#i'm so in love with the direction they're going in here

[saikenakoego]

Said I was gonna do this later so here I am!!

I know nobody asked me but I'm gonna do it anyway. Because who's gonna stop me? Someone asking?

Hah!!

Im gonna do this with ALL my OC's. Because I can, and because I love all my little creations!

Starting with my currently favorite vampire gal!

Samantha Morales, a.k.a. Sammy Moors

vvvvvvvvvvvvvvv This gal vvvvvvvvvvvvvvv

With direct answers from the girl herself, for extra cringe roleplay. My favorite.

1. Do you sleep with a stuffed animal? If you have multiple, who's your favorite?

SM: I do sometimes. To try and remember what it felt to be human.

...

My favorite is my little green bunny. His name is Jacques.

2. Can you take care of a plant? What about a pet? Or a child?

SM: I can. But how well I'd do, can't tell. Being undead messes with your head a lot...

3. Can you describe your love interest?

SM: I could if I had one. Or if I could feel love. Or anything at all.

4. Do you look good in red?

SM: ...

SM: I prefer pink.

5. Speech, speech, speech! Will you give one? And what about?

SM: No. That kind of self-centered talk is for bloodsucker scum. You wouldn't catch me dead doing something as pretentious as that. They think they're so high and mighty, that they're superior to everything else. That they can take what they want and we'd never do anything about it. But they're nothing but insects, hiding away like cowards in the shadows while feeding off others like leeches. Disgusting and pathetic, weak little creatures unable to keep living by themselves. Parasites. Just the sight of them makes me want to rip them apart limb by limb, making them scream in agony as the life they've stolen leaves their body drop by drop, scurrying away and pleading for mercy as I crush their every bone to--

6. Who will you take advice from? And who WOULDN'T you take it from?

SM: I don't think anyone can really give me any advice that matters, but if I had to choose... Maybe Johnny. Kid's got a good head on his shoulders when it comes to the supernatural. Not like I need it though.

SM: But I'd never take advice from Silver. Too impulsive, and I already have me to worry about.

7. Describe yourself in three words

SM: Monster. Disgusting. Unsightly.

8. Do complex puzzles intrigue or frustrate you?

SM: I hate puzzles. Wastes of time.

9. Do you empathize with non-sentient things?

SM: More than empathize, I envy them. I'm already unable to feel anything, at least they get to not think about it either.

10. What age do you want to be the most right now?

SM: I wanna be 13 again. Go back to when everything was okay...

11. You won the lottery. Spend, or save?

SM: I dunno. Maybe spend? We do need more silver rounds...

12. Do you like romance in the books you read?

SM: I... I think I used to like it? I can't recall...

13. Name one thing your parents taught you.

SM: Family is everything.

14. Would you agree with the term 'guilty pleasure? Do you have any?

SM: I won't give in to it. I won't, no matter how good it smells. How delicious its crimson gleam looks. How it makes my mouth water at the mere thought of it, I won't. I won't. I won't I--

15. What would you consider a waste of time, other than school and work?

SM: Anything that's too complicated. I have all the time in the world, but every second I waste is another second they live.

16. If money wasn't a limit, what would you wear?

SM: I'n fine with my outfit. I think Silver would be someone better to ask this to.

17. Do you like children?

SM: No. They wound too frequently.

18. Kissing: Tongue or no tongue?

SM: No kissing. That's disgusting.

19. Do you study before tests?

SM: I haven't done any tests in 2 years.

20. What do you like that nobody else does?

SM: Rare meat in burgers isn't too bad... Don't tell Johnny I said that.

21. What would it take for you to break up with someone? What would be the last straw?

SM: Being a bloodsucker. Even if I can't feel anything, that's an immediate deal breaker.

22. Do you like being called pet names? Do you call others pet names? What's your go-to?

SM: I don't, but people have been calling me Sammy or Moors for so long that it feels weird when they don't do it. Old habits die hard, I guess. The only person I have a nickname for is Silver, and that's because he insists on being called Silver.

23. Stability or novelty?

SM: I've had my fill of novelty for a lifetime...

24. Honesty or charity?

SM: Honesty.

25. Safety or possibility?

SM: Safety.

26. Talent or effort?

SM: Effort.

27. Forgiveness or vengeance?

SM: VENGEANCE.

28. Would you date a fixer-upper?

SM: I'd rather not date anyone right now.

29. What recurring dreams do you have?

SM: The blood, it's everywhere... I'd rather not talk about it.

30. What would you do if you knew it would be forgiven?

SM: I... I'm not gonna answer that.

oc asks that reveal more than you think

Do they sleep with a stuffed animal? If they have multiple, who’s the favorite?

Can they take care of a plant? What about a pet? What about a child?

Ask them to describe their love interest.

Do they look good in red?

Speech! Speech! Speech! Speech! Will they give one, and what about?

Who will they take advice from, no matter what it is? Who won’t they take advice from, no matter what it is?

Describe them in three words. Now let them describe themself in three words.

Do complex puzzles intrigue or frustrate them?

Do they empathize with non-sentient things (dolls, plants, books…)?

What age do they most want to be right now?

They’ve won the lottery. Spend, or save?

Do they like romance in the books they read (or in the book they’re in)?

Name one thing their parents taught them.

Would they agree with the term ‘guilty pleasure’? Do they have any?

What would they consider a waste of time– other than school or work?

If money wasn’t a limit, what would they wear?

Do they like children?

Kissing: tongue or no tongue?

Do they study before tests? Practice before job interviews?

What do they like that nobody else does?

What would it take for them to break up with someone? What would be the last straw?

Do they like being called pet names? Do they call other people pet names? What’s their go-to?

Stability or novelty?

Honesty or charity?

Safety or possibility?

Talent or effort?

Forgiveness or vengeance (or…)?

Would they date a fixer-upper?

What recurring dreams do they have?

What would they do if they knew it would be forgiven?

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[dirtyzucchini]

I was chatting with @sammags and @syrupmap about Frannie's German Suitor from Dead Men Don't Throw Rice earlier (have you noticed he bears an uncanny resemblance to Canadian actor Paul Gross?), and the question came up: "Zucchini, how is that guy's German?" and the answer was, of course: "ATROCIOUS, thank you!"

So, let me count you the ways in which those lines at the end of the episode are clearly supposed to be German, but were not influenced by anyone who has anything more than a passing acquaintance with the language!

Line number one:

What they're trying to say:

Their German translation and why it's garbage:

"Da komm ich nicht drauf was ich sagen."

This first line is almost a sentence, only it's missing a part, it means something else than they think it does AND it's just not something anyone would say. "Da komm ich nicht drauf was ich sagen" is like… if someone said it to me I would think I knew what he meant, but I would also think he used a bad translation app or something. Unfortunately, what I would think he meant would be "I have no idea what I'm supposed to say", which the astute reader will agree is NOT what they where going for here. A good translation would have been "Ich verstehe kein Wort", a more direct but not quite idiomatic translation would have been "Ich habe keine Ahnung, was du sagst", but neither of those happened. Aside from that, his pronounciation is... not horrific, but he would not be mistaken for a native speaker.

Line number two:

What they're trying to say:

Their German translation and why it's garbage:

His pronounciation of the first half of that sentence is so bad that I can't for the life of me make out what they're trying to say. Listened to it twenty times at least, can't do it. The second half ("Ich kann keine Englisch") is almost correct - it should be 'kein' instead of 'keine' - but it doesn't sound great. While it is idiomatic, a closer and still perfectly normal translation of their line would have been: "Ich spreche kein Wort Englisch."

Line number three:

What they're trying to say:

Their German translation and why it's garbage:

"Sie Chicago-Mädchen sind merkwürdige." Oh boy, where do I even start? A native speaker would probably phrase it as "Chicago-Mädels sind komisch" but only because the construction we would normally use only works on place names ending in a consonant. For, say, Berlin we would say "Berlinerinnen sind komisch", but 'Chicagoerinnen' is impossible to say somehow. So normally the word 'girls' would not appear in the German version of the sentence, but we would likely make an exception for Chicago. We would not say Mädchen because it mostly refers to children and teenagers; Mädels is the word to go for when then girls in question are adults. Then there's the thing about "Sie" - while that's one way to translate 'you', it's the word used in direct formal address of a single person, so it's right out in this case. A fairly direct, but not quite idiomatic translation could be "Ihr Chicago-Mädels seid merkwürdig", only no one uses merkwürdig like that. Last not least, his pronounciation is not great here either.

Line number four:

What they're trying to say:

Their translation and why it's garbage fine actually:

"Ich muss jetzt gehen" - solid translation, solid delivery. While he doesn't sound like a native speaker, he definitely sounds like a guy who's been learning German for a while.

BONUS:

This made me laugh because he said it in English and they put the German in the caption. Solid translation again!

Thank you for coming to my TED talk! In conclusion: these lines were written by a bunch of people who took German in school for a year, then pooled their vague memories to create this. It's weird and funny and I love it, actually!

[laylanightingale]

Broken-Smitten Parallels

Ok, so we do see how my beloved fits Smitten in the Tower. Devoted, loving, nigh-impossible to talk out of that "delusion". Although the leader-follower position is painfully reversed.

We all know (or may have a hunch) that Fury for the Broken is like Burnt Grey for the Smitten. They're both going through a lot of grief due to having lost their beloved at our hand. The Broken, however, instead of redirecting his anger to just one Voice, calls out the entire gallery ("heathenS"), which could show him as being more emotional and less selective about it (Smitten calls out The Narrator, then the Cold and then the Hero). He also is less confident in this regard, needing a coping mechanism and sending out less than credible arguments ("It didn't even work, it doesn't count." regarding the stabbing attempt). They both hope for their beloveds to be alive to... "salvage things". Clearly not in the best of states, both of them.

