#i'm not mad at anyone who thinks that other way just a bit confused on how to come to that conclusion

[merp-blerp]

Just thinking out loud about The Thunder Saga and everything connected to it.

I get why people are mad at Eurylochus for opening the windbag, but I don't understand blaming him for the crew getting caught by Poseidon. Sure he definitely sped up the event, but even if they were inches away from Ithaca right before that moment like they were in the original Odyssey (which seems to be hinted at with Ody saying "And I'm getting closer to you"), Poseidon would've gotten to them eventually anyway because he's a god, a major one at that. And gods get their will no matter what consistently, even if mortals try to twist it like how Ody does when opening the bag a second time. I can only assess what sagas we have currently, so I could be really wrong as future sagas come out, but I think Aeolus must've known that fact and that was the game he was playing. As if he's saying, "I'll help you, but I can't stop Poseidon with a bag. The Winions will even make it extra hard with a treasure rumor." The bag was supposed to aid the crew home, not stop Poseidon, so they would've had to deal with Poseidon anyway in Ithaca, which probably would've made more casualties because they would've brought their trouble to the whole kingdom. Remember Ithaca is on an island. Poseidon is the god of the sea, so Ithaca would be a perfect target for him to destroy because of that. But it's not his will to do that; he wants to play games with Ody to avenge his son. The only reason why mortals feel like they have a choice and can manipulate fate is because the gods like to play games; it's still their will if Ody wins a game like he does in "Ruthlessness" because it was their will to play in the first place, and they can win if/when they want to. Just 'cause Poseidon "lost" in "Ruthlessness" doesn't mean he actually did, he just let Odysseus go. For now. If his will changes and Ody gets no consequence from him it's on his terms, not Ody's. Just like with Circe, as I've talked about.

But back to Eurylochus, I adore the parallels between The Thunder Saga and The Ocean Saga. During The Ocean Saga, Eurylochus only opens the bag, not for treasure, but to give the crew closure, as we know thanks to Aeolus's "Now they wanna get the bag open so they can have closure". Especially if they were close to home, I imagine his thought process might've been that opening the bag was wrong but morally okay since the journey was almost done and Odysseus was sleeping so it seemed like it wasn't a big deal anymore in his eyes. But that's more my hypothesis. In terms of canon, his trust in Ody, which wasn't high to begin with, was dwindling, as Ody bragged about how no men died in war and then several died with the Cyclops. "Everything's changed since Polites, so". In The Thunder Saga, it's similar, as Eurylochus knows killing the cow is wrong, but they've all lost hope on getting home with their captain going to extremes to get there himself, killing them slowly like with Scylla. They know that deep down the whole time Odysseus wanted to get home himself mainly, only bringing the crew because he cared out of the kindness of his heart, and now that his heart has changed they know they won't get to Ithaca if the gods keep messing around (and they do). This post pointed out that Eurylochus was likely just trying to provide for the crew and himself in their final moments before another trap emerges and Odysseus decides to continue to sacrifice his men if he feels it has to be done again. Eurylochus isn't dumb, he knows their goose is cooked if they kill the cow, especially with Ody in his ear telling him, but they'll die either way, in the hand of the gods or Ody. They will die and not see home, but at least they can die not starving, and go on for a bit longer. They had nothing to lose. Eurylochus had doubted Odysseus this whole time and he does so till the end. When Eurylochus says, "But we'll die", it's not a plea to stay alive, it's him confirming out loud that Odysseus will not choose his men over Penelope and Telemachus. He's reaffirming to Ody that they'll die; almost like he's finishing Ody's sentence "I have to see her". Odysseus couldn't say it, but Eurylochus could since he'd known they'd died for so long already. In the live stream animatic, the crew attempting to kill Odysseus near the end of "Thunder Bringer" isn't them trying to escape their fate, but trying to bring Ody down with them so Ody won't get his choice. They've long accepted the fact that Ody isn't to be trusted and they all are going to die, but Ody is, for lack of a better word I can think of, cheating in the crew's eyes by having an out thanks to Zeus. In their view of fairness, they all have to die if they aren't getting home. It's a last attempt at a mutiny. It fails because that's not how Zeus wants his game to work, and he gets his will.

They are all puppets of the fate the gods have chosen, whether that fate benefits them or not.

(The only "exception" to the "Will of the gods" rule so far is Ody and the baby, since Jay has said it's "ambiguous" whether or not the baby is spared. If not exactly by being dropped, I'm sure he'd die some other way honestly because the gods want that. It'll probably come up again in a later saga—"ambiguous" is too cryptic of a word to use when everyone assumed he died in the first saga)

This is all just my take, by the way, no one has to agree with me.

[ennn]

Re: “Rio's goal is to kill Agatha so she can be with her forever”

My brother in Christ, if Rio's ultimate goal this series was to kill Agatha we wouldn't have gotten past the first episode.

Okay okay, I get how it can be confusing because Rio literally says she wants to see Agatha dead in episode one and tells Agatha she'll let the Salem Seven (who do want Agatha dead) know where she is.

But it is noteworthy that Rio tells Agatha what she is going to do and when the Salem Seven are expected to arrive. Rio is usually surprisingly fair in how she deals with Agatha.

Rio has always met Agatha at her power level

In episode one, even assuming Agatha was protected by Wanda's spell and Rio couldn't harm her there, once it was broken Rio went "full analog" – to quote Hahn – with her knife, the only magic she used being the wind blasts.

Guys, that's not a serious murder attempt, that's foreplay to them. Violent, bloody, sexy foreplay.

Also Rio has healing powers. That's a thing they have very clearly shown.

To be clear, my read is that Rio can't actually kill anyone before their time ("You can't kill me, it's not allowed") just hurt them really really badly until they maybe choose to die ("I can make you wish you were dead"). Which you could argue equals killing I suppose, just slower.

But this is Agatha Harkness: all she really needs to survive is a bit of time to scheme and manipulate and do her usual girlbossing, gatekeeping, and gaslighting – and I think Rio also knows this. Agatha keeps surprising her, for better and worse.

Yes, Rio gets BIG MAD in episode 8 because Agatha says possibly The Worst Thing to her but the first part of their confrontation is technically physical torture, not murder attempts.

I know it sounds like I'm splitting hairs here but my point is that having Agatha dead isn't Rio's ultimate #1 goal. It's not so clean and easy.

There's something to be said about how the wounds Rio inflicts speak to how Rio sees herself hurt by Agatha emotionally in the relationship i.e. death by a thousand cuts, the severing of her Achilles tendon.

There’s probably something also be said about the relationship a being like Rio has with physical pain. Trees feel pain. Everything living does. Rio mocks Agatha for dulling herself to it using dark magic.

But I digress.

Anyway, note: it's only after Agatha gets magic back that Rio starts throwing magic blasts – and even then she seems to be holding back.

These two are possibly the worst two witches to fight each other directly like this because Agatha can't absorb Rio's magic or she'll die. She has to actively block or avoid all hits. And I bet this isn't something Agatha is used to dealing with considering she had no issues taking Wanda's magic.

And Rio is aware of this because she’s just lobbing quick little green blasts Agatha's way. It's not a torrent of magic like what Agatha is gleefully unleashing.

It's also the Watsonian (in-universe) explanation as to why this fight is so short. Because you literally can't straight up fight Death. Rio is a hard counter to Agatha's special siphoning ability just like how Agatha was a hard counter to Wanda's magic (insert your scissors-paper-stone visual of choice).

Rio doesn't want Agatha dead, she wants Agatha to want her

It's clear that Rio is grieving when Agatha dies. This isn't the outcome she wants. They're also both crying during the kiss it's great.

Rio wants what Agatha specifically tries to deny in the deal Agatha proposes: she wants to keep pursuing Agatha, to keep seeing her, provoking her, to be shocked and surprised by her. To keep loving her but also, to keep hurting her.

Because Agatha also hurts her right back. And Agatha knows she has Rio constantly on the emotional backfoot, that Rio – despite centuries of hatred thrown her way – still humours her more often than not and what levers to push.

I don't think this can happen with Agatha dead and gone.

To be fair, we don't know what the rules are in this world's afterlife. The only insight we get into Rio's job is her scene with Alice and that still leaves a lot of things unanswered: Does Rio just escort souls to a destination or does she have more control beyond that, like a domain? Can souls refuse to go with Rio? How do ghosts happen?

I had previously assumed Rio needed to allow it but Schaeffer says that her vision in that moment has Agatha's using an evolved form of the power to take Rio's magic by touch.

And with that, it's telling that it's Agatha who ultimately ensures that she dies (with the "calculated risk" of becoming a ghost), siphoning Rio's death magic energy.

Agatha embraces death, embraces Rio, but she also doesn't – Rio's clever witch got away again.

[blackenedsnow]

OMG YOUR BLOG IS SO SO SO COOL ??? HELLO?? IM IN LUV W YOUR LAYOUT AAAAA

soeey but may i make a request pls i beg bc ive been thinking ab this all day every day for like a week 😭😭 is it okay to request slashers reacting to you faking an 0rgasm?? 😭 specifically micheal bc I'm in my mikey phase but if not then don't worry about it <3<3<3 but tag me if possible !! thank you!!!

slashers reactions to you faking an orgasm

WARNING ; NSFW/18+, fake orgasms

PAIRING: Michael Myers x Reader, Jason Voorhees x Reader, Billy Loomis x Reader

NOTE: Omg, first of all, thank you for the sweet words about my blog!! 🖤 I didn't know what other slashers to put so I put a few in those feel spinner thingys and chose like that. Hope you enjoy!

MICHAEL MYERS

He knows your body better than anyone, and the moment he catches onto the fact that you faked it?

He goes completely still.

No breathing, no movement—just his blank mask staring at you like you’ve committed a cardinal sin.

He’s not mad, per se.

He’s disappointed.

But also? He takes it as a personal challenge.

You think you need to fake it? That you’d have to with him?

Oh, he’s going to prove you so wrong.

Expect him to be relentless.

He’ll have you pinned under his weight, utterly at his mercy, as he drags it out of you for real this time.

And you won’t be able to fake anything by the end of it—not with the way he watches you like a predator, soaking in every sound and twitch you make.

(And yeah, maybe he’s a little salty. He’ll take his time, make you beg, just to remind you who’s in charge here.)

JASON VOORHEES

He’s not exactly the most experienced in this department, but he tries so hard to please you.

When you fake it, he stops immediately.

He looks at you with confusion, maybe even a little bit of hurt.

Jason doesn’t understand why you’d fake something like this.

Did he hurt you? Did you not want to be with him? Were you bored? His mind spirals into self-doubt.

He’ll sit back, his big hands resting on your thighs as he studies your face, searching for answers.

If you admit you were faking it, Jason might feel a little dejected, but he’ll try to do better.

He’s nothing if not attentive, and he’ll take your cues more seriously from now on.

Honestly, he’s so focused on making you happy that the whole situation ends up being more of a learning experience than anything else.

Jason just wants to be a good partner.

BILLY LOOMIS

Oh, you’re gonna regret this one, babe.

Billy is petty as hell.

The second he catches on, he stops everything.

Completely.

Pulls back, smirking down at you with that cocky, condescending expression.

What follows is absolute hell—the good kind, though.

Billy edges you mercilessly, taking you right to the brink over and over again until you’re begging him to let you finish.

When he finally lets you come undone, it’s explosive.

Billy makes sure you won’t even think about faking it again.

And, of course, he’ll tease you about it for weeks afterward.

[lena-in-a-red-dress]

Musician Age Gap AU Pt 11

As soon as Alex and her family are safely in a car on the way to a hotel, Kara and Lena board Lena's jet back to the states. During the flight, Lena curls in on herself, picking nervously at her cuticles with a worried, guilty expression.

"Hey," Kara says, pulling Lena's gaze towards her. Her features remain heavy. "I'm not mad."

At that, Lena's face softens, but only enough to grimace with a soft huff. "You're not the one I'm worried about."

Kara must look confused, because Lena soon continues.

"As a rule, my mother knows who I spend my time with, and when." The guilt returns. "Except for you."

"So she didn't know I was in Capri with you..."

Lena confirms it with a shake of her head. "Nor why I went back to National City."

Well... this wouldn't be easy then. Dealing with a rabid press is one thing-- being at odds with one of the key players in keeping her family safe is another.

"I'm sorry," Lena murmurs. "I just... wanted to keep you mine. Just for a little while."

Kara shoots her a look. "I'm still not mad."

"You can be. If you want."

"I don't." She moves seats, switching to the bench Lena's on. She makes no attempt to still Lena's nervous picking, but simply spreads her legs enough for the outsides of their thighs to touch. Kara intends the physical contact to serve as reassurance, but she doesn't know if it works.

"I'm a big girl, Lena. I know I can back out whenever I want to. But I don't. Not yet."

A little bit of warmth cuts through Lena's anxious fog. "Yeah?"

"Yeah." Kara's heart beats a little faster, when a small smile answers her. Impulsively, she leans over to kiss Lena's cheek. She feels... giddy? Far more exhilirated she has any right to feel at her age. "Bring it."

----

Lillian Luthor is a slender, austere woman. Kara clocks her the moment the plane lands on the tarmac, tall and styled in her designer clothes and looks that only money and astronomically good genes could provide.

Only Kara witnesses the short beat Lena takes before stepping out of the plane, bracing herself for whatever follows. Kara keeps pace with her once they descend the ladder in single file. She may not be driving this bus, but she is no shrinking flower. In this, she is Lena's equal.

Not that the look Lillian gives her would have anyone believe.

"In the car," the woman orders. "Now."

Lena obeys without a word. Kara is a little slower to fall in line, but ultimately follows Lena's lead. Lillian climbs in behind them, leaving Jess and a woman Kara doesn't recognize to scramble on board last.

"The family is checked into the Lariat. So far no indication that they've been identified, but its still early."

"What about Kara?"

"What about you??" Lillian demands, tone scathing in its heat. "What were you thinking?"

Kara sees Lena wilt, and anger bubbles up in her throat. "Don't talk to her like that--"

"You have zero business here," Lillian fires back with steel in her voice.

"Mom!" Lena exclaims in Kara's defense. "It's not that big a deal--"

Ice blue eyes turn on Lena, freezing her to the spot. "It's a big enough deal that you saw fit to sneak behind my back, with a woman twice your age no less--"

"Mom!"

"Timeline, now."

Lena's shoulders sag, but says nothing. Looking to divert some of Lillian's ire, Kara moves to speak up. "We--"

"She already knows," Lena rolls her eyes.

"I do," her mother confirms. "But I'll hear it from you nonetheless."

Lena huffs. "Night two of the National City stop. Her niece left her phone backstage, and we exhanged numbers."

"Then?"

"Texting."

The exhange sounds like a repeat of one they've had many times before. Neither Jess nor the other woman-- who Kara assumes is Lillian's own assistant-- look at all nervous at the rapidfire crossing of words.

"Texting?" Lillian demands. "Or sexting?"

Kara bristles. "I don't see how that's any of your--"

"*Texting*, Mom, god!" Lena seethes. Her cheeks are bright red, from anger or embarassment or both. "Will you just--"

"Just *what* Lena?"

