#i'm just moving on with my life and moving on to a completely different stage and realizing that i missed out on literally everything

[joanofexys]

i need to shut the fuck up about my name before i just start to annoy y'all i'm sorry i haven't stopped complaining abt it i don't even know why it's causing such a problem for me

[escelia]

New Sibling Just Dropped

Or Danny gets willingly isekai'd into the DCU and gets a twin out of it.

I know I disappeared from the face of the earth for a bit there, and there's stuff I should probably be updating, but I come baring different stuff this time :D

Just started this for fun, and I have at least one other chapter of it done, but idk how long this bout of inspiration will last, so I'm just rolling with it for now.

@flamingpudding look! i pulled a jason todd and rose from the grave!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Danny was tired. The kind of tired you felt behind your eyes and in your bones, and weighed heavy with achievement. He was perched on the edge of a building in his ghost form looking over Amity Park with a soft smile as he watched Youngblood run through the park with human children, Cujo playfully on their heels. His galaxy cloak (which had been a coronation gift) billowed around his lap like a gas with stars twinkling inside. 

It had been a few years now since he took up the Crown of Fire and became High King of the Infinite Realms, and while he had accomplished many things since then, graduating from high school wasn't something on that list. It sucked that he wouldn't get to walk across the stage with Sam and Tucker, but in the face of all he'd been able to do for both Amity and the Infinite Realms, it was worth it. They coexisted now. There was still trouble every now and then, but Danny had helped the ghosts who insisted on staying in Amity Park find a place in their city where they could thrive.

Youngblood watched over the children of the city, Box Ghost started a box recycling center, Lunch Lady started a program to get food to families that couldn't afford it, and Pointdexter started reporting bullying at the school since he was already there. 

On the Realms' side, Danny shut down Walker's prison. Since it was his lair, he couldn't take it away from him completely, but it no longer housed the many ghosts the warden had considered "rule breakers." He'd given Walker a new set of rules to enforce and essentially took him under his wing as a royal soldier, kept under the close watch of Fight Knight, who'd defected from Pariah Dark so fast after his defeat that it was laughable. 

He'd done something similar with Skulker, though he was a harder case to crack. Unlike Walker, who was happy as long as he had a set of rules to enforce, Skulker wanted to keep hunting. He'd been recruited forcefully by Walker and Fright Knight after they caught him on his way to fight Danny again.

All in all, everything had begun to run smoothly now. The fatigue weighing on him reminded him that it had been hard to accomplish, and continuing to lead his double life hadn't made it any less exhausting. A cold breath rushed through his chest as he felt a familiar presence slide up next to him. 

"You didn't time out," Danny pointed out without looking to face the ghost beside him. Clockwork hummed in acknowledgment.

"Sometimes it's pleasant to watch time flow in person." It was Danny's turn to hum at him. 

"How are you feeling?" The Ancient asked thoughtfully. The younger ghost tilted his head pensively. 

"It's hard to say. I'm tired, but I'm happy. And also sad..." he paused to gather his thoughts. "I feel like I've done everything I needed to."

But not everything he wanted to do. 

"Go on," Clockwork pressed. The teenager did turn his head now to make a face at his mentor. If the guy knew how he felt and what he was going to say, why would he say it out loud? But the other just arched a brow at him and waited.

"Fine," he pouted. "I've spent so much time and energy finding places for everyone here. The GIW are gone, my parents stopped hunting ghosts, Jazz got into the psychology program at Stanford, Sam and Tucker are graduating today... I helped make that happen, I know I did! But they're moving on without me. They're growing up and I don't feel like I am."  

'I don't feel like I'm ready.'

Danny stopped to take a breath and wipe away the icy tears gathering in his eyes. He felt stupid for crying over it. He was 17 for Ancients' sake! Jazz would have told him he grew up too fast, but he still felt like a child. He had no idea what he was doing! And yet! And yet... he felt...

"But you also feel ancient, right? Like you've been around too long and seen too much?" Clockwork said as though he were reading from a script. Danny sulked. Stupid time ghost with his dumb Time Stream TV or whatever. 

"Yeah..."

"All Ancients feel that way. Though you may be feeling unbalanced in more ways than one because of how young you died and the fact you are half human."

"What do you mean?" Danny turned his whole body to face him now, tucking his knees under his chin and circling his arms around them. His cloak moved with him in inky black wisps and settled around him again like clouds of galaxies. 

Clockworks form shifted to that of a child.

"You feel young because you died young. However, it is the nature of humans to grow and change. While you may have died at 14, your childhood died before that. You yearn to grow and learn, while also being an incredibly powerful Ancient."

He supposed that made sense. He recalled all the years cleaning the lab before the portal had even been built, and the fighting and neglect (Jazz's words, not his) that spawned his disdain of Christmas even longer before. He wanted to go back to school. He wanted a reason to love Christmas. He wanted pets and family dinners that didn't come alive. He wanted to grow up properly.

"But you still want to help people," the ghost said as though Danny had been talking out loud or having his mind read. 

"I hate it when you do that," Danny complained. Clockwork just smiled smugly.

"I know." He laughed at the glare Danny threw him. 

"I have a proposition for you," the older ghost began. Danny perked up in intrigue. "I know of another earth dimension with some problems that need to be addressed. Your role as High King puts you in a position to be helpful."

"Their problem has to do with the Realms?"

"In a manner of speaking, yes. Ectoplasm from the Realms is pooling into what are referred to on their planet as Lazarus Pits. They are both helpful and harmful as they do not dissipate into the air so they continually collect and concentrate emotion, but they do sometimes revive the dead."

Danny grimaced in disgust at the thought of dunking a person into a stagnant pool of contaminated ectoplasm. "That sounds disgusting."

"Quite," Clockwork agreed. 

"So what's your proposition?"

"Well, if it is agreeable to you, I would like to de-age your physical form and place you with a family that's had dealings with the Pits firsthand. I've found them to be quite charming." 

"Ah, so you want me to go in undercover?" Danny couldn't help but roll his eyes a little. It wasn't a half bad idea. He could try his hand at childhood again and still get to handle his duties as King Phantom. Leading a double life again would be easy enough, it was just stepping from one role into another. 

"Not at all." Clockwork smiled knowingly. Danny was officially suspicious of his ghost guardian. "This planet has had all kinds of dealings with the occult, and even humans with superpowers isn't that unusual. While I would advise against telling anyone you are a king right away, you are in fact just that: a king. You may do what you wish." 

For an ancient and wise time ghost, Danny thought Clockwork was really shit at hiding his expressions. Though he tried to keep the grin off his face, Danny could clearly see the twitching of his lips and gleam in his eyes that promised the old man was scheming. 

But to get his childhood back. Or, at least a semblance of one... it deserved consideration. Danny looked back out at the cityscape again. Sam and Tucker... they were down there graduating from high school without him. He'd been the one to encourage them to pull away from Team Phantom activities to zero in on their studies, but he didn't regret it. Sam wanted to major in environmental science and Tucker wanted to go to MIT and he just didn't fit into those plans. After Jazz left for Stanford, his parents often forgot he was still there. He'd managed to convince them to study ghosts properly instead of hunting them, and with a little help from the "friendly ghost King Phantom" they were given a place to start. They dove into their research with the same excitement and fervor they'd had all their lives. Which of course meant he went days, sometimes weeks, without seeing them emerge from the lab. It was easy enough to slip past them to the portal while they were distracted. 

The point was that he'd started to feel his anchor to this city, to this realm, start to dissipate as the people who kept him there started to break away from him. He still loved them, wanted to protect them, but they were safe and happy now. He felt fulfilled in his task of protecting them, but there was a buzzing beneath his skin to do more. 

Danny took a deep and controlled breath. He didn't need it in his ghost form, but it felt good to feel his lungs stretch to fullness. 

"When would I start?" He asked finally. The straight face Clockwork had been trying to keep, and he really was so bad at it, finally broke into a wide grin. 

