#i'm not opposed to trying

[kowaindar0u]

//

finally got my sims 4 game to work except now all my custom content is borked :') so i'm gonna redownload all i didn't have saved on gdrive jfsjkdfkl

once i get everything back and fixed i'm probably gonna make yuichi (and try to make his honmaru lol...we'll see)

if anyone wants me to make sims of their characters (or if you play you can make them and upload on the gallery) let me know LOL maybe they can be roommates

[tofixtheshadows]

This is one of my favorite minor details in Dungeon Meshi, firstly because what in the femme fatale, but also because it's one of those little things that raises so many questions about worldbuilding.

The Occam's Razor defense attorney in me says that Ryoko Kui gave Kabru a boot knife because she wanted him to escape from his bonds here. And Kabru is a very competent swordsman, why wouldn't he have a boot knife, sure. He's already got a dagger, he can have this too.

And yet: the implications. Kabru, why do you have that? That is not remotely something that could be easily accessed or used in combat. Nobody is pulling out a pen knife from the heel of their boot during a fight with a monster. It's useless in the dungeon ... unless you're the type of person who isn't just worried about monsters.

I've mentioned this before, but I consider one of Kabru's functions in the narrative as being the character who fully brings the idea of human ecosystems into the story. There's a reason why he's always connected to large groups of people (Toshiro's party, the Canaries). He (along with Mr. Tansu, briefly) introduces the reader to the social and political forces working on the dungeon, showing us that none of this is happening in a monster-filled vacuum. His confrontation with the corpse retrievers, who very nearly kill Kabru's party permanently with their reckless murder-for-money scheme, reminds us that monsters are not the only things that prey on humans. Kabru understands the ways the dungeon causes people to put profit over human lives.

We only get hints of it in the story, but like any gold-rush-style economic boom, it's implied that there is a lot of crime and corruption surrounding the dungeon.

So yeah, it really makes me wonder why Kabru keeps a tiny knife in his boot, meant to be carried on him even in situations where he would otherwise be unarmed. Stored exactly in the place where it's easy to reach, even if, for some reason, your hands are tied behind your back.

[thejakeformerlyknownasprince]

Hot take: the authors purposefully kept the Animorphs from ever properly taking advantage of a raccoon morph (until Book 52, maybe) because racoon morphs are too OP. Change my mind, tumblr.

I guess I'm not of the mindset that there are animals more OP or UP than others. It feels antithetical to the whole philosophy of Animorphs, which is all about all animals having unexpected advantages and there being no such thing as a "best" animal.

That said. What advantages does raccoon have? Genuine question — all I know about them is a) rabies and b) trash theft.

[tending-the-hearth]

thinking about how canonically the pevensie siblings are 13, 12, 10, and 8 in "the lion, the witch, and the wardrobe"

thinking about how lucy needed a stool to be able to get up onto her throne, how peter's sword is a little too large for him, how susan's bow is a little too difficult for her to pull back, how edmund's shield nearly covers his entire body.

thinking about the pevensie siblings and their first few months in narnia, getting to know their new people, and half the narnians sitting there horrified because WHAT have these literal babies been through to give them such traumatized, old eyes, and the other half of the narnians are preparing to adopt them, no it doesn't matter that they're the rules, they're children who are being put in charge of too many things, and if peter looks at the old man council long enough he's going to cry, so someone needs to give him paternal support while aslan is off doing Lion Jesus Stuff™️ and whoops oreius is being nice and encouraging and now he's adopted his kings and queens they're his kids now he doesn't make the rules.

just the narnians and the pevensies being thrown into it together, and just as the pevensies will do anything to protect their new kingdom, the narnians will do anything to protect their rules, because let's be honest, these children have no sense of self-preservation, and are far too overprotective of each other and their people to take into account their own safety, so a lot of battles it's just one of the pevensie siblings running headfirst into danger with oreius running after them because his kids are feral and don't know proper royalty manners and won't threatening old kings from different countries because they're being assholes and the last time one of them tried undermining the queens susan called him a self-righteous asshole and lucy tried to stab him SOMEONE help him corral his children please

[slyandthefamilybook]

Imagine you have a friend over for dinner and you make them steak. It's a traditional family recipe, and you know it turned out great. You're really proud of this good steak you made. After the meal you ask your friend what they thought of your steak and they say: "I loved it! I hate food poisoning, though."

"... Okay, what did you mean by that?"

"Nothing! The steak was great! I just hate getting food poisoning!"

"... Is the steak going to give you food poisoning?"

"Oh, not this one. This one was great. But some steaks give you food poisoning."

"Okay, but not this one, right?"

"No, not this one."