Come Apotheosis and the Broken starts defending his Lady ever so vigorously, even disregarding his teammates. He also sounds a lot like Hamlet intonation-wise as he panics ("It's just a fluke, an accident, that's all!") Mate clearly stands with Her, but unlike Smitten, he can at least be convinced that it's his Lady who's bad, not the surroundings or partners. Smitten won't have this nonsense, it's the vile Narrator's fault.

My mind is getting hazy, since I'm about to write the part that I love. Fact is, Broken can't just be convinced that Apo's bad. He understands the fact himself. How do I know this? If we listen to the dialogue before that, my boy sounds like his normal self, squealing slightly higher as Apotheosis wrangles his hooves, but should we choose to [Fight back], after the Paranoid and the Hero have chimed in in their usual demeanors (for the route) the Broken sounds like:

A. He just got the coolest idea ever. In secret.

B. He's proven a hidden hunch to himself.

C. He's finally fed up with Apotheosis' shit.

The sudden change of intonation shows that something inevitable has clicked inside his brain. Like he has understood the gravity of the situation. And I mean gravity, because his voice from there on, countering the physical pain, gets extremely deep.

The Smitten's voice upon Damsel's death gets higher instead, showing that the poor guy has just witnessed a murder (to my beloved's credit, he barely had time to react to his). Hamlet's crying, partially rasping his lines out. In Burnt Grey he turns into a deep grumpy gus... unless he's thinking his beloved's alive. On a physical level.

With the Broken, the gash is much, much deeper. It's mental now, the realization that the one he's been protecting and adoring this whole time would do something worse than hurt them all. To escape alone. Leaving th-- him behind. That is much, much worse than Not Good with Rejection. And it's hella justified. So as Smitten fluctuates from deep hatred to excited chirping, Broken stays down, likely a true bass. Growling like a guard dog ready to pounce any second now.

One final detail I want to notice is that Broken also wants revenge and actually does it, but unlike Smitten, in Her direction. He keeps saying he wants to "show her how we've felt", trying his damndest to keep himself in check, his sanity slipping. The Smitten, on the other hoof, unleashes a barrage of insults, prompting the Hero to be the therapy dog - here though, no therapy is needed. The damage has already been done and the retribution awaits... her.

And as I listen... I notice something weird. Is it just me or Brook is gasping for air the entire time? What's wrong? Is he being super overwhelmed with emotion and holding back a ginormous scream? Or is he... crying? [Was that the breakdown I was looking for?] The Smitten definitely did cry as he mourned his Damsel on the spot and swore revenge to the gallery. Here tho, it sounds much more mise-- no. Forlorn. Betrayed. Abandoned. Bereft. Those are exactly the passions, echoing in the depths of his bereavement that we wanted to hear in the Smitten... we get to hear them here. Like it's the final call. Like it's the end of the line just for them both. She's dead to him. They're through. Forever.

The abused finally stood up to the abuser. No other party wants to see each other no more. Especially, the abused. Nothing even to tell her in return to her apology, because never will it ever be accepted. It's over.

I... can't but bring my condolences to my best Voice as a recent divorcee and... that's exactly where I see the deep, profundo beauty in him.

Discussion open. I apologize for the wall.

[grinchwrapsupreme]

for a show that's fundamentally about family it's weird that we've never heard even a passing mention of Pete White or Dr. Mrs. The Monarch's families. Like we saw Sheila's wedding and her family wasn't there, and you can't tell me Rose hasn't asked Pete about his mother at least once. We know more about Brock Samson's family than theirs. Hell we know more about Underbite's family than theirs

[ruvviks]

"Colton and Akiyama have a long and rich history, having worked together for Arasaka since their early twenties— Colton as director of the SERPENT projects and Head of Special Programs, and Akiyama as recruiter and quality control manager across all of the corporation's Night City facilities. The two disliked each other from the start and from an outsider's perspective only rarely saw eye to eye; but if anything their rivalry was a challenge, a way to keep each other sharp, and one of the only ways they could have some fun in the megacorporation's grasp. Years later, the two reunite at Club Bodytalk following the incident in spaceship Elysium and the fall of Cobra Cybernetics. Surrounded by the victims of the projects they once ran, their heads are forcibly turned into the direction of their past mistakes— their guilt connects them and it forges a bond of understanding they can't get with anyone else, and while they cannot erase their past they can ensure that no one else ever has to go through any of that again." ↳ andy belongs to @mojaves, template here [x]

taglist (opt in/out)

@shellibisshe, @florbelles, @ncytiri, @roseeway, @stars-of-the-heart;

@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;

@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;

@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree;

@kanos, @swordcoasts, @ordinarymaine, @claudiawolf

[panharmonium]

Hi! I love your Naruto thoughts and meta posts with all my heart and I want to ask your thoughts on something that has been on my mind literally since I was 13: what do you think about the relationship between Sasuke and Sakura? I went from being a hardcore shipper when I was a teenager, to being against any romantic relationship in Naruto after finishing the anime when I was in my early twenties. Nowadays I'm very into platonic love and depictions of friendship and I think the anime's obsession with forcing the "romantic interest" curse upon the main female character robbed us of... so much. There are a few wonderful moments in the anime where Sasuke and Sakura acknowledge each other, but because she's always "the girl with the crush", her actions are so often interpret as irrational or selfish by the fandom.

Hi @riemmetric!  It's great to talk to you again! Sorry it's taken me so long to answer this; RL has been making demands of me lately and it took me way longer to finish writing this up than I wanted it to (then again, I knew from the minute I read your original ask that my reply was going to get long, so I suppose I should have predicted a delay XD)

It's funny, my sister once asked me to choose between Sasuke or Sakura for an “unpopular opinion” meme, and I ended up doing Sasuke solely because I think the negative fandom opinions about Sakura are so unhinged and divorced from the actual text that I wouldn’t even know where to start.  People are entitled to dislike whatever characters they want, obviously, but there are some fandom takes that are, for me, so obviously rooted in bad faith viewings/readings that there’s no urge in me to discuss them.  That said, since you asked, I’m happy to go into my own thoughts on this a bit, with the disclaimer for other potential readers that I only write about fandom things for my own personal enjoyment, not as a contribution to The Discourse. If you don’t like Sakura, great!  I have no interest in changing your mind. Please consider this a sincere invitation to scroll on by and go enjoy whatever parts of the fandom appeal to you.

In general terms: I love Sasuke and Sakura’s relationship as much as I love all of the relationships in Team 7.  If we’re talking about them specifically as a romantic couple, then I probably fall somewhere in the middle of the spectrum, because I do like them together in a post-canon (to be clear: non-Boruto) setting, after time has passed and they’ve continued to develop individually and reconnect with each other, but I also wouldn’t exactly call myself an intense “shipper,” in the sense that I have no interest in pulling things out from the text and incorrectly citing them as evidence that Sasuke has hidden romantic feelings for her during the canon period. He cares about her in the canon period, just like he cares about Naruto and Kakashi.  That’s not up for interpretation; it’s the text.  But Sasuke during the canon time period does not demonstrate specifically romantic interest in anyone.  

[A note before people who might ship Sasuke with Someone Else emerge to rail against this statement - please just scroll past and continue enjoying fandom in whatever way is most fun for you. It is cool to ship whatever fanon thing you want; I think that’s great!  But earnestly citing any loving or emotional thing Sasuke does re: various characters in this story (yes, Sakura included) as indicative of specifically romantic love isn’t supported by the text. I know there are always going to be enormous subsets of any fandom who insist that it is, and I'm certainly not going to barge into anyone else's space to complain about that (because other people having fun together is harmless and none of my business), but I'm not obligated to indulge it on my own blog, either.]

Anyway, that said - the reason why I love Sakura and Sasuke’s relationship (from here on out I’ll use “relationship” in a general, non-romantic sense) is precisely because Sakura isn’t just “the girl with the crush.” Sakura has an arc when it comes to Sasuke, and its trajectory moves in the exact opposite direction of “irrational” or “selfish.”  She specifically goes from “the girl with the crush” to “the girl who steels herself and tries to put her personal feelings for Sasuke aside for the greater good” to “the girl who knows she can’t put her feelings aside, but who also knows full well that Sasuke doesn’t reciprocate them, and who still wants to save him regardless, because he matters to her as a person and a friend.”

[I'm putting the rest of this under a cut to save everyone's dash, and also to emphasize once again that this is a personal post on my personal blog which I wrote in response to a question from a personal acquaintance, the full content of which no one is obligated to read. I am not sending this post to random strangers and forcing them to look at it. I'm not even putting it in the character tags. I'm typing it up on my own blog and putting it under a cut. If you already know that you don't like Sakura, but you still click the link/read the post and then feel an urge to comment and complain, I am going to copy-paste this disclaimer and remind you that I specifically recommended that you scroll past and go have fun with fandom in your own way. Thanks in advance for responsibly curating your own fandom experience!]

So, from the top:

1. the girl with the crush

Sakura is, obviously, completely obsessed with Sasuke at the beginning of Part 1.  She’s also deeply clueless about him and his history (bizarre though it is, the story seems to indicate that she initially doesn’t know what happened with his family, the same way young!Obito is initially clueless about Kakashi’s father).  But what I like about Sakura and Sasuke’s Part 1 relationship is how this changes over time.

