#i'm taking notes on some of these smaller details for a video

[latin-dr-robotnik]

I love how With Me's orchestral arrangement builds up in the background as Merlina explains her reasons for wanting a world that never ends, almost overpowering the entire scene before taking a sinister turn as soon as Sonic attacks her. Everything here is crafted with so much care.

I love Sonic and the Black Knight. A lot.

[vanteguccir]

── ୨୧ !　𝗧𝗜𝗞𝗧𝗢𝗞 𝗧𝗥𝗘𝗡𝗗𝗦 | 𝗣𝗔𝗥𝗧 𝟰

　　　　　　　　　𝒎𝒂𝒕𝒕 𝒔𝒕𝒖𝒓𝒏𝒊𝒐𝒍𝒐 x reader

SUMMARY: 4 times that Y/N and Matt made a couple's trend on tiktok.

WARNING: None.

REQUESTED?: Kinda?

AUTHOR'S NOTE: That is my work, I DON'T authorize any plagiarism, copy, or "inspiration"! | English isn't my first language, so I'm sorry if there's any grammar error.

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1. Decorating my boyfriend's car super girly and seeing his reaction

Going downstairs quietly so as not to wake anyone, considering it was still too early for any of the triplets - and even Y/N - to be awake, Y/N entered the garage. Matt's car, an impeccably clean black one, was there, parked and oblivious to what was coming.

The girl turned on the room light and made sure she had closed the door before finally unlocking the car ones by simply touching the small control in her hands.

Opening the driver's door with her unoccupied hand, Y/N climbed in, sitting down on the seat, a sound of complaint escaping her throat as she noticed how far and low the seat was - obviously adjusted for Matt's height. She quickly adjusted the position of it until she felt comfortable and, finally, put her phone in the support attached to the lower center of the windowshield, exactly where the boys supported their camera during car videos, her right hand instinctively flying towards the ceiling lights, turning it on.

Y/N unlocked the device and quickly browsed through the apps until she found TikTok, opening it and entering the recording space, adjusting the focus to ensure that every detail was captured, and pressed the red button.

"Good morning, TikTok!" The girl muttered in a low tone, a mischievous glint clearly apparent in her eyes. "Today, I'm going to do the biggest trolling of all in my boyfriend's car. Let’s turn it into a real preppy car!"

Y/N started by taking the first piece from the box of items she had prepared: a pink fuzzy cover for the steering wheel. The cover was a vibrant pink, with a soft, cozy feel to the touch.

Y/N carefully slid the cover over its right place, making sure every inch was covered and fitted perfectly. The fluff glowed below the yellow light, giving the steering wheel a luxurious, exaggerated appearance.

Then, she picked up two pink cup holders, filled with glitter, both twinkling every time the light hit one of them, as if it was full of little stars. Y/N laughed to herself as she placed them on the center console's cup rests, fitting them in and smiling widely when she noticed how perfect the size was.

"Matt will love putting our morning Starbucks here, for sure.” The girl murmured, looking up and sending a wink towards the camera.

The next step was to decorate the air conditioning vents. Y/N had bought several mini pink decorations, also full of glitter, each one more extravagant than the last. There were little hearts, stars, and even some fake diamonds. She carefully attached each to the air vents, adjusting until they were all secure and at a good enough distance to notice them all.

"Get ready for style and glamor to be blown throughout the car when Chris asks Matt to turn on the air conditioning during videos." She joked while still adjusting the last small items.

The car's gearshift could not be forgotten. Y/N pulled out a smaller sized pink fuzzy cover, specially designed. It was soft to the touch, matching the steering wheel cover perfectly. She slid it over the gear, adjusting it so it was secure, her right hand closing around the cover, smiling as she felt the small hairs caressing her palm.

Finally, to complete the look, Y/N took a pink diamond-shaped pendant, stretching her upper body upwards and extending her hands, hanging it around the rearview mirror. The pendant swayed slightly by itself, reflecting the light and casting small colored reflections throughout the interior of the all car.

"I feel like I'm in Barbie: a Fashion Fairytale." Y/N said, letting out a nasal laugh, resting her back against the backrest of the seat so that her eyes could analyze every corner of the car, admiring her final work.

She then turned her attention back to her cell.

"Alright, guys, the car is ready. Now we just need to wait for Matt to wake up and see his reaction."

The video stopped at that moment before it returned seconds later.

"I went upstairs after fixing the last details and woke up Matt, I made up that I was hungry, but that I wanted to have breakfast at a café." Y/N began with a hushed tone, now sitting in the passenger seat, her phone now in her hands. "I waited for him to get up and get ready before telling him I would wait for him in the car."

It didn't take long and soon Y/N heard Matt's footsteps coming down the stairs that led to the garage, her eyes looking up in time to see the silhouette of her boyfriend appearing in the doorway. She pressed her lips into a thin line in an attempt to contain her laughter.

Her eyes followed Matt's steps, who walked quickly towards the driver's seat door, the sound of the door opening echoing through the small space was followed by anticipation on Y/N's part, who looked at the camera to Matt and back again, waiting for his reaction.

"Hey, sweet girl, I'm sorry it took me so..." He interrupted his own sentence, his movements instantly stopping for a few seconds. "Y/N! What- What did you do to my car?!" Matt's voice echoed in a tone of disbelief, the surprise evident on his face not yet visible to the phone camera.

"Come on, babe, sit down so you can take a better look at this incredible work I did just for you." The girl asked in a fake sweet tone, smiling openly and leaning her upper body over the console, extending her right arm so that her hand could touch Matt's, holding it firmly and pulling him inside.

The boy, still wide-eyed and surprised, obeyed, sitting on the leather covered seat - already arranged again to his own taste - and closing the door with a thud.

"Where- When did you even get all those things?" Matt questioned again, his blue eyes quickly traveling over every pink detail before turning his attention back to Y/N, his mouth slightly open.

"Yesterday, duh." The girl answered as if it was obvious, shrugging her shoulders before her neutral expression broke into a smile again. "Did you like it? It's pretty, right? I'm sure your videos will be much cooler now."

"Babe, oh my God." Matt's voice sounded airy, eliciting a laugh from Y/N. He didn't know where to focus his attention, different shades of pink calling his eyes from every corner. "I can't lie. It looks so good." The boy finally reached out with his hands, his fingers curling around his steering wheel, pressing lightly against the extremely fluffy fabric over his palm.

"I know, right?" Y/N responded excitedly, briefly glancing at her cell that was still recording them. "Look at the cup holder, babe!" Her tone rose as she reached out toward the console, pointing to the pink cup holder with her index finger.

"So I can put in your favorite Starbucks drink every morning, huh?" Matt lowered his gaze to the item, shaking his head amusedly as he heard his girlfriend agree excitedly.

"Next step: getting the car wrapped in pink."

"Are you crazy?"

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2. Pretending to be asleep to see my boyfriend's reaction

Y/N was home alone, comfortable silence filling every corner as she waited for Matt to return from the street. He had gone out to get a specific sweet that she had been asking for for days, and the only place where they sold it didn't deliver.

Sitting comfortably on the grey couch in the living room, the girl was immersed in TikTok videos when a new couple trend appeared on her For You Page, catching her attention; Pretending to be asleep to see my boyfriend's reaction.

Y/N didn't think twice before making the decision to join the cycle of famous couples replicating the trend, quickly leaving TikTok, and opening the location app she shared with Matt. Watching his icon move across the colorful map, she calculated that she still had a few minutes before he arrived, rising from the couch seconds later, running down the small hallway that led to their room.

First, she took the plush, gray bedspreads off the bed, folding it and leaving it on Matt's gaming chair. The soft light from the already turned on lamp created a calm and welcoming atmosphere, perfect for what she had in mind.

She then adjusted her phone on the nightstand on her side of the bed, ensuring the camera was pointed directly at the mattress and the space Matt would enter, propping it against the lamp and organizing the minimal decorations that was always above the furniture around the device in a way that it disguised its existence there.

Checking the app again, she saw that Matt was just a few blocks away. Y/N hurried to lay down, adjusting herself comfortably but naturally.

She turned slightly to her back, rescuing Matt's pillow and hugging it to her chest, not stopping herself from lightly exhaling the natural scent of her boyfriend's male shampoo and cologne that permeated into the fabric, closing her eyes and regulating her breathing to make it seem like she was actually sleeping.

A few minutes later, she finally heard Matt's footsteps echoing across the floor, going from quieter to louder, indicating that he was getting closer to the room. She kept her eyes closed, trying to contain a wide smile as her heart beat fastned.

Matt's footsteps approached the door, the sound of it opening echoing after, the familiar sound of the paper bag he was carrying filling Y/N's ears.

"Babe, I found the one that you wanted, and guess what? They had just made it!" Matt started talking as soon as he entered the space, his voice excited and loud, before noticing the silence in the room.

The boy looked up, his eyes running around before noticing his girlfriend lying on their shared bed, lowering his voice when he noticed her apparently sleeping figure, his expression softening immediately, a small smile settling on his lips.

He closed the door behind him with a soft click, walking with steps of a feather towards the bed, the sound of his sock-covered feet tapping against the wooden floor gently echoing through the four walls.

His busy hand placed the bag with the sweet on the nightstand beside his side before he approached the edge of the bed, admiration written all over his face as he looked at Y/N.

He bent his knees slightly, curving his upper body over the mattress and bringing his face closer to Y/N's head, using his left hand to support his own weight, just watching her sleep for a few seconds, a tender smile on her face.

Matt then lowered his head so that his face was close to hers, sealing his lips over her forehead and head repeatedly, but very lightly and slowly, without the intention of waking her up.

"You're so beautiful when you sleep, you know that?" He whispered, his voice filled with affection, stroking the side of her face lightly with the tip of his nose before reaching out with his right hand, gently brushing away the loose strands of hair with his fingertips, taking them away from her eyes, being careful. His touch was light, almost like a gentle breeze.

Matt looked around, noticing the phone on Y/N's nightstand, but didn't suspect anything thanks to the low brightness of the screen. He just smiled, enjoying the moment, taking note of how the surroundings seemed as calm as ever.

Taking the corner of the duvet that was at the foot of the bed, he gently pulled it over his girlfriend, making sure she was comfortable and warm, petting the thick fabric lightly, molding it to his girl's body.

Then he got up again, reaching his hands to his bedside table, taking the bag with the sweet he had brought between his fingers. It was an angel cake with strawberry filling and whipped cream, Y/N's favorite.

