#i'm not good at explaining stuff
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egophiliac · 6 months ago
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ENG PLAYERS I BESEECH YOU
I have been informed that you guys are getting part 4 of episode 7 tomorrow, which means we are FINALLY going to get the official romanization of Revaan's name, somebody please tell me because I need to know what it is.
like, yes, it's probably just Revan/Levan, but look, I'm sitting here with my finger over the button of all these Laverne and Shirley jokes and just waiting for the opportunity to deploy them --
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another-whump-sideblog · 2 months ago
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I'm getting whumperflies from my textbook's chapter on behaviorism. The cold, calculated way it talks about behaviors completely separate from the person doing them and the emphasis on reinforcement and punishment are just so very whumpy. Generally it uses attention as an example of reinforcement, which leads to stuff like "it's effective to avoid eye contact and conversation while restraining a patient so that misbehaving isn't unintentionally reinforced through attention." Like that's one of the whumpiest things I've ever read and it's in a psychology textbook. Imagine a whumper just completely ceasing any eye contact or conversation while Whumpee is being punished because attention is a reinforcer
Behaviorism is so fucked up
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royalarchivist · 1 year ago
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Cellbit: Yeah, [Bobby is] our son.
Roier: What?
Cellbit: He's our son, no? Or not? Am I not?
Roier: I mean… he's already dead. [...] By the time we got married, he was no longer around. So in theory, in theory-
Cellbit: But in my heart, he is my son.
Roier: Oh, that's fine, in your heart, yes. In your heart, yes. But actually-
Cellbit: He could have been my son, he could have been.
Roier: But actually, he is my son and Jaiden’s.
Cellbit: Yes yes, definitely, of course.
Roier: [Smacks him] Exactly. Well, you're the step-father, you know?
[ Full Transcript ↓ ]
Cellbit: Hey Tina, have you met Bobby? I don't think you did, right?
Tina: I met him a little bit earlier, he's so cute!
Roier: Aww
Tina: I told him I like StarBobby.
Cellbit: Yeah, it's our son.
Roier: What? But-
Cellbit: He's our son, no? Or not? Am I not?
Roier: I mean... he's already dead.
Cellbit: That's true, that's true.
Roier: By the time we got married, he was no longer around.
Cellbit: That's true, true.
Roier: So in theory, in theory-
Cellbit: But in my heart, he is my son.
Roier: Oh, that's fine, in your heart, yes. In your heart, yes. But actually-
Bagi: Am I the auntie?
Cellbit: He could have been my son, he could have been.
Roier: But actually, he is my son and Jaiden’s.
Cellbit: Yes yes, definitely, of course.
Roier: [Smacks him] Exactly. Well, you're the step-father, you know?
Bagi: So I don't think I'm your auntie, sorry. Unless you want to!
Cellbit: Yes, fake dad, fake dad. Fake father.
Roier: But it's ok. It's ok.
Cellbit: It's ok, it's ok.
Roier: It's this dumbass' fault he died anyways.
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snapbackslide · 1 month ago
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happy october 🎃🏒 | 24.10.01
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cantdealwiththisnow · 8 months ago
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Part 1 - Appreciation post for all the TFP universe Autobot mugshot cameos (known and unknown) in RID2015 3x25 (even if the context is that they've been OUSTED against their will)
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heybiji · 6 months ago
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double life
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winds-of-zephyr416 · 23 days ago
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My dad just asked me where I post all of my art. My guy, no. No, no no no no no. You don't understand.
You do NOT want to see my tumblr man. I don't even draw NSFW I just don't wanna explain what angbang is to my very christian 49 year old father 😭😭😭
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simplepotatofarmer · 11 months ago
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that's so sweet ;__; i love him
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booasaur · 1 year ago
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The Wheel of Time - 2x06
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deoidesign · 27 days ago
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Someone killed my boss last night and he sent me this I'm so fired
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god I can't wait to make this comic.
