#i'm not sure either suits her tbh

[strangefable]

i was tagged by @fourlittleseedlings, @socially-awkward-skeleton, @direwombat, @sukoshimikan, @detectivelokis, and @roofgeese to do this 'which tragic greek figure are you?' quiz for my girls. thank you all! <3

passing it forward to @somethingclich8, @i-am-the-balancing-point, @marivenah, @kittiofdoom, @sstewyhosseini, @confidentandgood, @voidika, @vampireninjabunnies-blog, @jacobseed, @jacrispea, @unholymilf, @poisonedtruth, @hoesephseed, @kim-rye, @florbelles, @aceghosts, @poetikat, @legally-a-bastard, @strafethesesinners, @derelictheretic, @hopelesscounty, @afarcry5fromstraight, @damejudyhench, @inafieldofdaisies, @adelaidedrubman, @passinoutpieces, @the-lastcall, @thomrainer, @gayafsatan, @funkypoacher and anyone i mistakenly missed. if you can see this, i tag you! (sorry for so many, but if i'm following you, i want to see all your ocs always, i'm dead serious <3 <3 <3)

Patroclus

clever patroclus, beloved patroclus, poor patroclus: you do fall into madness, nor vanity, nor hubris. not, that is, for your own sake. love for that golden-haired man, sorrow for your countrymen; it is for his name that you don his armor, and for the dying greeks that you ride into battle. every piece of you is willingly given away, even if after you are gone there are wicked things done in your name.

Arachne

adept arachne, the things which you craft are born from years of careful practice, focused effort, and a drop of divine inspiration. your finished product shows the skills which you have honed over your lifetime, so take pride in that, but don't proclaim yourself a peerless artisan. and, by the gods, show humility when you've been beaten.

Icarus

what is there to be said of icarus? you were warned, yet you persisted, imprudently. but what of your first taste of liberation? the exhilaration that follows the first ray of the sun to touch you as you are, as a free man, makes you drunk on joy. we all know the foolish things that drunken people are capable of. was the fall as thrilling as the flight?

Antigone

(there was no text with this result)

[oh-no-its-bird]

TMA naruto au time buckle up,

Jon should get to be a half Uchiha bastard who has an infamously hard time controlling his sharingan.

His mangekyo (which he gets very very young when he accidentally leads a bully to their death at the hands of a nukenin with a love of spiders) basically acts as his beholding abilities and can allow him to compel people to sit still and answer anything he asks of them, which gets really messy when you consider a) shinobi society is built on secrets, and b) he has a really hard time turning it off

His visions absoloutley fucked but whatever bloodline his father was from seems to have caused the deterioration of his eyes to stop where it is— and is also the cause of why he has extra difficulty w it's flip switch

Anyways, Inuzuka Daisy or Hatake Daisy, I can't decide. Either way shes wolf coded as fuck and also in a similar boat of being absoloutley shit at controlling her bloodline. She and Jon are so problem child coded, and I think part of the reason she hates him as kids is bc she sees a lot of herself in him but like, at her worst. All of her issues but he just lays down and takes it when she fights tooth and nail against anyone who so much looks at her wrong. They are opposite ends of the spectrum and she's hyper aware of it

I think that when they're older they should get to go on a mission together and basically the whole coffin thing happens but with like an enemy nin w an earth chakra type.

Mmm alternatively tho, sprinkle in hints of the dreaded fears and play w the beasts and yokai of naruto canon, pull some spooky shit.

They get in over their heads, coffin happens, Jon goes back for her then we end with them both just kind of looking at eachother like "there are things in this world we can not comprehend."

Mmm, naruto version of the fears,,, that could be fun. Incorporate the bijuu maybe, idk

Anyways, Daisy hates Jon, coffin time happens and Jon escapes but then goes back for her (if she's a Hatake, this could also play interestingly w parallels to Kakashi) and they come out of the whole thing having Seen Thing(tm) and are irriversably changed and also now very much edging into co-dependant besties territory

Can u tell I'm a big fan of the Daisy and Jon besties agenda bc I so am

Moving on to the others ->

I want to say civilian Martin? I don't have much for him tbh, it'd be cool if he was like distantly related to Haku tho. Give him the cool ice mirror bloodline limit or whatever bc smthn smthn the lonely.

Mmm ok acrually hear me out: civilian Martin who's trying very hard to avoid shinobi things. He's actually a defected Kiri nin who forged a new identity for himself and fled to Konoha to start a new life after the bloodline hunts back in Kiri killed his whole family (except for Haku, but he doesn't know he's still alive) He's trying very hard to fly under the radar, but I doubt he'll succeed for long

I want him to look like all those fun lonely avatar fan arts of him w the sharp teeth, white streaked hair, dulled looking skin and kinda fishy vibes overall actually, but like he uses a seal to keep a permanant henge on him to look normal bc hes very visibly Kiri otherwise

Tim is giving me Yamanaka vibes for some reason. I like that also bc then we could possibly get him and Jon working together in T&I, which like yay parallel to how they used to work together before the archives

Sasha is giving me civilian born shinobi vibes, I think she should get to work in the hokage tower. Paper pusher with big dreams of moving up the latter and really being someone one day. She has her eyes dead set on a position in the Hokage's office

Basira is ,,, somewhere. You really can't have Daisy without her that's just illegal but I'm not too sure where to put her. Civilian born Basira kinda suits her but I'm ngl I'm kinda eyeing Nara Basira. Wait no fuck ok, Nara Basira and she was on a 3 man unit with Tim at one point, now they just need a Akimichi to complete the narashikacho trifecta there

She totally works in T&I now, or maybe with the Uchiha police force? It's like 90% Uchiha but I'm pretty sure some other clans are spotted here in there among them, and if they're not, I mean, I don't actually give a shit so .

I don't know if this is one of those aus where canon is still there but we're just adding tma characters into the mix or if it's just vague naruto setting but tma characters are our focus / replacing the main cast. But I think it's the first. If it was the second tho I'd say Elias as Danzo in a heartbeat

But since it's the first, Nara Elias who got a mysterious eye transplant years ago that seemed to have changed his personality entirley (were totally keeping the body hopping shit, rip the real Nara Elias who's been dead for years)

He's a slimy politician who works closely with Danzo

Ok so main narrative:

I'm thinking the coffin thing happens with Daisy and Jon, and now they're kind of eyes open to the existence of whatever version of the fears exist in this world. Jon is Jon and can't let sleeping dogs lie, and Daisy is Daisy and does her twitchy "there's something dangerous out there I can't control/don't know about" thing so she's really not stopping him, but she is helping him be more smart about it. Sometimes. They're both kind of lose canons tbh holy shit this is gonna be a disaster

So Jon gets kind of obsessed w whatever the FUCK that was, and Elias smells blood in the water and approaches

Idk what's going on with Elias but he's still body hopping bitch boy Jonah here. He's very involved in the fears, and he's had his eyes on Jon for a while. You see, the way that avatars manifest in Naruto world is that sometimes they'll often show their influence through bloodlines— Nara the dark, Yamanaka the beholding, Inuzuka the hunt, it's all there if you look for it.

Those in 'the know' believe that all bloodline limits came from the fears— sometimes their influence shows more than others. And very very rarley, that influence becomes a a bit more... potent, than in others.

Elias believes that Jon is one such instance of this, his strange mangekyo being so painfully and terrifyingly beholding coded, far more than his clansmen who's own mangekyo tend to branch off lightly into territories of different fears.

Jon (and Daisy, but Elias has a clear favorite here) running into such a strong instance of the buried, which is rare on its own, has only made Elias even more interested, taking it as some sort of sign that there really is something especially odd about Jon's unusually strong link to the fears.

Anyways, Elias sponsoring Jon's investigation into the fears, their links to the bijuu, how they interact with chakra and if they might truly be the source of modern bloodline limits.

Konoha secret supernatural task force (not to be confused with ROOT or ANBU) meant to monitor the fears influence in Konoha,,,

(God, of course Elias couldn't help but make his own fucking secret service in opposition to ROOT. He couldn't let Danzo upstage him)

Just like how ANBU has their shoulder seal and ROOT the tongue seal, I'm thinking their seal is a stylized eye on the back of their neck, which ofc Elias is always watching through, rip

Oh fuck, actually give me seal master Elias and his special spy seals he can watch and listen through. It's not a power thing it's just a specialization thing— he has his own eye tattoo that allows him to directly see through all his seals at any time.

Anyways we're calling this organization ARCHIVE bc I am a simple gal. Don't ask what it's supposed to stand for in verse, idk

Idk who else should be in it, or if it should be like ground up and Daisy and Jon are the first. Wait what the fuck am I saying, Gertrude and Gerry obviously. Michael Shelly too, can't forget him

Toss in Mike Crew and Jude Perry also just bc I like them. Maybe Nikola and an Aburame Jane Prentiss? But also idk if I'd want to put them in the position where they're technically working under Elias, I feel like that just doesn't fit. Better to leave them out in the wold to run into instead for conflict. Except Mike Crew, who is my favorite little guy and who should get to be here on loan from Elias' friend and Daimyo's court shinobi, Simon Fairchild

Honestly be funny if Kakashi was in it at one point just bc then he'd have been in all 3 konoha secret services and honestly? Hilarious. Someone give that guy a fucking break oh my god

Obviously Tim, Sasha, Martin and Basira all eventually join in, tho idk how. Maybe Jon is actually asked who would be a good choice for it? Jon says Tim and Daisy says Basira, then they both kinda eye Sasha who's been very fucking vocal ab needing just a chance to get her claws into the hooks of the Konoha power ladder and reccomend her too

Martin is the tricky one, I'm thinking Elias somehow finds out ab his Kiri background and has always wanted to poke more at the lonley's very visible connection to many kiri bloodlines— but Martin's in particular. So he kinda blackmails him into it, but framed in a more friendly "I'll make sure you don't have to hide anymore, I can secure your place in Konoha even with your ancestry :)"

Also maybe he was impressed by Martin's disguise seals, that'd be neat. Seal master Martin but he's Martin so he's like "Ah, I'm really not that good at it :("

(Jon is infuriated by his seemingly natural talent then even more infuriated when it becomes clear he's actual shit at most other shinobi things)

Ok so peddle it back to Mr Jonah eye fuckery Magnus here -> he was once like Jon. A man born into a clan w a link to the beholding, with a light eye themed bloodline limit. But he was born with a stronger tie to their patron than the others, strong enough to recognize they had a patron at all. And by feeding into it (don't ask me how I have no clue) he was able to strengthen that tie, gaining more power, and the ability to body hop through eyes

And he looks at Jon and wonders if he can replicate that in him. Groom him into something closer to their god, then feed him to the beholding to further his own power, which seems to have stagnated in growth.

I think also there's just a good amount of spite for ROOT and hunger for political power that he might get from ARCHIVE, and Jon is a clear fit for it, so like. Add him to the pile !!

I have a couple more vague thoughts for this -> the archive tunnels correlating to ROOT tunnels, the real Elias being childhood friends w Danzo and Hiruzen before Magnus took his body, Madara off in his cave somewhere being influenced by a Zetsu who serves the fears instead of Kaguya, etc.

But I'll leave it here for now, thank u for ur time

[brellafaun]

UNHINGEDPOSTING YIPPEE

today's episode is what build a bears i think the brellies would have/get. they take five as sibling bonding and he pretends to hate it but secretly loves it. allison records all of the heart ceremonies and cherishes the videos forever. i'm truly losing it i miss them so much

LUTHER ♡

luther would 1000% appreciate a golden retriever build a bear. he probably really wanted a dog as a kid but reggie wouldn't let him, so this would be kinda like healing that inner part of him (also rebelling against what reggie said!! win!!!). he would probably name it something like rover or scout and get the pumpkin spice scent and some jammies for it.

DIEGO ♡

shaggy highland cow. lila would tease him while they're looking at bears by saying their hair matches. it would only motivate him to get it out of spite. cannot think of a name while at the store, comes up with one once he's home. either gets one of the button ups with a funky print or an all black outfit with combat boots, with no in between. definitely a birthday cake scent guy.

ALLISON ♡

pawlette girlie all the way. classic, but not outdated. likely matches with a bear claire has. she would commit too hard to the bit and spend way too long trying to find the perfect outfit, maybe something that matches whatever she's wearing when they go. gets either sunglasses or one of the fake lattes as an accessory. either pumpkin spice scented or strawberry.

KLAUS ♡

rainbow bearlien no i am not taking criticism. maybe a frog, but this is the funnier option tbh. he would assemble the cuntiest little outfit possible for his bear, definitely using the faux leather crop top and some boots. additionally, he might get the emotional support bear shirt. takes the heart ceremony and birth certificates extremely seriously and gets his laminated. lavender scent ftw (maybe even gets his bear weighted?? weighted stuffed animals are great for anxiety tbh)

FIVE ♡

timeless teddy bear because. he's timeless. okay listen that was funnier in my head. but i feel like he'd dig this guy because it's more like something he would've actually had as a kid. maybe it'd be like a bear he did have, sewn together by Grace. he would pretend that he doesn't want it, but he absolutely does. gets a little suit and shoes to match his (that, or he gets the emotional support bear shirt). the scents are probably a little too on the sweet side for his liking. (if she had planned it out in advance, allison would've gotten him one of the ones that has embroidery on the foot. it'd probably be something simple and grounding for when he's stressed.) immediately emotionally attached. the employees ask if it's his birthday at least twice.

BEN ♡

jennifur the cat. we all know why. but in all seriousness, i think he'd dig this one because he's got a secret soft spot for cats. it's also pretty separated from the aquatic animals, and doesn't remind him of the horror at all. gets a zip-up hoodie and jeans to match his. potentially gets a voice message in the paw, something from klaus or the whole family. fresh cut flowers scent.

VIKTOR ♡

buffalo check pawlette just kinda fits the vibe? idk man, it clicks in my brain just right. the ears and paw pads are a good texture and he jives with it. joins mr. snuggles in the lofty position of on the bed. emotional support bear shirt, little denim jacket, jeans, and boots. maybe the plaid pajamas if he's feeling a more cozy vibe. lavender scent for sure. doesn't get a box and carries it with him as they leave.

LILA ♡

mothman. she's the family's own little cryptid. it works. finds the goofiest sleeper she can and bunny slippers. gives him a ridiculously intricate name like Sir Cornelius Weston XXVII. gets diego to record a voice message for her and refuses to tell anyone what it says (it's just him saying "I love you"). laughs at five doing the heart ceremony and refuses to do it when it's her turn. cotton candy scent

...........hargreeves family going to build a bear fic when

[leoruby-draws]

Kid Villains, pt 2.

Decided to post more kiddy villains, bit of a sequel to this. First up is Kitten, Mothman's bratty daughter from the 2003 teen titan cartoon:

Modeled her costume after the Rosy Maple Moth, while there are species of moths with the name kitten on them I figured she would prefer a pink outfit.

Thought it'd be kinda cool for her to be a villain for the batkids, she's already evil so why not. I don't imagine her to be all that talented at the job tho she would still be very dangerous if you underestimate her. I think she would work particularly well against Steph, being that Mothman started as a villain for Barbara (Cass might be too high level for her tbh).

Here's some more doodles:

Here's my Scarecrow's sidekick oc, I should probably name her something like Rag Doll or Raggedy Scream maybe? The three boys are oc's modeled after the Terrible Trio, criminals who commit crimes wearing animal masks. Their identities change a lot over continuities, so these kids are probably aspiring to be the next incarnation of this group.

Here's another random oc, a sidekick for White Rabbit (Jaina Hudson). Thought it'd be funny if it was just a kid in a silly rabbit suit, like what the kid wore in that movie, A Christmas Story. I'm not sure on what his personality should be. Maybe someone genuinely nice, a cheerful, polite boy who likes to hand people bombs (unintentionally dangerous) or maybe someone pretending to be nice but is actually malicious. Whatever's funnier I suppose.

Here's some characters inspired by the Super Friends enemies, the Super Foes. You'd see some of them return for the Robins 2021 mini, except for Toy Boy. Giggles and Guffaw are newer, only appearing in the mini.

I messed with their designs a bit to make them more unique looking. Honeysuckle for example was shown with either red or brown hair but I gave her a sorta dark maroon, thought it contrasted well with her green outfit. Honeysuckle btw, is older than the rest, and is more of an enemy to Dick and Barbara, tho her teenage self has no problem attacking the younger sibs.

Also Giggles and Guffaw might look a little similar to a certain anime starring a group of sextuplets, just being a little funny there. I gave these kids some made up names, mostly taken from whatever writer created them. Couple of them worked out pretty well actually, like Bridwell (well, spring, stream) and Estrada (Road).

This next one is a character from the 2004 cartoon The Batman, which I never actually watched but I did see commercials of. His name is Prank ( Donnie ?), a protege of the Joker. He wasn't evil enough to stick it out, but I gotta say I just loved his costume (esp how the jacket resembles Robins coat a bit). Made up a last name for him, just a random one from searching up famous clowns.

Being Barbara's peer, he's also more of a antagonist for the older kids, decided he and Honeysuckle should friends. I kinda want to use them as a sorta contrast to Babs and Dick, that could be fun to do. Also look at baby Dick, I don't draw him enough at this age.

Speaking of Barbara, I've been going back and forth between having her start out as either 12 or 16. All the other kids start out really young, so it makes sense for Babs to do so as well. But I kinda like the thought of her starting out much older, makes her more unique among the batkids (in pre-crisis she became Batgirl in like her 20s btw, cool huh?)

More various rivals for the kids to fight, excluding my oc Pink Rabbit, all of them more antagonists for the kids themselves rather sidekicks of the villains that Batman fights.

Here's Jason and Steph torturing poor little Enigma, who would be considered the bad guy here?

Here's some more proteges, Holly probably exists in this world, she's a bit too old for all this nonsense tho. Kitten is also a Super Foes member and was in Robins 2021 as well, she's been shown to be a sidekick to the Cheetah and Catwoman. Maybe she's just likes to attach herself to any cat-themed villain.

Crazy Quilt is more of an enemy to Robin than Batman, plus he has his own legacy in Crazy Quilt II, so obviously I had to include them. I wonder what name should I give the younger one, Duvet? Silly Blankie? idk

Lastly here's Earth 3(?) Jason Todd as Talon II paying a visit to the Training Wheels universe, seems like hes a bit of a crybaby. I don't think we've seen a earth 3 variant of Jason, so I'm just making up my own version of him. Wonder why he seems so nervous...

