#i'm working on the whole being concise thing lol
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SEE I looked around because I was certain I missed the first part of the conversation, and I was almost sure you had seen at least some of the series (almost sure I remembered some posts about it from you!), but I couldn't find it and thought to cover my bases. Oops, sorry!!
That said, that is very much a mood :'D I always planned to go back to Miraculous at some point, actually! Mostly because of the completionist itch, as you said LOL. I think dealing with a few worlds I loved loosing some of their shine over the past few years (off the top of my head, Star Wars, the MCU - which admittedly wasnt a huge investment but I was still invested - and HTTYD) due to story choices I struggled to accept finally beat me over the head enough to not do it for once.
While ML was a little different in which it was more all the power ups and new heroes that led me to loose interest, I was a little too tired of seeing stuff I loved being soured by narrative choices that, well, bugged me (pun only a little bit intended :'D), and MLB felt... feels... a little divisive to this day. I still remember when the discourse was just "is Chat Adrien's true self" and "is it good or bad that Jeremy Zag is spoiling stuff about the new season", which feels very tame compared to today. I wasn't sure if Miraculous was gonna be the case, but it WAS a fun experiment with myself to try to cut my losses like that, since I was very invested in its world back in the early days. In that sense I really appreciate the closure the movie gave me even if it has its own flaws.
I'm excited that you're planning to continue with the series tho! It's weird to see it from an outside perspective and only superficially understand what's being talked about in the modern fandom, so I'm looking forward to sort of live through it via your opinions on it, if you choose to share them :'D I AM also curious to see how the movie feels to someone who HAS watched all of the show. Most opinions I see about the movie are heavily biased for or against the show's direction, which don't really affect me, and you usually have a balanced take on things that I always love reading, even when you do pick a "side".
(Also, hshsgshsgsgag ;w; thank you. I'd love to chat some more with you when you do!!!)
I take it that means you haven't seen the animated movie on Netflix for ladybug, you plan to watch or the the remaining seasons first?
I'm divided on that one. I've seen the drama about the animated movie [eyeroll], but ngl, that animated movie looks my vibe so bad.
Knowing how I'm a "must do things in the right order" nut (even when order doesn't matter, and I know it doesn't here!), I'll watch the seasons first. But the movie's presence makes me want to catch up more.
#also sorry for the wall#i'm working on the whole being concise thing lol#it's been years and it's still a work in progress :'D#fun fact tho things like leaving a like here and there are. so very encouraging sometimes#I'm still terrified of talking to people online and yet! I was like hey. Haddock likes when people engage in reblogs and not just comments#maybe I should try that#and look!! it IS fun!!#even if I AM walling you!!#take that anxiety :'D#so thank you I always enjoy when we get to chat a bit!!#I STILL want to chat about things like the movie and then brain starts to worry if I'm being annoying so I stop#so things like these are like. wait I CAN. maybe I SHOULD.#inke replies#<- new tag in case someone wants to block these kinds of interactions
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✼ ҉ ✼ the psychology of Elvis, pt. 1 ✼ ҉ ✼
i’ve been thinking a lot about the psychology of Elvis since watching the new documentary and i desperately need to scream my little brain worms into the void. i'm not really adding anything to the conversation that @joons didn't already say (much more concisely and eloquently than i'm about to lol) but alas, a yapper never ceases.
obviously i’m not a doctor or an expert by any means, so there’s a good chance i’m just talking out of my ass. always interested to hear other people’s thoughts and opinions but if you’re thinking about engaging with this post in bad faith, don’t!
of course Elvis lived a very complicated and unusual life, and we can never truly know why a person does what they do, but there's a series of major events that i can think of that very obviously impacted him and probably lead to a lot of the patterns of behavior we saw in his adult years.
for a start, he grew up very poor. we know poverty leaves deep and lasting trauma - experiencing resource scarcity, especially during your formative years, has a huge impact on developmental psychology. not only that, but his dad was in prison for 8 months when Elvis was only 3-4 years old. that's old enough to remember the emotions associated, but not old enough that he could have really understood what was happening at the time. AND by all accounts, it seemed he also had a hard time fitting in at school, which i'm sure wasn't helped when the family moved two hours away from his home town.
overall, his childhood was really characterized by scarcity - lack of money, lack of resources, lack of stability, lack of friends. but then he makes it through high school and he hits it big! seemingly overnight and out of no where. and now, there's money coming in! he can afford to buy his family a nice home! he's adored by crowds and he's found friends! and all of this is incredible and he attributes it all to none other than colonel tom parker.
and so now we have this deep-seeded fear of scarcity and this belief that all of the abundance he's finally experiencing should be attributed to the colonel. and the only way to make sure that the colonel stays is to keep him happy.
and then the two worst things that could have possibly happened happen at the same time - he gets sent to Germany, in turn being forced to abandon his career and his life as he knows it, and his mother and very best friend dies tragically.
and suddenly he realizes that the money and the fame and the resources aren't enough to keep bad things from happening, and the worst thing that can happen is losing the people you love - and maybe more importantly, losing the people who love you.
so now we have a man who was, by all accounts, already gentle and kind and loving by nature, whose brain has been conditioned to prioritize having people in his corner above all else. which, to a degree, is just human nature! we intrinsically know that we need a tribe to thrive in the wild. but when you experience the trauma that he went through at such formative times in his life, that becomes your singular goal. to survive, you cannot be alone.
and how do you avoid being alone? you give people a reason to want to be around you. and that reason could be a lot of different things - love, money, sex, entertainment. and he was pretty damn good at providing all of the above. so of course he builds a loyal group to surround him at all times. not only is he kind and fun and beautiful, but he's essentially bankrolling their whole lives. he buys them houses and cars and puts them on his payroll.
and now we have a huge problem, because we're well into the 1960's and Elvis has been raking in cash hand over foot, but he's miserable. he doesn't have a live audience to feed him anymore. the work is meaningless and embarrassing, and his health is on the rocks. but the colonel is constantly reminding him that he's only one step away from desolation, and now Elvis is really scared, because he's essentially the sole provider for a family of 15 at this point and he has to keep the cash flowing. so he stays miserable and does the bad movies and continues to do exactly what the colonel says. and god forbid any of the leeches around him (not you jerry or charlie!!) say anything, because they're not about to lose their paycheck!
but thankfully we make it through the majority of the 60's, and everything changes with the help of steve binder and the '68 special. and that's where i'm going to hop off my soap box for today, but trust me i have MUCH more to say about the 70's and the eventual decline of an empire and how this ties in to the lore of Elvis Presley™ as we know it today.
if any of you actually made it this far, i apologize for the 10 minutes you will never get back. may god bless you angels. maybe go outside or something now tho. okay love you xoxo
#elvis#elvis presley#the psychology of elvis#this is pretty much just brain rot that i vomited into tumblr dot com#elvis the king#60s elvis#50s elvis#i just love him so much#he's just a little fucked up#aren't we all
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My Thoughts on Ratchet After 14 Years
This is nearly 5000 words of my analysis and impressions of Ratchet as a character (...there are pictures, at least 😃). I can't say I've been interested in any other character for this amount of time so - he truly is special to me. I wanted to externalize all I love and see in him in one post, more for myself than anything as I've held so many thoughts in my head for so long.
This is largely based on my own inferences. I won't bother to make proper citation or anything, it's more of a huge ramble based on me rewatching basically all cutscenes, the movie, and rereading the comics. Almost every year I do a big Ratchet and Clank marathon like this, but I might get some things wrong or skip over some things as I'm focusing on articulating my thoughts rather than being completely comprehensive.
Ratchet's Beginnings
Ratchet’s background is pretty fundamental to all this so let’s establish that first.
I will be basing this post on Ratchet as he is in the original games, but I do want to say that I like movie Ratchet too! I don't think it completely cancels out all my thoughts because imo they captured all the main traits of Ratchet. In one scene he says he wishes to 'matter'... to others, as a person, to the universe? Maybe all three. And that is truly the most concise way to describe what drives Ratchet the most.
But for now all we can do is infer on his life prior to Ratchet and Clank 1. I think it’s not too hard to make some assumptions based on the circumstances or a few lines:
1. Ratchet seems to have fended for himself/lived alone.
2. He is likely self taught on rocket mechanics and general machinery. He has an intuitive understanding of how machines generally work and wings it.
3. He has been on Veldin the whole time and never had the chance to go anywhere else. He also could not afford many things.
4. TV (or Holovision) is the most accessible form of media and likely what Ratchet grew up with, as he is aware of and looked up to heroes like Qwark and Ace Hardlight.
Given these inferences let’s look at how Ratchet behaves in 1. He awkwardly addresses authority figures, is rude to Clank and others - he’s just very blunt and critical of people’s intelligence. And why is that? Thinking of how he had to probably rely on himself first and foremost, having street smarts and situational awareness must be important to him. And that he’s likely not had friends before Clank - he’s not gonna know how to act lol. Besides that, he’s honestly just a Guy and a teenage Guy at that. This is his Very First Time outside of the backwater planet he’s been ‘stuck on’ (his words) and it’s extremely exciting for him. And what is the thing that consistently gets him excited and motivated to do things? Fame.
He loves the idea of being famous, like the celebrities he’s seen on TV and the ones he meets while on this adventure. And while this is a pretty common desire for kids, let’s think about why this is for Ratchet specifically.
We inferred that he probably has been alone up to this point. This means: no friends, no family (the movie also makes Ratchet explicitly say how he had absolutely nothing to his name.) Family as we know becomes a huge part of Ratchet’s character arc later on. No friends or family means no support system: no attention, love, or validation. You see what I’m getting at. Ratchet always responds with pride and excitement when others praise and recognize his actions - puffs up his chest and grins, it’s very goofy and all. But you have to consider how he likely just did not receive this validation much prior to 1. Now he’s doing all this stuff and getting recognition. This is how he ends up acting very selfish and self absorbed, the most prominent character flaw of his. In his eyes, Clank’s insistence on him seeing the bigger picture is just not as important as all this sudden attention and new experiences that finally validate his pretty lonely and insignificant existence.
And let’s consider that Ratchet and Clank are not even really friends until the end of the game. For the most part, they are useful to each other in their goals. When Clank claims that it ‘isn’t like Ratchet’ to not care about what’s at stake, Ratchet responds with ‘and what do you know about me?!’ - and it’s true, what DOES Clank know about Ratchet, or Ratchet know about Clank? Clank, too, hasn’t had a long time to exist yet and this is his very first friend. But he does have a natural charisma and strong sense of morality - which leads me into some more core aspects of Ratchet’s character and inner conflict.