#not me making a prelaunch link so I can share it on art of them that I do and then immediately being like hm#feels kind of weird to link a comic that doesnt exist yet#HAHAHAHAH#theres just no pleasing me#oh well I'll stick to my guns. I thought about it a long time#and doing things that feel weird is kind of the name of the game when it comes to making art#we were legion#zagan#this is so funny to me#its like not even that funny but#I love him. idk I think because I know what the comic is gonna be like stuff like this is 1 million times funnier to me#he sucks so bad and it would suck to read if he were the only one in the comic but because luciel is also there#then its just funny. cause juxtaposition#I love luciel too but theyre less good for standalone drawings and memes without comic context#so my brains like erm... theres nothing there....#also my tags are bugging out when I type them on the ocmputer idk how to explain whats happening but its kind of annoying#jumping around all over the place. makes it hard to read while I'm typing them. its fine#if theres typos its cause somethings going weird with my computer#lately when I've opened firefox its just shaking all over the place#til I alt tab out of it and back to it. I have straight up no idea why#and my internet has been bugging out. the LAN connection keeps flickering and then going out...??#YES I switched the ethernet cable connecting the modem and the router NO I dont know whats going on#I dont wanna deaaaaaal wiiiithhh customer serviceeee its fine. I'll do it later if switching the coax cable doesnt help#uh. anyways none of that matters cause I can still make my fuckin comics babeyyy#as long as I've got my comics. I'm good. though it is annoying when I cant look up references or spelling of words cause I do that constant#but its fine!#love I can draw without internet I dont even notice when it goes out sometimes aughajkghagj#anyways I'm super excited about this comic and if you're intereted theres a presave link now so#yeay#I'll post places other than webtoon but I'm just doing webtoon early so TTA readers can switch over easier
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cfffrk · 6 months ago
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WW2 AU
PART 1
(+2scetches)
One September day, B. Wooster found out about Jeeves' disappearance from Aunt Dahlia's telegram.
Early summer of 1940. Bertram Wooster was completing his studies at an aviation school. At the same time his faithful valet, Jeeves, temporarily went to the service of the already mentioned relative at Brinkley Court and became the second jewel in the staff of servants besides the highly talented cook Anatole.
Due to the straitened financial situation of Uncle Tom, who complained more and more about the increasing taxes, the dearest aunt had to take forced measures and fire a few servants. She wanted to make a small sacrifice, and it might have been enough if one day her stingy husband had not cut the already small wages of the remaining servants. Many of them had applied for dismissal after that, and they were quite understandable.
This radical decision, although to a lesser extent, also affected Jeeves. Nevertheless, he continued to be a professional. He fulfilled his basic duties and often helped her, and her old friends get out of troubles.
Within a few months of Jeeves' work, they had become friends. Bertram almost felt like a third wheel in this idyll when he came to visit and boast of his achievements. Aunt Dahlia treasured her new valet and his unrivalled intelligence, and often jokingly promised in letters to her nephew that Jeeves would be returned safe and sound.
That was why she was seriously worried when Jeeves went missing. One clear day in early September, an elderly relative had let him go to London on his own business. In addition to this, it was Jeeves' duty to check on their good old Berkeley Mansions flat from time to time and keep it clean, so he planned to finish his business by evening and stay in the city overnight. He was supposed to return early the next morning. But that never happened. Not in two days. Not in three.
That night London was bombarded.
Something seemed to snap and collapse inside Bertie when he learnt that the search for Jeeves had been fruitless. Neither his relatives nor his club could shed any light on his mysterious disappearance.
The dark thoughts from which Bertram had fled during the day caught up with him at night. He would toss and turn on the hard bed, thinking of Jeeves's fate and replaying happy memories of their past, and in the daytime, tired and broken, he would give his duty to his country.
The whole situation seemed strange and unreal to him. The only thing that was found out for sure was that no one appeared in the apartment that miraculously survived the monstrous raids that day. It was dusty.
A couple of months had passed since the tragedy that divided Bertie's life into before and after. The war continued. He was learning to adjust to his new reality.
Sometimes he managed to carve out some free time and pop into London for a bit. The city where he had lived more than a third of his life was in ruins. The familiar places where he used to meet his friends and have a good time were empty.
