#i'm not here for the island

[lovecatsys]

your older brother that you've only met once before on the battlefield creeps up behind you while you're on top of a building on a mission and hunches his shoulders, sprawls his fingers and gives you a maniacal, shit eating grin, wyd

[theboxfort]

Roulette dealer

I'm so proud of these silly logo pixels, of course I'm going to show it off here

[fizpup]

some butterfly island ponies 🦋 (the best my little ponies ever created)

[jojolightningfingers]

i truly truly will never stop being tickled by how law's braincell count just plummets into the negatives whenever he's around luffy and kid SPECIFICALLY at the same time. like if it's one or the other he copes more or less just fine. kid's a shit-starter but he's predictable and easy (and fun) to rile up. luffy runs on baffling logic but he's fundamentally easy to get along with so long as you maintain your zen and understand that he usually doesn't MEAN to get under anybody's skin. separately they aggravate law in different ways. but when they're together kid's penchant for starting dickswinging contests (or inability to not take the bait of one) collides with luffy unhesitatingly answering with a one-up that no sane person would conceive of and what the hell is law supposed to do against THAT fuckin wombo combo. get left behind and called a bitch for it? not goddamn LIKELY!!

[breezy-cheezy]

Wow, October's over already?? Ok here's not-whumptober art LMAO

Cute lil Sanji from my read-through of One Piece that I redrew and colored :> (it's my discord PFP now) It's also getting heckin cold where I live so I felt this was appropriate to share, whew...

[pyotrkochetkov]

Mat Barzal in Ethan Bear's wedding video

[average-riot]

Piece I did for a fanfic I'm writing called Fire in Cairo <3 It's still not out but I'm jus so proud of this piece so I had to post it cuz gosh...

[hrokkall]

Minos and Sisyphus Prime but they're both core files from hit 2016 game Pony Island

[smile-files]

not gonna go in depth on my feelings about the finale right now... i'm just so happy for cabby!! :)

[lovecatsys]

when Akihiro asked Laura why she limits herself by caring about others and she in turn asks him why he limits himself by not caring...

[mcqraw]

[loudlittleecho]

Danny Phantom Prompt: Too Late to Save Them

Ok! There are similar concepts floating either around here or AO3 (or both), but I haven’t been able to find this particular angst path. (Though I’m sure it’s around)

So!

Canon Divergence After TUE (The Ultimate Enemy)

Danny fought his evil self, but was too late to save his family. Clockwork didn’t reverse time to save them— they were always meant to die. It was their “time.”

-------------

“NO!” 

Danny was flown backward from the explosion, his body hurtling along with the rubble. 

The rubble. 

When the dust settled he heard sirens in the distance. Saw. . . a torn red beret beside his foot.

Tucker. 

Sam. 

His. . . 

Family. 

Distraught, confused, exhausted, Danny notices a woman crouched down beside him. She’s speaking to him, but he can’t hear her; there’s a dull buzz all around him, and the world seems more. . . narrow. It’s hard for him to focus on what he’s seeing. 

And then she. . . freezes. 

The world freezes in time. 

The ghost, Clockwork, is floating behind her. He has his hand out, waiting for something. His expression unreadable, but Danny understands. 

His fingers lightly grasp the thermos holding his future self. As though in a trance, he lifts it up to Clockwork. Gives him the thermos. 

Clockwork accepts it, continues looking at him impassively. 

Resumes time. 

. . . 

The days go by. He is released from the hospital in the care of a caseworker. She is talking to him gently, but he doesn’t hear what she’s saying. 

He's had many people talk to him, so many people gazing at him with pity. He can't be bothered to care.

He is led to a car, someone buckles him in. The car begins driving, and soon is parked in front of Fenton Works.

His home. 

The caseworker is saying something. . . Something about his aunt Alicia. He ignores her, walking into the house. 

Into the lab. 

He hears her scurrying after him.

Ignoring her cries of alarm, he goes into the portal. 

… 

He floats in the ghost zone. A few ghosts attempt to banter with him, push him around; but noticing his non reaction, leave him be. 