"Right now. Everything is already in place and your duties in the Realms will be taken care of in your absence." 

Danny smiled softly at his guardian. Clockwork sure had a funny way of showing it, but he cared so deeply for the boy next to him that when Danny responded with a bad pun, he couldn't even be annoyed. 

"Well, no time like the present!" He winked.

Clockwork chuckled, and with a flash of light, he sent Danny on his way. 

The more time the older ghost spent with his young ward, the more he appreciated him. The Danny he’d come to know was nothing like the Danny’s from other worlds he’d encountered while trying to prevent Dan from existing. His Danny was now truly one of a kind. None of the others, not even the ones that eventually turned into Dan, had been Ancients. There would never be another Danny like him, and every universe was adjusting to include him should he ever decide to visit them. He had a place in any world, should he choose, but Clockwork knew he was needed most in the one he’d sent him to. It would be truly entertaining to watch the young Ancient settle into his role there, and Clockwork was actually finding himself looking forward to it.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

It was dark and quiet a long while before Danny opened his eyes. And when he did open them it got really loud and really bright really fast. It belatedly occurred to him that he should have asked like a billion more questions before agreeing to be iseaki’d into a different dimension to join a family he knew literally nothing about. 

There was shouting before someone in what looked like a ninja cult uniform shoved a knife into his hand and pushed him in the path of a person in a different uniform. The man in front of him was dressed in blue and black and wearing a mask that covered his eyes, but Danny could see the surprised shape of his mouth before it morphed into something like anger. And then he was being lunged at.

He shrieked as he dodged out of the way. Not his most graceful save, but whatever. His voice was a bit shrill and his center of gravity felt way off. He must have actually been de-aged! He wondered how old he was now. He still felt light on his feet thanks to his ghost half which felt blessedly intact. But the other guy was fast and he ducked into a roll just in time to dodge whatever weapon he was holding. This guy meant business, but he had no idea why he was trying to kill him. 

‘Great, thanks Grandfather Clock for throwing me right back into the good ol’ days,’ he thought sarcastically. Nobody had attacked him for no good reason like that since Walker and Fright caught Skulker mid hunt for the very last time. 

What he now saw was a baton swung down from overhead and Danny knew he wouldn't dodge it in time, so he caught it with the flat of the blade that had been shoved into his hands.

“Wait! Why are we fighting?” Danny yelled, panicked as the guy pushed more force into it. The man's face twisted into something like confusion for a moment and he backed off just the tiniest bit before the scuffing of shoes to his right had him looking over just in time to see another guy in a mask, this time in red, rushing at him. He threw his hands up in surrender. 

“Wait!” He shrieked before he was absolutely bodied sideways into the ground. 

Why was he doing this? He was half ghost, he could have just gone intangible and disappeared. He didn't have to be body slammed into the ground. Wasn't he a child now? Did that guy in red actually just slam a whole child into the ground? 

“Red, hold on! This one's different!” 

“What do you mean?” The guy Red asked. He was still pinning Danny to the ground.

“Yeah, what do you mean?” Danny asked breathlessly, then whimpered, “Someone please tell me what's going on!” 

The one hovering over him must have seen something on his face that convinced him to not try and kill him anymore, because he grabbed him by the collar and started dragging him along. 

“We'll take him in for questioning. Don't let Robin see him.”

“Who's Robin?!”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

It had been a long, arduous, and confusing journey from wherever they were to… well, wherever they were now. They'd blindfolded him for the transport so he still had no idea what was going on. He had learned that the guy with batons was Nightwing, and Red was actually Red Robin. The one they called Robin was a feral looking thing with swords, he was very small and stabby. Then there was Batman, and he totally threw off the whole bird theme but was easily the most intimidating. And that was all he knew so far. He'd been restrained at an interrogation table. 

Danny groaned and knocked his forehead onto the table. He really, really wished he'd asked Clockwork more questions. He'd at least been able to catch a glimpse of himself in the glass behind Batman. He looked like he was eleven or twelve again, which was not as young as he'd been expecting, but much more preferable than being a literal toddler. The group of people he’d been brought in by seemed to be heroes. They were all incredibly weary of him, but hadn’t gone out of their way to harm him since his capture. Though it was hard to call it a capture when there wasn’t a chase involved. 

“How old are you?” Batman asked suddenly. His voice was low and rough and somehow Danny could tell it didn't sound like that naturally. 

“Um, maybe eleven or twelve?” Danny replied carefully, picking up his head from the table and having the decency to look a little embarrassed. 

“And what's your name?” He looked like he was expecting something.

“My name is Danny, sir.” 

“Hmm…” 

It was quiet and awkward for a long moment.

“Why are you different from the other clones?” 

“Yeeeaaah, I'm not a clone.” Danny absolutely did not jump when the brute slammed the file folder shut in front of him. 

“We'll see what your DNA results have to say about that,” he said confidently before turning to leave, his cape dramatically flaring out behind him.

Sheesh, and he thought he’d had a flair for the dramatics.

‘Okay, time for some assessment,’ Danny thought to himself as he looked around the small closed room. It was soundproofed incredibly well. While he didn’t have super crazy hearing, it was enhanced by his ghost half, and combined with his other sharp senses, it tended to help him gather more information than others could. The most he could hear outside the room was a quiet hum of activity and nothing discernible. Still, he needed to decide how much he would say to these people. How much truth did he want to weave into his tale? These people clearly already had their own assumptions about him in mind, and while there was absolutely nothing wrong with being a clone, he knew he didn’t have what it took to keep up an act like that for long, which would just end up being awkward for everyone. 

He also would not be telling them about his status as Ghost King, per Clockwork’s suggestion. His captors seemed like the uptight sort, and revealing that he was a big, scary ghost monarch didn’t seem like it’d go over well. Telling them he was a halfa would probably get them off his back over the clone thing, at least. He went over the list in his head.

He was a halfa from another dimension, so he couldn’t be a clone.

He had no plans of fighting with anyone unless absolutely necessary. 

He did not have a way back to his other dimension. 

His name was Danny, and he didn’t have a family anymore.

He did not know why he was in the middle of whatever fight he woke up in. 

No, he didn’t know those people.

Danny must’ve been lost in thought for quite a while because his thoughts were interrupted by Batman bursting back through the door. The man’s demeanor had changed completely and he whipped off his cowl to reveal disheveled dark hair, blue eyes, and an expression of absolute heartbreak that accompanied his shuddering breaths. With the mask off, he reminded Danny a lot of his father. 

Batman searched his face and, much like Red Robin had before, seemed to notice something there. 

“She did it twice,” he muttered to himself. “Two of them this whole time and she didn’t tell me about either of them,” he said through gritted teeth. His frown deepened. Danny copied his frown. 

“Hey, are you okay?”

He still had no idea what was going on.

[devil-in-hiding]

Listen brother you literally singlehandedly turned me into a fuckin Price WHORE how the fuck did this happen how did i fall into this trap 💀 but you did it soooooooo just hear me out... HEAR ME OUT! price, this larger than life man who's dedicated his life to his job, this man who's written off the idea of even thinking about having a family cause he thinks he's past his prime or whatever the fuck and he's stuck in a hard place precisely because he's so proud of his accompliments as a captain while thinking that he's failed as a man at the same time. Then someone assigns him an assistant (see where i'm going with this), trying to slowly ease him into thinking about retirement and he protests so much. It's the nail in the coffin for him. He loathes the mere thought of someone invading his space and making him feel so brittle and incompetent but he doesn't have the authority to reject high command's decisions and so he agrees with gritted teeth and fire in his eyes

Then you show up and you prove to be good at what you do, but you're also everything he's low key ever dreamed of and he's STRUGGLING trying to come to terms with the fact that he'll never have you. That he's too old and that you two are in entirely different stages of your life, that he'd hold you back and that someone else would be far better suited

BUT JUST SPARE THE THOUGHT for him recognizing that you've developed a huge crush on him. Gigantic. You're suddenly so flustered around him, very unprofessional. You mess up constantly but he is by no means mad!!!!!