Your humble servant avoided going into that very flat. There were too many vivid memories of that place, which painfully and mercilessly squeezed Bertram Wooster's poor skull. Indeed, the most precious person in his life had been living at his side all that time.
But still, as the sole and responsible owner of his property, he had to overpower himself. He had to go in and make sure that everything was all right. And one such day Bertie found himself there, in their former cozy home.
He walked in and looked around the living room: a layer of dust covering almost everything, furniture wrapped in covers, and only a few of his own things that he had left or forgotten here. The piano was covered with a cloth. Unbearably quiet and lifeless. There was nobody else to keep order here, nobody else's hand to create the home comfort. Sorrowful feelings pressed upon his chest.
He looked all over the flat. Almost all of it. There was only one room left to check.
After a moment's hesitation, Bertram pulled himself together and went into Jeeves's room. He had only glimpsed it from inside before. It was modest and not as spacious as his bedroom. Wooster sat down on the perfectly made bed, looking at what little was left of his dear friend, guide, and philosopher. His eyes rested on the various books dusting the shelves and cupboards.
He recognized one of them. It was the volume of Spinoza's writings he had given Jeeves for his birthday. No doubt Jeeves had read it all. As the rest of the books in the room. Bertie remembered his politely grateful smile and how he had clearly decided that this fellow deserved a whole library of those Spinozas.
He got out of bed. The code of the Woosters did not allow him to touch other people's things (even if those things belonged to a man who might never come back into his life), but something outweighed the young master's unwavering principles that day.
He didn't even notice how he left the flat with the book in his hands.
Of course, this sort of talisman invariably occupied a place in his suitcase. Though he had endeavored to handle the book with care, it had become tattered with the passage of time. Bertram often held it in his hands, flicked through the pages, ran his eyes over the neat pencil notes of its former owner. It calmed him a little in the most difficult moments of his pilot practice. He didn't understand anything about philosophy, but he treasured this book too damn much.
When they reunited, they were about a year away from the end of the war. The house with their previous flat was in a state of emergency damaged by the recent bombing raids, so Jeeves looked for a new flat for them while his employer was still undergoing treatment.
It happened some time later after their move-in. Jeeves was doing his household chores while the young master followed him around and chattered about anything that came into his head. It would have annoyed anyone, but not Jeeves.
You see, he had been abroad for a long time. However, he was not on holiday. Against his will, he was assigned important tasks and missions which he had to fulfil if he did not want to lose his freedom, his successful career, his reputation, his family, and friends. The special promise of making one particular person's life unbearable also left him no choice.
Every day, Jeeves felt like he was sitting on a powder keg: at any moment, a surprise inspection could come through the doors of his headquarters. A highly undesirable event for a man who kept fake documents, weapons, and encrypted data transmission devices in his flat. But all possible escape routes had been carefully worked out and memorized: Jeeves was always prudent. Otherwise, he had to have time to take a special pill before he found himself tied to a chair in a small interrogation room.
Keeping his charm and politeness, he was effective in getting the right information from the right people. His knowledge of psychology and accumulated experience of working with people helped him in this.
Jeeves' missions were rarely close to failure. His life depended on it.
The slightest mistake could have been fatal to him. Of course, he had learned much about the country during his training to pass for a typical Frenchman. His French had been practically flawless even before, which only made his life easier. But still somewhere in the back of his mind was the fear that he would be exposed for the smallest inaccuracy.
Jeeves lived under a false identity with a fake life story. He changed outwardly and inwardly. His gait, the way he spoke, his body language, his facial expressions. He had complete control over his body. Especially his gaze, which could tell a lot about his thoughts. It was exhausting.
After a long time of living in this way, he began to have trouble sleeping: he slept very little and sensitively or could not fall asleep at all.
He rarely had any dreams during the restless hours when he was able to fall asleep. Sometimes he had nightmares. But they were not about him. They were about Mr Wooster. Same scenario: church, flowers, closed coffin. Then it would slowly open from the inside. And Jeeves would wake up in a cold sweat.
