you've read any stories written by kids who were raised super isolated from the outside world and how they struggled to adapt - they're like that. But I don't think they know they're like that.

They've had so many experiences, but not the ones they need now. They're in a position where they don't know they don't know and nobody is telling them. They're very smart, but they just have so little exposure to those different to themselves.

If we compare S1 Hunter to Old Hunter from the end of S3, the difference is palpable. Not just because he's older but because support was provided.

I can absolutely see Shep and Phee getting all the local parents and grandparents and aunties and uncles who can give good advice together, cracking out some BBQ and beers, and lubricating the boys until they talk about their issues. So they can finally get them some damn help.

---

Anyway, I'm really glad you enjoyed it. It feels like the most coherent thing I've managed to write in a while, and as you can see, it still gives me feels. It was kinda spawned from reading too many "why didn't Hunter try harder to rescue Crosshair?" posts.

They are so messed up is why. They're broke and homeless is why. They are this close to living in a cardboard box under a bridge and they don't even know. They can barely rescue themselves, let alone Crosshair.

Clone Force 99 was in trouble

We don’t really talk about just how bad a situation CF99 was in post-Aftermath.

So we have a group of guys who have been raised as soldiers and have functioned in a military their entire lives. They have been fed, clothed and supplied by a military their entire lives. Zero experience with anything else. And then they have to run away from everything they know with nothing but a ship, whatever is on that ship, whatever they are wearing and +1 child.

We then see that they really have no clue how to function outside the military. They have a fairly limited understanding of the value of a dollar. They do not know how to get a job, despite having valuable skills. There’s no indication they are living anywhere but on their fairly small ship.

Most importantly, they are unable to identify that they are being financially manipulated by Cid. Tech occasionally mentions that she’s unreliable and shorting them pay, but none of them seem to understand that she is systematically taking advantage of them. Cid is effectively a loan shark, intentionally locking them in with arbitrary debt and using their financial naivety to keep them working for her.

Echo is the only one to point out that they could just leave, but they don’t. Rex even comes along and offers them a way out. Hunter isn’t wrong to say they want something different, but he’s struggling to achieve that and doesn’t really know what the options are. It kind of feels like he misses the big picture of what is being offered.

Rex is in a much better position because he is a bit more worldly but also has support from Ahsoka and other contacts outside the military. People who can help him with all of the things that CF99 is struggling with. He also has a goal and a sense of community with other clones that CF99 lacks.

It does feel like CF99 takes comfort in having a chain of command and being in a position where someone is taking care of supplying them, even though it’s actually digging them a deeper hole. It isn’t until mid-Season 2 when Phee comes along and introduces them to a community that they start learning how to cope outside of those structures.

Crosshair is kind of in the opposite situation. He’s still getting supplied by the military but he’s also getting love bombed by the fascists with his fancy new title and all the fun explosives and stuff. He thinks he’s being valued for being special, rather than being used as a convenient tool. He feels like they could just have all this great stuff too, if only they come join the Empire, when in reality he is also in a lot of danger.

It’s rather ironic that Crosshair and Hunter are both able to see each other’s situations for what they are, but not their own.

#sorry i got enthusiastic again #long post #star wars #star wars the bad batch #star wars meta #tbb omega #tbb hunter #tbb crosshair #tbb wrecker #tbb tech #arc trooper echo #replies

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starpros-sunshine · 3 months ago

Note

Eichi gives away the mask so easily because it was never meant to be an "engagement ring" like you delulu wataeis imagined it to be lmao. It was wataru saying that he will continue playing tsumugi clown role in fine and won't leave it for hokuto's mother troupe after graduation. Do you dumb fucks even read the stories? Eichi didn't even understand tf that mask meant when wataru gave it to him and wataru referenced fucking tsumugi in his "proporsal". I dunno why the f you think it's ok to lie about "! EnDiNG wItH wAtAeI EnGaGeMEnT" when the chapter it happened wasn't even close to the end of ep:link. Cope

PS: how do you live with the fact that Eichi clearly admitted to never being in love in his life and Wataru said that even though Eichi likes him, he still can easily discard him for the sake of his objectives?