If anything you made his life so much sweeter omg he's SO cocky about it and he's UNBEARABLE!!! He's the definition of "I still got it ;)" and he's trying to rile you up on purpose... but he'd never go farther than some flirty comments and lingering touches. He's locked in his duty and convinced you'll move on soon. Still flattering tho

But then your crush doesn't fade. It's not going away.

It's. Not. Going. Away!!!!!!

ITS BEEN A FULL YEAR

And he's just "!!!" completely shuts down because why the hell are you still interested in him? Have you seen yourself? Have you noticed the looks you get? The looks HE gets as your boss????

But he's also thinking whether you'd like to be married, whether you'd like to have kids......and soon that's all he thinks about and all he talks about

DO YOU HEAR ME 😭😭😭 sorry this got so fucking long when its so stupid but i needed to say this

anon i love you, this is literally art because yes this is my wavelength of Price x assistant!reader

head over heels for him 10 months in after countless nights of forcing his stubborn ass to go to his quarters and get some sleep after finding him slouched over his desk, hat askew and snoring

early mornings where you are are still bleary eyed and nodding off as you try to write his calendar, only to find yourself on one of the couches a little later, surrounded by the four of them, Price seated next to you, one of HIS blankets draped over you

it’s very much a beautiful sweet cat falling for the old army dog who would bite off anyone’s hand who comes near HIS feline

he truly expects for your feelings to fade one day, more than prepared for you to find a partner, god half the base eyes you up and down as you obediently trot after him, heart in your eyes as you gaze at his strong shoulders

but that day never comes, you’re there every morning with his cuppa and a smile that is just for him, genuine and sweet.

He isn’t sure how he was deemed a worthy enough man for you to enter his life, by he’ll be damned if he lets this slip through his fingers

[featherwurm]

I'm going to get a lot more personal on here than I usually do:

Baulder's Gate 3, and especially Karlach, make me feel seen in a way no price of media I've ever engaged with before has. It's a big reason why I love it and why it's sticking with me like it is. I too am a big, loud, enthusiastic woman who says out of pocket shit. I have a heavy internal dialogue with myself. I have a temper, I'm bisexual, I love cute shit. I endured years of being utterly touch starved. I love sex and food and being alive...

I also have cancer; it's Follicular B-Cell Lymphoma. I was diagnosed in 2020 when it had reached stage 3A. It's currently under control after chemo* and I'm living my life normally. But while it's a very treatable kind of cancer, it's not fully curable**. There's nothing in me they can remove (it's my whole lymphatic system that's broken) and no drug currently that can wholly knock it out. It's cause is not known (genetically or environmentally), and its unusual for this type of cancer to affect someone as young as I am (I was diagnosed at 35 - it's much more common 65+***). So every three months I go into oncology and they check my blood and symptoms and see if I'm doing ok. I get imaging and biopsies occasionally too. This will go on until I'm not ok (hopefully a long time yet). I'll have to have still manageable but more invasive treatment the next time around. It's a well researched kind of cancer, and my oncologist hopes that in the next decade there may be some more permanent cure for it.

So you can see where I'm going with this. When you hit Karlach's monologue after killing Gortash, I've never felt better understood. I have no one to blame for my condition, no revenge arc of course, but the very same fear, frustration, grief, and anger are all things my husband has heard from me. I've never seen a more beautiful and moving and real exploration of the topic that resonates with me so meaningfully out of a piece of fiction that I love. Béart's performance is amazing - capturing a whole spectrum of emotion.

Karlach's story is absolutely not incomplete as written, confirmed by both the devs and Sam Béart - a terminal condition is just that. You don't get to fix or save her, you get to go with her through tremendous trial and difficulty. If you want to continue that story in your mind that's great (I know I'm eager to do so, for my own personal encouragement if nothing else) but on it's own it's a whole story about coming to terms with something that doesn't have a quick and easy little fetch-quest resolution.

So - every time I see another whinging post/essay/bitchfest about how her story feels "unfinished" or "incomplete" or "has too much cut content" you can see why I might take it a bit personally - knowing that the life I have, the easy solutions I don't get, and the frustration and grief I live with is seen as incorrect and wrong and bad writing makes me a little pissed off. If you think the story is incomplete as told and think a 'third engine upgrade' is missing you completely missed the point.

Karlach doesn't get a simple easy ending because people like me**** don't get that either. And like my husband and the others who love me you can choose to follow that story anyway. And that's fucking beautiful.

*Yeah dealing with cancer and undergoing chemo during a pandemic was really a peach.

**XKCD hits the nail on the head here and here.

***Current treatments have good decade long prognoses... but saying 'you'll probably be fine for the next 10 years' is a lot different at 35 than it is at 65.

****And believe me I've heard from a lot of chronic/terminally ill folks who love the game for the way it represents these things and feel the same, with her Gale, and Shadowheart too.

[heartfullofleeches]

Ride or Die

Yan 🌽star + Stoner Reader

Summary: After a deal gone wrong, you text your roommate for help.

[Mentions of Weed]

-

Thursdays are pizza night.

It isn't much in the grander scheme of things, but to Brie it is the domesticity of the relationship blossoming between you. Not exactly just friends, yet still barely pushing the limits of the platonic bond you already shared before moving in. You've kissed him before, allowed him to sleep in your bed- Then again, the "kiss" was a conducting force for a mouthful of smoke you gave fair warning for him to prepare himself for; the night in your room being the outcome of him spitting up a lung moments later.

Brie didn't know what to do anymore.. Continue this little game of cat and mouse, praying somewhere deep down you feel the same way about him. Or move onto someone else, never able to give them the entirety of his heart because he knows a part of it will always belong to you.

"Why can't I cry anywhere else but the produce isle!" Brie bitterly whispers to himself as he swabs the corners of his eyes with the sleeve of his sweater. Your sweater to be more precise. He'd rather not have a repeat of last week- That sweet lady was only trying to console him, but his face gets red as the tomatoes he used for his sauce crying over what may never be.

Whatever.

As far as Brie was aware, you didn't have a partner nor anyone you were really interested in, and you practically told each other everything. Maybe somewhere along the line, he could find happiness in this in-between stage in your relationship. Even if you weren't his partner, he still had you as a shoulder to cry on and the best roommate he could ask for.

"Get over yourself, Brie- You're going to make them the greasts pizza they've ever had, and if they haven't already fallen in love with you - they'll met someone who's a shitty cook and realize what they're missing!"

Isn't that the dream? These days, it feels like you're the only thought on his mind. He can hear your voice now.

"Brie? Brieeeee~ Pick up or I'll use your full government. Heh, you know I'm messing with you. But, seriously, pick up."

Oh. That's... your ringtone. The message was one of the first voicemails you left him when he purchased a new phone. He's missed plenty of calls from you hearing it out to completion.

"You rang, babe?"

That got a good chuckle out of you the first time. It was a total blunder on Brie's end, but you insisted he keep the nickname if he wanted to. There's no jovial air coming from your end of the line. Not even a snicker as your voice picks up over the silence.

"I need your help."

Never in your years long friendship had he heard you sound so serious before. There were glimpses - swiftly desected by your infections laughter or the change of topic, but never like this.

"I'm, I'm on my way." Brie switches his phone over to his left ear, propping it up with his shoulder. "What's wrong? Are you sick? Did you hurt yourself?"

"I think I killed a guy."

The line goes dead.

Brie gazes upwards at the tiled ceiling, phone slipping from his grasp as his thumb hoovers where the end call button once was. He regains his grip on the device as a text message comes in.

Its a picture of the body. Sprawled out with their arms and legs angled in different directions.

He can't catch his breath. Brie has always tried to drill it into your thick skull he'd do anything for you no matter what - and he meant it. Taking someone's life... It's unforgivable in most people's eyes. Especially the law's. If you got caught. If he lost you- What would that mean for him? The future you had together?

