#i'm too lazy to put more tags

[yuri-the-boxfox]

I relate to Shelly in more ways than just an extreme love for dinosaurs

[cupomilm]

I don't often draw fanart but this game meakes me wanna tun around and bark like a very excited dog woof woof bark grrrr gr rrrrrg grr I am !! so nromal!!

[licorishh]

no way she's alive ?? yea those mental health breaks because social media makes people suck are wild huh

[somegrumpynerd]

I felt like drawing the boys just hanging out, because what is the point of living in your boss's huge castle with your new teammates if it's not a slumber party every day

Also I might colour in that last one cause I like how it turned out c:

[jessicas-pi]

Unwilling Mand'alor Satine AU: Part Three

(part one (sort of?) || part two)

The Empire has been preparing for its attack on Mandalore for many years. They are well-equipped; more than enough stormtroopers to overwhelm Bo-Katan's Nite Owl forces, and Vader and his inquisitors will be there to deal with the Jedi.

But here's the thing.

Vader was Anakin Skywalker once, and Anakin Skywalker was there on the Coronet that day, all those years ago, when Satine Kryze pointed a blaster at Tal Merrik and couldn't pull the trigger.

Vader remembers this, and when the battle is being organized, he directs the plans accordingly. Satine Kryze couldn't shoot one man to save a ship full of people, so of course she will stand back while Mandalore burns and the Jedi under her "protection" are slaughtered. Satine will not pull the trigger.

Vader is so very, very wrong.

Satine hates violence, that is true. She hates war. The idea of taking a life makes her feel sick.

But she cannot, will not, stand back while the Empire does its worst to the people she has sworn to protect.

Satine pulls the trigger.

---

Kelleran Beq is leading an evacuation of the younglings from the palace when an armored Mandalorian he's never seen before runs past him in the palace hallway, presence burning with controlled fury.

Obi-Wan is drawing Vader's attention away from the palace when he sees a single warrior soaring high above him, a black blade in her hand.

Bo-Katan, who spent quite a bit of her teenage years getting thrown around the training mats by her older sister, looks up and grins.

The Empire will not win this round.

Satine hasn't worn her armor in over a decade, but the weight of it is familiar all the same. She is fighting for the Jedi as much as she is fighting for Mandalore, and the kyber at the heart of the Darksaber knows this. Satine is not practiced at wielding it, but she does not have to be. The Darksaber wields her. It is magnificent to her people. It is terrifying to the Empire.

But this is not the only sight that will be remembered, and in the years that follow, the legends of the Battle of Mandalore begin to spread.

---

Ahsoka has acquired a jetpack by this point, and she leads a charge of Nite Owls in an aerial assault on the Imperial ships hovering around Sundari. She takes a light cruiser by storm, smashing feet-first through the front window, lightsabers blazing green and gold.

(In this universe, she does not wield lightsabers that Anakin modified to be blue like his own. She uses new blades, blades that are hers, blades forged with beskar hilts and powered by crystals she claimed from the depths of the Living Waters.)

(Ahsoka Tano has become a child of two worlds, and she is wearing it well.)

She is the second Jedi in Mandalorian history to have an epic ballad written about her.

She will not be the last.

---

Years ago, Rex was dragged to Mandalore bound hand and foot, writhing against his bonds because his mind was telling him to kill, kill the Jedi, kill her, destroy her, destroy them all, even as every instinct rebelled against it. But Ahsoka and a med-droid working together removed the chip that had wrested control of his body from him, and he's been free for years. Free, and working to free all his brothers. There is a sizable squad of them by now, and they fight for their Generals and their Commanders and the brothers they lost and the brothers they still have.

They fight, and they win, and their songs of victory are sung proudly.

(Jango Fett refused to share his heritage with them. The Mando'a they knew was negligible; they never considered themselves Mandalorians.)

(That has changed.)

(They are not Mandalorians by blood, but by choice, because to a true Mandalorian, blood means nothing.)

---

There are many Inquisitors who accompany Vader to Mandalore---and they do not fail entirely in their mission. More than a few Jedi die.

One Jedi who falls is accompanying a Padawan when she is attacked. She screams for the boy to run, seconds before a red blade pierces through her chest.

But he does not run.

(Not this time.)

Though Caleb is nineteen and a capable duelist, he is no match for the Grand Inquisitor. He lasts four minutes before a slash to the face ends the fight, and he falls to the ground. The Grand Inquisitor steps closer, and raises his blade to finish the boy off, when a single voice rings out loud and clear.

"Leave him alone!"

Through vision blurred with pain---through only one eye---Caleb sees the form of a scrawny child, standing fierce and tall and hopelessly unprepared to face an Inquisitor.

The Grand Inquisitor glances over his shoulder, laughs coldly, then turns back to Caleb, twirling his blade.

"I said leave him alone!"

There is a snap-hiss and a flash of green light, and behind the Grand Inquisitor, the girl drops into the Djem So opening stance. The dead Jedi's lightsaber is comically big in her grasp, and she holds it backwards, but her form is precise, and she is undaunted.

"Come at me, hut'uun," she spits.