The boy took the box with the cake out of the bag, being careful not to make any loud sounds, leaving the brown paper bag on the wood surface before walking towards Y/N's bedside table slowly, leaving the frame of the phone's front camera for a few seconds, placing the small white cardboard box above it.

"Hope you like it." The brunette murmured again, more to himself than to her.

Matt then returned to his side of the bed, resting his right hand on the mattress and taking off his socks before finally laying down next to her, being careful not to make too much noise or sudden movements.

After snuggling as best he could under the duvet, he turned on his side, bringing the front of his body closer to the back of Y/N's one, wrapping an arm around her waist slowly, gently pulling her closer, his hand automatically finding its way under the oversized t-shirt that covered Y/N's upper body down to her thighs, snaking his hand across the soft skin of his girl's stomach and finding home beneath her right breast, just as he did every day, not seeming to notice the shiver that ran through her body, closing his eyes.

Y/N couldn't help but relax her body even more under her boyfriend's gentle touch, snuggling closer, feeling a deep peace settle in her chest, momentarily forgetting that she was even recording something.

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3. Trying the spray trend on my boyfriend

Y/N was in the bathroom she shared with Matt, her hands working on resting her phone on the marble sink in a way that it wouldn't be obvious that she was recording, the screen with low brightness already open on the TikTok app. She made sure the frontal camera was well positioned, capturing the perfect angle from the bathroom door to the area where she would be standing.

Then, Y/N bent down slightly and opened the cabinet under the sink, her right hand retrieving a spray deodorant she had recently purchased, taking off the cap and setting it aside. With everything ready, the girl turned to her cell again, pressing the record button with her thumb.

Y/N smiled playfully at the camera before turning away from the device and extending her right hand, opening the bathroom door.

"Matt!" The low, muffled sound of Matt's voice shouting back echoed down the hallway leading to the bathroom. "Babe, can you come here for a minute?"

She waited, listening to her boyfriend's footsteps approaching. His figure quickly appeared in front of the already open door, a confused look on his face.

"What's wrong, babe? Do you need help with something?"

"I bought this new deodorant that says it's unscented, but I think it has a slight lavender scent. Can you smell it and tell me what you think?" Y/N asked, her tone sounding naive, holding the spray deodorant at the height she knew would be ideal for him to reach it, and pointing the hole where the product exited upwards.

"Sure." Matt nodded, still a little confused, but willing to help. He entered the bathroom completely and approached Y/N, tilting his head closer to the area where his girlfriend was holding the spray.

Y/N pressed the button on the top of the deodorant, creating a white cloud that slowly rose. Matt leaned even closer to smell the scent, a look of genuine concentration written across his face, and at that exact moment Y/N moved quickly, closing the distance between their faces and pressing her lips softly against his.

The kiss was quick and surprising, and she could feel Matt's slight shiver of surprise, a sound of shock escaping his throat.

When she pulled away, Matt's eyes were wide, his eyelids blinking rapidly as his brain tried to assimilate what had happened, his cheeks slowly turning into a bright red hue, a small smile appearing on the corner of his lips.

"What?" A loud laugh escaped Y/N's mouth as she watched his reaction, noticing his shy expression.

"You're a little devil." Matt shook his head comically. His tongue acted on its own as it escaped his mouth, passing his lips carefully, the taste of mint flooding his palate. "Is that mint?"

"Maybe." Y/N replied with the ghost of a smile, vaguely remembering how she had applied the Space Camp mind lip balm a few minutes earlier.

"Can I have another taste of it?"

"Matt!"

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4. Using my scary dog ​​privilege to walk alone at night

It was a quiet, cool evening as Y/N and Matt were taking a walk after a nice dinner at a home-cooked Italian restaurant close to their home.

Y/N's eyes swept the deserted streets in front of her, quickly looking back over her shoulder, taking note of Matt a few steps behind her body, vaguely remembering a TikTok she had watched earlier that day, the environment around them reminding her a lot of the one in the video.

With that, she decided to record one, too.

And how she was when she was beautiful

The girl was now holding her phone in her right hand, her screen with TikTok already open in the recording area staring back at her, the sound of the Babooshka song melody playing at a low volume from her speakers.

Her half-closed eyes were fixed on the front camera, which recorded her face contorted into a small smirk, her hair moving around her face as if it was planned, a consequence of the light wind that surrounded her and her measured steps, which never stopped.

She signed the letter

Y/N slightly raised her hand that was holding her cell so that the camera now captured the view from behind her back.

All yours

The video captured the image of Matt following in her footsteps, his body completely covered in black clothing, making a perfect contrast with the yellow night lights coming from the tall poles above their heads.

His posture was erect and his head remained high, his arms crossed so that his biceps were visible against the thin fabric of his black shirt and a serious expression resting on his face - as usual -, his eyes fixed straight ahead, as if he was on alert of everything, accompanied by his furrowed eyebrows, giving an impression of anger to anyone who saw him from afar.

Y/N, watching the image through the tilted phone screen that was still recording her boyfriend, felt a shiver run down her spine; a small, satisfied smile blooming on her face.

Matt was definitely a scary Doberman by her side.

taglist:

@lustfulslxt @ladybunny44 @worldlxvlys @earth2starkey @remussbitch @freshloveforthefit @sturniolowhore @luvr4miya @alorsxsturn @urfavgirllyyyyy @hearts4chriss @cupidzsq @dracoflaco @junnniiieee07 @lightsgore @gidgett11037 @ksskianshd @soimightlikeoldmen69 @ldr-sl0t @its-jennarose @sainzzsturns @ecliphttlunar @soso-scarlettolivia @bitchydragonparadise @freshsturns @h3arts4harry @patscorner @strnilolo @bernardsbendystraws @mattsneezing @poetatorturadaa @meg-sturniolo @orangeypepsi @jnkvivi @chrisactualwife @fratbrochrisgf @elordilover @somegirlfromasgard @hpyjw @annamcdonalds67

(If you want to be added to the taglist, go to this post)

[kimberleyjean]

Good Omens S1 Parallels - 1/?

Saturday Morning Funtime is a particularly interesting episode for me, because it suggests something about the structure of parallels Season One. Also, it's easier to start with a single episode than trying to cover the whole show at once. I'm going to show you six different scenes from Saturday Morning Funtime and how they link together.

Let's start with the pun pointed out by Danny Motta in his video (link here to relevant timestamp if you haven't seen it). Danny made the link between this scene near the start of E4, where Aziraphale gets exercise:

And this scene at the end, where Aziraphale was exorcised (according to Shadwell, at least):

Cool, seems like a funny pun. But there's no way to know it was intentional right? Well, I think I can argue it was. Let's look at another scene.

We have this scene where Hastur destroys 3 Erics on the plains of Megiddo. Since each demon has a corresponding animal, I'm going to go ahead and place bets on the Eric's being rabbits, and Hastur destroys 2/3 of them.

And then later we have this scene where Hastur again destroys 2/3 rabbits, but this time they're cartoon bunnies - the first one he beheads like a costume, the second he rips out it's throat.

Ok, but again, why am I linking these two scenes? No deep character insights, or thematic elements are being displayed here... Except that's a key reason I'm pointing them out - they're seemingly pretty pointless, so why bother to make them? Well, maybe the sum is bigger than the parts. One more example and then I'll show you how this comes together.

Here's a scene which I think is pretty good foreshadowing of something that will happen later in the episode - Hastur and Ligur talking about the dripping pipes down in Hell. Hastur has a little bucket he's collecting water in, which he uses in a toast:

And later, we have this particularly gruesome scene of Ligur becoming toast at the hands of a bucket full of (holy)water:

Ok, so six scenes, three sets of parallels... now's where the magic happens... I take E4 as a whole... loop it over on itself like a piece of trick rope from Goldstein's magic shop and....

Tada! Here's the episode laid out in 2 minute increments.

Some pretty interesting places to have parallels, no? That two minute block at the start is a lead in before the opening credits, so the Exercise and Exorcism scenes are coming directly before and directly after the open and close sequence (shown above in blue).

I'd be lying if I said it didn't remind me of the overall chiastic structure that some people have worked on, such as this one by @drconstellation, just on a smaller scale.

It's also interesting to note that each of these parallel pairs relates to someone getting discorporated - Eric, Ligur and then Aziraphale.

What's the point?

So, I promised that I would share a little on why this might be important. In my opinion? It appears like there is some detailed structure to Good Omens, at least in S1.

It should also be noted that these scenes were added only for the show in order to produce this effect - Aziraphale exercising with Gabriel, Hastur and Ligur talking about the pipes, the three cartoon rabbits in the theatre - they were all newly created for the show.

Why go to the bother of creating these little parallel moments at corresponding points along a mirrored structure? Especially when these don't necessarily have ramifications for characters or plot? Is it just good story telling or is it something more? These are all questions worth asking in my opinion. I think it relates to how this show treats words and language in a very Pratchetty fashion. The whole show is a dedication to Terry, after all.

Of course, if things were so simple, I think we would have figured it all out long ago. Parallels, puns, wordplay... they're all quite slippery things. There are things I would consider to be parallels which don't line up with this same structure. For example, the scene from earlier with Gabriel and Aziraphale exercising? The "lose the gut" gut-punch foreshadows this other gut punch scene in E4 too:

Despite examples to the contrary, the presence of parallels and wordplay that do line up along a mirrored structure makes me want to explore this further. If you're also interested in this and want to collaborate, please let me know.

This will be a continuing series, as and when time allows, because parallels seem to be absolutely everywhere. Future posts will look at parallels at different levels (within scenes, across episodes, and across seasons).

Let me know if you spot any others - I'd love to hear about them. They might be hidden in the visuals, wordplay, puns and more...