Lillian's voice is so sharp Kara can see the moment it cuts Lena down. Her jaw tightens, and when Kara sublty shifts to take her hand, Lena shifts away.

Satisfied that her daughter is suitably in line, Lillian turns to her assistant. "Mercy, have PR prepare a statement. The photos were misconstrued, they simply capture a couple of friends taking in the sights."

"Mom, no," Lena croaks. "I don't want-- who cares if people know that I'm gay--?"

"You are not gay!"

Lena flinches, features blanching as though Lillian had landed a physical blow. Only then does Lillian seem to realize that she's talking to an actual person. Her tone doesn't soften, exactly, but it doesn't sharpen any further.

"Your *brand* isn't," she amends, likely the closest thing to thing to an apology Lena would get.

"I thought Lena is the brand," Kara interjects.

Lillian's frigid gaze snaps to her. "She is."

"Her fans are more open-minded than you think--"

"Her fans don't buy tickets," Lillian informs her coolly. "Their parents do. And *they* are far less forgiving."

Kara looks towards Lena, who meets her gaze with a helpless one of her own. It's not untrue-- Esme hadn't bought her tickets, after all.

"Then what do we do?" Kara allows finally.

"Cut ties. Immediately." Lillian looks down her nose at Kara, her regard as condescending as though she were speaking to a teenager, not a women merely ten years her junior.

"No."

To Kara's surprise, Lena's response is faster than her own, and carries only the barest of trembles.

"Don't be foolish..."

"I'm not--"

"Do you love her?"

Lena freezes. Her gaze flicks to Kara. "It's only been a few weeks..."

"Precisely. Cut ties now, before--"

"But I want to," Lena finishes. This time, her gaze lingers on Kara's, a small smile warming her eyes. "I want to love her."

Lillian scoffs low in her throat. "You're too old to be play the love sick teenager. Or have you forgotten what happened last time?"

Kara watches Lena hold her mother's gaze, something heavy passing between them, inscrutable to anyone else. But Lena holds her ground, and surprisingly, Lillian is the one to back down.

"Then what would you suggest?"

"Like you said-- we give them something else to talk about." Lena swallows, but forges ahead. "I have some new material, I can perform it live in Paris."

Lillian purses her lips, but doesn't smack down the idea. She considers it, her gaze calculating. "And you two?"

"We do what we want," Lena delivers firmly. "No statement, no confirmation or denial. Let people see interpret it however they want. However they need."

Kara thinks of the young fans, isolated in their orientations or identities, seeing themselves reflected in their favorite artist. The gift that would be, the vote of confidence needed to dream of a future where what Lena and Kara share might be theirs.

Lillian shoots Kara a hard glare. "And you? It's your family in the crossfire if this idea goes to shit."

"Then it goes to shit, and we deal with it."

It might be selfish of her, but in all of their conversations, neither Alex or Kelly have suggested backing off. They spoke only of adapting, of overcoming, and Kara knows she has their unspoken support. And even now, being talked down to and chided, she feels happier sitting next to Lena in this moment than she has in years.

Lillian barely contains her snort of derision.

"Very well," she concedes, with a sharp note of criticism. Then she turns from them entirely to speak with Mercy in low tones.

Kara takes advantage of the moment to lean closer to Lena, murmuring in her ear.

"I want to go to Paris with you."

Lena blinks at her. "You don't have to--"

"Would you feel better if I were there?" Kara asks bluntly. Lena deflates a little, but this time in relief rather than shame.

"Yeah."

"Then let me come." Kara gives Lena's hand a squeeze, and is rewarded with a tired smile. "You're not alone in this."

"Okay," Lena says, her smile deepening into a challenge. "Let's bring it."

[olderthannetfic]

There is something confusing to me about older queer people (which is to say, older than I am, at a relatively young 24 years old) who get mad at original fiction whose worldbuilding involves neopronouns. I'm hoping maybe, ONTF, since you've been in queer spaces a lot longer than I have, you can explain why people have such a negative reaction to the idea.

Basically, I'm working on a novel based that takes white-throated sparrow biology and uses it for building blocks in the same way A/B/O takes (now debunked) wolf science and used it for building blocks. This means there are essentially four genders, the two viewed as more intelligent (brown-haired men and women) and the two viewed as more physical (white-haired men and women). Those two groups then get further divided along the lines of 'women are better at making smart decisions under pressure' and 'men are better at staying home and defending the children, as God intended'.

So it seemed natural to me that this worldwide quaternary system would result in at least some languages having pronoun sets for each of the four options. Some languages in real life have more complicated pronoun systems than that, particularly ones where there's a bunch of formal and informal pronouns. It'd also help the reader keep track of who was a part of what group without my having to turn around and state people's coloration constantly. Yes, these people are human, just as humans in A/B/O are, but society is fundamentally very different. I'm not throwing this in to just complicate things or sound smart or something. It's here because my minoring in Anthropology and majoring in Linguistics taught me language usage reflects the needs and values of a people.

The writing group I'm a part of IRL is mostly queer, mostly 40+, with some cishet women who are also present and active writers. The writing group I'm a part of on DW is mostly DWRPers, in their 30's and up, though no older than 50, and entirely queer. I did not expect these to be groups that were uncomfortable with the idea of "different world, different pronouns".

Instead the reception has ranged from suggestions it's pretentious or overthinking things to requests I reconsider doing it. I've been informed this could be seen as mocking the real life queer people who go by pronouns other than she, he, or they. One person asked if this was went to be me "artificially justifying" nonbinary pronouns and implying I didn't find them valid in the real world. That was an awkward conversation, to say the least.

In reality I wasn't really thinking about real life people who use nonbinary pronouns when I was writing. I was just asking, "Logically, wouldn't it make sense for things to work very differently under a quarternary than it does under a modern European binary?" and following my brain along to its' conclusions as it processed that.

I have gotten zero negative feedback from my queer friends my age regarding this. So obviously, generation and the experiences informing a generational context are key, here. I'm just... still lost on how anyone finds this objectionable.

Help?

--

Ahaha. Oh god.

Well, as a reader of sff in the 90s, the first reaction I have to such things is "IS THERE A CONLANG AND A MAP?" Because, man, the conlang people were some of the most tedious motherfuckers I ever had to deal with in sff spaces.

But broadly... I think the reasons queer people get annoyed about this stuff boil down to a couple of big factors:

Disrespectful children who don't know history

Idiot old people harrumphing about "history" they clearly failed to pay attention to while it was going on in the first place

I personally hate being asked to use new words most of the time. A few bits of fandom slang I'll pick up at once, but I'm usually like "Why would I call it 'spirk'? We already have 'K/S'!" *shakes cane*

If you're American, they're your "roommate", not your "flatmate". No, I don't care how much more precise this foreign term is, you pretentious wanker. (But then I'll use 'wanker' because fandom adopted that years ago...)

So my reaction to being asked to say aloud any pronoun not in very frequent circulation in my offline life is "Urrrgh. Do I have to?"

However, the reality is that people have been messing around with pronouns in English since forever. Do you see 'heo' in Modern English? No, you do not! (Not that it was gender neutral, but the point is that even words as ancient as pronouns have changed quite a bit.) The early internet was full of pronoun stuff in MUDs and the like. You had a choice of a lot more than just three in a bunch of these. People besides men and women have always been in queer communities.

So some people like to cry about neopronouns being actually neo, and they're just wrong.

As for the why do you care part...

There is a nasty habit in contemporary queer spaces to act like gay rights issues are solved. Bisexuality? Passe! etc. Gays and lesbians finally got a little mainstream acceptance only to suddenly be treated like the worst of the establishment by the queer youth. How dare?!?! It's even more egregious with bisexuality where the focus of a bunch of queer activism finally swung that way in the 90s... only to be sharply cut off in the 00s.

There's a real "You already got yours. Where's mine?" vibe to some queer discourse today, and it's directed at people who never got theirs. It shows up in demands for mentorship by people who've barely had a chance to escape a rocky start and figure out who they are themselves. It shows up in yowling about this or that bit of queer media we finally got not being progressive because it's the wrong letter of the acronym.

None of which has a damn thing to do with what pronouns you use in your novel, obviously, but I think some unresolved embattled feelings are why some older queer people are very weird about pronouns.

Some of them are also doing the old person version of throwing the weirdos under the bus to placate the normies. Respectability politics became a term long before the behavior was rife on tumblr.

--

If someone really does find it pretentious, though, and not just as a cover for crying about nonbinary identities being fake, I suspect they just remember how 1970s SFF was full of privileged anthropology students misunderstanding kinship systems from elsewhere in the world and then trying to tell everyone how ~deep~ their extremely contrived novels based on them were.

I'm not saying your writing is like this or that every one of these old sff novels was either, but when I hear "anthropology student", I groan internally. It's an instinctive reaction. It's less about the real fields and more about the bevvy of dilettantes I've run into over the years who'll say they study those things but really want to talk my ear off about Joseph fucking Campbell or the strong form of the Sapir-Whorf hypothesis or something.

--

Those birds are a really cool source of inspiration. Like with A/B/O, the first thing I wonder is how queerness works in that context and how much people like to defy their designated roles.

Omegaverse started on porn logic, so "The one I say tops always tops!" makes sense. When it gets expanded to try to make it make logical sense as a whole world, I often enjoy it, but it can break down quickly if treated as biology is law. I don't know how often the birds veer off of their set patterns, but humans certainly would.

One place where I get a strong "Oh god, this again" feeling from people's plotbunnies is when they're trying to make up a sff society that strikes me as too rigid in a way that real humans aren't. I'll see people using fake wolf biology (not just for horny reasons) but never looking at what's going on with gender in contemporary Thailand or whatever. Like... Le Guin may have made sedoretus feel plausible, but nobody I've ever seen stanning the concept as something fandom should play with has. That's probably because Le Guin was using over-complicated social norms as a thing that breaks down and causes trouble, and "This should be the next A/B/O!" posts are treating it as something that actually works and is a good way to get the pair you don't ship separated while shipping poly.

"It'd also help the reader keep track of who was a part of what group without my having to turn around and state people's coloration constantly."

This, in particular, gives me that cold shudder of recognition from when Homestuck fandom was everywhere and everyone wanted to over-explain those stupid playing card suits and why I should care.

Your concept sounds neat, and I think a set of four pronouns could easily make sense there...

But I also think that if people need the pronouns to keep track of coloration, you haven't set up a system that feels organic enough or haven't given enough cues about how characters are treating each other or why. Use the pronouns too, but just keep that in mind. It's like the "m/m is hard because the pronouns don't tell me whose hand is where" problem. It's almost never actually a pronoun problem.

--

Anyone else have thoughts here?

[yikesmary]

THREE: HE FALLS FIRST — choi seungcheol x reader

summary: seungcheol finds himself falling in love with you, slowly but surely, and it hits him all at once.

notes: i’ve been loving the reception this series has been getting lately! i appreciate everyone who has been reading and interacting with the series.

also, i'm going to start a taglist for this? someone asked to be on it if this series had one, and i didn't realize i could've been doing that the entire time LMAO. anyways, to get on the taglist, just comment on this or send an ask. i'll try to tag everyone i see.

JUNE 13 2023 EDIT: i've created a taglist, so instead of commenting to be on the taglist, click the link!

warnings: mentions of puking (doesn't actually happen), drunk shenanigans, it's very cliché and i don't regret it

join my taglist!

previous / next

“Cheol, can you come help me?”

When Seungcheol enters your room, he could feel himself getting slack jaw. Both of you were getting ready to go out to the club with your friends, and with the 14 of you, he could only expect chaos.

What he didn’t expect, though, was you in a beautiful dress that almost made his heart stop when he saw you. Call him cliché, but he'd never felt that way before about anyone.

Oblivious to reaction and how he was feeling at the moment, you were trying to make sure your dress wasn't in a disarray when you asked, "Can you help me zip up the dress? I can't reach it,"

Seungcheol didn't realize he was staring and unresponsive until you turned around in confusion and waved your hand in his face. "Hello, Earth to Cheol? You okay?" you said.

He, thankfully, had snapped out of his trance before it could be considered really weird. "Uh, sure. Turn around," he instructed.

Looking at him weird, you obliged and felt your dress being zipped up. You turned around and said, "How do I look? I wanted to dress somewhat nice since this is the first time we're all hanging out. It's like my little friend group combining with the frat friend group of yours,"

"You look good. Like, really good," Seungcheol replied, clearing his throat when he realized he might've overdone it.

You gave him a smile and then a thought occurred to you. "Oh, when are we ordering the Uber?" you questioned.

"Uber? Why are we ubering when we have a car?" He asked.

"Well, we're both going to a club, so I'm assuming we're both going to drink," you replied.

"I'll drive," Seungcheol immediately said, not liking the thought of the both of you drunk out of your minds and he wasn't able to take care of you.

"Are you sure, Cheol? We can split—"

"No worries, I'll be the sober one so we can get home safely,"

"Alright, but don't get mad at me when I'm stood over a toilet puking my body weight out and you're not drunk,"

"As long as you're not like Soonyoung pretending to be a tiger, I think I can handle whatever you do,"

You and Seungcheol had barely entered the club when Seungkwan and Seokmin had somehow already located the both of you then proceeded to drag you to take a shot. And it wasn't long after the shot until they had dragged you to the dance floor.

After he had made sure you were surrounded by his and your friends who had decided to dance, he made a beeline to the bar, where the rest of his friends were. Wonwoo, who had made a wise decision to stay sober, had tried to offer him a drink.

"Not drinking tonight," Seungcheol declined the drink.

The boys had given him a look at his decline. "Why aren't you drinking? Usually, you'd take a beer at least by now," Jeonghan asked.

"I just don't feel like it," he replied, looking at you from afar, who was currently dancing to I Am the Best by 2NE1. He had wondered why 2NE1 was playing until he looked at the DJ Booth and saw that Soonyoung and Seokmin had somehow convinced the DJ to takeover for a bit.

Once he said that, the boys had made a look once more, this time exchanging it to each other. Seungcheol had noticed and asked, "What's those looks for?"

"It's because you don't realize it," this time it was Jihoon who said it.

"Realize what?"

"Cheol, how long have we known you? We've known you long enough to know how you drink. And you don't deny a drink when it's offered to you. But this time, you're not drinking. Do you know why that is?" Jeonghan asked.

"You guys are overanalyzing this. What if I just don't want to drink?"

"Because you would be looking at us and not your girlfriend this entire conversation," Wonwoo told him.

Part of Seungcheol knew this was true, but the other part of him didn't want to believe it. To his friends, his behavior might make sense since he was in a relationship. But to him, it didn't since he knew better than to develop feelings for someone he was fake dating.

He had figured in the beginning that it would be easy to not develop any feelings during the relationship since the basis of the relationship was built on a poorly made rumor and a deal. But what he didn't know at the time was how easy it was being with you.

While Seungcheol was trying to reevaluate how he was acting lately, a loud "CHEOL!" was heard and a body had practically slammed into him. The force was so unexpected, you and him had nearly fell to the ground.

"Oh, sorry bro," you drunkenly said, oblivious to the fact that Seungcheol was shocked you called him bro and your friends were laughing at his reaction.

"Bro?" He incredulously said.

"Bro, Cheol, same difference," you shrugged.

"How drunk are you?" He asked.