She can't be more than seven years old.

Caleb's grip on his own blade tightens, and as the Inquisitor turns away from him to cut down the annoyance, Caleb staggers to his feet and rams his blade through the Grand Inquisitor's chest.

"I coulda taken him," the girl complains, as the Grand Inquisitor staggers once and then drops dead at her feet. Up close, Caleb finally recognizes her.

"You're that kid," he says, gripping the wall with one hand because he's dizzied by pain. "The one Ahsoka's training."

(It's more polite than that feral demon child from Death Watch, which is also what he's heard her referred to as.)

Caleb grabs her by the wrist and runs as best he can---runs not for himself, but for a child in his protection---bringing her to the Sundari citadel, where the Jedi are taking refuge. A Twi'lek healer sits him down and patches him up as best she can, but his left eye is lost to him.

In the aftermath, Sabine draws a crooked jaig eye on Caleb's eyepatch.

---

A stealth squad of purge troopers, led by an Inquisitor, break into the Palace, taking it by surprise and cutting off the escape route for a group of Jedi children. Kelleran orders them to run. He says he'll be right behind them.

Most of the children know it's a lie.

Most of the children do as he told them.

But one turns back.

It is a girl, seventeen years old and different from the rest of the Jedi, because she's not a Jedi at all—only a lonely girl rescued from a dusty red world, the last of her kind. She stops and looks back and sees Kelleran Beq holding his own against the advancing purge troopers, and she knows he will not get out alive. Many of them have fallen, but many more remain, and an Inquisitor with them.

She wonders if she could even the odds.

No, she knows she could even the odds.

So she turns around. A Jedi boy runs after her, grabbing her hand and trying to pull her away, frantically demanding to know what she's doing. But she just grips his gloved hand tightly, narrows her focus to the purge trooper bodies littering the ground, and whispers— sisters, give me strength.

Merrin's eyes burn green and flame dances on her fingertips as she begins to chant.

(This story is spread in whispered rumors from stormtrooper to stormtrooper, and is usually dismissed as horror story nonsense. But the Purge troopers who were there to see it—well, they won't be forgetting it any time soon.)

---

Another Inquisitor breaks into the citadel in the center of the city, lightsaber flashing, ready to strike. The few Jedi Masters there ignite their blades, ready to defend their own.

But one holds her hand up sharply, halting the rest.

The verdant blade in her hand hisses as it deactivates, and she steps forwards.

"Padawan," she says.

The Inquisitor falters.

"Padawan," she repeats, more gently.

The Inquisitor's own blade deactivates as she stares in petrified indecision and fear.

But the Jedi doesn't hesitate at all. She holds out a hand to her, palm up. "Come here, my child."

The twisted black hilt of a scarlet saber clatters to the ground, and with a choked sob, Barriss Offee crashes into her master's arms.

---

Obi-Wan pushes past his grief and his guilt and fights Vader head-on. It is difficult to believe that this twisted monster used to be Anakin Skywalker.

At least, it is difficult to believe it, until Padme shows her face.

She wears armor painted in the colors and patterns she wore as Queen, and tears her helmet off to reveal her face.

Vader freezes.

"Padme?" he wheezes, sounding like someone reached into his chest and ripped his heart out.

Padme levels a blaster at his head.

Bombs fall and blasters fire all around them, but for the three old friends torn apart, there is pure silence.

"Padme," Vader says again, stepping towards her once. "Padme, it's---it's me, it's---"

She cuts him off sharply. "I know who you are, Anakin."

"But---"

"I miscarried. Did you know that?" she spits out. An accusation. (A lie.) "Our baby is dead because of you, and if Obi-Wan hadn't brought me to Mandalore, I would have died with her."

"Padme---"

Padme goes on, breathing fire and fury, because even if her children are alive and safe, her heart is shattered, and she uses that pain. She always has. "I called her Annie. For the moment I held her, I named her for the man I loved! I loved Anakin Skywalker---I love him still!"

Her voice drops low and she lowers her blaster.

"But---" She shakes her head slowly, never looking away from the skeletal mask he wears, and Obi-Wan knows she swallows down tears. "I don't know who you are. Not anymore."

And Vader does something truly unexpected.

He retreats, leaving behind a brother and a wife who watch him go.

(Both of them could have killed him.)

(Neither of them could do it.)

---

Above, around, and through it all, Satine Kryze does battle. Her blood runs hot, and she does not hesitate. She disarms when she can, injures when she must, and kills only as a very last resort.

But she does kill.

When the next morning dawns and the Empire is gone and Jedi leap nimbly from one rubble heap to the next, searching for the gleaming sparks of life as they lead search-and-rescue teams, the Duchess of Mandalore locks herself in her bedroom. Her scorched armor screeches against the wall as she slides to the floor, a blaster in one hand and the Darksaber in another.

She is too tired to cry.

She is too tired to be sick.

She is too tired feel anything but loathing.

Oh, Manda. What have I done?

But even as she chokes the question out to herself, she knows the answer.

She did what she had to do.

And she will never forgive herself for having done it.

[onesnoopyaday]

It's Charles M. Schulz's 102nd Birthday Today!