The critical scene that kicks this off happens right at the beginning of the manga, when she and Sasuke are talking by that bench - she complains about Naruto and blames his behavior on him being all alone/having no family to scold him; and even says she’s jealous that he doesn’t have parents to nag him all the time.  This obviously triggers an outburst from Sasuke, who tells her she has no idea what loneliness means and that she “makes him sick”/she’s “annoying” (importantly, the exact same thing Sakura said to Naruto in anger earlier that day), which in turn prompts Sakura to reassess herself and wonder whether she’s been making Naruto feel this terrible all the time, too:

From that point on, it’s a process of her putting little pieces together.  She still has a MAJOR crush, and she still acts like a twelve year-old, but as we approach the end of Part I, Sakura actually has a more accurate grasp on Sasuke’s current state of mind than Naruto does.  Naruto is initially excited to fight Sasuke on top of the hospital, because he feels like Sasuke’s finally acknowledging him, whereas Sakura is the one who immediately recognizes that something is wrong about this situation.  She is also the one who, after this fight, is concerned that Sasuke is really unwell and might do something drastic like run off in pursuit of the power Orochimaru promised him, but when she communicates this to Naruto, he assures her that this would NEVER happen:

(Sakura isn't convinced, though, because she goes to monitor the exit out of the village anyway.)

I’m not criticizing Naruto for his response here.  I ADORE hearing him say that Sasuke is too strong to need Orochimaru, with such perfect confidence - I love seeing how much respect and admiration he has for Sasuke underneath all their fighting, because that’s the whole reason he’s always baiting Sasuke and yelling at him and claiming “you're not so great!” He looks up to Sasuke; he wants to be like Sasuke; he thinks Sasuke is awesome! (It’s that Obito @ Kakashi behavior, you know?) But the fact remains that he is clueless about what’s actually going on with Sasuke in Part 1, and he remains clueless(ly optimistic) for a long time.  

(Eg, when he catches up to Sasuke during the retrieval arc and Sasuke climbs out of that cursed seal coffin, Naruto waves at him and calls "Come on, let's go!" as if Sasuke has been successfully rescued and is now going to come running home.  Even in Part II, when Naruto hears that Sasuke killed Orochimaru, he beams and immediately says, “So he must be on his way back to the Leaf Village!”  And everyone else in the room is like, “....,” because they know better.  Naruto doesn’t yet fully understand [or doesn't want to accept] the extent to which Sasuke has willingly chosen this path, and it’s not until after Jiraiya’s death/the Pain attack/the Five Kage Summit that Naruto really starts to understand Sasuke more clearly, which is something he himself admits.)

Sakura, in Part 1, has access to more information about Sasuke - she’s there for his first dissociative monologue during the bells test, she’s there for the curse mark’s placement, she’s there for his first violent transformation in the Forest of Death - she is, in fact, the unwitting catalyst for it (“Sakura…who did this to you?”), and her compassion is the reason Sasuke is later able to overcome the curse mark’s influence - so she has a more accurate/complete picture of “how he’s doing,” for lack of a better phrase, whereas Naruto, who doesn’t know about the curse mark in the first place, is still in the dark.  This means that Sakura is able to accurately discern that Sasuke is struggling more than Naruto realizes, and specifically to predict that he’s going to run away.  

(This dynamic is then interestingly flipped in the back half of Part II, since at any point after the Five Kage Summit, Sakura doesn’t have access to extremely relevant [if currently questionable and unproven] details that would in any other circumstance inform her behavior).

Of course, just because she has more info in Part 1 doesn’t mean she has some kind of miraculous insight into Sasuke’s every thought and feeling.  There are parts of her attempt to convince Sasuke to stay in the village that are as clueless as any of Naruto’s assumptions, and they showcase the kind of magical thinking common to childhood - like when she says that if he stayed with her, she could give him happiness, she’d do anything for him, even help him get his revenge - this idea that she herself can do something to make him feel better, that she can love him powerfully enough to defeat his pain - obviously none of that is rooted in realism.

Is this part of her approach irrational and immature and inadvertently self-centered?  Of course it is!  But it’s no more irrational and immature and inadvertently self-centered than Naruto’s stated plan to drag Sasuke back to the village even if he has to “break every bone in [his] body!” 

Hating on Sakura for her Part 1 attempt to convince Sasuke to stay in the village while simultaneously lauding Naruto for his feels like a bad faith misread of what is, to me, pretty clear narrative intention.  The story doesn’t at any point intend for us to see her begging him to stay as a selfish or conniving attempt to get something she wants.  She’s begging him to stay for the same underlying reason that Naruto is: she cares about him.  She thinks he’s making a mistake that will only cause him more pain in the end (she’s right) and she wants to make it so he feels less pain right now (she can’t.  But she doesn’t understand that/isn’t able to admit that, and she’s willing to try ANYTHING that might help).  

It’s critical that this farewell scene is set in front of that same bench from their first important confrontation - she references that day and how angry he got at her, and this time she tells him that she understands his reaction.  She’s learned things and she recognizes how insensitive she was being back then (“I know what happened to your clan, Sasuke”), even though she still can’t fully grasp all the complexities of the situation. She tells him that him blowing up at her back then helped her understand what loneliness actually meant (as opposed to her previous shallow understanding of it), and she challenges him about his choice right now: "So that's it, you're choosing the lonely path?" And when she tells him that she'll be very lonely if he leaves, we're immediately shown a panel of Sasuke thinking of both his friends, with the very clear implication that if he goes through with this, he will be lonely without them, too - that he's still struggling with the idea of leaving them, no matter how hard he tries to pretend:

Sakura at this point knows that Sasuke isn’t interested in her the way she is in him, but she still wants to give him happiness, however fantastical and immature her ideas sound to us (and, I’m sure, to him).  “I’ll do anything, even help you get your revenge/we'll have fun every day, and...and you'll be happy! I'll make sure of it!” - of course, it’s completely childish.  It’s irrational.  It’s ridiculous to think that any of this would ever be effective, but no more ridiculous than Naruto’s belief that he can simply break every bone in Sasuke’s body and keep him in the Leaf by force.

Both Naruto and Sakura are children who have a deeply oversimplified understanding of Sasuke’s situation.  They both still think they can fix him themselves.  They both think they can save him themselves.  They both think they can convince (or force) him to do what they want, what they think is in his best interests.  Both of them don’t yet understand that he has to want to come back, if it’s ever going to mean anything.  Their attempts to keep him in the village are immature and unrealistic, yes.  What they aren’t, however, is selfish, because neither Sakura nor Naruto are doing any of this with the intention of advancing their own interests.  They’re only thinking about Sasuke - how to keep Sasuke safe, how to make Sasuke happy - even when neither of them are taking an approach that will actually work.

Naruto and Sakura are children.  They’re afraid of losing somebody they care about.  Their attempts to prevent that from happening are desperate and messy and ultimately ineffective, but they are also genuinely felt and rooted in a true desire to rescue Sasuke from his pain, which - and this is the single most important thing that should impact our viewing of Part 1 - is something that Sasuke RECOGNIZES.  He doesn’t spend that agonizingly long moment bowed over Naruto’s defeated body so we can pretend he doesn’t understand that Naruto was just trying to help him.  He doesn’t take the time to murmur, “Sakura…thank you,” before laying her out carefully on a bench, just so we can discount it and pretend that he doesn’t recognize and appreciate her genuine intention to make things better for him, however clumsy that attempt might have been.

2. the greater good

If Stage 1 Sakura is "the girl with the crush," then Stage 2 Sakura is a progression to “the girl who decides to put her feelings for Sasuke aside in order to protect innocent people, including (but certainly not limited to) Naruto.”  She’s driven to this decision by interactions with Shikamaru, who all too recently had to grow up fast himself (“We're not kids anymore...we can't allow a war to break out between the Hidden Leaf and the Hidden Cloud because of Sasuke") and Sai, who risks his new friendship with Sakura and Team 7 in order to speak some hard truths and deliver one of my favorite lines in the whole story: “I don’t know what promise Naruto made to you, but it’s really no different than what was done to me.  It’s like a curse mark.”

(INCREDIBLE.  How can anybody be complaining about a season where Sai gets to say something that goes THIS HARD and Sakura LISTENS and takes DRAMATIC ACTION that actually propels the story forward in a meaningful way - )

[Okay, yeah, brief personal opinion interlude - it is just bonkers wild to me that there are people who complain about Sakura in the Five Kage Summit arc. That entire season is the greatest character arc she ever has.  Literally she has never been more interesting and dynamic than in Season 10; it’s the first time she ever gets to be as deep and fascinating as the boys; what is everybody so worked up about?  Oh, “she lied to Naruto that one time” - Sasuke joined infant-kidnapping baby-murdering human experimentation machine Orochimaru when he was twelve years old in order to (dare I say it????) selfishly pursue his personal goals and yet, somehow, we are still able to root for him.  He abandoned his friends/allies to imprisonment and death (Suigetsu and Jūgo) or outright stabbed them in the chest himself (Karin) in order to (SELFISHLY) get what he wanted, and yet, somehow, we are still able to love him, understand him, and be on his side.  Naruto is canonically not upset with Sakura about her lie after receiving context for the situation and I think we can probably take our cues from him without feeling the need to bring her up on war crimes; please calm down]

[Sorry, I just really love most of Season 10 and think it’s one of the best examples of how good this story can be when every single character gets to do something that matters (as opposed to things being all Naruto, all the time) so I get a little bit worked up over people complaining about some of the best writing Sakura ever gets.  I don’t understand what certain elements of fandom want from her. People complain about her being “useless” and not doing anything that contributes to the story, but then they complain just as much when she does finally get to act decisively and have just as complex/dynamic an inner world as the boys.  She’s “weak” for being unreasonably in love with Sasuke, but when she tries to be “strong” and put her love for him aside and eliminate him in order to protect Naruto and the rest of the world, she’s evil, because she should have been more understanding of his situation (despite the fact that she doesn’t KNOW anything about his situation).  But then when she can’t go through with killing him after all because she cares about him too much despite the things he’s done, she’s not "compassionate" or "kind" or "a good friend," she’s “weak” again. Nothing Sakura does in S10 is more wrongheaded or rash than any of the batshit, buckwild things Naruto and Sasuke have done in the past (and will continue to do in the future), but when Naruto and Sasuke have big feelings or take bold action, it makes them interesting characters, whereas Sakura can’t breathe in anyone’s direction without being minutely scrutinized for moral impurities.]  