"... Then why did you bring up food poisoning?"

"I just didn't want you to think that because I liked your steak that I also like food poisoning."

"Why would I think that?"

"Because some steaks give you food poisoning."

"But not this one."

"No, not this one."

This is how goyim talk about Jews

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[originalaccountname]

Mori Ougai’s belief as the boss is [...] “The boss stands on top of the organization, and at the same time, be the slave of all.” For the sake of the organization, the boss must always take the “logical optimal solution.” That is the duty of the boss. [...] “Therefore, no matter how much your heart aches, you have to ignore your personal feelings.”

Kafka Asagiri, for the BSD exhibition

On Mori and regret.

This man acts based on his perceived "optimal solution". It means relying on cold logic, detached from (his own and others') emotions. In that way, he fits right in as one of the smart characters of BSD, contrasting for example Dazai's way of working with/around people's feelings, and Fyodor's way of manipulating and twisting those feelings into monsters.

Mori remains cold, logical, distant, efficient. It meant disregarding Yosano's and the soldiers' deteriorating mental health during the war because the concept of an army that cannot be wiped out was too good. It meant following Natsume's plan and taking the old boss' place himself to fix Yokohama's underground and protect the city and its people. It also meant disposing of Mimic by sacrificing Oda in order to get the special ability business permit, despite (and perhaps because of) Dazai's attachment to the man.

The thing is, humans are not logical creatures, and will inevitably encounter conflicting emotions.

(does this look like the face of a man without regrets to you?)

Mori in Dark Era tried to pass on to Dazai his practice of putting aside his own feelings for the sake of choosing the most efficient solution that will benefit the group. It backfired spectacularly, so much so even, that Mori regrets it to this day.

For the BSD exhibition, Asagiri wrote some individual character commentaries, all very interesting insights into their characters and the writing intentions. For Mori, here's what he wrote:

“He who fell out of the optimal solution” Mori Ougai’s belief as the boss is described in the novel “Dark Era” and “Dazai, Chuuya, Fifteen”. That is “The boss stands on top of the organization, and at the same time, be the slave of all.” For the sake of the organization, the boss must always take the “logical optimal solution.” That is the duty of the boss. There is an unspoken additional point to it. “Therefore, no matter how much your heart aches, you have to ignore your personal feelings.” We can catch a glimpse of that in this scene. [the ADA-PM alliance meeting] Mori’s expressions after “Burnt it.” and “Like what you did to your predecessor”, gave us a glimpse of his true feelings that were made sacrifices for the sake of the “logical optimal solution”. (By the way, it goes without saying that Dazai is inducing Mori’s thoughts by words that will make him regret the past. It is to make him decide to form an “alliance”.) source and translation: Popopretty

(notice the inclusion of Hirotsu in this scene. Remember that later, Hirotsu suggests that Dazai knows why Mori did what he did to overthrow the old boss, which, in my opinion, is both a proof of Dazai's support in Mori's goal, and a reminder to uphold it.)

One of my favourite parts of the Dark Era light novel is a small scene during the epilogue that was not adapted into the anime. This is two weeks after Dazai defected:

To quote Asagiri again, "Therefore, no matter how much your heart aches, you have to ignore your personal feelings." Mori is conflicted about the outcome of the Mimic incident. He holds in his hands the Silver Oracle he himself gave to Oda, and reflects on its purpose: to "help the man mentioned above without hesitation in the face of any and all trials". Didn't he fail to do just that with Oda? Didn't he set him up and sent him to his doom? Didn't he abandon him to his trial?

But he rationalizes the events by saying he got the permit they so badly needed. No matter if he sacrificed one of his men. No matter if he drove Dazai away. He accomplished his priceless goal. It was a total success.

And yet, he poorly folds a paper airplane with the very Silver Oracle he gave Oda, throws it, watches it crash immediately, and mourns the loss of his right-hand man, without ever moving on.

But we have a direct example of Mori expressing regret.

The perception that Mori in BEAST is a completely different character than Mori is in canon, when that perception doesn't extend to any other character from that universe, rubs me the wrong way. The characters in BEAST are very similar to their canon selves, with some core traits getting a new twist. They are all one or two major life changes away from becoming these versions of themselves. As far as we know, Mori's only life-altering event was being forcefully removed from the Port Mafia by Dazai, and secretly put in charge of Atsushi's old orphanage.

Mori unambiguously made that orphanage a better place, as stated by Atsushi himself. BEAST!Mori is a lot softer, vulnerable and honest. That Mori offers to be a father to Atsushi while he heals. He also expresses regret in not being able to help Dazai when he was in his care.