Snoopy #56

26/11/2024

Reference image under the cut :)

(source)

Also here is an interview snippet which I thought was interesting. I've never thought much about what his creative process might have been like. Also, I didn't realise that the panels he drew on were so much larger than what ended up in print. I mean, it makes sense, but I guess I always just assumed he drew up the squares exactly the way they looked in the end.

[shannonsketches]

something something foils moving in opposite directions Goku's always happy to seek and fight stronger opponents because he spent most of his life being the strongest guy in the room and Vegeta wants to be the strongest/is always exhausted to find stronger opponents because he spent most of his life having to navigate his survival around the whims of the strongest guy in the universe room and so Goku has a foundation of safety and stability and so spends his time craving challenge and adventure and Vegeta has a foundation of challenge and adventure and spends his time craving safety and stability and the overlaid section of their venn diagram is that the only way they know how acquire and maintain those things is through battle

[gotticalavera]

"Look, Bumi. Like a Mommy"

My HC of Bumi and (♂️or♀️)Aang, is the one where Bumi actually inherited Aang's uncontrollable hair.

Since I found this sketch in my notebook, I'm going to vent with some general thoughts about Fem!Aang and Bumi

Bumi wasn't planned, Aang has irregular cycles so she didn't think was pregnant.

The first to realize her condition was Appa. Flying bison can detect when their air nomad friend is pregnant, so they tend to be more careful when flying.

Aang felt very nervous when she found out that she was pregnant. She didn't feel ready.

Aang felt alone, air nomads go through pregnancy, birth and grow up in community. Even though she is accompanied by her partner, friends and family of her partner. Her pregnancy made her feel very alone and afraid of being a mother.

Bumi was born during a stormy day, so Aang was even more scared.

Aang has postpartum depression.

Aang began to improve when Bumi made a grimace similar to a smile. That reminded her of a monk who lived in a temple who had no teeth and she started to laugh.

Aang always carried Bumi very carefully, being tall, Bumi seemed much smaller in her large hands.

Even though Bumi doesn't have airbending (for now), Aang always considered him an air nomad.

Aang sang, danced, spoke and told stories in Air Language for Bumi. So the world already had two speakers of the Air language by birth.

[outislovescomics]

:) hen

[writermask-0807-backupblog]

Hello my love, may i request a genya x kitsune hashira? Like the reader has a pet fox and fox-like breathing style? Thank you!

A/N: To @xoxothekitsunehashiraxoxo :) I hope I did your request justice, and thank you for requesting! Also, since it wasn’t specified, I made it into hcs. Hope you don’t mind! 🙃 

Warnings: a little bit of angst about Genya’s past, Genya being distrustful of the reader until a certain point, ooc Genya (he sounds like Bakugou again whyyy 😩) and I wrote the reader’s hair red. Idk if that’s ok? 

When you first meet Genya, it’s in the infirmary of the butterfly mansion; he’s badly injured, just having barely survived a failed mission with an equally skewered conscience, and you- well, you’re searching for someone new to terrorize. 

He tells you to “Go bother someone else goddammit!” and he’s a bit… he’s a bit bothered when you smile instead, a wide, foxy grin he doesn’t like in the slightest. 

Where you’re initially intrigued by the mystery of his last name and the gap between him and his brother, Genya’s a little bit mystified by you; you with your mischievous grins and your coral-red hair and cunning mind like the very embodiment of the Kitsune Hashira and a pet fox you literally call Fox (“Genya-kun, this is Fox! Fox, this is Genya-kun.” “Hah? You literally call your fox Fox?!” cue the cursed thing jumping on him and he did not scream like a girl, shuddup!), and your status of Hashira that makes him sort of envious because, well, you can’t be much older than him, right? And yet you’re closer to Sanemi than he’ll ever be, probably earned his respect too, because you’re wonderful and perfect like that, and it’s everything he’s ever wanted. 

And from that day onwards, you sort of just… stick around, he guesses- a constant in his life if there ever was one, smiling at his blatant insults and finding loopholes through his words and constantly flustering him and touching his scars with a gentle hand, and smiling at him like you actually, really mean it, like you actually think he’s worth something, like he’s actually good. 

And at first it’s infuriating, because you’re just distracting him with your pretty words and prettier smiles and why does he find your words and your smiles pretty in the first place?! And he hates it, hates you. 

But you’re both persistent like the devil, and as patient as a Saint, and you’re insistent on becoming his friend, so you play the long game. 

And then slowly, slowly, your constant efforts whittles his anger away, and slowly, it becomes slight annoyance and then familiarity and your relationship becomes something  suspiciously like friendship and the promise of something more.

Genya finds you a steady presence by his side, and he begins to take a strange comfort in that- knowing that while the world may change, you’re the one thing in his life that will always stay constant. 

You remind him of the good that’s left in the world, of the family he lost, of why he became a slayer in the first place, and with you, Genya relearns what he had forgotten; that there was good left in the world, bonds strong enough not to be weathered by time and love true enough to withstand the weight of eternity. 

