#i'm just trying to write!!

[inkskinned]

we were sitting on the floor and i was cutting out tiny pictures to make a collage for a friend's birthday. you were on your phone and you laughed about something, and i was still in love with you then, so i asked what had you giggling.

"sorry. i was just..." you took a moment and went back to texting. "i was telling someone about how you're afraid of the dark."

i'm afraid of the dark because something bad happened. "oh." i felt a little slinky of shame crawl down my throat.

you glanced up, and maybe it showed on my face, because you rolled your eyes and held the phone to the side casually so i could see the group chat. "what? was it a secret?"

i looked down to the scissors in my hand. "i just..." no, it's not a secret. it just felt like something private, something serious. saying why would you tell someone that just feels like an accusation. it's unfair. i honestly am not even ashamed of it, it's just a fact about my person that i don't usually share.

what a strange experience. is this a human thing or a generational thing? for our grandparents: did they need to worry about how quickly someone can just... share your personal information? again, i didn't even really have a true objection. what could i say? i want any person in my life to feel they can be honest with their friends. it's not like i said don't tell anyone this.

i cut out another letter to complete the rainbow happy birthday, started hunting for the exclamation mark. i heard you sigh dramatically.

"don't make a big deal about this," you said.

this entire conversation was a pattern for us, and this was when we got to my least favorite part of the pattern. i would get my feelings hurt in some oblique not-technically-terrible way, and then it would be making a big deal about something. you'd get frustrated for me for being soft, but i was born soft. you knew i was soft when you pierced me. it's one of the things that made controlling me so easy.

"i'm not," i felt my voice crack. the question came without my wanting. "why are you guys talking about me?" and why are you saying that thing? why not like - i'm telling them how you're generous and kind and pretty.

you let out this low, tragic groan. "oh my god." you tossed the phone away from your body. "there, see? i just won't talk to them if you don't like it."

the rest of the hour went the way it always went, between us: i said i don't actually mind if you talk to your friends but -, you found a way to call my minor expression of discomfort "being dramatic." you got upset that i had been offended. i ended up apologizing, even though i hadn't actually done anything.

afterwards, you picked up the phone again. after texting for a little bit, you snorted. "okay," you said, "but it is kind of funny you're afraid of the dark. i mean, when you think about it."

[paintedcrows]

Ford's gotta stop being so relatable

[becca-e-barnes]

Bucky pinning you down so you can’t squirm and he’s just sitting inside you while he tortures your clit feeling you clench around him. He makes you cum over and over until he finally cums.

Overstimulation + super soldier stamina = …

- 🍯

Dear God, I know I just don't have it in me to behave during cock-warming. When it comes down to it, I genuinely have no patience at all 😵‍💫

"You..." Bucky begins, pressing you down onto the bed before gripping your ankles and forcing you to flip over onto your front. "Have a problem with control."

With your face turned away from him, you can't help but smile to yourself. No one has ever said it out loud but you know he's right.

Being in control is where you're most comfortable. No hands are safer than your own. Except maybe his. You know he won't fuck this up.

"And you..." He continues, gathering your wrists behind your back, holding them tightly with one hand. "Need to learn how it feels to have control taken from you. Do you understand?"

As soon as you begin to nod your head, you feel him start to tape around your wrists, holding them together behind your back. Once he's content they're secure, he sits on the edge of the bed, facing the mirror before he pulls you onto his lap.

"Legs spread over the top of mine." He orders and you do as you're told, not because you have to but because you want to.

You notice the way your cunt is already glistening in the mirror and you're almost embarrassed because he hasn't even touched you yet.

"Fuck, you're made for this." He groans, lining his cock up to your slick entrance and you wonder if he's holding his breath too while he slides into you, as deep as your bodies will allow.

You're obsessed with the sight in front of you; your own naked body, with your legs spread so far apart you can see how your cunt is stuffed full of him.

Being shorter though, your feet can't touch the ground like this. There's no way you'll get enough leverage to fuck yourself on him but as soon as you start to tell him that, he silences you with two thick fingers between your lips.

"I'm not letting you fuck me." His free hand roams over your body, squeezing your breasts, pinching your nipples and then settling between your spread thighs.

"I'm going to play with you. I'm going to see how much you can take. I'm going to work out exactly how you like your clit stroked and I'm going to do that until your legs are shaking and your body won't let you cum any more. Maybe then I'll fuck you but sweetheart, that will be hours from now." His breath is hot against the side of your face, his fingers slipping from your mouth to your waist while he starts to flick gently against your clit.