----------------------

With thanks to all the detectives for keeping me clue hunting @embracing-the-ineffable, @theastrophysicistnextdoor, @noneorother, @somehow-a-human, @komorezuki, @maufungi, @lookingatacupoftea, @havemyheartaziraphale, @251-dmr, @dunkthebiscuit, and @ghstptats <3

[ineed-to-sleep]

hi!! I absolutely love your style!! do you have any process vids or tutorials on how you go about shading?? I struggle with not turning mine into a whole ass painting :’)

Unfortunately I don't 😔 I recorded some a while ago but haven't figured out how to speed them up and stitch videos together yet cjjcjckg but when I do I'll post something :')

But about shading, I get what you mean about painting cjcjkc I had the same issue a while ago actually. Here's a couple of things that helped me change that, hopefully they'll help you too:

putting more emphasis on lineart. If you polish your linework and create occlusion shadows with it, it'll do a lot of the heavy lifting when it comes to shading, so you won't need to shade all that much with colors and values. like so:

simplifying things. You get something complex, like a face, and you break it down to bigger, simpler shapes, and then you shade that. There's tools online like the asaro head(I like to use this model in particular), which you can use to help you with simplification, but you can simplify it even more than that. Like if you look at the way I shade faces, I shade them with even less shapes than the asaro head jdjfjf I disregard a lot of the finer details and just portray what I consider to be the bigger or most prominent shadows. I'd say even if you're going for more complex shapes, think about the big ones first, put those down, and gradually go for the smaller ones.

using design principles on shading. I don't know if you know design theory already, but in case you don't, I recommend taking a look at the principle of "big, medium, small". It's pretty simple, but once you understand it you can apply it to literally everything in your art and make it look better. Once I started applying them to the shapes I create when I'm shading, it also became a lot easier to shade in a more simplified style.

That's mostly what helped me I think!! Other than that, it probably goes without saying but I'd highly recommend studying other artists. Like, just grabbing a bunch of pieces you like from a particular artist, throwing it all in a moodboard, observing and taking notes and then trying to mimick their style. That's a type of study that usually helps me improve really fast. But yeah, I hope this helps!!

[unboundndd]

Hi everyone >:3

The Yone lover anon is here again!!!

OMG PARANOIA IS SO AGKSHSKABSHSHJSJSKS *convulses*

I have been analyzing every detail of the video clip and I have seen the statuses and tweets from the official platforms, it is always a pleasure to see our favorite swordsman interact <3

Well, getting to the point, I have already asked for this request but I wanted to see your execution cause, wow girl, I love your writing, it is exquisite :')

The request is this: Maybe a Yone x fangirl!reader?

Buuut, but but!! That their first face-to-face meeting was a surprise, I explain, she and Yone had met on Discord and had been interacting a little, when the two agreed to meet then she gets a BIG surprise, I hope I make myself understood

Sorry for the amount of text, I have expanded here

Anyway, I hope you take care of yourself and enjoy the new content that is coming out as much as I do

-🍄

Omg hi 🍄 anon!! ♡ Thank you so so much for your very inspirational Yone musings, I hope that me spacing out on the wordlbuilding a bit will not influence the pure fangirling that is going on in our heads!

In this universe Yone strikes me as someone who actually knows a lot about technology and i'm sorry... he produces music for rythm games. And yes he does those extremely complicated and highly detailed songs that are like the hardest charts in the game.

·:¨༺ ♱✮♱ ༻¨:·- Yone's career as a producer and DJ has not been the easiest one, the genres that fascinated him the most were usually not appreciated by a wider audience. The busy notes of electronic samples overlapping one another weren't designed to appaise the need for easy listening music in convenience stores or to climb the charts by becoming viral on social media, in fact the most recognition Yone's music had gotten before heartsteel was in the small niche of rythm game players.

·:¨༺ ♱✮♱ ༻¨:·- It was never the big game developers that contacted him, they had collaborations with world renouned producers and famous idols that voiced their characters. On the other hand smaller studios would often ask him to make one or two tracks for their games, which Yone would gladly accept to do. Despite the limited reach the producer was still proud of his work, always buying a copy of the games where his music appeared and keeping in touch with the communities that formed around them with a discord account that would't reveal who he really was.

·:¨༺ ♱✮♱ ༻¨:·- You were just a casual player of one of those games, sometimes coming into its dedicated discord servers to chat with like minded people. When people asked you about your favorite songs in the game you would most likely reply with one of the songs Yone produced, often going into detail about what made them resonate with you so much and what made them so unique in your opinion.

·:¨༺ ♱✮♱ ༻¨:·- Under the guise of anonymity Yone would sometimes join the conversation, asking questions and indirectly getting some feedback from you, even finding it helpful with his writer's block sometimes. It was enough for the man to send you a DM to discuss more of your shared music tastes, hoping you'd reply.

·:¨༺ ♱✮♱ ༻¨:·- Your discussions quickly settled into a developing friendship, you knew the man had an extensive knowledge in music theory as he would sometimes ramble about it with you and he also told you that because of a new job offer he would become more and more busy as time went on. You'd still keep recommending songs to each other but the conversations would be less and less, you missed your friend but you knew that his work was more important than chatting about music.

·:¨༺ ♱✮♱ ༻¨:·- That was until Heartsteel's debut was announced with a small teaser, showing all the members and a small snippet of their new single. You immediately recognized the familiar electronic sound of the songs that made you and Yone bond in the first place, the nostalgic feeling making you smile. You decided to send a link of the teaser to him, asking for thoughts and sharing the hype about the new band.

·:¨༺ ♱✮♱ ༻¨:·- Yone had never felt so guilty yet glad that he never revealed that he had produced those rythm game songs to you. You were so familiar with his style that you spotted it immediately, you could've uncovered that he was actually part of the band! He tried to stop himself from asking more of what you thought of the members, thought of him, but quickly surrendered to the fact that hearing you gush about how much you liked his music gave him even more reasons to keep going.

·:¨༺ ♱✮♱ ༻¨:·- When he asked who your favorite member was he almost spit water on his midi keyboard, causing Aphelios to turn around to see if he was alright. Yone composed himelf quickly, yet the message you wrote kept resonating in his mind. "Oh I'm totally in love with Yone, looking at him and his interactions on twitter he sounds like a bit of a band mom and I find it really endearing! He looks like a really calm person who surrounds himself with a ton of unhinged friends! Too bad he hasn't revealed his voice yet! "

·:¨༺ ♱✮♱ ༻¨:·- Of course all of this didn't go past Aphelios, Kayn, Sett, K'Sante and even Alune. They realized he was spending more time than normal on his phone, reading your thoughts on the new promotional materials that were being posted. Kayn was the one who confronted him first and could not stop laughing when he realized Yone had started to develop some feelings for you, scrolling trough the messages the younger man could also see that you were starting to feel the same way for him.

·:¨༺ ♱✮♱ ༻¨:·- As much as the Kayn was amused at the absurdity of Yone falling for his online friend turned fangirl, he alsoknew he had to help his fellow bandmate, barging into the common room to tell everyone what was going on and fill Ezreal in as he was oblivous to the whole ordeal. It took all of them a good half hour to concoct a plan to make a meeting between you and Yone happen, then another half hour was needed to convince the producer that this was indeed a good idea and that you would not take it as badly as he imagined.

·:¨༺ ♱✮♱ ༻¨:·- When Yone said he wanted to voice chat with you out of the blue you were a bit confused but excited. You were happy to hear his voice after one year of being friends and made sure to reserve a few hours just for him, as you went about your day your mind started to wander a bit about what it would sound like and if your conversations would flow just as smoothly as they did via text.

·:¨༺ ♱✮♱ ༻¨:·- You were starting to feel a bit nervous when you picked up the call, timidly muttering a "hello?" and waiting for any sort of reply. "Oh Hello, it's nice to finally be able to associate a voice to the person." You could not help but squeal a little on the inside, who would have known that his voice sounded so rich and felt so mature? The two of you talked for a while about how long overdue your call was and how time had flown since you first met, it truly didn't feel like your first conversation at all.

·:¨༺ ♱✮♱ ༻¨:·- You finally gave into the curiosity and asked him if there was any particular reason for Yone to have wanted to voice chat now and his reply almost left you speechless. "So... I'm know that you're very excited about the debut of Heartsteel, one of my coworkers managed to get two VIP tickets and backstage access. The thing is that the person they bought the other ticket for cancelled last minute and they gave it to me." A carefully crafted lie exited Yone's lips, all to give you an excuse to go meet him.

·:¨༺ ♱✮♱ ༻¨:·- You couldn't help but feel a slight pang of jealousy for how lucky your friend was but you wanted to be supportive and expressed your joy for him and how excited he must have been. "Wait, you've got it all wrong. I wasn't planning on keeping the ticket." You froze for a second, all sorts of possibilities racing trough your mind. Then you heard it the notification of a discord message from Yone, he had just sent you the ticket. "Wait... so you want me to go?" You heard him chuckle as you were slowly realizing what this would imply, your heart couldn't race more than this. "You deserve to go and see them, you've kept an eye on them for a long time now. I don't want to impose it onto you so think about it for a while and let me know, will you?" Useless to say that you spent a very long amount of time asking him if he was sure about it and then thanking him profusely, this truly was one of your dreams come true.

·:¨༺ ♱✮♱ ༻¨:·- During the day of the debut concert the Heartsteel's members grand plan was put into motion: security was well aware that as soon as your ticket number was checked in they would have been able to identify you. Security notified their manager Alune and gave her a detailed description of your looks, she too felt happy about what was going on in Yone's life and told him and the other boys to concentrate on the performance while she took care of things in the background and made sure to give you and the producer ample time to talk.

·:¨༺ ♱✮♱ ༻¨:·- You had the time of your life at the concert, seeing how much energy and stage presence Heartsteel had in real life made their music video pale in comparison. The stage felt electric and once it was over you couldn't help but feel dizzy and overloaded but also oh so happy, seeing Yone and Aphelios playing alongside the other members was the highlight of the concert for you.

·:¨༺ ♱✮♱ ༻¨:·- So many things were going to your mind when you were queued up for the small meet and greet that was beeing held backstage, you were one of the last people and when it was your turn you couldn't help but feel like Sett, Kayn and Ezreal were all treating you like they somehow knew you already... and they were all hiding something. You felt their gazes following you as you finally approached Yone and even he looked like something was amiss.

·:¨༺ ♱✮♱ ༻¨:·- You tried to ignore the feeling, you were about to meet the artist that managed to capture your attention so easily and always kept you wanting for more. You would not let this special occasion be ruined by your gut feeling! You took a few steps and prepared to greet him, hopefully having enough time to tell him how good his performance was and how much you enjoyed rooting for his success. Before you could even say a word he anticipated you and for a second you thought you had misheard everything he said.