And with you, when he learns that you’re only there to help, when he learns not to push you away anymore, Genya learns to smile- albeit a tad roughly- around his scars, learns to laugh at your terrible jokes and pet Fox with an gentleness that’s unusual for him, and he learns how to appreciate the small things; like the way the sun catches in your red, red hair in a way that makes it halo around you like a crown of flames, the way your eyes shimmer with an galaxy of stars in the light, the laughter in your voice, and the sweet curve of your mouth that he’d like to kiss one day. 

(Under your care, he learns how to love again without the reminder of all the hurt and the pain, and this time, with you around, Genya’s determined not to forget it again.) 

FIN-

[funnymemesandreblogs]

I'm a lesbian and I'm pretty sure that if I was a man I would be bi

[cerisia76]

the character everyone gets wrong

which ship fans are the most annoying?

what character did you begin to hate not because of canon but because how how the fandom acts about them?

worst part of canon

worst part of fanon

it's absolutely criminal that the fandom has been sleeping on...

part of canon you think is overhyped

your favorite part of canon that everyone else ignores

ship you've unwillingly come around to

Okay a character everyone gets wrong in winx club would definitly be... well it's a group of people but I really think people don't really give Wizards of the black circle the credit and recognition they deserve. Maybe it's because they come from season 4 that today more people like to bash but they actually were so interesting as villains. Like to me what makes them stand out is how they don't give a f^ck about the Winx. in the episode where the girls get their believix (still one of my favs) there is a moment where they have total control over the girls and Ogron basically says "don't be afraid they won't do anything to you, all that we want is Roxy". And actually they already told the girls they had nothing against them and well it is actually true. Like Valtor told Bloom he just wanted her to stay out of the way two seconds before making Aisha/Layla blind. Wizards started being really dangerous to the girls when they became an obstacle for them. They don't care about the Winx because they don't care about the Magical Dimension. They have something to do, a mission to complete and it's their goal. They also have one of the most interesting dynamic as a group and I feel people should talk about it more instead of... fangirling over Duman for the part that cares about the wizards. Nothing against him it's just that I feel like he's the least interesting in the group sorry not sorry.

Also Riven and Roy. Really should explain more about Roy. But I think your other questions can help me.

(tumblr had nothing better and as I'm on my computer I don't have my collection of gifs of them)

Which ship fans are the most annoying? Oh a though one because I don't really interact with fans of ships I don't like. However I will have to give the palm to some representative of the Rivusa fanbase and I'm sorry for you all Rivusa non-toxic fans who have to deal with such problematic people who think that defending a ship is insulting people. Also sorry to those who are good but I had many problems with some Bloom x put the name of the villain you prefer fans. Like sometimes I just want to talk but they take everything as an insult like when I ask "how did you come to ship Bloom with Valtor?" they see it has "lol how on earth can you be stupid enough to ship her with the guy responsible for her parents' fate". Once again not everyone but these fanbase were my worst experiences.

Bloom is basically me dealing with toxic fans

A character that the fandom made me hate: This time I have to go with Mirta. I never was a fan of Mirta but the way the fandom praises her made me feel so out of it that everytime I rewatched season one, I was trying to understand why fans loved her so much and the more I was rewatching, the more I hated this poor Mirta. Today i won't say I hate her because I feel like she had a pretty decent arc and a character that is good for a supportive character (not for a permanent member PLEASE DON'T) and she's cute but for a time I really couldn't stand her face because I felt like she was so overrated by the fandom it made her dislikable.

Worst part of canon: I would say the fact that instead of being very clear when they decided to do their soft reboot in season 5n they chose to do things without being clear enough. Plus they kept things from past seasons but with the new timeline it makes no sense and gives so many plot holes. Even if I kinda like season 5, this soft reboot is still the worst part of canon for me. Plus and this is unpopular as hell, Nabu and Layla's love story. I'm sorry to you fans of this ship who love to say it's the best love story of the franchise but I never was able to buy it. It came definitly out of nowhere, still is a part that annoys me in season 3 and was forced and way too fast. If they had introduced Nabu sooner in season 3 or made them meet the group sooner maybe that impression I had of being forced something in my throat wouldn't have been there but it's here.

Obviously I also have to give Rivusa a palm but I would say the worst part of their story is THE FACT THAT THEY GOT BACK TOGETHER IN SEASON 4. They both finally had grow up and were mature enough to realise that they weren't good for each other. But instead of accepting it... well they got back together.

Look how babyboy is adorable here holding this thing (don't really know what it is supposed to be like it's a wall but not a wall) like it's his teddy bear... Adorable.

Worst part of fanon: The way some people can't stop fighting for their headcanons against other people. Like we all have the right to have our headcanons it doesn't mean we should fight. For example I have the headcanon that Timmy and Tecna are an asexual couple and it goes against many of my friends headcanon that Tecna is aroace. I will never fight with them about it because it's an headcanon. Just respect your neighbour and let him ship Driven without pissing him off for no reason.