"Well, Soonyoung gave me something he called 'Tiger's Blood' and I have no idea what that contained but it tasted good and it made me feel warm inside," you giggled.

When Seungcheol looked to where the aforementioned Tiger was, he saw that Soonyoung and Seokmin was trying to jump on a table with Jun encouraging them to, Minghao filming it, and Vernon trying to convince Soonyoung and Seokmin to get down.

Meanwhile, Jihoon had left during Seungcheol's conversation with you and joined Seungkwan and Chan (who had replaced Soonyoung) on the DJ Booth. Wonwoo had left as well, but he was helping out Mingyu who could barely get on his feet because of how clumsy he was (Mingyu's not even that drunk, he's just that clumsy).

Joshua and Jeonghan were the only ones who remained with you and Seungcheol, but they were observing the both of you.

Suddenly feeling sleepy, you laid your head on Seungcheol's chest and said, "Cheol, I wanna go home,"

Seungcheol knew that if he didn't do something to wake you up, he was going to have to carry your sleeping body out of the club. "Can I have a bottle of water?" He asked the bartender, who was quick to give the bottle.

He had managed to pay the bartender however much it costs for the water bottle while you were still in your arms. He opened the cold bottle before giving it to you saying, "Here. Drink this before we go home,"

You took the bottle of water and drank a couple of gulps, feeling more thirsty than you realized. Once you drank half of the bottle, you showed Seungcheol, who had nodded in approval. "We're gonna go," he told Jeonghan and Joshua, who said their goodbyes.

You and Seungcheol had to maneuver through the crowd of people, but he made sure that you were near him the entire time. And once you both were out, he realized that you were shivering a little, so he took off his jacket to cover you.

He was about to guide you back to the car, and then he realized you wore the heels that looked obscenely painful but said it made your legs look good. "Give me your heels," he told you, and you shook your head no.

"I'll be barefoot!" you exclaimed.

"Fine, just wear my shoes," he replied, taking off his shoes and handing them to you.

"But then you'll be barefoot!"

"I have socks on, I'll be okay," Seungcheol said, nudging the shoes to you.

You grumbled but put the shoes on, feeling slightly more sober than you were when you were inside the club.

Once you guys got in the car, it was barely two minutes before you fell asleep, using Seungcheol's jacket like a blanket. When he took a quick look at you while driving, he smiled when he saw the sight.

Maybe he was falling for you, after all.

taglist: @geniejunn

[itsgrimeytime]

show me || Rick Grimes (TWD)

rick grimes taglist: @golden-hoax @mgparker

AVAILABLE ON AO3

dialogue prompts: “Why are you mad?” “I’m not mad, I just think you can choose better people to kiss.” (2) + “Look me in the eyes and tell me you don’t feel the same as I do, then I’ll leave you alone.”  (36) + “I’m tired of being on the sidelines.”  (43)

Summary: You and Rick had something, you weren't quite sure what it was. After a few drunken mistakes during one of the dinner parties at Alexandria, Rick wants to make things crystal clear.

TWS: TENSION, blood, gore, gun violence (violence in general), alcohol, drunkness, drunken kisses, kind of dark!Rick, jealousy, possessiveness, protectiveness, all things consistent with TWD.

[[A/N: The vibes are in with this one, girlies. Kind of listened to Boyfriend by Dove Cameron for this one. SO... Be ready for that. Thanks for reading!!! ]]

Your head hurt after the night before, you couldn't quite remember why. Well, other than the drinks.

It had been the first dinner party after Alexandria, you were nervous and just kept sipping. Somebody kept giving you more, even though, you remember distinctly Rick (big hands and blue, blue eyes) warding them off. They continued when he wasn't by your side -beer after beer and maybe something... else? You couldn't really remember.

You gathered pretty quickly that Rick was mad at you that day, something about the way he composed himself -the steaming rage enveloping him, and it only continued for days.

Day after day, and nothing. Usually, you could read him like a book, but now, all you got was well, that he was mad at you. Not even to get you started on the way everyone else was distinctively ignoring your questions like Rick had told them to.

So, you stepped out of your comfort zone -you went straight to the most honest Alexandrian you knew. Or the one who would speak to you over Rick's head -Deanna.

There was something deep in your chest that told you somehow this was betrayal, but you had been driven far past that point. (One blue-eyed glare and complete head turn to ignore you past that point.)

"Hey," you spoke, a little uneasy.

"Hello, Y/N!" she smiled, big and bright, "-I'm glad to see that dinner has been going so well-"

"That's actually what I was here to talk to you about," you echoed, direct in your tone, "-last dinner party, I... I don't remember what happened."

"Nothing bad, I can assure you," she hummed, continuing to walk down the street, "-I'm well aware of anyone overstepping."

"Right, well, I'm glad, but-" you spoke, a little impatiently -eyes darting around, "-I don't remember."

"Nothing wrong with getting a little drunk," she spoke, something in her shifting, "-we understand the change is-"

"Deanna," you interrupted with finality, "-please, just tell me what happened."

She paused in her steps, turning around to fully face you -head on, and something in you shrunk at her inquisitive gaze. She looked at you a bit like a puzzle for a moment, before her eyes seemed to light up in understanding like she knew exactly what the issue was.

"Let's..." she began, slowly, "-Let's talk inside, shall we?"

You merely followed her up the steps and into her house, like a sheep to its shepherd -you were desperate. If she could help, you would just about do anything.

"I was wondering just what was with him," Deanna muttered to herself, "-makes so much sense now."

She led you to her living room, where the room was much the same in her own home, but she had photos -framed and set pristinely of faces you didn't quite know. Ones you doubted you ever would.

"Sit," she motioned, "-we have much to discuss."

"Much?" you questioned.

"Well, no, it's-" she started, but faltered for a moment, "-rather complicated."

"Complicated?" you questioned further, raising your voice.

"Look, I'm going to just tell you to avoid any further confusion. You kissed someone, can't remember who now-"

You paused, faltering for a minute, "That's it?"

"Rick saw," she finished as if it was some big reveal.

You and Rick had a thing, a very slight thing that neither of you had really even commented on or talked about. Hell, you hadn't even kissed the guy, but there was something there, a deep buzz under your skin. And something in the apocalypse was something, sure, but not if he didn't talk to you about it. Not if he-

You stopped your train of thought, "So?"

"Aren't you-" she seemed to pause, being taken off guard, "-Aren't the two of you together?"

"I'm sorry?" you asked, "-No, we're not... not really. He doesn't- It doesn't matter, drunkenly kissing a guy is no reason to get this pissy."

"It is if you're together."

"Deanna," you started, "-don't push your luck. Look, I have to go sort this out, do you-"

"Oh, no, please," she answered, quickly, "-I can't get a word in with the man right now. Fix it, go."

That's how you wound up here, ready at his door -he couldn't ignore you at his own home. You'd get him to listen.

"Rick," you addressed, direct as soon as the door opened and you saw the blue of his eyes, "-hey."

He seemed to still at your voice -frozen for a moment, before wordlessly moving around the kitchen. He was gathering up dishes, at a sure pace before, but now he'd begun much faster. As if he was trying to get away from you.

"Alright, enough-" you said, waltzing up to him, and turning his face to yours, "-why are you mad?"

Rick looked at you for a moment, and something in you almost grew shy at the attentiveness. Blue eyes dashing along your face like you were fresh water and he had been stranded in the desert.

And then, he stopped. Lifting his soapy hands to take yours off his face -a slow, gentle movement. The opposite of someone mad, you noted.

"Do we need to talk 'bout this?" He echoed, a little helplessly if you were honest.

"I don't know," you answered, "-you tell me. Can you not be mad if we don't talk about this?"

"I'm not," he sighed, turning back to the dishes -this time doing them leisurely, "-I'm not mad. I just..."

"You just what?" You asked, pointedly.

"I just think you can choose better people to kiss," he grumbled out so low you weren't even sure you'd heard him correctly.

But something in you fired off like a rocket.

"Seriously?!" You yelled out, a sort of toned frustrated yell, but still a yell, "-you are pissed because you don't approve?"

"That's not-"

"Well, I got good news for ya, Sheriff, I don't even remember who I kissed last night-"

"That's because he made ya so drunk-"

"-And on top of that, I can kiss who I want, when I want. It's not like you have any control over that-"

"I want to," he grumbled out, even lower.

You stilled, "I'm sorry...?"

He didn't speak for a moment, washing the soap off his hands -you watched the water trail down to his elbow. Scrubbing away at the dish towel, he dried them and turned to face you.

Rick's steps were slow and sure, you could hear the clink of the tile under his boot. And your heart started pounding with anticipation, maybe he was mad. Why was he getting so close-

He was just in front of you now, finger trailed under your chin, "Tell me to stop, if you don't want this."

You turned your head down to look at the tile, something in your breath catching that you could barely breathe. You just needed a second-

He flicked your eyes back to him, and you could feel his breaths on your lips, "Look me in the eyes and tell me you don't feel the same as I do, then I'll leave you alone."

"Rick-"

He raised an eyebrow, "I asked a question, Y/N."

"How do you feel?"

He roamed closer, eyes dashing between the two of yours and your lips, "I think you know, sweetheart."

You opened your mouth.

"But," he interrupted, "-if ya insist."

Rick pulled back slightly, hand leaving its trail to, instead, hold your wrists -gently, as his thumbs rubbed into your wrists. With another breath, he kissed your palms -pressing his lips there ever so slightly.

"I'm tired of being on the sidelines," he spoke, low and soft, "-I... I want it to be us. Together."

"Together?" You echoed.

"Like you stay in my house, you sleep in my bed, we go to dinners together instead of so... so far apart-"

"And you can tell me who to kiss?" You added, playfully.

"And I'm the only one you can kiss," he corrected with the smallest of grins, but there was something hard in his eyes. Something serious.

"So," you spoke, expectantly, "-kiss me then. So, I can see what I'm stuck with."

"Stuck?" He laughed, slowly leaning in, "-Oh darlin' you're gonna be far from stuck."

[absolutebl]

This Week in BL - Lesbians WIN & I'm excited about a Thai BL again!

Organized, in each category, with ones I'm enjoying most at the top.

April 2024 Wk 4

Ongoing Series - Thai

My Stand-In (Thai Fri iQIYI) ep 1 of 12 eps - Adaptation of Chinese novel Professional Body Double by Shui Qiang Cheng. Stars Up (Lovely Writer) and Poom (Bake Me Please) directed by the same team as KP (not a recommendation IMHO - my biggest criticism of KP was the clashing directing styles). The MDL description made it sound complicated af but actually it's not so bad. In fact it's GOOD.

Stuntman Joe dies on the job and wakes up in the body of another Joe who has an entirely different life. But our Joe just gets his new body right back into his old existence, full of friends, enemies, and one troublesome ex. Poom is absolutely killing it in the lead. Mek is perfectly cast as the Actor du Jerk. I’m not sold on Up’s bratty brokenhearted rich kid... yet. The show though, I like it. I like a one (two) night stand starting things off and I like a lot of morally gray characters. Fun fun!

Deep Night (Thurs iQiyi) ep 8fin - The lesbian moms are the cutest thing in the world and my favorite thing this week. Bar none.

Summation:

It's about a host club and all the gay boys in it and some stuff that's not important because... PEOPLE OF EARTH WE HAVE A HONEST REP OF POLY IN A BL. Stand up and raise your hands in prayer to the Thai BL gods because sure as shit no one else was ever going to give this to us. For that alone this show gets 8/10 from me. Bonus Lesbian moms and great kisses.

Two Worlds (Thurs iQIYI) ep 7 of 10 - Say what you want about MaxNat all these years that they've been paired makes them great onscreen boyfriends. And you know me, I'm a total sucker for linguistic negotiation. Makes my heart go all mushy. That said, now that the leads are together, I’m really uninterested in all the drama around the ex-boyfriend/triangle. I'm glad this is only 10 eps.

1000 Years Old (Thurs iQIYI) ep 11 of 12 - They gave me the tiniest teaser for the kinky vampire BL that I have wanted my whole life. And now I'm just fucking annoyed with the rest of the show. 

We Are (Weds iQIYI) ep 3-4 of 16 - Q & Toey are the only interesting thing going on. I actually didn’t like this pair in My School President, but I’m enjoying them here. The others are all fine but these two have my heart. I have questions like: did Phum ever get his shopping bags back? And why is Phum driving a different colored car half way through the ep?

Only Boo! (Sun YouTube) ep 3 of 12 - The quality is good (it’s GMMTV) but the acting is... not. Still I loved that Moo just made the confession for both of them. Very in character. Does this plot remind anyone else of Footloose? Just me? Side couple was cute but now a bit too stalker for me. 

Ongoing Series - Not Thai

Unknown (Taiwan Tues YouTube & Viki) ep 10 of 12 - It’s fantastic. Such a great show. We are so lucky. This is basically Taiwan’s The Eights Sense. I didn’t know they had it in them, but I’m really glad that they did.

Living With Him AKA Kare no Iru Seikatsu (Japan Thurs Gaga) ep 3 of 10 - As JBL’s go this is way more my speed (than Alaska). It’s just so sweet and awkward but charming about it. The confession was so earnest. 

Blue Boys (Korea YouTube) 2 of ? No MDL link - It’s very sexy this one. Not sure what Korea thinks it's doing, but I’m not mad about it. 

Gray Shelter (Korea Thurs iQIYI) ep 5fin - summation: About a slacker nursing a crush on the (brief) older stepbrother who abandoned him. Upon finding him again he moves in with him, upends the mans lost suffering life. A dark gritty piece with confusing subs making it too chewy to really grok. It's trying to do too much for its length. The tension is real and the acting is good, it's just everything else stymied clean execution of the core concept. Frankly I spent this show expecting (and wanting them) to just fall into bed together - in a kind of desperate fight sex. It didn’t happen, and I’m disappointed by the non-ending we got. (Whether it’s going to have more in the series or not.) 7/10 I'm open to changing the rank if a part two fixes this one's flaws.

Boys Be Brave AKA Roommates (Korea Thurs Viki) ep 1-2 of 8 - Oh dear. Terrible hair. Jock nerd pairing. OCD baby cakes. Cohabitation trope. Killer side couple. Def unhinged. 

At 25:00 in Alaska AKA 25 Ji Akasaka de (Japan Thurs Gaga) ep 2 of 10 - I’m still genuinely not sure about this one. It’s just a little too awkward for me in the wrong way. I expect all Japanese BL to have a certain aura of awkwardness so I don’t know what it is about this one turnign me off. I do enjoy that we’re getting both stories, the one between the actors, and a little bit of the roles that they’re playing on screen but... yeah

Love is like a Cat (Korea Mon Viki) eps 7-8 of 12 - The leads finally had a moment but there is negative chemistry. Why am I watching this? 

It's airing but...

Lady Boy Friends (Thai WeTV grey) 16 eps - reminds me a bit too much of Diary of Tootsies only high school. Not my thing. DNF unless it turns a corner and is truly amazing.

Memory in the Letter (Thai WeTV) - 6 eps, when it's done, tell me if I should bother?

In case you missed it

Kiseki Chapter 2 (Sun iQIYI) 6 eps - finished its run but I won't be finishing it. Stays dropped.