·:¨༺ ♱✮♱ ༻¨:·- "Wait... how do you know my discord username?" You heard a few of Heartsteel's members chuckle, you did not realize how quiet the room had become as you were the last of their fans there, the laughter was interrupted by Yone speaking again. "Cut her some slack everyone, it's normal for her to be confused right now." Yone could see your eyes widen in realization you recognized his voice, he was your online friend! The one who would always listen to your rambles about the latest chart topping songs and give you his insight on what would make them so popular, the man who somehow knew your taste better than you at this point and was able to always give you spot on recommendations... ·:¨༺ ♱✮♱ ༻¨:·- The grounding touch of his hand on your shoulder snapped you back into reality, you blinked at him in disbelief and confusion... and then realized about how much you fangirled about him while being unaware of who you were talking to. "There must be many questions running trough your head right now and I don't blame you if you're angry at me for never revealing who I really was. If I hadn't been under such a strict NDA at the time maybe things could have been different..." ·:¨༺ ♱✮♱ ༻¨:·- You gave the man a reassuring smile, you understood why he did what he did and suddenly him asking you what you thought of all the new trailers and promotional materials made sense. You were kind of honored to have been able to give feedback -although unknowingly- to a talented artist such as him. "Maybe I could clear some things up for you over dinner... I was too nervous to eat anything before the concert." You gave him a quick nod and he motioned you to follow him, you saw him gather his laptop and headphones and haistly put them in a sleek looking backpack and then taking out the keys to his car. The rest of your time spent backstage was a blur, his hand around your back was swiftly guiding you through the various areas and muttering to security guards that you were with him if they happened to enquire about you. Once in his car he could finally drop the persona and relax a bit more, the Yone you had met online was starting to show himself more and more. "Do you have any particular preferences for food?" He asked while making his way through the still packed streets of the city. "Mmh... I think I'll leave the choice to you, after all you just performend in front of thousands of people on an empty stomach." You replied, smiling at how kind he was being to you even though he must have been starving for hours. "Fine, I saw a ramen small ramen place on my way here before the concert. It will give us enough privacy for me to finally make things up to you."

[silverskye13]

Hello! I'm one of your readers and admirers, been sending asks before too - it's just the topic makes me self-conscious.

You're writing very long and articulated things, with intricate details, and you're pretty darn good at it - so I believe you can give advice here. Do you ever feel discomfort/anxiety about writing long works in form like "it will take me ages to do it, and if I can't finish it will haunt me forever"? Do you have any methods of fighting it?

Oh hmm. Well! I used to have those anxieties yes. I haven't had them for a while. My method of fighting it is less of a fight, and more of a,,, change in perspective I suppose.

So, I don't go into any project assuming I will finish it.

Now, important note: I go into every project wanting to finish it. Most things I work on, especially long form things, have a finish line. I know generally how I want the story to go, and why, and I go into it knowing that it will change and evolve as the project continues. The finish line might get farther away, or rarely, closer, if I cut things down.

But I've stopped assuming something I start will ever get done.

This does a few things for me. Firstly, it takes away the guilt of "but if I don't finish! I won't be able to live with myself!" My goal was never to finish, so there is no guilt attached to not finishing.

[Well, that's a lie. I do feel a little guilty about unfinished projects, but it's "I should get back around to that someday" guilt, and not "this is a personal failing that is indicative of my character" guilt.]

The other thing that not starting a project purely to finish it does, is it recontextualizes your goals and rewards. The good feelings you get from working on the project, and making your shorter term goals, becomes the motivation to keep working on it, as opposed to a much farther away and more ephemeral end goal of "done someday."

If you have already made the goal of "done someday" on a long term project, and you have pinned your sense of success to it, the best advice I personally can give, is to unpin your sense of success from that far away point. That point might be years away, and while some people can definitely wait years for payoff, I, personally, can't. I need something closer and smaller. Otherwise I get worn down and tired, because I am slogging on something very emotionally taxing that isn't paying me back in any way. Why would I do that? That's very rude to myself! We don't suffer for art around here!

I would recommend instead, picking a closer point. If you're writing a long fic, pick a scene you really want to reach. [I pick several. If you ever hear me ramble about "story arcs" it's a product of this.] If you're making a comic, pick a scene, chapter/page number, or character introduction you're excited for. If you're making a video game, pick several programming or story milestones, etc.

Base your success on reaching those milestones. You will get your dopamine rush from Doing The Thing. Congratulate yourself! Bask in it! Celebrate the small milestone the same way you would the finish line. Buy a favorite treat, take the weekend off to rest, gush about it to your friends. It might feel silly the first few times you do it. That's fine! You're training your brain to appreciate milestones. Your brain will figure out what you're doing and get with the program.

Aside from milestone goals, I think it's also good to remember, a project is never abandoned if you don't want it to be? Like, really embrace that idea. Unless some fortune teller has divined the exact date and time of your death, for all you know, you have ten, twenty, hell, fifty years to finish your project. Long Term Project has no end date [unless you are professionally publishing something with a company, in which case, you have negotiated your end date with a client.] You can say "I'm tired of this for now", drop it and come back later. You aren't a failure for needing a break -- even if that break spans years, and you pick up 3 more long term projects in between. I have been working on a webcomic for 3 years now. It has 30 pages, and I take 6 months breaks in between working on it. I don't see that as a personal failing.

I don't know, I feel like this is getting a bit incoherent. Long story short: most people's anxieties about long term projects [and their ability to finish them] have to do with being deeply unkind to themselves, I feel. You aren't a publishing house. You aren't a TV show producer. You aren't a film director. You are one person, working on something potentially massive. Recognize that will take time. Recognize taking your time isn't a bad thing. Recognize you might need to take breaks -- long ones. Recognize that you need sustaining goals that are small yes, smaller than finishing, but also deeply, deeply important. And also recognize if you can't finish your long term project? That's not a moral failing. You're allowed to walk down the road with an idea, love it to bits, and then change enough as a person through the process, that it no longer serves you. And then you can drop it.

Do not make the end goal of a long project your finish line. If you do, every project you don't finish is a disappointment. Make finishing the project the happy accident that came from working on it long enough.

[foreverdolly]

baby fever | daddy!austin x mommy!reader

yet another request from my "three days of blurbs" event. i'm expanding this event in a very exciting way. so be on the lookout for that announcement.

request: just more daddy austin pls ! and then another person requested the same thing saying: how are daddy!Austin and mommy!reader doing? how is the baby?

requested by: anon and @stephthestallion

word count: 1.3k

warnings/notes: a whole year later and austin is sitting across from the same interviewer who officially broke the big news about the birth of his first child. austin's ready to gush some more about his little family. basically tooth rotting fluff. austin is the best dad and husband. basically part two to 'baby bliss'.

“Here we are, Austin.” The interviewer shuffled her question cards around in her hands, smiling down at her lap for a few moments as she readied herself. “Last week marked an entire year since our last interview.” The woman looked a tad bit older. She wasn’t decked out in bright colors and tight fitting clothes like the last time around, rather she looked well put together and business casual. The years had changed her, and for the better it would seem. 

It was hilarious to look back on last year's interview. He remembered how much he had been dreading it. How he had doubted the interviewers integrity and her ability to carry herself professionally. This time around he felt relaxed in his folding chair, his ring clad fingers gripping onto the wooden armrests so that he could pull himself up a little higher so that he could straighten out his broad shoulders.  He didn’t need to look at his manager to know that she was smiling. Todays interview felt light and carefree, and for once Austin didn’t feel nervous in the least to answer questions about his life. 

“One whole year, huh? Time flies by when you’re having fun. . . or something along those lines.” He flashed a smile before laughing at his own awkwardness. 

It was odd to think about how far he had come since the Elvis movie. He’d been a part of so many projects since then. It really had been his big break, and he was thankful for that. The blessings in his life had been immeasurable after the film. To say that time flew by would be an understatement. 

Taking care of business in a flash. 

He smiled fondly down at his boots, clearing his throat as he readied himself for more questioning. He was prepared today for the more personal direction that this interview would be sure to lean towards. Austin could be a very private man, but he had gotten the go ahead from his wife to discuss the smaller details of their life. Gushing over his son just so happened to be his favorite pastime. 

“A ton has happened in this last year for you. Awards, new movies, cameos in television shows, partnerships- through all of these personal triumphs for austin, do you still feel even slightly influenced by Elvis? Or was that just a necessary phase in your life that’s come and gone?” 

Austin straightened out his jacket, as he leaned an elbow on the armrest, shifting his weight from one hip to the other. The director style chair was horrifically uncomfortable and dug into his thighs. 

“I’m not Elvis, but I dedicated almost three years of my life to becoming him. I don’t think I’ll ever be able to shake him and all of his mannerisms, if that’s what you're asking. He feels like less of a role that I played and more like a family member to me now. Like an older brother, or even a best friend. I’ve never truly loved someone that I’ve never met before, but that’s Elvis for me.” 

She nodded her head, shooting him a warm smile before switching to another card. 

“The interview that I did with you practically broke the internet. Still, to this day, it’s the video that has the most views on our channel.” 

Austin nervously chuckled, using his hand to gently pinch the soft skin of his bottom lip, shaking his head in disbelief. It was still crazy to think that he went from being a low paid actor who could only book romcom gigs to this. Gone were the days of playing the doting boyfriend in cheesy television shows. He still felt like he was dreaming when he was reminded of his influence. He mumbled a quick “that’s insane” before she continued. 

“You announced that your wife had her baby, so I was hoping that you’d fill us in a little. What’s going on in the Butler household? What’s new?” 

He had been prepared for the personal questions, as was his wife. 

“Y/N’s doing really great. She started up her own business about two months after Finn was born, and it’s just exploded for her. I’m incredibly proud of her. She was always into metal work, but seeing how her jewelry brand has taken off? I’m just in awe of her.” Austin could talk about his other half for hours. Y/n never ceased to amaze him. Everything she did just sparkled to him. He still had to pinch himself sometimes, just to make sure that he hadn’t dreamed her up. “Finn also just celebrated his first birthday, and that just absolutely blows my mind. I’d be lying if I said that the wife and I didn’t cry. He got so big and so fast. Too fast for my liking.” 

“Do you like being a dad? You used to be pretty inactive on your social media accounts, but you post about your family pretty consistently. From the outside looking in your life looks perfect. We’re all so happy for you.” 

“I love being a dad and I love being a husband. When you find the person that you want to spend your life with, it never feels like settling. I don’t miss the bachelor days at all.” Austin’s rings glimmered in the bright set lighting as he continued to talk with his hands. “If anything, I’m relieved that they’re over. It’s like I’m just now starting to live my life. These last few months have been incredibly busy, but with the holidays coming up I’m just happy to have a little break.” Thankfully he didn’t have any interviews or shoots booked for the two weeks leading up to Christmas. He was ready to give his little family his full and undivided attention. 