It's absolutely criminal that the fandom has been sleeping on Roy. This guy isn't bland and without a personality like some of his haters may say. He's a sweet guy who never liked a girl before and falls in love with his princess who is also dealing with grief and he's respectful enough to not want to piss her off or be too much. If he got along with the girls and the guys even if this season and season 6 criminally lack of Specialist's friendship moments, it's because he's a sunny guy with a great humor and a personality that goes along with people. He's an extrovert who loves to go and talk with people discovering what interests them and who loves to try new things. And this is absolutely not in my headcanons that are really numerous for him, all of this is shown in the show when he's here and people should stop hating on him just because he appeared after Nabu's death. Plus this reason to hate him is also unfair considering he has nothing to do with the writers decision to kill Nabu in season 4 (unpopular opinion: they were right to do this).

He has so few gifs it hurts me.

Part of canon you think is overhyped: Season 3 and Enchantix. Don't get me wrong, the concept and execution of Enchantix was great and I loved it, it's definitly one of the best transformations in Winx Club. But it also has problematic parts that are for me the way Tecna, Stella, Musa and Layla have clothes that are way too over-sexualising them.And I say that with Stella's enchantix being my favourite transformation for her. An yes I know every transformation has this problem at least once but the thing is that here, it's on almost everyone and it's so obvious. People keep saying it's the most incredible transformation and the "only one where they look like fairies" as if weknew what fairies look like. My fairies are Tinkerbell and her friends and Enchantix doesn't look like them. But WHATEVER. It's a good transformation, definitly has the best way to be earned but is that a crime when someone says it's not their favourite? No and we shouldn't see so many comments saying "if his/her favourite transformation isn't Enchantix...." on youtube rankings of the transformations.

But it's also relevant for season 3. The thing is that season 3 is good but wants to do too much at the same time and loses its own timeline. The first part of the season varies from episodes were everything happens at the same time and others where the plot installs itself. Which leads to the second part of the season where everything goes downhill with many boring episodes and a rushed and deceiving ending. I don't get why people praise it so much because objectively it's not better than seasons 1 and 2 and subjectively not than season 4 in my opinion. It looks like the season was being written episode by episode and suddenly they realised they had ten episodes to conclude the season and started doing WTF and rushed endings of arcs. Plus I don't like the Water Stars scenaristic facility. Sorry not sorry.

Let's be honest, if she had the choice, Tecna wouldn't wear it because it's absolutely not practical. And I also dislike how they decided her hair was too short. Magix Winx, Believix and later seasons transformations except Harmonix showed you could do a transformation with her hair not changing from the rest of the season.

Your favourite part of canon that everybody else ignores: For once I'm not gonna go with easy choices like season 4, Wizards of the Black circle or Roy. I'm gonna go with a plot point everybody keep forgetting and that is: Darcy is a fucking romantic girl. Did she chose power over her boyfriend? Yes but it doesn't mean she's not a romantic person. In season 1, the way she falls for Riven everytime she sees him shows how she wants to build something with him. In season 2 she mentions at the start of the first or second episode that she sometimes thinks of a simple life when she was watching that in love couple (it was a movie I think) and her sisters KNOW she is romantic because they keep laughing at her about it. I'm really sad they decided to forget about that later because it made her character more complete. She's kind of a bitch who dreams of power but she also has a soft heart beating for romantic comedies and who sometimes allows itself (the heart) to dream of a romance. With Riven of course.

Ship you'v unwillingly come around to: There are many but I would still say that the one I wish I never saw is Faragonda x Bloom. How gross it is to imagine the influence this woman has on Bloom since she's sixteen turning into a gross love story? I want to forget it. I do ship Bloom with people and considering the only canon Winx pairings I like in the original group are Brandon/Stella and Tecna/Timmy (Flora/Helia is fine but I prefer her with someone who wakes her baddie and flirty side like Anagan for example or Layla). Bloom to me would fit SO WELL with Nabu. Like he is the soft guy who understands her but also the one who's not afraid to tell her she fucked up and who would treat her right and not let her insecurities win because that's what Sky does by NEVER putting a term to Diaspro's fantasy. But this is mostly linked to the writers loving to torture Bloom and Diaspro.

And this is both Bloom after she finally found peace in a relationship and me after finishing to answer these questions by talking WAY too much!

[goblindickhead]

Hi guys say happy big birth to Matt Lillard

[that-crazy-five-foot-two-chick]

Why introduce a post when you can just make it? So that's why I'm here to say here ya go. Skz as @ao3-crack posts, shoot #2, part 2

[theboxfort]

Violence moodboard :]

[maxiwaxipads]

i once wrote notes based on hello kitty's furry tale theatre cartoon (fragaria memories ofc because this is my current fixation aha haha)

i tried formatting this appropriately so itll be easy to read but I gave up at the point of character profiles

(I wanted to write something that is at least based on Hello Kitty’s Furry Tale Theater(?)) (Hallritt, Merold, and Tuxam appearances) (That also means making characters based on Catnip, Grinder, Mowzer, and Fangora) (Other than obviously featuring a play of sorts, what will the overall plot will be(?)) (I kinda want to introduce the idea of Merold and Tuxam knowing each other) (Because I like the idea that both are senior knights of their respective bouquets and may have met each other, even if it was once) (And also the idea of retired knights of Fragaria, or at least the knights before our current cast) (Hello Kitty's knight before Hallritt(?)) (Tuxam who visited with his lord because Tuxedo Sam wanted to visit the Orchid Theatre)

(Plot Synopsis): In celebration of the 100th Anniversary of the Orchid Theatre, Hallritt, Merold, and Tuxam visit the Theatre with their lords but are caught in a mysterious case of incidents where members of Hello Kitty’s Men wound up with mysterious injuries.