Racing through the aisles like a chicken without its head, Brie makes several stops on his way to the cash register. Cleaning, household goods, cutlery. He grabs items as soon as they're checked out and stuffs them into his backpack as he pays, evading his ritual of fishing through his wallet for the exact cash and change.

Brie isn't crazy enough to run red lights. He does, however, forget his seatbeat as he floors his car home; flying just beneath the legal speed limit for the area. He speeds up the tiny flight of stares leading to your apartment - bursting through the already unlocked front door.

"Babe! Baby, in here- I brought bleach, and trash bags, and- and.... These knives should be sharp enough to cut up their limbs- We can even move closer to my parents if we have to!"

Tripping over his own words and feet, Brie dumps the the contents of his backpack on the living room floor. It's then he notices how clean the floor actually is. No blood stains, no evidence of a fight. His eyes search the room, falling upon you in an unbothered state - seated on the couch next to a shivering man nervously sipping from a glass of water.

"Brie!" Standing, you make short work of the distance between you as you swarm Brie with a firm hug. "Missed you, pretty boy. You're back a little sooner than I expected not gonna lie."

Adrenaline depleting, Brie points over your shoulder at the stranger. "I thought he was..."

"He? Oh, right!- Brie, this is Nicky. Nicky, this is Brie. He came to buy some of my stash since his med card just expired and he doesn't like buying full price. Normally I would've done it elsewhere since I don't want to bring strangers into your space, but he's heading out of town once he leaves.... If he still can."

Nicky offers a timid wave to Brie, placing his cup down seconds before collapsing on the couch.

"Don't worry, he should be fine after a little nap."

Air flows freely through Brie's lungs as he clings onto you. You aren't a murderer. There isn't anything jeopardizing things between you- besides himself.

"You're such a jerk."

Pulling away from your embrace, Brie was torn between slapping or kissing you as you grin back at him. "What? Didn't actually think I killed the guy, did you?"

"Yes?! Because of your little prank I wasn't able to get everything I needed for dinner! I was ready to throw my entire life away for you! And it's all just a big joke to you!"

"Thanks, Brie."

Tension building behind his eyes, a soft kiss to his forehead keeps the tears at bay just a little longer.

"It's nice to have someone I can depend on for anything. That's rare to come by these days. If you're ever in the same situation, but for real- you know who to call."

Sniffling, Brie rests his head on your arm.

"You're damn right I do."

[seirindono]

TMS - Author's note (Arc 1)

Today I'm stepping up to talk about TMS for a while. It's going to be a lot of blah blah, no TLDR, so hang in there or save it for later if you're brave enough, haha (¯▿¯)

So, another chapter of TMS draws to a close, with the difference that this time it's a whole saga that's coming to an end! That's a big relief for me, given that we recently celebrated the comic's 4th anniversary! That's almost the entire duration of my college life, and that's both an impressive and terrifying achievement lol.

The comic is divided into 3 arcs, each separated by an interlude. The first runs from part 1 to 8, with 201 pages total (wow!). In it, you are introduced to Mel, a young skeleton with a rather unclear past, who accidentally arrives in a a foreign timeline, along with other well known skeletons. Nowadays it's just an isekai haha. Throughout the arc, she proves to be a cautious Monster, quiet and somewhat withdrawn compared to the other skeletons we come across, notably Rus, Blue and Axe, who each got their own sequences.

Still, Mel in the last few scenes is starting to show more initiative, and the interlude will make this even more obvious, but we can expect her to open up a lot more during the next Arc, about her past, motives, goals and thoughts.

I could go on at length about what's in store for us in the interlude, but given that it's due for release sometime in 2024, I'm going to talk about the general story line instead. Although we follow Mel who is foreign to what's going on in this universe prior to her arrival, the other characters and events suggest that strange phenomena are taking place in Ebott, leading many people to become embroiled in a highly unusual affair. Crossing timelines, earthquakes, mysterious apparitions in the forest, something is afoot and the situation seems to be at a turning point when Mellow gets here.

Everyone has their own way of dealing with the situation and what to do next. Some are serious and pragmatic, like Black, others optimistic, like Blue, and others, like Papyrus, find themselves completely backed into a corner, forced to do their best to fix whatever needs to be.

A special case, however, is Axe, whom Mel meets in the forest as she investigates Mt. Ebott. The two have diametrically opposed views of their current condition. One wants to return to her world by any means necessary, regardless of the advantages of a peaceful world. The other, not so much. Both refuse to talk about their past and ignore the other's circumstances, but a sense of familiarity drives them to try to convince the other to stay or go. These are two stark positions to reconcile, and while we can expect Blue and the other skeletons to have their own views on the subject too, Mel and Axe are strangely "committed" in this interraction and resort to violence, spurred on by a unknown substance that causes Axe to momentarily lose control.

Mel is wounded, Axe unconscious, and the status quo disrupted. Other consequences follow this confrontation, and several questions are raised: Can Blue really help Mel when Axe accuses him of having already given up on going home himself? What is this mysterious entity Axe came across a few days earlier? The vibrations? What was that substance that made him go berserk? And what made him stop? Can we trust Mel and what she tells us? And many others.

Because as I'm sure many of you have come to realize, Mel has proven to be a rather unreliable narrator (or at least character since you don't follow her actual POV). Blatantly lying or omitting facts to others and readers alike, it's hard to know her next move and whether she's genuinely forgotten important infos (for it's well established at this stage that she has hazy memories and that they continue to deteriorate. The same applies to her health).

In the same way, each part of TMS so far has raised more questions than it has answered, but I can confidently say that the road is paved for Arc 2 to answer and put in perspective most of them, ahah.

Ah, this is also the moment when I can announce that ALL skeletons will be featured in the Interlude. Should be. Hopefully.

I'd also like to point out a few narrative changes for Act 2! The central characters, in particular. Original cast characters such as Undyne, Metatton and a veiled character will be more formally introduced, but we'll also meet up with characters we've already bumped into, but in a much more concrete way, such as Frisk and Alphys. I can't wait for you to get to know them! You can also expect more pov changes, more elipses and so on. Things are moving fast.

But that begs the question. When is it due? As said before, the first Arc lasted 4 years and I'm entering my last (and most crucial) year of college. I still don't know if I'll have time to get much of it done in 2025, but on the other hand, I'd like to strike while the iron's hot lest TMS be discontinued after a 1-year hiatus and my entry into the working world. Student loan, life and all. There are still plenty of things I'd like to bring to this project, and I now have the skills to actually carry them out, but on the other hand, the time involved has also increased exponentially.

Tbh with you, as an animation student, it's been one of my dreams since 2020 to do one of TMS's sequences in animatic or full anim, or even a trailer for the comic! But as a solo team, it's just unreasonable and I know it. But the parasite ----. Don't get me wrong, I could, but it would take me months and it's just not realistic when 80% of my time has to go into professionnal work that goes into my portefolio or adult stuff. I can't affort to invest time in solo-ing it or to recruit and lead a team over one side project of mine ( ´ ▿ ` ) So we'll most likely stick to classic pages.

But the same goes for collabs, community events, side stories, asks, edits, dubs, testing other platforms, regular animatics. Love all of that. Really. But I never have the time to because, man, I'd love to actually finish TMS someday ahah. It all comes back to the age-old problem of “lots of ideas, little time”, and it's so frustrating but, it's a choice I have to stick to, so bear with me as I vent my frustration. Just for tonight (´ ∀ `, *)

So, yes. Act 2. Next year? Probably? It's a long interlude, so you'll get smth in the meantime, but it's likely to decide the future of TMS and whether Act 2 sees the light of day as I imagine it or if...well, something else replaces it.

bringing back this doodle cuz it seems fiting lol

Anyway, I also wanted to thank you for your engagement with Part 8!

I don't know how other comic artists experience it, but for me it's a very isolated work, and as much as I love working alone, I enjoy the interaction with readers most of all.