Ratchet's Struggles
In the first game and onwards, Ratchet and Clank are kind of like rivals in certain things often for a gag. To put it simply - Ratchet has no rizz or game. Clank often catches the affections of both robot and squishy people. He DOES always know what to say without even trying. Clank always does the right thing. And that’s the thing… in these same situations of talking to girls, or making a speech or commercial - Ratchet tries too hard.
Consistently, when put on the spot, Ratchet freezes up and all his bravado is gone. He stutters and stumbles and is just a mess and Clank has to speak for them. Ratchet visibly shows how frustrating it is that Clank has more rizz than him. He’s clearly jealous of how Clank always knows what to say and do and people just seem to like him more. And his pal is the star of a TV show while he’s the bumbling side character who gets fired anyway. Not only is Clank ‘better’ than him, Clank is getting more validation and attention than Ratchet is - the one thing Ratchet has lacked in his life.
But let’s consider the first time a girl DOES actively like and pursue Ratchet - Sasha. The first time they speak is cringe but cute. Sasha is describing the state of the art gaming console on the Phoenix and Ratchet is so impressed he says in a daze ‘will you marry me? 😍’ AND IMMEDIATELY SLAPS HIS FACE cuz he really was just NOT THINKING. But Sasha doesn’t seem to mind, she goes along with it! I think she can tell he didn’t mean to. And although it’s not been long since they met, her father tells Ratchet ‘she’s said a lot about him’. And… when Ratchet is recounting his fight with the Teranoids, she’s giggling along and very engaged with how he’s acting out his story like the silly guy he is.
And although the first 3 games occasionally emphasize how heterosexually interested in girls Ratchet and Clank are based on Ratchet’s comments about girls - when Sasha kissed him he’s just… quiet and bashful and has no smartass ‘cool guy who likes girls’ comments. He obviously has no experience or idea of what really goes on with girls or relationships lol. If you think about it - has he even really tried to like… flirt? He’s all talk about it, but doesn’t seem to put it much into action. He also associates popularity with girls as a part of fame.
But - he pulled a girl without even leaning into status or fame. What I’m getting at here is: Ratchet didn’t try hard in front of Sasha and she was so endeared to him. She LIKES how goofy and cringe and, in a way, how pure he is. She was probably like ‘can you believe he wanted to marry me just because we got a PS5? Hehehe’ at her dad. He was just his cringe, rizzless self and talked to her like she’s anyone else. We can infer that Sasha, as the daughter of the President, is not used to that and likes it.
But let’s think about why Ratchet feels he’s suddenly got to be a different person when on the spot? He tries to sound cooler and more well spoken (like Clank, Qwark… people on TV!) but he’s no good without a script. In Deadlocked, he even felt like he had to rehearse a bit before calling Sasha (this is why Ratchet’s characterization there is a bit weird to me, when they’re supposed to be more comfortable around each other).
This is all indicative of how Ratchet is not confident in his sense of self - and where do we get a confident sense of identity from? Our friends, family, culture, community. Things Ratchet did not have a lot of before meeting Clank. Ratchet may have asked what Clank knows about him in the first game. But what does Ratchet even know about himself? What consistently gets Ratchet angry and protective is when Veldin ends up in danger. Veldin was really all Ratchet knew for a long time, and we can assume he sees it as part of himself. But beyond that…
This is why Clank is so… so… SO… important to Ratchet and why he could literally be nothing without Clank. Despite Ratchet being mad at Clank’s uselessness and stupidity in the first game, Ratchet is genuinely upset at the idea of losing Clank when lightning strikes him. He awkwardly suggests that he and Clank stick together at the end of the game without directly saying so. It’s his first time having a friend and wanting someone to stick around. In the end… he’s not as independent or self assured as he thought he was.
Size Matters may be a weird spin off game but it did have a pretty important line: after fighting the Ratchet clones, Ratchet tells Clank that these clones weren’t that powerful because ‘I’m not half as good without you.’ It’s a really significant thing to say, and this sentiment echoes all across the games. After all, without Clank’s robot ignition system - who knew how long it would take for Ratchet to get out of Veldin, if at all? Would Ratchet have gotten as far as he has now as a person without Clank?
It’s an admittance of how much Ratchet truly depends on Clank for self worth even if he feels inferior to him - Clank consistently supports, loves, and believes in him despite his flaws. He basically never had this presence in his life. Clank is like his whole support system while at the same time, a source of his feelings of inferiority and jealousy. Although as time goes on Ratchet does thankfully make more friends along the way. Even though Qwark is nothing but trouble to them, I suppose Ratchet still bothers with the guy cuz he’s just that loyal to the few people consistently in his life in some way.
Ratchet's Home
And this leads me to another point. Ratchet’s lack of belonging, identity, and validation ends up having him go from occupation to occupation, world ending situation to world ending situation. In the second game he is markedly different now that he’s got military training and surprisingly (to me) doesn’t question Fizzwidget that much (though the goofy rough parts of his personality still shine through while out in the field). Then he’s the captain of the Phoenix for a while. But overall he’s just kinda unemployed until he’s gotta shoot people and save the world. When given a sense of purpose and belonging he seems serious about it, though how long he has a purpose and group to belong to is relatively inconsistent.
Aside from the meta circumstance that the Ratchet and Clank games needed a new plot, it’s in the Future trilogy where Ratchet started thinking deeper about his origins. As we often have new revelations or thoughts about ourselves and past as we get older, I think Ratchet finally started to realize… there’s quite a big thing missing from his life - which to him was his ‘normal’. Why IS he one of the few lombaxes in the universe? Why did they leave HIM behind? You can imagine the amount of sad thoughts from just asking that question, when coupled with his already shaky sense of self worth.
The way Ratchet acts in Tools of Destruction is interesting. Although he could hardly be qualified as an expert on his own species cuz he’s never even been a part of lombax society - this is something Talwyn does not hesitate to tease him about, which he seems to not take so well. Yeah he gets it, he’s a disappointing representation of his people. And for some reason he acts like the spokesperson for lombaxes when they come under fire by Tachyon. He takes it all SO personally, as if he invented the dimensionator himself. Which then really becomes all about how he’s invented a series of not too successful inventions and sees Clank as someone who doesn’t support him enough. He uses the lombaxes as a way to validate himself: ‘oh, so a lombax can’t invent anything useful?’ he says derisively at Clank and you know it’s not JUST about the lombaxes as a group. Here he is finally finding the reason for why he is the way he is and that his inherited inventive spirit just isn’t appreciated enough. With the way this games story makes Ratchet feel stupid and inadequate at every turn for his lack of connection to the lombaxes, I can see why his worst personality traits jumped out with all his insecurities.
I think Ratchet wanted to lift himself up by association with the lombaxes, to say he IS lombax enough and he knows what it means to be one! Which then made him lose sight of what really mattered - destroying the dimensionator before it breaks the universe and no one is safe. And ironically, when Ratchet realizes this and refuses Tachyon’s offer to see his family, Ratchet embodied the heroism of lombaxes more than when he was trying too hard to prove he was one.
Now put into perspective how Clank fully finds HIS own purpose and origins in this trilogy. I read an interesting YouTube comment on a Size Matters cutscene video that said something like ‘Ratchet is so against the idea of technomites and the Zoni being real, because he always had a feeling Clank was meant for something more and admitting they were real is like losing his friend.’ I thought this was so profound because Clank truly is all he has and could leave him when he’s found his own purpose and family.
Especially since for a while, Ratchet was prepared to do so himself after learning that there is a chance to save his family with the Great Clock. Even if it meant not ever meeting or remembering Clank, the biggest person in his life. But Ratchet's character truly reaches its most mature in ACiT. Instead of reacting negatively to Clank finding his own home and family while having a possible means of fulfilling Ratchet and Alister's desires - Ratchet is supportive and willing to let go of Clank. Because after all, they have to be their own people and Clank has supported him long enough. Just because Clank has found where he belongs, doesn't give Ratchet any right to selfishly keep Clank to himself. I feel so proud of Ratchet in ACiT, as it was clearly hard for him to let go of such an important person in his life. But the combination of what he learned in ToD and from Alister's own life led him to be at his best in this game.
(But come on they're so inseparable there’s no way Clank would be happy without Ratchet either. Because that’s HIS very first friend in the whole universe that gave HIM a place to call home even if it’s just the two of them in a small garage. It’s RATCHET who decided that he wanted to actually be friends with Clank, beyond fulfilling their goals, at the end of the first game. They’re… each other’s home 😭)
Alister represented a major turning point in Ratchet's own definition of himself. And in the end he chose not to be like Alister, to not let his identity as a lombax control his life. Unlike Alister, Ratchet isn't bound to a childhood of belonging to lombax culture and society. And though Ratchet shared Alister's goal for some time, the way Ratchet goes back to rescue Alister when he was captured just goes to show that Ratchet won't think like him. It's just not in Ratchet's character as we know it to forsake the present when up to now he has always, always been about loving and enjoying the present moment and all he could do in it. From Ratchet chastising Clank for not being able to have fun, to being a guardian of all that he loves in the present... it is a beautiful progression of Ratchet's character.
Ratchet so far has been given two chances to finally reach what he thinks should validate his own existence. But he chose to protect the present, the universe he lives in, the people who already give him a sense of self - most importantly, he chose self-determination.
However, he didn't know he would lose Alister with this choice. But it was out of his control, as Alister was too far gone and would act regardless of what Ratchet said. The shock of not only losing someone like family to him, but the sole link to his past and family sends Ratchet into depression and grief. His choice to own his life is not made with triumph as it should've been, but with deep regret and fear. From this point on he truly has a different vibe to him. His energy is dimmed, he gets down on himself more easily. He had his fill of the validation of being a hero, and with Clank choosing to remain with him he's content to retire from it all and try to go back to the things that defined him from the very beginning.
And exactly so as in the comics he went back to Veldin and being a mechanic. Though Ratchet seems his usual, careless self the comics reveal the huge amount of underlying emotions Ratchet has been struggling with in the aftermath of ACiT. The comics have Ratchet going through an utterly terrible time, as someone whose mental health is already fragile: Veldin is in danger once again, Clank recklessly kills himself for an hour, and he nearly lost Talwyn for good. Ratchet almost loses the three crucial things that defined him. Talwyn, Clank, and Sasha help Ratchet work through his guilt over what happened and taking time for himself, while also making a point of how self-isolation isn't healthy for him.