GMMTV announced the second half of their 2024 line up. I got excited and picked my favorites, details + trailers here. Basically my ranking is:

The Heart Killers

ThamePo

Revamp

Sweet Tooth

Perfect 10 Liners

The Ex-Morning

Ossan’s Love Thailand

Next Week Looks Like This:

What happened?

Knock-Knock Boys (Thai WeTV) - 4 college friends conspire to help their friend lose his virginity. Familiar faces like Seng (yes, Billy's previous pairing) and Best, news here. But will it actually air this month?

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

THIS WEEK’S BEST MOMENT

I have adopted him. He is MINE. I love him, your honor. (The Stand In)

I love them SO MUCH. (Deep Night)

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire

If ya wanna be tagged each week leave a comment and I will add you to the template. Easy peesy.

[mybutcheredtongue]

I'll Love You 'til the Grass Around My Gravestone is Deceased

post azkaban sirius black x fem!reader

CHAPTER TWENTY-SIX (see full series list here)

1994

I've just been attacked by dementors and I might be expelled from Hogwarts. I want to know what's going on and when I'm going to get out of here.

That's what Harry had written in his note to you and Sirius — and also in notes to Ron and Hermione too.

The pair of you had been livid, of course — "this is what happens when he's left alone with those people!" — and three days later, you stand on the doorstep to Number 4, Privet Drive, Little Whinging with a group of other Order members.

"Alohomora," you say, pushing the door open. You make your way into the hallway, all the lights turned off.

Tonks lets out a whistle at a stack of antique decorative plates on a table beside her. "Wow, look at these plates, they're proper fancy! Just look — "

She immediately drops it with a crash.

"Oops," she says, repairing it with a wave of her wand.

You make your way up the stairs, unlocking the door with your wand while the others wait at the bottom of the stairs. Harry slowly emerges from the room, poking his head out the door, wand clutched tightly in his hand.

"Lower your wand, boy, before you take someone's eye out," Moody growls.

Harry doesn't lower his wand. "Professor Moody?"

"I don't know so much about 'Professor'. Never got round to much teaching, did I? Get down here, we want to see you properly."

Harry still doesn't move, clearly wary of your party.

"It's alright, Harry," you say gently. "We've come to take you away."

"P-professor?" he says disbelievingly. "Is that you?"

"Why are we all standing in the dark?" Tonks says. "Lumos."

The tip of Tonks's wand flares, illuminating the hall with light. You beam at the sight of your godson, already looking older than when you last seen him.

You stride forward and wrap him in a tight hug, beaming. "Good to see you, Harry."

"Yeah, you too..."

"Ooh, he looks just like I thought he would," Tonks says excitedly. "Wotcher, Harry!"

"Yeah, I see what you mean, Remus," Kingsley Shacklebolt says from the back. "He looks exactly like James."

"Except the eyes," Dedalus Diggle wheezes. "Lily's eyes."

Moody squints suspiciously at Harry, his magical eye pointed towards him searchingly. "Are you quite sure it's him? It'd be a nice lookout if we bring back some Death Eater personating him. We ought to ask him something only the real Potter would know. Unless anyone brought any Veritaserum?"

"Harry, what form does your patronus take?" Remus asks.

"A stag," Harry answers nervously.

"That's him, Mad-Eye."

Harry descends the stairs, still looking a bit confused, stowing his wand in the back pocket of his jeans as he goes.

"Don't put your wand there, boy!" Moody roars immediately. "What if it ignited? Better wizards than you have lost a buttock, you know!"

"Who do you know that's lost a buttock?" Tonks asks curiously

"Never you mind, just keep your wand out of your back pocket!" he barks, hobbling off to the kitchen. "Elementary wand safety, nobody bothers about it anymore..."

Wow, how many times did you hear that during your training?

"And I saw that," Moody adds irritably as you roll your eyes at the ceiling.

Remus holds out his hand and shakes Harry's. "How are you?"

"Fine..." Harry replies, looking as though he's still in shock at what's going on.

"I'm — you're really lucky the Dursleys are out..." he mumbles.

"Lucky, ha!" Tonks exclaims, grinning. "It was me that lured them out of the way. Sent a letter by Muggle post telling they'd been short-listed for the All-England Best-Kept Suburban Lawn Competition. They're heading off to the prize-giving right now...or so they think."

She winks at you and you smile back, remembering the side-splitting laughter that had infected you as the two of you cooked up that idea a few nights previous.

"We are leaving, aren't we?" Harry asks. "Soon?"

"Almost at once," Remus says. "We're just waiting for the all-clear."

"Where are we going? The Burrow?" Harry asks hopefully.

You shake your head. "No, not the Burrow." You follow Moody into the kitchen, the group of Order members walking in after you. "Too risky. We're set up headquarters somewhere else, somewhere undetectable."

Moody sits at the kitchen table swigging from a hip flask, taking in the many electrical appliances in the Dursleys' kitchen.

"This is Alastor Moody, Harry," Remus tells, pointing toward him.

"Yeah, I know."

"And this is Nymphadora — "

"Don't call me Nymphadora, Remus," Tonks says with a shudder. "It's Tonks."

" — Nymphadora Tonks, who prefers to be known by her surname only," Remus finishes, glancing at Tonks.

She folds her arms. "So would you if your fool of a mother called you Nymphadora."

"And this is Kingsley Shacklebolt," Remus continues. "Elphias Doge, Dedalus Diggle — "

"We've met before," squeaks Diggle, dropping his top hat excitedly.

" — Emmeline Vance — Sturgis Podmore — and Hestia Jones."

Harry nods awkwardly at each of them in turn.

"A surprising number of people volunteered to come get you," Remus says, a smile tugging at the corners of his lips.

"Yeah, well, the more the better," Moody says darkly. "We're your guard, Potter."

"We're just waiting for the signal to tell us it's safe to set off," Remus explains, glancing out the kitchen window. "We've got about fifteen minutes."

"Very clean, aren't they, these Muggles?" Tonks says as she looks around the kitchen with heat interest. "My dad's Muggle-born and he's a right old slob. I suppose it varies, just like with wizards?"

"Uh — yeah," says Harry, turning to you. "What's going on, I haven't heard anything from anyone, what's Vol — ?"

Several of the witches and wizards make odd hissing noises and Moody growls, "Shut up!"

"What?"

"We're not discussing anything here, it's too risky," Moody explains, looking around him warily with his magical eye.

"We can talk about it once we're back at headquarters," you say.

"How're we getting there?"

"Brooms," Remus replies. "Only way. You're too young to apparate, they'll be watching the Floo Network, and it's more than our life's worth to set up an unauthorised Portkey."

"She says you're a good flier," Kingsley says, gesturing to you.

"He's excellent," you reply proudly, smiling at Harry.

Remus glances down at his watch. "You better go and get packed, Harry, we want to be ready to go when the signal comes."

"I'll come and help you," Tonks says brightly, following Harry upstairs to his bedroom.

Remus pulls an envelope and piece of parchment out of his pocket, bending over the kitchen table to start scribbling something down. You walk around the room, looking at different photos of the Dursleys.

Baby Dudley, with a proud Petunia and Vernon standing over him; Petunia and Vernon on their wedding day; several more photos of Dudley growing up — there's an obvious absence of Harry. If a stranger were to walk into this room without knowing anything about the Dursleys beforehand, they would never know Harry even exists.

"What a strange device!" Podmore exclaims, curiously opening and closing the kitchen microwave while Kingsley stands behind him. He waves you over. "What does it do?"

Because of your Muggle father, you are often questioned on Muggle items and customs — though usually by Arthur Weasley.

"It cooks food," you reply. "It's called a microwave."

"A microwave..." Kingsley repeats thoughtfully, opening the door and peering inside with immense interest.

Nearby, Hestia laughs at a potato peeler that she came across in one of the drawers. You give her a look, confused as to what could possibly be so humourous about a potato peeler, but she just continues to snicker and giggle as she turns it over in her hands.

"Excellent," Remus says when Harry and Tonks return, Harry's trunk bobbing along in the air behind them. "We've got about a minute, I think. We should probably get out into the garden so we're ready. Harry, I've left a note telling your aunt and uncle not to worry — "

"They won't," says Harry.

"That you're safe — "

"That'll just depress them."

" — and you'll see them next summer."

"Do I have to?"

Remus smiles but doesn't answer.

"Come here, boy," Moody says gruffly, beckoning Harry towards him with his wand. "I need to Disillusion you."

Harry's brows knit nervously. "You need to what?"

"Disillusionment Charm," Moody replies, raising his wand. "Lupin says you've got an Invisibility Cloak, but it won't stay on while we're flying; this'll disguise you better. Here you go — "

He raps Harry hard on the top of his head and Harry's body takes on the exact colour and texture of the kitchen unit behind him, like some sort of human chameleon.

"Nice one, Mad-Eye," Tonks says appreciatively, and Harry looks down in surprise, spinning in place as he surveys his new look.

"Come on," Moody says, moving towards the back door and unlocking it with his wand.

You all step out onto the Dursleys' impeccably well-kept lawn. It looks practically untouched — a contender for the All-England Best-Kept Suburban Lawn Competition indeed.

"Clear night," Moody grumbles, peering up into the dark sky above. "Could've done with a bit more cloud cover. Right, you," he barks at Harry, pointing his finger at him, "we're going to be flying in close formation. Tonks'll be right in front of you. The rest'll be circling us. We don't break ranks for anything, got me? If one of us is killed — "

"Is that likely?" Harry asks apprehensively, but Moody ignores him. When he turns his worried eyes to yours you shake your head, resisting the urge to roll your eyes at Moody's grimness.

" — the others keep flying, don't stop, don't break ranks. If they take out all of us and you survive, Harry, the rear guard are standing by to take over; keep flying east and they'll join you."

"Stop being so cheerful, Mad-Eye, he'll think we're not taking this seriously," says Tonks as she straps Harry's trunk and Hedwig's cage into a harness hanging from her broom.

"I'm just telling the boy the plan," Moody growls. "Our job's to deliver him safely to headquarters and if we die in the attempt — "

"No one's going to die," you say calmly, receiving a doubtful grumble from Moody in the process.

"Mount your brooms, that's the first signal!" Remus says sharply, pointing into the sky at the shower of bright red sparks flaring high above you.

You swing your leg over your broom — your dusty old Cleansweep Seven that you've had since you were fifteen and that has seen more of the inside of your garden shed than the open air — and wrap your hands around the flaking handle. You're a pretty average flier — nothing compared to James, of course...but who could ever compare to him?

"Second signal, let's go!" Remus says loudly, as this time green sparks explode into the air far above you.

You kick off hard from the ground. The cool night air rushes into you as you rise higher into the air, the houses and buildings of Little Whinging becoming smaller and smaller as your group ascends. Looking up, the sky is vast and clear, revealing the billions of gleaming stars twinkling above. You can't help the small rush of giddiness that sparks in you at the sight of it.

"Hard left, hard left, there's a Muggle looking up!" Moody shouts over the wind, and your circling group follows Tonks as she swerves, Harry close behind. "We need more height...give it another quarter of a mile!"

"Bear southeast and keep climbing, there's some low cloud ahead we can lose ourselves in!" calls Moody.

"We're not going through clouds!" Tonks shouts angrily. "We'll get soaked, Mad-Eye!"

You're glad to hear this, your fingers turning numb around the handle of your broom in the chill.

You alter your course every now and then according to Moody's instructions, you and the rest of the guard circling Harry and Tonks as you move.

"We ought to double back for a bit, to make sure we're not being followed!" Moody shouts.

"Don't be mad! We're nearly there now!" You yell, recognising the streets hurtling past below. "If we keep going off course, we won't have to worry about being followed because Harry'll have died from hypothermia by then!"

"Time to start the descent!" Remus orders. "Follow Tonks, Harry!"

You dive, flying lower and lower until you touch down on a quiet street with several less-than-welcoming houses lining it.

"Where are we?" Harry asks.

"In a minute," Remus says quietly, looking at Moody expectantly as he rummages around in his cloak.

"Got it," he mutters, pulling out Dumbledore's trusty Deluminator and clicking it. The nearest streetlamp goes out with a pop. Moody clicks the Deluminator again and one by one each lamp on the street distinguishes, leaving the faint glow of lit rooms behind curtains the only source of light on the street.

"Borrowed it from Dumbledore," Moody explains to Harry, pocketing the Deluminator once more. "That'll take care of any Muggles looking out the window, see? Now, come on, quick."

Together, your group makes it towards houses Number 11 and Number 13. Even though he's been Disillusioned, you can still see Harry's form shivering with the cold, and you make a slow sweeping motion down the length of his body with your wand, muttering a quiet warming spell under your breath. You hear him breathe a sigh of relief.

"Thanks."

Remus tuts quietly under his breath. "No spell for the rest of us, then?"

You smile. "You're not my godson."

Even in the dark, you can see him rolling his eyes at you.

"Here," Moody says, thrusting a piece of paper towards Harry. "Read quickly and memorise."

"What's the Order of the — ?"

"Not here, boy!" Moody snarls immediately, his eyes wide. "Wait 'til we're inside!"

He snatches the parchment out of Harry's hand and lights it on fire, dropping it to the ground, the edges curling in the flame.

"But where's — ?"

"Think about what you've just memorised," Remus says quietly.

After a moment, the run-down door of the Black house emerges in the space between 11 and 13, followed soon by grimy walls and windows.

"Come on, hurry," Moody growls, prodding Harry in the back.

You tap the door with your wand. Loud metallic clicks and squeaks sound behind the door before it creaks open, revealing the darkened hallway beyond. "Get in quick, Harry. But don't go far inside and don't touch anything."

You shuffle into the hallway behind Harry, casting a wary eye to the curtained portrait at the end of the hall, waiting for Moody to finish returning the light to the streetlamps before closing the door behind him.

"Here." Moody raps Harry hard over the head with his wand, lifting the Disillusionment Charm and returning Harry to his usual, visible state. Probably could've been a bit more gentle with it, but whatever.

"Now stay still, everyone, while I give us a bit of light around here," Moody says quietly. With a soft hissing noise, the old-fashioned gas lamps flicker to life, illuminating the depressingly drab hallway you're standing in.

Hurried footsteps alert you to Mrs Weasley's entrance, emerging from the basement door with a smile on her face as she makes her way toward you.

"Oh, Harry, it's lovely to see you!" she whispers, pulling Harry into a tight hug before holding him at arm's length and examining him critically. "You're looking peaky; you need feeding up, but you'll have to wait a bit for dinner, I'm afraid..."

She turns to you and the rest of the Order members and whispers urgently, "He's just arrived, the meeting's started..."

Everyone starts to make their way through the door, and Harry moves to follow Remus when you gently hold him back, a hand on his shoulder. "Sorry, Harry. Order members only. We'll talk later, yeah?"

"Ron and Hermione are waiting upstairs, you can wait with them until the meeting's over, and then we'll all have dinner," Mrs Weasley whispers to him. "And keep your voice down in the hall."

"Why?"

"I don't want to wake anything up."

"What d'you — ?"

"I'll explain later, I've got to hurry, I'm supposed to be at the meeting — I'll just show you where you're sleeping."