Nica (Lord: Catnip) - “So, what if you’re an amateur? With enough passion and drive,—we can start from somewhere. But don’t think this excuses you from essential training.” A hot-headed person with incredible drive and passion. They’re a bit foul-mouthed and strict with themselves and others. Somewhat older than Merold, Hallritt, and Tuxam (around their late 20s or early 30s(?)). Considered a talented actor. (Orchestrated from their hometown, but was saved by Catnip(?)) (Feels incredibly indebted to the troupe and their lord) (Someone with a “let’s get it over with” attitude and has an ego where they know they’re perfect, so it won’t be lazy or with poor taste at all(?)) “I trust myself that I can deliver a satisfactory performance. But it won’t be just satisfactory—it will be beautiful and mesmerizing!”

Anfora (Lord: Fangora) - “Everyone bothers me about retirement this… retirement that…! No. I’ve decided that my fate is to die here.” A senior member of the troupe who had been around before Oz was made the current troupe master. (The current personality trait I have is: yapper) (like if I wrote it down, it could be summarized as yapper) (Still acts and helps behind the scenes) (May also help and advise with/for Oz) (Considered dependable and someone who is also just as passionate about the Orchid Theatre and for the troupe)

Rin (Lord: Grinder) - "Heheh… Look right here! Funny, right? No? Guess I shoulda let the script to ol' Oz…" A jack-of-all-trades when it comes to instrumentals, Rin is a prankster who tries to lighten the mood and make everyone laugh. Rowdy, but has a heart of gold. (Someone who would stop immediately if the prank seems to become too severe(?)) (I feel like out of everyone in the Orchid Theatre, Rin is the most normal and average guy in the troupe and everyone could be said as insane) A little bit older than everyone else, but closer in age to Merold, Tuxam, and Hallritt. (I want him to be a himbo or at least akin to one(?)) (Originally his family pushed for him to become a knight but Rin desired to become an actor) (Still follows the same training regiment that is somewhat modified from his days of training to be a knight)

Oz (Lord: Mowzer) - “I think… Each life serves a singular purpose, and mine is to write. I will do it. No matter how insane I become, or if I forget my humanity. It has been decided.” Troupe Master of Hello Kitty's Men. Oz leans on the more quiet side and has an illicit passion for the stage. Makes his contributions by writing scripts and helps when it comes to directing. He isn't much of an actor and mainly focuses from behind the scenes.

Oz - “We have all resigned ourselves to continue performing even in the face of death.” Oz - “So why worry about us?” “Merely—If the chance allows, we’d sing and dance on the stage even after death.” Oz - “As your lords mean everything, the performance is our life and everything.” Oz - “‘In your hands, it will be brilliant.’ Call it what it is… I simply laugh in joy. I would hear those many—no, an infinite amount of times! It could never grow old!” Oz - “That is how we all feel.” “Be it because of ego or to make someone in the audience moved.” Oz - "It is an art form I am proud of…"

and from this moment forward, idea hailstorm will occur </3

“i am so pathetic for this character” and you turn around to see its tuxam from fragaria memories

(Taking place in the Orchid Theatre that is currently occupied by the playing company, Hello Kitty’s Men(?))

(Hallritt has been tasked to guard the theatre for the night and his lord, Hello Kitty will attend to watch the play)

(The 1000th Anniversary of the Orchid Theatre(?))

(Merold and Tuxam appearances)

(History of the Orchid Theatre and the playing company)

(Either shenanigans happen—Hallritt, Merold, and Tuxam become actors)

(SEEDs issue happens(?))

(A member of the troupe is possessed by a SEED and attempts to sabotage the play(?))

(As the Orchid Theatre’s Millennium Anniversary approaches,  members of the troupe are injured through things like a falling stage light or rubbish falling on top of them)

(This is overlooked because of the preparations for the Orchid Theatre’s Anniversary but it is suspected to be intentional)

(Rather than a random person, I think it would be more impactful to explore an already written character(?))

(I think Nica might fit the role better(?))

(Still troubled by her past and believes everyone is out to get her(?))

(I wanted the idea that the SEED elevates her emotions to a high degree, especially since it has possessed her for days)

Nica - “Everyone… Everyone is out to get me. I know how they look at me.” “No matter what I do, I’m just despicable and easily hatable.”

Nica - “So to protect myself… I have to hurt others.”

(Nica who doesn’t remember when a SEED possessed her, but starts to receive headaches) (She ignores this in order to prepare for the Millennium Anniversary) 

(Possibly gaps within her memory during the sabotages(?))

(Do you think people can semi-transform into SEEDs(?))