And eventually, Ratchet does get back on his feet and involved with his friends again - but not unscathed, as one major issue would still affect him. The pain of loss leaves Ratchet with a deep fear of experiencing, or being the cause of it, again. And this wound would be reopened too soon with Into the Nexus where we see him struggle to cope with losing Cronk and Zephyr on his watch - if the events of the comics weren't enough...
Watching the scene with him hiding in the crate and refusing to come out, the distance between the goofy and prideful kid we used to know and Ratchet as he is now has not felt more evident. Into the Nexus really highlights how Ratchet at this point just wants a secure and permanent place to belong to. Tal is so important because she may really be one of the few people who could understand and relate to Ratchet. Her family is missing too, she’s been lonely her whole life too. She is a link to lombax culture. She was there for him when he lost Clank. They see themselves in each other, and I think the opening scene of this game speaks a lot to how comfortable and perhaps emotionally reliant they are on each other.
It‘s understandable that Ratchet would let go of the pursuit of finding the lombaxes for someone who not only needs him, loves and supports him just as he is - but also someone he almost lost for good. She is also home and his family, even when or if Clank chooses to go back to his Clock duties. Ratchet just doesn’t want to lose anyone else, can’t handle the possibility of losing one more person - so he finally decides to end his eternal search for purpose, belonging, and validation and cling onto his sources of such things that were in front of him the whole time.
But as fate would have it, Insomniac really will drag out this whole finding the lombaxes thing even longer lol. This is the logical conclusion to the Ratchet and Clank story as of now, so Ratchet isn’t allowed to give up just yet.
Ratchet's Heart
WHY I started thinking so deeply about Ratchet’s character is because of how he is in Rift Apart. I LOVE Ratchet and Kit’s friendship so much because it highlights and reveals so much about each other!!! There’s probably a reason why Kit and Ratchet share a colour palette, and it’s because they’re kinda parallels:
1. They’ve let bad experiences in the past control their present and future - but it limits their world as a result. (Interestingly, Alister also let the past rule his life. But he was so obsessed with righting the past that he would endanger the present. Ratchet learned what not to do from Alister, but he kinda ended up being a different version of him.)
2. They’re both afraid of getting hurt and causing hurt - so they avoid it. They both have a tendency to hide away when feeling bad about themselves. They’re both seen as cowardly for this (Vendra and Rivet judging Ratchet for being too scared to find the lombaxes).
3. Ratchet’s advice to Kit when it comes to socializing is ‘don’t overthink it.’ I’d love to make a connection here to how Ratchet would overthink what to say on the spot or overcompensate for himself in the past.
Kit is potentially dangerous and doesn’t know how to be a friend. She’s caused real hurt before. But Ratchet accepts and believes in her, and is adamant about expanding her world, seeing all the good in her, and encouraging her to grow. Ratchet knows what it’s like to not be perfect, to be stuck somewhere, to make mistakes, and be rough around the edges. I believe this is why he is so kind to Kit, providing the validation and belonging and opportunity he would’ve wanted for himself.
And it’s to Kit that he opens up about his anxieties. Ratchet’s true feelings about finding the lombaxes… he’s so… defeated, unsure and doesn’t think much of himself anymore. This was also evident in how anxious he was about the parade celebrating them at the beginning of the game. Yet another indicator of how different Ratchet is now - younger him would’ve loved all the attention even if ‘unearned’ (cuz they haven’t been a hero for a few years). It’s crazy because he’s done SO MUCH and yet - from the way he talks to Kit he still doesn’t feel like he measures up to how great the lombaxes are. Or his parents, judging by his apologetic tone when he explains that his dad tried so hard to keep the dimensionator safe.
And let’s think on this idea of not measuring up - his self worth issues, he’s not exactly a successful inventor, overall flawed and clumsy personality, seems to only be useful for shooting some bad guys, plus not being able to prevent the deaths of some people very important to him - it becomes clear why he thinks so little of himself in comparison to the lombaxes legacy of being brilliant heroes and creators. Beyond the misfortunes that seem to happen around the dimensionator, Ratchet’s problems stem far deeper into his sense of self. So he tells Kit that even if the lombaxes are the perfect family - would they be disappointed in him, or he disappointed in them? He also doesn’t want to lose the life he has now, not when it has finally given him some stability.
But it is Ratchet’s very own kindness and faith in her that allows Kit to turn this issue on its head and address the crux of the problem and reveal the precious thing that ultimately defines Ratchet and his identity - perhaps more than wanting to matter and belong, what he had almost lost over the course of his life up to now.
I would like to say that in a word, Rift Apart is about possibilities. The alternate counterparts of Ratchet’s world and all the implications of it exemplify this.* The Clank sections directly use this word I believe, as he helps Gary fix the dimensions.
*(I don't know where else to fit this observation, but the ways Rivet and Ratchet contrast are somewhat relevant. Rivet, unlike Ratchet, has friends and a group to belong to earlier on in her story - so she doesn't end up falling into the same character pitfalls of being selfish or self absorbed. She and Clank share that big picture awareness. But she's lonely in a different way: having to be strong for herself and everyone else, she's a Ratchet that doesn't know how to be open and vulnerable. I just wanted to point out how cool it is that they considered all this as a 'counterpart' to Ratchet.)
‘Possibility’ is also probably… at the very heart of Ratchet’s character.
One of Ratchet’s defining character traits is his recklessness. He risks too much, takes too many shortcuts, doesn’t think enough when he should. But this is precisely why Ratchet is amazing at the same time. Of course it’s good he grew more careful as he got older. But the big thing to take away from his anxiety about finding the lombaxes and him wanting to stay safe and content with what he has is that - he’s almost lost that crazy and beautiful ability to risk it all and take a chance. Namely, on himself. And it’s ironic because he convinced Kit to risk it all and be friends with him, to go out into the world she’s so afraid of! And this is exactly what Kit points out to him, and expresses her belief that finding the lombaxes will turn out alright for him - even if he still struggles to believe so.
In the way he loves living in the moment, pushing himself to the limits, making weird inventions, pulling off unsafe stunts, throwing together scraps to fix and modify things against better judgement, trying to beat the odds, befriends strange little robots that are just as odd as him - Ratchet thoroughly, intrinsically embodies possibility. If you have nothing to define you, then you have so much freedom to define yourself. And that has been Ratchet’s whole life. Being able to not only think of all that’s possible, but being brave and silly enough to try to achieve them - that in itself, is an extremely valuable gift.
Ratchet is just not the same anymore because he is scared to be and act on what is the most natural and fundamental to him as a person - lest it lead to immense pain and loss. And as I have established multiple times in this post: Ratchet is at his best when he allows himself to just be… himself without pretense. Perhaps Clank knows or doesn’t know this, but he took it upon himself to try to help Ratchet find what makes him whole and himself again. Because the people around Ratchet can see that him completely giving up on what is in his heart would be truly sad and a loss to the universe he loves so much.
Ratchet and Clank were always meant to keep expanding their universe and themselves! That is the very spirit that propels this franchise. And by the end of Rift Apart, and even if Ratchet is still scared - he’s going to find the lombaxes, scared. He’s not going to give up on himself anymore: just as he didn’t want Kit to give up on herself, didn’t want Rivet to give up on Kit, and how Clank never ever gave up on him, believing in the possibility of him being a good and worthwhile person from the very start.
I feel really optimistic for Ratchet and wonder how they will (possibly?) end his character arc in the next game. I’m deeply grateful that Insomniac still cares about this franchise, and cares about Ratchet as a character so much. It truly is a unique privilege, I think, to see one character’s story develop and grow and change over a decade. I love Ratchet and all he is and represents so, so much.
#ratchet and clank#chyna writes too#it’s been such an emotional journey rewatching all r&c stuff this time#i dont know if this is well written or cohesive but it's what's in my brain and in my heart 👊😔#if anyone DOES read all 4882 words - CONGRATS AND THANKS????
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Will you pleeeeeeeeaaaaaase get James and Sadie together already? I'm getting frustrated it still hasn't happened! 😭
I'm kidding! Sort of, lol! Keep doing what you do, I'm very invested in your story. It's just, it's like this book, and with every page I turn, I'm hoping this is when they'll kiss, but they don't, and I cry.
Oh dear, I'm sorry! But honey, we need the drama! What do you mean, 'we've already had enough drama'? There can never be enough drama!
Joking aside, though, thank you, Anon, for comparing my story to a book. ❤️❤️❤️ And, I do actually have a few things to say about all this, and I'll use my answer to your ask to do just that. 😊
Everyone knows by now that "Jadie" was never my intention. They were both meant to be with other people, and I had a whole storyline drawn out for each of them.
When this whole chemistry thing popped up, my original stance was "Nope. No way. Sorry kids, not gonna happen." But these two are just so damn charming together, I had to give them something. I gave them a night together, but it wasn't enough. This thing needed a storyline. So then, I spent a lot of time undecided: am I still going for the original outcome, but walk a slightly different path or am I changing course completely and do James and Sadie get to have the happily ever after they are both telling me they want?
I have made a decision on this, which is what I'm now working towards. Some people may love it, others may not, but I think it works with the rest of the story. I had to match it with other things already set in motion, though, because plot holes terrify me, and that takes time. We are heading somewhere. Just bear with me.
If you read all of this essay (like I said in my post yesterday, being concise is something I need to work on 😅) and are still with me, I'll reward you for your patience by telling a little bit about what's coming up. Don't want to be spoiled even a little bit? Stop right here! Curious? Click! ⬇️
We're heading into summer ☀️ with the next chapter, titled "Let’s Talk About...". This one is mostly written, but needs to be shot. It focuses on Rachel and Malte and how they are doing.
After that we're going back to Honeycomb Valley and we'll see Joshua again. His best friend Joel will also be important to this part of the story, as well as some other teens I'll introduce.
The chapter after that is very intricate to write since it'll show the same event, The Hot Wings, performing their summer gig, from two viewpoints: James' and Joshua's.
After that, it's autumn 🍁, and if you think the weather is stormy now, let me tell you that autumn winds tend to blow even harder... But they say there's calm after the storm, right?