You give Harry and Mrs Weasley a wave before heading down into the basement, opening the door as quietly as possible and slipping into your usual spot beside Sirius at the table while Dumbledore speaks to Remus and Moody about Harry. You listen as Dumbledore outlines plans and guard duty: looks like you're on tomorrow night. Brilliant.

Snape sits across from you, and when your eyes meet he gives you a near-imperceptible head shake. Nothing on Wormtail yet. Then his eyes shift to hatred as he wrinkles his nose at Sirius beside you, and you notice that your husband is currently pretending to scratch his nose with just his middle finger extended, directly in Snape's eyeline.

Of course.

When the meeting is finally over, most of the Order members file out of the kitchen and upstairs, speaking in hushed voices as they enter the hall. You pull one of the scrolls of parchment from the middle of the table into your hands, skimming your eyes over a plan of the Department of Mysteries, exits and entrances marked in red.

Just then, you hear a clatter and a great, thankfully muffled, screeching starts from the hall. You sigh, rubbing your temples, and move to stand up and deal with your darling mother-in-law when Sirius gently pushes you back into your chair, standing up.

"I'll handle it."

Bill and Mr Weasley sit close by, heads pressed together as they mull over parchment and documents. After a minute or two, the screaming stops and Sirius reopens the door, Harry following close behind with Remus and the rest of the kids.

Mrs Weasley clears her throat and Mr Weasley jumps to his feet, hurrying over to give Harry's hand a shake. "Harry! Good to see you!"

Bill starts to try and roll up the scrolls and you move to help him, handing him the plan of the Department of Mysteries.

"Journey all right, Harry?" he asks. "Mad-Eye didn't make you come via Greenland, did he?"

"He tried," Tonks says, striding over to help you and immediately knocking over a candle, sending the wax spilling onto the parchment. "Oh, no — sorry — "

"Here," you say, waving your wand and muttering a spell to repair the parchment. In the light your wand casts, you spy Harry trying to catch a glimpse of what's written on the parchment.

Mrs Weasley sees him too, and clicks her tongue disapprovingly, snatching up the scrolls and shoving them into Bill's arms. "This sort of thing ought to be cleared away promptly at the end of meetings."

She sweeps off towards a dresser to start unloading dinner plates and you grab a cloth and wipe down the table for dinner.

"Sit down, Harry," Sirius says, retaking his usual spot at the table. "You've met Mundungus, haven't you?"

Mundungus, who has been snoring away at the end of the table, stirs and jolts awake. "Someone say m' name? I agree with Sirius..."

He raises his hand in the air as though voting, and you snort.

"Meeting's over, Dung," you say with a smile, giving his back a poke as you pass by with more plates. "Harry's arrived."

"Eh?" He peers at Harry before his face lights in recognition. "Blimey, so 'e 'as! Yeah...you all right, Harry?"

"Yeah."

Mundungus fumbles in his pockets and produces his trusty black pipe, lighting the tip with his wand and taking a long pull from it. A cloud of green smoke thickens the air around him instantly.

"Owe you an apology," he grunts.

"For the last time, Mundungus," calls Mrs Weasley in frustration, "will you please not smoke that thing in the kitchen, especially not when we're about to eat!"

"Ah. Right, sorry, Molly."

He stuffs the pipe back into his pocket, with slight reluctance.

Soon, a series of heavy knives are chopping meat and vegetables on their own, supervised by Mr Weasley, while Mrs Weasley stirs a cauldron dangling over the fire. Mundungus, Sirius, and Harry are talking at the table, and from the few snippets you overhear you can tell Sirius is complaining about being stuck inside with nothing to do — which you don't blame him for.

"At least you've known what's been going on," Harry says bracingly.

"Oh, yeah," Sirius says sarcastically. "Listening to Snape's reports, having to take all his snide hints that he's out there risking his life while I'm sat on my backside here having a nice comfortable time...asking me how the cleaning's going — "

"What cleaning?" Harry asks.

"Trying to make this place fit for human habitation," Sirius replies, waving a hand around the dismal kitchen. "No one's lived here for ten years, not since my mother died, unless you count her old house-elf, and he's gone round the twist, hasn't cleaned anything in years — "

"Sirius?" Mundungus pipes up, eyes focused on a silver goblet in his hands, examining it with immense interest. "This solid silver, mate?"

"Yes," he answers, surveying the goblet with obvious distaste. "Finest fifteenth-century goblin-wrought silver, embossed with the Black family crest."

"That'd come off, though," Mundungus mutters thoughtfully, scrubbing the crest with his cuff.

"Fred — George — NO, JUST CARRY THEM!" Mrs Weasley shrieks.

Fred and George have bewitched a large cauldron of stew, an iron flagon of butterbeer, and a heavy wooden breadboard, to hurtle through the air towards the table. Harry, Sirius, and Mundungus leap away, just in time to avoid the pot of stew that skids the length of the table before stopping at the end, the flagon of butterbeer that falls with a crash and spills over the surface, dripping onto the floor, and the sharp knife that slips from the breadboard and sticks in the table where Sirius' hand had been moments before.

"FOR HEAVEN'S SAKE!" Mrs Weasley screams, face red with fury. "THERE WAS NO NEED — I'VE HAD ENOUGH OF THIS — JUST BECAUSE YOU'RE ALLOWED TO USE MAGIC NOW DOESN'T MEAN YOU HAVE TO WHIP YOUR WANDS OUT FOR EVERY TINY LITTLE THING!"

"We were just trying to save a bit of time!" Fred says, hurrying forward and wrenching the knife out of the table. "Sorry, Sirius, mate — didn't mean to — "

Harry and Sirius are laughing, and you turn your face away to hide your laughter from the furious Mrs Weasley. Mundungus struggles to his feet, swearing and muttering under his breath.

"Boys," Mr Weasley steps in, lifting the stew pot back into the middle of the table. "Your mother's right, you're supposed to show a sense of responsibility now that you've come of age — "

"None of your brothers caused this sort of trouble!" Mrs Weasley snaps at the twins, slamming a fresh flagon of butterbeer onto the table while you clean away the mess from the previous with your wand. "Bill didn't feel the need to Apparate every few feet! Charlie didn't charm everything he met! Percy — "

She stops dead, catching her breath with a frightened look at her husband. Mentions of Percy are not particularly welcomed in the house at the moment, after Percy and Mr Weasley had an especially heated argument and Percy chose his job at the Ministry over his own family.

"Let's eat," Bill says quickly.

For a few minutes, there is silence in the room but for the scraping of plates and cutlery and the creak of chairs as everyone settles down for the meal. You sit beside Sirius, who smiles and pulls your chair closer to his as you eat.

He tugs on the sleeve of your jumper, rolling the fabric between his thumb and forefinger. "I like this, it suits you. You look very pretty."

You scoff, giving him a smile. "Of course you like it, Sirius, it's yours. Anyways, I'm thinking of going back home soon just to collect a few things," you say. "Is there anything you want? I am seriously missing my telescope here — "

A loud burst of laughter drowns out the rest of your words, as Fred, George, Ron, and Mundungus roll around in their chairs.

"...and then," chokes Mundungus, tears running down his face, "and then, if you'll believe it, 'e says to me, 'Dung, where did ya get all them toads from? 'Cause some son of a Bludger's gone and nicked all mine!' And I says, 'Nicked all your toads, Will, what next? So you'll be wanting some more, then?' And if you'll believe me, lads, the gormless gargoyle buys all 'is own toads back off me for twice what 'e paid in the first place — "

"I don't think we need to hear any more of your business dealings thank you very much, Mundungus," Mrs Weasley says sharply.

"Beg pardon, Molly," he answers at once, wiping his face and winking at Harry. "But, you know, Will nicked 'em of Warty Harris in the first place so I wasn't really doing anything wrong — "

"I don't know where you learned about right and wrong, Mundungus, but you seemed to have missed a few crucial lessons," Mrs Weasley says coldly, before shooting a particularly nasty look at Sirius and standing up to fetch a large rhubarb crumble for dessert.

You sigh, pinching the bridge of your nose. Mundungus is certainly not the most law-abiding man, but he has his uses.

"Molly doesn't approve of Mundungus," Sirius says quietly to Harry.

"How come he's in the Order?"

"He's useful," Sirius mutters. "Knows all the crooks — "

"Well, he would, seeing as he is one himself," you add, taking a sip from your wine.

Sirius nods. "He's also very loyal to Dumbledore, who helped him out a tight spot once. It pays to have someone like Dung around, he hears things we don't. But Molly thinks inviting him to stay for dinner is going too far. She hasn't forgiven him for slipping off duty when he was supposed to be tailing you."

Several helpings of crumble later, the air in the room moves to a relaxed laziness as you finish telling the story of Remus's first time getting drunk at Hogwarts to Tonks, who giggles and laughs while Remus shakes his head and becomes increasingly interested in his goblet. Sirius's hand rests on your hip, idly drawing circles with his finger.

"I don't — uh — I don't remember that," Remus says, cheeks crimson as he glances at Tonks to see her reaction.

You hum, smiling at him. "Well, I certainly do. "

Tonks smiles appreciatively at Remus, yawning loudly.

"Nearly time for bed, I think," Mrs Weasley says, yawning too.

"Not just yet, Molly," Sirius says, pushing away his empty plate and turning to look at Harry. "You know, I'm surprised at you. I thought the first thing you'd do when you got here would be to start asking questions about Voldemort."

The change in the atmosphere is rapid: Mrs Weasley sits bolt upright, her fists clenched; Remus lowers his goblet warily, eyes meeting yours.

"I did!" Harry says indignantly. "I asked Ron and Hermione but they said we're not allowed in the Order, so — "

"And they're quite right," Mrs Weasley says firmly. "You're too young."

"Since when did someone have to be in the Order of the Phoenix to ask questions?" Sirius asks, raising his eyebrows. "Harry's been trapped in that Muggle house for a month. He's got the right to know what's been happen — "

"Hang on!" George interrupts loudly.

"How come Harry gets his questions answered?" says Fred angrily.

"We've been trying to get stuff out of you for a month and you haven't told us a single stinking thing!"

"You're too young, you're not in the Order," Fred says in a high-pitched imitation of his mother. "Harry's not even of age!"

"It's not my fault you haven't been told what the Order's been doing," Sirius says calmly. "That's your parents' decision. Harry, on the other hand — "

"It's not down to you to decide what's good for Harry!" Mrs Weasley says sharply, a dangerous look on her face. "You haven't forgotten what Dumbledore said, I suppose?"

"Which bit?" His tone is polite, but you spot the familiar tense in his jaw and know that this calmness won't last long.

"The bit about not telling Harry more than he needs to know," Mrs Weasley replies stonily.

Everyone else in the room is dead silent, their eyes flitting between Sirius and Mrs Weasley as though watching a tennis match. You meet Remus's eyes across the table, subtly shaking your head.

"I don't intend to tell him more than he needs to know, Molly," says Sirius. "But he was the one who saw Voldemort come back. He has more right than most to — "

"He's not a member of the Order of the Phoenix!" Mrs Weasley snaps. "He's only fifteen — "

"And he's dealt with as much as most in the Order, and more than some — "

"No one's denying what he's done!" Mrs Weasley's voice rises, her fists trembling with anger. "But he's still — "

"He's not a child!" Sirius says impatiently.

"He's not an adult either! He's not James, Sirius!"

Sirius stares back at Mrs Weasley, poking the inside of his cheek with his tongue. His voice is ice. "I'm perfectly clear who he is, thanks, Molly."

"I'm not sure you are!" Mrs Weasley says hotly. "Sometimes, the way you talk about him, it's as though you think you've got your best friend back!"

"What's wrong with that?" says Harry.

"What's wrong, Harry, is that you are not your father, however much you might look like him! You are still at school and adults responsible for you should not forget it!"

"Meaning I'm an irresponsible godfather?" Sirius demands, his voice rising.

"Meaning you've been known to act rashly — "

"Enough," you say loudly, stopping the two. You inhale deeply. "Harry deserves to know a certain amount. He has been left in the dark for a month, and I have no doubt that he's used this time to come up with a few interesting theories of what's been going on. Don't you think he deserves to know what is true, from us, rather than a muddled version from...others?"

You don't doubt that a few of Fred and George's Extendable Ears have survived Mrs Weasley's purge.

Mrs Weasley looks back at you, breathing deeply. "Well..." she looks around the table for support, but receives none. "Well...I can see that I'm going to be overruled. I'll just say this: Dumbledore must have had his reasons for not wanting Harry to know too much, and speaking as someone who has Harry's best interests at heart — "

"He's not your son," Sirius says quietly.

"He's as good as!" Mrs Weasley snaps back fiercely. Great, just when you thought the argument had come to an end. "Who else has he got?"

You pause, hoping you misheard her.

"He's got us!" Sirius snaps back, gesturing between you and him.

"Yes. The thing is, it's been rather difficult for you to look after him while you've been locked up in Azkaban, hasn't it?"

Immediately, you feel your anger flare and you glare daggers back at her. "It's not like he had a choice, Molly!" You snap defensively. "How could you say something like that — "

"Molly, you're not the only person at this table who cares about Harry," Remus says sharply. "Sirius, sit down."

Sirius, who had begun to rise from his chair, sinks slowly back into his seat, face white.

"I think Harry ought to be allowed a say in this," Remus continues calmly. "He's old enough to decide for himself."

"I want to know what's been going on," Harry says at once.

Mrs Weasley looks at him for a moment, swallowing harshly. "Very well. Ginny — Hermione — Ron — Fred — George — I want you out of this kitchen, now."

Instant uproar.

"We're of age!" Fred and George cry together.

"If Harry's allowed, why can't I?" Ron shouts.

"Mum, I want to!" Ginny wails.

"NO!" shouts Mrs Weasley, her chest heaving as she stands. "I absolutely forbid — "

"Molly, you can't stop Fred and George," Mr Weasley says wearily. "They are of age."

"They're still at school — "

"But they're legally adults now."

"I — alright, fine, Fred and George can stay, but Ron — "

"Harry'll tell me and Hermione everything you say anyway!" Ron says heatedly. "Won't — won't you?" He adds uncertainly, meeting Harry's eyes.

"'Course I will."

Ron and Hermione beam.

"Fine!" Mrs Weasley shouts. "Fine! Ginny — BED!"

You hear Ginny stomping and raging at her mother all the way up the stairs, awakening Walburga's portrait when she reaches the hall. You sigh, hurrying off to force the curtains shut over the crazy woman with immense effort. You return, shutting the door to the stairs behind you, and fall back into your seat with a heavy sigh.

"Okay, Harry...what do you want to know?" Sirius speaks.

"Where's Voldemort? What's he doing? I've been trying to watch the Muggle news," Harry asks immediately, "and there hasn't been anything that looks like him yet, no funny deaths or anything — "

"That's because there haven't been any suspicious deaths yet," says Sirius. "Not as far as we know, anyway...and we do know quite a lot."

"More than he thinks we do, anyway," Remus adds.

"How come he's stopped killing people?" Harry asks.

"He doesn't want to draw attention to himself at the moment," you answer. "It would be dangerous for him. His comeback didn't quite come off the way he wanted it to, you see. He messed it up."

"Or rather, you messed it up for him," Remus says with a satisfied smile.

"How?" Harry questions, perplexed.