“Do you have some things planned for the holidays?” She asked, setting her cards down. It seemed like they were getting off topic, but the interviewer didn’t seem to mind. 

“Tons, actually. Y/n grew up with fake Christmas trees, so it’s become a Butler family tradition to go and get a real fur tree. Some of our family are going to be visiting, so our guest rooms will be occupied for the first time in a while. She’s been decorating the house nonstop. She’s always been crazy about celebrating, which I appreciate more than she knows. It’s special every year.”  

The interviewer asked a few more questions regarding his current projects, and he divulged all that he could. The small piece of paper was starting to feel heavy in his pocket, and he was beginning to get more and more nervous as the minutes ticked by. Him and his wife had been planning something special. 

One year later. 

Doing it this way felt right. 

“Well it was a pleasure, as always, to speak with you, Austin. Super quick, tell the people where they can find you and what you’re working on.” 

“I’m on instagram. I really only post about my projects and family, so I’m pretty boring. And,” He lifted up in the seat, shoving his hand into his back pocket so that he could pull out a piece of paper to flash at the camera- and his manager who stood behind it. “We’re currently working on baby number two.” 

He watched his manager’s jaw drop as she stared at the sonogram picture, quickly blinking away excited tears. There, in black and white, was a picture of their new baby. “R-Really?” She screamed out excitedly. 

“We’re having a valentines day baby. We wanted to keep it a surprise until now.” 

And after the cameras had been cut and he had been properly scolded by his suddenly emotional manager, Austin found himself eagerly hoping back into his car. 

And just like last year he sped home. Eager to get to his baby boy and his two bestest girls.

@knoxvillesshoes@cosmorant@ol1viam@simply-sams-things@haim80s@gabbcabb@8hgel@slutt4him@busy-bee-angel-misska@kaitaesupremacy@dazedshoon @4rt3m1ss@cryingabtab@kittenlittle24@austinsrealgf@austinbutlersgirlfriend@clearbolts @dark-as-love@anni-secret-account-75@ab4eva@starcatchxr @julietamidala @obbsessivereader@gwuide@blurredcolour@the-little-red-haired-girl@meladollsims@poppet05@shrekstheloml@randomwriter888@idc123sworld@vane28282@mirandastuckinthe80s@girlblogger2002@rockerchick05@screechingstrawberrysong@simpforevery1@girlabirla@dre6ming@obetrolncocktails@fairyjanes@jensenswinchester@lo-bells @in-my-body-bag@fxntxsix@petrparkrslut@eliseinmemphis @lelifesaver @screaching-cookie@fantuhsise@areuirish @bcofl0ve@mslizziesblog@shynovelist@ssstrangersblog @harrysthecraic@hangmanswhore@jyvnho@mymamalife @melodydior

[l-crimson-l]

I'd love to get into girlpla, I'm just a bit too broke to afford any kits; however, if you'd like to talk about it as a whole, I'd be more than happy to hear.

So…let me try this again. I had a whole nice post written up and I swapped off for a moment to check something and I completely lost the post.

Mecha Musume has a pretty long history that I’m not going to go into but here’s a little video if you’re interested.

Now when most people think of Mecha Musume there’s basically one standout line above them all: Frame Arms Girl.

This line is a bit old now but its popularity has set the aesthetic style for the market as it stands now. The build of these are…ok. Kotobukiya was definitely learning with these kits but they’re still solid at the end of it.

Now if you’re like me you’re not too much a fan of the pantsu out look, and other kits in the line don’t exactly do anything to mitigate that feeling (looking at you Durga I).

The next line Koto would release would be better at this tho. The Megami Device line features all original designs as well as collabs from new and old mecha musume brands alike.

First thing off the bat this is that they’re pricey. At an average cost of $70 you’re basically buying a Bandai MG gunpla. That said, they all typically come with a bunch of option parts. These are usually in the form of unarmored limbs, different chest pieces, face plates (with water slides to make your own) and extra connectors to help with kitbashing. Koto also has released option body segments to let you swap any part of the body you might want to if the right option isn’t available in the box (~$12). It should be noted the newest kits in this line have brought the price down to $50 as well as reengineered the build to add a lot more articulation and pose-ability.

Also in this lines favor is the articulation and build quality. You’re going to get a nice range of motion with or without armor and some of the smaller details also sometimes come pre painted.

That said Kotobukiya is a company that favors more complex character design over an Out Of Box experience so there’s some smaller details that are etched into the kit but unless your paints them won’t be color correct. I would say this is pretty common across most Koto lines.

Both the FAgirls and Megami Device are scaled at 1/12 so Little Armory guns and the whole market of 3rd party accessories will work with these kits.

Next up is Koto’s Sousai Shoujo Teien which is simple girls as plastic models

A little cheaper and at 1/10 scale instead of 1/12. I’ve not built any but I do know they can bash with Megami Device and Hexa Gear lines just fine. If you take a peek at the JP girpla community there’s actually a niche but healthy group dedicated to taking nice photos of their kits dressed up in everyday scenarios.

Finally the newest line of Koto girl kits is the Arcanadea line.

Purely in a fantasy take these are Incredible kits. I’ve only built one (Lumitea) but it was far and away a much better build experience than the FAgirl kits. These are actually designed by a vtuber artist iirc which is why the designs are so different than other Koto kit lines. If you have the cash and want to try something different I would highly recommend.

Now finally we get to Bandai. After learning from their failures with the Hg Build Fighters girls they went back and designed something solid and what got me into mecha musume: 30 Minute Sisters

Right off the bat with an average price of around $30 the barrier to entry is much easier. While not as refined as the Megami Device line, these simple kits cram in a lot for the price. You’ll get an armored and unarmored form, as well as face plates. However the biggest selling point is How Damn Easy they are to bash. Being apart of the 30M line means they’re completely compatible with the 30MM line of mechs. Which also means all of those extra weapon and armor sets transfer over for the most part. And that’s not even talking about the dedicated 30MS option sets like hair parts, body parts, etc.

This is a Very beginner friendly line of kits and the place I would suggest most people starting if they’re looking to get into mecha musume.

This example I think uses about 5 different kits to build and I don’t believe any serious modifications were needed.

Another Bandai line to mention is the Standard Figurise line which you’ll be familiar with if you’ve picked up the Sulletta, Miorine or ChuChu kits. Typically pretty solid kits (uma musume excluded, only get the 30ms version of that one) they usually include characters from a variety of different shows. These are still of course bash-able but not without modification.

With the explosion of popularity with these kits means we have even more companies now joining in the race. ATK and MS General have a bunch of kits to offer and we see new companies pop up some really sick looking kits (see tgat Galahad)

We even have Plamax giving us the really cool looking GODZ ORDER kits and soon character kits from Blue Archive, Konosuba and others.

For these smaller/third party companies I would suggest doing plenty of research before buying one. The ATK kit that I made was Especially frustrating and required a lot of extra work to make parts fit right or to clean them up so they fit at all. Not to mention the extra detail work required to really make them look like the box example. Just do your homework.

I hope this helps!! It’s a growing market so there’s always more kits being announced. This should have covered the majority of kits out there but IMPORTANT! Check sites like AmiAmi for sales or resales on kits. You can sometimes find an unbuilt kit that retails at $70 going for $30.

USAGS will regularly get Koto kits in and new releases but by no means believe them when they say a kit is USAGS exclusive. Remember to check HLJ as well. Let me know if you have any other questions and I’ll do my best to answer them!!

[glindaupland]

The Phantom of the Opera | Seoul, South Korea | October 8-14th, 2023 [REVIEWS]

Wow it's about time I posted these reviews that I kept lying about (this week! tomorrow! in 10 years!) Better late than never?

In this post I'll drop a few general things about the production, but the performances are analyzed in my reviews linked here. I recommend reading those all in order since I revisit points about actors I've made previously along the way to avoid repeating myself. Also leaving a disclaimer that these performances are from October so there are some changes in what the actors are doing now (with the exception of Jeon Dong-seok since he left in November) Apologies in advance for my wordiness, but this is more of a "release my feelings for my sake and if anyone else likes it that's cool too" kind of thing? Listen - I wrote a lot of notes on my performances there. So just go in knowing this is the more coherent version of my insane looking notes app!

Before I start I want to thank a few lovely friends who helped me out with this trip because it wouldn't have gone as well as it did without them!

Thank you to @lucygold95 for helping me so much with planning over the past months and for giving me the best time in Busan. Thank you @capitanogiorgio for all the shenanigans we went through and the most special time going to the 1500th and meeting Yoon Young-seok. Thank you to @fadinglandtragedy for the fun talks and the good advice before my trip! The best part of things like this is making friends of course! : )

PERFORMANCE REVIEWS:

| October 8, 2023 | October 11, 2023 | October 12, 2023 | | October 13, 2023 (M) | October 13, 2023 (E) | October 14, 2023 |

STAGE & THEATER

This was as close to the original staging as possible. So I was able to take it in one more (or I guess 6 more?) times post-Broadway closing. The Charlotte Theater is a lot smaller than the Majestic so every view was pretty solid in my opinion, even the second to last row. I took a video of my view from 4th row under the chandelier during the exit music on October 11th so you can see! The angel and chandelier are shown halfway through. I'd say 5th row was almost the cut off for the chandelier drop (that was my spot next day) Broadway seats in this area were always too expensive for me so I'm glad I was able to grab these spots for this production

There were photo zones you can take pics at which you've probably seen. One was a large rose wall, the other was the cute statue of their mascot 오유령. People also take forever lining up for the cast boards for photos and yes I was one of those people. Here's a comparison of the cast boards from the second season (pictures I found when reading old reviews on Naver) and the cast boards now (I forgot to take a photo of one on the top floor though)

I found this review where someone took more detailed clean photos than I did if you're curious about the layout and decorations!