(Imagine being semi-transformed into a SEED and the SEED half of you attacks people while you desperately cry trying to stop yourself but it does nothing)

(These negative emotions only amplify the SEED, and the answer is either having someone remove the SEEd from your body, dying, or abandoning emotion)

Nica - “Everyone looks down on me. Everyone hates me.”

Nica - “They…They—Who even tolerates me… at this point?” “Am I even likable? What does everyone think of me…?”

Nica - “It is quite natural, yes?” “Everything I do… Is to protect myself.”

(Is it dormancy that completely stops the takeover of a SEED, or does the dormancy simply mean a void that the SEED can take over(?)) (Is nothingness a negativity(?))

Nica - “This life is solely for the stage.” “If I have to die, I hope it will be a thrilling act.”

(The SEED feeds into Nica’s intrusive thoughts which leads to hurting her fellow actors) (Albeit, discreetly)

(When Hallritt arrives, Oz does intend to inform him because his hands are busy and gives permission to search the premise of Orchid Theatre)

(Both Tuxam and Merold join along)

(I imagine it isn’t until he last moment everyone realizes that Nica is behind the attacks and confront her about it)

(From this point, they don’t have a motivation as to why)

(I kinda want Nica to lunge the nearest person, that being Merold, with a weapon but Hallritt moves aside and gets stabbed himself)

(And then Nica is semi-transformed into a SEED)

woah!! character dynamics and how i imagined them

(Character Dynamics or How I Imagine Them(?)) -

Hallritt and Merold - Hallritt who wants to get close and Merold who doesn’t want to.

(Merold is willing to cooperate with Hallritt if the situation deems necessary but only tolerates him)

Merold - “As your senior, won’t you do something for me—Hallritt?”

Hallritt - “Sure! Whatever do you need?”

(Hallritt who wants to get along with Merold and willing to do almost anything)

Tuxam - “HALT! This is an abuse of hierarchy, Merold…!”

(I feel like Merold would be the type to make bad excuses to get Hallritt away from him(?)) 

Merold - “It’d be bad if the theatre wasn’t surrounded by rubble… Oh, Hallritt! Why don’t you go over there and clean.”

Hallritt - “I suppose it would be bad. Yes! I’ll go over there!”

Tuxam - “For once, that is true… Merold. You’re coming with. Don’t think you can get away with a bad excuse.”

Merold - “(Sigh). Yeah. Yeah.”

Hallritt and Tuxam - Tuxam who is willing to be dependable and help Hallritt as a senior Knight of Fragaria! He’s more helpful than Merold, but still nagging. Tuxam also helps Hallritt avoid Merold’s plots.

Tuxam - “So… About our lords.”

(Tuxam who tries not being obvious about wanting their lords to meet each other) (Hallritt thinks he’s planning something and it’s obvious that Tuxam trying not to be obvious is being obvious) (Kind, but still nagging)

Merold and Tuxam - Knighted around the same time, they’ve met before when visiting the Orchid Theatre years ago.

(I imagine Merold as someone who frequently teases Tuxam)

(Someone who Merold is comfortable having deep conversations with or reminiscing about the past(?))

Tuxam - “You’re impossible, Merold.”

Merold - “And you’re a riot, Tuxam.”

(If I have to describe Merold on how I write him, I would say its like a love child between how I think Hangyon and Pikero talk) (But Merold has more Hangyon genetics than Pikero’s)

(I should probably elaborate on how I think Merold talks) (But with a flair of arrogance(?))

(I feel like Merold would be the type to bend down to his knees just to annoy Tuxam) 

(Would sorta rest himself on Tuxam as well(?)) (Like sorta leaning onto him and resting his elbow on his head sorta rest)

(I mentioned before, but I wanted to write or mention about Hello Kitty’s previous knight who I’ll dub as “Elliot”)

(To give backstory)

(Elliot, Tuxam, and Merold who visited the Orchid Theatre in a similar situation of celebrating the Orchid Theatre’s 995th Anniversary(?)) (I should probably write a little bit more than that or at least brainstorm it)

(Would 5 years be considered a long time(?))

(The Orchid Theatre having connections with the Hello Kitty Kingdom, MyMelody Kingdom, and Tuxedo sam Kingdom)

(Every 5 - 10 years the lords will come and visit the theatre yet again(?))

(I won’t lie I’ve always been picky about the names I give to characters) (Is “Elliot” too basic???) (I found an anagram maker and put "Hello Kitty" in it and saw Elliot)

Tuxam - “You’re like a bad dream—no…! ! The reminder of the reality (Hangyon and Pikero) I already face!”

Merold - “Wow~ That hurt y’know? I can’t believe Tuxam was capable of being rude.”

Merold - “Did he even grow to become a gentleman at all…?”

Tuxam - “H—Huh…! But I am a gentleman to my very core…?!” “At least I believe so?”

Merold - “Support me, will you?”

Tuxam - “Naturally. Let us eliminate the SEED.”

(Merold who solely focuses on attacking the SEED)

(Tuxam who attempts to multitask helping Merold and keeping surrounding damage to a minimum)

Merold - “Tuxam~ You know trying to keep the theatre from being destroyed is basically impossible!”