Thank you, Anon, for being this invested in my story. ❤️
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How do you manage to stay in a fandom for so long? I'm always mario jumping from fandom to fandom every 3-6 months
Oh, so many reasons. I think I've answered this before but in a much more concise way so idk what happened here when I tried to answer again from scratch but uhhh I wrote a lot lol?? Long ramble time. 😂
I found this fandom at a point in my life when I really emotionally needed it, so I got really attached to it. I stayed because of the friends I've made in it and because of the OCs I got invested in, both mine and other people's, and every so often something invigorated my interest like a new roleplay I got to join or new concept art that got discovered.
I'm also just a really dedicated person (for better or worse) and I still have ideas that I want to get out there creatively. I don't get a lot of free time, and I rarely have energy for hobbies after work so my time passes slowly in the sense that I may still be in the middle of appreciating a thing, meanwhile everyone else has already sped through and processed it and moved on.
So I've gotta be really careful about choosing what to spend my limited time and energy on. It sometimes takes me a whole month to draw a piece of art that I'm proud of. It would be a huge waste of my time to spend so much energy on a fandom that after 3 months I think I might not care about anymore.
And like, if it's going to take me a month to draw 1 thing, what am I going to choose? Fanart of a character from a show that I just finished that I might possibly move on from in 3 months? Or art of my darling Audrey OC that I've been developing for years and whom I know will always bring me joy for the rest of my life? It's not a hard choice! Like I'm sure it's obvious by now but I really love my oc. It's gotten to the point that I look for her in every media I consume. I like characters because they remind me of her, and I like plots because they remind me of her. When I watch a movie and end up loving it, I'm not going to be drawing fanart for that movie, I'm more likely going to be drawing Audrey Grace in some way that's consciously or subconsciously inspired by that movie. I'm sure other people with beloved ocs can relate to that, too.
Back to media consumption: I'm constantly watching new things, shows, movies, letsplays, and I'm able to love them just fine, but I never participate in their fandoms (unless you count reblogging fanart as participation. I personally don't). I just don't feel motivated to and I feel like it's unnecessary. I shouldn't need to prove anything. You can appreciate media without engaging in fandom. In fact, I encourage it, because a lot of what I see in fandoms these days is just stressful, at least to me. And I don't want that stress. I'm much happier as a person when I don't have to read other people's opinions, discourse and drama over some show's themes or ships or whatever. I can just quietly revel in my own enjoyment of the show without being tainted by anything else, and my love for it is not any less valid than the person who's livetweeting their loud emotions while watching the same show and putting out fanart 1 hour after every episode. Bless them, though.
And I guess that's mostly what I do these days with the Onceler fandom, too. Appreciating it more quietly these days, I mean. It's just that...I have a fandom related oc so I draw her. And I have friends here so we do stuff together and we reference fandom inside jokes no matter what activity we're doing. If I encounter art that deeply moves me personally, I reblog it, just like I reblog art for other media on my sideblog. When anyone has a fandom history related question, I'm eager to answer because I don't want the past to be misrepresented or misunderstood. And also, since it's been over a decade, this fandom has long ago become my daily normal. I can do whatever I like but I can't really "leave" this fandom unless I delete all my social media and cut off all my online friends. And delete my memories of the past 12 years of my life as well. Just become a completely different person.
So I guess I can reverse the sentiment: I can't relate to people who hop fandoms every 3 to 6 months. 😭 All the power to you, but that's just not the way I happen to live my life, nor the way I engage with the media I consume! The Once-ler fandom was the one exception. It was special.
But who knows, anything can happen in the future. I'm not so proud that I'm purposely blocking myself from looking at other fandoms or anything. I just go with the flow! Right now I'm slowly making my way through jjba, an omori playthrough, a Plague Tale playthrough, and urusei yatsura season 2 (the new anime). Probably nothing will come out of any it except for a bunch of Audrey inspos, but again, who knows. XD I'm also going to an idkhow concert soon, and I've bought merch from their store already. Does that count as participating in a fandom? Maybe not. But now that I think of it, even if I "join" another fandom, it doesn't necessarily mean I'd leave the onceler fandom either, so maybe it wouldn't matter haha.
Thank you for the ask and thank you to anyone who's read my entire answer!
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Update: One year on the tracks!
It's been a year (and a week) since we first started working on this mod! April 25th is when I first started working on this project! Terrible timing since that's literally the day before my birthday and I'm too busy to make anniversary updates the day of. Thank you everyone following this mod despite how slow we chug along!
If you see the first ever post Thylak did over on his main - you will just see my little comments discovering his work and instantly being like
*Fast excited ADHD typing* I GOT IDEAS.
Rest is history....
We've been hard at work trying to get the mod complete enough for a (still unfinished...) release! It won't have everything we have planned (marriage events, Elesa events, platonic route, roommateable Cilan, etc.) because it would take forever otherwise (we keep getting ideas for additions...)
So many ideas. Sometimes we have to dial it back...... The amount of times events had to be cut down for concision... and we still struggle to keep them under 8 minutes...
1.6 broke a lot, so sorry for the delay in updates! (WHY CA WHY!) We've been having to do a lot of backtracking and behind-the-scenes work. (SO MUCH BACKTRACKING) Pretty much every event broke. I have to resprite all the portraits to match the vanilla-size because HD Portraits is still not updated. The schedules need fixing.
But despite all of that, the station bundles are done! We also redid the house exterior for submas because it was ugly. I did not know how to do pixel art a year ago. Nor did I know how to decorate maps. They have a whole new area off to the side of the Railroad now!
We hot potatoed that map so much. First Thylak would work on it. Then I did. Then back to him...
Still need to get around to adjusting their schedules to switch their coordinates to the new map when they're working on the Railroad. Previously, they were just pacing around in the various empty areas of the Railroad. Now they have trains.
The house itself was actually two different structures with a seperate clock tower but then we decided it looked better overlapping the bit of roof peeking out. It's much less flat now.
Submas have a mailbox that adheres to Stardew's perspective.
No longer is the house a cardboard cut out with shading and lighting. LOL (I didn't know how to sprite buildings!!! I put all my effort into Emmet's walk cycle!)
Also speaking of mail boxes... since it been a year; I'm sure all ya'll are curious to how we do our modding, story, etc. We encourage you to hit the mail car button and ask away (so many of you already have) But since it's been a year. Go Crazy.
But I will nip the common asks tho.
Some Common Asks.
"Is this mod SVE (Stardew Valley Expanded) Compatible?"
No.... Unfortunately due to the complexity of both mods. (Ours due to railroad being used. And SVE already expanding on a bunch of stuff) It will just be compatible with vanilla and any mods that does not replace or edit the railroad (majorly).
We did move submas's house over to the side so it won't overlap the farm it adds or impede any space that you want to use the Railroad's empty spots of land for, but it's still very much a "play at your own risk" type of thing. I'm not familiar enough with SVE to code compatibility for it (not familiar at all actually... I don't play the game enough! All my time is spent working on the mod! All I do is stare at google docs and type walls of text! I'm not interested in SVE anyways for personal reasons.)
SVE is infamous in the modding scene since it changes pretty much every map and steps on other mods with incompatibility. I don't want to deal with making two seperate events with the coordinates/movements edited for compatibility. It should be compatible with most other expansion mods like Ridgeside Village or East Scarp since they mostly keep to their seperate areas and not edit things unless necessary (like submas do now)! SVE changes too much to gurantee compatibility and for the sake of my sanity I won't provide it. If it works, great. If it doesn't, pick and choose for that save.
So.. SVE and our mod. Incompatible....
"Release Date?"
Unfortunately it is still undetermined! (Due to our busy schedules.)
(For example - I myself work 2 jobs and currently going through a lot of chaotic life stressors.....)
However, we will make a progress post soon about how much left on our list where we are satisfied with moving onto the next stage of our mod which is.
There's actually not much new content planned until we're ready for initial release, we mostly have a lot of behind the scenes cleanup and backtracking. I still have portraits to do (I took a break... switched off to mapping). Event-wise I want Emmet's 10 heart event to be done and a few station/side events we have in the drafts. We'll need more festival dialogue (since... they don't show up unless if I have stuff for year two for some reason). After that, we get into more fun stuff! Patches!
PATCHES! Oh we love a good mod patch! And we have a lot planned. Meaning there's still more ahead on the tracks!
"Are they romancable?"
Yes. Yes they are. HOWEVER! WE DO SEE YOU AROACE COMMUNITY! And we will be making a route that will be planned in the next comming phase to make them platonic relations as well!
It's the first stop on our intinerary! We'll release the platonic route alongside the marriage event update so there's something for everyone.
We are just following vanilla format at the moment as it is easier coding wise. And also a good place to start planning where the branches are going to happen. Making roomates is a bit more complex... I have to make a custom item for "proposal" much like the void pendant.
I think that covers the common asks... OH!
Also! Since we have released the Joltik Adoption aspect as a separate mod as well as a little fun tease (And test run) - before we actually drop Subway to Stardew. So sorry the event didn't work at first! I was testing on the main expansion mod. Should be fixed now!
We recommended that if you find any JOLTIKS. Scurrying around. Causing trouble. (Aka Bugs.) Please send in an ask! Or head over to Nexus to drop a bug report! It will help iron out some things that we may not be aware about before release!
And when we do release we HIGHLY encourage the bug reports cause it's just two of us... <_< and those Joltiks get into everything! (Doesn't help that THYLAK KEEPS THROWING THEM EVERYWHERE! I find them in my paperwork... and Atwood's bedding.... My poor Phantump. He can't catch a wink without a Joltik scurrying all over the place!)
It's just me doing all the coding (All. Of. It.) so I hope you all can continue to be patient while I work on things! Sorry if I miss some things! We probably won't playtest too extensively before the initial release, so please do report any bugs you find then!
▷ Station Steward Thylak
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I have a confession to make!
I don’t know how obvious it is, but I actually haven’t read any comics 😅 I know, I know haha, it’s just I haven’t had the time! Luckily, I mostly follow blogs that I know are comic readers so I know what’s fanon and canon mostly. But since I will have free time in the summer, I was wondering if you have any recommendations on what to read and where to start?