MERCH AND GIFTS

The tickets had these designs! If you booked on Yes24, you received a special envelope and a ticket holder with the face of the Phantom performing for that show

I only didn't receive a second Ju-taek because that was booked on another site - Interpark (bottom middle ticket). I also received paper masks with printed autographs every day I went to commemorate the 200th performance of the run/100th for Seoul and the 1500th overall Korean performance. We used them for the curtain call photos on those two dates (with Jeon Dong-seok then Kim Ju-taek). There are multiple versions of the program book and at the time of writing this I have all except the Daegu one. The first Busan program book was pretty bare and only had the teaser pictures - the same was the case for my Les Mis program book in Busan. -There are different photos in each one, so to me it was worth grabbing them all. My third version signed by Kim Ju-taek is currently on display as you can see below! (The writing says "내 노래를 날게 해 주오 - Make my song take flight") Once again thank you to Lucy for this! 🥹❤️

Here's some of my POTO merch (including a spare cupsleeve from the coffee shop next door, I also had a keyring, but I forgot to show it) RIP to the second program book I sacrificed for scans I still have the pages stored/displayed though! I'm not wasteful! I'll have more to post soon after sharing these reviews

TRANSLATION

Let me emphasize this: my Korean abilities are limited, so don't look to me as the expert on this at all. But I'll still share my notes and perspective as an outsider who's studying The lyrics have changed quite a bit since 2001-2. There are still lines kept or songs that are mostly similar. MOTN had a lot of similarity to 2009-11 even with its changes, STYDI was identical to 2009-11, but Angel of Music was pretty different from even the last season, etc etc. The Phantoms all have unique lines sprinkled here and there, mainly in MOTN (this happens sometimes in Korean musicals). You get some things like random single line changes in some parts depending on the actor or different order/wording of the same lines as well. Just tiny diversions from the script. This is the case for the Christines and Raoul to a lesser extent. Additionally, actors are often permitted to do some occasional improvisation/ad libs. Some unique lines are pretty normal parts of their interpretations now, some appear depending on the feeling of the performance, some are one time only events. I'll mention some of the actor-specific ones and such in their actual reviews, but I have been trying to mark down all of the differences like these for example

Of course, some things obviously have to be adjusted to make sense because of cultural / linguistic reasons. So one example would be the "Wrote...written" line in Notes I. Firmin speaks rudely and informally, but quickly tries adding a more respectful ending particle 요 after Raoul and André give him a shocked 'what did you just say?' kind of look. So "대체 뭘 썼다고 하는 건데...요!" is pretty much like "What the hell are you saying I wrote?" André would look so embarrassed by this each time 🫣

퇴근길 / STAGE DOOR

Stage door doesn't really work the same as it does in places like New York, London, etc. Most of the time if an actor comes out it's more like a quick greeting or chat with the fans. Some actors (not in this case) might sign or take photos in designated spots, but it really depends and it's not so common. It's gotten more restricted ever since COVID as well. 퇴근길 -> "way home from work" is literally what this is called. Dong-seok did wave at us a few times happily after the 200th performance, Gun-ha briefly came out to thank fans after the 1500th while Ceci and I waited to meet Young-seok who had agreed to meet us. I did not have the time (or strength) for the Seung-woo mob, but he usually greets fans after shows.

I literally asked Yoon Young-seok directly on Instagram if Ceci and I could meet him and give him gifts because I figured it didn't hurt to try! When he agreed, my anxiety was not necessarily about meeting an actor, but more about my ability to express my thoughts in another language. But he was truly the sweetest guy and incredibly patient. I think he got that I understood everything he said, but that replying was a whole other challenge. I'm glad I was making enough sense that he was able to get my points and helped me finish sentences if I looked stressed about it 😂 I basically told him I had been planning this trip since the cast announcement because it was too perfect to miss and that I came for 6 shows. I really like to listen to his Phantom on the cast recordings and I thought he made the shows I had seen so far so much fun.

We both said where we were from (the US and France) and he was amazed. He was also shocked when I pulled out my original Korean cast recording (I still laugh thinking about the way he said "와, 세상에!" like "Wow, oh my god!" and enthusiastically took it agreeing to sign when I was mid-way asking him haha) I also thought it was funny when he asked Ceci if she saw his Phantom last season. We wish! But she mentioned she had gone to Busan a few times and he looked very touched and appreciative that we went to multiple performances 🥹 This poor man was tired he signed our things with November (11.13) though and he also spelled Ceci's name wrong first time, but it was the 1500th show though okay. And if he says it's November...who are we to question him? Ceci should also legally change names so he isn't wrong. Anyway, ramble over you can find the art we made for him in this post

OTHER

Here's just bonus fun I had that I will manage to connect to POTO despite it not being POTO because I love doing that. I mean I went because I like these musicals as well (otherwise I would've been foolish enough to go see Ben-Hur but I have, uh, standards for my plots sorry to Park Eun-tae 😭), but it's fun to point out these things. I'm happy to share my show experiences in a different post if anyone's interested in my thoughts on those

Rebecca

I went to see Rebecca, mainly focused on seeing a scheduled date for 이지혜 Lee Ji-hye (Ich) and 장은아 Jang Eun-ah (Mrs Danvers). The whole cast was fantastic. Some Korean musicals have special encore bits they do where the leads sing a part of a song from the show during bows so that was really fun. Unfortunately, we don't get to have fun at POTO like that haha

Lee Ji-hye was in Y&K Phantom as Christine in the same cast as Jeon Dong-seok (Erik), Yoon Young-seok (Gérard Carrière), and Lee Sang-jun (Cholet). Two other cast members in Rebecca were in Y&K as well - 에녹 Enoch (Maxim) who was Philippe and 신영숙 Shin Young-sook (Mrs Danvers) who was Carlotta. Sadly, they had such few shows this season due to a busy schedule, so I couldn't see them (when will trot give Enoch back to musicals). Original Korean ALW Raoul and Y&K Erik 류정한 Ryu Jeong-han was also on rotation as Maxim, but I picked another day for my show so I didn't see him either

Les Misérables

I went to opening night of Les Mis in Busan! It was the Dream Theater, same place POTO played at before. As many of you already know, Choi Jae-rim is playing Jean Valjean at the same time as the Phantom.

I could recognize him easily as the Phantom, but honestly when he appeared at the very start of Les Mis it took me a minute to process that it was him! While I did enjoy his Phantom a lot, I think I enjoyed his Valjean performance a little more. It was only opening night, so curious to see how things develop!

The actor who played Javert that night, 카이 Kai (stage name), was a former Y&K Erik for two seasons too. So many Phantoms!

Frankenstein

On the last day I got to see Dong-seok and Ji-hye once more in a concert for the musical Frankenstein which they have been in together. So have some pics I took without a mask blocking his face!

Ending Note

Thinking back to December 2022 when I said: "Maybe I'll go to Seoul and see Dong-seok once or twice and that's it, I can have my first international POTO" That was funny. That was really very very funny and silly of me to say. 9 performances and 6 of those were POTO! But I'm so grateful and I have zero regrets about it. This is one of the best experiences I've had even if it might look ridiculous to some people to do something like this...I don't care! I hope my crazy essays can help paint a good picture for you!

[handsome-jacks-bottom-bitch]

Alright, let's talk about Easter in November, and by Easter, I mean easter eggs. The Borderlands franchise is chalk full of them, some obvious, some not. I'm gonna go over some of my personal favorites. Note, I'm not gonna go over EVERY easter egg, as that would take all day, so instead, I'll include the others in some future posts.

First easter egg I want to tell you about is in Borderlands 3. It's real easy to find, as it's a whole quest. Ever watch the best movie of all time, The Room, created by the best mind of anyone's generation, Tommy Wiseau? No? What are you doing with your life?

Well, regardless if your cultured or not, Tommy Wiseau makes a special appearance in his own quest "Buff Film Buff", located in Devils Razor. This quest becomes available once you've completed the main story quest "Blood Drive". The whole quest entails you helping Tommy Wiseau, or "Buff", get his film on the big screen for all to see, instead of the Calypso Twins propaganda videos.

Next easter egg is a smaller, more obscure one, but I still thoroughly enjoyed stumbling across it. In Borderlands 2, in the head hunter dlc "T.K. Bahas Bloody Harvest", you can come across a fun egg to classic horror films "The Blair Witch Project", "The Ring" and "Poltergeist". Scattered about the map are three televisions to find, and upon approaching them, little scenes will pop up referencing the films. They can be found in hidden, off the map areas.

You ever watch a movie and at the end, you sort of just sit there and think "what the hell did any of that mean?" Well, that was me watching Stanley Kubricks "2001: A Space Odyssey". So, imagine my confusion when I stumbled upon the all infamous monolith in Borderlands: The Pre-Sequel. If you head to Stantons Liver, search out the cave to the east of the map. It'll be chalk full of torks, so you'll know it when you see it. There will be a little opening towards the back of the cave. Hop in and follow the path, until you find it. The monolith. There will be some enemies in the area, so take them out, and then touch the monolith. You'll touch it about three times, each time taking you to a little area referencing different scenes from the film. At the end, you'll be greeted with a weapons chest, and that all too weird baby in space.

This particular easter egg is probably one the most known ones, but it's also one of my favorites. It first showed up in Borderlands 1, and even made a comeback in Borderlands 2, offering a little challenge if you go find it. I'm of course, talking about the hidden Claptrap of Fyrestone. In the town of Fyrestone, you can climb up onto a little fence when you first enter. Make it up to see onto the cliff, and you can find a green Claptrap unit waving and greeting you. Fast forward to Borderlands 2. Return to Fyrestone and follow the same path, however this time, you can approach the unit. Unfortunately, due to Jack destroying the product line, the Claptrap unit is now dead. However approaching it will reward you the challenge "Hey! Over here!" for 5 badass points. There's also a red chest waiting for you!

Those are just some of my favorites, but I don't want to make this post *too* long, as I could write all day. I'll make posts about other easter eggs in the future. In the meantime, I'm working on a thesis of sorts as to why Handsome Jack isn't as terrible as he may seem, and also a detailed telling of his entire backstory, working through all the plot inconsistencies that have shown up throughout the games.