Anyways!! That was a lot, hope you liked all that!

[gatitties]

Hanging out

─ Tenjiku x fem!reader

─ Summary: you have the courage to ask the guys who tried to recruit you to hang out

─ Warnings: swearing, mention of ways to die, kisaki

Part one / Part three / Part four

no because I'm thinking of making a miniseries for these bois because I'm an idiot for them 😭 I think I did it a bit long, sorry-

"Come on honey! It's the first time in a long time that you've been out with friends, or talked to someone, or seemed to have friends, or-

"Mom, you don't need to degrade me anymore, I know I don't have friends."

"But not anymore! That's why you have to go out with them, you can't spend your life locked in your room."

"What are we betting? If it's the family heritage then…" a bump grew on your head from the blow your mother gave you "Okay, okay, I guess I can try to get out of the house."

"That's it! Get out there and shine love, you deserve everything good in the world."

"Even the family herit-?"

You didn't even finish when you already had another bump on top of the previous one, deciding to leave the subject you said goodbye to your mother, well, she had to go with a friend, meanwhile you finished doing some pending things that you had to finish by tomorrow. When you finished, you threw yourself on your bed, flipping through the social networks a bit, doubting whether to contact the boys, after all, you only met them once in person, the rest was all conversations in the group that Izana put you in, although you had a lot of fun with them there, it's not the same to talk on a screen than face to face.

After several minutes you decided to take a brave step, seeing that some of them were even talking on the group chat.

Tenjiku will rule the world

[Matchstick] So i grabbed the bat and left him bleeding in the alley

[Izana] deserved more punishment tbh

[Izana] we can't go easy on traitors

[Sanzu] next time leave it to me

[Sanzu] i won't let them recognize the corpse

[You] is that a new flirting method?

[You] i don't think it's very effective

[Izana] aye

[Izana] glad to see you're on

[Shion] not me

[Kaku] stfu

[Rat] protective boyfriend material huh?

[Kaku] stfu too Rat

[You] yeah leave my baby alone

[Rat] whatever [Rat] can you at least change my name?

[You] nah, i like Rat more than rindou, it suits you better

[Rat2] can you change mine?

[Rat2] i'm supposed to be the oldest

[Rat2] he would have to have the 2 not me

[Mochi] picky boy

[You] okay

You have changed the nickname of Rat2 to Rannabelle

[Rannabelle] …

[Matchstick] pfft-

[Kisaki] i keep asking why you decided to include her in the group

[Kisaki] the rumors were false after all

[Izana] do you have something against the opinion of your superior?

[Matchstick] bro she's funny

[Kisaki] ...

[You] anyway

[You] who tf are you?

[Shion] oh right, they didn't meet in person

[Kisaki] i wouldn't like it either tbh

[Sanzu] speak for you

[You] i already like you Sanzu [You] you're already among the 'handsomes'

[Shion] not that shit again- [Shion] you didn't even see him

[You] i don't need

[Koko] you're just jealous cause you're not in the handsome group [Shion] i'm not jealous [Koko] sure [You] anyway i have something to ask [Matchstick]shoot

[Rat] you want a date with me? aww, of course! [You] yikes [You] i think i prefer a date with a homeless man who can time travel than you

[Kaku] i'm really concerned about your mental health right now [Izana] she's just in her haunting nature [Rannabelle] bet she likes me more than you rin [You] i like hanma better ngl

[Matchstick] bwahahah~ i'm the favourite ♡  [You] no, you're not ♡ 

[Matchstick] </3

[Izana] so... what do u want to ask?

[You] oh right

[You] i was just wondering if you guys had some free time to hang out?

[Izana] sure ;)

[Kaku] i'm in

[Matchstick] of course i have to get to be the favorite~

You didn't pay attention to the other messages, the truth is that Izana and Kakucho were enough for you, you weren't going to belittle Hanma either, he was trying anyway. You just texted a couple more to meet up at a certain place, quickly got ready in the most comfortable clothes you could find, plugged your headphones into your phone to have a walk to the location.

Normally you were like a damn rock when it came to expressing your feelings or opening up to people, you didn't like to socialize much but it wasn't a pain either (depending on the person), the fact that you didn't like to talk or express yourself a lot didn't mean you were one of those people who get nervous when they have to order pizza by phone, call a waiter or order a drink at any bar. But today you had that little nervous feeling, as if these guys were going to judge you and decide if you were worthy or not, even though it was clear that they already liked you a little for the simple fact of adding you to their group chat.

You were pessimistic so you kept those feelings throughout the journey, however, swallow them because as soon as you saw the boys just forgot them, there were three people you didn't know, the rest were Izana, Kakucho, Hanma and the Haitani brothers. You assumed that neither Koko, nor Shion, nor Mochi were there because they had to do something important or simply didn't want to see you.

"Hey honey, here!"

Hanma waved his hand as his eyes met yours, drawing your attention to come closer once and for all, you murmured a greeting to everyone, looking at the three new faces.

"So you don't intend to introduce me to your friends? Oh wait, I want to guess, can I?"

"Go ahead, please give us one of your amazing comparisons."

Rindou said, completely amused, even though you also messed with him, your comparison ability can always make fun of others, it's not like you make distinctions, no one was going to escape your critical eye.

"Mmmh… I don't know why I have the feeling that the one who seems bacterophobic is Sanzu" you pointed to the long-haired boy who had a mask covering half of his face "he seems to have pretty features, and Sanzu is in that side without hesitation."

"Madarame must be tossing and turning in his bed when he heard you, you've got it right."

Sanzu offered you his hand in greeting, noticing how his eyes narrowed a little, he had a cheeky smile that no one could see. The next one you looked at was Mucho, he seemed almost as stoic as you, another rock on the team huh? You also guessed that it was him, then you exchanged glances with the boy with glasses who seemed to be here by force, there was no one else left so he could only be…

"Are you Kisaki? Man, aren't you cute? Are you the baby of the group or something?"

Everyone tried to hold back their laughter when you approached him to ruffle his hair in an affectionate way, more like to annoy him a bit, poor boy, you were taller than him so your action and comment only irritated him more than he already was, he moved away your hands from his head, clicking his tongue.

"Maybe you're taller, but I'm sure I surpass you in age and intelligence."

The others looked at the interaction, you had that dark look that managed to scare away so many fucking thugs, it looked like you wanted to hit him right there, but they didn't expect you to laugh like Izana the time he met you.

"Oh please, don't be silly, I'm older than you, in fact, I think I'm older than all of you."

"You're kidding, aren't you? Most of us here are of legal age and you are still studying."

Izana questioned looking at you, you scratched the back of your neck sighing, you weren't very proud to admit it, but it's not like it was a big deal either.

"Well, I'm nineteen, I repeated a couple of courses…"

"You what!?"

The Haitani brothers were the ones who were most shocked by the new information about you, you just downplayed it, the last thing you wanted right now is to be treated differently because of your age, even if it's only a year older than some, these guys can be very offended at not being the oldest.

Kakucho finished off the general daze, talking about doing something and not just standing there like idiots, so you guys moved around just taking a walk while talking about random nonsense, it went pretty well, at least the guys appreciated some 'healthy' time, since usually their free time was also related to causing chaos in other gangs.

The truth is that it was not as bad as you thought, they all seemed quite funny, Izana and Kakucho managed to drag you into every interesting thing they saw, more like the leader of Tenjiku, Kaku thanked you because he could see his friend behaving like if he were a kid again (although he did threaten the others if they made fun of Iza for being a bit softer).

Hanma and the Haitani brothers tried to irritate or flirt you, you just looked at them with a blank face, completely ignoring them when they brought up the whole 'love' and 'relationships' thing, when they weren't bothering you they were quite nice, but that meant that now you were messing with them, that was your mechanics.

Surprisingly, after a while you and Kisaki 'clicked' simply because Hanma was bothering you both, you looked at each other silently as if you could communicate with your eyes, ignoring the poor boy as you started small talk out of the first thing that came to your mind, of course that didn't stop your little comments about him being smaller than you either.

Sanzu and Mucho stayed more on the sidelines, you didn't complain, they seemed more reserved than the others, or at least less expressive, you understood them perfectly because you were like that most of the time, it's just that these guys ─Izana more than anything─ made you take out to bring out your more sociable side a little more, it was different and nice.

But you knew well that hanging out with a gang would bring trouble, some punks recognized most of the group you were with, how could they not anyway? You were unintentionally involved in a small fight, but you weren't scared either when the fistfights between the teenagers started flying back and forth, you knew it was going to happen at some point so you just watched on the sidelines disinterestedly.

Ironically, Kisaki stayed by your side ─this guy doesn't know how to fight─ because the guys felt threatened by your dark gaze, honestly you were a little scared now, but only when one of the thugs came up to pick a fight with you, you saw yourself in the obligation to use your second wild card.

´"If you get one step closer, I promise that death will be the most beautiful thing you want to wish for, how do you want your body to be found? Ah, better if they don't find it, right?"

They immediately backed away, you're lucky most people find it hard to read your true expression because if they were like Kakucho the first time you met him they would have already beaten you up. But it didn't end there, there was another brave man who came up thinking that despite your threats you would be an easy target, which, well, you were.

Everyone seemed to see just as you were hit square on the cheek, your body seemed to fall in slow motion until you hit the ground, you closed your eyes letting a tired sigh slip past your lips, watching out of the corner of your eye as Kisaki did his best to defend himself against that same guy. You dedicated yourself to looking at the clouds in the sky without even getting up again, as if you were an opossum playing dead, hey, at least that way they wouldn't hit you again.

You only lay there for a long time, you even closed your eyes because you were starting to get bored, the boys only took a few more minutes, all their bodies surrounding you, guilt gnawed at some more than others ─Kakucho was very angry with himself─ but still it remained there.

"Do you think she's dead?"

"That's something very pessimistic, I haven't been able to go on a date with her yet."

Hanma and Ran murmured over the others who kept their questions as to whether you were okay inside, they didn't know if you were that weak or not, if you suffered from some disease or anything that could literally kill you, much to their relief you opened one of your eyes noticing how the sunlight darkened because their figures obscured it.

"It takes something more forceful than a punch to kill someone, unless the person is hit with a more forceful object or has already been seriously injured, statistically it is impossible for someone to die from a punch, well, unless it is a newborn baby."

"Oh never mind, she's perfectly fine."

Everyone sighed with relief, some being more audible than others, Kakucho helped you up, asking your forgiveness for not helping you before they hit you and they decided to go to a store to buy you a cold patch for the bruise that began to form on your cheek.

"Did you really just lie on the ground to wait?"

You hummed affirmatively at Mucho's question, who was waiting with you outside for the others to leave the store, you saw that he tried to hide his small laugh at your stupidity, if he had received that blow he would not have remained impassive, that person would definitely have to have a broken neck.

"We will accompany you home, come on."

"Huh? Izana, I appreciate it, but I'm not five years old."

"We're not taking no for an answer."

"Kakucho, not you too… I'm literally older than you."

“Well, look how we don't give a shit."

You looked at Rindou with a grimace for simply dismissing your words that you didn't need a squad to escort you home, but you couldn't do anything, even Kisaki accompanied you even though he said that he had business elsewhere.

These guys would cut their tongues out before admitting it out loud, but they took a liking to you in no time, and even though these idiots were a year younger than you (most of them) they would start behaving more carefully around you, they're not going to let today's incident happen again because they definitely wanted to spend more time with you.

"Gang members but you're being soft because someone hit a girl you only talk to from a group chat, that's cute."

You closed the door of your house in their faces after saying that, you laughed silently when you heard several shouts about how they weren't being soft and that they weren't cute for that, except for Hanma, he just smiled with his typical smile because you said he was cute, did that mean that he was advancing in his position to be your favorite?

[honeygrahambitch]

Hi, I'm new to the fandom and unsure who to ask my questions. I recently joined Tumblr and came across your posts while browsing the Hannibal meta tag. I have a few questions: What are Hannibal's feelings towards Bedelia and Alana? I remember Mads once said that Hannibal is in love with everyone on the show to some extent, so what exactly does love mean to him? Also, I'm having trouble understanding the line by Will: "You will only do that if I rejected you" (sorry, I paraphrased). I apologize if these are too many questions. Thanks in advance!

Hi anon! I am in a yapping mood so here we go.

1. What are Hannibal's feelings towards Bedelia and Alana?

They are absolutely women that he appreciates and respects to some extent. Hannibal does not engage with people he doesn't respect. Bedelia is his colleague and...friend? Depends who you ask cause Hannibal did say that he considered her his friend. He doesn't love her, but she matches his freak to some extent. She is a beautiful woman and she is intelligent and most importantly, she probably knows him better than anyone (up until the point he meets Will at least).

He was also very genuine towards Alana. He did use her as an alibi but I stand my ground when I say that he offered her to run away genuinely because he cared about her. She is also intelligent and beautiful, what's not to like about her? (i won't start ranting about Alana now, I have many thoughts ahhhhh). Tbh his feelings towards Bedelia are deeper. Alana did not see him for who he was. She didn't know him intimately enough. He has never wanted to eat her. Hannibal wants to eat people if 1) they are rude and 2) they mean the world to him (because how else to express your adoration). Bedelia did end up for dinner in the end. What he had with Alana was not that deep but it was enjoyable for sure. Alana is more submissive than Bedelia.

So I guess to sum up, both Bedelia and Alana were very convenient both as partners and as pawns for the bigger picture. But his feelings toward them are nothing compared to what he feels for Will.

2. What does love mean to Hannibal?

My take on what Mads said is that Hannibal is an individual who is genuinely in love with life. With every aspect. Life gets complicated? That's entertaining to him. Will did something unpredictable? Entertaining too. Rude people or people he loves are having dinner with him? Wonderful. Murder? Mesmerizing. He loves suits, he composes, he draws, he cooks, he is so full of life all the time. He is a little bit in love with everyone because he finds everyone a source of entertainment and that's really important to him.

Will actually making him suffer is however something he did not find so entertaining. Even if he did find some beauty in all that pain, I am sure he wasn't very entertained. It was a rare occasion where he was really in pain. He is not the same as in the first two seasons. He is more reckless, more impulsive. His little happy narrative was shattered because of a situation where he had no control over. Part of his life satisfaction and entertainment are explained by his need to control how all the subplots develop.

3. What did Will mean when he said "you'd only do that if I rejected you"?

Honestly this is one that I struggled with for a long time and I guess you can interpret it in many nuances. It's meant to be interpretable.

You can either see it as a) "I manipulated you to surrender and you fell for it. I knew which buttons to push. You can't handle rejection. You did exactly what I expected you to do" or b) (my favorite) "I had to say all those things because it was the only way to make you surrender. I knew that you wanted me to know where to find you. While what I said back then does not reflect my true feelings, I had to make you surrender."

[miimo96]

Thoughts on My Adventures with Superman S2 FINALE

This has me kinda scared because Normally when this happens, it usually means 2 thing's; 1 this is either going to be Very long episode or 2, Somebody's going to die, and with the way the creator's have been teasing us with Tweets about Kara's demise, I'm guessing it's the ladder, and if that's the case WTF DC

Also if had a nickel for everytime that a Giant spaceship threatened to Destroy Earth as a way to Rebuild krypton in a Superman story, I'd have 2 nickels, which isn't alot, but it's weird that it's happened twice

So lemme get this straight, this Lex is smart enough to build the parasite suit, have a fail safe for that, is able to frame Superman gaining Millions of followers and government access, infuse Kryptonite to Kryptonian built robots, but isn't smart enough to come up with a fail safe when said robots get hacked!?....yeah I call Bullshit

Hell yeah the Cavalry's here! oh, and Sam too I guess whatever, listen the FANS might've forgiven your ass for abandoning lois 6 episodes ago, but I sure as hell don't, in all seriousnes tho I am glad he got some sort of character development regarding his relationship with Superman, seeing it as how he is now trying to help him instead of ya know, Trying to Kill him 😅 btw I kinda feel stupid for asking myself how the heck they turned invisible, only to realize they were actually holding on to Only the character who Can turn invisible Lol 😅😅 also did anyone else immediately thought've Lobo when he said the Main man, no, just me

Wow I can't belive they actually gave Kara the Winter soldier treatment, from the brainwashing, Down to him effing reactivating it like freakin Zemo, Well looks like Clark's gonna have to fight his cousin again, hopefully he doesn't end up like last time, or if not maybe Jimmy can talk some sense into her, Seeing as how it was seeing a picture of Jimmy which resulted in her breaking free from Brainiacs control, maybe this where he can finally confesses his feelings for her, Omg I would love that ^w^

Wait you're telling me Brainiac Did it, that he's the reason why krypton exploded, that HE Killed clarks and Kara's parents!? Oh nah Brainiac gotta die now, also has anyone else how similar he is to Zod, from his reasoning, to his personality, to even this whole effing scenario, like This is some shit Zod would've done, and it's funny because I was actually thinking about this not to long ago about how we technically don't need Zod in this show because Brainiac fits that role perfectly, especially with how he's been depicted this season, Omg if this was an intentional Detail on their part, then it's official, this show never ceases to Amaze me

Uh oh scary Kara's back, Damn it Brainiac why you gotta be such a Bitch; Also it may be nothing, but the way those missiles were moving kinda reminded of the way Darksides Omega beams would move, which got me thinking about something; What if Kryptons technology is possibly made from Apocalypse

This shot is ABSOLUTELY Beautiful; from the colors, to the camera work, to even the Symbolism between him and the Sun, everything was just Screams Superman

Tbh out of all the anime tropes they've done this season, I gotta say Talk no jutsu the 1 was NOT expecting them pull, and ya know what, I'm actually kinda glad they did, because it just fits Superman's MO; Superman has always been represented for kindness not his strength, like even if you've done him dirty, he'll still always choose to help you because that's just who he is, hes the person who just wants to help, he'll carry the weight of the world on his shoulders, he's the person who will try to stop a threat with his words before having to result to violence, he's the Man of Steel not because of what he can do, but because of who he is and always will be, hence why this trope works perfectly for him, it's the Perfect representation of what he embodies, Compassion, That's what makes him Superman