Oh man I WISH I could be one of those blogs who snaps out the long scroll that just rolls down the hallway with a concise cross referenced list of top hits from every era and where to start with each character! But I am a book hoarder with not enough time on my hands so I haven't even read half of what I have, let alone all the back issues 😅
Here's some stuff that I really enjoyed as a new-to-comics-and-DC reader and in general (in mostly chronological order because that's how I arrange my comic books):
Batman: Dark Victory
I really enjoyed the mystery and early Batman days, plus Dick Grayson's debut! He is a delight. I didn't read Long Halloween which comes before this so I missed some context but I picked it up easy enough (also according to some reviews the mystery can be repetitive if you have read Long Halloween sooo win for me ig?)
Robin: Year One
I am determined to read this one soon. I've heard great things about it though so it's being added
Batman: Prodigal
I read this without reading a single page of Knightfall because I was getting interested in Nightwing and this was the earliest book that my library had available (I have given up on a chronological reading order since those early foolish days). I knew nothing and still really enjoyed Dick!Bats and Robin!Tim together. I need to reread this soon
Formerly Known as the Justice League
A limited run, 6 issues I think. Honestly I should just say Justice League International in general but I started with this mini for Booster Gold and Blue Beetle after seeing some funny panels online and I fell in love with that whole cast of losers (affectionate). It's not BatFam but so so fun to read (and JLI has some really poignant moments too)
Young Justice: A League of Their Own
SO FUN. Tim and friends dealing with just ridiculous scenarios LOL I'm only halfway through but it's great
Batman: Hush
I haven't read a lot of just Batman titles but I enjoyed Hush. It had some good character moments for Bruce that helped me understand the way he thinks a little more. I also hear Bruce Wayne: Murder/Fugitive is very very good but I haven't gotten around to it yet (a running theme)
Batgirl: Point Blank
Cass is a treat. This was the first volume I found of her's, haven't read the others yet, but even lacking context I really enjoyed her as the main character and her interactions with Steph, Babs, and Bruce.
Teen Titans (Geoff Johns)
This was one of the first series I started reading and it was a good intro for me, a completely new DC fan. It's Tim and his friends but more serious than YJ. I've read vol 1-2 and part of 3
Under The Red Hood
Classic for good reason. I haven't finished it yet (teehee) but the first half has been entertaining. Jason has had some um... interesting writing in his time. But I really enjoy the way he's written here. It's a good baseline imo. I've heard Lost Days is also good
Nightwing (Tomasi run)
I love Tomasi and this run was a lot of fun. Dick is funny while not losing his serious, capable edge, he interacts with people in his circles, and has some interesting introspection moments. There's a weird part of the plot about midway that definitely uses bad Asian stereotypes which is so disappointing. But after that it gets normal again 😅
Batman & Robin
This comes right after Tomasi's run and it's a mixed bag for me. It's definitely interesting seeing Dick and Damian learning to work together but I was still new to DC with little context for things and was also *so* put off by the art style that I don't remember it well. But I thought I'd add it anyway since it's an iconic moment for Dick!Bats
Batman and Robin (Tomasi)
I adore Bruce and Damian struggling together to discover what being father and son looks like for them. I adore Damian having growth. That's volumes 1-3. 4 is post Damian's death (and damn issue 1 is a well written look at grief), I haven't read 5 or beyond yet.
Nightwing (Rebirth)
The first Nightwing title I read. Looking back, the characterization is a bit weak in some areas, doesn't quite match how he's written in older runs, but it had good moments and kept me entertained. Especially!!! In vol 3 with Humphries's Judge arc
For more current runs, I'm really enjoying World's Finest. Waid's writing is good and Mora's art is just *cartoon heart eyes*. Bats, Supes, and teenage Dick Grayson are a fun trio. Amid other runs that had me tearing my hair out in disappointment or frustration, WF is a breath of fresh air.
Titans United: Bloodpact is a 6 issue limited that was also a really nice read. It's Dick's Titans but Tim is there too and I enjoyed everyone's writing.
The Human Target (Tom King) but honestly I was just losing my mind over Greg Smallwood's art and paneling the entire time. A masterpiece. I want to frame every page. I cheered when he posted inspiration threads on Twitter.
Superman's Pal, Jimmy Olsen
It's not Batfam but hear me out!!!! This comic had some of the sweetest moments between Supes and Jimmy and I wanted to grab literally anybody by the shoulders and shake them until they looked at the Lois, Clark, & Jimmy in the helicopter panel and GOT IT!!! Also it is so delightfully wacky and funny, I was genuinely laughing out loud. Steve's Lieber's art is the perfect pairing with Matt Fraction's writing.
AND SPEAKING OF!
This isn't DC at all but it's the series that made me (and so many others) really love comics and their storytelling potential. Matt Fraction's Hawkeye run, volumes 1-4. Between his writing and David Aja's artwork and color theory (and Steve Lieber's guest issue that literally gut punched me and changed how I saw later parts of the story, it was never just a filler issue to me, Steve) you get a great story that says so much with so little (in the best way) and is a visual treat as well. Chef's kiss.
Some other non-DC comics I really enjoyed are Die (imagine Jumanji but D&D and novels and oh look the consequence of your actions has grown up), Something is Killing the Children Vol. 1 (I am not a horror girly but I really enjoyed this, in no small part because of Dell'edera's art), Eight Billion Genies (the world population hits 8 billion and now everyone gets a genie, what could go possibly wrong), and Paper Girls which I'm about 2/3 through (picture stranger things but with time travel, spaceships?, and oh shit is future me lying??)
Damn, I guess I really did have a scroll's worth. 😭 Anyway, my recommendation for where to start with this list is...what does your library have available? Don't forget about the Hoopla app too, that's where I read some of these digitally. Or the used bookstore which is where I got 90% of my comics from.
But seriously! Just pick whatever sounds the most fun or has the character(s) you're the most interested in and go from there. Skip around on the timeline or go in chronological order. Whatever floats your boat! I think that's the really unique thing about comics. Plus if you can't figure out the context of what you're missing or what is happening simultaneously (because writers & editorial used to care a little more) you can do a quick google or (and I wish I had this with Batgirl) @cephalog0d has a pinned timeline master list. Incredible.
#let me know what you end up reading!!#a lil summer book club haha#dizarys answers#comic recs#I've definitely forgotten some I can feel ot
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What is your advice on handling criticism?
I saw your response to a critic on Lore Rekindled in the sub and it's very good and you could say, professional.
I have a big problem of people-pleasing, so if I get critcism (eventhough it's very polite), I get very sad at the fact there's fault with my work (I also suffer from perfectionism). It will drastically change how I see my work, and in the end I give it up 😭
fam i got teased tf out of for making it so wordy LOL
I totally get that struggle though, I know it probably doesn't seem it at times, but I do have the 'ole RSD (Rejection Sensitive Dysphoria) due to being ADHD/autistic, so I totally relate to the whole people pleasing thing. It's hard to feel like something you made isn't making everyone happy! But that's also ultimately not what it's for. You can't make everyone happy, and your art doesn't deserve to exist any less just because some people don't find it their cup of tea.
I've definitely had to like, disconnect my work from myself over the years to get better at taking criticism. Not to the point that I get apathetic, obviously I should be invested in whatever I'm working on, but enough that when people criticize my work, it's not necessarily an attack on my own self.
And if they are clearly just out to attack me, then I dismiss the criticism, it's of no value to me.
Unless it's something that's specifically a result of my own values or biases bleeding into the work, most of the time it's people literally just saying, "I like this work, but I feel like it wasn't as strong as it could have been here and here" and that has nothing to do with me as a person, I'm just still polishing my skills and those outside opinions help to target specifically what needs improving. I think we as artists pour a lot of ourselves into our work, especially when we're just starting out, so it can be hard not to take criticism as an attack or rejection of yourself, but we have to ultimately remember that we are not 100% of our work. Even with works like LO, while some of the criticism I give of it is indicative of Rachel's values and personal preferences as a person, a lot of it is also just about the work itself and how far it's fallen beyond what I assume Rachel intended from the beginning.
I've also learned to separate helpful from unhelpful criticism. I'll use Time Gate as an example because I've gotten way more input on that series than Rekindled (just because I've actually like, intentionally sought out criticism for it). A common criticism in the past was that there weren't enough backgrounds and the story's pacing wasn't concise. It sucked to hear at the time, especially the backgrounds one, because I'd heard that one time and time again... but it was literally because I wasn't doing anything to improve them. You know what stopped those criticisms? Drawing backgrounds more LOL And I still suck at backgrounds tbh but I feel like I've definitely improved compared to the first few volumes when I was just drawing characters on top of white constantly LOL
old and busted:
new hotness:
(i think there's like a 4-5 year difference between these two pages. and the backgrounds STILL aren't perfect in those newer volumes but they still feel more finished than the older panels did)
So that was helpful criticism! My art wasn't as strong as it could be in a few specific places that people were clearly able to pinpoint, so I did what I could to improve those places and I'm still working on it.
Unhelpful criticism has just been either personal attacks (not valuable) or statements that are basically asking the comic to not be what it is, criticizing things that are features, not bugs. Things like "well I think the story is too anime-like", "it's a lot to try and read", "why don't you draw eyelashes on the girl character", etc. which are criticisms of things that I know are intentional. The story's anime-like because that's the story I want to write. It's a lot to try and read because it's intended to be a longform series for people who like reading longform series (people like me!). I don't draw eyelashes on Uzuki because she would look terrible with them LMAO (we even made a joke about that later on):
(the hilarious part is that that comment was definitely made with the idea that all women should have that makeup look, meanwhile mitsuhiro's pulling off the look so much better and he knows it LMAO
And actually, the example you're referring to where I responded to crit in the ULO subreddit, is also an example of unhelpful criticism, though the person who posted it definitely didn't mean any harm by it, but the crit was literally "why aren't Persephone's boobs big enough" which I thought was pretty funny. She still has boobs! I just don't draw them popping out of her top like Rachel does LOL I also don't give her the exaggerated pinched waist or broken spine that Rachel often gives her because that's all just to, again, emphasize her boobs, and it's often unnecessary, especially in a comic that's being marketed as a feminist piece of work, yet is often drawn completely through the male gaze. So yeah, that was definitely crit that wasn't really beneficial because it was literally just about Persephone's cup size lol
I know it's easier said than done, but when you feel that sadness coming on in response to criticism, remember that that criticism exists to help you, not hinder you. Considering you've been getting polite criticism, that means the people giving it likely have your best interests in mind and want to see your work improve. The only way to do that is to learn how to critically analyze your own work, and the only way to do that is to surround yourself with works whose quality you want to achieve, and get outside opinions. And if that criticism isn't in good spirit, then toss it aside. If it's not going to help you, then it's not of any value to you. And yes, it will take practice, there are still times I find myself getting overwhelmed, but ultimately I can't control what anyone else says or does, only what I do. So I funnel that into my work and I always keep moving forward.