I love you anon thank you for giving me a nice reason to ramble again beautiful ask 10/10 I'm sorry this is probably not how you hoped this would go but this is such a funny block of text delightful really thank you for the enrichment please marry me

But okay yes now to get down to the actual ask just to disclaim I am solely relying on translations seeing as I do not speak japanese well enough to understant the original text so if anyone has anything to add to this or to correct me on please feel free to do so.

Now to get started I'm not sure if one could say Eichi gave away the mask "So easily" seeing as he claimed that it was "a hard choice to make"? Which, as one might know, implies unease with an idea and pondering and debating and a general amount of thinking behind a decision so? I know this isn't really the main focus of this ask but I'm just a tad miffed with the semantics of it is all. And in either case giving the mask back to Wataru while expecting it back still shows a certain degree of trust in their relationship it wouldn't have been such a big deal for him (as it apparently was) if the mask didn't have a lot of sentimental value to him (the both of them really if we look at the whole exchange).

Now to the claim that the mask was "only" Watarus promise to stay with fine and "continue playing Tsumugis clown role". This is not entirely incorrect. Regarding the acting troupe and staying with fine bit at least.

I'm assuming this bit in EP:Link Deadend/7 is what you are referencing, and I see where you're coming from. But the bluebird line

from literally three dialogue lines further down, which references this line of dialogue (notorious Eichi line everyone should be familiar with)

kind of somewhat really recontextualises that? Because you see this is a reference to a fairytale about a pair of siblings and they get sent out by a nice fairy to find the bluebird of happiness for her sad daughter to make her happy again so they both go on an adventure and travel far and search and search but they can not find the bluebird of happiness and then when they return home again, disappointed because they couldn't find the blue bird, they realise only one night has actually passed and the journey was probably just a dream. But then their eyes fall upon their pet dove in it's cage which appears blue all of a sudden and so they gift it to the fairies sad daughter which becomes happy again and sets the bird free. The real bluebird of happiness is a dove. At least in the version of the story I'm familiar with but I mean everyone sees the symbolism right? It's. very hard to miss.

And then dropping this?

I'm not sure how to say this properly but in the overall context this makes it pretty clear that Tsumugi has nothing to do with this anymore this is Fully between Wataru and Eichi. And I am the last person to dismiss Tsumugis significance in the course of Wataeis relationship as characters I will be among the first to protest when someone dismisses the importance of Tsumugis and Eichis relationship in favour of some image they have of Wataei but he has nothing to do with this one.

Yes Tsumugi gets namedropped but - again - I don't really see how that would lessen the sentiment Wataru is triying to convey here? Because. Yes. Why wouldn't he mention Tsumugi?

The entire conversation pretty much boils down to "Yes I was initially only in this because I thought I could replace Tsumugis role in your life and then I wanted to leave but we have spent so much time together that I realised that that is definitely not working out because I really do love you. I love you as a teammate; I love you as a friend; I love you as a person and I am very angry at myself for not managing to get that into your head. So please allow me to stay with you for as long as you'll have me." And then also Eichi not understanding because he has the emotional self awareness of a very emotionally unaware loaf of bread and also because he hates himself that is a very big thing about his character huge part of his character arc actually that he. you know? Hates himself? And feels guitly for his actions during the war? And doesn't think he deserves love and companionship? Which is why Wataru wanting to stay with him for him and not for some twisted form of revenge is such an alien concept to him? Because he is projecting his insecurities onto Wataru? As one is wont to do when they hate themself? "EiChi Didn'T eVen UnDErStanD WhAt tf ThAT Mask MEAnt" Yeah. That's. That's the point? So he can think about it and come to that conclusion himself which works as a keymoment in his characters journey from hating life and himself to enjoying being alive and wanting to live on because of the people he's surrounded with? He literally explains why he didn't immediately understand the mask during the EP:Link Epilogue/4

And to get back to the "I dunno why the f you think it's ok to lie about "! EnDiNG wItH wAtAeI EnGaGeMEnT" about which I have two things to say:

"Lying" implies further intent and an effort. Neither of which exist in this case.