Ok I have a few things regarding this scene, 1st off i Absolutely love my 2 star children, 2nd of all Kara don't throw him into the sun, that's how make Nuclear man 😂 3rd of all, in all honesty, I was not worried 1 bit when Kara got shot mainly for 2 reasons; 1 even tho she was clearly shot by Kryptonite, they were directly near the sun and if I remember correctly, the Sun is what gives them their power, granting them the abilities to heal from critical wounds as well as even more strength, and because 2, kryptonians have invulnerable skin meaning she won't burn up from the sun even if she falls into it, all in all touching scene but No stakes

Kara's lighting's, Kryptonite Saber, Clean animation, Super sayian references!? OMG this episode is AMAZINGGG!! Also Kara's lighting's Red!? Ngl but I SWEAR I thought it was gonna be yellow, not because it would only go good with her hair, but because it in my opinion, it just fits her better, plus we did see kinda of it Start to spark in her fight against Brainiac 2 episodes ago, and since Clark's is blue it would only just made sense for hers to be yellow, hopefully maybe it can like evolve in season 3 or something, don't get wrong I like the Red but in my opinion, it just feels like a missed opportunity, In other News

Eff yeah Brainiac's Dead! Be honest, how many of you actually thought kara was dead after that scene, because my heart immediately stopped after she passed out 😅

Also can we talk about how Amazing Kara's suit looks, like Omg this Has to be one of the best desings I've seen, I just love everything about it from the colors to the boots all the way to especially the Cape, like I just love how it looks like a scarf UwU

AH siblings being siblings 😊 btw Love how he still has the shirt from when he was kid, Such a full circle moment, also when it comes to Kara's, this Kara, the kara from injustice 2, the CW show and even The FLASH movie are All of my favorite Kara's, every single one of them EXPECT and I can't believe I'm saying this, the 1 from the DCAU, like I'm sorry but in my opinion she was just too much of a hot head, and she barely had any screen time in Justice league, like I don't understand how did we stray so far from God, also she was incredibly weaker when it came to her cousin, this 1 on the other hand can slap her cousin around like it was a normal Tuesday, So yeah that's my Hot take come at me In the comments I dare you

Well well well looks like instead of mommy dosen't need you anymore, it's more like We don't need Mommy anymore, hell yeah Lex's finally going to be the Villain next season and I soo can't wait, oh and what's this, it looks like slade is gonna be his right hand now, oh yeah Slex is Definitely becoming cannon

🎵 Super rizz, Super rizz, here comes Clark's Super rizz 🎵

And with that another amazing end to another amazing series, Overall this season was freakin Epic, from the animation, to the music, to the character designs minus the robots, everything was just epic, from Start to finish; only thing to do Now is wait for season 3, but I wanna know you're thoughts, What did YOU think of season 2, and what was your favorite episode or moment from this series, comment or just leave a like if ya enjoyed this Thoughts on series, and lemme know if I should do more of this, Anyway I'mma head out because this took a while for me to write and I'm feeling kinda burnt out, Anyway yeah thank you for reading and I can't wait to see you again in S3, and with that, Superman Saturday's has come to an end, well, for now anyway ^^;

[obsidianpen]

Can you pleaseeee tell us some of your ideas about the female harry story because unfortunately your incredible brain and capacity for writing is held back by your mortal body and adult responsibilities??! It's okay of course if you don't want to i just thought it wouldn't hurt to ask💞

sure! I've definitely rambled about this before, so I'll actually tag this post this time.

So I guess I see fem!Harry going one of two ways - either a Harry who is exactly the same look and personality wise, just a girl, or a Harry who looks exactly like lily instead of James, and may or may not be just like canon Harry in personality. this is obviously a HUGE generalization and tbh I don't actually have any idea if this is true or not, now that i'm tying it - I don't even read fem!Harry fics, so shit. What do I know.

BUT I would go the route of her looking like Lily but with James's eyes, and the reason I would feel the need to write the whole damn series over is because I think her being a girl would change things drastically from the get-go. I imagine having an adopted daughter that looks just like her dead sister would irk the shit out of petunia, to the point where she would distance herself as much as possible from the girl. And her family would follow suit, because while she and Vernon would turn a blind eye to physically bullying another boy, I don't think they would be encouraging their perfect little dudders to hit a girl. Much too crude. So they would all more of less neglect her as much as possible.

Which would lead to a much more introspective girl than the boy in the canon books, as I would write her, anyway, and one who is used to doing things on her own, and used to being overlooked. The kind of girl who would not make a show of receiving a letter, for sure, and would have waited until she was in her cupboard to read it. And the kind of girl who would have hit it off with Hermione right away, and not so much with Ron. And who maybe wouldn't have entirely snubbed Draco but wouldn't have pledged her loyalty to him immediately. And who would have been sorted into Ravenclaw, because that seems the type she'd be in my mind, and I love a good upset.

Anyway, I swear I have pretty much the whole series written in my mind about how it would go, which is why, of course, I'll never write it. It would be fun, though! Oh, and I think I would go with Holly for the name. Maybe. Hmmm.

[lizzybeth1986]

Drake and Kiara: When You're Fucking Racist

Series - TRR's Alternative LIs - The "Romances" that Didn't Happen

Previous - Hana and Madeleine: When You Reward Your Favourite Bully with One of Her Victims

A/N: Again, apologies for the length. There was a LOT to unpack in this one!! I'm really, really not going to be nice to Drake here. It was harrowing to go through a lot of these scenes again and I honestly don't have the patience or inclination to sugarcoat any of it.

CW: Mentions of gun violence and minimization of trauma. Mentions of racist fan vitriol towards a black character. Examination of the Jezebel stereotype.

Whenever I think about how unhinged the hatred towards Kiara (and especially towards Kiara's attraction to Drake) was, a specific edit comes to mind.

On the surface, it looks quite simple. Kiara in a white wedding dress, Drake right next to her in his blue formal suit. Both of them are smiling at the viewer. The background is a beautiful forest, and the entire picture is bathed in a lovely, muted sepia tone. A sweet, simple wedding scene.

The caption underneath this edit?

Classify under things no one asked for.

Kiara's dream come true!

The tags read "#i barf a little looking at this" and "#i must post to share the suffering". You find out in the comments that the OP created this edit inspired by one of the many fics where Kiara was Drake's stalker, and intended to make her creepy and deranged (but ultimately failed).

The comments are...tbh, things that this fandom has long since normalized and shrugged at when it comes to Drake stans. Multiple puke-face emojis. Multiple gifs signaling disgust. One stan even equates the ship name (Driara) to the word diarrhoea.

"She looks very stalkeresque and white "I drugged Drake so he's marrying me" wedding ready!"

"Well it's close to Halloween so we should expect scary shit"

"THAT is why I made that bitch my Maid of Honor...so she got the message LOUD AND CLEAR...it ain't NEVER gonna happen honey" (right below a barfing gif)

I wish I could say this example of Kiara hatred was the worst of the lot, or even the only one. It wasn't. I'm not sure even an entire essay would be adequate space to explore the sheer levels of vitriol, hatred and double standards dumped on this one character.

Until now, we've seen examples of alternative LIs that were treated with respect. With adulation. Often with kid gloves in case we hurt their poor lill fee-fees. Up until now, no matter what an alternative LI may have done, the LI matched with them wasn't allowed to treat them badly, nor was the MC able to get away with hurting them without punishment.

But in this series, Kiara was, is, and will always be an anomaly.

The Jezebel Stereotype

In most media, black women in particular tend to be subjected to a variety of stereotypes that often have serious, real-world implications. The Mammy, the Sapphire (that over time evolved to what we now know as the "Angry Black Woman" stereotype) and the Jezebel, being the most prominent ones among them. In this essay, I will be focusing specifically on the last.

An article in the Black Then website explains the definition and history of the trope this: "The portrayal of black women as lascivious by nature is an enduring stereotype. The descriptive words associated with this stereotype are singular in their focus: seductive, alluring, worldly, beguiling, tempting, and lewd. Historically, white women, as a category, were portrayed as models of self-respect, self-control, and modesty – even sexual purity, but black women were often portrayed as innately promiscuous, even predatory. This depiction of black women is signified by the name Jezebel."

So it isn't altogether uncommon to see stories where black women are juxtaposed against "pure", "innocent" white/white-passing women, and viewed as lesser. PB hasn't exactly escaped these stereotypes in their stories either - though there are a variety of characters and character types, we can't deny that there was a time when a black woman was made the antagonist, often in ways that were meant to measure her up to the MC/another white woman to her detriment.

(VoS screenshots from the HIMEME YouTube channel, ACOR screenshots from Vika Avey's YouTube channel)

Two very prominent examples of PB using this trope are Scarlett from VoS, and Xanthe from ACOR. There are other black women who serve as antagonists but in a more professional space, but these two particularly are measured on their attractiveness, sex appeal and "purity" in the narrative in comparison to either the MC, or someone close to them.

In VoS, Scarlett Emerson and Kate O'Malley are the sisters of the two male LIs (Grant and Flynn), but their treatment couldn't be any more different. Scarlett's role in the book is pretty short-lived. She's very prominent in the first half of the book as Kate's potential MOH who secretly hates her, before it's revealed in Ch 5 that Tanner was cheating on Kate with her (and that she'd loved him since she was a child). Notably, in that very scene, the MC places most of the blame on Scarlett (rather than on Tanner for choosing to betray his fiancée) by labelling the act as her seduction of him.

Thereafter she is either only mentioned, or has blink-and-you-miss-it appearances in one or two chapters. We see her in the "memory" portion of the bonus scene, but we are never shown what her future is like (even as minor characters like Miss Harleney get one!). Her bonus scene shows us how her bracelet ended up on Tanner's boat, and it is an uncomfortable scene to get through. Tanner berates Scarlett for having sex with him a week before his wedding, but it is she who points out that he asked her to come there! Yet the MC and others view her as the temptress who "seduced" Tanner, as if the man had no mind of his own.

The narrative often juxtaposes her with Kate, the pure, innocent, sweet fiancée (and she actually is! No pretence there) and the fandom lapped it up. There were many demands for Kate to be upgraded to LI status, which eventually resulted in PB allowing us to marry her if we chose. As I mentioned earlier, both Scarlett and Kate are sisters to two of our LIs - but one is made an LI, while no one bothers to even imagine what the other's future entails.

An even worse fate greets that of Xanthe, the sole female antagonist in ACOR. The slut-shaming and disgust over her overt sexuality is far more blatant here. And it is extremely ironic for Xanthe to be viewed in this way, because the MC herself is a courtesan and uses wiles to get men to do her bidding. While Xanthe herself is not perfect by any means - she is depicted as xenophobic and callous, going as far as to mock Syphax when he is sent away to a possible death as a gladiator - the MC's targeting of her goes beyond just her "righteous indignation" and develops into a form of hypocrisy. She has no qualms mocking Xanthe for her direct approach or her skimpy red dress (even though the MC herself wears a skimpy red dress and can seduce a man in a temple not too long after).

The end Xanthe meets is horrific in its implications - the black matron of her scholae (who began by promising the MC herself that "you need do nothing against your will") sends her away to sexual slavery in Sicily, while the black man who was one of the few bastions of morality in the book, escorts her, smiling, to the ship that will take her there. As far as the narrative is concerned, the end was well-deserved...even though PB has had no issues allowing white women to do far worse without any punishment.

We cannot view what ACOR did with Xanthe in isolation. They had built up to it early on - from the MC's reactions towards her, her patrons' dismissiveness of her, the MC's LIs' viewing her with derision and zero respect. The MC - despite her own unscrupulousness - is viewed as the "noble whore" to Xanthe, yet it is clear on even a surface read that there is not much difference between the two women.

The Jezebel stereotype, ultimately, is about dehumanizing the black woman it focuses on, so that her actions and choices are viewed as deviant from what is "normal" - feeding into either responses of disgust and derision, or a desire to objectify her. To some readers, it makes whatever awful or comparatively unfair end they meet, more palatable. Scarlett and Xanthe are not viewed as people by the narrative - especially not the way the MC of their books or even white female antagonists are. No one cares for their backstories, coos over their losses, wonders if they are okay. When they meet their inevitable end, the characters and so many in the fandom alike just shrug and move along.

How does a character like Kiara fit into this? Her smarts and linguistic talents are her most prominent traits, and while she does have feelings for Drake, she never really acts out-of-pocket towards him (more on this later). So at least from what we see in canon, there's very little about her that seems to apply to the Jezebel stereotype. Yet, the fandom is not only inclined, but eager, to view her as one. Kiara's feelings have been viewed in a far more predatory light, perhaps more often than any other female character in the series. Why is this so?

A response I have often seen - on reddit, on Kiara's wiki page, at times on Tumblr too - is how there is a "certain something" about Kiara that people "just don't like". Many players who prefer Penelope to her are often very aware of what she has done, but still insist they like her far more than they do Kiara. On a reddit thread about questioning the logic of having Kiara and Penelope as options for the MC's MOH in TRR3, certain players commented thus:

"I don't know why, I just dislike her a lot. Penelope is fine to me, but Kiara irritates me." (said commenter is an Aerin stan)

"I liked Penelope, I thought she was nice. But Kiara got on my nerves."

In her book, The Sisters Are Alright, Tamara Winfrey Harris makes an eye-opening (to me at least!) observation about how misogynoir works:

"Misogynoir, abetted by dehumanizing caricature, is like water. It fills its vessel, taking many forms, and then overflows, creeping unnoticed into the cracks of things, rotting the foundation. It spreads a belief in Black women’s inherent wrongness." (Italics mine).

Now of course, if I were to ask the current fandom, they would come up with a range of reasons. Some that emerged from fandom myths and became more popular than the truth in time, some from PB's excessive pandering to players that hated her. But the root of it all is in a certain "je ne sais quoi" that makes her automatically unappealing, resulting in those readers leaning towards misreading or misremembering her scenes, misrepresenting her motives, or watering down the impact of worse actions from whiter women. It results in a group of writers (who have thus far gone to the extent of retconning the worst of a white woman's actions just to make her look good) leaning into such readings, even when they're not true.

TRR1 Kiara: Pragmatic Courtier or Backstabbing Snake?

"Kiara is fake", "Kiara is a snob", "Kiara is self-serving", "Kiara promised to be friends with us but dropped us like a hot potato the moment we became unpopular". These are some of the most enduring takes about Kiara in the past few years, and readers who say this usually bring up a vague recollection of TRR1 and 2 as proof. Mostly that "Kiara was our friend" in the first book, and left us hanging at the beginning of TRR2.

Is that reading based in fact, though? Let's take a look at TRR1!Kiara and find out.

We are introduced to Kiara (along with Penelope, and standing next to Hana) in TRR3 when we meet Liam's other suitors. Olivia introduces each woman differently, and the descriptor she uses for Kiara is that she is the "daughter of a diplomat and fluent in ten languages" (note: Kiara never boasts of her linguistic skill, Olivia does. Nor are there any scenes of her looking down on anyone who doesn't speak her mother tongue French, unless of course you accidentally ask her to sleep with you).

Both she and Penelope note immediately that the MC doesn't quite fit in - if the MC questions the women about being allies with Olivia, a woman who calls them "harpies", they view that as an overreaction. When the MC tells the ladies at the Derby about getting lost, Kiara finds her tardiness and inability to fit in, a sign that she cannot keep up with the competition. Until the chapters in Lythikos, Kiara's and Penelope's characterizations are almost interchangeable, personality-wise. It is likely the team envisioned them more as European nobility rather than specifically Cordonian (based on Olivia's introductions), and they are both depicted as poised, refined and aware of their place in court.

It's in Lythikos that Kiara, at least, begins to show a more distinct personality (for Penelope it's after the Regatta). Unlike the rest of the court, who watches Olivia's unwanted kiss on Liam with either mild shock or disinterest, Kiara is angered by what she sees as a very obvious power-play - which gives the MC the opening she needs to gain an alliance.

Now this "alliance" scene of Kiara's is interesting, for two reasons. One is that fandom often uses this scene to establish her "double standards" in TRR2, claiming that Kiara opted to be friends with the MC. Yet nowhere in the scene does the MC or Kiara ever suggest a friendship with each other - they both agree to an alliance. Furthermore, this is an arrangement that benefits the MC more - there isn't exactly anything she contributes (or is expected to contribute) to Kiara from her end. Kiara's promise is that she will put in a good word in the MC's favour, and she upholds that promise throughout the social season.

Another is that among the courtiers, Kiara herself is the first person to identify and respond to the MC's potential if she shows it at the Derby and the tea party (though Hana is also a courtier, I view her strictly as an LI in this context - since her support is by default and is founded on a more emotional basis). Not many nay notice this, but there is a distinction between how Kiara responds to an MC in a successful play vs a failplay...in a way that none of the other suitors do. Take note of the screenshots below:

The top two pictures in this collage are dialogues that feature by default. The bottom two, however, are dependent on branch-coding. They only appear IF the MC has managed to win the approval of the King, the Queen and the press. If you don't succeed in the same, she will not mention your performance in the social season at all, nor will she say anything about the value of your alliance.

That is a far bigger deal than most players of this series realize. It means that Kiara has been watching us closely, and has understood our potential over the course of just three court events. Only two other characters are shown tracking our progress this way: Bertrand (who is our sponsor, so he has to keep track) and Queen Regina (who can guess already her stepson's feelings for the MC, which automatically makes her a person of interest). For Kiara to understand the MC's capabilities, and to openly admit she has potential this early in the competition - it takes a high level of rationality, honesty and pragmatism to come to such a conclusion. Unlike Olivia (who lashes out in jealousy at the MC), Penelope (who has to be told why exactly it's good to have allies), and Madeleine (who dismisses us as competition until it's too late), Kiara actually views the MC with a discerning, impartial eye and an objective approach.

So on the surface, it appears as if Kiara is written by a team that likes her! You could almost be convinced that they thought she was cool but were forced to pander to "crazy Drake stans" in their writing later (which is an argument I have heard often). After all, she's established as beautiful, skilled, smart and observant. You wouldn't do that for a character you don't like, right?

But even as early as TRR1, a disdain for Kiara creeps in from the writing that you rarely see for any of the others.

