#i've also remembered one of those moments where it's like. the memorable combos of [Dismissiveness but w/some funny remark]
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forsooth reread the first part of lackadaisy and just a few excerpts, particularly w/a visual focus
like i said, that i started reading this in '07 (which, consulting the copyrights, means the end of this section was still Currently Updating at that time, very fun for me, i do also remember A Break b/w the end of that section & the first page of part two b/c i remember being so [oouhh hell yes] when that updated)
mentioning the off the shits quality right from the start and like, around this age maybe already starting to draw a bit more / beyond like doodles to pass the time at school or at home largely; not being at all very Online yet to know abt what the hell people post anywhere so like my god people not only just make their own comics, not only are they essentially ongoing graphic novels, someone can also just be making something this high quality....intriguing and just holistically inspirational on the artistic front, that people just Were out there able to just do this kind of stuff, nonprofessionally, b/c they wanted to. and just the intrigue of like, i loved keeping up with it as a whole then & since, the historical element is fun, the drama & mystery elements, the dynamic adventure aspect, the slightly lighthearted playful nature of the work overall (jellicle...), the constant relevance of Character and the constant progression of Story
but also it sure occurred to me that a big like Artistic Illumination & Motivation element of it is how immediately effectively quasi three-dimensional the art is, especially with the figures: the realistically consistent geometry in changing perspectives / characters being consistently constructed out of would-be three-dimensional shapes, the Lighting/Shading doing a ton to define the 3D shapes, the use of fabric wrinkling adding not just visual detail but following form & movement....middle school / would-be high school years as sure a particularly transformative time for my drawing like, hey, i can just do stuff, hey i can make & post niche fanart so that i'm motivated to draw just a lot more b/c i really am hardly moved to do it outside of that lmao....and i imagine that having This dropped in my lap and like, its feeling pretty immediate was this inspiration of like, organically selling this approach of Constructing Figures / to be thinking of things very three-dimensionally even when it Wasn't actually like, animation or an elaborate still life. like evidently my own art is very Line focused but i would say i'm also definitely thinking of figures as 3D like this / striving for the linework serving that too, or just generally striving for more [the Geometry works "realistically" despite obvious stylization, as it clearly does w/lackadaisy]
#can't readily think of something around that time that would've been making me think like oh hm yeah how do you Build a figure like that#not b/c nothing else was doing it but just b/c it wasn't so like. emergently clear to me as part of the process / its results?#and i have to imagine for real the shading and like so evidently present fabric folds and the lighting/shading; again; for emphasis; was a#significant factor....very Noticeable#and the artist doing this shit in traditional art / in pencil....with digital touchups / shading as well but like good god#actually saying most of what i could say in the body of the post lol imagine but yeah#lot of Wow Dynamic and Looking Like Solid Three Dimensional Figures going on#long post ///#i've also remembered one of those moments where it's like. the memorable combos of [Dismissiveness but w/some funny remark]#in some discussion w/my roommate at the time i was talking about this comic like boy it's really good & keepupwithable; great times#and their [i'm not going to read it] response being an extremely rhetorical ''But Why Are They Cats.'' lmao alright#lackadaisy
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