Anyway. Back to a more measured response.  

Every single piece of development Sakura has with regard to Sasuke in this season satisfies me so much.  Her initial shock and disbelief at hearing that Sasuke had joined the Akatsuki?  Good, appropriate.  The fact that she starts to acknowledge the reality of what Sasuke’s done sooner than Naruto does?  Also extremely appropriate, very in-character for both of them.  Her taking Sai’s words to heart and deciding that the promise she asked Naruto to make when they were children is causing him to suffer and she has to relieve him of that burden?  Juicy!  AND thematically significant (promises!!!!  the burden that a promise places on a person, especially when it can't be kept - we've seen that before in this story and we'll see it again).  Her anguished pivot from wanting to protect Sasuke to realizing that she has a responsibility to protect the countless innocents who will die because of the war he’s trying to start?  HELLO THIS IS INCREDIBLE CHARACTER DEVELOPMENT.  Her knocking out the classmates who agreed to help her so they don’t have to share in her burden (and so the only person Naruto will hate when it’s over is her)?  BRUH.  Her being so committed and focused on her goal of saving innocents and protecting Naruto (not just from being harmed by Sasuke/the Akatsuki, but by the possibility that Naruto will someday have to hurt Sasuke himself) that she tries to take everything on by herself and walks into a confrontation that she absolutely cannot win??  INCREDIBLE.  (Literally the first time I watched this, I said, “Finally!!!  It’s Sakura’s turn to go off the rails!”  I laughed with my sister about how Kakashi isn’t even mad, because Naruto and Sasuke have been pulling stunts like this for years and Sakura was way overdue for her own meltdown.)  And then, after Kakashi intervenes in the fight - Sakura barreling back into the battle when she realizes he’s going to take on the burden of killing Sasuke himself in order to spare her and Naruto the horror - “I can’t let Kakashi-sensei bear this burden!”  I love her for that.  

And then, of course, in the end - her not being able to do hurt Sasuke after all.  Despite committing herself to the act, despite forcing herself to put her feelings for him aside, despite resolving to stop him from starting a war and killing innocent people, she can’t harm him.  She cares about him too much.  This, too, is thematically significant - think about Itachi’s “you don’t have enough hatred” - she doesn’t have enough hatred to kill someone she cares about, even if it seems like he deserves it, even if would be the right thing to do to protect others.  She can’t do it, and Sasuke almost kills her for her compassion.  

I love the dynamic this sets up between her and Sasuke, for a few reasons:

1) Personally, I think Sasuke respects Sakura much more for trying to kill him than he would have if she’d just tried to talk him out of his behavior or beg him to come home (a la their original confrontation in Part 1).  This is the first significant interaction he’s had with Sakura in years, and the fact that she does something SO contrary to his memory of her is an important demonstration of the fact that she’s not the same girl she used to be.  Sasuke spends a lot of time after his defection declaring to his old team “I’ve changed; I’m not that person anymore,” but this is one of the moments where he’s forced to acknowledge that his teammates have changed, too.  Time didn’t just stop for them when he left.  While he was turning into someone new, so were they.  They grew up without him, and his old memories of them can’t encompass the whole picture of who they are now.  

(This is a little tangential, but in general, I love the spectrum of reactions that Naruto, Sakura, and Kakashi have in this sequence, and the way that all of them are ultimately messages Sasuke needs to hear.  Sasuke - who we know textually regrets what he did here, who apologizes to Sakura for it later - for “everything,” in fact - needs Naruto’s aggressively optimistic open-arms policy, yes, needs that potential, that unconditional possibility of return.  He also needs Sakura’s refusal to let him hurt her friends and start a war that will kill thousands of people, needs her surprisingly ruthless attempt to take him down; needs just as much her failure to do so, because it shows him that she still loves him too much to kill him even as she condemns him.  And he needs Kakashi’s grim line in the sand, needs someone who very possibly won't hesitate like Sakura (despite the horrifying personal cost), someone who will try to reach him but also won't let him escape and become the next generation��s Orochimaru, who won't let him cause untold suffering to untold numbers of people just because a teacher loved him too much to stop him when he had the chance. 

(And then even Kakashi chooses not to deliver a killing blow when he has the opportunity -)

(I know that in fandom people are more likely to be all, “oh, Naruto Good, everybody else Bad,” but I don’t think the narrative frames Sakura or Kakashi as “worse” than Naruto in any way.  The story goes out of its way to make it clear how desperately they don’t want to hurt Sasuke and how much they care about him.  And [this is just my interpretation, so obviously I won’t claim it as fact], I personally think that Sasuke - Sasuke, who, looking back, can see how lost he was then and how tortured he would have been if he’d gone through with many of his plans - would be grateful to Sakura and Kakashi for making an attempt to stop him when he couldn’t stop himself.)

2) On the other side of this, the fact that Sakura wasn’t able to deliver the killing blow means a lot. Sasuke was incapacitated under that bridge; he was completely at her mercy - but she stopped with the kunai an inch from his back.  She couldn’t kill him, even though she knew that he was completely willing to kill her (because he'd attempted to Chidori-assassinate her from behind just a few minutes ago).  That’s huge!  Sasuke is too out of his head right now to process this or understand it, but later, it's going to matter.  She stayed her hand.  She spared his life.  She loved him too much to hurt him, even when he’d given her every reason to take him down.  She hesitated, and he almost killed her for it, but her inability to strike him ultimately gave him yet another chance to come home, another chance to get better, another chance to have a life outside of his pain.  Despite everything, some part of her still hadn’t really given up on him, and that knowledge will matter later, when he’s finally able to acknowledge it.  

The point of all this is to say that I really have no complaints about Sakura and Sasuke’s dynamic in their S10 confrontation.  This season is the point where Sakura fully grows past her “girl with a crush” stage and into her “shinobi must make very harsh decisions” adulthood, but it never means that she doesn’t care about the person she’s trying to take down.  Her ultimate inability to deliver the killing blow remains a dangling lifeline for her relationship with Sasuke, an open door that Sasuke is able to walk through at the end of the story (literally, in fact, when Sakura opens that portal for him and saves him from Kaguya’s desert prison, and figuratively, too, when Sasuke apologizes to her).

3. she only wants to save you

The last stage in their relationship is what Sakura settles into during the war arc.  She started off Part 1 being just a girl with a crush, then tried to harden her heart and put her feelings for Sasuke aside in service of the greater good, but she was unable to actually follow through and kill him, and because of that, what she’s come to accept by the war arc is actually two things: that 1) Sasuke truly is willing to let her die if it furthers his goals, and 2) she wants to save him anyway.  

She has no intention of pursuing Sasuke romantically.  She knows full well that Sasuke isn’t interested in her.  She even knows that Sasuke isn’t really on their side (there’s a great scene where Sai questions Sakura about Sasuke’s return, and she reassures him that everything is fine, and Sai sadly thinks to himself “even I can tell your smile is fake”).  She’s well-aware that Sasuke didn’t try to help her when Madara stabbed her.  She’s well-aware that he left her to die in the lava pit.  She’s also well-aware that none of this is enough to make her stop loving him.  He doesn’t have to care about her - she still cares about him.  She still wants to help him.  She still wants to save him.

This is not hidden, hard-to-parse character development.  It’s explicitly articulated on the page:

Sakura’s not trying or wanting to make you hers!  She only wants to save you.

I’m not sure if people look at this last confrontation and unquestioningly take Sasuke at his word (as if we haven’t just read 71 volumes/watched 700 episodes showing us how how painfully distorted his thinking is), or if they stop reading/watching before the end of the scene, or if they don’t understand that Sasuke saying something doesn’t make that statement an accurate representation of reality.  The entire point of this scene is to show us how deeply mistaken Sasuke is about Sakura (and, by extension, the rest of Team 7).  He’s locked into a false pattern of thinking.  His single-minded focus on revenge and destruction has blinded him to the unconditional love his friends feel for him; he’s become so accustomed to using others and being used that he can’t understand or accept that someone would care about him without needing a reason, without needing him to love them back, without needing to receive something from him in exchange.

Sakura’s not trying or wanting to make you hers!  She only wants to save you.

Sasuke matters to Sakura as more than a love interest.  He always has.  She does love him romantically, yes, but she doesn’t only love him romantically, and her desire to help him is not and has never been contingent on him returning her feelings, romantically or otherwise.  Sasuke isn’t able to acknowledge that in this scene, but that doesn’t mean we’re supposed to just sit back and agree with his warped perspective.  Kakashi is the one who’s explicitly positioned as the voice of the narrative here.  We, as the audience, are supposed to recognize that Kakashi is the one telling us the truth.

[tangential thing 1: You don’t have to love Sakura's last plea to Sasuke here. It’s not my favorite, either - the best part, other than Kakashi’s speech at the end, is the moment after Kakashi collapses when Sakura’s expression changes from pained uncertainty to pure rage, when she grits her teeth together - when I first saw that, I almost leapt out of my seat like “Oh my god.  She’s finally going to let him have it.  It’s finally happening - ”  I wanted that so badly, and I still think it would have been a more effective writing choice for Sakura’s last words to lean more into her anger at the suffering Sasuke is causing all of them (himself included!) and less into yet another of Kishimoto’s “let me have Sakura articulate what a shame it is that she can’t do as much as Naruto despite the fact that I literally just went through a major reveal sequence in the war to show that she’s caught up to the boys; I can’t make up my mind about whether I want her to progress or not” - it’s extremely frustrating (and it's something he does at the very end of the S10 Team 7 reunion, too, which is the ONLY moment of S10 that falls flat for me).  But at the same time, even if there are ways this sequence could be more satisfying, it doesn’t change the fact that her plea to him is not remotely motivated by a desire to be with him romantically and not anything to condemn her for.]