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On sleepless nights, he was also tormented by thoughts of his former employer. Where was he now? Was he all right? Was he even alive? How did he feel about his disappearance? Would he want to see him again...?
Jeeves felt his mind, which he relied on in the most critical situations, begin to fail.
Meeting his employer again and doing the household chores for him, he felt himself slowly getting his head in order. He was enjoying the much-anticipated company of Mr Wooster. It soothed him and made him feel at home.
Jeeves opened the closet to put the ironed clothes in it. The young master standing next to him had been lost in the chatter and missed the moment when he should have pulled him back. In the next moment Jeeves had pulled the ruined book out of the wardrobe the same way as he pulled out foreign clothes. By the title of the book, he thought at first that his master was interested in serious literature. But on closer look and leafing through the book, he realized that it was his own.
Bertie watched it silently with his eye wide open. He couldn't just get rid of it, but at the same time he was ashamed to return a book in such a terrible condition to its owner. He planned to buy the exact same one soon, but until then, this volume of essays would be safely hidden away. But here his innocent secret was revealed. Jeeves looked at him with a silent question in his eyes.
He tried to justify himself, but this particular Wooster was a bad liar. Especially when the pent-up feelings were starting to overwhelm him. Jeeves often let his employer fool him about little things, but they both knew very well that it was actually impossible to do this. A couple of precise laconic remarks and B. Wooster found himself disarmed. He took a breath of air and began to speak.
Jeeves listened patiently to his poor master with a mask of calmness pulled over his face and dared not interrupt.
He was sorry. He was deeply sorry for the pain he had caused Mr Wooster and his dear people by his forced departure. However, Jeeves spoke little and reluctantly about what he had been doing in recent years and did not tell anyone about the very reasons for his disappearance. This information could have caused a lot of trouble.
And Bertram realized it. His Jeeves could not just disappear for no reason, he was sure of it. But sometimes, in the deep sleepless night, a wild guess would cross his weary mind. What if Jeeves had run away, had simply abandoned him? Of course, Bertie had scolded himself for such thoughts in the mornings then. And today when Jeeves prepares breakfast for him, reminds him to take his medicine, and helps him to dress, that idea seems to him on the verge of sanity. But then he was quite capable of finding irrefutable evidence in all sorts of little things. At that time, he did not know what to think: the search for the injured had ended, Jeeves remained on the list of missing persons.
Bertram stood before him and could find no more words. But words were no longer needed. Jeeves looked at him with bright, penetrating eyes and the silence that settled in the room was filled with peace. Jeeves was truly touched. He felt a huge boulder fall from his soul.
It seemed now, as his employer lowered his head dejectedly and hid his wet eyes from him, they had the perfect moment to dot the «i».
It's been a long day.
Of course, this book stayed in their new flat and became a symbol of something important for them. Bertram, Jeeves' poor love, had indeed taken desperate measures then.
However, Jeeves pointed out that such measures would no longer be necessary.
For now, he would be there for him. He came back.