Be at peace with the process of learning and improving, because you never stop having to learn, there's always something new to improve, and that shouldn't be taken all doom and gloom "I'll never be perfect", that's literally just the process and beauty of being an artist, there's always something new to learn and that's something that should be exciting!
Think about whenever you give criticism or have personal critiques of other comics. I'm willing to bet most of the time, you have those opinions with good intentions, you're not trying to attack anyone. So why not give yourself the same grace?
...holy shit, I forgot Uzuki's lipstick in the bottom right panel- (;´д`)ゞ
#and i know i'm sounding hella hypocritical because i'm MEAN about LO lmaooo#but that's what y'all followed me here for sksksksk#i'm NOT entitled to her attention or acknowledgement#and also i genuinely don't expect or wish rachel to find my crits of LO here#i do think she needs to get better at taking criticism but at this point i'm just shitposting so that's not helpful to her LMAO#ama#ask me anything#anon ama#anon ask me anything
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LOL that guy you were arguing with a few days ago changed his entire blog. i think you radicalized him LMFAOOO
here's him still malding about your argument: https://www.tumblr.com/mommabearlaciii/732929534465359873
It's been 3 days, honey. Why are you acting like a martyr? Please move on. Get a job. Or a hobby.
This is doubly hilarious to me because he warns others not to waste their time speaking to radfems while wasting multiple days seething about our conversation, to the point that he changed his whole blog...
Guess I have to address this in its entirety since he won't shut the fuck up about it. Buckle up, gyns.
For some added context as to why I immediately assumed this was a troll when I saw his post, this is what his blog looked like:
Jeez, I thought, what a terrible troll. It was so on the nose as to be comical. I soon realized that he was anything but a troll.
I was incredibly tame in my response to his insanely misogynistic post, to the point where I chided myself afterwards for not going harder on him.
In retrospect, being "civil" with him was the best way to go, as my reblog is simple, concise and clear: woman = female. That's literally it.
In spite of how simple my comment was, he still went on an unhinged rant mere minutes after I pressed reblog. It's honestly not worth reading, but for the sake of transparency I'll include screenshots.
Honestly, I was shocked to see how quickly he typed this whole thing out. Rage must increase your typing speed.
It's pretty funny to me that someone whose blog name used to be "adult human female" got so incredibly mad at me for stating that women are female. Shouldn't you agree with me, if you think trans women are female? Hm.
Following this, I wasn't planning on interacting with him again. I left a one word reply and thought that would be it. He kept replying with questions, which devolved into an extremely long exchange in the replies that had some interesting moments. Like him elaborating on why he believes trans women become female, which boils down to "amalgamation of female-approximate traits = female."
Source for his claim that sex is a bimodal distribution between two poles? No clue.
Basically this:
The graph he provided in lieu of a source:
I'm confused about this graph for multiple reasons, namely, the fact that it conflates sex and gender. Mostly, I'm confused about the extremities. Are the people on the far left of the graph "ultra female", and people on the far right "ultra male"? It's complete nonsense, not to mention that he doesn't provide a link to the source this graph is from, it's a commentated screenshot of a tweet with the graph.
Looking into it, the graph comes from a blog post by a transgender real estate agent. I would not consider this a reliable or credible source whatsoever, especially when the post goes on to say this:
You heard it here first, folks, having a small penis means you're less male, and a larger clitoris means you're less female. That makes total sense. I was half expecting them to include this image:
Back to the post: I attempted to explain to him that being in the female range of a specific trait doesn't mean you're female, without much success.
Speaking with him felt like trying to capture a feral cat. It was like I kept having to appease him with treats to keep him from hissing and scampering off. I've never had this feeling when speaking to any other trans person on this webbed site, they usually either block me immediately or have a conversation and then block me when they realize I actually have valid arguments to make. It was definitely a new experience for me. I have screenshots if anyone cares enough to see the full thing.
He did end up realizing I wasn't as complacent as he thought, and blocked me after leaving another beautiful essay in my DMs. The post that pushed him over the edge? The one where I made fun of the breastfeeding fetishist nominal.naomi. Why? Because I implied that males are ugly slobs that can't take pictures. Lol.
It's funny that this interaction seemingly got him to reconsider his time on Tumblr, to the point that he did a complete 180.
You know what, I'll take it. Some of his posts unintentionally call for gender abolition and acknowledge gendered labour inequalities. Sure, he reinforces gendered stereotypes while doing so, but at least he's saying something.
If I can get a misogynistic lesbian fetishist to change his entire blog to regurgitate basic feminist talking points and think he's owning Le TERFs... That's probably the funniest thing to happen to me here.
To be clear, that doesn't make him any less violent towards women he disagrees with.
To conclude: This entire exchange has made me realize that I don't have that many serious posts on this blog compared to my previous blogs. I'll start working on some more serious posts. If you gyns have any suggestions for subjects I could discuss in more of a serious or analytical tone, feel free to shoot me an ask or a DM.
#radfem#radfemfox#tim moment#male entitlement#trans exclusionary radical feminist#radblr#radfem safe#radfems#radical feminism#radical feminist community#radical feminist safe#radical feminists do interact#radical feminists do touch#radical feminists please interact#radical feminists please touch#radical feminst#rad fem#peak trans#gender critical#trans cult#terf#terfblr#terfs#terf safe#terfsafe#sex not gender#radical feminist#anon#mommabearlaciii#intersex
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Not sure if you’ve answered this before but what are your favourite fics and ships?
Love all your art btw! <3 Thx for all the food!
i might've years ago, so let's go again! i'm gonna answer this question as only NSFW/kink related, otherwise the list would be way too long haha
alright let's start with the obvious: ParviII is and always will be my #1 one ship, even when I dip in and out of the fandom a lot (i feel the term OTP is super outdated these days? but if there was one ship i could use it with it's them...)
so obviously i'm gonna say Talking Body and Payment and Payback by @sparxwrites. because. you know. how can i not. oh yeah, Good Vibrations is also a classic. hiii sparx, i'm sorry for picking your older fics, i just have such a bias. they've written a ton of great stuff over the years though, so go give the account a peak! there's something for everyone, especially if you like darker stuff.
...speaking of accounts with a lot of content who lurk around here, shoutout to @pawpunkao3. lmpᴇarI is one of my favorite ships, and they're still such a rarepair somehow?? anyways I think about Between Bedrock and a Hard Place at least once a week tbh. A New Religion That'll Bring You To Your Knees is fantastic, and i have a soft spot for I Spy (even tho i didn't watch too much empires). again, another author with a whole arsenal under their belt, so don't just take my word for it and check the rest of his fics!
back to lmpᴇarI being a rarepair... @thatstoomuchsoup has Chicken Soup for the Soulbounds (okay it's more pearI-centric but they're both there) and is another blog that specializes in some of my kinks and these fandoms. same with @anon-teddy's content, gotta give a shoutout to full. this is also making me realize i haven't sought out enough poly S0up Group or GᴇmpuIse/PᴇarIgem fics...maybe i'll get back to you on that...
there's a bunch of good explicit trᴇᴇbark fics, but i said i was gonna keep this list concise, so the only one i'll specifically point to is how to deal with your supernatural lust for blood (and other things) in a completely normal and god-honoring fashion. for...reasons. also because it's good!
edit: oh my GOD i realized two seconds after posting this i completely forget to mention @also-an-art. go read (this is) hungry work and honey don't feed it right fucking now. i've read both of these in full (pun intended) multiple times they're that amazing. it's rare that the plot is just as good as the horniness, when i tell you i lost my mind at some of the development in these. also hot and dirty (like the la air) is a guilty pleasure. AND it introduced me to a song that ended up being #20 on my spotify wrapped LOL (RPF warning on that one! trust me tho)
let's get to my other bias, shall we? RᴛSpiff and RᴛS00t don't....have any explicit fics. nor does poly lᴀds. CMRᴛ does, though! I'm kinda picky about how people characterize them, but play it cool and Every Stumble and Each Misfire are lovely (note that the second one is also blatant RPF! don't say i didn't warn you o7)
speaking of lᴀds, if you follow me on main, you know i got into Bᴀnᴀna Bᴜs Sqᴜᴀd just last year (I'M SORRY, OKAY, DON'T @ ME-) you'd think getting into an old fandom late would mean a ton of great smut fics, right? to be honest, i haven't found many that i care for, but maybe i'm just picky... however, i remember your lips, they're the ones i miss, and smoke in your lungs, your lips on mine are SO GODDAMN GOOD i'm not even mad it's only those two i like because i could reread them 20 times. god. such fun characterization. shame the author orphaned them because i badly wanna read more of their stuff.
this is the part where you go, spirit, do you read anything besides (mᴄ)yt fandoms??? and i go, not really.............well, sort of. i like 0verwatch! and M0icy!! Reciprocity is a delightful PWP long fic. i'm also not really an omegaverse guy, but Water Me has such a good take on it i fell in looove.
okay, i'm gonna cut myself off here, enough though i could probably name dozens of more fics if i sat and thought about it. if anyone i tagged wants to be untagged, feel free to reply here or shoot me an ask/dm!!
#i like how i said i was gonna keep this short and still went insane lmao#also dont forget to read the notes/cws of any fics i linked! it's up to you to decide if you're comfortable reading them
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13, 16 and 40 for the writer asks?
thanks ollie!!
13: what’s a common writing tip that you almost always follow?
god this is a boring answer but. "show, don't tell." it's like the one thing i actually consciously think about when i write (well, more so when i edit tbf but same dif). in the past 3-4 years i've gotten really good at learning to be concise in my writing and i do think this my being comfortable with conveying emotions and such through small actions without a need to justify my choice in the writing is what's led to that!