[tangential thing 2: I do like how she remembers that moment when Sasuke says “Thank you.”  That panel precedes her saying “If there’s even a tiny corner of your heart that thinks about me…” (which I’m sure is one of the things that people like to criticize about this scene, aka “oh she’s sooooo self-centered” etc), but that particular line of dialogue is preceded by that particular flashback panel for a reason: Sakura knows that Sasuke DOES think about her.  He thinks about all of them.  Sakura remembers that “thank you,” and it reminds her that despite everything Sasuke has done and said since, despite all evidence to the contrary, she knows in her bones that his expression of gratitude back then was genuine.  He cared about her once.  He cared about all of them.  She’s trying to reach the part of him that still does, if it exists.]

[tangential thing 3: The fact that Kakashi says “she suffers from loving you,” and it triggers Sasuke to remember his own family - thinking about how much he suffered (and still suffers) from loving them - “Perhaps…those are the ties to a failed past” - the idea that it’s not worth it to have bonds if it means you suffer this much…that it’s too difficult, it’s too painful, and if Sakura and the rest of Team 7 were smarter they would just give it up (all Sasuke knows how to do now is sever potential bonds before they can hurt him; so why aren’t Sakura and the rest of his teammates doing that, why can’t they let it go, why are they making this so hard - ) << yeah, he clearly doesn't care about her/them at all.]

4. the shadow of my family

This has all been a really long way to answer the original question, but the short response to “What do you think about the relationship between Sasuke and Sakura?” is “I really care about it,” just like I really care about the relationship between Sasuke and Naruto, just like I really care about the relationship between Sasuke and Kakashi. And I don’t think the story ever asks me to choose between them.

I’m not sure whether it’s the impact of Boruto-era “canon” that gets in the way of other people approaching things this way (I don’t consider sequel material when I evaluate the original story), or if it’s Kishimoto’s frequent disinterest in/disrespect towards female characters, which yes, does sometimes make it harder, or if it's a shipping thing (bane of my existence), or some combination of factors, but for me, taking one member of Team 7 out of the equation hobbles the rest of the story.  I can’t read/watch Naruto while hating one of the protagonists and loving the other three.  It doesn’t work like that for me.  The story wasn’t written that way, and there’s nothing in the text that would cause me to receive it that way.

That doesn't mean there's anything wrong with disliking one of the main foursome (or any character, for that matter) - obviously we're all going to have different preferences, and everyone is free to enjoy or reject whatever parts of a story they want, or to like or dislike whatever characters they want. I know that some people have more fun disregarding canon and doing their own thing, which is fine.  My own personal zone of enjoyment comes from receiving the story as closely to how I think it was intended to be read as I can, and personally, when I look at this particular story, what I see is that all the members of Team 7 clearly demonstrate their love for Sasuke in ways that he himself later recognizes and acknowledges. All of them are driven by their desire to save him and their unwillingness to hurt him. All of them make repeated choices to chase after him when he runs away, to trust him when he hasn't exactly earned it, to give him another chance when he doesn't appear to deserve it. ALL of them, not just Naruto, do these things multiple times throughout the story, and Sasuke owes his life (and thus his eventual recovery) to ALL of them, many times over. Kakashi disobeys Hokage-elect Danzō and breaks the law to negotiate for Sasuke's life with a foreign head of state. Sakura and Kakashi both have opportunities to kill Sasuke in the Land of Iron, and they choose to spare him instead. Kakashi stops Sasuke from killing his only friends at two different points in the story, which would have been a mistake Sasuke couldn't have recovered from. Sasuke would have died in Kaguya's desert dimension if Sakura hadn't saved him (Sakura, who knew that Sasuke wasn't even truly on her side yet, who knew he'd abandoned her for dead multiple times already that day). Kaguya's bone bullet would have killed Sasuke too, if Kakashi, with his intention to die in Sasuke's place, hadn't leapt in front of it (Kakashi, who also knew that Sasuke wasn't fully on their side yet, who also knew that Sasuke had abandoned him for dead earlier that day). Sasuke and Naruto would have BOTH died in the Final Valley if Sakura and a severely injured Kakashi hadn't chased after them to heal their injuries.

Remove any one member of Team 7, and Sasuke never makes it home. Without the combined efforts of all three of his teammates, he doesn't survive.  That’s the way it should be, thematically, for a story whose first and most foundational premise was the importance of teamwork, and since Sakura was just as essential to that framework as everyone else, I’m just as invested in her relationship with Sasuke as I am in his relationship with everyone else.  You can’t remove one leg from a four-legged stool without damaging the integrity of the entire structure, and for me, discounting any single member of Team 7 irreparably damages the integrity of the entire story. 

TL;DR: I love all of the Team 7 relationships, including Sakura and Sasuke's, because despite what some segments of fandom seem to believe, the text of the story never gives me any reason not to.

[multi-lefaiye]

a modern ghost story - wip re-intro

finally, a re-intro for my first ever writeblr wip intro... waow how time flies.

taglist (i'm gonna be real with y'all, i lost track of the taglist and had to dig it up again--tentatively tagging the original taglist as well as folks i thought might be interested): @albatris @skitzo-kero @anexor @lychniscitrus @transmasc-wizard @chaieyestea @vacantgodling @kingkendrick7 @jezifster @manuscriptsatmidnight @fictionalbullshitter @astral-runic

(if you'd like to not be tagged in posts relating to this wip going forward, lmk!!! <3 and if you'd like to be added to the actual taglist, also lmk!!!)

synopsis: A Modern Ghost Story is the tale of the four members of The Cyclone Seekers, a group of semi-famous storm-chasers, and their harrowing adventures chasing after storms in Nebraska in 2006. On the way, they quickly come to learn that they have far, far more than tornadoes to worry about waiting for them in the storms. Something sinister is afoot, and their past may come back to haunt them in a very literal way.

setting: various fictional locations in Nebraska, United States, in 2006

genres: postmodern horror (?) with traces of comedy--fundamentally a road trip story, though, about healing and facing the horrors head-on.

vibes except it's not clear what these mean: late nights at sleepovers where no one wants to go to bed yet, a mason jar full of bottle caps, the highs and lows of a long road trip with your friends, strange messages on the radio in a voice you thought you'd forgotten, the past is always one step closer than it appears to be, the coppery taste of blood on your tongue, your heart pounding in your ears as the world roars around you, a group of queer adrenaline junkies, "therapy is expensive, but sitting in your car while it rains is free."

characters:

picrew: [link]

Roach - 29 - they/them - 5'2"

Roach is not the face of Cyclone Seekers, as they find the idea of actually appearing on camera daunting. For the most part, Roach prefers to stay behind the scenes, most often handling their budget, equipment, and transportation, as well as acting as their cameraman. A lifelong smartass, they always say exactly what's on their mind and they're not particularly graceful or tactful. Why would they be, after all? Talking around the point only wastes time, and Roach hates to stop when there's important shit to get done.

Despite their blunt and often rude nature, Roach has a big heart deep down, and they care deeply for their fellow Cyclone Seekers, considering the others their best friends in the world. Roach doesn't have a lot of people in their corner, and they're steadfastly loyal to the end.

Oliver Cox - 32 - he/him - 6'1"

Oliver, like Roach, is not the face of the Cyclone Seekers. Instead, he is the manager of their ViewTube channel and website, as well as the one who usually deals with the people side of things. He's very sweet and enthusiastic, and generally a very gentle man who hates to even raise his voice. While, like everyone else, Oliver has his moments of anger, he prefers to redirect this anger into something productive rather than taking it out on others.

This isn't to say, of course, that Oliver is an innocent child. He's had his fair share of hardships and struggles in his life. However, he believes wholeheartedly in the goodness of humanity and the world around him. And this extends to the team, especially Roach--despite their often prickly exterior, Oliver considers them a very dear friend and is very happy to have them in his life. He sees the best in everyone until they give him reason not to.

Sydney "Syd" Ambrose - 29 - they/she - 5'11"

Syd is a friend of Roach's from college, an extremely anxious person who, at heart, has always wanted to leave their mark on history in some way. With their thirtieth birthday rapidly approaching, they want to do something great before the big day. This has, in part, reflected on their work with the Cyclone Seekers. As one of two hosts of the show, Syd is often in the spotlight, despite their severe anxiety about public speaking. When the cameras are rolling, their fear falls away, and they easily steal the show.

Aside from their ambition to do something great that lands in the history books, Syd has had a lifelong fascination with storms. The world of more traditional meteorology wasn't for them, so they've decided a more fulfilling career is to chase storms around and study them directly. It's working out so far, despite Syd's growing restlessness regarding the group's lack of mainstream success.

Yara Key - 30 - she/her - 5'7"

Yara is the other host of the Cyclone Seekers, and she's the much more outwardly optimistic and outgoing one. Their bit on the show is that, though Syd is the anxious one, they're also first to jump headlong into danger just to get a good look at a tornado; Yara, meanwhile, is friendly and outgoing but also the first to hide. It's a good bit and one that brings her a lot of joy, though it does irritate her sometimes to have people assume she's actually a coward. Because she isn't--she's just not stupid.