This is especially apparent when you look at how Kiara's proficiency with language is spoken about. It is supposed to be her most visible skill - Olivia identifies her by it, we see her peppering her English sentences with French words (of course, many may argue that she doesn't exactly sound like an actual French person...but let's remember that her writers aren't exactly very used to the language themselves or interested in doing extra research for authenticity!). As we approach the end of the first book, there are at least two dialogue options that result in people doubting her abilities or mocking her for speaking only English and French most of the time.

In TRR1 Ch 16, Madeleine optionally speaks to the MC over phone (believing her to be a reporter taking her interview) about her thoughts on Kiara. Kiara's tendency to speak mostly in French and English is supposed to be a sign that she "exaggerates her accomplishments". Mind you, this is from the same woman who claims to be the best choice for Cordonia despite her poor strategies and her antagonizing potential allies during the engagement tour (TRR2); who complains if the MC doesn't compliment her for mediocre work as a press sec (TRR3). The MC can also choose to diss Kiara in a similar way, treating Kiara like she is a circus performer and her skills as if they are meant for the MC's entertainment. The only solace I could derive from this dumpster fire of a dialogue option, was that Kiara managed to shut the MC up with her multilingual response.

No other time are we allowed to call a courtier's abilities and skills into question. The MC accepts on faith that Olivia is a badass with great fighting skills. Same with Penelope's ability as a seamstress. The MC is never even allowed to have legitimate complaints about Madeleine's work as press sec, besides maybe that she could "be a little nicer". So the fact that the writers not only have other characters doubt Kiara's talent, but also allow people to mock her about it in all three books...is really something.

Another possible indicator of this disdain is the fact that Kiara is the only suitor who never gets a chance to actually interact with Liam on-screen. Even Penelope, a fellow minor character, can approach and talk to him twice...and her gift to him is shown in Ch 18 whereas Kiara's and Hana's aren't. Despite the fact that Kiara is a potential suitor, the story never allows her to interact with Liam. She doesn't exactly have any interactions with Drake in this book either, but honestly nor does any other couple have much time together besides Liam and Olivia.

Drake and Kiara hardly seemed to be a possibility back in TRR1. Drake himself didn't seem to associate with anyone besides the MC and the group in the first book (and even with the group his interactions were infrequent). Kiara herself doesn't have many scenes that aren't related to the court or to the competition, even once she is no longer participating. The closest she comes to any sort of association besides Penelope, is a friendship with Hana that begins sometime before the Fox Hunt. Drake and Kiara never actually have any scenes together, or interactions, or references. It is likely that the idea to pair them up was entirely a Book 2 thing.

On a fandom level, neither Kiara or Penelope garnered much attention or fan reactions. They weren't noticed much, nor did you see their scenes too often. Probably that is why it was so damn easy to remember Kiara's entire equation with the MC wrong. Why certain stans of the book were able to get away with misrepresenting the relationship between her and the MC in TRR1, to hate on her in TRR2. I will not deny, though, that certain dialogue choices from PB (like "I thought we were friends!" in the Fydelia scene) may have had a hand in those beliefs becoming the "truth".

TRR2 Kiara - Pragmatic Courtier or Backstabbing Snake (Part 2)

I plan to get into the way the Drake and Kiara angle is framed in canon, but before that it's important to tackle that one elephant in the room - Kiara telling the MC the alliance is over. Because very often, people used this scene (coupled with their misinterpretations of Book 1) as their "justification" to hate her. Often, people would choose the ruder options (such as the Christmas card dialogue) and assume that Kiara was rude by default, rather than as a consequence of the MC's behaviour towards her.

Kiara and Penelope are the first to express surprise at the MC's return (and their reactions are shown as representative of the rest of the court). Kiara in fact is shocked that the MC dared to return (which is kinda warranted! Several people in these early chapters view that as a risky move, a gamble that could backfire on her. That's why Bertrand gets her a press secretary). Their scene with the MC immediately follows the MC's conversation with Liam and Madeleine (and mind you, in the option where the MC can tell her she was set up, Madeleine herself voices disbelief of the same. Conveniently, this is never used as a reason to hate her). Both women let the MC know of their change in status, and therefore the change in their relationship with her.

What gets missed overall, is that Kiara is a lady-in-waiting (which is an actual role with specific duties) to Madeleine, which means her loyalty now has to lie with this woman whether she likes it or not. For her to even agree to approach the MC and explain the situation, is a risk. In at least two dialogue options in this scene, she tells the MC straight-up that they will be in trouble if they're even seen talking to her (this becomes a moot point by Ch4, mostly because Madeleine herself is shown talking to the MC and allowing her into conversations in public, once Hana arrives).

Penelope is often viewed in a better light in this scene because of her obvious friendliness and her sadness at no longer being the MC's friend, but once you have the reveal of her being a traitor, her behaviour in this scene seems wildly disingenuous, and I'm surprised more people didn't call her a fake when the reveal came out. She had to know the allegations against the MC were fake when she rushed to hug her, having been an integral part of that fabrication. It makes her lament when she's caught, in the failplay, ("I can't do anything right. You were never supposed to find out!") that much more chilling. She is eager to have the benefit of the MC's friendship and emotional support, without ever being honest about her role in smearing her reputation.

The other was that - no matter what you may choose to think of this scene - Kiara was placing herself at risk to let the MC know it was over. Approaching the MC was the right thing to do, but what is never spoken about is the fact that it was also a brave thing to do. Rather than ghost the pariah of the court and never give an explanation, she tells her honestly what the situation is, and strives to protect her impulsive friend (who could get both of them in trouble) at the same time.

When you view Kiara's actions from that lens - when you look at the facts - suddenly the claims that Kiara was "fake", "a flip-flopper", "a backstabber", "unscrupulous and self-serving", sound pretty hollow.

TRR2: The Drake x Kiara "Romance" Begins...and So Does the Vitriol

So...an interesting thing about the general reaction to Kiara in the early chapters of TRR2. I was new to the fandom when this book was released. There was an annoyance at Kiara when the first chapter came out, but to my surprise it didn't exactly become full-blown hatred until she started showing an interest in Drake in Ch 3.

This book is often used as a reference by Drake stans when they speak of Kiara as an obsessed, stalker-type, sex-hungry woman - often in contrast to their "pure", "innocent" MCs. Basically...the Jezebel. But the five scenes we see of this ship in the book itself tell a completely different story:

1. Drake Helps Kiara Lift A Heavy Beam (TRR2 Ch 3)

Chapter 3 is perhaps the first time we see an indication of Kiara's attraction to Drake on a physical level. The scene takes place at the barn raising, but only if we choose to stay with Drake over Hana for the barn raising activities. Kiara shows up in a rather pitiable state - her friend Penelope abandoned her for thirty whole minutes, leaving her to lift incredibly heavy beams alone. Drake helps Kiara and mildly chides her for not asking for his help, and Kiara stares at his bare chest, mesmerized.

She isn't exactly alone in this - the MC herself ogles at his bare chest at one point (if we go by the lines in the narrative that read "his muscles glisten in the sunlight" which is def from the MC's PoV). This scene was meant as fanservice for stans who wanted to drool over Drake's physique for a bit, and belatedly build up an alternative (at least for all three male LIs, they were trying to do this in TRR2).

The MC can either point out Kiara's obvious attraction towards Drake, or suspect her of being part of the plot. This will not be the last time the MC or the group will view her with suspicion, with little to no basis in fact. In the option that calls attention to Kiara's attraction to Drake, she is shown covertly sneaking a second look at him. Drake is shown with a visible discomfort at even the idea that Kiara could like him, one that only the MC notices considering she is working in proximity with him.

The reaction to this was instantaneous from several Drake x MC shippers. One or two glances at Drake's chest was enough for Drake stans to begin typing posts in capslock, screaming "BACK OFF KIARA HE'S MINE". The excuses given at the time were that the MC didn't get much opportunity to romance him (Drake was trying to refrain from kissing her in Ch 2 because he felt guilty), and largely-inaccurate judgements of Kiara's character. Jealousy of this kind is sometimes seen as the norm when you have a popular ship and a third angle is created, but this was about to take form in some...very disturbing ways in later chapters.

2. Kiara was Once Savannah's Friend/Kiara's long-standing crush on Drake (Ch 4)

A misconception I often see in the fandom (particularly in relation to how Kiara's feelings for Drake aren't given the same level of consideration that Olivia's for Liam is) is that Olivia's are "more genuine", and Kiara's are "mere lust" or "only physical" and this is probably why she's not given as much respect as Olivia was. Even though, tbh, Kiara was far, far more respectful of Drake and his personal space, than Olivia was of Liam in TRR1.

Leaving aside the obvious problems with that train of thought (viewing sexual feelings as "lesser" just because they're not rooted in some intense emotion), this is not even true, and the first part of the Driara garden party scene is proof enough. Kiara says, straight up, that Drake had been "such a good friend to [Liam]. It's part of why I always liked you." (Bold mine). If the MC voices doubts about this (likely incorporated for readers who would question it as a retcon...and it was a retcon since they didn't interact in TRR1), Kiara tells her that she doesn't wear her heart on her sleeve, which actually matches her practical approach to most things. In fact just a few scenes earlier, when the MC questioned her about wanting a husband (when she'd mentioned earlier about wanting to join the ministry), Kiara informs her that it would never hurt to have both. So it makes sense for her character if she's someone who kept her feelings for Drake a secret, especially while in a competition for winning the Crown Prince's hand. But we cannot, in any honest capacity, claim that Kiara's feelings for Drake weren't deep enough, or lasting enough, or genuine enough. At least based on the evidence we have.

Another point this scene brings up is Kiara's friendship towards Savannah. Up until this point, the only people who did reference her were Olivia, Drake and Maxwell - and Olivia's mockery of especially seemed to imply that the ladies of the court weren't very nice to her. Kiara's account is very different from this, and actually quite affectionate ("she was one of us", "she was coming along so well in learning French"). It's not the closest friendship, but Kiara did care enough to tutor her in the language and clearly missed her. It is possible that this scene was positioned to both build up to the alternative romance and foreshadow Savannah's presence in Paris. There is a lot more that could have been done with this angle, but perhaps that is a discussion for another section.

3. Never-Have-I-Ever (Ch 9)

This is a small option in a drinking game - the MC can get to say "never have I ever had a crush on Kiara", and loses, because Drake says she isn't his type (ironically he claims he isn't her type in the next chapter). It's interesting that he does consider her as not as bad as some of the others in that group.

3. Flirting with Drake in Paris (Ch 10)

For five chapters, we don't see any more hints of this romance. We see Drake in plenty, and we see quite a bit of Kiara. But none of it shows them together.

Kiara's scene with Drake at the tea party, is in some ways a continuation of his diamond scene with Savannah. He knows now where his sister is and what her big secret was, but this scene is where he realises how little he actually knew about her, if even her "noblewoman friend" knew she had intentions to go to Paris and he, her brother, didn't. This scene also takes place at what I call a "rest period" in the story - the group has just come out of a high-intensity altercation with Bastien, and it is one chapter before the major reveal about Constantine. So the MC can relax a little, some of the loose ends of previous stories can be tied up, and we get a vibe check on at least two alternative ships.

Drake is rather civil to Kiara in this conversation, mostly because he's trying to get information about his sister out of her. There isn't much he contributes besides this - it doesn't seem to matter much to him that Kiara was a rare friend among the court to Savannah (tho TRR3 would later retcon this), and when she talks about herself he doesn't pay much attention. Kiara does make an attempt at a light flirtation which goes largely unnoticed.

The MC's response when she first sees them goes three ways - a neutral comment about the petit-fours, a "matchmake-y" comment that points to them that they "look cozy", and a "jealous" comment about interrupting them. The third one especially results in Drake inadvertently confirming he doesn't think of Kiara in a romantic light, and Kiara appearing disappointed. Remember, at this point she doesn't see much evidence that Drake and the MC romancing him are an item.

The follow-up conversation with Drake, too, follows along similar lines. The neutral comment just asks him about the information he gathered from Kiara, the "matchmake-y" one points out she has feelings for Drake and the "jealous" one is... something.

The third response is very obviously crafted for the more possessive Drake stans to get satisfaction from dissing Kiara, perhaps in a more aggressive way than the Maxwell stans could. While the Maxwell MC can pass an insult or two to discourage Penelope, the Drake MC will go as far as to tell him he belongs only to her, and can threaten to "push her into the petit-fours".

Ironically, this scene follows a scene with Olivia about her lingering feelings for Liam - and Olivia's grief, the MC's clear sympathy and Liam's concern for Olivia are all by default. There is a certain level of sensitivity the Liam MC is required to have for Olivia that is never once expected of the Drake MC, and that plays out in very dangerous ways in the next book.

This scene, again, brought forth rather violent reactions, and in fact the language of the MC's responses itself seemed to encourage that kind of response. A poster later compiled an entire set of these responses ranging from mocking, to "back off, Kiara!" to straight up demands for murder (I couldn't link to this post because the names of the people involved were included in it, but I do have quite a few of those screenshots for reference).

After this point, you don't see any more scenes where Kiara actively flirts. In fact for most of the second half you see her and Penelope very rarely. So it does feel really wild in retrospect that "obsessed Kiara" became such a popular interpretation, after one checking-out scene, one flirtation and one rather sweet and genuine compliment of him as a person.

4. Pranking Kiara (Ch 17)

A pattern you would have noticed by now is that there is a bit of a mean streak in Drake for Kiara that is either very dominant or latent, based on whether the MC tries to encourage him, or shows jealousy towards her.

And this isn't necessarily an indicator that he can never be interested in Kiara. A distrust for nobility is almost a norm for him at this point, and let's not forget that Drake's first few interactions with the MC too didn't exactly leave her with the best impression of him either. Kiara initially being on Madeleine's side at the beginning of the story could be a factor in some level of disdain too. Such complications could - in a good story - add layers to a potential romance in the future if that was the direction the writing was going for.

Around the MC who doesn't mind them as a pair, he shows a small sliver of an inclination towards Kiara herself. His response if the MC points out that Kiara was flirting with him (Ch 10) is that he doesn't believe he is Kiara's type, not the other way around. In this scene, a drunk Drake who is encouraged to write a "nice note" to her as a prank, can write "your hair is pretty and your French is totally not stupid". Both of these lines present a sign of a possibility that a romance could happen. His behaviour when an MC casually hints at this possibility, is of someone who may like this woman deep down, but show it in very strange ways (akin to the age-old metaphor of the "boy who pulls the pigtails of the girl he has a crush on"). They wouldn't have even needed to show his responses in this way if they weren't trying to hint at a possibility.

His response to a "jealous" MC is to delightedly bask in her possessiveness of him, and to go hand-in-glove with her as she insults or suggests violence on Kiara in any way. Now one could perhaps headcanon this as a behaviour that comes from being unused to female attention focused on him, coupled with his affection for the MC - but when you take into account his behaviour towards Kiara herself in TRR3 as well, there seems to be a blatant lack of consideration or compassion towards her as a human being. Compare this, again, to the way Liam's behaviour towards Olivia is written in canon, and interpreted by the fandom. Liam is expected to be kind to her, even if he's clueless about her feelings or if she is harming him (eg. Even when she kisses him, he cares enough to opt for a reaction that will not publicly humiliate Olivia).

Not so for Drake. He is very happy to follow in the MC's lead, even in hurting Kiara. And in this scene, he pretty much kickstarts it with the suggestion of a prank.

Drake knows where Kiara's room is (thanks to a nameplate on the door, and the familiarity of the hallway, which he likes for the view outside) and wants to prank her. The MC can either accept or refuse. If she accepts, there is one nice option, and two distinctly mean-spirited ones. The first proposes to mess up her book organizational system, and the narrative describes the attempt as "ruining any semblance of order to Kiara's bookshelves". These are materials she likely requires for her career as an aspiring diplomat, or even books she uses to update herself on the world. But to this MC and Drake, her work and interests are little more than a joke.

The second one is not only aggressively mean - it also is an attempt to ruin her personal space with her personal items. Going by the array of haircare the narrative mentions, maintaining her hair is very important to Kiara (I am not equipped enough to speak about black women and their relationship with their hair, but this option did make me very uncomfortable, because of the little I've seen on how essential regular haircare and good products can be for many black women). Not only does the MC suggest using all that product to render Kiara's bed practically unusable, she also insists Drake waste the full bottle of said product. Because, yknow. "It's a prank. Go big or go home". Drake has one moment where he tries to be less mean in this option (when he attempts to use less of her hairspray), but the moment the MC encourages him towards a crueller direction he does not hesitate. In fact, when the MC first suggests this option, he regards her with something approaching awe, and praises her as "an evil genius".

There's a mean streak in Drake here no matter which option you choose. If you do go for the nicer one, he complains at first that it's not exactly a prank and in fact does claim that they "could still put glitter in her cupboard" as an alternative prank. But the other two options encourage the player to give full vent to whatever underlying frustration/enmity/hatred one could possibly have against Kiara, goading a drunk Drake to be merciless towards the things in her room, in her absence.

Maybe, perhaps, one could just view this as a "fun vent" for the "possessive stans". It allowed the Drake MC and her LI the chance to gang up on her, mock her and cause her discomfort through things that were clearly important to her, treat her like the butt of their joke, and get away with it. When you encourage that kind of hatred with your writing, it can go into some very dark, disturbing places. And it did, especially in TRR3.

The overall response to this scene didn't show much, since it was just one small sequence in a larger scene - and most of the focus was on the heartfelt bonding between Drake and the MC when he takes her to his "special hideout" and his reveal about his motives behind calling the MC by her surname.

Many Drake stans, however, took note of this specific section, and took their interpretations in a completely different direction. Questions were asked about why Drake knew about Kiara's room - completely ignoring that he frequented the hallway regardless for its view and her nameplate is literally placed outside her door - and several fans suspected the two to be involved in an affair just on the basis of him knowing where her room was. These suspicions, again, would crop up from the fandom in a more dramatic way in TRR3.

5. Drinks at Homecoming Ball (Ch 19)

This scene takes place in the finale, just before Kiara and Penelope apologize jointly to the MC for their comments in the beer garden.

Drake is, quite predictably, at the bar in this scene. In some ways one could draw a parallel between this one and the "bar" scene between him and the MC in TRR1 - the only differences being that the two were alone in the first, and that he and the MC are free to romance each other now. However this time, the two ladies of the court could also communicate with him about drinks, and he could use his knowledge of alcohol to guess their preferences.