"I'm going to start slowly. I'm going to do everything I can to drag this out as long as possible. I can feel every clench and flutter of this pretty little cunt and I'm going to enjoy it until you're dripping over my balls." At this rate, it won't be long until you're dripping onto the carpet, never mind over him. You dreamed he'd want to take control like this but you never imagined the way your body would respond.

"And then, when you've cum more times than you can handle, I'm going to tell you that I love you while I fuck you like I don't."

Update: Part 2

[girlboyburger]

[emo-batboy]

A Wild Battinson (Social Media AU)

Part 43 (Masterlist)

(Part 44)

Me, to myself: I just think the series was better when I posted several times a week because the pacing felt more natural, and it translates better when people binge it.

Also Me, holding two jobs and a bat: If you try to post once a day again, I will disconnect your head from your shoulders—

@bruciemilf guess who’s back

Anyways, folks! :D So I'm thinking of a new upload schedule where I spend a bit preparing the next ten or so parts then post it all in two weeks? I think that would be fun (and much better for my creative process.)

I’ll be posting the next part very soon :) But it's going to be drastically different from what I've done before. Let’s see if anyone can guess why.

Yada yada don’t die LOVE Y’ALL

[sea-webs]

"I don't know who I want to be, anymore."

Oc - Cirque | The Dragon Chosen by the Shadows |

| mary oliver / franz wright / chelsea dingman / mary oliver / sue zhao / can't find :( / can't find :( / i am a dog. i have blood all over my teeth. - sciencedfiction / little weirds - jenny slate / the unabridged journals of sylvia |

[omi-boshi]

"you gotta let me go, lovebug." kiyoomi rumbles, attempting to gently wiggle out of your baby's grasp. the lovebug in question only gurgles, happy to have her father's attention on her. it quirks a smile on kiyoomi's face. his amusement is short-lived, however, when the grip on his finger seemingly tightens in response and tightens even more when he wiggles just a tad harder.

his rising panic amuses you to no end.

at the sound of your quiet giggles, kiyoomi tears his gaze away the baby cradled in your arms to look you in the eye.

"a little help would be nice, you know?" he frowns. "our food's gonna be here any minute."

"i would love to but there's nothing i can really do when she's clinging like that, kiyo." you send him the most sympathetic smile you could muster with the laughter still bubbling up your throat. "you know how she gets."

and kiyoomi does—he really does. your daughter got it from you, after all.

[help-itrappedmyself]

