#i'm not shouting

[emilnikos]

love it when my friends say "you would do numbers on Tumblr" buddy I am on Tumblr. and the number is 3

[poorly-drawn-mdzs]

I love you Safety Wizard.

(Inspired by @keroascrazy)

[paintedcrows]

*through tears* HER LITTLE POG CHAMP

[caleohateclub]

"When's your tramp of a mother gonna choose a new husband?"

[cozmic-ash]

so I played through Origins again and there's this middle-aged man 🫣

Amrynn the Hero of Ferelden will smooch him, so help me God

why did they do him so fucking dirty in Trespasser anyway lol 😭 I'm half convinced he was originally meant to be an entirely different character and then last minute they were like, 'hey let's make him Teagan instead' but didn't change anything about his design. But it IS really funny when your Inquisitor rides up to the exalted council and looks up at him and he's just mean mugging the FUCK out of you

[nau-the-duke]

Portraits

I forgot to post this here whoops.

Did some sketch requests on Instagram and someone asked for "Aziracrow drawing portraits of each other". So I, naturally, slipped in a little reference there.

There are many other requests I drew, but I want to fully coloured them, so I'll post them when they are!

I like to think that Crowley has at least some art skills he's gathered throughout the millennia. Not at Aziraphale's level, of course, but it's something.

[redbelles]

He exists now only in my memory.

TITANIC (1997) — ft. "Talk" by Hozier

[jennchecks]

"In the background Crowley and Aziraphale met on the tops of buses, and in art galleries, and at concerts, compared notes, and smiled."

Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch by Neil Gaiman and Terry Pratchett, published May 10, 1990

[agentravensong]

characters who see themselves as more of a Force or an abstract concept acting in the world than as a person. characters who prioritize their role as a cog in some greater mechanism over their own personhood. characters who get their hands dirty, who run themselves ragged, who take on an unbearable weight, who hurt or neglect or give up or straight-up betray the people and things they once held close, because they believe in doing so they are fulfilling their Purpose, the thing they exist in this world to do (and no one else will do it, *can* do it, so it has to be them). characters who've determined that they are constructs bound to preprogrammed code, to a script already written for them by someone/something else, and have been operating under that mindset for so long that they don't know how to live on their own terms. characters who uphold the fate that is smothering them. can anyone hear me

[legayllyblonde]

what apollo sees vs. what phoenix & edgeworth are thinking

[poorly-drawn-mdzs]

The squad of all time has arrived on scene.

[coffeeworldsasaki]

PEOPLE WANTED A SEXY ASSASSIN AND TO HAVE A THREESOME WITH HIS DEMON AND INSTEAD GOT A VIRGIN DEMISEXUAL WITH A DEMON THAT BEHAVES LIKE AN ANNOYING CHIHUAHUA FJAKDJSS

[skydaemon]

so we (and by we, i mean the very specific overlap of jews and nerds among whom i make my home) talk a lot about how tolkien's dwarves, in both the books and movies, were likely influenced by certain jewish stereotypes. obsessed with gold/wealth, secretive (especially about their language and religion), refugees from their ancestral home, portrayed with big, sometimes hooked, noses and interesting facial hair, and most specifically: the favourite little meow meows of one particular god, causing them to be shunned and persecuted by other races and creeds. this is likely unintentional, coming from the subconscious of tolkien in the same way orcs were "based on mongols" (ew colonialism) and activating subconscious biases/stereotypes in the people who designed the dwarves for the movies. it's subtext, albeit subtext that influenced the next eighty years of fantasy.

but what i don't see much discussion of is the fact that in terry pratchett's discworld, it's intentional. terry pratchett's dwarves are, more or less, jews.

carrot is a human adopted by dwarves, based on human standards. but within dwarf culture, he IS a dwarf. specifically, he has undergone specific rituals and memorised certain passages, making him LEGALLY a dwarf. this is basically how conversion works in judaism. indeed, as in judaism, it's considered rude to even mention that carrot is six feet tall and obviously wasn't born into the culture he has adopted.

the dwarves also have internal rifts - there are a group of 'orthodox' dwarves who consider the dwarves in ankh-morpork (who have adopted other customs and don't follow traditional roles) not to be dwarves at all, and don't recognise carrot as a dwarf for the same reason. they believe that the way to be a dwarf is to live in an all-dwarf community and follow their traditional rules, while other dwarves believe they need to change with the times and integrate (at least somewhat) with larger society. jewish as fuck.

there's also the interaction of dwarves with gender. when cherie comes out as female (which isn't a recognised gender by dwarvish society) she is ostracised for taking on the feminine roles common to other discworld races. however, she could never THINK of cutting off her beard, because she is still a dwarf. i see parallels with women in judaism taking on roles traditionally considered 'masculine' (e.g., as rabbis, wearing tallit and kippot) and the acceptance of queer people into jewish communities. there's lots of great discussion about cherie as a trans character on tumblr, btw.

finally, something that particularly strikes me is the line from carrot in tfe, where he says that the biggest dwarf city on the disc is ankh-morpork. obviously all diaspora communities can relate, but it's really something to know that new york is the city with the most jews in the world (960k to jerusalem's 570k. btw, 3rd is LA!).

i just love that, again, consciously or unconsciously, pratchett incorporated more positive elements of jewish culture into his portrayal of the dwarves.

[anoant-haikyuu-dump]

What's up Fukutora nation, I have more slop

[tangled-pixel-harpsichord]

[moon-light-bow]

I don't know how to explain it, but I think it's SO interesting that Fiddleford keeps the photo of Emma-May and Tate visible on top of his desk to "keep him grounded" (whatever THAT means...), while he kept the photo of him and Ford at BMU hidden in his desk (which he brought with him to Gravity Falls for ABSOLUTELY NO REASON).

I mean, the text doesn't outright say that it was hidden, but considering that Ford had to RANSACK Fiddleford's notes to even find it after living with him for MONTHS....