Seeing people losing their mind over a serious scene, or chuckling at a dumb gag, or just simping over the characters and art. It's just great, and very rewarding. Likewise, I have a blast answering questions about the TMS universe, reading tags and receiving memes, witnessing people go increasingly mad with messages full of indecipherable screams and hearts. Makes me giggle and kick my feet everytime and I can't wait to drop the next lore bomb or funny scene bwahahah

And while we're on the subject, I'd like to say a special word of thanks to the legions of rebloggers who make it their business to spread the word about TMS. You sweet, lovely, candy scented folks. And to my dear mutuals - with whom I interact objectively so little - who have no idea how a single message or note from them drives me bonkers. Thanks for dropping by. And of course to my super Patreons who support me despite the sparse updates, but to whom I'm more than grateful. Love you all.

Sounds like a farewell message. It's not lol. Just making sure they get the love they deserve.

The post is getting long and I'm kind of done pretending I know how to write organized notes so to wrap things up, here's an exhaustive list of what I'd like to get done this year and/or discuss in more detail another day. •Make a new masterpost (for Act 2) •Analyze/Comment certain sequences from Act 1 to clarify or give context •Redraw and rewrite part 1 and 2 •Make more bonus content again *ahahahahahaha*

•Re open or close the Discord (partially abandoned and it's all on me, but I'm still mulling it over).

•Finish the Interlude and enjoy and nice hiatus

And that's about it? Congratulation for reading this and making it this far! You were there!

Be well, and see you next time.

Seirin-

First part | Prev | Next (INTERLUDE)

Ko-fi | Patreon | Comic | Commissions  | To support the comic

[sabertoothwalrus]

hi !! just curious because i was looking at your adventure time episode guide and i love hearing other peoples adventure time takes !! how come you don't like finn's characterisation in together again?

I've talked about it before here and here!

But also I'm gonna say more and share some art I did in 2021 for a rewrite comic that I never got around to doing

So again to reiterate: Adventure Time is usually VERY good at making it feel like time passes, even when you're not watching. It's something about what they don't show that tells you everything you need to know.

Together Again did not do this.

It really really felt like they were avoiding showing Finn as an adult, as if they wanted to leave his post-show life ambiguous. Which, now that Fionna and Cake has shown us literally that, it makes Together Again feel even more wrong?? Like. imagine you have to pick a moment from your life that represents You™ the most. Together Again said that Finn, after living his whole life and dying as an old man, feels most represented by how he was at 17. I do not buy this. I am 25, and I cannot fathom identifying by my 17 year old self. I was a completely different person then, I was still cooking. I can imagine most people feel the same. And ok, so maybe Finn DOES for some reason feel stuck at 17? Explain to me why!! What needed to happen to him that made him feel that way?

And before you just say "it's because Jake died," there's still too much that was left out. How old was Finn when Jake died? What was Finn like, at that point? What else had they accomplished? What was he doing at the time that was on the forefront of his mind? Where/with who did they spend most of their time? Where were they living after the treehouse got destroyed?

It was like,,, it was like the story Together Again actually wanted to tell was about Finn's grief, and how poorly he copes, and how too much of his identity is tied to Having Jake, and how he struggles to move on. But that's not the story we got. I honestly think-- as interesting as it was-- everything with New Death and Tiffany and Lich just did a disservice to the focus, which was Finn trying to get over Jake.

I think Together Again should have gone like this:

Finn and Jake had always planned that whoever died first would wait in the dead world for the other to die so the two of them could reincarnate. Jake dies first. Jake would be able to "watch over" Finn as he lives the rest of his life, so Jake wouldn't miss Finn as much as vice versa, since he'd feel like he's still there with him. Eventually, Finn dies.

Finn's appearance would change with his emotional state. I thought it'd be interesting to show different phases of his life through the stages of grief.

There'd be a room where they could watch Finn's memories. Finn would walk Jake through the events of his life. We SEE exactly how Finn dealt with grief, with heartbreak, with love, with friends, with community. All the good and all the bad.

By the end of it, Finn is quiet. "Jake... when we reincarnate, will we.. lose all of this?" "Well, do you remember anything from any of your other past lives?" "No.. But that's the point. I don't want to forget you." Finn, despite their promise, despite Jake waiting for him all this time, declines reincarnating. He doesn't want to move on, because that would mean forgetting everything. He wants to say with Jake!! He JUST got Jake back!!

“What if— in the future— what if they forget about us? What if they don’t know about all the stuff we did?” We see Ooo in its current state. It’s changed, but it’s clearly been affected by the two of them. Every person they’ve saved, every civilization they helped build, every hero they’ve inspired. They’ve left their touch everywhere. “They’ll know,” Jake says with certainty. “We’ll know.” We see the future, with Shermy and Beth. We see the Finn Sword, and BMO with all their old belongings. Everything stays, but it still changes. Will happen, happening, happened. These have always been the themes of the show. They reincarnate, together.

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: きのう何食べた? / Kinou Nani Tabeta? / What Did You Eat Yesterday?

Kinou Nani Tabeta? (which I'm going to abbreviate here to NaniTabe) is a live-action adaptation of a manga with the same name, which tells the story of two middle-aged Japanese gay men as they navigate their relationship, their families, and their professional lives, all while having some good meals.

Do you want something nice? Do you want a show that's just ... nice? Not saccharine, not cloying, not reductive, but just cozy and kind? This! This is what you want. Every episode deals with some events in their lives, and then the action will pause once or twice while someone demonstrates how to make a meal. There's no real overarching plot. You just get to peek in on them every so often and see how they're doing.

...Shit, I'm just going to steal the GagaOOLala second-season synopsis, it's perfect:

Shiro Kakei and his partner, Kenji Yabuki, live a life full of some hardship but mostly happiness together, with Shiro's speciality cooking affordable and delicious dishes. As they turn 50, they begin to experience different changes, but Shiro and Kenji are still gentle with each other as they move on to a new stage in their lives.

So here I am, a middle-aged gay who cooks affordable and (mostly) delicious dishes and treats my partner gently, serving you a five-course meal of reasons that you should watch this show -- especially if you too are a middle-aged gay, in which case I'd say this goes straight from "should watch" to "unmissable."

1. Help, my face hurts from smiling too much

Prepare to get your heart warmed whether you like it or not.

Kakei Shiro, the main character, is a closeted gay attorney in his forties whose main likes are cooking and saving money. He lives with his slightly younger boyfriend, Yabuki Kenji, who is a very openly gay hairstylist. They're an incredibly unlikely couple who somehow manage to make a relationship work, kind of to their mutual surprise.

I called bullshit on the show early on: This relationship is cute, I said, but this is not the behavior of guys who have been together a decade. But as the show unfolded, it became clear that I was so wrong -- their behavior is perfect, because these middle-aged boys actually haven't been together nearly that long. In fact, once you finally get the story of how their relationship started, yeah, it explains a lot of their insecurities and awkwardnesses about one another. Combine that with how Shiro's a neurotic mess who absolutely does not want anyone to know that he's gay, while Kenji lives on eggshells for fear of rejection, and it all starts to make sense.

It helps that the two leads have incredible chemistry. Not in a horny way, mind you (the show is incredibly, and intentionally, nonsexual, but more on that later), but where they genuinely make one another smile and laugh. Nishijima Hidetoshi plays Shiro as an anxious mess who slowly learns to become at least a little more comfortable in his own queer skin. I have a t-shirt that says Oh, Honey and I want to put it on every time he does something.

Meanwhile, it would have been so easy to make Kenji a caricature, but Uchino Seiyou skips right past the stereotype and plays the behavior that the stereotype comes from. He minces his way along as Kenji so perfectly, I was surprised to find out he's married to a lady in real life. He's got to be doing an impression of someone he actually knows, because his faggotry is just too accurate.