Dead on Main AU

Masterpost

Guys, I'm so sorry. But here's this!

~~~~

Danny blinks and he is somewhere else. He’s sitting at a dining room table, surrounded. There are so many people here. They’re all talking over each other, some yelling, some laughing. This scene comes as a great surprise to him, who -one blink ago- was trying and failing to do his homework at home in his room. Danny shoots up, his chair making a horrible noise as he pushes it away so fast it tumbles over. Everyone in the room turns to look over at him like he’s insane. 

“Oh my god, who are you people?” Danny did not mean to say this out loud, but at the sound of his voice he startles. Danny takes a moment to assess, and then, “Oh my god who am I?”  He is tall, and big, and this is certainly not his body, what is he wearing.

The boy sitting to the right of Danny, a little shorter than he is, with black hair and blue eyes (though now that he’s paying attention that does describe most people in the room),  starts chuckling lightly. “Uh, Jason? Are you good?” 

Danny turns to stare him right in the eyes. “What day is it?”

And he can tell the concern around the table is just ratcheting up every time he opens his stupid mouth.

“Did you hit your head on patrol?” The voice comes from the only blond and one of the only girls in the room, who's to the left of the person across from him. The person across from him is another boy with black hair and blue eyes who is studying Danny in a way that makes him uncomfortable, that under-a-microscope look that makes you feel like you’re failing at something.

“I have no idea if Jason hit his head.” Danny says. “I was just trying to remember if it was my birthday.”

And if he thought the room was busy when he first arrived here it is absolute pandemonium now. Everyone starts shouting and asking questions that he can’t even hear over the shouting. Someone with white hair in a suit just came through a door he didn’t even see earlier to stand by the only person not shouting, who -Danny would guess- is the only other adult in this room, witting at the head of the table. He also has black hair and blue eyes, and where almost everyone else’s reaction was panic, he froze instead. The person across from Danny also isn’t shouting, but the person next to Danny on his right has now fully stood up and looks like he might actually jump across the table to win the argument he ended up in. 

“Are you Jason’s soulmate?” is the main gist of the shouting that Danny can interpret but he’s more concerned with actual Jason at the moment. If they switched bodies... Then Jason might be in trouble…

“Hey, I forget, how long is this body swap supposed to last again?” Danny asks.

“Until you and Jason have physical contact. You have to actually meet.” The boy sitting across from him explains. He seems like one of the only ones that heard Danny talk, everyone else was still shouting. 

“Oh, that just seems terrible. What if we’re in different countries or something?” Danny complained. “Everyone in the world is just supposed to be able to drop everything and afford to fly across the world. The universe is really trying to screw people over now. Honestly, am I in a different country? Where even are we right now?”

“You’re in Gotham.” This voice was new, coming from the head of the table to Danny’s right. 

“Oh no. Nope.” Danny started backing away from the table, almost tripping on his overturned chair. “Absolutely not, no, how do I get out of here?” He starts earnestly looking for a door to get out of this place, but there are three doors he can see and he has no idea where any of them go, and doesn’t this room have any windows? What kind of a room doesn’t have any windows? Do they like to eat in a basement?

“Jason- not Jason. Uh, you need to calm down, everything will be fine alright, We’ll get you and Jason introduced no problem.” Danny swivels to track the voice and it’s the one who was sitting next to him, he’s walking towards him with his hands up and out in front of him. 

“I have to get home.” Danny breathes. 

“We can get you there, promise. Now, I’m Dick, can you tell me your name?”

“Your name is Dick? Who named you Dick?” Danny is so confused he’s stopped panicking. “How old are you for you to go by the name Dick?”

“Okay, rude.” Dick sounds like a petulant child so Danny’s estimations for his age are continuously dropping. “I’m 24.”

Danny snorts. “Okay.” The blond girl starts laughing over at the table. “I’m uh, I’m Danny.”

“Nice to meet you. Sort of. I’m Tim.” The guy from across from him had made it over to stand next to Dick. “There’s a lot of us here today so the one laughing like a hyena is Steph. That one there is Duke.” African-American, still with black hair but he has brown eyes and waves once introduced. “Damian is the short one next to him, and Cass was sitting across from Dick earlier. Our dad, Jason’s dad-” 

“Not my dad!” Steph interrupted. Tim waves her off.

“Everyone but Steph's dad, is over there, Bruce. Alfred, our butler is the one next to him.” Alfred gives a slight nod to his head. Bruce is just staring at him.

“So, names out of the way. You said you wanted to go home, where do you live?”

“Amity Park.”

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[egophiliac]

happy new year Ego!!! Just wanted to let you know that I absolutely adore your twst fanart and the tags are just an absolute pleasure to read! You are my greatest inspiration for my personal twst art and I just wanted to thank you for your wonderful masterpieces <333 if possible, may I ask what are some of your headcanons for the diasomnia family? If not for diasomnia then any other characters are fine as well!

thank you, and happy new year! 💚💜💚 that is amazing to hear; it's always a little bewildering but super flattering that other people like my silly little doodles so much!

I don't think I really have any really solid headcanons and also canon keeps validating me left and right (FLUFFY DOMESTIC DIAFAM IS REAL). mostly just kind of...impressions and general thoughts, if that makes sense! lately though I've been kind of obsessed with thinking about Lilia's hair, and specifically when/why he ended up cutting it. (l-look, we're bouncing around the timeline and I gotta make decisions about these things when I draw, it's relevant) (I mean I would probably be weirdly fixated on this anyway, but.)