Though Yara hasn't known the others that long, she's a loyal friend who cares about them all deeply, and her not-so-secret crush on Syd is something Roach teases her about rather frequently (to which she gladly responds by teasing them about their similar crush on Oliver). When it comes down to it, fame isn't important to Yara, but she has a genuine love for entertaining people. And if she can do it while educating them about dangerous storms at the same time? All the better.

Vincent Cruz - 28 - he/him (questioning they/them) - 5'9"

Vincent Cruz is not a member of the Cyclone Seekers, nor does he have any particular interest in joining their little group. In fact, he thinks they're pretty ridiculous, and more than that, they're fucking stupid. He's grown up his whole life in a small town in Nebraska and knows all-too-well how dangerous storms like the ones they seek out can really be. They're going to get themselves killed, and they'll be lucky if it's quick.

However, Vincent feels an obligation to help them, or at least to make sure they can't put themselves or anyone else at risk with their antics. He isn't sure what makes him feel such a desire to protect them, but he insists it's not out of any care for them. They're just stupid. If he doesn't do anything, then they'll die. Simple math. (Ignoring the fact that they're his first friends in years, and they seem to genuinely like him for who he is when few others do.)

Vulture - 31 - he/him - 6'2"

A mysterious figure from Roach's past, one that they, until now, were completely certain was out of their life forever. Vulture is cold and cruel and pretentious, seeing himself as quite literally better than everyone else. He loves to hear himself talk and wants everyone to think he's the coolest motherfucker in the room at all times, for better and for worse.

For the most part, he doesn't seem interested in Roach, for which they're grateful. However, he has been contacting them again for the first time in nearly ten years, asking to meet up again.

[cathymee]

maybe it's to maintain a sense of tension & turmoil that would eventually reach an explosive peak, a sense of tug-of-war, a back-and-forth to hammer home the ideals they want to deliver and for the viewers to chew on, but although these arguments regarding hiroshi & his stance as a man torn between his loyalty for his country & the loyalty for his Filipino friends and lover is of course important, how they write these scenes & the points they present from this week alone is getting too repetitive...? literally the argument scenes from last night & tonight between adelina & hiroshi is basically the same; the ideas were the same, the dynamics were the same: the aggressive, radical adelina, bristling rage and fear over the injustices she's seen thus far, and the cautious, inspiriting hiroshi, all hopefulness and reassurance one moment as a lover, defensiveness and sternness as a japanese soldier in another. this debate will be ever-present ofc, it is one of the series' biggest conflicts, but it is unfortunately so easy to tell when it is a.) being pulled up as a main topic to move the plot along / be a necessary conflict for character development/introspection / be the conflict to deliver the morals & messages the writers want to send to their viewers, or b.) when it is being pulled up only for the drama and filler to pass the time. like watching the characters sit down to argue for 10 minutes, do other things for the plot for 2 minutes, then sit down again to argue for the next 20 minutes. lol.

[sskk-manifesto]

What a good episode. Maaaaaan

[antiloquist]

Playing Lethal Company with randos when you're 20+

[crehador]

parting thoughts on ragna crimson (first cour)

i think it was... the first episode? that i didn't really vibe with. felt like a decent enough fantasy, but unremarkable in just about every way

THEN A WEIRD GUY APPEAR

iirc it wasn't until the second week that we really met crimson, which is kind of a shame because imo the show doesn't really start to come together until then. i like ragna well enough, but it's really the combination of the two of them that compels me

always love a duo where they have the same goal, but drastically different personalities/values/modes of operation/etc

always extra love a duo that's like "team up with me, a dragon, to kill all dragons then once we've achieved our goal you'll kill me too"

(like vanoe but with dragons. i think. my memories of vnc are actually very hazy)

and always extra extra love when ayu gets to just do his thing, playing guys who are girls who are guys who are etc etc etc

it's certainly not the best of the season, and still overall fairly unremarkable imo, but also not really bad in any way. if there's one thing i find lackluster i guess it's that i feel like they don't lean enough into this... pseudo-past life thing that ragna has going on (with the powers and presumably memories of his 'older self' passed down to him)

like ragna is still more or less his 'normal' self in terms of personality, which is fine, he's got a fun enough personality, but if he had some like... old man tendencies mixed in there, or if we saw more of his memories with crimson maybe? i don't know, just feels like something more could have been done with that fusion of past and present (or rather future and present)

looking forward to the second cour but at the same time... hoping this series won't be too long lol

[somekangarookid]

i think tumblr should just keep rolling out these little “customize/personalize your blogging experience” options/updates. like all other social media is like “fill out your personal info, here’s your profile page that looks exactly like everyone else’s, and here’s our algorithm feeding you what’s popular

and we like that there’s no algorithm like that here. you curate your own dash. we make our own blogging experiences unique and for ourselves.

SO i think tumblr should roll out like some avatars or something to customize. scroll buddies. dress up or something. accessories for your icon. literally just more silly little things that’s the equivalent of throwing a party in your own cubicle

[bookwyrminspiration]

QUILQUILQUIL i just hit a whole ass new level of “mutual on the dash”

you’re on my FUCKING PINTEREST FEED

Mutual on the pinterest! Hi from your pinterest feed :3--I wonder if this is the same post on pinterest someone else saw or if it's been reposted multiple times. I suppose both are possible

The fun thing about this post is that every so often I'll get notes on it, a series of people having deep, emotional damage moments in my tags meanwhile I'm seeing those tags in my notifs while I'm like. laughing my ass off making the stupidest shitposts imaginable. I feel like that awkward glance monkey puppet meme. They're all having this moment and I'm just here in a totally different mood because I've come to terms with many of the feelings this post was inspired by

But enough about that! I love when people encounter this post in the wild so thank you very much for telling me. It's cool to see how far its spread. hope you're doing well!

[noxtivagus]

i get distracted so easily but i promise i'll get more done ! eventually aaaa 🫶🏼

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[dollfacefantasy]

MAKE HIM DO WHAT I SAY ♡

pairing: older bf!!logan howlett x fem!reader

summary: you and logan make a little bet. who can last longer without sex? as much as he wants to deny it, he's starting to think the answer might be you.

cw: nsfw (18+), smut, p in v, brief daddy kink (one mention)

a/n: a commission for my sweet @sleepyluxe who i love so very much <33 this fic takes place after the events of dofp when things are fixed.

Seven days. One week. A quarter of a month. That's how long it had been since Logan and you had fucked.

It was brutal. Some may say he's being dramatic, but that's because they've never had the luxury of you. They couldn't understand losing a paradise they've never experienced. The past several days he's felt like a man wandering through a barren desert, the oasis in sight but never close enough to drink from. Absolute torture.

Unfortunately, this situation came about because he couldn't keep his mouth shut.

You'd been getting some work done late last Sunday evening. Just a few plans for the upcoming school week. Your fingers punched away at your computer while Logan lay on the bed twirling a stray cigar between his fingers.

"How many more pages you got?" he asked, boosting his head up to glance at you.

At the sound of his voice, you spun your chair around to face him. "Not that many. Just finalizing a few details for the field trip they're taking the kids on next weekend," you said.

"You're not even going. Why're they making you do that?"

The fat stick of tobacco continued to glide between his digits. One of your legs crossed over the other as you watched him.

"I'm not going because I offered to do all the planning," you reminded him. 

Your eyes stayed on the tantalizing movements of his fingers.

"You know you can't smoke in here, so don't even think about it," you said.

He rolled his eyes and puffed air through his pursed lips as if that was an outrageous warning. Sitting up, he put the cigar back in the drawer on his side of the bed. He rose to his feet and began to cross the room in your direction.

"Maybe you should give me something else to do with my mouth then," he teased, his voice lowering to the octave that reverberated with want for you.

Then it was your turn to roll your eyes. You turned your chair back toward the desk and continued grazing your fingertips over the raised letters.

It didn't deter him though. He kept on in your direction, stopping only when he was directly behind the backing of your seat.

His hands landed on your shoulders, fingers massaging the tight muscles fanning out from your neck. He leaned forward so his head hovered beside yours. You could hear each breath he took. The smell of that cigar lingered around his form even if he hadn't lit up tonight.

"C'mon, babydoll. You've been working so hard. A little break won't hurt you," he murmured, lips pressing against your cheekbone.

"I have to have these done by tomorrow morning. Just give me a few minutes, and then I'll be done for the night and completely focused on you," you'd rebuffed him gently.

But that didn't satisfy Logan. When he wanted you, he got you. He proceeded with his tender touches and luring pecks. You remained focused on your work though. He figured he should vary his approach.

"Just let me make you feel good then, honey. Give you some extra motivation," he whispered. His dedicated hands drifted to your waist, squeezing in a way that teased the idea of lifting you up and putting you on his lap. As good as it would've felt to be full of him, you knew you had to get this done.

"You're so bad," you said with a smile, head falling back a little as his mouth moved to your neck, "You act like you haven't gotten any in decades."

"Is that your way of telling me you're getting tired of me?" he teased.

"No. I'm just saying you're insatiable. It's getting to the point where I don't think you could live without me," you responded with a tone matching his in arrogance.

His eyebrow raised, and he pulled back a little to laugh. "That so?"

"Mhm," you nodded. Your sweet eyes stared him down, begging him to disagree.

Looking back, he wishes he could travel through time again to slap any further words out of his mouth. He should've just agreed! Should've told you that you were absolutely right. That he can't live without you, can't survive this life if he doesn't get to slip inside of you at the end of each day. He should've waited the fifteen minutes it would've taken you to finish your paperwork and then gotten laid.

But he didn't do any of that. He had to keep going and dig himself into a deeper hole.

"Don't act so innocent, princess. You're just as bad as me," he'd said.