"You weren't supposed to survive!" Sirius says. "Nobody apart from his Death Eaters were supposed to know he'd come back. But you survived to bear witness."

"And the very last person he wanted alerted to his return the moment he got back was Dumbledore," says Remus. "And you made sure Dumbledore knew at once."

"How has that helped?"

"Are you kidding?" Bill says incredulously. "Dumbledore was the only one You-Know-Who was ever afraid of!"

"Thanks to you, Dumbledore was able to recall the Order of the Phoenix the day Voldemort returned," says Sirius.

"So what's the Order been doing?" asks Harry, looking around the table at everyone.

"Working as hard as we can to make sure Voldemort can't carry out his plans," Sirius answers.

"How do you know what his plans are?"

"Dumbledore's got a shrewd idea," says Remus, "and Dumbledore's shrewd ideas normally turn out to be accurate."

"So what does Dumbledore reckon he's planning?"

"Well, firstly, he wants to build up his army again," says Sirius. "In the old days he had huge numbers at his command; witches and wizards he'd bullied or bewitched into following him, his faithful Death Eaters, a great variety of Dark creatures. You heard him planning to recruit the giants; well, they'll be just one group he's after. He's certainly not going to try and take on the Ministry of Magic with only a dozen Death Eaters."

"So you're trying to stop him getting more followers?"

"We're doing our best," you say.

"How?"

"Well, the main thing is to try and convince as many people as possible that You-Know-Who really has returned, to put them on their guard," Bill tells. "It's proving tricky, though."

"Why?"

"Because the Ministry is still in denial," you say with a sigh. "You saw Fudge after Voldemort came back, Harry — he hasn't changed his mind at all. He's completely refusing to believe it."

"But why?" Harry asks desperately. "Why's he being so stupid? If Dumbledore — "

"Ah, well, you've put your finger on the problem," says Mr Weasley with a wry smile. "Dumbledore."

"Fudge is frightened of him," you say.

"Frightened of Dumbledore?" Harry says incredulously.

"Frightened of what he's up to," says Mr Weasley. "You see, Fudge thinks Dumbledore's plotting to overthrow him. He thinks Dumbledore wants to be Minister of Magic."

"But Dumbledore doesn't want — "

"Of course he doesn't," Mr Weasley speaks, adjusting his spectacles. "He's never wanted the Minister's job, even though a lot of people wanted him to take it when Millicent Bagnold retired. Fudge came to power instead, but he's never quite forgotten how much popular support Dumbledore had, even though Dumbledore never applied for the job."

Remus clears his throat. "Deep down, Fudge knows Dumbledore's much cleverer than he is, a much more powerful wizard, and in the early days of his Ministry he was forever asking Dumbledore for help and advice. But it seems that he's become fond of power now, and much more confident. He loves being Minister of Magic, and he's managed to convince himself that he's the clever one and Dumbledore's simply stirring up trouble for the sake of it."

"How can he think that?" Harry says angrily. "How can he think Dumbledore would just make it all up — that I'd make it up?"

"Because accepting that Voldemort's back would mean trouble like the Ministry hasn't had to cope with for nearly fourteen years," Sirius says bitterly. "Fudge just can't bring himself to face it. It's so much more comfortable to convince himself Dumbledore's lying to destabilize him."

"Ignorance is bliss," you say sardonically.

"You see the problem," Remus says. "While the Ministry insists there is nothing to fear from Voldemort, it's hard to convince people he's back, especially as they don't really want to believe it in the first place. What's more, the Ministry's leaning heavily on the Daily Prophet not to report any of what they're calling Dumbledore's 'rumourmongering', so most of the Wizarding community are completely unaware anything's happened, and that makes them easy targets for Death Eaters if they're using the Imperius Curse."

"But you're telling people, aren't you?" says Harry, looking around the table. "You're letting people know he's back?"

You smile humourlessly.

"Well, as everyone thinks I'm a mass murderer and the Ministry's put a ten-thousand galleon price on my head, I can hardly stroll up the street and start handing out leaflets, can I?" Sirius says grimly.

"And people don't exactly find the wife of said criminal the most trustworthy either," you say bleakly, shrugging.

"I'm not a very popular dinner guest with most of the community," Remus tells. "Occupational hazard of being a werewolf."

"Tonks and Arthur would lose their jobs at the Ministry if they started shooting their mouths off," Sirius explains, "and it's very important for us to have spies inside the Ministry, because you can bet Voldemort will have them."

"We've managed to convince a few people though," Mr Weasley says optimistically. "Tonks here, for one — she's too young to have been in the Order last time, and having Aurors on our side is a huge advantage — Kingsley Shacklebolt's been a real asset too. He's in charge of the hunt for Sirius, so he's been feeding the Ministry information that Sirius is in Tibet."

"But if none of you is putting the news out that Voldemort is back — " Harry begins, but Sirius stops him.

"Who said none of us was putting the news out? Why d'you think Dumbledore is in so much trouble?"

"What do you mean?" Harry asks.

"They're trying to discredit him," Remus explains. "Didn't you see the Daily Prophet last week? They reported that he'd been voted out of the Chairmanship of the International Confederation of Wizards because he's getting old and losing his grip, but it's not true, he was voted out by Ministry wizards after he made a speech announcing Voldemort's return. They've demoted him from Chief Warlock on the Wizengamot — that's the Wizard High Court — and they're talking about taking away his Order of Merlin, First Class, too."

"But Dumbledore says he doesn't care what they do as long as they don't take him off the Chocolate Frog cards," Bill chimes in, grinning.

"It's no laughing matter," Mr Weasley says shortly. "If he carries on defying the Ministry like this, he could end up in Azkaban and the last thing we want is Dumbledore locked up. While You-Know-Who knows Dumbledore's out there and wise to what he's up to, he's going to go cautiously for a while. If Dumbledore's out of the way — well, You-Know-Who will have a clear field."

"What's he after apart from followers?" Harry asks quickly.

You exchange a glance with Sirius before he says, "Stuff he can only get by stealth."

Harry stays looking confused, and Sirius continues, "Like a weapon. Something he didn't have last time."

"When he was powerful before?"

"Yes."

"Like what kind of weapon?" Harry asks. "Something worse than the Avada Kedavra — ? "

"That's enough."

From the shadows beside the door, Mrs Weasley stands, her expression furious. "I want you in bed, now. All of you."

"You can't boss us — " Fred begins.

"Watch me," she snarls, before turning her unapproving gaze on Sirius. "You've given Harry plenty of information. Any more and you might just as well induct him into the Order straight away."

"Why not?" Harry says. "I'll join, I want to join, I want to fight — "

"No."

This time, it's not Mrs Weasley who speaks, it's Remus.

"The Order is comprised of overage wizards," he says.

"Wizards who have left school," you add quickly, seeing the twins open their mouths. You sigh, pushing your chair away from the table, patting Sirius's arm softly. "Molly's right, Sirius. We've said enough. I think it's time everyone got some rest."

He gives a half-shrug but doesn't argue, waiting as Mrs Weasley leads her children and Harry upstairs to their bedrooms.

Later, you yawn around your toothbrush, facing the mirror in the dimly-lit ensuite off Sirius's bedroom.

"She can't seriously think leaving Harry in the dark about all this is the better option," Sirius muses testily, idly fiddling with your jewellery on the nightstand as he talks. "He's not a child. He's deserves to know what's going on."

"I agree."

"And the way she brought up James — as if I can't tell the difference between my best friend and my godson," he continues in frustration. "I know he's not James, of course I know that — "

You spit into the sink, pulling the tap to rinse it out. "She didn't know James. She doesn't know how difficult it is to stop yourself from looking at Harry and seeing him. How hard it is to not look for him and Lily in everything."

"No," Sirius says after a moment. "She doesn't."

You run your hands down your face, sighing. "I can't believe she said that thing about you in Azkaban. I can't believe she would stoop that low, as if you had any fucking choice to be in there."

"She hates me," he says. "Do you see the looks she gives me?"

"She doesn't hate you," you tell him wearily, flicking off the light and closing the bathroom door behind you. You lean against the doorframe, folding your arms. "She's scared and worried about Harry, that's all. She's stressed."

"She's not the only one."

"No, she's not," you say softly, making your way over to where he sits on the bed, gently taking his face in your hands. "Look, forget about it now. What's done is done, there's no use dwelling on it now."

He sighs, leaning into your touch with a small sigh. "You really are the most amazing woman I've ever met."

"I try."

He kisses your knuckles one by one, then presses a kiss to the inside of your wrist. "And clever."

You hum, watching as his lips slowly travel up your arm, arriving at your neck, where he lingers for several moments to kiss every inch of exposed skin he can reach. "And beautiful."

He pulls you toward him so you're straddling his legs, and he grins. "So very beautiful indeed."

✧⁠*⁠。✧⁠*⁠。

->-> read chapter twenty-seven here!

→ all kinds of interaction appreciated

absolutely massive thank you to my taglist lovelies <3 :

@mothraantics @wholelottalove05 @izuoyarmin @devoid-swanky @carpe000diem @mooonyxoxo @hyperspeedo @idkman5335 @elanna-elrondiel @murielisacertifieddilf @penelopied @imgondeletedis @jennifer0305

[tyrantisterror]

An Incomplete List of Supervillain Archetypes

Ok, so my first attempt to brainstorm some supervillain prompts was derailed in a very perplexing way, but I am undeterred! Let's try this again in a way that's honestly a bit more fitting with my usual process - namely, by looking at the genre in question ans figuring out what archetypes are there, as well as what kind of... well, the words "theme" ad "motif" seemed to confuse people last time, so let's use the word "flavor" here for. So yes, a list of archetypes and flavors.

An incomplete list, as you no doubt noticed from the title here, because 1. while I've consumed a fair amount of superhero media, I'm by no means an expert and 2. I'm purposely leaving out archetypes and motifs that are dependent on a pre-established hero. That means no Mirror Universe counterparts, evil doppelgangers, guys with the same powers as the hero but they're evil, evil living versions of the hero's costume, etc. This is a list to make a rogue's gallery that isn't necessarily based around a particular hero - rogues for the sake of having rogues, rather than to further one good guy's narrative. We're not trying to make Morlun the interdimensional vampire who only eats Spider-Men here.

And since this is an incomplete list, I am officially inviting you, the person reading this, to point out anything big you think I missed! Just don't start listing college majors, ok? I already have another post about supervillain archetypes that's gathering a list of college majors. Inexplicably.

Supervillain Archetypes

Ok, we're gonna start with a list of, like, personality and story roles supervillains tend to come in. The Archetypes, if you will.

The Bank Robber with a Gimmick - the Silver Age classic. You rob banks and do other naughty but not-necessarily lethal crimes, but more than that, you do it with a gimmick, and goddamn are you devoted to committing to the bit. The bit is more important than the crimes - in fact, the crimes are really just a means to make everyone pay attention to your gimmick.

The Evil Genius - you are extremely book smart and are making it everyone's problem. Again, no need to suggest what degree the mad scientist has, I have a whole post where people are inexplicably doing that already!

The Big Monstrous Guy - you're a big guy with some sort of hideous deformity/mutation that makes you look like a monster. It may also make you act like a monster, although it's just as likely you only act that way because everyone treated you as a monster first. You are often reduced to being the dumb muscle in a given scene, but might get moments of pathos that show how hard it is to be a big monster guy.

The Wildcard - you're an agent of chaos who doesn't really have a plan/goal beyond making everything escalate as quickly as possible, and that's why we love you. In-universe, though, almost everybody thinks you're very annoying.

The Copycat - your villainy hinges on imitation. You are adept at stealing other people's identities, disguising yourself as someone else, and/or even taking the super powers of another person outright. Ultimately, the threat you pose isn't inherent to you - it's something your victims brought to the table.

A Normal Businessman - you view all people and things as nothing more than resources to exploit in your pursuit of wealth and power. Love for anyone but yourself is a weakness to be exploited, and all other living beings are only worth whatever labor you can extract from them as quickly and cruelly as possible, and should be discarded ruthlessly and without mercy when they no longer provide you that utility. In the real world you'd be treated like royalty, but since this is a fictional world, you actually face... resistance? Somehow? As if someone wants people like you to actually face consequences. How unnatural.

The Foreign Tyrant - you rule some made-up country, planet, or plane of existence that doesn't exist in the real world and thus can be as comically awful and dystopian as the writer desires. Everything that's wrong with your foreign home is more or less your fault, because you rule it with an iron fist. You tend to be pretty theatrical about it, too.

The Mind Taker - you're a villain whose main scheme involves some form of mind control, brainwashing, or other methods of forcibly recruiting innocent people into serving you. You're often a seductive figure, and always a manipulative one.

The Mind Fucker - you screw with people's perception of reality in order to enact your schemes. Maybe you send their feelings into overdrive, maybe you dazzle their senses with magnificent illusions, but ultimately you make it that anyone who wants to oppose you has to fight their own mind in the process.

The Jekyll and Hyde - you're not a bad guy, really! But, well... sometimes a part of you takes over, something you bury deep inside, something you really want to keep caged inside you. And when that "other guy" comes out, well... they're pretty bad, actually.

The Anything But Retail - you approach super-villainy the way you would any other job. You're not here for the love of the game or because you're theatrical - this is just the only thing that pays the bills that you can see yourself doing.

The All-Time Hater - you are, quite literally, a hateful person, and by gum you are going to make everyone know it! None of your schemes serve any goal except making people you hate suffer - your only ambition is to make life worse for others.

The Super Mafia - you walked straight out of a gangster movie and into a Saturday morning cartoon, and somehow that transition wasn't nearly as difficult as it should have been. Time to make these costumed fucks sleep with the fishes, even if all your goons now carry harmless laser guns instead of actual pistols.

The Planet Eater - you are a villain whose threat is so great that you threaten the very narrative itself with destruction by way of raising the stakes so high that nothing will ever have any meaning ever again. If the writers aren't up to snuff, you will make everything that occurs after you feel like either an anticlimax, or a pathetic attempt to raise the stakes to an even more inconceivably high level. If you threaten to kill the planet, the next bad guy will threaten the universe. If you threaten the universe, then they'll threaten the multiverse. If you threaten that, then by god, I don't know how we'll raise the stakes from there, but a hack writer will definitely try. A good writer can avoid that terrible fate, but unfortunately you're far more popular with bad writers than good ones.

Supervillain Flavors

These are more surface-level ways to categorize supervillains, mostly concerned with, like, their aesthetic - i.e. the theme of their costume, weapons, lair, etc.

Clown (note to self: don't even try it. You'll never escape Harley Quinn's shadow. It's a fool's errand.)

Reptile

Spider

Insect

Shark

Other "scary" animals

Obscure Animal the writer got obsessed with and decided to theme a bad guy around

Cat-themed Cat Burglar (note to self: don't do this one either. We already have a good one with Catwoman and then also a less good one with Black Cat, who's just Catwoman but at Marvel. There

Space alien

Robot

Cyborg

Mutant (radioactive)

Mutant (toxic waste/pollution)

Mutant (genetically engineered)

Mutant (setting specific source of mutation)

A classic Gothic Horror monster but now they wear superhero tights. Werewolves, vampires, ghosts, etc.