Tuxam - “Why not think about the people who’ll have to patch up the theatre…!”

(Possible Story Outline or Events I Want(?)) -

(I want the scenario to reveal Nica as the culprit in a brief flashback but without the context at this point of the story)

(Hallritt is called out by Merold, who snaps him from his daze) (Introduction of the Orchid Theatre)

(If not, I want a dream sequence where Hallritt overhears a few vague words before realizing a sharp pain in his shoulder and a knife has been plunged in that location)

(Hallritt wakes up, and sequence ends where we arrive at the Orchid Theatre)

(I’m unsure if it’ll be effective to a viewer, but it’s a outline so it can be removed whenever)

(Hallritt and Merold with their lords, who have just arrived to the location)

(They’re waiting for someone else, this cues Tuxam’s arrival with his lord)

(Brief mention of the history of the Orchid Theatre, I imagine Oz takes them around a tour of the theatre itself(?)) 

(Mostly for Hallritt)

(Shenanigans ensue, the event will be highly guarded with the presence of 3 lords in the same location) (There’s already guards around the premise, mainly on standby)

(When given the chance, Oz will find a discreet location and inform about reoccurring incidents of actors or members of the troupe getting mysterious hurt(?)) (Because of the upcoming 1000th Anniversary of the Orchid Theatre, there wasn’t time to properly investigate this(?))

(I imagine since the introduction of Oz, you can tell something is up but unsure(?))

(Merold overhears this and joins Hallritt for investigations, Tuxam joins but only because he was about to scold Merold for eavesdropping)

(I personally feel like it’ll be more effective if the audience already knows the culprit and it has to take the characters to realize(?)) (I want it to be more rewarding rather than beating around the bush too much(?))

(I do want this to be time to flesh out new characters as well before the final happens)

(Oz will be approached to start off the mission)

(Rin will be approached to know more about the building plan of the Orchid Theatre)

(Anfora will be approached to understand possible motivation and being a senior member—will share her past experiences)

(Nica will be approached to better understand the play and her character(?)) (Considered talented as an actor) (<—I probably need to think about this a bit more)

Merold - “I can’t imagine you doing anything discreetly.”

Rin - “HaHa! Same!”

(During the final confrontation, Nica lunges Merold with a weapon but Hallritt gets in front of Merold to protect him)

(Hallritt ends up getting stabbed)

(I feel like Merold would feel offended yet somewhat thankful for Hallritt) 

Merold - “YOU. BIG IDIOT.”

Merold - “Do you not understand the title ‘Strongest Knight?’”

(What if final confrontation is done on the Orchid Theatre’s stage and it is a big reveal)

(Merold - “What are you?”)

(Hallritt - “…An idiot sandwich.”)

you know i would compile these notes properly and summarize them but when you’re in a bad mental state and listening to revolutionary girl utena all duel songs can you really?

earth as a character gallery is a banger 

allegory allegorier allegoriest 

the black rose songs are the best frfr

maybe i should make revolutionary girl utena inspired lyrics for fragaria memories

that honestly sounds fun if i can commit to it

WAIT I CAN MAKE ACE ATTORNEY REFERENCES

BUT I HAVENT SEEN IT IN FOREVER WAAAAAAAHHHH

(Outdated grandiose that makes the old appear new)

(Aged like fine wine) (Apple motifs)

(Operates as mainly a stage for performers, but has been modified to be used as a cinema(?)) (both on a stage and has a projector or screen for cinema usage(?))

(i imagine the cinema itself is open at least 2 - 3 times a week and the rest of the days is for the performers of the Orchid Theatre to practice their craft for the next big play(?))

(Beautifully elaborate, has Hello Kitty motifs)

(Also contains Mowzer, Catnip, Fangora, and Grinder motifs of course(?))

(Rather than Mowzer, Catnip, Fangora, and Grinder being lords like Hello Kitty and the others) (I rather have them be historical figures that aren’t around today(?))

(It’s said in lore that the lords somehow ascending into the world of Fragria, so I kinda want the opposite of the 4 coming back to their world instead of death)

(Considered figures that represent the spirit of acting(?))

(Similar to the greek muses of comedy and tragedy) (the smiling and frowning masks i mean) (imagine their faces plastered as masks similar to the theatre masks(?)) (like what im saying is a comedy mask with characteristics similar to catnip or grinder(?))

(i should really learn a little bit about theatres… i have somewhat relied on wikipedia but that can only go so far)

i did try writing a fragraia memories revolutionary girl utena song but I don't really know if its really fragmem? Spirit circuit—illusionary deficient, a cruel hook dangles the prey midair Lo’! — Awake from dream. the hook, fish, or the fisherman? Sealed, Spilled, Anchored. Forbidden life’s mead bleeds. Forbidden landscapes defy the unreal.  Naturality pacifies and requites the unnatural. Beloved, Unreal Realness. Are you surprised? It’s a big mistake to think you’re the only one who can turn into a car. I’m a car now too!

i promise the last line is real just look up revolutionary girl utena car scene