"No way," you'd huffed, smirking with amusement, "I want you a totally normal amount. You want me like every second of the day. If you could, I don't think you'd ever let me do anything. You'd probably keep me chained to the bed, yours for the taking at all times of the day.

"Like you wouldn't love that. I'm not the one pawing at you every morning, whining about how bad I need it," he taunted.

"Oh shut up, that's happened like a couple times. Every day you're right in my ear, feeling me up. You practically drag me away from what I'm doing when you wanna fuck," you fired back, "I am nowhere near as bad as you."

And then he'd spoken the three cursed words that launched him into this predicament.

"You wanna bet?"

You laughed more at that and nodded again. "Sure. Because I know I'll win."

And that unofficial vow of celibacy was why the two of you had been dancing around each other for the past week. He was starting to feel like that old love song counting the amount of time it'd been since he had you beneath him last. Fifteen hours and seven days or however it went.

You didn't make this trying time any easier for him either. That night he went to sleep with blue balls. The next morning, he woke up to you getting ready. You weren't dressed in your usual style of clothing though. Instead, you had on a dress, Logan's favorite dress of yours. You'd styled your hair real pretty too, letting it compliment your features in the best way.

As his heavy lids blinked open to consciousness, he watched you fasten a shimmering necklace over your collarbone. It sat just above the neckline of the chiffon fabric that adorned your bust.

You caught his waking eyes with your own in the reflective glass, turning to look at him with a bright smile. 

Despite his bleary vision, he could hear the light steps of you prancing over to him. The mattress dipped with your weight as you sat down and leaned in to kiss his forehead. Your fingers slid through his dark hair just the way he likes, with your nails scratching his scalp a little. Worst of all, that close, the scent of your perfume became all consuming. It hit him harder than normal. He wasn't sure if he should blame you or himself for predicting the trials of the coming days.

He hummed in acknowledgement of your presence and nuzzled into your palm.

"Hey, sleepyhead," you cooed, your voice extra soft and sweet. It was too caring to be seductive, but of course, that's where his mind went anyways.

"Hey, baby," he'd mumbled.

"I gotta go drop off that paperwork, but I'll see you later. I love you," you whispered in return before laying one more column of kisses from the tip of his nose back to his forehead.

Then you'd left, leaving him half-hard and yearning for you. A pattern that would plague him over the next week.

Each day it was some new form of torture. The day after that, you'd worked extra hard in the danger room, coming back to him at night covered in a light sheen of sweat. Your heady natural scent filled the bedroom in moments.

The following afternoon, you wanted to cuddle when you both had some free time. The fact that you draped your leg over his torso, slotting your clothed cunt right against his hip, inches away from his cock, was pure accident of course.

Over the last few days, your games have become less specific. You peppered your speech with innuendo. Looked at him with your fuck-me eyes and spoke in the tone you always used seconds before he ended up bending you over the nearest surface.

He tried to fight back, he really did. He stopped wearing a shirt in your shared room. Every time he talked to you, he made sure to rub your ass or stroke your cheek. He was so desperate he stooped to embarrassing levels of lovey-dovey when the two of you were alone. But no matter what he tried, it seemed like you'd been right. Of your pair, you had the superior restraint.

With each passing hour, his frustration grew.

Today, it reaches its zenith.

The mansion is empty because it's Sunday. All the students and other teachers are out on the trip to the observatory today. You and Logan are the only remaining residents in the school. He ended up not having to tag along with the rest of the group after volunteering to fix the sprinklers bordering the school's patio. Babysitting kids had never been his forte even with all the practice he gets at it now. Simple handiwork he could do no problem.

The two of you take the morning to sleep in. This was a rare occasion where no early meetings or classes occupied your schedules. You stay tangled up together well past sunrise.

Logan is the first to leave the warmth and comfort of your embrace. He pulls himself from the nest of pillows and blankets, stretching his limbs out as he does. He rubs the tiredness from his features before rising and heading to the wardrobe to pull on some clothes.

In addition to his normal black t-shirt and jeans, he grabs the tool belt on his way out to the lawn. He slings it around his hips before walking through the back door. Heading past the basketball court and rows of hedges, he finds the line of leaking sprinklers besides them. It would probably take him a while given that he had to first identify the source of the problem and then recalibrate all of them with the adjustment.

He sighs but gets to work. At least he'd have a distraction from the desires haunting him.

Crouching in the dewy grass next to the little faucets, he begins examining the hard plastic shells. To his surprise, scanning for breaks does attach his mind to the task and give him a brief reprieve. It's quiet outside. Besides a small chirp from a distant bird or a grunt out of him, no other sounds echo over the open space. The sun shines in the sky, but it's not beating down on him. The air tickles his skin with warmth but not to the point of being miserably humid.

All the conditions meet in the perfect middle to keep him calm. It's the most peace he's had since he agreed to this bet between the two of you.

But all that tranquility is shattered about a half hour later when he hears the patter of footsteps against the stone pathway. From around the tall thicket of green foliage, comes you. Your face breaks out into a smile the second you burst into his vision. He would look the same if not for what you'd decided to wear.

You trot over to him across the grass in a pair of tiny black shorts with lacy frills on the hems. They sway with each of your movements, highlighting the shape of your legs. A gray camisole graces your upper half; a delicate white bow sits at the center of the collar, dead center between your breasts. The fit of the garment displays the contour of your chest just right. He feels like he's gonna start drooling before you make it near.

Despite his reaction, the outfit wasn't that provocative. It wasn't like you'd strutted out in lingerie. But he was so pent up that a flash of your ankle in the proper lighting could probably get him hard.

Bounding up to him, you wrap his body in a tight hug. Every curve of your form presses up against him.

"Look at you, working so hard," you praise playfully with a kiss to his cheek.

He laughs it off, returning the hug in an attempt to be normal, so you wouldn't see how vulnerable he was right now, how this was the perfect opportunity to strike. He couldn't let you know that in this moment, he could easily become the prey.

"Were you missing me already?" he asks, rubbing his free hand up and down your spine.

"Mhm. Woke up and you were gone," you reply. You nuzzle the crook of his neck, planting a few electric kisses on his skin.

"I didn't wanna wake you. You're pretty cute when you're sleeping," he mutters.

"Well now I'm gonna be cute out here with you," you say and pull back. You peck his lips one more time before plopping down in the grass behind him.

He glances back at you to see what that means. All you're doing is sitting there. Your legs extend out in front of you, straightened for his eyes to rake over. You lean back with your palms against the moist greenery below you.

"You don't got anything better to do with your day off?" he asks.

That earns him a small pout. "If you want me to leave, I will. I just wanna spend time with you."

He can tell by your tone that your intentions aren't so innocent. You're leading him into allowing your presence. But denying his girlfriend has never been one of the wolverine's strengths so of course, he acquiesces.

"Relax. I'm not telling you to go anywhere," he says as he turns back to his work, "I just don't think this will be that interesting to you."

"Watching you do anything is interesting to me," you joke back.

He rolls his eyes and gets back to work.

At first, things are smooth as before. He continues messing with the small, bendy pipes. You're quiet behind him. Almost too quiet, but he lets it go for now since he thinks he's found the source of the malfunction.

It doesn't take long to patch up. The more difficult part is going to each individual head and fixing the tightness. His fingers twist the little knobs to the correct settings. He then turns to you when he's finally done.

The sight of you feels like a gust of fresh air filling his lungs. You're laid out where you were before, but you've reclined across the ground. One of your arms is sprawled outwards, soaking up the sunlight while the other lazily covers your eyes. Your shadow outlines your figure against the emerald blades below you.

You look luscious and ripe, like a precious fruit ready to be picked and devoured. In any other circumstance, that's exactly what he'd do. He'd spread you out further for him and take you apart piece by piece. He wanted your nectar running down his chin with each savoring lap of his tongue. He craved the feeling of your heat wrapped around him, your walls massaging his shaft during every punishing thrust.

Imagining it now only gets the blood pumping down South to his hardening length.

He runs a hand over his hair and sighs. Why didn't he do that now? What was the point of this stupid fucking contest? It's not like there was anything on the line. The only stake was his pride, which to be honest, he'd already compromised for you multiple times over the course of your relationship.

Unbuckling the leather from his waist, he discards the tool belt. Next he peels his shirt from his body and tosses it to the side.

He makes his way to you on the grass. He drops to his knees and leans forward. His muscular frame cages you in against the ground. Starting at your navel, he drags his nose up your body. He coasts over the valley between your breasts and past your collar bone. His soft exhales breeze across your throat before he finally reaches your cheek. With a gentle pull, he clears your arm from your face.

Your eyes flutter to adjust to the sunlight beaming down on them again. They take in the vision of him so close to you and the way he gazes down with adoration.

"Hey, pretty girl," he says, his voice much softer than it'd been before, "You falling asleep on me?"

His thumb rubs over your jawline while the other strokes the crown of your head. A smile blooms across your lips. You can't help it with how he's behaving.

"No... well, maybe a little. I think you were right. Sprinklers are pretty boring," you say.

He grins and leans in to kiss your lips. With the exchange he hopes to communicate everything he doesn't want to say. I give up. You win.

You reach up and cup his scruffy cheeks. Your tongue swipes against his lips, sensing his longing for intimacy. He allows you in, and you deepen the connection. A long breath oozes from your nostrils.

He presses you down against the ground further as your hands slide over the little white streaks in his hair. Your fingers embed themselves in his locks. You feel his hands sliding down your body. They stop at your hips and give the plush flesh a squeeze.

It's obvious what he wants, but in case there was any doubt, his digits then hook around the top of your shorts and give them a tug.

A giggle bubbles up out of you against his mouth. You pull back to look at him with smug eyes.

"Is that your way of admitting I was right?" you ask.

He grumbles and ducks his head down to start kissing your neck. "Don't get cocky or I'll change my mind."