He can’t go home. Can’t go to Vlad. He has to keep his humanity to prevent becoming a monster. 

But how can he keep what he can’t feel?

He’s lost them all.

But he can keep his promise. 

“Don't worry. I won't turn into that. Ever. I promise.”

He floats further and further into the ghost zone. 

[theboxfort]

Zoo trip with Death Pact!

[raconteur-wanpi]

Time to defend Reiju again because sometimes I feel like people have a misunderstanding of her character and even what Sanji thinks of her.

I love looking back at the source material because it's always a good reminder of what the characters actually say, feel and do.

Immediately you can tell she trusts Sanji so much, she tells him "I know you wouldn't lie to me". She trusts him with her life. At this point she's even supposed to still have her cold facade, but she lets that kindness towards him "escape" from her mouth.

I've seen some people even say that Reiju's kindness only extends towards Sanji, but she so clearly despises the fascism and violence of Germa with her whole being. This scene is not just her being suicidal, she thinks Germa shouldn't exist. Sanji's reaction to the idea of her dying is immediate as well! He's extremely upset at the idea of her getting hurt.

And when he's worried about her, she dismisses it. It's so easy to misread the middle panel as her saying "oh Sanji, I fooled you into thinking I care about you", when what she's actually saying "I'm not worth your kindness". She's not trying to be cruel towards Sanji in this scene; she's trying to be cruel to herself. She doesn't see herself as worthy of any love, concern or praise from him.

Once again she is sacrificing herself for him. Again and again, the only thing she cares about is his safety. Telling him to be with the people that are free to openly love him and take care of him. She doesn't care about what happens to her. She never partook in the cruelty towards him out of any agreement with the rest of her family. It was always fear and self-preservation that motivated her, and it's apparent how much it haunts her and how much she regrets every second of it.

She also doesn't blame him for Sora's death in the slightest! The moment Sanji even thinks about it, she shuts it off immediately. It was Sora's decision, her strength, her choice, her power. Reiju doesn't want anyone to take away that from her mother. She respects the little agency that she had. After all she wishes she was capable of such disobedience and rebellion towards her father. She sees Sanji as the gift Sora left to her and to the world, not as the thing that took her away. And she clearly wants Sanji to feel the same way.

The juxtaposition of "Sanji's a worthless failure" from the rest of their siblings to Reiju saying 'of course you're not a failure" hurts so much. She used to pretend to agree with the rest of them as a kid. She'd call him a failure in front of them. This is her admitting she never, ever meant it or even thought it. This is the closest her emotionally constipated ass can get to an apology. She's telling him to his face how she really feels, that she didn't mean it. She cries! She cries while she tries to hold it back, this is how much she cares about him! She's telling him how much she appreciates his kindness, but also how she doesn't she herself as kind like he is.

Again, telling him to run away. She's not worthy of mercy in her eyes. And Reiju here not only rejects Germa's fascism, she also shows a really good understanding of how it works. Glorification of an imagined past is the first telltale sign of the ideology. She is very clearly both emotionally and intellectually opposed to the ideology itself, not just Germa's tangible actions. She sees all of it as a plague.

And here's the part that frustrates me the most when it comes to people misremembering or misunderstanding canon: Sanji absolutely does not group her with the rest of his family. It's text, he says it right here! "I have nothing but hatred for them, but why you? Why do you have to die?!".

Every time Sanji rejects his birth family, this panel makes it clear to me that he understands that Reiju hates them just as much, that she is a victim of the same abuse. He is not including her. It's normal for him to have conflicting feelings toward her, don't get me wrong. He doesn't seem to trust her at first, especially when she puts those handcuffs on him. I don't think that he doesn't have feelings of discomfort about how she was forced to treat him in the past. He obviously does! That's normal! But that doesn't mean he doesn't understand why it happened. He can feel upset and recognize the situation at the same time, those aren't contradictory. He absolutely does not see her as or include her within the rest of the Vinsmokes.