Literally Satan

Satan but we're too cowardly to fully embrace that he's Satan so we're gonna, like, try to have plausible deniability and claim our Satan isn't literally Satan (but he's more or less Satan)

Wizard (fake)

Wizard (real)

Knight

Witch

Fantastical Monster (dragon, gorgon, etc.)

Adapted from/inspired by real world mythology

A god in an old world mythology sort of way

A god but in a cool 60's cosmic way

Anthropomorphic Personification of Abstract Concept

A normal businessman

Elemental Powers (Fire, Water, Wind, Earth, Ice, Lightning, etc.)

Shapeshifter

Power Stealer

90's Extreme Radical Wanton Gun Violence

90's Extreme Radical Body Horror

Ninja

Caricature of Obnoxious Media Trend (shock jocks, reality TV, celebrity culture, etc.)

Alright, that's what I've got off the top of my head. What'd I miss?

[ageingfangirl2]

If I Have To Ask You One More Time! Zoro x Reader (OPLA)

y/n is in charge of cleaning the ship and a certain swordsman makes their job just that bit harder. Zoro x Female Reader.

Y/N

It was a beautiful day, the sun was shining, the waves had been smooth, and you'd docked on a small island to restock before heading towards The Grand Line. You'd decided to stay on the ship to get some odd jobs done, in particular, a good mop of the deck before heading inside to clean. You'd been on the ship a couple of months but you knew Nami appreciated having a) another girl around and b) a clean ship because guys could be messy. Zoro was the worst offender, after fights letting blood from his swords drip all around the ship which meant more work for you.

After mopping the entire deck, you head to your hammock to take a short nap before continuing your tasks. However, a loud thud on the deck directly above you startles you awake, because you didn't expect the others back for a few more hours. You grab your knives just in case someone else is on your ship and quietly make your way back to the deck.

You spot drops of blood from the gangplank and follow them towards the kitchen, nostrils flaring enraged because you'd just mopped and you knew who was responsible.

'ZORO!' you growl, as you rush into the kitchen.

The swordsman looks up at you blankly from where he is sitting at the table cleaning blood off his swords, 'you okay y/n? something wrong?' he asks, oblivious to the fact he is the problem.

You take one of your knives and plunge it into the wooden table glaring at him, 'If I have to clean one more bloodstain from the deck I'm going to kill someone, I'm going to kill you Zoro.'

Zoro tilts his head, eyes a little wide at your raised voice, 'sounds a little counterproductive y/n.'

You pull out the knife and shake your head, 'poison would do the trick.'

You didn't like getting angry, and now your emotions were taking over making you upset at how oblivious Zoro was to your hard work. So you storm out of the kitchen, wanting to be alone.

ZORO

y/n didn't get mad, so their outburst at me took me by surprise, and then they left without another word. What were they going on about when they talked about blood, murder and poison? Girls were confusing, maybe Nami could shed some light.

TIME SKIP

I pull Nami aside when she returns, and see her staring at the blood on the deck with a frown, 'I thought y/n mopped the deck.'

I shrug my shoulders, 'I guess it was wet when I came back.'

Nami looks up at me and I explain the encounter with y/n, but what she does next annoys me because she slaps me across the back of my head, 'You're an idiot Zoro. y/n has taken it upon themselves to keep this ship clean and you continue to mess it up without thinking about their feelings. Almost like you forget they are even a part of the crew. I'm surprised it took them this long to snap.'

I rub my head after the scolding. I guess I could get lost in my own world. Nami was right because y/n was always quiet and always quick to help I might have taken them for granted, but I had to show each crew member respect and that included y/n.'

Nami goes off and I head below deck to y/n's little space to apologise. I never wanted anyone to be mad or upset because of me, and I guess I was thankful for y/n making the ship a nicer place to be.

'Zoro, what are you doing here?' y/n asks, sitting up in their hammock with puffy eyes.

'I'll try and remember to clean my swords before I come back on the ship, or clean up after myself if I make a mess. I'm sorry, I respect you and am thankful for all that you do for us,' I ramble, all my words coming out at once.

It wasn't like me to ramble, I was reserved and stoic, but I never liked seeing girls cry. Not wanting to be here any longer I turn to leave, but a hand grabs my wrist stopping me in my tracks.

'Thank you for apologising Zoro, I know it's hard for you so this will stay between the two of us,' y/n says softly and I feel the tension leave my body because y/n was trustworthy.

I click my tongue, 'You might want to talk Nami out of telling the others.'

y/n nods and starts to drag me back to the deck, 'I'll talk to Nami and you take this.'

They thrust a mop at me and wink before skipping off to find the navigator. I had to mop the deck quickly before the guys saw me and asked questions.

[th3-c0ll3ct3r]

Docm77 as well as MANY other have fallen face first into this media-related ragebait and I'm here to explain why you shouldn't be mad at Doc/be upset but not "wish ill things on your child" upset, which yes. I did see. Shame on you person. Shame.

Ahem.

So upon waking up in the UK/Europe, we didn't necessarily have the build up to the presidential election due to timezone conflictions, so for many people (myself include) 6am to 9am we woke up to Trumps victory speech on the trending tab. I'm not joking, that's how people going out and how I found out

There have been a mixed bag of reaction but Doc is getting hate for saying, and I quote "Lol... Really USA? This is what I wake up to?"

Alot of people say this was insensitive, and excuse my language and I don't mean to upset, it's because they're Americans and (again apologies) Americans have been socialised into to being quite emotional about politics and read into everything that happens regarding it. Which is something that the rest of the world kinda looks down on America for, because it makes you look like 'cultist' (this isn't my viewpoint however we do discuss this alot in certain class and this is how other people see you)

Doc's reaction is not trying being insensitive, because to literally anyone else it's a reaction of speechlessness and confusion. Which the majority of people saw it as.

Because we all woke up to that.

Doc isn't trying to be insensitive, but I do understand why people think he's being insensitive, his confusion and speechlessness is being written off as dismissive.

People are saying the word 'lol' is worth cursing at his family over

1. That's not tolerated here. Don't be sending threats or harassing him.

2. Lol, has cultural differences in meaning.

In the US countries, it means 'haha funny!' or it can be a dismissive reply (in text format)

But in other countries, lol, is also used as a 'your joking right?' or 'pretty funny joke'. An example being 'lol what?' (funny joke, but what does it mean)

Many people think the lol is dismissive but it's not. He, along with many other actually didn't believe Trump had won yet and learnt about it in the worst way possible

Secondily he made a comment about dealing with "another 4 years of insanity" which people also thought was rude.

But sadly, it's actually true to alot of people outside the US. We only see the "funny" or mildly annoying bits of your media (because of filters and blockers) and sadly, I'll admit we don't know the full picture other than the Americans insanity over politics

It's literally what your known for in the UK.

So the '4 years of insanity' is definitely an exaggeration but is definitely true in some way. We get the bud of all the "Americans drama" and it's mostly the insane stuff, heck that's how flordia man and ohio became memes. So it's not unrealistic for us to see the next year's as insanity because it is. Just very dramatised

Also quick point, people are saying that because of this he doesn't support the LGBTQIA+ and to that I say; Rendog + his entire fanbase respectfully

Now the big boy issue. Doc said he won't talk about politics and Palestine yet talked about politics now? Why?

Why didn't Doc talk about Palestine?

And for similar reasons as to why alot of other people didn't talk about it, including myself. Not out of fear or something. It's because of the scams.

Being "late" to new media is frustrating especially when it comes to supporting people, and genuinely by the time I heard about Palestine I saw the scams first.

Doc HAS a younger audience demographic, who are more likely to get scammed because they do look very realistic and they even have fake followers and everything.

Why not get one from a reliable source? Well what is a reliable source? Because if something goes wrong people will blame you because you endorsed them.

Why not go to charities? Sadly their are now currently many scummy charities that do take alot of the donation percentage. (including some gofundme pages)

So to address this, Doc just didn't address it. And YES he admittedly should have explained why, instead of leaving it up to people to infer because as we can see, some people took it the wrong way. And I can see how they took it the wrong way, he didn't communicate it very well.

But to me and many others, the intentions were clear and that's why their were no comments made. However I do believe he shouldn't have used the excuse about not wanting to talk about politics, because that does have consequences long-term. And that why I'm here today

And this brings me to my final point.

People are forcing opinions out of other people and when their opinions don't aline they get mad about it. So to avoid this people either refuse to comment or have their own methods of tackling it or simply blurt it out because of pressure.

A modern example of this would be Kim. K and her son (ik shocking). Her son talked about supporting Trump and she got mad about it, told him to take down the videos and allegedly made him sign a contract saying to never make a video about politics.

Kim. K is actively avoiding being pressured into speaking by not responding and keeping it in.

However, another example of this would be Vivziepop. Due to recent events regarding her shows being leaked and the recent elections that damaged the integrity of women's rights and healthcare, she broke down on twitter.

Letting some of her frustrations spill out. This was encouraged by people personal targeting her, and basically harassing her to the point of breaking down.

These same types of people are trying to do the same to people like Aismey, Doc and even Jimmy Solidaritygaming because of thier social media presence, and when they have a reaction but then change their opinion it's suddenly a "well you didn't say that before!"

So to be clear, the circumstances of Docm77 is brought upon by miscommunication and ragebaiting. Dont go and threaten his family, voice your concerns respectfully in this troubling time (even if you're frustrated, you should project that onto someone else)

IF YOU SEE ANYONE RAGEBAITING REPORT IT

And have a good night ya'll

[haveihitanerve]

Okay so theres quite a bit of Batcest hate out in the world- and I do have to admit, I view the Bats as family too, which is why I can understand, but there are certain ships that i understand, after all most of them are not related biologically at all, and are under no obligation to each other to be so, bruce literally says in one comic "Whether or not they're brothers is no matter, they're both my sons" or smth along those lines, pretty much his children may all be his children but that in no way has to make them siblings anyway im getting away from myself here, a list of batcest shippings i understand and my reasoning for why people might ship them together, if you don't wanna, don't read any further🙃

Bruce/Dick: Brudick is an old ship, actually, originally they were created as a gay couple, not openly, but heavily implied, and a way for people back in the day to "legally get married" was through adoption... Anyway I like BruDick when I see it because it just works Dick understands Bruce in a way no one else ever will, he was the first one, the original, his grief and experience mirrors Bruce's in a way that makes them so similar and yet so different, he is the light at the end of Bruce's tunnel, and theres just so much that can be written about them, angsty or fluffy, whether romantic or platonic

Jason/Tim: this one I also understand, to an extent, Tim needs someone who cares for him, Jason needs someone who understands him, Tim looked up to Jason, not as much as Dick but enough, he wants Jason to come back into the family, wants Jason and Bruce to forgive each other, he sees the good in Jason when no one else does, hes stubborn in his desire to mend their relationship- Jason on the other hand once he stops trying to kill Tim actually genuinely cares for him in a way he doesn't for anyone else in the Batfam, appreciates Tim's knowledge and perspective and I do believe, I honestly am not too sure on this, but he works with Tim first before anyone else??? i'm probs wrong on that one but I think... anyway I do like their pairing- it gives a nice contrast and they usually tend to love each other wholeheartedly, almost obsessively in the fics i read, which they kinda deserve, someone who loves them so much

Bruce/Jason: this one I get, but only after the pit. They're two sides of the same coin, Jason is only more willing to go for the final step and Bruce isn't, theres just so much of their morals that collide and snap, this honestly could just be a fic/pairing i like because of the angry smut and all, but yeah i like them, I feel like romance between them would make it easier for Bruce to get his point across about why he can't murder and why its wrong, and also vice versa

Dick/Jason: the two oldest, the ones who dealt with Bruce's shit the longest. Idk but something about them, they had almost personality flips, Jason was the happy go lucky one, then he went pit mad and now hes angry and snaps and Dick was the angry one hell bent on vengeance and now he's smiling and happy and trying to keep the fam together and all that, idk jason would let dick be angry again if they're a couple and let him release all the pent up anger/repressed inside and Dick would cool Jason's anger, bring back the joy in him, etc etc

Bruce/Tim: this one I'm still a lil on the fence about, I like it because it offers another side of Bruce and Tim's relationship, and it adds another way for Bruce to show he does actually care and appreciate and love tim and wants him in his life, and its another way for tim to soothe Bruce and bring him back from the edge and etc etc... don't have too much to add bc again im on the fence but yeah

so those are all that i got for now, yeah hope that maybe explained things better, probably just made things more confusing but i just had to get it out at one point :p overall i steer away from batcest in my fics and dont like to use it like that, theyre family, brothers sisters, parents in my heart, but sometimes theres just scenarios where they fit better as romantic partners... anyway thats all

[kheta]

Soul-Swapped...Again?

I don't know how to make this coherent so just take this premise and all the chaotic associated sentences lol *Might be a bit confusing. But due to the time period, I'm refering to them as Cale and Rok Soo. No like Og!.... Cale is Cale, even if he was Rok Soo and Rok Soo is Rok Soo, even if he was Cale. Make sense?

Premise: Rok Soo and Cale swap souls with one another (temporarily) for whatever reason buuut. This happens after they have both already reconciled with living their lives as different people. And because neither one know how the other is leading their former lives, they just. Decide to revert to their original personas. Until things can be sorted out.

-They are both found out almost instantly.

-Raon is the only one who KNOWS who is in his humans body and even though he doesn't love it, he decides to help this human hide and find out a way to his original body.

-KRS, on account of also being a dad, takes to not babying or spoiling either On or Hong, because that's how he treats his niece. Unfortunately this unwillingness to spoil them (monetarily) and his compulsive need to make sure they are in reach of him clue the siblings on to him straight away.

-On and Hong decide its best to trust their little brothers judgement and don't tell anyone his secret. They also kinda like his head pats and the way he like to stroke and groom them for soooo long and that he'll actually play outside with them. (But they still miss their Cale, even if this new human is kinda fun)

-By the end of the week everyone from Bud to Hans and the Blue Wolf Tribe kids know that someone else is in Cale's body. Unfortunately they don't know who and they are unwilling to cross Raon to find out. Raon and his siblings meanwhile are viciously protective of the KRS, because he's nice and funny and is in Cale's body, they can't dislike him.

-Ron is instantly on guard and sends out so many bad vibes and thinly veiled threats. Choi Han needs to physically walk away, because he knows he'll do something bad if left with this stranger. Alberu actually does stop in to threaten this stranger. Lock is standoffish but non-confrontational and Rosalyn is purposely nice to uncover the strangers secrets. Vicross makes sure not to appear, because the kids will know his intent instantly. He also wants to hurt this imposter.

-KRS meanwhile is pretty nonchalant about the threats. He is a bit bewildered that they picked him so quickly though. It's kinda. Maybe. A little offensive? Like okay, the heroes and the Prince, fine. They never knew KRS when he was Cale. But Ron, Vicross and his dad? Knowing KRS isn't Cale after a week, meanwhile KRS has only been KRS for two years. What the fuck kinda logic is that? Oh well, not like KRS minds anyways. He needs to study with Raon Miru and Rosalyn. Things to do first. Not like he has times for stupid, pointless things anyways

-It takes Cale a little longer to be spotted. At first his team think maybe he's having a bad week. Even his niece thinks that, because he's not as thoughtlessly affectionate as usual.