That makes you laugh more. You yank on his hair and pull him back up to look at you. 

"No you won't," you tease and brush your noses together. Looking into his eyes again, you can see how bad he wants this. "Just say it."

"Say what?"

"Say you're giving in. And that I win. And that you can't live without me."

He gives you a blank stare. Silently, he contemplates if there's any way around this. He wonders if there's a way he can avoid utter humiliation.

"C'mon, baby. Throw an old dog a bone," he grumbles.

Giggling, you shake your head. "Nuh uh. I wanna hear you say it."

He sighs and rolls over, pulling you on top of him. You straddle his hips with learned ease. Your smile glows from this angle. The sunlight above cascades over your frame and only further accentuates your body in your tight clothes. He rubs his hands up and down your sides. His dick is already at half-mast under the denim that covers his lower body. Your heat rests right on top of it, teasing him through the barriers of cloth. It dangles what he could have if he gives you what you want right before him.

The words that challenged you and created this trap for himself came out so easy. Why couldn't these be the same?

To coax him along, you grind down the slightest bit. The pressure's so light and gentle, a mere graze of your mound on the outline of his growing bulge. He hisses at the feeling.

"Just admit it," you say, planting your palms on his chest, "Just say I was right and you were wrong."

He watches you above him, knowing you're not going to drop this. If he wanted this self-invoked dry spell to end, he'd have to make it happen.

You roll your hips down with more force, impatient to hear him comply with your request. A small whimper leaks out of you. He can tell from that sound alone that you're getting worked up. That arousal is beginning to collect between your thighs.

The thought of it makes his need for you almost biological. His hands clamp around your waist and press you down harder. He rocks his up a little to meet your own movements.

"I need you so bad, princess," he sighs, his eyes shutting as he takes in the dull pleasure of you on top of him.

"Then you can say what I told you," you tease.

"What was it again?" he asks as he continues dragging your covered pussy back and forth along his now fully hard shaft.

"Say you're giving in. That I win. And that you can't live without me," you remind him, visibly proud of your victory.

With a sigh, he repeats, "I'm giving in. You win. I can't live without you."

You smile and laugh as if it was the best thing you'd ever heard. Your head falls back with glee before coming up so you can see his face again.

"Actually, can you say that again? I'm gonna grab my phone. That way I can film it this time. I just wanna have a record-" you continue to tease, but you're cut off by your own squeal when he grabs you and flips you back over onto your back. He keeps you quiet by smashing his lips against yours as your back thuds against the grass.

This kiss burns hotter than the last one. His mouth moves with bruising passion as he pulls your shorts down your legs for real. You help him by kicking them loose. His hands roam around over your smooth skin.

He glances down and finds what he thought he felt. No panties.

Eyes flitting back up to you, he shakes his head. "You were gonna give in anyways," he accuses.

"Yeah, but you gave in first," you giggle.

A small growl rumbles in his chest, but he still leans in to pull your tank top up. He brings it across your stomach, letting your breasts fall free as he bunches the material above them. He cups the plump flesh, taking a look at the beauty he holds in his palms. You watch him in the fleeting interval in which you're forced to separate.

"So... since I win, what do I get?" you continue to gloat.

"My dick inside you," he answers as his fingers yank his zipper open and shove down his pants in a similar fashion to your shorts.

"But I'm gonna get that anyways. I think I should get a real prize," you say, aiming to stoke the flames higher.

Your hips get hauled closer across the grass, so fast that you're in danger of having green smeared across your skin.

"I don't think you'll be complaining in a few minutes, ya little brat," he mumbles.

His fist pumps over his cock as he lines it up between your legs. The leaky tip smears some precum over your folds before he slides inside. He groans as he sinks in, cherishing the feeling after the week of its absence.

You're quick to adjust to the stretch. With a sharp breath, your back arches off the grass. He had already snapped back and slammed in again. You knew he wouldn't be patient after being deprived of this. Watching him above you, your eyes study how his chest puffs in and out with harsh breaths. His strong arms extend down on either side of your head, his fists holding clumps of grass between them. 

It's a gorgeous view, but you know it can't beat the feeling.

"Closer..." you whine and grab at his shoulders, pulling him down so he's right on you and smothering your body against the turf, "Missed you, old man."

"How many times have I told you to quit it with that?" he asks as his pelvis begins setting a rhythm.

"Enough to know that I'm never gonna," you say. It's the last thing you can get out before moans shatter your plans to speak.

His warm flesh pounds against yours over and over. Your body rocks with the bounce of him on top of you. It feels so good. The world feels bright again, like you'd transitioned from an existence of black and white to living in color. It was so open out here but also so empty. Like you and him were the only two people on earth.

Your voice tapers off. Words become second to whimpers of pleasure. His hands grope the swell of your ass before returning to your sides for steady leverage.

"We'll have to work on that then," he grunts, "If you're not gonna stop, I'll just have to make sure you can't speak at all."

You preen at the idea, clutching at his muscular shoulders and back. He pants right next to your ear. Each stroke drives deep into you, brushing a spot that had ached for him to touch it again.

"Never wanna go that long again," you babble around whines.

"Me neither, baby. Think you were right. Not being able to feel this pretty little pussy every day almost killed me," he says.

A rush of euphoria flows through you upon hearing that. Your moans become more breathy, more full of need for him. You grab one of his wrists and tug his hand off your hip, pushing it in between your legs.

He knows what you want. His fingers apply some pressure and rub at your swollen bundle of nerves. Immediately, he's rewarded with a whine out of you and a buck from your hips.

"Impatient," he huffs between a set of deep thrusts.

"I won," you retort, "I get to do what I want."

Even in the heat of the moment, he chuckles at your petulant tone. His hips keep rutting against you on the grass. He's sure his next task of yard-work will be covering the mysterious indents in the soil out here.

"I needa cum, Logan," you whine several seconds later, "So close."

"Yeah? You need it, sweetheart? Need to let it out after keeping it from me for so long?"

Your head bobs up and down in an enthusiastic nod. "Please, please, please."

"Well, it's like you said. You won. So I think you can finish when you're ready."

"Mmmm- o- ok..." you whimper out.

Your hips roll up and down to reciprocate the fast pace of his own. He's battering right up against that special spot inside you that makes your mind blank and your eyes gloss up.

With a handful of whimpers, you cum. Your face scrunches as your cunt tightens around him. His fingers keep up the same rhythm on your clit, swirling around the little bud through your pleasure high.

"That's my girl," he praises, "Let it all out for daddy."

Your body seizes up at that command. Every cell of your being somehow knows to obey. You stumble over words and let them leave your lips half formed.

He keeps driving into you as you're coming down, chasing his own release. You're well into the territory of overstimulation now, all parts of you fizzling like a lit sparkler.  Your thighs quiver against his sides violently. They lock around his waist when you finally feel him slam in and drain himself.

A loud groan erupts from him. He makes no effort to restrain it given that only the two of you are here to hear it. He fucks it into you, ricocheting himself against your center a couple more times and letting every last drop pour into your dripping hole.

When he feels sated, at least for the moment, he reluctantly pulls out. He takes a couple deep breaths as he watches a bit of his cum ooze out of you. It didn't matter though. That wouldn't be the last load you took today.

His body topples over next to yours on the natural ground. You both lie there for a few moments catching your breath before you roll onto your side to look at him.

You just stare for a few moments. Your eyes roam along the shape of his face to the slope of his jaw and the curve of his chest. Leaning in, you kiss the space below his ear.

He responds to the touch by curling his arm around your waist and pulling you to his side.

His head turns to meet your loving gaze.

"I think we have some more time to make up for," he says.

You respond with an eager nod and hop up to your feet. Both of you pull on the basics of the clothes you'd been wearing before and rush back into the mansion, giggling as you stumble through the halls like a couple of lovesick teenagers.

The door to your room stays shut for the rest of the day. You spend the remaining hours you have enmeshed in each other; intertwined with him enough to recover from the lack you'd put yourself through.

Logan doesn't venture beyond the barrier of your shared sanctuary until the sun has gone down and darkness coats the halls of the mansion.  He walks quietly, taking his steps carefully to ensure none of the wooden planks beneath him creak.

All he had to do was go downstairs and grab you some water. In and out. Five minutes. But as he rounds the turn into the room, Scott's already there, looking through the fridge. He freezes and stands there awkwardly in his black tank top and loose sweatpants.

Having heard the sounds of his footsteps, the other man glances over at him. 

"There you are. Didn't see you around when I got back," he says simply.

Logan shrugs, trying to play it casual. He walks across the room toward the cupboard that holds the glasses. The other man's eyes follow him. He can feel that even through the scarlet shades on his face.

"Haven't seen your other half either," Scott continues.

Logan can tell from the tone of his voice where this is going. 

"Don't call her that," he scoffs, forever downplaying his attachment to you, "She's tired. She's upstairs sleeping."

"On her day off? I wonder what would have her so drained," Scott replies. His tone is flat in contrast to the little smirk on his face.

"Don't start," Logan says. He goes to the fridge to fill your cup with water. The trickle of the fluid is the only sound in the room until Scott keeps going.

"I didn't say anything," he says, raising his hands in surrender, "Only that this is the best mood you've been in all week."

"A couple hours without you around does wonders for me," Logan grumbles, wishing the liquid would pour a little faster.

"I'm sure. A couple hours with no one else around. Just the two of you after you've both been stiff the whole week," he taunts, "It's ok to admit you're whipped."

Finally, the cup is full. Logan takes it and turns away, holding one finger up as he walks from the kitchen.

"See you tomorrow, Scott."

"Yeah. Tell her if she's feeling sore, she can skip the early meeting," he says with a little laugh.