I think it's very interesting, especially when knowing that Asagiri wrote both BEAST and Fifteen at the same time for the Dead Apple movie, because in Fifteen we have this:

The beginning of the first chapter of Fifteen is a gold mine. It is narrated from Mori's point of view, the man of logic and calculations, and yet it is full of doubt. He is alone and struggling to fix everything with so many people against him. But, throughout this scene about grasping at the Port Mafia's power, there is also this secondary thought being woven in, of Mori having started to actually care for Dazai.

The teenager is scary to him, smart enough to be a threat should he decide to be done with all this and turn against him, and yet, he immediately (and with a hint of sadness) finds that Dazai reminds him of himself. This lonely, lonely man found a kindred spirit, bright enough to grasp any situation in seconds and prone to using an uncomfortable obsession to divert and keep you guessing his true intentions. Mori entered Mentor Mode™ then. He taught Dazai his ways, he shared his struggles and thought process, he fought tooth and nail to keep him alive.

So when he asked Dazai why he wanted to die, it was with the concern of someone who has started to care. It was with the mind of someone who is trying to prevent the worst by fixing the problem at its source.

(translation: Reneray)

But it's also that self-projection/ability to relate that made him drive Dazai away, when he pushed too hard and forced Dazai to adhere to his optimal solution philosophy. Because Dazai cannot separate himself from his attachments, could not ignore his emotions like Mori does, and chose Oda over Mori's logic. From Dazai's point of view, that was betrayal. Mori and him were accomplices!

Dazai planted the idea that Mori was afraid of him taking over as boss, and Mori seems to agree with that thought (would it be because he feared for his life, or for Dazai's ability to replace him?) Yet, for a man afraid of his closest subordinate backstabbing him, he seems to be hanging on quite hard to the possibility of Dazai coming back, leaving his seat open to this day, inviting him back twice in the same arc, and...

(yeah I used this picture at the start too. "I hAvE nO rEgReTs" he says)

Mori may try to convince himself he feels no regrets and no guilt over his own actions by weighting gains and losses objectively, but he still hurts and has a very hard time moving on. He's human despite his best efforts, prone to mistakes and doubts. He's lonely and wishes to impart his knowledge onto others. His cold logic has both helped him in fixing the city, and alienated him from some of the people he most cared about.

In a similar vein, should the ADA employee transfer be of topic again, and should Mori clash with Yosano again, I wish we get to see some similar conflicting emotions in Mori between the usefulness of Yosano's ability, and Yosano herself as a person. The war was 14 years ago, that's a long time, and I want to believe that counts for something.

[the-fandom-fuckup]

I found a new pair so I was legally obligated to draw memes, you're welcome

[monstermoviedean]

honest question: dean says he'll stay 14 so he doesn't have the mark anymore. sam adamantly rejects this. why?

[agentravensong]

re: the thing i just reblogged:

the obvious reaction to that valentine is "holy shit that's gaster". because of the whole "it's more or less completely unintelligible" thing (wingdings), and "HOW IS DELTA RUNE". and there's no other characters who we've met --- yet --- who it really makes sense for it to be.

but. i think it's fair to not take it as 100% confirmed. at least, to not take it as confirmed that this is the same gaster we've been hearing from up to this point. because, and maybe this is just the english / creative writing major in me talking, the writing style is a little bit off.

specifically, the cadence of it, and the use of commas. if you look at entry 17, or the twitter takeovers, or the gonermaker sequence... gaster hardly ever uses commas, and never (if i remember correctly) to end or break up a clause in the way that the valentine writer does.

it's a small thing, yes. but it has a significant impact on the Vibe. enough that i'm not certain of this yet. which is why i'd love to hear someone break down the japanese translation of it and compare it to the (other) gaster text in japanese that we have.

[corallapis]

No, never. Missy! I will never stand with Doctor!

[sga-owns-my-soul]

this is something i have been thinking about basically since i got back into fandom and it feels especially relevant right now with some of the posts i've seen floating around

something that's very common to hear in fandom is "there's no ______ explanation for this" (fill in the blank with straight, normal, platonic, non-sexual, etc) and i get it, we're all guilty of it, i do it all the time, i think it's part of the fun of fandom is having a space to go insane about something and that's fine!

but i think it's also really really important to remember that there is literally endless ways to interpret something because no two human beings are the same, and the same thing can mean different things to different people

let's use me as an example. in my last relationship with my ex, we would regularly tell each other that we loved each other and wanted to spend our lives together and in that context, it was a very romantic sentiment. however, in my current relationship, we tell each other constantly that we love each other and we want to spend our lives together and there's not a single ounce of romanticism in either of us, because neither of us want or express romance to each other. most of my friends are convinced we're boyfriend/girlfriend, because to them our relationship WOULD be dating, but that doesn't mean we are

the same can be said about fandom. you can take a scene that is VERY romance heavy and one person might genuinely see that as a sexual expression, and someone else might genuinely see it as a platonic expression, and someone else might genuinely see it as a hateful expression, and i think it's really really important to remember that all of these takes are valid.