The scene with Kiara is, again, written to be both a possible sign of familiarity and a diss (mostly the second, I think). With Penelope he just vaguely mentions cocktails and focuses on the decoration for the drink - with Kiara he is able to name the specific wine even though in TRR3 he has no idea what tannins are. There are ways one could envision that as a sign that he notices more about Kiara than he lets on.

The diss, of course, comes with his claim that no matter how top-shelf the wine is, it will still always be "old grape juice" (which is a very strange thing to say because most alcohols are fermented from basic ingredients be it fruit or grains - where did he think his high-quality whiskey that he regularly carries around in his personal flask came from??).

Kiara's attempt to impress him is pretty obvious, but the diss isn't something that weighs too much on her mind. There are less indicators here of a dejection if he brushes her aside, unlike the scene in Ch 10 - she just looks a bit surprised he could guess the exact drink she wanted. Kiara in this scene is more likely to shift gears to something more important. In this case, that is apologizing to the MC for what she views as poor behaviour that sprung up under the influence of alcohol, and offering her an olive branch (the specific apology is for her asking the MC if she came to gloat, not for telling her the alliance was over at the beginning of the tour. In that scene specifically she feels she has nothing to apologise for, and I'm inclined to agree for the reasons I stated in that section).

The overall pattern for this ship seems to indicate that it's...kinda there in case the MC doesn't want to pick Drake, but I always feel like they focused a lot more on the jealousy options and didn't spend enough time to see what a possible relationship could look like. They do claim later that Kiara's affections were supposed to be one-sided, but the buildup at least seemed to indicate some small baseline of interest from Drake's end, even if shown in some rather bizarre ways. However, because there seems to be very little respect for this character already, having the MC threaten violence and having her and Drake overreact over what were essentially harmless interactions from Kiara's end really does indicate that the writers didn't mind taking potshots at her whenever they felt like it. Like I've said before, the trashfire that was Kiara's treatment in TRR3 didn't develop overnight.

Smart, Skilled...Disliked?: Kiara and the Writing Team in TRR3

On 25th Sept 2023, PB released a two-chapter series on Storyloom called "Choices Secrets", which involved at least three writers (Andrew, Kara and Chelsa) talking about ideas and plots and backstories that didn't make it to the released book. In one section, Kara Loo speaks specifically about the ending of TRR2:

According to this account, the original idea was to kill off Olivia and possibly use that as a segue into the Nevrakis plot of the book, since her aunt and Justin were the real villains at the end of the series. When they decided to keep her alive in the series, Kara mentions finding "more members of your group get injured, like Drake".

Interestingly, Kara referred to "members" in the plural, and Drake is the only person from the core group to get shot. So it's just as possible that the choice to have Bastien, Justin/Anton and Kiara sustain injuries, was made once they decided to do away with the storyline about Olivia's death.

Olivia got spared because her writers cared for her. Kiara was likely one of the people injured in her stead, and probably the only one out of them (except for the one who was the main villain) who wasn't getting a prominent scene that focused on her being a survivor of the attack until some readers protested (the entire intro of TRR3 was dedicated to Drake recieving tender care from the MC, Bastien gets showered with concern and care from Constantine, Liam and optionally the MC. The MC comes to the estate, makes a perfunctory mention of the injury once and proceeds to emotionally blackmail Kiara into joining the tour. Let's not even talk about Lythikos. That shit warranted its own essay). No matter how much you downplay the situation, the truth is that Kiara got grievously hurt in a terrorist attack and her writers didn't think it was important enough to address.

I often wondered in the beginning, why Kiara was chosen for this. A close friend at the time theorized that perhaps it was done to ensure Madeleine would become our press secretary, because there was no way the MC would be considering her for this position if someone less hostile (like Kiara) was around. Another wondered if we might get opportunities to address palace security through the experiences of the survivors. Being a Drake x Kiara supporter at least by the end of TRR2, I wondered whether it was a coincidence that they both were injured at the same ball, and the possibility of the two bonding over such a painful experience.

Well. Boy was I about to be disappointed.

Because why did Kiara have to be so badly injured, if it was going to amount to nothing? If they weren't even going to address it in her own home? If - after even players who didn't care much for her, noticed the silence around that attack - the best you could offer was a scene that followed the MC and her friends suspecting the victim of this attack??

Had I looked at Kiara's narrative treatment (from TRR1 onwards) closer back then, perhaps I wouldn't have expected so much. It would have occurred to me that maybe they hurt Kiara the most, because they cared for her the least. Kiara is viewed as smart, poised, talented. Madeleine even calls her "one of the more competant courtiers" at some point. But that doesn't always mean that the team that writes her deems her worthy of respect.

For one, the writers tend to lean more into fandom perceptions of her in this book, rather than looking at their own canon. Kiara being a snob is not canon - that is ridiculous considering that she was such good friends with Savannah, and her support of the MC when she fits in well. Kiara acting like her linguistic skill makes her better than anyone else isn't canon either - nor is she obliged to speak in all ten languages on a loop just for the MC's or Maxwell Beaumont's entertainment. Kiara being perpetually mean to her best friend is inaccurate at best - she is often frustrated by Penelope, sure, but she spends far time and energy helping her than anyone else in that court.

Yet the narrative gives both these statements as dialogue options for the MC, where she can bitch about Kiara...but somehow only ever allows the same MC to be nice and caring and loving to Penelope - never once reminding her of the hell she'd put the MC through in the past. And because the fandom expected the Kiara-Penelope friendship to focus only on Penelope, PB got away with having Kiara's "best friend" stay conveniently silent as the MC berated her in her own home. The narrative even threw Kiara under the bus in TRR3 Ch 16, in order to make Madeleine look better in Hana's memories of the TRR2 bachelorette, claiming falsely that Kiara shouted at Penelope so much while drunk, that the latter was brought to tears. There is way more energy spent in painting an inaccurate and negative portrait of Kiara, than there is in showing the truth.

For another, the way the courtiers' and their parents' agreement to join the tour is coded...is extremely suspicious. When you compare both a successful and a failplay, you will find that all the parents have the chance to reject the MC's proposal to join the tour...except for one. Kiara's father, Hakim. In a failplay where you purposely do all the wrong things...out of the entire group of people who are still doubtful about supporting you, only Kiara and Hakim join your tour by default, without any expectation of a reward (Madeleine demands her own department after the wedding). They will be a part of it no matter what you do, no matter your failures, no matter how badly you treat them.

Hakim may have joined mainly to confront his old friend the King, but he still stays on even after Constantine dies. The writers made sure to branch-code things in a way that Kiara and Hakim could never drop out even if the MC was awful to Kiara, and never once acknowledged what it must take for them to do that. After Kiara herself had been fucking stabbed!!!!

Joelle, Kiara's mother, and Ezekiel, Kiara's brother, can reject the offer if they aren't impressed with the MC, but out of these two characters only one is viewed with respect - the one they were going to pair up with Penelope.

The narrative doesn't mind letting the MC mock Joelle for her passionate support of the arts if she doesn't win her approval, and her insistence that it is the sign of a thriving kingdom...and they make her sound petulant and churlish in response to that mockery. This despite the fact that in a successful route, she says one of the most profound political statements in the books:

"Hakim and I don't just want Cordonia to remain stable and peaceful. Those are blessings, naturallement, but our kingdom can do so much more than just survive."

In contrast, when you look at the same failplay, Emmeline and Landon are treated with far more respect from the narrative, even though Hakim and Joelle's plans for the country would benefit Cordonia as a whole. Drake looks up to Penelope's parents as an inspiration, especially if he's going to become a duke. Meanwhile Hakim actually acknowledges Drake and his bravery in a way that none of the other dukes and duchesses did, and Drake never gives a shit.

Emmeline can accuse the MC of not taking their situation seriously, if she does a bad job at the polo match, and the MC only has the grace to look contrite rather than lash out at her. Landon himself is never judged for coddling his daughter the way he does. Their focus on Portavira rather than the country is respected, and the MC not meeting their demands is viewed as her weakness, not an overreaction from their end. They never get the snarky responses Joelle gets, where the MC can outright call her "a handful" in front of her own husband.

And then there is the matter of how PB deals with the problems of all the court ladies.

(Screenshots from the Skylia YouTube Channel)

The period of the Unity Tour isn't exactly an easy time for anyone. The LIs each deal with their own shit, and the ladies of the court themselves have their own reasons for being reluctant to return. The entire point of this tour is to address their specific concerns as well as that of their families', because without the courtiers themselves we wouldn't have as strong a court.

In Madeleine's case, we have to talk to her through a diamond scene and then educate her mother on her ways of mourning lost opportunities, among other things. In Penelope's case we are required to give her complete protection and emotional security, for her to even bother joining the tour (there is branch coding where she can refuse to be a part of the tour at all). Even for Olivia - who is already an ally - the diamond scene encourages us to stand up to her aunt, by letting Olivia know that it is valid for her to lean on others for support without being considered weak.

But for Kiara? The best we can come up with, while in her duchy, is some version of - "You're smart. You'd know that if you left now, people will say bad things about Cordonia and then it would be your fault". You either manipulate her, or insult her as being a useless excuse of a diplomat. As I mentioned in another essay, Kiara's comfort is a non-factor. The gap between the care we were expected to give to Madeleine and Penelope, and what we deign to give Kiara in Castelserraillan (which is...well...nothing), is massive. And this gap would only increase - not reduce - in the books to come.

It might seem a bit irrelevant to talk about this, especially when this essay is about Drake and Kiara. But it's important to take note of this inherent disdain the writers had towards this one character - and people close to her. Because it is only too easy to pretend that the writers "got scared of the crazy stans".

Of course the stans had a huge, huge role in this. Of course their vitriol and racism succeeded in bringing about (what I consider) one of the most disgusting dialogue options in this series...or perhaps in any series. But I doubt those "crazy stans" would have gotten this far, without a team that didn't mind being cruel to Kiara.

When the Fandom and Canon are both Heartless: Drake and Kiara in TRR3

As I've mentioned in previous essays in this series, playthrough divergences truly begin in TRR3 (eg. While the playthroughs acknowledge who you chose as endgame by end-TRR2, you can still access diamond scenes through a small tweak that allows you to romance other LIs). And whichever LI didn't get engaged with the MC had indications of a new romantic possibility coming up. These were scenes you wouldn't find in your own playthrough with that LI as your fiancé/e.

Kiara doesn't appear in TRR3 until Ch 7, when the entourage comes to her estate Castelserraillan. There aren't a lot of Drake and Kiara scenes themselves, and I will get into why, section by section.

1. Kiara Greets the Group at Castelserraillan (TRR3 Ch 7)

Many Drake stans - once they found their MCs engaged to Drake in TRR2 - seemed to be practically giddy at the prospect of showing off their newly-engaged status to Kiara, and hurting her through the news. They were perhaps more excited about this than their upcoming wedding.

Well, they got that chance in Ch 7. In every other playthrough, she still holds the same feelings for Drake, and compliments his suit as Drake awkwardly fails to meet her eye. In his specific playthrough, Drake defiantly shows off his relationship with the MC, and Kiara shows a slight wistfulness before she forces herself to be normal then wishes the happy couple well. You'd think that would be enough to satisfy the stans who had been baying for her blood all of the previous book.

A throwaway line about Drake knowing where Kiara's room was, had already raised the heckles of a whole bunch of his stans. Kiara's "wistful look" in her first TRR3 scene somehow added fuel to that fire. Suddenly, you got to see a raging torrent of posts demanding to know if Drake had had an affair with Kiara. Fanfic had already been written about Drake cheating on the MC with Kiara by this point - and some of those headcanons and fanfic hinged on making Drake the innocent/vulnerable one, taken advantage of by this sexy, obsessed woman who would be either a danger to him or would be juxtaposed with the "pure", "virginal", "perfect" MC. Drake would never be the problem here, and none of the stans screaming over the possibility of Drake sleeping with Kiara would dream of blaming him for it. No, Kiara was predatory, Kiara was obsessed, if anything happened between them it would be likely Kiara's fault.

This is where it's important to note, again, that none of the more obvious signs of the "Jezebel" stereotype seem to be used in canon for Kiara. While cruel in her own way, the TRR MC doesn't exactly slut shame her or believe Drake will be unfaithful to her, Kiara isn't accused of seducing (or even trying to seduce) anyone, and she actually places respectful personal boundaries for herself in her attraction to Drake, that she never crosses. She may indulge in a light flirtation with him, try to impress him or simply talk to him - but you will never catch her forcing her sexual attention on him like Olivia did with Liam. Yet in popular fanlore, even Olivia's feelings were often cast in a far more noble light in contrast to Kiara's.

In her essay, The "Offending" Breast of Janet Jackson: Public Discourse Surrounding the Jackson/Timberlake Performance at Super Bowl XXXVIII, Dr Shannon. L Holland explores the historical and contemporary uses of the Jezebel stereotype in depictions of Black women in popular culture and discourse, especially in contrast to white masculinity (which in these contexts, is often viewed as innocent and blameless - and much of the blame lies with the Jezebel figure). The "Jezebel" stereotype "has come to symbolize both a malign, cunning sexual object and an autonomous, liberated sexual agent" - she is at once an independent sexual being making her own choices, and someone who is "incapable" of reining in her sexual appetite...and is therefore often depicted as not only a threat to the "purer" (and often "whiter" or "lighter skinned") woman, but also dangerous for whoever she is "obsessed" with. And we see this time and again in the discourse around Kiara - the fanfic that depicts her in a range of scenarios (stalker, obsessed lover, abusive girlfriend who will break a bottle over Drake's head, at times even descending into murderer to get the man she wants). Which is how we wound up in a position where Kiara even breathing the same air as Drake was viewed as a threat.

It didn't matter that he was flaunting his love for the Drake MC in that playthrough to send a message to Kiara, or that he stayed silent with the others as his wife badgered her into joining the tour. It didn't even matter that Kiara never got a diamond scene the way the two other women did, despite being the most harmed among the ladies. What mattered was that Kiara existed. Her damn existence was the threat.

2. Cheering for Drake's Victory (Ch 10)

Ch 9 of TRR3 was released to players on April 27th, 2018. Immediately after, a mid-book hiatus was announced, mostly to work on some new art (very possibly the red pandas), work on the wedding, and make changes (such as shifting diamond scenes from character-centric ones to LI specific - they'd already started making changes to LI diamond scenes). The book would return 2 months later, in June.

In a livestream before the hiatus ended, the writers had made it very painfully clear that Kiara's feelings for Drake was one-sided. And by that I mean they really emphasized on the one-sidedness of her affection, almost as if to reassure the panicking stans. This would manifest in any future interactions between the two - both in Drake's single and engaged playthroughs - and any hope that such a pairing would even be hinted at was over. But there was one variation that the team had perhaps neglected to edit out.

A small one-word depiction of Kiara cheering Drake when he wins his duel against Neville, joining his friends to praise him. It really isn't much - just Kiara saying "bravo!" before Savannah rushes up to hug him, which is replaced by a scene of Drake himself going up to the MC and passionately kissing her in his own playthrough. What is definitely striking about this depiction is that Kiara was clubbed with his close friends and his sister, rather than the second group of people that largely represented the larger court (Rashad and Queen Regina) who offer their congratulations.

Given the way the writers wrote any remaining interactions between Drake and Kiara, and the fact that this small appearance doesn't really amount to anything, it is possible that this variation was part of an earlier draft that involved other hints, that the writers failed to notice when they put up Ch 10. If they had, I'm pretty certain it wouldn't have stayed in the book.

3. Leaving Court + Wedding Conversations

Remember how I kept stating in this essay that the narrative was going to take their enthusiastic pandering of the "possessive stans" end of the fandom, to some dark, disturbing places? Well, here we are.

Tbh, the writers could have just stopped showing any interactions between the two, or given Kiara another boyfriend if their aim was simply to show that Drake and Kiara would never be endgame. They had done that with Maxwell and Penelope already...oh. I forgot. They actually wanted us to care for Penelope.

Up until this point, Drake's mean streak re: Kiara was present, but not really as obvious as it gets here. PB takes that cruelty several steps further in these two chapters, starting with Ch 11. Ch 11 was fanservice to the people who shouted abuses and "joked" about killing Kiara in every chance they could get. Ch 12 showed this sentiment at its worst, covered it up with enough fluff so it would be harder for people who liked Kiara to notice...and let those players get away with it.

In Ch 11, Kiara approaches the MC and her group to inform them that she is withdrawing from the tour. Drake is the first to respond to this, remaking at the suddenness of the departure. The MC can speculate on a couple of things, ranging from sympathy (that she might be afraid), selfishness (that she is "bailing out" on the MC) and suspicion (that she is hiding something).

In all three options, a pensive Hana expresses sympathy and encourages the group to "reach out". In all three options, Drake will only view Kiara as a suspect.

Mind you - according to Ch 12, Drake is saying this knowing Kiara was injured at Homecoming Ball...and knowing exactly which weapon she was injured with. Aware that she has gone through an event as traumatic as that (if we go by his "just one step at a time" monologue to Kiara), better aware than most how it would feel...he still opts to act like her motives should be suspicious.

This is further emphasized in the Drake playthrough, through the armory scene that the MC takes with Maxwell.

As I've mentioned in the post on this scene, it is divided into three halves. The first half deals with whoever the MC rejected (either Liam, or Drake in Liam's playthrough). The third is buildup to Lucretia's plans to usurp the throne. The second is supposed to be about the excitement among the members of the court for the wedding, and of course as the only people who come for the tour by default (and Madeleine is already taken for the first scene), Kiara and Hakim are used for this scene!

I will only focus on the Drake version of this scene today. There are a few things you notice straight off the bat:

1. Since this is Drake's playthrough, the narrative seems to do away completely with any lingering feelings Kiara may have had are done away with. In this scene she is quite happy about Drake's wedding - in fact, practically chipper. Literally nothing about her behaviour here serves as a reminder that she once had feelings for him.

2. Drake's response to Kiara attending his wedding ties in pretty well with his earlier default suspicion of her. Unlike Hana who is surprised but also happy that Kiara is attending, he seems to voice it as a doubt or a question. While that makes sense and there is continuity, it's pretty awful that he is allowed to suspect her like this and feel no remorse when the truth about her is revealed.