He literally went down on one knee while making a big proclamation of offering himself to Eichi with a very personal item that works as a symbol for their commitment to each other on a starlit rooftop. The comparison writes itself.

3. https://en.wikipedia.org/wiki/Joke

And then I expected there to be a proper reason given and instead you proceed to follow that up with "when the chapter it happened wasn't even close to the end of ep:link". I know the shame is on me for expecting something sensical from an ask which has been near constant in it's lack of correct statements but such is human nature I suppose. And you are not wrong. Deadend/7 isn't very close to the end of EP:Link. That is true.

But do you know what Is very close to the end of EP:Link? The Epilogue Chapters 3-5.

Do you know what the content of those chapters is? I do. Very well actually :)

(Eichi literally explains why he didn't get it)

So if this answers your "Do you dumb fucks even read the stories?" questions, Yes. And I think I'm a lot better at it than you. So I'd say I'm coping quite well over here :p

PS: Regarding your PS, I take the "I've never been in love before so I wouldn't know" comment with a lot of humour actually as an aroace person who's emotional self awareness also ends at "good" and "Not good" I think it's very funny all things considered especially because he mentioned the loving Wataru thing several times before that and I'm generally of the belief that actions speak louder than words and also am in a happy long term relationship with the concept of "Reading Subtext". So please excuse me for not breaking down in tears everytime someone reminds me of that one singuar line of text in one of my favourite all time enstars stories that came out three years ago which also brought us the single best card set in the entire game

as well as absolute banger dialogue such as

Among others <33

And there are soooooo many other examples of wataei dialogue that simply make me swoon but I have already had to take out so many of the one's I wish I could put here so this wouldn't get "Do you love the colour of the sky" long

And also, regarding your "Wataru said that even though Eichi likes him, he still can easily discard him for the sake of his objectives" I'll just say that no he absolutely could not. I mean he'd say that and if pull comes to shove and he has no other option then he might seriously consider it but may I mention that Wataru was gone for a few days at most but really not that long of a time during Sanctuary and Eichi stopped considering being a normal rational person that doesn't leave helpless 17 year olds in the midst of a construction site. Very different situation but I feel like it's worth mentioninh here. Another example is Eichis almost not being able to go through with the war because of Wataru. Wataru had to actively come and tell Eichi to go through with it. Wataru isn't the reason Eichi started the war, that is wrong, but he is the reason Eichi almost didn't finish it. and during the war era that was his Main objective. Again I'm part of the fraction "actions speak louder than words" Show don't tell and all that, but even the words are pushing it.

And that concludes my essay :)

#I so won this #there were so many pictures and quotes I wanted to include but the limit..... :'(#if any of you were wondering I am still as insane about them as I ever was #thank you anon really genuinely and fully this has been a blast #if anyone reads the whole thing....mwah let's run off into the ocean together #or something like that idk but it is appreciated #they are my everything they really are #I'm very enamoured with the ''Cope''#Cope with what? I have nothing to cope with? well nothing wataei related at least #or the ''How do you live with the fact'' yadda yadda #How am I supposed to live with it it's funny i think it's very funny #You really trust what enstars characters say and take it at face value without examining the subtext further? amateur mistake #it's so passionate too anon i admire you #imagine disliking something so intensely you sent a very wordy ask to someone because of a silly post they made #I wish I had that much vigor in me #I mean i'd be too polite to even if I did but still it has somehting admireable to it #thanks to you i got to reread some of my favourite wataei interactions so now I think the last three hours were three hours well spent :)#genuinely thank you for the enrichment #I hope youll have a nice day we might not see eye to eye on this and I'm also objectively better at reading these stories and understanding #the characters but I still hope you'll have a nice day #as good karma or something #I'm currently still on that dopamine high from writing this i think it's obvious #best mood I've been in in ages I love talking about wataei #okay good I'll conclude the tags I've already stretched this post out so far i might as well spare the poor tag reader #but then again if you have read the post this far what's a few more tags to you #I really like the fact that the real bluebird is a dove it's soooooooo #it's good it's really good in the overall context #wataei #eichi tenshouin #hibiki wataru

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