I think I've settled on the idea that he kept it long until he went to NRC, partly because 1) I like drawing The Ponytail, and 2) I think he thought of NRC as a chance to reinvent himself a bit! he gets to go and be a wacky carefree teenager for a few years and have fun! (officially he's there to keep an eye on Son #1, but how much trouble could he get into, really.) so he gave himself a Cool Teen Haircut to go with his fresh new Cool Teen Persona!

also maybe he had some reflection on his hair's troubled past with three kids...

...and had to weigh his vanity versus the fact that he was going off to be around hundreds of kids on a daily basis, and. the choice suddenly seemed obvious.

[hyacinthsdiamonds]

I'm sorry but the irony of Nico calling Max unprofessional is sending me so bad like sir there's an entire garage full of people, who were literally in the trenches trying to survive the Brocedes fallout while just doing their jobs, who might have a few things to say about your (& Lewis') level of professionalism at that time 😭✋️

[dootznbootz]

Thinking about how Telemachus has heard "You are just like your father" by so many people for most of his life. How different yet refreshing it is to hear said father tell him warmly "You're so much like your mother".

[dicenete]

So what if he didn't have the self-discipline? I just thought how cute it is, he simping for MC so hard. Amount of self-control Clavis has is admirable. I think this was from Beast in Heat event? Or maybe it was the AU event where Clavis was a phantom thief? Don't remember anymore xd IkePri Tag Team:

@scummy-writes @goustmilk @solacedeer @m-mmiy @mxrmaid-poet

@pawnkyyy @ludivineikewolf @violettduchess @floydsteeth @wistfulwanderingone

@sh0jun @lorei-writes

[theminecraftbee]

it's fun because the things that appeal to me most about the three canonical evil clones/twins of hermitcraft are similar, but they're all different.

evil x appeals to me because he is very much Just Some Guy, for all that he's an evil force of nature; when he's sympathetic, it's because he's Just Some Guy who's been shackled to the terrible fate of being "evil", but when he's a villain (like in season eight!), the things that make him villainous also aren't the supernatural aesthetics, but the ways he is also the evil of being just some guy. for all the lightning and thunder and echo of xisuma's appearance, he isn't anyone special. (xisuma is.)

helsknight appeals to me for almost the opposite reason: this isn't just some guy, this is you, explicitly, a demon that possessed your clone and possesses all the things that are bad about you, magnified. he's a mirror, inherently, in his very creation. in the stories where he's a threat, he's menacing because he's a mirror of someone we should like; in the stories where he's sympathetic, we must confront how much of ourselves are also mirrors. (what happens if you don't like what you see in those mirrors, anyway?)

empires!false is somewhere in-between; she's not a mirror but she is the result. she's learning something you'd rather have forgotten about your past, and at her most sympathetic, we feel for the way she's been cast aside so false can 'fix her', the things done to her memory. at her least sympathetic, though, she's reflecting these pains onto others; violence begets violence, and even with it missing, the past begets her. there's no looking at empires!false without seeing the echoes of what false did to her. (there's no looking at false without it either.)

............then they also all appeal to me by being ridiculous failguys but like if you want to be DRAMATIC ABOUT IT, the ways they appeal to me are like the above,

[starcurtain]

I think Alhaitham's views on gods and his dynamic with Nahida in particular is probably one of the most underrated comedic elements to come out of Sumeru.

This guy put together an entire crack squad and master plan to rescue a god while being the Genshin equivalent of an atheist. "Yes, obviously archons exist. But so do sharks. Both of those beings have their place in the ecosystem, and if I had to pick one to piss off--"

Like, does he believe in the dendro archon? Yes. But is he going to listen if she denies his paid vacation request? Absolutely not.

Bro is selected by name to come discuss important matters with his nation's deity in her sanctuary, and he's just like, "Oh, I ran into Nilou there once. That was cool."

Raised to the highest possible position available in his nation's government by the deliberate selection of his god? Resigns.

We know that Nahida still calls on Alhaitham when Sumeru is in need of defending from nefarious parties, and sends him out with Wanderer to kick ass and take names. Now that they've forgotten Rukkhadevata and the Akademiya's ploy to imprison Nahida has been foiled, most of the people of Sumeru would be floored by the honor of being called upon personally to aid the great dendro archon. Staggered by the fact that the lord of wisdom herself finds them worthy! But Alhaitham? He just goes home. Kaveh asks him what he was up to all day. "Hm. Nothing of note."

Everyone else, upon receiving the recognition of a god: My life has been changed forever. I will be telling my great grandchildren of the day I received such a blessing!

But for Alhaitham? It was Tuesday.

Criminally underrated comedic potential. CRIMINAL.

[galactichoneybee92]

Not to sound like a boomer on main, because I love my phone- I do. But I really miss the day when I could hang out in public without having to hear everyone else's phones. I don't care if there are babies crying (because babies cry sometimes) or if other people are having conversations (because that's what people come to cafes and such to do) but hearing tinny little phone sounds blasting out loud out of their speakers drives me insane. I'm only in my 30's, why are you making me complain about how things were "back in my day" like I'm 80? Public phone noise is prematurely aging me. Send help.