3. Now as I said in the post, this scene is meant to be a buildup to Drake's ice-palace scene. He speaks about wanting a private, country-style wedding in a natural place there, and Kiara's gentle teasing in this scene is supposed to be an indicator of how much he dislikes the usual fanfare. Okay. Fair enough. You're uncomfortable with the fancy decorations and the insane planning, fine.

4. But it's Drake's attitude towards Kiara in this scene that leaves a bad taste in the mouth (unless you were one of those Drake stans that liked to threaten murder on this character ig). The narrative really went out of their way to make him sound uncommonly angry with her, just for asking about his wedding. He angrily hisses at her to keep her voice down the moment she asks about the wedding, and then lashes out the moment she teases him about his love for the MC and his reluctance to be very public about it in that context. Of course, people who either liked Drake or hated Kiara would downplay this scene - either blaming Kiara for not magically knowing his likes or dislikes, or acting like Drake's behaviour in this scene is no big deal.

And his explanation in the ice palace scene really doesn't cut it as a reason for why he should be this pissed off at Kiara's excitement. There is no real bitterness or resentment tied in with the fancy trappings that are mentioned in that specific scene - it's just that he likes simplicity better. If Kiara doesn't know him well enough to understand that - it's because he has never properly talked to her. She made attempts to converse whenever she could. You can claim he never owed her a conversation - but in that case she doesn't owe him a complete understanding of his wants either. He could have just politely answered the question and changed the subject, or quickly took his leave.

He is well-versed enough in court etiquette by this point that he could have managed to sound civil enough. That he could have made a quick, polite exit. But no, he gave her the kind of anger that one reserves for someone who is kicking a puppy or stealing candy from a child, instead. And it was Kiara's grace that allowed her to view that awful behaviour in a more positive light.

It's pretty clear this scene - and to some extent the framing of the next - was made specifically for those Drake stans who were screaming and throwing tantrums about a possible affair. It was to highlight that there was no way Drake could ever return Kiara's feelings - and the only way they could do that was by making sure he treated her as rudely and inhumanely as possible.

I didn't think it could get any worse than this, when I saw this version of the scene...but then I saw Ch 12.

The Talk

If you were to speak just about fandom reactions to this scene...the responses to Kiara chronicling her trauma after Homecoming Ball, were pretty positive. Plenty chose the middle option "You're suffering from the trauma of the event. You need help", and cooed over Drake's touching little monologue about "taking it one day at a time".

I admit at the time I was fooled too. But one thing did niggle at me as I played both this option, and the "understandably cautious" one (I would later understand that the latter was not very good either - it has a thin veneer of "validating" Kiara's feelings, but it still has the MC and Drake expecting her to put their needs before her own safety and sanity).

Drake was reassuring to an extent in both options, sure. But why were his responses so different? Why was his answer to Kiara so closely tied to whatever point the MC was making, rather than independent of it? After all, he was the one who should be able to better relate to Kiara - wouldn't he have thoughts of his own here? If the MC chose that horrible final option, Drake would correct her and comfort Kiara instead, wouldn't he? Wouldn't he???

It was only when I (reluctantly) pressed that third option ("not as driven as I thought you were") that I understood what Drake's role in this scene was.

He wasn't going to be there for Kiara. He wasn't even sympathetic to her! It wasn't even going to be about two traumatized people connecting over their trauma. Drake was a puppet. He was there to parrot whatever garbage came out of the MC's mouth.

Because in the third - and most horrific - option, the MC is allowed to minimize Kiara's trauma, and mock her ambitions in the face of what she has just gone through. Drake is allowed to agree with her ("sometimes ambassadors have to work in dangerous areas"). Kiara is forced by the same narrative to find value in these words.

And all of this, stems from a scenario where Drake and the MC go in suspecting this woman from the jump. Where Maxwell is happy to make jokes about her being a suspect. Where the only two decent people in this group - Liam and Hana - are conveniently written out of the scene, ensuring that these ghouls can act the way they want around Kiara, and get away with it.

Not once is Kiara herself ever allowed to know that the group suspected her by default, nor is she allowed to go through with her intention to leave court. The very roots of this scene are rotten.

Very often, when this scene in particular is addressed, not many people actually address Drake's behaviour here - or in the previous chapter. Stans will vaguely, and conveniently, blame the group as a whole rather than their favourites. Such a tactic allows them to never name the specific people or specific actions, and therefore the main people involved in speaking to Kiara the way they did never have to be held accountable. This is particularly relevant in the case of Drake.

It was Drake's idea to interrogate her. He was the one constantly harping about her "suspicious behaviour". He was the one aware of what happened to her yet chose to think of her as shady. He was the one who should have known better, yet was absolutely game to minimize her trauma or engage in emotional blackmail. And neither he nor the MC came out of this conversation feeling anything resembling remorse. Because, apparently, they never did anything wrong.

They got what they wanted. At best, Drake and the MC manipulated this woman (again) into returning to their court. At worst, they badgered and bullied her into that decision. Either way, she was going to return, and the narrative was going to pretend that the MC and Drake were great people for making it happen.

I have heard some justifications over the years for Drake's behaviour here. One is that he "tends to act like an asshole to everyone". Another is that Kiara is a noble so he was never going to see her in a positive light. Which is hilarious to me, honestly, because in the same book you have Drake reassure Penelope - the woman who had made the MC the target of a reputation-ending scandal - and comfort her when she sees Madeleine. If this was really about the chip on the shoulder he had for nobility, why was he so kind to Penelope? And if Penelope's mental health warranted a change in mindset and behaviour from Drake's end, why was Kiara not worthy of that as well?

The truth is this. Drake was allowed to express his mean streak to a black woman, bully a black woman (the pranks), lash out at a black woman (the conversation at the Lythikos Ball), suspect a black woman, and finally minimize her trauma if the Duchess he had a crush on wanted to. While being overly protective and chivalrous to the white woman who actually did harm her. No matter what way you spin it, that is what Drake's behaviour - especially in TRR3 - is.

The way the team trampled over this "pairing" post that miniscule hint in TRR3 Ch 7, would make a rampaging elephant look like a ballerina in comparison. They wanted to make it clear after the hiatus that Drake x Kiara would never happen, in any eventuality, in any future, in any universe. And no matter how much we pin this on "crazy stans" (who do hold some responsibility for sure, for their own veiled racism), it's a fact that the writing team was comfortable doing this. They had already found other ways to pile disrespect on their sole recurring black female character - what was a little more?

TRH and Beyond: Taking Away What Was Left of Kiara's Remaining Fanbase

Given all the narrative back-and-forth and shadiness, I'd have to say the end Kiara got in TRR3 was comparatively...decent. Not great...not exactly satisfying...decent.

Her fighting off the assassins at the boutique ("not again...not again!!") was the highlight of that scene. In Hana's playthrough, Kiara was her MOH by default, and the lines the MC could give if you chose her in other playthroughs was pretty sweet. At the end of the book, her father would make Kiara his heir, after her older brother Ezekiel abdicated. There were still things I was always going to hate (such as the fact that we could lie about "having Kiara's back" - we absolutely did not) about the aftermath, but all in all as a fan...I could maybe envision a fairly happy ending for her with what we got.

The next series, The Royal Heir, would debut on June 2019, almost a year after TRR3's own debut. This would be the first series that would go completely LI-divergent, spanning four books. It started out as an attempt to envision the future (and pasts) of the main characters, as well as tie loose ends...but descended into an incoherent, retconning mess with each book.

Kiara doesn't feature much in Book 1, but is pretty prominent in certain chapters like Ch 7 (Savannah's bachelorette), Savannah's wedding, and the Apple Ball in the finale. You'll often find a marked difference between the way she is looked at for most of the book, and how the MC speaks to her in TRH1's finale.

Savannah's bachelorette, for instance, features all the ladies of the court in Texas, with new "country" looks and engaging with Texan culture. Here, too, you see a sign of PB leaning into popular perceptions of Kiara rather than remembering their own writing, when we see how Savannah praises the MC by default but has very little to say about her former friend Kiara. Since Savannah's return to court in TRR3, the team seemed to have forgotten that other ladies of the court weren't very nice to her, and Kiara was the only one concerned for her. They have Olivia act sweet and caring towards Savannah in both TRR3 Ch 17 and TRH1 Ch 7, conveniently forgetting the insults she piled upon Drake's sister in the first book. Savannah never has to talk about Kiara's friendship at all, other than a teasing comment hinting at her French lessons. Savannah was never expected to have any gratitude or affection towards Kiara even though she was the only woman who cared about her in court before she left.

An interesting thing to note in the diamond scene of the bachelorette is the way the courtly ladies' previous/current "romances" are framed. Kiara's, in particular, warrants a lot of discussion. Unlike Olivia (who can address her feelings for Liam regardless of playthrough, if asked, and can actually show some level of resentment towards him for not picking her), Kiara's feelings are addressed only if the MC isn't married to Drake. If she is, Kiara mentions a fondness for "rugged, down-to-earth men" (which the MC and Penelope perceive to mean hunky and muscular), and avoids mentioning his name at all.

There are two very interesting things to note about this sequence. One is the pattern of how, and how far, are Olivia and Kiara are allowed to address their feelings for these men. Not only is Olivia allowed to be open about her feelings and her bitterness (despite Liam actually romancing her in TRR3!), the narrative demands our respect for her position and plight. The Liam MC lauds her honesty and her decision to move ahead, unfazed even by her anger for something Liam didn't even owe her. In contrast, in the Drake playthrough, the writing makes sure Kiara never mentions him by name. And not only that, when the MC and Penelope tease her about her romantic preference, she is shown to stammer and seems downright afraid of the MC.

The fact that there is such a gap in how Olivia and Kiara are allowed to act about the men they love, and the fact that this gap was normalized so much in fandom discourse that it didn't even warrant a discussion, tells us plenty about the fandom too. The fandom position has almost always been that Liam owes Olivia love, appreciation, kindness. And that Drake owes Kiara nothing, not even common human decency. Which is why the fandom wants Liam punished for the high crime of not loving Olivia back. Which is why Drake is allowed to treat Kiara like an irritating pest at his best, and like utter garbage at his worst...and almost no one so much as bats an eyelid.

Since most of the story of TRH1 seemed to revolve around the ranch, the ladies of the court made minimal appearances and most of those were in keeping with patterns established in TRR3 (except for maybe Olivia's spy scenes). Some of their parents - too - feature in Royal Council scenes: Godfrey and Landon are part of this council and are seen during the MC's announcement - no one from Kiara's family, besides her brother Ezekiel who is dating Penelope, make any appearances in this book. Towards the end of the book, however, you suddenly find a scene or two where the narrative is suddenly, and inexplicably, syrupy sweet to Kiara:

(Screenshots from the Skylia YouTube Channel. 1-5 are from Ch 18, during the council meeting. 7-10 are also from Ch 18, at the start of the ball. The last two are from the finale as buildup for the pregnancy photoshoot)

There are indications of Kiara's diplomacy and good advice in other parts of the book too (such as her suggestions for dealing with the foreign royals at the baby shower) but never were the praise and compliments as obvious as they were in the last two chapters of TRH1. Kiara was given a quippy dialogue to spout at Godfrey, who would later be revealed as the murderer of Queen Eleanor. All three of the MC's dialogue options in response would praise Kiara by default (a rarity). King Bradshaw would shower her with compliments too about her talent and expertise. And when Kiara approached us with an offer for a pregnancy photoshoot, the MC could cheerfully say "for you, Kiara? Of course!" as if they'd been bffs from the beginning.

There isn't any obvious reason why we saw this sudden change, but I can make an educated guess or two. A pattern that commonly emerges with attempts to address something that would benefit Kiara, is that the writers often only do it when enough people complain; that was how we got the horrible Lythikos sequence. Midway through TRH1, I managed to put up an essay exploring Kiara's treatment (centered around the Lythikos sequence in TRR3 Ch 12) in comparison to Penelope's and Madeleine's. It did not receive an immediate fandom wide response, but several readers did come away from that essay feeling like Kiara really got the short end of the stick, compared to all the other court ladies. I'm not sure whether that essay had a direct impact, but those three scenes PB added to the finale chapters do make me wonder. Was the team trying to prove to the fandom that they did like Kiara and wouldn't personally sabotage her, either for their own enjoyment or to pander to a section of the fandom?

If they did, then that plan didn't last beyond these two chapters.

Another possibility of course was to give Kiara something slightly positive before they did her dirty - again - in TRH2 and 3. Because in those two books, they managed to first make her - along with the rest of the council - party to a vote (that everyone was involved in, including the LIs!) that would later prove detrimental for the country. They would then have her be the only heir involved in the notorious Coventus Nobilis, which ensured that anyone who wanted to hate Kiara could tie her to her vote in favour of Bartie Sr, without ever asking any further questions. This was a far more successful attempt, because most of the fandom already believed the misconceptions of Kiara's characterization to be truth, and these storylines simply added fuel to the fire.

Kiara's biggest supporters tended to be a section of the Liam fandom, as well as wlw stans who tended to like most of the courtly women. Having her vote for Bartie at the end of TRH2, and her explanations in TRH3 about the "MC's ruling style" (which was really canon's way of making sure she did more a silent diss on Liam) was written specifically to place a serious dent among her fans who liked Liam. And sadly, it worked in part. Because even if one considered Kiara's thoughts on "reactive ruling" accurate, it was a fact that the nobility (she included) would have to be blaming Liam for something that the entire Council voted for, and that Liam and his friends fixed on their own.

Making Kiara the lone person to voice this argument, made her a target in this fandom. I mean, people were ready to praise Madeleine and speak of her as loyal (eagerly ignoring that she was actively involved in the child's kidnapping if you didn't coddle her enough), and badmouth Kiara in the same breath, claiming that Kiara wasn't worth forgiving and people should just get over Madeleine's deeds in the past.

This resurgence of hate didn't just erupt out of nowhere. Once they finished spending two chapters on two-second compliments to Kiara, PB reverted in the next two books to some of their usual patterns with her. For instance, remember how I mentioned that PB had an obsession with never letting Kiara and Liam interact? In TRH, they repeated this pattern, but with the Heir. The only scene Kiara has where she can so much as touch the heir is in the last part of TRH3, if you choose for Kiara to read to her. Penelope is regularly allowed to hold her even though she has often placed this child in dangerous situations (on one occasion, Kiara herself had to stop her) - even Madeleine is given an entire babysitting scene to win her favour. But Kiara is the only lady of the court who is made to stay away or care for the child from a distance.

Kiara's family (besides Zeke, and just because he is Penelope's fiance/husband) is subject to disrespect in this book too. Hakim and Joelle were both conspicuously absent from the pregnancy announcement presscon in TRH1 (where Landon, Godfrey and Bartie Sr somehow featured!!), and future books would either retcon the family or force them to do things the other families didn't have to do. In TRH2, the MC takes a tour of the Great Houses with her newborn daughter, and each house is expected to pledge loyalty to her and the crown in different ways. Hakim is written as "bending to his knees" for the child. This is something only Adeleide and Madeleine - whose house, might I remind you, are considered the house of traitors at this point - have to do. Landon and Emmeline are never expected to express their loyalty to this extent.

In TRH3, the narrative callously pushes the Therons under the bus to make the Ebrim family's reluctance to help the MC make sense - the Therons are now "traditionalists" who frown upon scandals and may not allow Zeke to marry Penelope on the account of her past annulled marriage (this makes no sense when you take a closer look at the Therons themselves in TRR3 - they're a far more balanced, far more progressive family than any of the other Great Houses. They even took Zeke's abdication well!). Furthermore, you'll notice that the framing of Penelope's past with Guy is worlds apart from the disdain the narrative shows for the Therons during the flower festival. It is notable that in the latter, the black women are depicted very negatively - Kiara is shown unable to manage her own competition, Joelle is depicted as pompous and incapable of losing gracefully, Drake gets to take sarcastic potshots at Lerato for trying to charm the MC into voting for her and Drake into convincing her to vote. Meanwhile white people like Landon and Marguerite are presented in a just as humourous but less mocking light (eg. Landon moving his table courteously before flipping it in the flashback).

Even into TRF (Ch12), the narrative gives us choices where we can stand up to people criticizing Landon and Emmeline's parenting ("Duke Landon and his wife raised a kind, generous daughter..."). We are allowed to be far less critical of the Ebrims overall, we are allowed to be more charitable even in the dialogue options for suspecting Landon than we are of Kiara (think of how Maxwell can suspect that Kiara was planning to betray us all along). At the end of the Flower Festival, Kiara is made to appear contrite as the MC can choose to either demand she make this right before the latter can forgive her, or indicate that she never will. Ironically, a Penelope who can choose her fancy wedding over the safety of the MC's child never has to face words that harsh.

You will also notice if you look more closely, that the narrative continues to frame events surrounding Penelope and Kiara in opposing ways. Penelope is perpetually viewed as a victim, and Kiara constantly as a suspect.

We are expected to support Penelope, and to mistrust Kiara. And even though Kiara's feelings had long since become a thing of the past, Drake still maintains his animosity towards her and her family. And like everything else, it is so normalized at this point that you barely even notice it anymore.

In TRH2, Drake is allowed to tar all nobles with the same brush because of Godfrey's actions. Though his statement about the nobility ("We can't trust any of them to have Liam's back...not unless it's in their own selfish interests") is about the entire nobility, it is striking that he says this just before they go to Castelserraillan. The Therons are also the only noble family that Drake makes sarcastic comments about (in reference to Liam informing us that their province is a trade hub, Drake quips that "they are going to want to trade babies with us"). These snide comments he rarely makes about other noble families, and serves as a sharp contrast to how he treats the Ebrims (during Penelope's wedding festivities, he is unnaturally invested in Penelope getting a happy ending with Ezekiel). We can't even claim that his behaviour towards Kiara is in line with his disdain for nobles, because Penelope is proof that he is perfectly capable of showing compassion to most of them!

TRH3 ends with Kiara doing an apology tour of sorts - diplomatic missions aimed at improving Cordonia's international relations. TRF finds almost all the ladies of the court - even Olivia - in very minimal roles, as the focus shifts to the Via Imperii. Still, the narrative makes more references to Penelope than to Kiara, to the extent that the epilogue ends on both the MC and Penelope celebrating their pregnancies (Penelope's first and the MC's second) together.