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13eyond13 · 9 months ago
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love it when a character that's hard to read intuitively for you has like a dedicated fandom interpreter who can just glance at their blank face in a panel and then give you a 3k word essay on their innermost thoughts & desires & fears and neatly tie it back into the themes & whatnot as if it's the most obvious thing in the world
#im talking about griffith btw#guts i feel i get intuitively - maybe because i have some personality traits in common with him#and we get more about his life concretely told to us in canon. so he is a bit easier to pin down as a character and feel attached to for me#but whenever i was reading the manga i just kept wanting more insight about griffith's actions and feelings#like ok yeah its fun to have mysterious antagonists and suspense /tension etc but its also fun to feel like you deeply understand them too#and i felt like that was a bit missing from him for me in canon#so reading about him in analysis and fics is the most fun for me rn#he always felt kinda half unreal to me- which maybe was the point of him - but i wanted a bit more about his childhood or something?#and wished we had more stuff explicitly from his pov in the story to read or explanation about his transformation or wtv#and now he's so much more closed off to me even than he was in the golden age. i keep waiting for him to explain stuff and he does not#ANYWAYS all this rambling to say some people out there are very good at interpreting him and making his like. insecurities#more obvious to me bc i didnt really get that side of him from canon intuitively well#also im really enjoying reading the first few berserk fics ive read#there may not be a ton of them out there but there is def writing talent in the fandom#i'll share some recs once i'm done sifting through most of what's out there to read#also (not to tie everything back to death note but it IS my home fandom after all)#i feel griffith is obvs the more light-like character here and L maybe a bit guts-like? but unlike berserk in death note#light is the one you get to know best and L is the mysterious / unreal one you don't get a lot of concrete insight into#and in the DN fandom I can read the more mysterious character intuitively but had to warm up to the less mysterious one instead#and the mystery of L makes sense to me and doesnt bug me as much due to like - he HAS to hide a lot about himself or else he will die lol#so some similarities there but also some opposite feels as well#berserk spoilers#p
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gloriousmonsters · 9 days ago
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me: yeah there's this site that lets you make your own perfumes and I used to do that a lot for characters
my straight male coworker who keeps inexplicably asking me questions about things: woah like how do you do that. how do you decide what someone smells like
me: well sometimes it's about what they'd smell like, or it's more to do with their personality and the notes that convey that
him: that's crazy. what if you made a perfume for Goku. what would goku be
me: I haven't watched Dragon Ball so I can only offer a very general idea
me: ozone and clean musk? he's a fighter and there's some kind of energy thing right. electricity is the closest our world comes to magic
him: ...you know I guess I see that
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gingermintpepper · 2 months ago
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hi, i haven't read the iliad and the odyssey but want to - do u have a specific translation you recommend? the emily wilson one has been going around bc, y'know, first female translator of the iliad and odyssey into english, but i was wondering on if you had Thoughts
Hi anon! Sorry for the somewhat late response and I'm glad you trust me with recommendations! Full, disclosure, I am somewhat of a traditionalist when it comes to translations of the source text of the Iliad + Odyssey combo wombo, which means I tend to prefer closeness in literal verbiage over interpretation of the poetic form of these epics - for that reason, my personal preferred versions of the Odyssey and Iliad both are Robert Fitzgerald's. Because both of these translations (and his Aeneid!) were done some 50+ years ago (63 for his original Odyssey tl, 50 flat for his Iliad and 40 for his Aeneid) the English itself can be a bit difficult to read and the syntax can get confusing in a lot of places, so despite my personal preferences, I wouldn't recommend it for someone who is looking to experience the Iliad + Odyssey for the very first time.
For an absolute beginner, someone who has tried to read one or both of these epics but couldn't get into it or someone who has a lot of difficulty with concentrating on poetry or long, winding bits of prose, I fully and wholeheartedly recommend Wilson's translation! See, the genius of Emily Wilson's Iliad + Odyssey isn't that she's a woman who's translated these classics, it's that she's a poet who's adapted the greek traditional poetic form of dactylic hexameter into the english traditional poetic form of iambic pentameter. That alone goes a very very long way to making these poems feel more digestible and approachable - iambic pentameter is simply extremely comfortable and natural for native english speakers' brains and the general briskness of her verbiage helps a lot in getting through a lot of the problem books that people usually drop the Iliad or Odyssey in like Book 2 of the Iliad or Book 4 of the Odyssey. I think it's a wonderful starting point that allows people to familiarise themselves with the source text before deciding if they want to dig deeper - personally, researching Wilson's translation choices alone is a massive rabbit hole that is worth getting into LOL.