[jessfastlane]

alright, i'm gonna let autism take the wheel on this one.

i saw a twitter post showing Tessa most likely has a prosthetic arm and i needed to double-check it wasn't an animation error due to perspective. here's the scene the tweet showed and you can sorta see her upper-right arm is slimmer than her left.

its consistent with the upper arm size difference seen here, later in ep 5.

visuals alone dont feel like enough for me tho, seeing as the models tend to warp a lot, especially with Tessa (the animators express her emotion through more exaggerated movements). you can see her neck is really long in this one frame, for example.

also some frames dont look definitive enough to call

but there are other, smaller details that line up with this theory! for example, the chain in her bedroom is attached to her left arm. if her right arm is prosthetic then she could just remove the arm if the chain was there but her parents would know about that.

she also throws with her left arm which makes sense

she holds the gun with her right hand in two scenes which is interesting to note, but she can clearly use her fingers on that hand so its not a big deal

there's probably more i missed but thats all i noticed.

in conclusion, uhhh, im autistic and like this show.

side-note: i'm 100% convinced that we wont see Tessa without the silhouette effect. humans are hard to animate and i imagine the team wants to avoid an uncanny valley situation, plus it keeps the style consistent.

my theory is that the effect is intentionally built into the drones' visors. it's shown to be glitchy, like the humans were digitally removed from the shot, and lore-wise it could be a privacy feature for humans that don't want their faces constantly observed by sentient recording devices. like, we see in ep 1 that N records memories in a video format, so national laws surrounding the recording of people without their consent probably applied back on Earth.

[scummy-writes]

How do you deal with writer's block? How do you execute ideas even with writer's block?

ohhh this is a good question. I may not have good answers.

It may depend on the type of writer's block you have, as I feel like there isn't just one singular over-encompassing type.

Sometimes, the writer's block is having all the inspiration, but nothing is coming out. This one plagues me the most because 90% of my fanfics and similar nowadays are just me daydreaming 24/7, and writing some of those daydreams down. Like a lil movie in the background. In theory I could write so much, but I struggle with actually putting pen to paper and considering the actual word choices used.

What I end up doing here is read or....write.... So the reading I try to find a published book that is different from my usual writing style and removed from fandomism, this is to personally help me distance myself from fanfic a little, to see how the pacing in a longer piece may be- which can help with learning to describe 'smaller' scenes and movements, or see how the writer handles scene transitions and similar. And, well, I read! And when I'm reading, I will usually pick the writing apart.

"I really like the way the writer described this movement, how could I describe that in my own words?" , "Wow, you can see how these last few paragraphs built up the foreshadowing for this turn of events, lets break down how they did that." , and... well... sometimes it does turn into "Yikes!! I really dislike that!!! If I were to rewrite that in my own way, how would that go...?"

And I've found that I often struggle to finish books, because I'll get that train of thought going so much that I'll have to put down the book to actually write.

Another thing I will do is that I will open up a wip, have it in a window taking up half my screen, then open a blank document to put on the other half, and rewrite everything word for word. This often helps me catch mistakes, odd sentences, and similar, and it's an easy way to simulate actually being able to write without having the 'blank document woes' where I'm too scared to defile a blank document. I find that once I get in the process of this with some good music, once I catch up to where my wip left off, I've rewritten a few sentences or added in more details I thought of with a fresh mind, and I'm able to go past where I initially left off.

(thats how I set up the screen)

If it's the type of writer's block where you have NO ideas, no will to write and only the vague *want* to write............ you may need some rest. A lot of people talk about social batteries, on how people need to recharge after a social function with some alone time or similar, and then their battery feels recharged! well... You need to do that for creative outlets as well!! You need to make sure you're taking care of your body, and also your mind. Recharge your creative mind by reading, watching, and listening to new or old and beloved things! Play a fun video game with a story that's interesting to you, read a cheesy romance novel, maybe even just clean some dishes and daydream as you do so. Once you remove 'gotta write gotta write gotta write gotta write' from the equation, and chilling out a bit, you end up getting inspired again after a while.

Typically with this one, I will end up writing notes that are very. bland.

So... if it's neither of those, or you have tried a lot of these things, then my next advice would be to try some basic writing exercises. Look up prompt lists, try to write the first thing that comes to mind when one catches your eye- i dont care if it's shakespeare or dahl, you just smack it down on paper. Much like drawing, you gotta do warm ups with writing! it helps a lot when you're stuck! If prompts don't work, move on to rewriting a classic story scene or story in general with your favorite characters, think about how they would act in the situation instead and rewrite it. If its fanfiction, look at some of the events in the game or routes, rewrite it with you or your mc, or how you wished the route/event went instead. write with friends! have friends send you prompts or detail a vague outline for you and try your hand at it!

If it stems from being too embarassed to read what you're writing.... turn the text itty bitty and just Type, to where you ignore what you're seeing and are managing to get words down. You can always make the text bigger when you feel less embarassed!

That's what I can offer off the top of my head!! I think there are plenty of more tips than this that exist out there, absolutely, so maybe some folks reading this might be able to offer to explain what helps them!

[mauesartetc]

Here's a comic strip I drew, featuring a crossover between two vampires from the video game Vampire: the masquerade-bloodlines, and professor Polidori from the cartoon "school for little vampires". I drew it for a comic strip contest. Can you criticize it from the perspective of comic strip formatting and art in general?

Cool! I whipped up some notes and will elaborate further on each panel.

Panel 1:

We have a decent angle for an establishing shot, but there's so little detail in the background that there's not much to establish. By the look of the booths, the vampires appear to be in a diner of some kind, but where are they in the diner? Is the booth located against the wall or against the windows? For that matter, is this table the only one in the diner? Where are the other tables? Where are the other customers? I'm not the biggest fan of drawing backgrounds either, but a bit more specificity and clarity would be nice. Also, if each panel had more detail, it would help if the gutters dividing them were thicker so they didn't just blend into each other.

I also noticed that the bottoms of the seats don't line up in perspective, and neither do the tops, making the left seat look way shorter than the right.

For the rest of my panel 1 notes, here's a visual explanation:

The long-haired vampire's attitude didn't appear to fit his words at all. His dialogue seemed to express boredom, but his pose and expression gave him a more alert, mischievous look. If we removed the speech bubble, viewers wouldn't be able to correctly guess what he was talking about. Thus, my version displays more visual clues that he's bored.

In addition, it can help to write out text before sketching a box around it, and sketching an ellipse around that box, making it big enough so the corners don't touch the edges. This ensures the text has enough space to "breathe" inside the bubble. Once these guidelines are established, it's easy to type comic text and create clean outlines on top of it.

The same principle applies for the speech bubble in the next panel.

Panel 2:

In the initial notes, I suggested using a different camera angle for this panel, and the above image is what I had in mind. The perspective the original Panel 2 uses is nearly identical to Panel 1, and I don't see the point of hiding the professor's face here. It'd make sense if the big reveal of his identity was the punchline at the end, but the punchline appears to be that the vampires finally found some entertainment in beating him up.

I kept the professor in the center of the frame since it visually draws attention to him, but he's much smaller than the vampires in this perspective, indicating that he's not much of a threat to them. I made the bubble outline jagged to make the implied volume of his voice "louder", and shortened his dialogue to omit the final three words. Panel 3's existence shows some time passing between what he says here and him getting beat up, so it doesn't make sense to abruptly cut off the end of that sentence. If you want to keep the dialogue as it is, you could cut out Panel 3 entirely. But if you want to keep that panel, let's take a look at it.

Panel 3:

This version of Panel 3 is still a straight-on view of the vampires sharing a smile, but because I drew the table outside the panel, they're more believably spaced apart. Their faces could only be as close as they were in the original if they leaned across the table.

Alternatively, you could go with a different perspective:

The characters' faces are still visually spaced close together, but the size difference caused by the perspective adds more visual interest, and we see that the table is still separating them.

Panel 4:

Not much to say about this one outside of the initial notes I took, so here's a refresher.

Hope that helps!

Important: New policy for art asks

[dawnexpanse-central]

Infrequently Asked Questions

What is the Dawn Expanse, and why does it exist?

The Dawn Expanse is an aroaceagender worldbuilding project created by @roguetelepaths.

It can best be described as an act of radical imagination— if we only ever see ourselves as outsiders in an allonormative, amatonormative, binary world, then we have no choice but to accept our marginalization. If we build worlds with ourselves at the center, we can become confident enough to center our own needs and aims in this world.

Queer worldbuilding projects of all kinds are important and often neglected tools of empowerment, and this blog would love to connect with others running similar projects.

What do you mean, "aroaceagender worldbuilding project"?

The Dawn Expanse can be loosely compared to Aristasia (though without the reactionary and imperialistic overtones of that project) — a femme lesbian subculture based around a fantasy country where femininity and relationships between women were considered not just default, but a fundamental law of nature. I should note that while this subculture has been made up of people with varying and often abhorrently conservative political positions, it no longer really exists and those I've seen talk the most about it these days are mostly left-leaning trans women. There is no real-world subculture based around the Dawn Expanse, or at least, there isn't one yet, however, the basic principle is the same. The Dawn Expanse is a world in which everyone is aroaceagender. More precisely, it's a world in which gender, sexuality, and romance never had a reason to exist, and therefore do not. The project aims both to provide comfort to those who have the specific experience I'm representing here and to explore the unique social structures of such a world.

So do you hate gender/sex/romance, or people for whom those things are important?

If this blog was devoted to cat videos, would you ask me if I hated dogs?

I'm not aro, ace, and/or agender. Can I read this?

I'm not a cop.

I'm not aro, ace, and/or agender. Will I enjoy this?

I don't know. Will you?

Are you some kind of aroaceagender separatist?

No. The number of different experiences under each of those labels, the incredibly small subcategory of people who fit into all three, and the even smaller fraction of that group that experiences their identities in the same way I do would make an honest to goodness real-world "aroaceagender separatist" position both a laughable one to take and an impossible one to execute.

I am, however, an aroaceagender person who prioritizes my relationships with those who either share my experience or are willing to show that they respect and affirm it.

If the Dawn Expanse doesn't have 🌶️🌶️ spicy romance 🌶️🌶️, what does it have?

Literally everything else? Idk man, is your world so narrow that you think a piece of art has to have that to be interesting? You've got BookTok, 99% of AO3, and many, many sites specifically devoted to written erotica if that's what you're after. Let the rest of us have one thing.

But to answer the question in more detail, the tone of the Dawn Expanse aims to be tonally similar to animated series such as Steven Universe, The Owl House, or She-Ra and the Princesses of Power in its approach to balancing interpersonal conflicts with higher stakes world events. Thematically, it aims to explore community bonds, sense of place or lack thereof, and the false dichotomy of order and entropy.

Can I write my own stories in the Dawn Expanse setting?

Yes! I'll be writing a more detailed post about what to consider when doing this at some point.

Can I run a tabletop campaign in the Dawn Expanse setting?

Absolutely. In fact, one of my eventual goals for this project is a system-agnostic RPG setting guide. (Though, knowing me, it'll probably be biased towards the Cypher System, my favorite do-it-all RPG ruleset.)