Overall, you will find that the narrative repeated certain patterns with Kiara - the tendency to find her suspicious, purposely limiting scenes with important characters like Liam (TRR) and the heir (TRH) while the white courtiers get almost unlimited access, the discrepancies in expectations for her vs other ladies (eg. Madeleine is hailed for being "good" even though that is solely dependent on how you treat her. Kiara is largely ignored whenever she does help, and attacked when she is written to support the enemy). Drake - even as a former alternative to her, who should have gotten over whatever nonsense beef he'd had with her earlier - is allowed to make snide remarks about her home and family.

It's pretty clear they could do this because they could get away with it... because most of the fandom made it so easy for them to get away with it.

Fandom

When I look back at how the perception of Kiara in the fandom progressed over the years, I find it half-amusing, half-sad how much of it is rooted more in fanlore, and how little in actual fact. And this is something you couldn't just pin on "crazy Drake stans" - they were the biggest promoters of these lies and misconceptions, sure, but normally analytical, commonsense readers often believed that Kiara was fake and a snob and awful to Penelope too.

I get some of it, given the timing of Kiara and Penelope's scene at the beginning of TRR2. It takes place at a low point in the MC's story, a time when she isn't even sure the LIs want to support her. Coupled with that is the lasting image of Penelope hugging you and complaining about Madeleine, making you feel like she's more willing to give you a sliver of solidarity. Coupled with that, is Olivia's newfound popularity in the fandom - once she emerges in Ch 5 of that book, fans believed they found their wildcard who would stand by them in complete solidarity among the ladies of the court (did they ignore Hana's already massive contributions to the investigation? Yes they did. Yes they did). Madeleine herself is shown giving quotable quotes about female solidarity and Tariq's guilt in TRR2 Ch 7, which - coupled with Justin's high praise of her - made people want to find things to like about her too. Penelope's own betrayal was overshadowed by an expectation to support a person with serious mental health struggles.

Kiara's the only one who doesn't get such backstories or explanations. So at least in the heat of the moment, in reading those chapters between weekly gaps, it makes sense that a false impression of her got somewhat solidified.

But when you build your interpretations out of lies and misinterpretations, how does it become so valid that even the writers bend to it and prefer to show that?

Every fandom has its "crazy stans". And this instance wouldn't be the first or last time they are pandered to. But when the same stans get backed up by the "saner", more commonsense members of fandom; when even neutral readers promote versions of a story without actually looking at the scenes in question - that's when a fandom is in danger of turning a "headcanon" into canon.

Kiara being a horrible friend to Penelope wasn't canon. Kiara being a snob was not canon. Kiara being creepy towards Drake wasn't canon either. Especially when you take the fandom response to Olivia's forced kiss on Liam into account.

And that brings me to another point. I had been asked once why I felt the need to compare Kiara to the other ladies in my defenses of her. It's important, when we speak of the kind of hate Kiara received, to understand how a lot of flaws that the entire court has (eg classism) is often pinned onto a lone person, and how several white female characters could get away with worse behaviour while Kiara alone was slammed for harmless interactions.

This is most apparent when you look at how Olivia's violation of Liam's consent is perceived, vs Kiara's harmless flirtation with Drake in TRR2. Which woman had fans foaming at the mouth and wanting to kill her? Which woman was given dozens and dozens of fanfic and content that depicted her as creepy, desperate, downright obsessed with their man? Which woman got the "oh well, he doesn't owe her anything 🤷🏽‍♀️" vs a "he doesn't love her back?? WHAT AN INSENSITIVE ASSHOLE!!1111"?

Perhaps this Olivia/Kiara comparison is where the fandom's tendency to cast Kiara into the Jezebel stereotype is the most visible. Kiara's very act of talking to Drake sometimes is registered as a threat to those stans, and it reflects in the way they speak of her, the way they speak of their MC's own relationship with Drake in association with her (eg. the number of posts rejoicing at the thought of showing off their "engaged to Drake" status at Kiara's estate), the way they're allowed to dehumanize her and villify her (eg. The edit I mentioned at the beginning). This is often encouraged by their friends who are fans of other characters, and you can see that in sharp contrast, Olivia - despite her actions in Book 1 and her resentment of Liam for not loving her back in other books - is still often viewed with sympathy and respect. Her feelings - still viewed as genuine, even pure. To the point where PB eventually allows Olivia to constantly address her feelings about the MC's and Liam's relationship, while forcing Kiara to not even utter Drake's name in his playthrough.

But you see this with other characters, and in other contexts too. Particularly how Madeleine can be duplicitous, hypocritical, and power-hungry, and it's Kiara who is called these things despite her actual honesty in canon. Madeleine can get away with actually helping Bartie Sr kidnap the MC's daughter in TRH3 without a murmur, in the same fandom where people can curse Kiara for voting for Bartie Sr "to take the child away" (despite her telling the MC and spouse that she was promised they would have custody of the child, therefore the claim that she "voted to take the child away from their parent" is inaccurate).

You saw some of these discrepancies in how Penelope and Kiara were spoken about too - Penelope's crime in TRR2 was considered easily forgiveable, while Kiara's innocence is constantly called into question. Kiara was often viewed negatively for what the fandom perceived as "meanness" to Penelope (when it was in fact Kiara worrying about how Penelope would fare when she wasn't around) while Penelope herself was never expected to be a good friend to Kiara. An interesting thing to note about the fandom response to Penelope and Kiara showed that often when posters wanted to hate on Penelope, she and Kiara would be clubbed together, almost as a unit. This was especially prevalent in TRH3. It was easy to express hatred for Kiara independently, but most posts that showed a dislike for Penelope (besides from specific Kiara stans) would often tie her with Kiara, as if there wasn't much to hate about her otherwise.

It is important to line up whatever hate Kiara gets with the responses to the other women - especially in the face of what the latter are allowed to get away with. In doing so, you get a better sense of what is allowed for a certain subset of women, and what isn't allowed or permitted for black women specifically.

Often, the fans who would not hesitate to call her alone fake, opportunistic and creepy were WOC, and there have been cases where some would use their identity as WOC to shield themselves from the criticism concerning their vitriol. It would often descend into "I don't hate her because she is black, I hate her because {insert inaccurate/false/convoluted justification here}". It didn't matter that much of this information wasn't based in fact, or had a heavy bias that they never applied to anyone else. It only mattered that because they were WOC, somehow that meant that they couldn't possibly be racist. That their unfounded hatred for Kiara had to be legitimate. As if there was no chance that someone who was WOC couldn't be antiblack too. I mean, the ultimate proof of this could be found in TRR itself - the two head writers of the TRR/H/F series' are Asian women - who have a pattern of liking mean (white) women, and who didn't mind throwing the black woman and her black family in their story repeatedly under the bus, who didn't mind minimizing and retconning the abuse and childhood trauma that the darker-skinned Asian woman in their story went through.

Overall, it is possible that the fandom did take some of their cues (for their impression of Kiara) from the inherent disdain found in canon itself. But many of them also misinterpreted several things about Kiara, then didn't bother to revisit those biases with a critical eye, or even try to see if they were wrong. And that baseless hatred fed the already-existing disdain that Kiara's own writers had towards her. Resulting in the kind of horrific, racist garbage that we got to see in TRR3, and the constant attempts in canon to pull her down in TRH.

Did Drake and Kiara Ever Have A Chance?

There have been various opinions - from both Kiara fans and haters - for why a Driara ship would never work. He hates nobles, she won't like his disdain for art and culture, he likes the simpler life, she's a snob...so on and so forth. Many people will agree it's not a great ship, but of course with differing opinions on why.

I, however, often wondered at possible scenarios where such a pairing could work. The magic of shipping is often that you can play around with personalities and pair almost anyone, and find enough reasons to explain why they would tick. And in Drake and Kiara's case, personally, I do feel like it's a complicated question to answer - primarily because I feel like the authorial intent at the beginning may have been very, very different to what finally happened in Drake's story.

A lot of Drake's early writing focused on the reasons behind his mistrust of the court and his tendency to view the people he loves who are part of it (eg. Liam and later the group) as anomalies. There are two ways you could take such a story in TRR2 - you could either get him to admit to the flaws in his own thinking (thereby providing a more nuanced insight) and allow him to grow from there, or you could just have him double down on his biases and never change beyond the superficial. The team of TRR - esp the head writers, Kara and Jen who were both v fond of him - definitely seemed to go in the latter direction.

Drake's prediction in Coney Island does indicate that he should let go of the past, and I honestly feel like the sequences where he learned about Maxwell straining House Beaumont's finances to help her, and Kiara and Savannah's friendship, could have been turning points for him if the writers weren't so obsessed with proving him right all the time - even when he was supposed to be wrong. Maxwell and Kiara, in their own ways, were proof that not every noble was the same, nor would every noble treat the commoners around them all the same way. However, the narrative trampled all over this possibility in TRR2 Ch 9, where Drake could optionally claim that the Beaumont brothers (among others) were "just looking out for themselves, no matter the consequences", or later when the narrative had Savannah be grateful to him for breaking her confidence to Bertrand, and have Maxwell try to earn his forgiveness in Ch 12 rather than the other way around. It allowed Drake to be selective about the nobles he admired or defended, while still free to treat certain others like garbage.

I could easily envision a Driara pairing for most of TRR2. I could even see it as potentially salvageable in certain parts of TRR3. But the moment they had Drake readily suspect her, the moment the team thought it would be okay for Drake to even suggest minimizing her trauma...that option was no longer worth seeing. Not for Drake, but for Kiara. Drake would have to be the worst possible guy I could find for her, in such a scenario.

But I could see potential in a storyline that had Drake understand that some of these people weren't the monsters he so desperately wanted them to be. In one where he could hear about Kiara's friendship with his sister, and learn about a whole new side of her. One where he maybe felt insecure ("I'm not her type") and could be reassured by a woman who had likely held a torch for him since they were teens/young adults. One where they could reach out to each other in their pain and trauma, and find solace. One where Drake knew that the family he may be marrying into would respect him, and his father too. There were possibilities there.

It would still take more work - his mean streak for one would need to be reduced by more than a half. A lot of it, of course, was kept for the Drake stans, but it really doesn't add much to Drake's character besides making him a mean-spirited, hypocritical bitch who only targets the lone black woman this way (and Olivia occasionally, if she goads him). If the narrative did want to keep a characterization where Drake acts weird around the girl he likes, they could - but that story would need a lot more work to be palatable.

All of this is to say that regardless of personal bias, there were possibilities there. There was a sliver of potential. And if they wanted to let go of that potential midway, they didn't have to go about that the way they finally did. They could have just worked on creating another love interest for her. They managed to create a brother for her overnight just so Penelope could have a boyfriend; they could have easily done the same for Kiara.

Multiple factors went down that explain why the Driara ship didn't take off. But many of them boil down to one specific root cause - the white women (whether they caused actual harm or not) needed to be protected, needed to be cherished. The black woman who dared to ask for the same things from their pet LI, would be viewed as a threat, a villain, a creep...just for breathing in his direction.

And her writers cared so little, that they took the fanon perception for her and stamped it onto their canon, like it was the truth.

They didn't do any of this for the woman who forced a kiss on a prominent LI. They didn't do this on the woman who betrayed the MC and set her up for assault. They didn't do this to the woman who bullied the lone female LI, and swore to continue doing so till she broke.

They did this for the one woman who was fairly innocent of most of these crimes, actually respected the LI and treated him well.

They did this because they could get away with it. Because they were confident that the fandom they wrote the story for, would let them get away with it. And tragically...they were right.

--

Resources I used to learn about the Jezebel stereotype:

The "Offending" Breast of Janet Jackson: Public Discourse Surrounding the Jackson/Timberlake Performance at Super Bowl XXXVIII by Dr Shannon Holland

Janet Jackson, Justin Timberlake, the Jezebel and white masculinity by Khadija Mbowe (I actually got the recommendation for the first paper from this video essay).

From Mammy to Jezebel: The Portrayal of Black Women in American Cinema from the BlackThen website

[velvetcrimsonkisses]

JJK- who I think they would main in Genshin (drabble)

Gojo- Barbara or Venti or Childe 💀 he's just silly like that tbh. OR he'll make geto match with him with some silly ship like... zhongli and childe . I feel like that suits them. My sister said Ayato cause they're both rich 😭. He is such a whale 🗣 he gets everyone and their weapons BUT either doesn't build them or they have shitty builds

Geto- Zhongli... like he'll main him first. Then Gojo mains Childe 💀. Al Haitham also fits him. Only whales on characters he likes. WAIT he also def likes Yae Miko. His builds would be god tier honestly

Shoko- Hu Tao... she loves her. She's def the type to only pull for the woman. Doesn't whale but occasionally spends.

Nanami- this was tough bc I don't think he'd actually play 😭 but let's say he was forced. I'm thinking Diluc. He just vibes with him. Plus Diluc is a gentleman and so is Nanami so.

Choso- hear me out... Kokomi. He just loves playing healer 😭 and he thinks she is pretty. That's all. Definitely plays with Yuji, Megumi, and Nobara. And does not spend money.

Yuji- I'm stuck. I feel like he'd have a lot of good DPS built. But mains Bennett.... He also loves Eula for sure. And I think he'd use Itto too.

Megumi- Xiao. Nothing else to say here. He also uses other characters but Xiao is his favorite. Good builds too.

Nobara- Fischl. I think she'd really like her character design and just stick with her. I think she'd also like Ningguang because of her outfits.

Maki- gives me strong Beidou vibes. She definitely likes using anyone with a claymore tho.

Lmk who yall think they'd main 🥸

[staenless]

STEDDIE LUNCHBOX FIC PART THREE

It was a week be

Sorry this took so long Ive been busy with beauty school and struggling with motivation tbh lol. Looking back at the previous two parts this needs a LOT of editing but honestly I don't think I can rn so you'll all have to suffer through unedited chapters for now, sorry! Anyway I'm very tired rn so I won't hold up with authors notes anymore, I hope you all enjoy this and please share your thoughts (they fueled this chapter tbh)

It was a week before Tommy passed his lunch on again. Eddie sat in his cubicle nose flaring at lunchtime everyday, a pavlovian response to the clunk-tick of the bento box popping open. He could smell meats, vegetables and fruits, cheesy pastas and salt-buttered rolls. Under it all he could smell that sugar sweet ginger and floral scent, Steve.

Eddie's own lunches were rare, and when he did lower himself to eat at the company café he always found it wanting. Nothing quite matched up to a meal made painstakingly by hand. He wondered if this was part of Tommy's cruel mockery, to hand him something he was unworthy of to let him taste heaven, then snatch it away and leave him stranded in a world of bland flavorless slop.

That wasn't to say the café food was bad. In actuality it was surprisingly good. The young woman who ran it had been part of a government program to teach underserved highschoolers skills, and her meals were wholesome and tasty. She had baked a cake for the company holiday party, and when she say Eddie savouring the bites she confided her secret: a third of the flour was substituted with corn flour to give it a texture. It was the best homemade cake Eddie had ever eaten, though he had very little to compare it to.

So no, the food at the café, the bar and the grocery store and - godforbid - Eddie's own kitchen wasnt bad. It was of a higher standard he was used to, and it was filling and tasty, and he ate what he liked instead of what his guardians decided he should eat. But none of it had the taste of Steve's hands on it, and so none of it could ever compare. He mindlessly shoved forkful after forkful into his mouth, chewed and chocked it all down. He missed Steve's food, after only tasting it once.

The day Tommy decided to grace Eddie's desk with the tin lunchbox again hadn't started out special. In fact as the clock slowly ticked into the luncheon hours Eddie had long resigned himself another cafe meal when Tommy's cackled echoed across the floor.

"Nah, he's going into heat soon so he's been extra bitchy... I've had to pull late night's just to get some damn peace"

Eddie's hackles rose. Omegas in preheat needed stability, reassurance. Spending hours away would just make their preheat anxiety worse, something Tommy was either too stupid to realise or too cruel to care.

"Aw c'mon man," one of the stuffy suited alphas beside him gave Tommy a heart shoulder clap, "heat is the whole point of marrying an omega, right? Man what I'd do to get to fuck one, is it true they can't think of anything other than cock?"

Tommy's low chuckling makes Eddie grit his teeth,that was basically conformation. He's out here discussing his omegas private, vulnerable moments like it's water cooler gossip. Barely containing a growl Eddie peaks over the cubicle and finally spots the group by the - oh for fucks sake - gathered around an honest to God watercooler.

"Yeah the fucking is great, he always bitches about wearing a collar but once he's in the heat of it," smattered giggles, "he forgets aaaalllll about it. Almost makes the week before worth it. Almost." The last line sounds almost spiteful, but his cronies don't seem to take note.

"How'd you even bag him? I mean sure omegas aren't that rare but I hardly see any that aren't mated, especially a nice tame one that'd pack me lunch."

Something in the air turns sour, and when Eddie peaks over again in a bizaar mimic of an old whack-a-mole game, he can see Tommys face twist and turn in on itself. He seems torn between frustration and pride, like a dog showing off its gold plated collar.

"It was a family thing," he says, the vague answer telling just enough for his buddies to drop it while still answering their question. He glances down at the lunch box in his hand and his upper lip twitches in disgust, then his eyes rove over the office cubicles before locking onto Eddie. Shit, too late to duck down, and Tommy marches over, smarmy smile stretching over his too-white too-straight teeth.

"Munson!" THWACK. Ow. "You not having lunch?" Tommy leans down, weight on Eddie's shoulder where his fingers dig in just enough to make Eddie want to bite him. But the possibility of getting his paws on that lunch box, on Steve scented food, outweighs his instinct to fight the alpha trying to impose himself.

"Shit man," his grin is all teeth, "I hadn't even noticed the time! Guess I'll have to run down to the cafe and pick something up, huh?" It's fake. It's so fake and they both know this conversation is just a formality, the conclusion already known.

"I'll save you the trouble," Tommy should have persued an acting career, the script sounds so natural as he straightens up and clacks the lunch box onto Eddie's desk, "I'm heading out to lunch with the boys, you'd be doing me a favour." The last part doesn't sound like a lie, and if Eddie wasn't so desperate for the lunch he'd wonder why Tommy was so desperate to get rid of it.