The happy medium between Fitzgerald's somewhat archaic but precise syntax and Wilson's comfortable meter but occasionally less detailled account is Robert Fagles' Iliad + Odyssey. Now, full disclosure, I detest how Fagles handles epithets in both of his versions, I think they're far too subtle which is something he himself has talked at length about in his translation notes, but for everything else - I'd consider his translations the most well rounded of english adaptations of this text in recent memory. They're accurate but written in plain English, they're descriptive and detailled without sacrificing a comfortable meter and, perhaps most importantly, they're very accessible for native english speaking audiences to approach and interact with. I've annotated my Fagles' volumes of these books to heaven and back because I'm deeply interested in a lot of the translation decisions made, but I also have to specifically compliment his ability to capture nuance in the characters' of these poems in a way I don't often see. He managed to adapt the ambivalence of ancient greek morality in a way I scarcely see and that probably has a hand in why I keep coming back to his translations.
Now, I know this wasn't much of a direct recommendation but as I do not know you personally, dear anon, I can't much make a direct recommendation to a version that would best appeal to your style of reading. Ideally, I'd recommend that you read and enjoy all three! But, presuming that you are a normal person, I suggest picking which one is most applicable for you. I hope this helps! 🥰
#ginger answers asks#greek mythology#the iliad#the odyssey#okay so now that I'm not recommending stuff I also highly highly HIGHLY suggest Stephen Mitchell's#Fuck accuracy and nuance and all that shit if you just want a good read without care for the academic side of things#Stephen Mitchell's Iliad and Odyssey kick SO much fucking ass#I prefer Fitzgerald's for the busywork of cross-checking and cross-referencing and so it's the version I get the most use out of#But Mitchell's Iliad specifically is vivid and gorgeous in a way I cannot really explain#It's not grounded in poetic or translationary preferences either - I'm just in love with the way he describes specifically the gods#and their work#Most translations and indeed most off-prose adaptations are extremely concerned with the human players of these epics#And so are a bit more ambivalent with the gods - but Mitchell really goes the extra mile to bring them to life#Ugh I would be lying if I said Mitchell's Apollo doesn't live rent free in my mind mmm#Other translations I really like are Stanley Lombardo's (1997) Thomas Clark's (1855) and Smith and Miller (1944)#Really fun ones that are slightly insane in a more modern context (but that I also love) are Pope's (1715) and Richard Whitaker (2012)#Whitaker's especially is remarkable because it's a South African-english translation#Again I can't really talk about this stuff because the ask was specifically for recommendations#But there are SO many translations and adaptations of these two epics and while yes I have also contributed to the problem by recommending#three very popular versions - they are alas incredibly popular for a reason#Maybe sometime I'll do a listing of my favourite Iliad/Odyssey tls that have nothing to do with academic merit and instead are rated#entirely on how much I enjoy reading them as books/stories LMAO
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coldshrugs · 3 months ago
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hi Azia! since I'll probably never play FFXIV but want to gobble up everything you've ever written or will write for Io and Estinien, I was wondering if you could kind of summarize or describe the context for their relationship in the canon universe. what do I need to understand about their history in order to better appreciate the way they fit? how do they meet and what brings them together? are there some universal truths for each WoL that heavily contribute to who Io is (kind of like how Hawke in DA2 loses half their family, or every Shepard in Mass Effect is deadish for two years)?
no pressure to answer if you don't have the time/energy or just plain don't want to! ok thanks love you bye 💙
🧍
Hi Ells. I am so sorry....
Understanding Estinio
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General World Lore: The story of XIV begins five years after a Calamity (an event of large-scale devastation that leaves the land and people struggling to recover). This is the seventh Calamity over a period of 13,000 years. Other notable world happenings are:
the Dragonsong War: a war between man and dragon that has raged in and around Ishgard for one thousand years
the more recent advancement of the Garlean Empire: Garlemald is a technologically advanced nation seeking to "unite" the world under its rule
Warrior of Light Things: The player character is almost a completely blank slate. Their appearance and combat proclivities are entirely up to the player! Their backstory is not really mentioned, and the only thing we know about them from the start is that they're an Adventurer, which in this setting is someone who wanders here and there, helping with whatever odd jobs they can in hopes of earning a living and maybe some local fame too. A little network of unionized Hometown Heroes. But some things hold true for most WoLs (headcanons notwithstanding):
They have a gift called The Echo. A few other characters have the gift, but it can manifest differently from person to person. The WoL's Echo allows them to visit scenes from the past, sometimes through the eyes of another and sometimes as a kind of bodiless spectator, usually triggered by high emotion from a person or place. It also has a few other functions.
