#i'm very not thinking rn lmao

[soaps-mohawk]

that last anon that was like imagine the boys taking the omega out to paintball or laser tag is soooo funnyyyyyy imagine the look on the employees’ faces when literal SAS soldiers make the quickest work ever of their courses 😭 also something about Hunting the omega again in there …. running away while they’re all hunting her down oh hell yeah. (((side note i loved the earlier parts of the story where price was training the others by using the omega lmfaooo))

Lmao they'd be so surprised 😂 just these normal looking dudes absolutely destroying the course and they're just like..."do...do we need to make this harder?" 😂

Ugh they'd get so out of control. Good thing the reader runs fast 😂 she's gonna need that.

I do want to continue that bit, I'm just out of ideas on how to utilize the reader in their training 😅 that is not my forte I'm afraid

[agardenintheshire]

tolkien (a studied linguist) and me (has taken their fair share of linguistic classes) staring at each other after the narrator casually drops that the hobbits just 'forgot' their languages and simply adopted the common speech as if that is a normal thing that happens out of the blue and isn't connected to at best cultural assimilation and at worst colonialism, imperialism, and oppression

[spookygibberish]

Dogstock are typical of what are often deemed the ‘evil’ races in many other fantasy works. They were created by some higher force to be slaves, they are carnivorous by nature, they resemble animals other than human in dentition and build. They growl and bite and walk behind.

The Uhasr (a dogstock culture) are descendants of such slave-infantry that was abandoned when the empire that used them to capture the steppes decided the land wasn’t so profitable after all, and more pressing matters drew their attention elsewhere. Like tools left spent on the ground, the unneeded, excess dogstock were left to survive on their own in Hochkiskuph. The native peoples, of course, did not welcome them any more, or see them any less as oppressors when the hand released the lead. To the Hochkiskuph peoples, the Uhasr are a predatory ghost, an echo that consumes them even in absentia. To the Uhasr, one human is much like another, differing in number and equipment, but never in essence. Uhasr are a species of wild animal with a human face. Humans are prey on two legs. Humans smoke and poison uncovered dens on principle, Uhasr abduct and consume men and women and children all the same.

A common trend I have noticed in media which aims to humanize monsters, is that it often relies on passivity. Humanity is contingent upon kindness. The monster that is A Person only so long as they are a harmless thing at heart, something which can be understood and befriended. Their violence is reluctant, their hearts noble. Grace is a concession to the dominated. Only the toothless beast, declawed and pinioned and caged, is one which has earned its personhood. The ontological enemy supersedes the ontological man.

[rapidhighway]

one of my favorite things in teen titans is robin wearing his own mask underneath the red x mask

[large-band-112]

ermmm im gonna put this under a cut maybe

we love drawing scary stuff on occasion :3

@dustyfandomtrashbin gave me an evil idea

[teddybeartoji]

i should really learn how to tattoo myself at home huh...

[clochanamarch]

give this post a like if you don't mind me responding to memes via mobile! (aka no separate post, no icons, minimal formatting)

[curiosityschild]

I did a Deaf Chell Portal playthrough (no sound and no subtitles) and it totally works.

My two questions were 1) would it be plausible for Chell to survive to the end of the game? And 2) would Chell have any idea that GLaDOS even existed at all?

And the answers are 1) Yes and 2) No.

Basically, Portal is a very good game with very well designed puzzles. At no point do you need any verbal instruction from GLaDOS. All the information you need to progress is given by the actual design of the level itself. For instance, the companion cube level. I was initially worried that this level would rely very heavily on GLaDOS's dialogue. I was thinking that it probably wouldn't be obvious to Chell that she had to destroy the cube to move on and that it probably would take her some time to stumble upon the correct course of action while trying whatever she could. But no! The fact that you have to incinerate the companion cube is made very obvious. There's literally a couple of those hazard warnings on the ground in front of the incinerator that tell you to throw the cube in.

IMO it would be pretty apparent to Chell what she needed to do and how to move through the facility. She may not understand WHY but she would know what to do. Even the end of the formal testing part where she is about to be incinerated. I don't know if Chell would know if this part was purposeful or accidental but regardless, she would be able to escape. The long and short of it is at any point in the game Chell's only option is to move forward and there's only ever one way forward.

There is basically no indication of GLaDOS's existence if Chell is Deaf. Here are the clues you get:

-no other humans in the facility

-once or twice the door to a level doesn't open until she's done monologuing at you (Chell of course has no idea she's being monologued at)

-one of the scribbles in Rattmann's hideout says "She's watching you" (Chell would not be too surprised by this. The cameras and observation rooms are obvious)

That's it. That's all you get up until you open the door to GLaDOS's chamber.

And even then! Even then the conclusion she's going to draw won't be more complex than "this computer must be the thing keeping the facility running and it is currently trying to kill me".

Now the GLaDOS fight itself is probably the biggest stretch of plausibility. At first, before the neurotoxin, GLaDOS does nothing that indicates she wants to hurt you. A piece of her falls off. It's pretty obvious that you can pick it up and put it in the incinerator (again, level design) but why? Just to do something? This is the weakest moment in the whole theory. AFTER that though, the continued destruction of GLaDOS makes more sense. Chell sees the countdown timer. She sees the neurotoxin even if she doesn't know what it is and she probably feels it too. There is now one of those eyeball turrets shooting at her. It is reasonable for Chell to draw the conclusion of "this huge robot is controlling the facility" at this point. And if the robot is making things shoot at her it makes sense to destroy the robot.

So she does. And she gets spit up onto the surface with absolutely no idea that GLaDOS had spent the entire time insulting her or even that she was sentient in the first place.

Which is very funny.

[cassmouse]

So I originally didn't really like Chloe Moriondo's Suckerpunch but upon my second listen suddenly it's really grown on me and now I'm kind of obsessed with it

[pmatga]

so here's my latest pmatga idea

bitter exes: old man edition™

[muirmarie]

.

[scattered-winter]

almost came out to my sister today except she was on speakerphone with her husband so that did NOT happen lmao

[ohmaggies]

not afraid of oc posting anymore <3 (person who is still afraid of oc posting </3)

[skitskatdacat63]

More matador!Fernando! Ferrari this time :D (I can't help myself.....)

- facial hair

+ closeups

I really wanted the vibe of this Nando pic, I think I did pretty well??

[rapidhighway]

hmmm thinking about how both Knuckles and Licho have been stuck in a single place for as long as they remember, Knuckles completely isolated and Licho unseen by anyone for a very very long time hmm

[teddybeartoji]

can't tell whether i'm getting fucked by my non-existent period or i've just fallen into a Ditch face first