You're really mean in some of the replies to these imaginary questions. Why?

I'm tired. That's why. The good news is that if you actually take the time to talk to me in good faith, I'm not nearly this much of an asshole. So the rudeness is probably not directed at you.

[the-autistic-duck-fan]

Alright, first analysis and we're starting with Season 1! Also I'm still finding my style, so sorry if my analysis seems strange.

I quite like season 1, it's a great start to the incredible legacy and franchise that it would become later. There's definitely some awkwardness and growing pains to it, but there's bound to be, it's season 1. And there's still plenty to like about it.

Season 1 is actually a bit hard for me to talk about. (I've tried to write this analysis three times). I'm not 100% sure why this is, but I'm trying my best here without copying others.

First thing I wanna get out of the way. I like both the Ringo Starr narration and the George Carlin narration for this season. I actually grew up with a bit of both. I can't say I think one is better than the other, they both have their own feel and their own strengths in my eyes. Ringo's monotone also makes me laugh in some spots. George Carlin does a good job of giving characters different voices.

Watching it, you can tell they definitely weren't used to the models yet. Things are more static and less detailed in this season in comparison to the following seasons, but it's not bad. They just needed some time (and a bigger budget) to improve the sets. Another interesting thing is the way it's shot, oftentimes with objects in the foreground and engines in the mid or background. I don't know why it's shot this way, but it's not bad, it just caught my attention. I'm no expert on cinematography though, I can't explain it. It kinda feels like photography sometimes (I mean, I know videos are just many pictures being taken all at once, but still), especially with the more limited motion for the season. I think overall they managed to balance it between taking enough time to tell the stories and moving along enough to keep the children's attention, seeing as the show continued on for a long time.

Another thing I like are the mini arcs for the characters. The one that stands out most to me would have to be Henry's. I actually didn't like Henry as a child and I don't really know why. Now that I'm older, I can relate to him actually. Not in the first part of his arc where he's afraid of rain and goes into tunnel, mind you, but once we get to the second part of his arc, where he needs special coal and needs to be sent to crew. I am someone who struggles with chronic pain and autism. I spent a lot of my life being told that I didn't try hard enough or that nothing was wrong with me except me being lazy, much like Henry. (I've learned to cope much better now, thankfully). Seeing Henry get the support he needed just felt nice and I was rooting for him (despite the fact I know exactly how his arc goes). I've heard others say that The Flying Kipper is their favorite episode and I have to agree.

Another smaller arc I like are Gordon and Thomas' shared arc, where both end up in disgrace and the two agree to work together. It ties up the season in a nice little bow, since the season started with Gordon teaching Thomas a lesson.

James' introductory arc was the one I remembered watching the most. I also remember his rather snazzy theme very well. James was my first favorite character. James entered with a spectacular crash and through a few misadventures learned his lesson. (Well, somewhat, but not really). Despite how many times I watched the James episodes, I don't have much to say about them.

I used to never think much about Toby, but I definitely like him more now that I'm older. He's kind and polite, but also takes no shit. I also like his musical theme.

For now, I don't have much to say about Percy, but I'll definitely have more to say about him later on, since he was introduced late into this season. I just wanted to make sure to note that I didn't forget about him. I do like his cheek though, like when he calls out Gordon for saying he's never had an accident or scares Henry with his wheeshing (is that how it's spelled?)

Season 1 overall is a good start to the series. It's definitely iconic and has made a lasting impact. It's not my favorite season, but it's always fun to revisit. Hopefully I could do it some justice here. I actually enjoyed this analysis, even if it took three tries to get anywhere.

[sims-n-blurbs]

I'm gonna discuss some things about the inZOI content coming out - demo play though, build mode demos, and my own demo of the character creator - as well as some of my thoughts about some concerns I've seen folks mention from their own playthrough.

From a money perspective:

In the demos I have seen in both play mode and build mode, inZOI has features and content that EA has put into multiple packs. I'm sure if I went back and looked more in depth, I'd find more. In my run through, I noted ten (10) different EA packs that come as a base-game feature for inZOI.

Get to Work - interactable jobs, it isn't just a rabbit hole every time.

Seasons - there is rain, snow, and windy weather from the jump (and while I haven't seen the leaves change to signify fall in any demos, I'm guessing it'll eventually be built in)

High School - the pier carnival is built into inZOI's Bliss Bay, which is modeled after Santa Monica in California. And the roller coasters and rides are all interactable, with first-person POV so you can "ride the rides" with your zois.

City Living & For Rent - while I'm extremely peeved on my own that these two packs are so far apart in their release from EA anyways, inZOI is creating a city map from the jump, modeled after Seoul in South Korea. From what I can tell from build demos, we'll be able to build our own apartment buildings from the start as well, or edit ready-made buildings.

Smaller packs and kits that come as a base feature is Cool Kitchen, Chef Hustle (or whatever it's called), Bust the Dust, Laundry Day, and many furniture items from Dream Home Decorator (it looks like we'll already have some sectional sofa options).

From a live-mode perspective

I am in the inZOI discord, and I have read through the developer's notes and discussions with the inZOI audience. The developers and designers are taking feedback to heart and are doing a lot in terms of UI design and connectivity in the open world to give players an opportunity to really shape the world they choose to play in. My understanding is that the characters that you don't play will have more independence (comparable to sims neighborhood stories?) and how you have your zois interact with each other will affect the overall wellbeing of the city you manage.

For now, you are limited to choosing one city per family and being stuck there, I haven't seen any gameplay that allows your zoi family to "move out of city" or "move internationally," but that's not to say that the devs haven't thought of it. They could have limited features for creator demos to reduce strain on computers, stress on the game, etc.

It does look more immersive for folks who really care about gameplay and character storylines, I recommend you keep an eye out for gameplay demos (the ones I've been watching can be found here.)

From a build-mode perspective:

I am a builder at heart, I always have been. I really got into building back in the sims 3 and sim city 2, and the sims 4 has been great, for the most part. But I'd be lying if I said it's perfect, and the inZOI build mode looks really promising.

That said, I watched build videos from both a builder and non-builder to get both perspectives on the inZOI UI and build mode features. I am also an interior designer with the intent to get a masters degree in architecture, so I know how to use the tougher programs like AutoCAD, Revit, etc.

The influencer who was a build-centered content creator loved the UI of build mode in inZOI. She did mention some features that caused her to pause, like slightly floating doors off the foundation or deck planks that wouldn't perfectly match up. However, she did find easy workarounds to still create a beautiful test home.

The influencer who was more story-based content and less about building had a more difficult time with the build mode, and I can understand why. The build capabilities are more detailed and customizable, which became overwhelming for her as she tried to navigate some of the features. She did have a hard time placing roofing and bannisters for the space around stairwells, but she hoped the devs would see her feedback and make some changes to help with the additional challenges she had and ease of use for future players.

Features in build mode to note:

We start with four full wall heights and four half-wall heights. It is easy to change the walls with half-walls and vice versa, but to put a bannister you'll have to delete the wall first.

Stairs can be rotated in several ways, and we start off with several variations of ladders (jury is out on if we'll get spiral staircases at game release T_T)

Tons of landscaping items and also home decor items. TONS OF CLUTTER.

You can edit the world (to an extent). For editable buildings and lots, it splits into "edit lot" or "edit sidewalk," but I'm unsure how far the "sidewalk" portion will extend past whatever lot your zoi is going to.

I haven't seen features yet that will allow us to scale items or raise/lower them like with the Sims; however, we do get full customization of furniture finishes, fabrics, and you can even upload your own patterns and artwork to place in frames, create cushions, etc.

From the character creation perspective:

I downloaded the free demo that is up on Steam right now, but will disappear after the 26th. Even from the limited things you can do in it right now, the previews of what's to come are INCREDIBLE. I am someone who loves the Sims for its cartoonish style, but also really loves the immersive realistic style of Cyberpunk 2077. I believe that inZOI will scratch the itch of both games for folks like myself.

The customization capabilities of the face, ears, and body easily rival the sims (EA's eyelash update be damned). The skin texture, nail options, makeup features are all stunning examples of how inZOI is taking the challenges that EA refused to acknowledge for years and is making it a standard moving forward. And that's just the little things.

InZOI has incredible skin tone diversity, but the hair options are a bit lacking. I'm hoping that there will be more options at the release of the game, but I did notice that POC, particularly black folks, seemed limited in hairstyles to match the texture, weight, and depth that their hair has. (I saw a curly-ish shaved head, dreads, and "curly adjacent" as the three options closest to black hair, but it felt like they could have more)

The blush and blemish options were combined for now, so you could have blush with no or few blemishes like freckles, or blush with freckles all over the face. I would love to see these separated somehow and expanded slightly for a more personalized approach, but I understand for demo and release purposes why they would combine them.

Let's talk about the generative AI

I'm a bit confused about this feature, and here's why. While I am very opposed to AI, I did attempt to use the feature once while trying to create a plaid pattern for a skirt I was trying to customize for my zoi. However, the AI couldn't function, blaming it on my computer's processing power (or something adjacent? I'd need to go back to get a screen grab of the original message). This seemed a little absurd to me, as my computer can process much larger programs and files than the creator demo, without issue.

From other content creators I've seen, they haven't had much luck with it either. The AI is super rudimentary and clunky, with many folks are opting not to use it at all while in the character creation mode or in build mode. In my opinion, I think the AI will continue to be a bad feature until enough players use it that the AI can actually learn from requests the players make and improve. And if not enough players interact with it, then it will continue to be bad.

My hope when this game is released is that it can meet the expectations we all have had for the Sims 4 for the past couple of years, while also lighting a fire under EA to improve and stop using an otherwise good game as a cash cow for their own financial gain. The Sims 5 has the potential to match what inZOI is accomplishing now, so long as EA doesn't lose the fanbase they have left to inZOI. I think there is a place for both games to exist peacefully - I know realistic gameplay isn't everyone's cup of tea, and there will be folks who continue to play the Sims because it is an established franchise and meets their expectations. But if the release of inZOI is as promising as it appears, I will most likely step back from sims content until it meets my expectations for simulation games.

In regard to the weird fucking comments about people not trusting the game because it's a Korean dev company, I don't want you to play the game anyways if that's your attitude towards it. Those comments are so unnecessary and disgusting that you can stay away from the inZOI community. I don't even want to engage in conversation with you people personally, I'll just block anyone I see saying shit like that.

If you made it this far, thanks for reading all of this. I appreciate your time.