Their relationship is far from perfect. They're capable of annoying the tar out of one another, sometimes on purpose. They keep secrets and avoid talking about feelings. They get jealous over completely irrational things. They want things the other person isn't comfortable giving. They get into petty little arguments over petty little shit.

And because of all that, it feels real.

Also, if you're one of those Jane Austen bitches who swoons every time lovers scandalously brush knuckles, well, here you go.

2. Surprisingly educational about the state of gay life in modern Japan!

This is not incidental: Like the manga, the show uses this cute food-based story to present a fairly realistic snapshot of what it's like to be a middle-aged gay couple in Japan right now.

Like the manga it's based on, the show goes out of its way to be incredibly nonsexual, to the point where Kenji and Shiro barely touch, much less kiss or even hint at getting naked together. It is very consciously and deliberately attempting to counteract the stereotype of the hypersexualized, salacious homosexual by presenting two gay men who are delightfully mundane.

It is not, however, homonormalization. There's no attempt here to make an argument that gay people are just like straight people, only with incidentally matching genitals. Every time someone falls prey to the pressure to conform to cishet gender norms, it ends badly for them. While the first-episode conflict establishes that Kenji tops, he's also the fruity hairstylist who does the housekeeping. Shiro's the straight-passing suit-and-tie guy, yet he's the one who cooks and goes grocery-shopping. They have a division of labor based on personality traits, not gender roles. In fact, their relationship as presented challenges a lot of those norms by decoupling gendered expectations from the necessities of everyday living.

(This isn't even just me getting my queer studies goo all over everything! Allow me to be a good academic and send you to two people who've done even more thinking about this than I have: the unfortunately paywalled "Queer Cooking And Dining: Expanding Queerness In Fumi Yoshinaga's What Did You Eat Yesterday?" by Katsuhiko Suganuma, and the more freely available "Queering the Palate: The Erotics and Politics of Food in Japanese Gourmet Manga" by Keiko Miyajima.)

Every so often, one of the episodes' conflicts will have to do with how gay people in Japan do not have equal rights and protections under the law. This doesn't just mean they can't get married -- not having a spouse and children actually messes with a lot of legal stuff, including inheritance and government assistance. Sometimes the show will even take a beat to have one of the characters explain to another what a certain statute says. Changing laws about same-sex partnerships even get factored into the story!

And sure, I don't know these things, but I bet a lot of straight people in Japan don't know these things either. Well, if you watch the show, now you do!

It's important that no one is ever outright shitty to Shiro or Kenji. No one calls them slurs or hate-crimes them or refuses to serve them at a business or anything like that. In fact, the majority of people they encounter are perfectly chill and even outright supportive. The most serious challenges they face are bigger than individual people being dicks. They're about systemic barriers to equality.

That said, there are still plenty of instances of individual people being dicks -- just not maliciously. In fact, most of the homophobic sentiments in the show come from the mouths of people who are otherwise supportive of Shiro and/or Kenji! These nice people seem like they're way okay with the gay ... and then they let slip that, no, they're actually not as okay with it as they think they are.

And I love that the show includes that, because I know that feeling way too well. When these things happen, our boys don't throw a righteous fit or cut the offender off completely. They just ... absorb the blow, sigh quietly, and keep going with the belief that the person in question means well. It just sucks, you know? It sucks to have to know now that your straight lady friend who thinks it's great that you're gay would be uncomfortable if her daughter were a lesbian. You're not going to stop being friends with her, and you're not even going to hold it against her, but it lives in your mind now, and you're going to add it to the I Am A Disappointment To My Parents rotation of intrusive thoughts.

Speaking of parents, Shiro's incredibly fraught relationship with his aging parents is hands-down one of the best parts of the show. They love him, he loves them, but they don't always know how to love one another. As their childless only child, Shiro finds himself having to support them in spite of a lot of hurt they've caused him because of his sexuality. He would in many ways be justified in cutting them off -- after all, many other gay people in the show no longer speak to one or both of their parents! Shiro wants to keep them in his life, though. He'll just have to learn how, for his sake and for Kenji's, to lovingly set boundaries.

This, to me, is the most important lesson a show about boring gays can teach a straight audience: There's always a background level of suck. You can be as chaste and normie and regular as you want, but you'll never be normal, because there's literally nothing you can do to erase the background level of suck.

It's easy to reduce someone else's oppression to Big Bad Events, and then to assume that the absence of these Big Bad Events means that oppression has ceased. That's like thinking there's nothing left that needs to be done about racism because the US had a Black president and you've never personally seen a cross burned on somebody's lawn. Once other people's oppression stops being Big Bad Events, it becomes Everyday Stuff You Can Ignore. And that's worse.

NaniTabe pushes back against this in two directions. The first is to show gays who are not miserable, but are instead living happy, fulfilling, and exceedingly regular lives on their own terms. The second is to give reminders that what gay-related misery they do experience largely comes not from their being gay, but from society's giving them shit for being gay. This misery doesn't destroy the happiness, but neither does the happiness make the misery go away.

By the way, this is true of any non-normative identity! The gays do not have a monopoly here. There's always going to be a level of suck when you don't inhabit an area of privilege, and it's very easy to be unaware of someone else's background level of suck when you yourself do have that privileged status! One of the best ways to become aware is to listen to stories about people unlike yourself! Hooray for empathy and learning!

3. tfw your bffs are straight-up freaks

If you're queer, and especially if you're queer and the vast majority of the people around you aren't, you know all too well that sometimes you wind up being friends with people you'd never associate with otherwise, except that you're queer and they're queer, and buddy, if you thought the queer dating pool was shallow, the queer friendship pool can sometimes be even worse.

That's how you get Kohinata and Wataru.

When I said earlier everything about how nonsexual and normie the show is, I was intentionally glossing over whatever the hell is going on with Kohinata and Wataru, the bizarre boyfriends who become Shiro and Kenji's gay besties. You know that couple where you think, I cannot imagine how this relationship works because if you were my partner I would want you stab you every minute of our lives, but it clearly does, so I'm happy for you both? Yeah, that's these two.

The elder of the pair, Kohinata, is a butch, severe man -- except when it comes to his boyfriend, the much younger and worse-behaved Wataru. Then he's reduced to a complete simp, catering to Wataru's every whim. Wataru knows that throwing a tantrum and being bratty is the way to get anything he wants from Kohinata, so he's just a little shit recreationally. He loves saying bitchy things and pointing out people's flaws, while Kohinata chides him ineffectually.

And I love how much this is totally a sex thing for them, except that when you put it in the context of an otherwise extremely PG-rated show, the kink of it flies completely under the hetero radar. Ha ha, look how generally funny these two weirdos are! While Shiro and Kenji are over here doing the thing where somebody calls their partner "master" in front of you, and you're like, I wish you wouldn't.

Their presence is great for the acknowledgment that gay people can be maladjusted freaks in a whole spectrum of ways! They also make the point that a great deal of your ability to openly be a maladjusted freak is related to your job and your level of wealth. Wataru works from home and Kohinata works with celebrities, both of which bring in high incomes and allow for way more deviance from social norms. They're in positions of privilege that allow them to be themselves, but the price of being themselves is that they're always going to stick out in a society that values harmony in sameness.

By contrast, Shiro's good-but-not-great-paying suit-and-tie job means he has to behave. Because of this, he has plenty of angst about being Not Gay Enough, through which the show reinforces time and again that not all gay existence is about barfing rainbows. You're still a valid homosexual even when you're a dull one.

So just remember: When you feel like you're not queer enough, remember that there are always worse queers out there in the world. Oh, they're not worse at being queer. They're just worse in general.

4. Itadakimasu!

This show, like the Sleuth of the Ming Dynasty and Otoko Meshi, is a food-centered show that is very dangerous to watch if you're hungry, so be prepared! Snack first!

It's also got actually followable recipes! Unlike those other food-centric shows I've done recs for, this show actually gives pretty precise measurements, lists all the ingredients, and walks you through basically the whole process. Aside from a few "add the incredibly Japanese thing I bought premade at the store" steps, Shiro's cooking methods are replicable at home.