16: how many fic ideas are you nurturing right now? share one of them?
oh god LOL so many. the big au ideas in my brain right now are the starter mew au and the orre au. i think i recently shared a bit about the orre au (though i'd be so happy to share more if anyone asked me about it!), so i'll share a bit about the starter mew au instead!
basically way back in december @jaystrifes sent me this ask, which festered in my brain and has grown into a whole jn rewrite (that currently remains just plotted...but one day i'll have the time to write it. i hope dhjfghjd). it doesn't go exactly as i said in the ask - i've had time to sit with the idea since then and some of my thoughts have changed a bit - but the basic premise is still the same. this idea of like...mew feeding off of goh's twisted sense of self. what to him is evidence of his capability is to mew a fun little game, and it's making all the rules. i've spent all the time i've been plotting it working out like...ok, so what is the goal of project mew? how does goh fit into it? how does gary fit into it? and the other side of like - ok, so what's the connection between the mewtwo we see in the genesect movie and giovanni's mewtwo? what does that imply about team rocket's research on mew and their attempts at cloning it? goh and ash also met mewtwo in jn - and it didn't wipe their memories or anything, which suggests it respected them enough not to, even after goh insulted it by insinuating battling it was only worth it to get data on mew. there's just a lot of potential with mewtwo and mew that's not really fully explored in jn, so i wanted to dig into that a bit - at the same time as diving into this version of goh who is even more isolated than in canon and who's not just a victim of parental neglect but also of this psychological dependency on mew. his relationship with ash in particular has been fun to analyze. in my mock-up ao3 draft i said that "ash has aura powers and contrarily goh is more of a self-proclaimed empath" so that's...pretty much their dynamic in a nutshell LMAO.
anyway! i titled the au progeny and do have a tag for it, so i'm sure i'll start throwing more things in there once i actually start writing the thing lol
40: if someone were to make fanart of your work, what fic or scene would you hope to see?
i answered this one here but you know what? i'll also say again about this year's christmas fic i'd love to see art of the boys in their matching christmas sweaters LOL. i can only imagine the abject horror on goh's face lmaoooo
get to know your fic writer!
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BUBBLES!!!! it's me again hiiiii 🥰 okay just going back to what I sent yesterday and develop the whole 'aftermath' of you getting hurt
before that I remembered something that I was going to write but didn't so: when Joel gets home to change, he takes Ellie with him and drops her off. But before leaving again, he goes to her, tells her she should stay at Maria and Tommy's because he doesn't want her to stay alone. Ellie doesn't feel like being around other people, she's so shaken she just...can't even fake functioning normally. She asks Joel if she can stay with him and with you and although he wants to say no (because she needs to sleep, etc...) he knows leaving her alone at home will do no good. They both put on some fresh clothes, go back to the 'hospital'. Tommy stays with them for a while until Joel's like "go home, we'll be alright" and leaves Joel and Ellie with you. They don't really talk, Joel holds your hand firmly and keeps it close to his lips and Ellie just sit next to him, watching your chest rise up and down. "She's going to be okay, right, Joel?" she finally asks Joel looks at her— poor girl is exhausted, her eyes are red and heavy and he can't ignore the tremor in her voice. He wants to tell her that all is well, you'll wake up and it will go back to normal but truth is, he doesn't know. A billion things could go wrong. But the protector—the father—inside of him puts on a brave face. He tells her that you'll be okay, you just need a lot of rest. Ellie watches for any sign showing he might lie to her and when she can't find any, she just lets her head fall on Joel's shoulder. Joel covers her small body with his own jacket and spends the rest of the night watching over his girls.
Okay that's what I wanted to change and now, the rest (I'll try to make this more concise lol) - ellie jumps in your arm as soon as you're awake and only lets go when you wince because she squeezed you too hard - Joel is also relieved but he kinda keeps his distance. I'm not saying he's cold or anything but he's just very careful because he doesn't want to hurt you - you get discharged quickly and you're forbidden from patrol, work, anything for the next few weeks - everything hurts btw, you can't walk, eat, shower, do anything alone and even breathing is incredibly difficult but don't worry, Joel isn't letting you - honestly if he could breathe for you, he would - he changes your bandage every single day after/before his patrol, makes you food (or kindly feed you the food Maria makes), helps you shower, helps you get dressed and does your hair - yes, he does your hair - i have a thing for that so allow me to discuss it a bit more: he takes the time to brush your hair and braid them so you don't wake up with messy hair like you hate - how does he know? well being a single father to a tiny little girl taught him a lot of things including braiding - so he takes the time at night, even if he's exhausted from the day he had and he always leaves little kisses on your cheek and shoulders - speaking of physical affection: the man will not let you go - he's either holding your hand when you take a small walk or he carries to bed or he has a hand on the small of your back or he's kissing you or, or ,or he just can't be more than a foot away from you - it's pretty normal considering he almost lost you but yeah, don't expect to have any form of personal space for a long time (and I'm not saying this as a bad thing) - he's also worried all. the. time. - the ptsd he has? skyrocketed to the freaking stars - he has nightmares almost all the time, his panic attacks gets even worse than before and it breaks your heart to see him worry over you like that - truth is, he can't help feeling guilty because again, you got hurt and he wasn't there to save you - of course, there was nothing he could have done and it was not his fault AT ALL but in Joel's mind you and Ellie can't be hurt in any way, he has to shield you from any sort of pain - sometimes after a nightmare, you don't wake up and he just starts panicking and he checking your injury, making sure you're not bleeding out or something, making sure you're still breathing - when you do wake up, you let him rest his head on your chest so he can listen to your heartbeat - he really has a hard time with 'failing to protect you' but you remind every day that it's not his fault and he did everything he could (which is far more than enough) - ellie is insanely worried about you as well - whenever Joel goes on patrol and she doesn't have school or anything to do in the morning, she crawls into your bed and lays with you for a few hours - you're really everything to her (with Joel) and she got so scared that she would lose you as well - she handled a lot of loss before but she knew she wouldn't be able to handle losing you all in all, they love you so much they would literally prefer get impaled themselves than see you in pain and you love them just as much and I have no idea how to end this so yeah, love <3
-🪷
No, because I love this. Because this is their worst nightmare. You are the glue that keeps everything together. You are there with them for a reason and they love you, love you so much. And it's so traumatic, so real, too real. Because if you die what will they do. Of course they would pick one another up but it would be so hard.
So they cherish every single of your breath now. It's a miracle you are here and that you are alive. So they are giving their all until they are breaking apart but then they just lay there with you and that's all it takes to keep them going.
I loved this! I loved everything about this! Perfection, baby!🥺🥺
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kottik i think ive already said it before but i SO so appreciate your perspective and attention to detail with dissociative stuff. trying to wade through scattered info on the internet for reliable resources feels like an impossible task sometimes lol so having the DID writing guide + your alter worksheet definitely helps a lot!
feedback on the guide itself: i loved it!!! the only parts i didn’t personally find relatable were the parts discussing later stages of healing/recovery (since im not quite there yet) and some of the functional neurological symptoms, but everything else felt like it was describing my own journey and experiences with DID perfectly. i also really appreciated the section on amnesia and different types of dissociation, plus the lesser known symptoms, since a lot of the time i see conflicting and confusing info on that + i feel like a lot of writers who try to write DID and describe how amnesia feels miss out on that stuff and just skim webmd or something for their info. and honestly even in online And offline discussions of DID ive seen other people try to describe how it really works and feels and its… not always described well lmao . but that’s a whole other can of worms etc
i think, though it’s just a writing resource, it was also very affirming to see it all laid out like that. like Oh shit yeah i do all of that. that’s my life on the page!!! the whole time i read it i was like ‘i knew this stuff already, but i never knew how to explain it properly.’ and it’s definitely the kind of thing i wish id been able to see when i first started noticing my symptoms. many years of misinfo and confusion have messed w my perception of myself n my disorder for a long time so it feels like a breath of fresh air to see someone else pushing against that and actually doing their research to try and clear things up. not to mention how clear your descriptions are + how easy it is to comprehend your explanations, while still being concise and to the point. so great work!!! 5 star rating, will definitely be recommending it to others :3 hope to see more from you + hope that it helps others write cool stuff!
i missed this ask!!!! sorry for missing this yesterday
thank you!!!!!! mwa mwa mwa. im so glad. so happy yaaaay
yeah, i definitely relate with the struggling to articulate experiences, being muddled by things online, and feeling like other people really dont quite get it when trying to represent whats going on. it makes me happy i can help with that!!
i feel like i'm in a good place that i've read a Lot of DID & CPTSD lit and i've been stabilising in treatment (processing some stuff, working on myself, getting a better understanding of therapy practice). i think it's given me a lot of perspective on my disorder that i wouldn't really have otherwise, and that a lot of people might not have either.
(rambling...)
cuz yeah. i think trying to understand DID on the internet is a monumentously difficult task. on one hand, you have personal accounts from people with DID, and on the other, you have doctors and generic websites. both don't quite give a full or reliable picture.
if you try to understand DID by listening to individuals, you're vulnerable to being incredibly confused and misled. and most of the time it's not intentional - it's hard to communicate what your symptoms are when you think half of it is normal and the other half is conflicted and fragmented - but it can give others very strange ideas about what the condition operates like at large.
it might also seem respectful to take everything we say at face value, but that ends up meaning that our flawed / misguided perceptions of ourselves and our symptoms become solidified as fact. we are mentally ill, we are not necessarily educated, and are a patient base prone to daydreaming and suggestion. we can get things wrong, and we can emphasise the wrong things.
when people take our unreliable accounts as fact (vivid recounts of psuedomemories, venting about feeling like seperate people, or expressing any number of mistaken symptoms), our experiences can start to sound like fantasy. suddenly DID sounds like a disorder you could not fathom having or ever truly understand, rather than a disorder that is simply inherently confusing to live with.
that said, if you try to avoid that by learning about DID soley through medical accounts and websites, you will only ever hear about reported symptoms, the most extreme & notable case studies, patient observations, and generic criteria, leaving a Lot to fill in the gaps (when you try to deduce what it feels like to live with it / be in our brains), that leads to other kinds of inaccuracies.