It's interesting to look back at Arlong Park and see the way Sanji talks about Nami being forced to act cruel and lie about who she is, presenting herself as a monster. He immediately recognizes that sort of behavior. He understands what young girls often have to do to escape the violence of men; he saw it with his own very eyes with Reiju. And like Nami, she sees herself as someone who has to hurt and isolate and self-sacrifice for the safety of those she loves. Hell, Sanji does the same thing! This is probably the moment where he realizes what he looks and sounds like to the Strawhats during this arc, what self-sacrifice looks like to those who love you. It's probably part of the turning point for him to decide to go where Luffy is waiting for him. He finally got to look at the situation from Luffy's eyes.

It hurts. She's saying "leave me behind" again. Like you did those 13 years ago. You were able to find the people "out at sea" I promised you that you would. Maybe they can love you for me, in my place.

And he knows it. She's not the same as the rest of them, she never was, and she never will be in his eyes. She's his mirror. She's who he'd have to be if he was forced to stay behind. He understands.

[sadamitusw]

I'm deeply in luv with Alejandro's design in this AU, such a delightful look!!

all designs credits to @khookn (such a sososooo pretty arts tho!!!)

his design makes my braincells happy

[secriden]

love sea episode 2 rewatch thoughts:

in hindsight, this opening should've clued us in that this episode was going to be horny as fuck.

ok so if episode 1 was about establishing mahasamut, i think the purpose of episode 2 is really to give us a much more nuanced introduction to tongrak. what's fascinating is that the show chooses to impart this insight to us through a rather unusual medium: sex (and, specifically, tongrak's attitude about sex).

we open with kinky kinky beach sex and it tells us that tongrak is impulsive, hedonistic, and tends to give into the emotions of the moment (something that, as the series develops, he does with increasingly self-sabotaging results; eg. when he lashes out at mahasamut after the 1st run in with prin or when he runs off to appease jak when he gets fearful in episode 9).

it also tells us that tongrak is very comfortable with his physical wants and needs. sure, mahasamut kinda flusters him because he awakens desires that are more intense than he's is used to, but tongrak's still grounded enough in his sense of self that he can roll with it pretty quickly and becomes an active, willing, even enthusiastic participant. (it's not going to be his physical desire that drives a wedge between them; its going to be the emotional connection that ends up being terrifying to tongrak.)

this episode also lays a ton of groundwork to set up why and how intensely mahasamut and tongrak are drawn to each other.

a lot of it, early on, is purely physical.

mahasamut and tongrak clock that they're compatible in their (D/s) kink immediately and they embrace this with gleeful abandonment. other people have made this point a lot more clearly than i could ever hope to (see @williamrikers excellent analysis of mutrak's kink dynamic), so i won't belabour the point, but i would like to point out how thoroughly the show wants the audience to know that these two are a perfect match physically and sexually (specifically with their particular kinks) and that they are incredibly comfortable with that.

(an aside: one thing i adore about peat's portrayal of tongrak's submissiveness in the beach scene is the way he starts out being the initiator in the kiss - in the gif above, it's tongrak that grabs mahasamut and yanks him into the kiss at first - but once its clear that mahasamut is on board, tongrak is almost constantly angled up, head tipped back, responding to mahasamut's cues but making no attempt to direct whats happening. there's so much surrender in the pliant way peat holds himself as they kiss and the way he goes from pulling mahasamut into the kiss to just clinging to his torso as he lets mahasamut take control. even when he reaches for mahasamut's dick, the second mahasamut pins him down and gives him an instruction, tongrak makes no attempt to redirect and just goes with what mahasamut wants. there's just such great detail in this portrayal of surrender.)

but what makes this encounter different (from the many, many other ones they've both had) is going to be how neither of them were able to keep this connection as purely physical for very long. (this is what episode 3 is for, though, so lets put a pin in that thought.)