...It is here that I should probably put up a warning for the occasional bout of very Japanese-typical and gay-man-typical fatphobia, which can be a heck of a combination. I don't think it's a dealbreaker, but you should be aware of it going in. However, I will say that the show almost always comes down on the side of positive moderation: Sometimes you need to eat like you're an aging homosexual watching your cholesterol, and sometimes it's a special occasion so you should enjoy yourself without guilt. It also never once conflates "eating healthy" with eating disappointing meals. If anything, it's mostly just being honest about what happens to your body's relationship to fried food when you hit your forties.

The other nice thing is that Shiro's not some trained chef. He makes good food, but he's a dedicated amateur at best. There's not a single super-fancy technique in anything he does. Much of the time, he's just winging it, combining techniques he knows with what he's already got in the fridge. Sometimes he uses recipes he found on the internet. Occasionally he cooks alongside other, more experienced people and learns techniques from them. Once in a blue moon he just tries a thing to see how it works. (Of course, he does have the unfair advantage of being fictional to cover for how none of his meals ever turn out bad, which, you know, must be nice.)

Sometimes you even get to see other people cook when Shiro's nowhere around! Some of them follow instructions to the letter, while others just sort of wing it with whatever's on hand. And that's okay! For a show so much about cooking, it is very unpretentious about food. The manga drives home even more strongly the point that you don't need fancy meals and a million perfect side dishes to be content. It's great if you're perfectly happy microwaving a pork bun! What matters is that it works for you and your family.

...Now can we please convince subbers everywhere to translate "Itadakimasu!" as "Itadakimasu!"? Please? I think my favorite bad choice is "Bon appetit!", which, okay, good job, you took an opportunity to teach English-speakers a non-English phrase that has no good English translation, and instead you chose to bank on their extant familiarity with a different non-English phrase that has no good English translation. Just keep it what it is. It's just something you say before you eat. It's obvious from context clues. I promise.

5. Makes you, an aging queer, feel real weird about some stuff!

Over the course of the show, Kenji and Shiro go from their early/mid 40s to pushing/over 50. Their parents age, have health scares, and even sometimes die. They deal with losing eyesight and hair alike. They get promoted. They make household budgets and purchases. They worry about saving enough for the future. They work late. They go on vacation sometimes. They wear the same clothes they wore a couple episodes ago.

However, they do all this while also wrestling with their unequal status as gay men in Japan. All their discussions about retirement are colored both by Kenji's tendency to impulse-buy ice cream and by the fact that they can't get married. The choices Shiro makes about his job rest both on his desire for a good work-life balace and a fear that his profession would react badly to his coming out. They have to make all the normal decisions expected of men their age, and then they have to make all the extra decisions to compensate for how "normal" doesn't account for gay.

To pick one issue running throughout the story: Shiro is an only child who is himself childless. This comes up fairly often, in fact, as various circumstances make him aware time and again that he's not making his parents into grandparents, and he won't someday have someone to take care of him like he does for them.

The first time the show brought this up, I thought it would be a one-and-done thing, where the conclusion of the episode got to be that Shiro learns to be happy without being a parent, the end. Nope! It isn't a constant stressor, but it never goes entirely away. Shiro is happy with his life, but he's also reminded that he's failing to live up to social standards. He doesn't want to be a dad. Or does he? No, he actually doesn't. But he also doesn't want not to be a dad, if that makes sense. He doesn't want to disappoint everyone by not having a wife and children, but at the same time, that disappointment isn't enough to force him back into the closet. But it's always going to be seen as a failure on his part.

As a middle-aged queer with no kids, yeah, I feel that hard. I don't want kids! But I also don't want to not have kids. I know I'm always going to be a little bit of a misfit in my family compared to my siblings, who are all parents now. Besides, I think about all the things I do for my parents, and all the things they did for theirs, and yeah, it kind of scares me to know I won't have that when I get older. And we're just basic-ass white people! Japan takes filial responsibility to a whole 'nother level!

So I really, really like that this show doesn't resolve that tension. Shiro has chosen what's right for him. It just also sucks sometimes. The honesty of that narrative is refreshing. Sometimes your best choice still kinda sucks. Sometimes the only way to get closure is to say, you failed me and I failed you, so we're even.

It's a frequent thing for the show to present the realities of people's lives and choices, and to say, maybe this isn't everyone's perfect solution, but it's the right decision given what the circumstances will allow, and you are still allowed to be happy despite the imperfections. It's not that you need to settle for less than perfection because you're gay -- everybody settles! Everybody makes choices and then has to live with the consequences of those choices. You'll never know if things could have been better if you'd done something different, but that doesn't stop what you have right now from being able to be pretty damn good.

I'm not going to say you must be a middle-aged queer to watch this show, because did you read the whole part earlier where I talked about how you should consume stories from experiences that are not your own? Right? Right.

I will, however, say that if you are a middle-aged queer, a lot of it's likely going to hit real close to home, and often in uncomfortable ways. I've seen a couple people say they had to take breathers after some episodes. I know I've been left chewing over a few things in the days and weeks since watching. There are definitely parts where you're laughing because you know exactly what that feels like, and if you don't laugh, you'll do something else.

But you know what? I like that. It can be nice to see people go through situations similar to yours and emerge realistically happy. It's nice to be able to laugh about things, or to know that you will laugh about them someday. The world is fundamentally hostile, but there are people who love us and watermelons are on sale this week, so instead of despair, let's have lunch together.

bonus: porn!!

I want to make it clear that the mangaka isn't some erotophobic dishrag who fetishizes gay men so long as they don't have any of that icky nasty smex. Oh no. The proof that NaniTabe's sexlessness is intentional is how Yoshinaga Fumi made six fairly explicit pornographic side stories that fill in some of the sexy gaps in the larger narrative. You can read all six volumes scanlated right here! ...though if you want to avoid spoilers, I'm going to recommend you wait to dig in until after you watch the show and/or read the actual manga to the appropriate points.

Enjoy the confirmation that Shiro is a freaky size queen (at least in theory, as is the case with maybe most freaky size queens).

Are you hungry for this show yet?

Tragically, this one's a little hard to watch. If you're in Japan (or you have a VPN that can fake it), you can see the first season on Netflix. Otherwise, the preposterously named GagaOOLala is probably your best bet. The watch order goes like this:

Season 1

the New Year's Special

the Movie

Season 2

While the two movies and the second season require a subscription, the first season is available for free. So if you want to give it a try, you've got a whole twelve episodes to see if you like it!

Maybe it'll get a third season someday? We can hope! After all, there's still much more manga left to adapt! All I know is that I'm very sad that I've run out of new installments of it to watch, and I look forward to going back and starting again from the beginning soon.

...Boy, it's funny to see behind-the-scenes shots and think, wow, they're so much snugglier in real life! That's how not-snuggly the show itself is! You think I'm joking but I'm not!

[venerawrites]

Hello! I'm in love with your work ❤️ I was wondering if you could do a scenario where Gaara's girlfriend/fiancée gets hurt on a mission protecting Kankuro?

author's note: You have the patience of a saint and I am so thankful not only for this amazing idea, but also for your continuing support! I think this became a lit bit more angsty than intended, but I still hope you enjoy! <3

There were many moments in Gaara's life when he felt dislike toward his siblings. Most of them took place in their younger years, during which he was isolated by his father and grew to see them as nothing more than strangers, who just so happened to be related to him by blood.

The turning point in their relationship was his encounter with Naruto. Building bonds at such a late stage was not an easy task - especially since he could tell both Temari and Kankuro were still somewhat scared of him - but he was just as motivated to do it, as he was to prove himself to everyone in Suna. So while it did take some time, he started to get to know his siblings more and get closer to them.

He loved his sister, he truly did. She was smart, strong, and independent and the young Kazekage couldn't be prouder of her. She was the wisest of the three, always there to listen and provide her opinion when he needed it the most. He could trust her with anything that was laying heavy on his heart or mind, and she never judged or criticized him.