"Thanks man," he spits out to Tommys retreating form. He mutters something - likely demeaning - to his cronies who titter, then leave together like a pack of cackling hyenas.

Eddie launches from his desk and flies to the rooftop, lunchbox clutched desperately in his hands, cigarettes forgotten. Once he reaches his usual spot his pops the lid, thrumming with excitement at the sight of another note. Ignoring the food over the sweet omegas words he plucks the folded yellow paper and gingerly unfolds it.

"please come home early"

His heart plummets. Right. Steve is in preheat, he obviously wants his alpha. But Tommy said he was avoiding Steve, and now the note confirms that. Please come home early, but no "I miss you" . No "love Steve". It seemed impersonal, something like an order, or begging, but without the hope either of those entail. He recalled Tommys other statement. It was a family thing.

Eddie was familiar, though distantly, with the idea. Arranged marriages were hardly a thing anymore. The star charts, the burnt herbs and entrails spread out beneath a crones trembling hands was far too gouche for modern metropolitans. The payments in silk and bovine too backwards and simple for their forward thinking ways.

Marriages were a more democratic affair for the rich and wealthy, planned out in wood panelled offices with huffing cigar breaths, Alpha to Alpha, the prospects of mergers and inheritance trumping starsigns and blood types. Arranged marriages was for backwards, superstitious folk, agreements were for the rich to keep the money in arms reach. Steve and Tommy were an agreement.

And by the looks of if; no mating bite, avoidance during preheat and the tone Tommy musters when discussing his spouse? Not a particularly blissful agreement. Still. Please come home early, Steve must find some comfort in Tommy's general existence if he wants him around over a trusted family member or close friend. Or pup. Tommy never mentioned a pup, but whether that was because he didn't have one or didn't care much to talk about it was somewhat up in the air.

Eddie brought the note to his lips, just toughing, and breathed deep. The ginger of Steve's scent was less sweet now, his preheat brining out the spice. Something like pepper ticked the back of his nose, pulled the air from his lungs and a final floral smell brought him back in, the sweet aftertaste of a spicy treat. The flowers smelt fresh, Eddie could recall the lily's at his mother's grave smelling the same. Somewhere in his mind he knew that comparison should scare him, but the memory of her grave after the funeral had always been rose tinted by Wayne's kind smile when he took his hand and gently lead him away. Eddie pulled the note away and his lips twitched up, that floral after taste was definitely lily's.

Eddie spared the food a glance, and as delicious as it look, he had something else on his mind. He looked down at the note in his hands, his hind brain sparking to attention at the scent of the omega, and the idea of him home alone in preheat. Eddie wanted to comfort him, to sooth his nerves and let him know he was safe and loved. He wanted to pace the door in front of their den, while Steve nested inside, to protect him from any intruders and serve him. To hold his hand, his waist, to pillow his head on Steve's chest and listen to his heart beat and bathe in his scent.

He couldn't. Steve was married, as much as Eddie's hind brain shouted "not mated" and Steve didn't even know Eddie, let alone allow the alpha into his nest. But Eddie couldn't help it as he pressed the note to his wrists and neck, mind whirling with ideas on how to comfort the omega. Somewhere between kissing Steves fingertips through fruit and the ginger of his scent burning Eddie's nose, the alphas heart had already pledged itself to the omega, already bared itself - pledged itself to his service. If all Eddie could offer was comfort, crossing lines of proprietary was no hurdle.

Taglist: @xxbottlecapx @goodolefashionedloverboi @stevesbipanic @monsterloverforhire @swimmingbirdrunningrock @samsoble @bookworm0690 @tinyplanet95 @idontwantmetoo @steddiehasmywholeheart @mugloversonly @persnicketysquares @morgannotlefay @lololol-1234 @greeniebean911

[n0t-vzin1s]

I read your Bf Chuya and Dazai fics and they are so cute! Could you do one of each of them getting married officially to their s/o. What would each of the weddings look like and how would their s/o react to them meeting either Dazai or Chuya at the wedding?

of course i can!

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chuuya/dazai marrying their s/o (seperately)

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dazai would definitely go all out

i'm talking matching suit/dress, everyone he's ever known, and the fanciest shit you can imagine.

would probably get one of his friends to officiate

chuuya would be the flower girl.

he wouldn't have some song that you'd normally hear. nono-

he's gonna play something stupid. probably his song about suicide

when the wedding was over, he would probably either have a whole ass jet or a horse drawn carriage to escort you to the airport

yours and his favourite flowers combined

a large blue theme, i feel like he really likes blue tbh

the two of you would probably get extremely drunk, sneak off into a bathroom and get high together

written 👏 vows

he wanted to be original, but his ended in "join my for the most extravagant of double suicides"

you just had to scoff at him for being such an idiot

but he was YOUR idiot

he would probably take you to italy for your honeymoon (or anywhere you wanted to go)

the two of you would wear a pin on your shirt, of the first words he said to you

"marry me"

because

he quite literally

married you

lol

you would shove his face in the cake

dw he laughed it off

chuuya was vv respectul to you, and you took a good liking to him!!

but he did ask one question

"why are you marrying this dumbass?"

which even YOU weren't sure why but here we are

imagine:

dazai stood at the alter, waiting patiently for you. everyone he knew looking up from the crowd as (probably) kunikida officiated, he was rather nervous. of course, not to marry you. he had been waiting for this day since he met you. he was nervous for life after marriage.

but he heard the music start playing, and suddenly everything went silent as you emerged from the large double doors at the end of the walkway. his eyes finally got to meet yours as he had been waiting for since eight last night. you looked beautiful, there was no denying it. nor was there anyway in hell his eyes were coming off of yours.

you grinned at him in response, walking up as you felt all eyes on you, but that didn't matter at this moment. because the love of your life was waiting for you at the end of this excruciatingly long walk. and you were excited. chuuya was behind you, throwing petals rather aggressively while mumbling things under his breath.

his hands gripped yours hastily as you reached the alter, the cold metal of your promise ring against his hands as kunikida began speaking,

"kenji, can i have the rings?" and on cue, kenji brought the rings to him, the both of you putting them on eachother as you smiled ear-to-ear.

(idk how weddings go so i'm skipping to the vows.)

"i will love you until the day i die, [f/n]. i have since the day i met you, and i will until i take my last breath." he spoke softly, "now, will you join me in a double suicide?" you could only smack him in response.

"alright, go on. kiss her."

he didn't hesitate as he grabbed your face, his lips soft against yours as he mumbled something. "i love you."

as did you.

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chuuya has a red themed wedding.

no doubt, he's wearing the most lavish of red and black suits tailored to fit him perfectly

whereas you wear something similar. dark themed colours

alcohol at every corner

black out drunk at your wedding. no denying that

surprisngly, no after party. he wants to get drunk in his own home

small venue, maybe about 50 people

violin music playing, some classical songs that he loved as a teenager

would carry you bridal style out to the car

actually scrap that

it's probably his motorcycle.

the exhilarating feeling after his wedding relaxes him

he would have a red flower to put in your hair

or he would wear his hat and put it on your head as he carried you out

as well as dazai, he wrote his own vows

but his were all based around the future

like how much he loved you and how he wanted to start a family n stuff

the flower girl would be elise

his best man would either be dazai or no one else

you had gin and higuchi

he bought you the fanciest ring you can imagine. i'm talking REAL diamond. you only deserve the best after all

this was your first OFFICAL time meeting dazai and you can understand why chuuya hated him.

his first words to you were

"10/10 would bang" which resulted in him getting punched

imagine:

chuuya watched the doors to the venue open up slightly, everyone in the room started to stand as the music of his favourite musician played in the background.

when you came into view, he was certain he was going to die on the spot. you looked amazing in his eyes, and he couldn't wait a second longer to be your husband. he was excited for you to take his last name, it made him feel accomplished.

when you stood in front of him, he finally felt happy and at peace. the way yours eyes shimmered, the way you smiled at the site of him had him melting. you had him wrapped around your finger and both of you were aware of it. but he loved every second of it.

when everything began, he accidentally let out a tear. he was just so happy that he could finally call you his. he had dreamt of marrying you for over a year, and now, that dream became a reality.

the red lights around the place dimmed slightly as you began reading out your vows. the ones you'd spent three and a half weeks writing. but how was he supposed to focus when you looked this good infront of him?

when it was his turn, he said-

"fuck it, just marry us already."

but he told you his when you got home.

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i feel like this really sucked! the only wedding i've ever been to was when i was four years old so i don't really understand them haha

thank you for the request! hopefully i did a decent job lol

[leonawriter]

Has anyone written an MK fic based on the "Help, I've been turned into a marketable plushie" meme but it's Kaito who got turned into one by Akako and it's either Hakuba or Aoko who finds him like that? Who then takes him around with them through their day because they don't know it's him but they do find it funny to take a Kaitou Kid plushie around with them.

Kid-Plushie getting handcuffed, dragged around, and otherwise manhandled, and Akako trying to get him back from whoever has him but they do NOT want to let go.

For once, Kaito really would like Akako to rescue him, but at the same time he's not sure, because hey at least Hakuba and Aoko just want him arrested, they don't want him "bound to them for eternity as their slave" or whatever it is Akako actually wants at this point.

Tbh now I'm thinking that Hakuba and Aoko are just... sharing him. Trading him off. Hakuba's the one who makes the tiny plushie-size handcuffs. Aoko gets mud over his white suit, and leaves him sat leaning against something and not realising she's left Kaito, the one with a phobia of fish, looking at fish (Hakuba hears about this, and winces; at the same time, he thinks to himself that if Kaito wasn't kid he wouldn't have a plush version of himself anywhere near the things he detests).

Akako taking pity on him and eventually turning him back (sans handcuffs)... only for him to still be with Hakuba at the time, and the very logical-minded detective has to deal with "my classmate who happens to be Kaitou Kid just magically appeared from a... plushie of himself. That I was carrying around with me."

They share a look that suggests neither of them are going to want to speak of this again, and Kaito poofs away.

Aoko asks Hakuba what happened to Kaito-plushie next time they meet, and Hakuba doesn't really know how to tell her even a slightest bit of what he saw, so he just says that it was lost, or confiscated, or something. Anything other than "actually that WAS Kaitou Kid somehow, and your friend here presumably saw various things he was not meant to and had no intention of seeing."

Aoko is disappointed in the loss. She's also angry at Kaito for missing several days off school.

She gets them both to somehow get her a replacement, so that she can vent her anger on it (Kaito is thankful she never did that when it was him in the plush body).

[shima-draws]

Hiya!! I saw you were having a hard time, so I'm here to distract you from the things!! >7<)/

Who was your first OC? What did they look like, mayhaps try to redesign/redraw them side by side!

I hope things get better for you soon!!

Aw thank you!!! 🥰

My first OC was either Shima or Riku, I can't remember for sure who came first but they've been with me the longest

And yeah I've redesigned them both lots of times already! I have a habit of redesigning OCs once every few years lol

First art I EVER posted of them? I had to dig into my old DeviantART account to find this, this is from 2011 holy SHIT?? Have I really been on the internet for that long? Anyway old art jumpscare warning

Aww. Baby Shima art <3

This was before Riku actually got a human form, he actually started out as a Pokemon OC that was like. A weird genetic mutation of Pikachu? Uncreative little me called him Rare Pikachu LMAO or RP for short. Neat bit of lore, when I eventually repurposed him to become Riku I kept those same initials. Riku Promethera = RP :") Just a callback to his origins <3 He's always been Shima's partner tho since the beginning which makes me really emo honestly

Anyway here have 10+ years of Shima and Riku art

Shima's hair has gotten noticeably pinker but her actual hair style has stayed relatively the same after the very first redesign. God it used to be so DARK and way browner but I think the pink fits the palette very well :"D

And Riku...I used to strictly adhere to the black color scheme but I think the new one with the earthy tones suits him perfectly since he's a land elemental!

Also I need to draw him pathetic and covered in blood again. Tbh.

[green-planets]

Sharing some of my thoughts on Cinderella's Castle because I have no one to talk with irl about it (I'm sure most of my points have already been brought up by other people but whatever!) Dark fantasy is my bread and butter so I'm a little disappointed that I had such mixed feelings after my first watch through.

BE WARNED THERE ARE SPOILERS BELOW THE CUT!!

First thing's first, the set, lighting, PUPPETS, and COSTUMES were gorgeous!! The team knocked it out of the park with the look of the show!

Also the twists on the classic Cinderella story were *chef's kiss* The explanations for why no one could remember Ella's face, how the glass slippers worked, and the Stepmother CHOPPING OFF ELLA'S FEET!?! AND SEWING THEM ONTO PUTRICE'S SKIN SUIT SO SHE COULD WEAR THE SLIPPERS!?!?! Strokes of genius. I applaud the Langs

I wanted to see way more of Sir Hop-A-Lot and Crumb! I think they definitely would have benefitted from having a song with Ella, it would have helped solidify their bond and helped flesh out their characters (tbh Ragweed felt like he had more character than either of them 😭)

The songs were VERY hit or miss for me and I felt like a few of them didn't really match the tone of the show. Ash to Ash was a standout number (Kim absolutely killed it!!)

Bryce was amazing as expected and I'm so so happy she was the lead! Her voice is to die for and she brought so much emotion to the role of Ella

I was surprised the Prince and Tadius didn't get a comedic song. It would have worked so well for the scene where Tadius was announcing the ball! He could have been describing ideal characteristics of a queen to the Prince while the Prince goes off on horny ramblings, Tadius gets more frustrated as the song goes on until he finally throws up his hands in defeat, etc.

That being said, I was not a fan of the majority of the raunchy humor. Almost every line that came from the Prince was so unnecessarily gross. I know that was the whole point and I love James as an actor but the character just was not for me. Maybe I'm getting too old for constant streams of dick and poop jokes. I kinda wished they had stuck with a more serious tone overall

This is definitely a nitpick: the fairy godmother scene was SO GOOD (probably my favorite tbh) but I was SO distracted by the pants (AND THE SHOES STICKING OUT!!!) The costume would have looked more ethereal with a floor length skirt imo (or at least cover up her feet!)

I loved Jeff as the narrator. His interactions with Ragweed were very fun!

I had some issues with the pacing and the ending felt very rushed. Ella's final confrontation with her Stepmother should have been an epic battle but instead we got an exposition dump, a flash of light, and it was over :/ Kind of disappointing for the big climax of the show tbh

This is a criticism I've had with several Starkid musicals (aka Hatchetfield trilogy) where we have a character's friend(s) die horrifically and get very little emotional reaction from said character. So THANK YOU Langs for letting Ella properly mourn Lucy and Justine at the end!!!

I do have a lot more thoughts but they feel like nitpicks and complaints about minor plot holes and such, so I don't know if they're really worth sharing at this time. Anyway, overall I thought Cinderella's Castle was okay. The good parts were REALLY REALLY GOOD but unfortunately there were a lot a bits I personally did not enjoy as much as I'd hoped. I'll try to give it at least a second watch before my digital ticket expires to see if any of my opinions change. If not, I'll wait until the pro-shot comes out next year.

[xserpx]

Planks rattled under Gorst’s boots. A flatbow bolt pinged off his breastplate. Another sank into the same shoulder he was already stuck in. He barely noticed, coming on faster and faster, twisted face speckled red, eyes fixed on Leo under his furiously wrinkled brows, short steel going up high.

Leo took one lurching step back, raising his sword, no idea how he’d have met that charge even with all his limbs.

Next to his ear, Jurand's flatbow made a sharp whipping sound.

— The Wisdom of Crowds by Joe Abercrombie

I love Jurand's competence in this chapter. I love that he saves Leo's life, that he thinks way ahead. His tactical intelligence, initiative, cool-headedness, martial skill, and loyalty are on full display and I hate acknowledging that anyone is cool in these books (because they are all also incredibly pathetic) but it is just very, very cool tbh. I love Gorst's death for how it showcases his strength & loyalty, he goes down in exactly the way someone like him should go down, but also Jurand killing him in defense of Leo is icing on the cake. I wonder what was going through his mind at this moment (or throughout the chapter/book/trilogy tbh 🙃), he has that catty line to Savine "What have you done, your Highness?" and I feel like he knew it was a trap all along but he goes along anyway in a way that suggests he's anticipated Leo's reaction and is indulging him. There's also this bit where Leo's male gayze is showing: Jurand stood with his flatbow resting on his shoulder, hair stirred by the sea breeze about his thoughtful frown. Is he ever hot on purpose? Waiting for the day Leo paints him like one of his French girls.

I'm sure I've said this before and I'm going to self-indulgently repeat myself: I love the idea of a role-reversal for Leo & Jurand, where Jurand becomes the man of the moment and Leo is more in the background admiring his physicality, feeling jealous of anyone who goes near him, making the inaudibly high-pitched whining sound that is the symptom of those cursed with chronic pining. Especially with Jappo — and it's Jurand's job as Lord Chamberlain to make sure he has a good time — it's the perfect moment for him to show off his incredible organisational skills and his ability to mediate the most stubborn & difficult of personalities. As much as Leo is a traditionalist, suited to fighting, Jurand is much better suited to adapting to this new world of diplomacy and bureaucracy, but the way he is also capable of doing things Leo's way, and getting Leo on side, gives him a unique edge above everyone else. In a way, Savine's contract potentially makes Jurand the most powerful person on the Closed Council, because anyone who can pull Leo's strings has an advantage. Hence why she is so quick to play her hand with Jurand. Being unashamedly gay, he also obviously has an edge over either of them when it comes to Jappo, and I think he could even ingratiate himself with Monza after being so loyal to Finree (I feel like Monza would get on better with Leo than Savine, tbh, though neither would fill her with confidence). Ultimately what makes Jurand great is his unassuming lack of egotism, which shouldn't be a tall order but in AoM it really, really is.

I just want that moment where Jappo looks at Jurand, looks at Leo, and is utterly baffled by it, because honestly, Leo's struck gold with having Jurand fall in love with him and he does not at all deserve him. The way nothing can break Jurand's loyalty - even Leo himself - and the way it lends him both strength (in the way it challenges and hones his various skills) and weakness (in his easily-manipulated emotions) is so interesting. The "I'm a bigger fool than you are, in my own way" line kills me, because he knows, logically, that he deserves better, but Leo is the man his heart has chosen and it's like he has zero say in it.