back to insights into tongrak's character: we also get an escalation/confirmation about how tongrak views sex (and relationships) as purely transactional. tongrak's entire backstory is grounded in the idea that 'everybody has a price' because that's what his parents showed him. to tongrak, every human interaction is about finding the right things to give (usually money in his case) to get what he wants and this has allowed him to rationalise that feelings and emotions (both his own/the other person's) don't matter.

tongrak firmly believes that as long as he's offering something of sufficient (monetary) value, he's perfectly within rights to demand what he wants without consulting mahasamut's feelings, wants, or thoughts about the matter. in fact, he thinks of mahasamut as kind of an object for his sexual gratification and/or convenience. this is why he feels no remorse about kicking mahasamut out after they have sex even though mahasamut clearly wants to cuddle/come down from the physical high together. the next morning, it never pings to him that he should be guilty about how he treated mahasamut.

(look at his face. he's such an entitled diva. i love him so much.)

not only is this attitude - in reality - a very inaccurate way to view human beings (because as a species we are creatures very much led by our emotions), but it is the source of tongrak's own dissatisfaction and unhappiness. he never acknowledges any of his own emotional needs and so cannot manage or address them in a meaningful or healthy way.

so to summarise tongrak understands and is comfortable with his physical desires but does not know how to even acknowledge his emotional ones whilst impulsively being led by them in the heat of the moment: already we can see that this is a recipe for disaster and tells an unspoken story of pain and trauma.

(i also want to mention how well mahasamut continues to respond to tongrak's specific brand of caustic entitlement. he doesn't bother making a big deal about tongrak throwing money at him, but he also never names a price for his 'services' either. he blatantly refers to tongrak as his "owner" but also makes it clear that it's not tongrak's money that's keeping him around, but rather mahasamut's own desire for tongrak. it's like he'll act in tongrak's play but he won't quite stick to the script either. its so, so effective because he doesn't trigger tongrak's fight or flight response but he's still undermining and proving tongrak's assumptions wrong at every turn. this is what allows mahasamut to worm his way behind tongrak's walls whilst simultaneously chipping away at them.)

one last little bit of (this time non-sex-adjacent) insight into tongrak: he has a great capacity for compassion. (which will, eventually, turn into love.)

mahasamut, at this point, is mostly just an incredible lay to tongrak. but already he shows care and concern for mahasamut that's separate from what he can offer tongrak. he's concerned at a (relatively minor) hint that mahasamut has been mistreated in the past and then again concerned that mahasamut will suffer the repercussions of any hit to his reputation. [note: this is informed by a backstory regarding homophobia on the island that's from Khom/Connor's story in Love Sand, but even without that insight we can see tongrak's concern is for mahasamut.] (again, this is something the show is setting up to callback to later when tongrak gets offended on mahasamut's behalf when he thinks the waiter made fun of mahasamut.)

these little glimpses give us such a contrasting perspective on tongrak compared to episode 1, where he was mostly just a rich, entitled, and fairly unlikable character. we're being shown that what we've seen so far is really a mask as tongrak's true character slowly starts bleeding through as he has more interactions with mahasamut.

and then the episode closes on heartbreak: You're aware aren't you? Love is just a figment of our imagination.

tongrak's expression right before he says this is filled with resignation and disappointment. he hates that he has to say it but he feels its his duty to burst mahasamut's bubble. he genuinely believes this and so to him he's just doing mahasamut a favour by telling him a Truth about life. for us, this is the final crack in the mask and we see just how lost and fragile and hurt tongrak truly is.

(and the way peat sells this part - the cold almost clinical look in his eyes when he says the line. the tiny pout of his lips like tongrak can't help but feel sad about it, even though he accepts it as reality. the cold, flat tone peat uses to deliver the line when tongrak's usually quite expressive and uses lots of inflections and intonations in his speech. ugh <3)

but this is also really important because this is why we, the audience, start to care about tongrak. mame takes us on this journey, sets us up to wonder why tongrak's the main character when he starts out kinda of awful and then shifts the ground out from under us by showing us his soft, wounded underbelly. we can't help but want him to be loved, now, and this is why we become invested in 'tongrak mahasamut'.