They join the Scions of the Seventh Dawn, an organization that's a bit of an open secret, determined to stop Primal summoning (Primals are replications of gods, the will of a people made manifest, and they are powerful and destructive. If most people venture too close, they become enthralled). Recruited for their prowess in combat (or healing, maybe, if you're not Io) and apparent inability to be tempered by Primals, they, of course, become the team's most powerful asset.
Io Laithe is my WoL, a viera born in the Garlean-occupied region of Dalmasca. When she was 19/20, her home village suffered a violent raid, and her family was lost. She managed to escape and flee far to the west. At the beginning, she's around 29 and an accomplished archer, among other things. Io endures more loss over her story, friends and lovers, and she blames herself over and over. She struggles to lay down her grief and represses her anger for so long that she almost loses herself to it at one point, but she claws her way back with the help of her friends. She's soft-spoken, and reserved, but is also deeply kind and surprisingly funny. (This paragraph is short but I feel like I talk about her so much lmao. Trying not to gush too hard)
Estinien Varlineau was born to a family of sheepherders, in a small farming community outside Ishgard. When he was 12, his village was razed to the ground in a dragon attack. He found the charred remains of his parents outside his home (his dad had tried to shield his mom from the dragon fire). His younger brother was inside, trapped under a collapsed beam but already gone. He was the only survivor, and was taken in by a man named Alberic who held the title of Azure Dragoon (the most powerful lance-wielder in the land, but I'll spare you the specifics. There's dragon-y magic and a literal dragon eye that gives them powers. This was supposed to be quick omfg). Estinien swore to avenge the deaths of his family and trained with Alberic, eventually becoming the next Azure Dragoon. Eventually, he gets his vengeance, but the cost is so much more than he expects. At the end of it, he is begging for his own death, but his friends (the WoL included) refuse to let him go out like that and save him. He's since been on a journey of self-discovery; who is he without the drive to avenge those he lost, without his duty or his post? In personality, Estinien is blunt and abrasive, he cannot read a room (but he would like to leave it). He has a sharp sense of humor and often teases his few friends, he's extremely sentimental, he's very protective of the people he cares for, and can't stop himself from helping a kid in need.
Relationship Summary
They overlook each other at first. Io finds Estinien too harsh and rude. He thinks (since she is seeing Haurchefant at the time, who is... affiliated with a noble house of Ishgard) that Io is another pretty girl grabbing at coattails--surely not the "great warrior" he's heard about. And it takes a journey into dragon country for them to warm up to each other, when he learns she can easily hold her own, and she sees how protective and kind he can be to their traveling companions. They become friends and it's easier than either of them expected. They don't talk about their loss with each other though, not for a long time. Both hear the other's story from someone else, and it endears them to each other, an unspoken, invisible bond in addition to what they've already faced together. Just as Io saved him at the end of the Dragonsong War, Estinien saves her when she faces off against the might of Garlemald and almost dies. It's a long time before she gets to thank him for that, but when she does, it's around the time he agrees to join the Scions too. They spend more time together, and they become almost inseparable. And as the world hangs on the brink of what seems to be another Calamity, they quietly fall in love and almost lose each other again. Neither confesses to the other until things have settled down. But once the confessions are out of the way, they easily fall into warm domesticity. They spend the better part of a year mostly in one place, living together, working together, making the smaller trips they need to but always returning to a home base. Now, there's the itch to travel again. They just pulled a stint of traveling separately but ended up in the same place. He very much wants to continue roaming, and Io does too, but part of her is starting to think about a family. I haven't decided when or if they talk about this lmao. They love each other so much, but both have a strong streak of wanderlust, and both are legendary heroes who belong to the world as much as they belong to each other.