(for my health i'm not even going to try to touch on hollywood and online influencers that sensationalise the condition for clicks and thus dominate the algorithm. but obviously they are a factor too. pop culture is a powerful thing.)
the internet is a mess! and while not everything that is misleading is untrue, it can be very easy to just, not quite get it, or misunderstand things fundamentally, in any number of ways.
so yeah, it makes me happy that between my life experience, therapy, and obnoxious amount of pages read, i can actually make what goes on somewhat digestible. i want to help contextualise medical criteria, pull out relevant snippets, and point people to some really good resources.
it's not to say i'm a spokesperson or expert. i am very much just a huge nerd who happens to suffer from a disorder and is very invested in understanding myself. but the positive feedback does reassure me that i haven't gotten anything heinously wrong.
ty again :)) yaayy
#thanks for mentioning my worksheet too! im proud of it#obvs geared more towards systems than outsiders#but its really a culmination of what ive found useful to interrogate about myself#its a good baseline to establish. good thing to keep track of. and good thing to keep in mind as you work on yourself and see what emerges#ask#i do have functional symptoms... shoutout to my dissociative seizures :(#but yay. im so happy people like my work#does a dancey dance#did tag
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I gotta ask, where do you find your inspiration for your creative writing? I find your style very endearing and easy to read, but doesn't sacrifice complexity. It's rather enjoyable 😁
Thank you. It's really great to hear that someone is getting enjoyment from my works.
My style... I think it just developed from mainly writing and being an avid reader, and I read a lot (novels, smut, and fan-fiction). Then later in life several of my previous jobs required writing funding proposals and reports, where you had to detail things out in a concise, but easily to follow way (in order to get money or keep it).
I do FEEL though the biggest influence on how my writing has developed was me taking the chance and posting works on Fanfiction.net. I took the advice of reviewers, and watched what stories people were reading. I started not being afraid of trying new things, and took the feedback presented even if negative as tips on how to improve, be it through word choice, plot structure, etc. I will point out... I LOVE feed back... even if it is negative and pointing out flaws in my style, technique, theme, characters, plot, etc... all I ask is you be civil.
So I think it's mainly due to just constantly practicing and trying new tactics/themes. (I know clear as mud)
Generally I feel the flow of my prose comes easily due to the way I write. I am absolutely terrible at the whole plotting thing. (I am working on it) and because of that I write quite a lot of my stuff as "stream on conciseness"... I write as I'm imagining the story, and just going with the flow.
My ideas and inspiration is a little more easy to quantify. I have a VERY active imagination, and also considering I am certifiable (I have Bipolar 2)... things just jump into my head, and I run with them. For Example : "Things Best Left... ALONE" came from me looking for an anime to watch and seeing one titles "Bottle Fairies", and I was like that's neat (I have yet to watch it) and then I remembered a short story from a Fantasy Anthology about a boy who catches a fairy. In that story fairies were not cute little Tinkerbells... they were vicious... and long story short the ending has the fairies escaping during the night... and the boy being very afraid due to fairies having "very sharp teeth".
I feel I should also point out... I prefer my fantasy worlds to the real one, and this has been a large part of my whole life, from when I was a child until now.
Plus... I tend to write things I have had experience inor dealing with... at least when it comes to feelings. I have TBH tried to commit suicide several times (which is one of the reasons I put so much in my writing... it helps me through those dark times), so I know what depression FEELS like. I also spent 20 years trying to make a life with a partner that had a severe alcohol addiction.
And that was a long ramble. TLDNR ... I'm a mess, and I'm just lucky to have a talent at stringing words together. LOL, not really.
My advice to ANYONE who wants to write, draw, paint, carve, do pottery... just do it. The more you do, the more your style will develop. So what if someone doesn't like your stuff... if they offer CONSTRUCTIVE feedback on what you can improve on... take it. If there being assholes... ignore them. But you HAVE to be willing if you want to develop as an artist, to fail, and to succeed.
But most of all... do it for yourself. I write stuff I wouldn't mind reading if someone else published it.
I hope somehow I have answered you ask... I have a feeling I kind of went around what you wanted... so feel free to hit me again if I missed the mark or if you want more information.
THANK YOU for taking the time to submit this ask.
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omg hi!
EVERYONE!!! 'tis i, faire, back with some news (and general words lol)!
what's up with me? quick little life update: working full time (we been knew) but got a new job i start soon! to be completely honest, this and the exhaustion i feel from it have been keeping me from writing ]: i am so tired after a day of work, i can't come home to use my brain again. i also have terrible time management skills due to my anxiety and depression BUT! i have started medication! i was already a little nervous to just because i didn't want it to make me feel weird, but i told myself that i have to try things before i write them off, especially if i want to improve my health [,: i took my first lexapro last night and it made me hallucinate lowkey so lets gooooooo!!!! lmao
what's up with safety net? safety net p5 is COMING YALL OMG. i know i've said that a million times, but in (once again) complete honesty, i was STUCK with this part. part 6 is honestly where everything kind of happens, so trying to make this part the set-up for that was driving me insane bc i didn't know how i was gonna do it. when i tell yall that i have so many drafts of different things that i wrote, plus the original outline that would've ended at maybe 10k words if i'd written it just like that. maybe one day i'll expose my different plans, but after weeks and weeks and weeks of ruminating over rewrites and other avenues to take, i finally made a final (very concise) outline that gives us the best of everything and i'm so exciteddddddd (literally brainstormed everything as a method of dissociation at work LMAO). it's a mix of what i intended originally with a new twist that adds a little bit more depth to the characters.....we're about to get into it y'all. everything isn't rainbows and glitter in this story after all
what's up with other fandoms? been watching invincible lately, and was wondering if anyone would be interested in some mark grayson stuff? his whole going off to college and not being able to be normal kind of made me start thinking....(really it was...something else that made me start thinking but i don't want to spoil anything for anyone watching s2 currently lmao WHY IS IT OVER ALREADY?????? just been thinking ab stepping away from jhutch a little (i still haven't watched detention, i'm so sorry) and doing different stuff to get myself back into being consistent on here! i'm also gonna start doing more bulletpoint headcanon stuff cause i can always just list things and blab lol.
sorry if there's any typos in this but that's about all from me at the moment. things are in the works [: see you all soon, hope you're all doing okie
#faire says#will this next half of safety net be worth the wait?#abso fucking lutely#invincible fic#fnaf fic#fnaf#fnaf movie#faire's (pornstar) mike schmidt <3
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hiii again! Connected to my previous ask about Natalia, I read the advice and it sent me down a whole redesign rabbit hole that I exited with a few questions about how to add some elements.
Despite Natalia’s design being inspired by military nurses, she is a doctor of prosthetics and a battlefield medic. In her current design, I took inspiration from ww1 VAD nurses’ uniforms but swapped out the apron for a lab coat with a belt. I also ditched the nurse veil/cap.
However, as Natalia’s character has developed I think an apron like the nurses she is inspired by and adding a nurse veil or cap would help her design. She does take on a lot of duties that a nurse would do as well as doing doctor duties. She’s very burnt out and overworked to say the least lol.
An apron would hold her tools for designing prosthetics in easy access and give her a place to wipe her hands on. The veil or cap would keep her head warm, we all know how cold Sheznayah is.
The tricky thing about adding any elements signifying her status as a doctor is that nothing can really be added around her chest because it would be covered up by the harness for her extra arms.
My question is what elements could I add to her redesign that would still let people looking at her tell she is a doctor while not having them be covered by her harness?
oo!! Im glad you took the advice to heart!! Also i love being able to put my studies to use :)
If we look at the differences between a nurse, and field medic, we can combine elements of these to get the fem look a nurse uniform gives while also getting the doctor vibe.
I'll add a tldr & more concise answer to your question at the end because I'm about to YAP
(Advice under the cut)
If we look at war-time nurses, we see that they wear aprons and head covers to keep themselves clean while working with patients. They don't have to perform any medical care outside of a tent or dedicated place, so there's less need for them to carry tons of equipment on them! Maybe pockets to transport stuff easily when moving between stations.
Now, field medics have to carry a LOT on them, since they don't have access to a stable supply of medical equipment - anything they need has to be on their person. So, they have giant utility belts, pockets of various items, bags, satchels, toolkits. The reason an apron doesn't work is because items could easily fall out of the big pockets when they're moving about.
Doctors who aren't on the field would standard army uniform and some sort of scrub/covering/apron to keep themselves clean. So similar to a field medic but without the need to carry so much as anything needed would be stored where they worked.
So! In order for her to look more like a field medic, she has to be carrying a lot more readily available on her. A belt around the waist with pouches and a satchel, or more secure pockets on her dress/apron might help with that :D
Also, there can be stuff attached to the harness that secures her arm. Harnesses are great places to add extra design elements.
AND stuff CAN cross over eachother, as long as it remains clear and readable. See here:
He's got a lot of bags, belts, harnesses, etc, but the straps on his shoulders still have a clear shape and design, and thus remain visibly different from the harness across his chest.
A beret, military cap, or a hat of that sort might read as more "doctor" or in command compared to a nurse's veil. Keep the structure of the nurse's dress, including the apron, because it looks nice and feminine, has a good bottom-heavy silhouette, and just makes for good character design. I'm especially fond of the high-neck flat collar on the nurses in the photo I shared :D
Lastly, what might help is making a reference board! We have a specific way of laying them out in my Comic & Concept art class.
find a mix of references; some for utility (e.g functional bags, clothes), some for design (can be entirely unrelated to what you're drawing, doesn't need to be medical!), and some for form (things that give you nice ideas for the shape of stuff).
as well as a mix of real world references and a mix of what other artists are doing.
organise each category (utility/design/real world/drawn/etc) into its own area on the board, just roughly
you can zoom in on sections and just doodle ideas based on what you see
It's a good way to almost randomise the ideas you're getting, but still have it be specific.
This is a moodboard I made for an assignment where we had to design edo-period objects of modern things. I had to make a plant pot, phone booth, and a traffic light. There's a mix of utility (the actual items I had to draw), form (interestingly shaped items) and design (actual edo period artifacts, items, etc) :D
I'd zoom in on an area and just mix aspects of what I saw to see if it worked.
TL;DR
What elements could you add to her design to keep her appearing like a doctor?
wartime beret/cap instead of a veil
more bags, satchels, pockets, etc, which can ALSO be added onto her arm harness to give things extra utility
chunky belt (this'll also be nice for bringing in her waist and making her dress look more flowy <3) for extra pockets or storage
additional layers for pockets, can be added to her apron/an extension of her apron basically
additional CLOTHING layers (coat over dress, dress over shirt, etc) because that can just imply bulk, which implies she can carry more without need to draw it
And for a reference board:
gets IRL examples of both wartime and modern doctors
get IRL examples of clothes you just like, hats, accessories
examples of genshin characters to be inspired by
examples of fellow artist's interpretations of fantasy doctors, wartime doctors, etc
Mix that together and I'm sure you'll get what you need :D
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