-But a week turns to two and some of his team are mad because? Seriously? Near death attempts and two years of bonding and suddenly he regresses? Kim Min Ah and Jung So Hoon are a bit more sceptical. Because this coldness is just weird. The barriers that exist feel both alien and familiar.

-By Week two they've come to a weird, crazy conclusion that KRS has multiple personalities. Because anything else is just too weird and crazy. When they confront the 'Protector' with this knowledge, Cale figures it's easier to tell the truth. He likes to keep his cards close, so he just says he's close to KRS but he's not him and for whatever reason he woke up stuck in his body. He doesn't want to hurt the bonds KRS had created, he was just acting like the KRS he knew.

-Which brings me to: The vague way KRS and Cale talk makes their respective Found Family's have completely different ideas about the others identity.

-Everyone in LCF come to the conclusion that KRS is a child Cale picks up in the future, because he talks about being so close to Cale at one point in his life. And that he's just acting like how he thought Cale would act, based on stories. And he's just. Weirdly knowledgable about the Molans and the Henituse family and even the heroes, even if his knowledge is a bit skewed. And kinda paints them as scarier than they are? (The only other possibility based on his comfort level with Cale and the people who surround him is a future lover and they all point blank refuse to accept that) But it's nice to see Cale('s body) eating well and exercising and having a good sleep routine. If they weren't still immediately suspicious, they might think this kid would be a good, healthy influence on Cale. Privately, they wonder if the grounded, active way this man acted would help to make Cale more solid, more present and less likely to jump into danger. -On Earth, their whole Team thinks that Cale is some sort of jilted childhood friend who lost contact with KRS as he became apart of the Survival Forces. They are actually advocating for Cale to refriend KRS because KRS desperately needs a friend (or more~~❣️) outside of their team. And there's no way this smart, but truly lazy man could be anything but a good friend for KRS. He could convince their team lead to slow down and relax and actually indulge in things! Maybe then their Team Lead would be less of a freakin' pain.

-Niece!Jour (I can't find a name for her and I'm not gonna make one up) likes her Not-Uncle! He's super smart and he gets her presents just cause and only buys them the yummiest food. And he never tries to cook, which is good because Actual-Uncle is maybe. sorta. Not great at cooking? Like he can cook two dishes really well and he bakes one really nice biscuit but everything else is just kinda. Okay. So it's nice to have really, really yummy food in the house. And to have someone who likes sitting with her while she reads or watches tv, instead of trying to plan elaborate days out. Because she does like those day! But sometimes she just wants to watch her movies without pauses or finish a really good chapter without going to park.

-Raon likes to play 'tag' with his Not!Human and to receive actual smiles, not the scammer smile. He also loves being able to fly around with his Not!Human watching his cool new tricks and patting his head all the time and the Not!Human bakes really, really good jam and butter cookies and he's even teaching him and his older siblings how to make them. It's really cool.

-Rosalyn hates how smart this punk is, he knows things he shouldn't and he's obviously got some plan to get back to his proper body, if the journeys to different temples mean anything, but she can't tell what. He's evasive and infuriating because he doesn't lie. He just. Speaks weirdly around all topics. The only time he's sincere and talkative is around the kids. And he's never allowed near the kids alone after they figure him out, so it's not like he's just honest to only the kids. It's just. They're the only ones who can get a straight answer out of him and none of the kids want to interrogate him.

-I want some angsty scene where their true identities are revealed but also can't see the point? Because the only reason an identity reveal would happen would be to cause more drama/angst. And trying to get back to their own world after a truth reveal feels a bit?Futile and cruel? Like 'Oh you KNEW me, but idrc, I have a life I prefer that you are not welcome to and it's also in another world, bye ✨✨✨'

-A more satisfying ending would be them accepting that they are definitely not who they were and no matter how much they might enjoy some aspects of their old life (Cale the convenience and KRS the bonds he has/had) they ultimately have no role to play in each other's lives anymore. Maybe they write a letter to each other before the swap back? Where they both tell each other to cherish their family and either be more involved/take a step back from all the action so they can actually treasure their found family?

-I think it'd also be beautiful for maybe some people to reach a bit of a conclusion (looking @ u Molans/Henituses) on the identity of KRS, but ultimately doing nothing (like always 🙄) because the person they love and bonded with is not KRS. Not anymore. And they have not and will never force any version of Cale to stay somewhere he is unhappy. Because even if they didn't always love him in a way he could relate to, they had always and will always love him. But also, this end doesn't feel like it fits with the ending letter ting.

-Also while I'm adding random thoughts. Both found families are wrong. Cale and Rok Soo would be the worst influence for each other. They're both different flavours of neurotic control freak meets push over enablers. Like both are used to manipulating people for their own gain, they just go about it differently. And if they ever decide to fully trust each other? Chaos. Un. Mitigated. Chaos. I feel like they'd have the similar plans that they tell people about, all except for the last step since they both just randomly decide they are the acceptable casualty. And Cale will leisurely, with feigned reluctance, walk his way up to the sacrificial alter. And Rok Soo will be there already, determined and unrepentant. Cue spiderman meme.

[litrumi]

Dumb DayNap Thoughts #8

*Bit of a long one. Crafty is feeling quite glum, so Dogday volunteered himself and Catnap to put on a puppet show to cheer her up! (For some reason, this was the song I was listening to the entire time)*

Dogday, explaining everything to Catnap: I'll be the knight puppet. And... you can be the princess puppet!

Catnap, blinking unamused: ...I'm the princess?

Dogday, just trying to be cooperative: Er... I mean, it doesn't really matter to me, you know.

Crafty, meekly observing as the only audience member: U- Um... You two don't really need to go through this much trouble for me...

Dogday, obliging to Crafty: Nonsense! Just sit back and relax! Enjoy the heart-warming story!

Dogday, smiling at Catnap: Here. I'll be the princess then! Just follow the script, okay? Ahem...

Dogday, narrating: The knight sets off on his grand journey to rescue the beautiful princess!

Catnap, lingering on the idea of being 'rescued,' suddenly changing his mind: Wait... I want to be the princess then.

Dogday, internally sighing, but being patient: Catnap... Please, just pick a puppet so we can start.

Catnap, childishly: Don't rush me!

Catnap, thinking about it seriously: Hm... Which will be the most fulfilling and satisfactory role for me...?

Dogday, reminding him: ...Try not to forget that we're doing this for Crafty.

Dogday, thinking about the cat's ulterior motives: Either way, we're gonna kiss at the end, so-

Catnap, embarrassed: I- In front of Crafty?! How bold have you gotten?! That's indecent!

Dogday, clearing up the confusion spontaneously: Not "we" us! I meant with the puppets! Geez...

Catnap, thinking about it some more:

Catnap, slightly offended: Wait... why NOT "us"?

Dogday, getting a little irritated by this point: Which is it...?! Are you mad about kissing or not kissing?!

Catnap, quietly brooding, but still passive-aggressively: ...Doesn't matter to me.

Dogday, seeing through his lies: It so does! Ugh... Just stop getting jealous of some silly puppets...

Catnap, defensively: Who's getting jealous?!

Dogday, shouting: You! Seriously?! Why are you so jealous of some inanimate objects?!

Catnap, rolling his eyes and crossing his arms: Oh, you're one to talk...

Dogday, his face is now bright red, steaming: W- What does that mean?!

The two continue to bicker like an old married couple. Crafty is still sitting quietly the entire time. But she begins to smile as she listens to them, forgetting the weary thoughts that were bringing her down. Unintentionally, they were doing a great job with distracting her busy mind. And she really appreciated that.

She won't ever forget this.

(Bonus)

Dogday had no other choice but to play two roles, the knight and the princess puppet. Catnap was saddled with the monster puppet.

Dogday, dramatically as the knight puppet: Don't worry, my galaxy! I will smite this monster and rescue you!

Catnap, half-heartedly, as the monster puppet: It's either you or me.

Dogday, also dramatically as the princess puppet: Oh, my brave knight! I cannot wait to run away with you and get married!

Catnap, getting jealous of the plot:

The cat then very quickly makes the monster eat the princess puppet before anyone can register what even happened.

Dogday:

Dogday, upset: Wait! What're you doing?! This is supposed to have a happy ending!

Catnap, trying to hide his bitterness and not succeeding at all: Then let the knight and monster fall in love if you want a happy ending so badly...

Dogday, flustered: Stop being ridiculous! This is just pretend! Pretend, I tell you!

Crafty, silently watching and feeling awkward, like some kind of third wheel:

Now she REALLY won't ever forget this...

-

[lustfulslxt]

Hii! Would you be willing to write a part two of “polaroids” where matt finds another polaroid of the picture without her face showing and is like “damn chris shes hot” and he gets jealous and realizes hes in love with reader and asks her to be his gf and when she says yes he takes like a candid polaroid of them

Polaroid Pt. 2 - Chris Sturniolo

warnings : suggestive ?? mentions of sex and masturbation

Polaroid Pt. 1

—

Chris’ POV

I was currently getting out of the shower, drying off when I heard the front door slam, indicating Matt and Nick were now home. They had just gone to the store, so I used the free time to get myself off.

I loved beating my dick to the polaroids of Y/N. She was so fine and yummy, she just looked so amazing all of the time. Sometimes I get hard at the simple thought of her. Thinking about her makes my stomach twist, an unusual feeling brewing inside of me.

Wrapping a towel around my waist, I make my way back out to my bedroom. Without paying much attention, I head to my dresser to grab boxers.

“Who is this girl, Christopher?” Matt’s voice calls out, making me jump in fear because I hadn’t realized he was even in the room.

I look over and noticed he was going through the small stack of polaroids I had taken of Y/N. My eyes widened in panic, realizing that if he continued, he would come across some with her face revealed. I quickly ran over to him and snatched them up, holding them against me.

“Jesus kid! Chill out would you? She’s hot as fuck though, I’d smash.” He grins, shrugging nonchalantly.

“Can you fucking not? Why do you have to be weird as fuck about it?” I retort, now feeling quite a bit annoyed.

“What the fuck’s your problem? I thought you said you just got them with merch?” Matt asks, eyeing me suspiciously.

I felt my ears getting hot, now being put on the spot. I wasn’t sure what to say, but it was clear that my previous explanation was a lie.

"I did. They came with my black playboy shirt." I continued the lie, hoping he would buy it.

"Then why are you getting so bent over them? So what I think she's sexy? You don't even know her." He says.

"She's mine!" I bite back, feeling even more frustrated with him.

"Chris, who is she really?" He asks again, staring at me expectantly.

As he just looks at me, waiting for an answer, I can't help but let my thoughts run. Why was I getting so mad over this? Sure, it's annoying, but it's more than that. The thought of anyone wanting Y/N made me sick to my stomach. I didn't want anyone to have her, I wanted her all to myself.

I want to be the one to make her smile. I want to be the one to get to listen to her laugh at all hours of the night. I want to be the one to buy her gifts and take her on dates. I want to be the one to make her cum and have her moaning my name. I want to be the one she loves, like she's the one I love.

That's when it dawned on me; I'm in love with her. I'm so mad about Matt being attracted to her because I'm jealous. I'm jealous because I'm in love with her.

"Hello? You've just had an epiphany." Matt states, waving his hand in front of my face.

"What?" I ask, confusion ridden in my entire facial expression.

"You just realized something. Don't even try to deny it, it's written all over your face. What is it?"

After a pause, I couldn't help the smile that turned my lips upright, "I'm in love."

-

It's been two days since I realized I was in love with Y/N, and she was currently on her way over right now. I was a little nervous if I was being honest. I planned on asking her to be my girlfriend today, I even got her flowers just for it.

Matt was able to pry out the truth from me, so he now knows about me and Y/N. He immediately stopped with the remarks towards the polaroids of her, and he promised to keep our secret. I didn't want anyone knowing anything yet, in case everything went sideways.

Part of me was terrified that she didn't feel the same way as me, but the other part was convinced she couldn't fake things between us. I just hope that part was correct.

A couple of soft knocks pulled me from my thoughts. As I looked up to my bedroom door, Y/N came walking in. She looked stunning. Even though she was in sweats and a hoodie, she still looked breathtaking, and I couldn't get enough of her.

I walked over to her, admiring the bright smile that rose to her lips. I sighed, pulling her into my arms and resting my cheek on her head. She immediately melted into my embrace, making me feel warm inside.

"Hi, love." She greets, her words muffled into my chest.

"Hey, princess." I respond, planting a small kiss on her head.

I knew it was about that time; I have to confess my feelings for her. It was making me so nervous; I could feel my heart beating slightly faster.

"I missed you." She said, breaking away from our hug, before standing on her tiptoes to plant a soft kiss to my lips.

"I missed you more." I smile at her, before my eyes flicker to my dresser. "I, uh. I actually got you something."

"Oh really?" She questions, surprise evident on her face.

I nod, stepping around her and grabbing the bouquet of assorted flowers from the top of my dresser. I turn around with my hand held out, holding them in her direction. Her eyes widened as she took them in her hands.

"Thank you." She smiles, smelling them. "What are these for though?"

"About that.." I trailed off, now feeling more anxious than ever.

"What's up, love?" She asks, encouraging me to speak to her.

"Well, it's a funny story actually." I say, chuckling in an attempt to hide my nerves. "Well, you see, I'm in love with you."

When she stares at me with wide eyes, I swallow my pride and continue, "We've been messing around for a while now, but I've only just realized a few days ago that I don't want to just mess around. I want more with you, I want it all with you. And I never want to be without you. I don't mean to sound like a cornball, but it is what it is. I'm in love with you, kid."

By the time I finished talking, she had a wide smile plastered on her face. She placed the flowers back on my dresser, then swiftly pulled me into her as she pressed her lips onto mine.

My stomach fluttered with butterflies, finally fully accepting what was. We moved in perfect sync, nothing but love and passion between the both of us. We’ve kissed a million times, yet this was by far the best. It held everything in it.

She pulls away, her cheeks growing rosy as she bit her lip. “I was waiting for you to say that. Because I’m kind of like in love with you too.”

“Does this mean I can be your boyfriend then?” I ask her, a small smirk laying on my lips.

She shrugs, “I mean, I guess.”

Happy and joyous laughter escaped both of us as I pulled her into my arms. I couldn’t help but spin her around, incredibly eager to be able to call her mine. Once we pulled away from one another, she quickly grabbed the polaroid camera that was placed on my dresser beside the flowers.

“Shall we take a photo to replace the one in your wallet?” She asks, her lips holding a wide smile.

“I don’t know about replacing it, but we can definitely add to it.” I chuckle.

She grinned, hanging the camera to me. I pulled her into my side and brought her face to mine. As our lips met, she placed her hand on my face and I held the camera out and snapped a photo. The sound of the film printing rang through the air, yet she didn’t pull away. Instead, she deepened the kiss. After a long minute of passionately kissing, she pulls away yet kept her face right in front of mine.

“I do love you.” She whispers, as if to reassure me.

I give her a nod, the smile on my face unwavering. “I love you so much more.”

—

a/n : not proofread! this was so sucky and short and rushed and i don’t like it.. but anyways, i hope you guys do lol! send in more reqs 🫶🏼 &&& don’t drag me into drama bc i hurt feelings over here 🥰