Why they compel me:
I don't know if you guys know this about me but I love to think about grief :> It's the shared trauma, the love transformed into anger, and how new bonds can heal someone. I did not plan for Io's backstory to be so similar to Estinien's, and even before I shipped them, their friendship was a highlight for me. I love that they do most of their recovery on their own. I love that they always come back to each other. Big fan of people who might not appear outwardly soft all the time, but are just SO mushy for their partner.
They are both symbols of hope for their people, for better or worse. They understand that about each other, what it's like to have some of your personhood stripped away so you can embody an ideal.
Estinien is impulsive and straightforward, Io is cautious and thoughtful. He pushes her, and she grounds him. They both relish the peace the company of the other brings, and they are more certain of the other's ability and resolve than they are of themselves. They are best friends, they are family, and they admire each other.
Some key reads, chronologically:
close quarters | oh no, she's hot…
oblivious | a mutual friend notices io and estinien seem… different.
what i see in you, i hope you find in me | io realizes she is not in love with zenos
pang | estinien has his own realization
see you in the morning | the night before they depart towards unknown danger, estinien tries to soothe a worried io
in this state | io is unconscious, estinien keeps watch
mustering | estinien tells io about his brother, the first time he's talked about him in decades
take another step off the edge | FIRST KISS!!!!
And then their tag is filled with gposes I've made, art I've commissioned, writing prompt fills, fics from the two AUs I've written for them, and tons of quotes or poems that fit their vibe. I'd share a playlist but I don't have a playlist... there are five now T^T BYE!! 💗
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fallloverfic · 2 months ago
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I love singNsong again reminding people in Side Story that Dokja wanted other people to read TWSA (he wrote reviews and comments! It was his first wish), and he only stopped bothering because people harassed him for it. He didn't gate-keep the story. When he's avoiding talking to Sangah about it at the beginning of ORV, it's because he knows what happens when he tells people about the story, not because he's gate-keeping it from her. He notes he's not proud of his hobby (likely because he's been bullied all through his life, including for reading the thing he loves): he finds it embarrassing to talk about, and better respects her studying Spanish in her free time (learning another language is a generally accepted thing in society). He assumes she won't care or will look at him funny (or worse) for when she learns about the novel he's into.
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Basically anyone writing "let's gatekeep ORV" posts because of the anime announcement or because they dislike the manhwa or some other weirdness, y'all are the villains in the scenario.
The literal climax of the story is about sharing ORV with as many people as possible. What story were y'all reading?
#orv#really tired of the stupid gate-keepy bs in some parts of this fandom#omniscient reader's viewpoint#kim dokja#side story spoilers#it's been quite fascinating seeing novel fanatics come out of the woodwork against potential anime fans#while showing how much they hate the manhwa and manhwa fans too#the only actual official English translation we have is the manhwa#acting like we're all in this together like no#I adore the novel and the manhwa#and folks who started with the manhwa or just happen to also like the manhwa but also like the novel see you for what you are#avoiding talking about something is not gatekeeping#it's often recognizing various social cues#like oh this person probably isn't familiar and I don't care to explain#or I'm worried they'll treat me badly if they know#when you're trying to connect with someone you tend to look for things you share not stuff you don't#if Dokja heard about people trying to gatekeep orv he would be disgusted#also NOT gatekeeping orv is literally the climax of the story I am so deeply confused by people encouraging gatekeeping of it#you're making han suyeong mad#she didn't nearly kill herself writing orv in order to share it to everyone they could find so people could gatekeep it#that is literally the opposite of the goal#it's not bad to ask if folks have read the novel because for a variety of reasons folks may not have#but it is bad to act like reading the novel is a fandom requirement especially given all we have is a fantranslation using MTL#or you must love the novel above others or the novel only#I want singnsong to get fucking rich from this story they shared and which I and many adore#gatekeeping does not make that happen#also good luck getting people to buy the Yen Press novel translation when it comes out when you act like this#the manhwa is available in at least seven languages officially fuck off with this gatekeeping crap#don't get me started how a lot of y'all don't even know what twatf is and a good chunk of y'all who won't even touch it when you do know#and that doesn't exactly bother me but it does bug me when book purists get all high and mighty
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