there's no one right or wrong way to interact with fandom (unless you're deliberately being harmful and hateful towards the characters and the community at large but that's a different topic of conversation) and i think people get really hung up on their takes and headcanons and forget that there's always going to be endless ways of interpreting fiction and that other interpretations are just as valid.

and this isn't to say you can't go insane about your blorbos or ships and you can't say they're obviously in love or whatever, because that's half the fun of fandom!! i just really wish people would realize that, no, there are actually multiple ways to view that scene or relationship and that's entirely valid

[eldritch-araneae]

Bumblebee Week Day 1 - Cybertron

Free yourself Float away Let go Or here you'll stay Hold it close And open wide You have no faith The mirror lied 'Til the truth comes out 'Til the truth comes out 'Til the truth comes out Every night I die just a little All this time, I'm caught in the middle All your life, you fought with no winning This is just the end of the beginning Every night I die just a little All this time, I'm caught in the middle All your life, you fought with no winning This is just the end of the beginning

Song: Les Friction - The End of the Beginning

[hajihiko]

I’m not any of the anons from before but as a fellow kazuichi fan I’d personally love to hear you talk about why you like him if you feel like it! personally I was first drawn to his character design, I just thought he looked cool, and then the second he opened his mouth and revealed himself as a loser, I loved him like ten times more lol. I know some people think he’s ‘creepy’ but I feel like he keeps enough a distance from Sonia that he’s just a guy with a crush, and also his “don’t you ever just wanna take girls apart and see how their bones work” line lives in my head rent free

Ok well. Sorry dude (genuinely) but I dont think I think of him the way a lotta ppl do. Heres my take sorry if it ruins it

First of all, do I LIKE his character? No. I like what could become of it if handled well, in the future (same with Akane and Sonia and... a lotta characters tbh).

I dont want to gloss over that he was really not cool with Sonia. I DON'T think it was like, a simple silly crush like any other dude would have, I think he WAS inappropriate about it and (most likely completely unbeknownst to him) enforcing things that she genuinely could not stand. He was insecure and took it out on others as well as himself.

These are all character flaws. Every single character has them (some more than others). Fuyuhiko was genuinely a dick (as I have said many times, having anger issues isnt an excuse for the way he talks sometimes), Hiyoko is a bully, Ibuki is insensitive when se gets caught up, Impostor is condescending sometimes, etc. Kazuichi isnt the only one to be a jackass sometimes and t deny it is to deny his character, just as much as reducing him to only that is oversimplifying it.

What I like about Kazuichi is: the design.

(Ok jk but I do enjoy the design a lot)

I like the teenage insecurity. He thinks he wants to be a chick magnet, but gets scared when girls show an interest in him. His ideal woman is basically a barbie doll. He's a little too eager to see his boy bestie naked. He was so excited for a class retreat because he's never had one before. He was so desperate to be cool and tough and not a nerd that he drastically (and no doubt painfully, ow, TEETH) changed his appearance to conform to his Ideal Self, but could not actually change his personality.

He's basically a teenage boy, warts and acne at all, trying so hard to be The That Guy but spectacularly failing. He's actually somewhat of a genius (and the Death Trap stuff hints to him having a lot of repressed turmoil which honestly so true, teenagers whose only outlet is fantasizing about the gory demise of their tormentors, SO TRUE) but he can't SEE that because he wants to be some kind of cool punk frat bro dude. He's so busy living up to some idealized version of himself that he fumbles who he actually is, which if he just took a moment, would be a pretty cool dude. Basically, did you ever discover a cool band and tried to model your entire personality after what you thought those vibes would be? That, but sad.

So yeah, I think he's great at comedic beats, and also has a lot of heart underneath it, but has never been in a place where he can just accept that and let it shine. His last words were basically "here I am, don't forget me!" which like, man, isnt that just relatable teenagerism?

[crocutacanidae]

Jeremiah design upgrade

[silverwhittlingknife]

can we have a hint about what the spring break tim patrol chapter of red letter day contains? (you kept having dick say "if the joker shows up" and tim's "he won't." for me to be convinced that goes off without any trouble)

i'm sure it'll be fine. :D

i am delighted you're enjoying the story <333 i haven't updated it in soooo long but i got some very sweet comments lately so i have been looking at my scribbles again <3