The bond he shared with Kankuro, however, was completely different. Gaara considered him as his best friend and right hand, and while he did not admit it out loud, he was closer to him rather than Temari. In his head, he justified it based on the fact that they were both male and that he didn't really have that much time to build a close relationship with Temari, as soon after the war she moved to live in Konoha and live with the Nara.

Since Kankuro was the only one left in Suna, it was only natural for them to grow even closer. Despite their differing views on many topics, sometimes including what is best for the village, the red-haired shinobi trusted him with his life. This was the reason why he was always assigned as your partner when you had to do missions outside Suna - he knew that no matter what, his brother would do anything to protect you.

Or at least he thought he knew.

As he observed your bruised from in front of him, his eyes narrowed once they landed on your arm sling. Your mouth kept moving, but your explanation fell deaf on his ears - all he cared about was the fact you stood before him with a broken arm and numerous cuts and bruises.

"-so we were greatly outnumbered! So my arm was broken in two places, but luckily the nurse said it will be only 12 weeks till-"

"Where is Kankuro right now?", this was the first time he spoke since you started giving him detailed account of what went wrong on the mission and the roughness in his voice did take you by surprise.

Furrowing your brows, you tilted your head to the side, a flicker of annoyance flashing in your eyes. You specifically told your fiancé that his brother was dealing with all the paperwork downstairs, which is why you have decided to come here and attend the debriefing meeting by yourself.

"He is in the office downstairs, doing the-"

Interrupting you once again, Gaara knocked loudly on his desk, his subtle signal that he needs the attention of the guards outside. The door opened and one of them peeked his head inside, bowing slightly as a sign of respect to the village leader.

"Bring Kankuro up here", the Kazekage said, while placing his elbows on the flat surface in front of him, "Now."

The masked guard nodded his head and closed the door without another word. You stood frozen in your place, silently watching him and trying to understand what was up with him. His expression remained stoic, while his shoulders were slightly up, a sign of how tense he was. He couldn't even bring himself to look at you, as his pale eyes remained fixed on the wall behind you.

"What is this about?", your voice was laced with irritation as you rested your free hand on your waist. He briefly glanced at you, before letting out a heavy sigh and closing his eyelids.

"I don't know what you are talking about."

Faking ignorance was definitely not his strong suit and your gritted your teeth in annoyance at his behaviour. Gaara was a fairly mature man - sure, he did had his childish moments sometimes, but given that he did not had a normal childhood, you excused his odd behaviour in the rare moments it occurred. In fact, most of the time it was easy for you to understand what was wrong without him even telling you, as he has never been that good at hiding his emotions.

As you studied him now, however, you were completely lost. The mission was success and while you and Kankuro did get ambushed by eight ninjas at once, you managed to get away relatively uninjured.

Well, if you excluded your broken arm.

"Is that because of my injury?", you felt suddenly enlightened at what the problem may be and given the way his jaw clenched, you knew you hit the jackpot. Gaara has always been fiercely overprotective of you, not only because you were his fiancée, thus making you the target of many rogue ninjas, but also because you were the one person he could not afford to lose.

Before he can reply, there was a faint knock on the door, followed by your partner's low "Enter". The door opened and Kankuro stepped into the room, his lips curving into a small smile once his eyes landed on you. The moment he turned his head to his brother, his whole face fell and he cleared his throat, before bowing his head.

"Kazekage-sama", he greeted in a small voice, almost ashamed. Gaara did not return the greeting, instead moved one of his arms to motion to one of the chairs on the other side of the desk. Understanding his silent request, Kankuro slowly dragged his feet to it, buying himself time to come up with good explanation of what went wrong.

The puppet master may be a lot of things, but stupid was not one of them. The boiling rage behind his brother's eyes was easily recognisable for him, even if his younger sibling was trying to mask it behind a cold and stiff expression.

"What did I tell you before you left?", the Kazekage asked, while leaning forward. Kankuro gulped at the question, focusing his attention to his fidgeting fingers in his lap, while you moved closer to the two males, eager to finally get some clarity.

Did they make some kind of secret deal without you knowing?

"Answer!", Gaara barked, his patience running thin and both you and Kankuro jumped at the unusual loudness of his voice. The Kazekage, who was always so calm and collected, never raised his tone like this.

The painted man cleared his throat, before lifting his gaze and trying to offer a diplomatic response:

"Well, technically you said a lot of stuff..."

The red-headed shinobi scrunched his nose and his lips twisted into a scowl, obviously unhappy with the answer he was given. Sensing there is a storm brewing, you sat on the other available chair next to the puppet master, while your attention kept jumping between the two men. At this point you felt like a third wheel to their discussion, even though it was obvious that you were somehow connected to the topic.

"Is anyone going to tell me what is going on?"

They both ignored you, instead continuing to stare at each other, one with clear distaste, the other one - with shame. One long minute passed, during which you felt all three of you will suffocate because of the rising tension.

"Your future brother-in-law is incompetent and useless fool", Gaara finally broke the silence, moving his focus toward you, "is what is going on."

Without the chance to even assimilate what he just told you, your head whipped to the side once Kankuro slammed his hands on the desk, his face twisted in a mix of frustration and guilt. He glared draggers at his brother, yet the slight tremble of his bottom lip hinted that he was more afraid rather than angry.

“It’s not my fault! I have only one head, you know?! I can’t have my attention and sight at everything! She jumped behind my back and I didn’t even notice her before it was too late!”

Your lover shook his head, a disgusted scoff leaving his lips.

“Thank Kami you don’t have more than one head! You don’t even use this one, I can’t imagine what it would be if you had more”, the mockery in his tone soon left and was replaced by annoyance, “I told you to keep your eye on my fiancée and keep her safe! At. Any. Cost! And here she is, covered in bruises and injuries, with a broken arm!”

Hearing his words, your jaw fell. Now it was your turn to look at him with disgust. Did he think you were that weak and unskilled, he had to ask his brother to supervise you?

“Wait”, you closed your eyes , trying to gather all your thoughts together, “You ask him to keep his eye on me?”

The note of disbelief in your voice finally caught the attention of both males and they exchanged a look, before turning toward you. Gaara's face softened and he cleared his throat, but the moment he opened his mouth to answer, Kankuro beat him to it.

"You bet he was - "Don't let her out of your sight!"; "Don't let her fight unless absolutely necessary!"; "Make sure to escort her everywhere she goes", the puppet master recited the list of orders given to him by his brother. With each sentence, your breathing became more and more rigid, while your lover burned holes at the other man's head.

Did he take you for some kind of helpless damsel in distress that needs constant protection? Of course, as the partner of the Kazekage you knew it would be hard to separate your personal life from your work, but you always tried your best to keep things between you professional on the workplace. Learning he has been giving directions to Kankuro behind your back, when he specifically promised you that he would treat you as any other sand shinobi, did feel like a low blow.

"I can't believe you!", you scoffed, turning your attention back to Gaara, "You promised me you won't interfere in my missions!"

"It's not like that", your lover sighed, pinching the bridge of his nose. He was worried about you, was that a crime? The world out there was dangerous, especially since he had enemies everywhere and the fact you did not seem to appreciate this frustrated him to no end. Why can't you just understand?

"Should I leave?", Kankuro looked between you awkwardly, his hands already gripping the edge of the stool so he can lift himself. Deep down he knew that maybe he did say more than he was supposed to. So far he always kept the arrangements he had with his brother private, but as he felt almost cornered by you and him, it wall just... slipped out.

The Kazekage nodded his head, but not before mouthing "I am not done with you" to his sibling. Once the door closed and you were left alone in the room, his focus landed back on your fuming form.

"My love-"

"You promised!", you interrupted before he can butter you up and make you question the reasonableness of your anger, "Do you doubt my skills as a shinobi? Do you not trust I can handle myself?"

He winced at the tone of your voice and he briefly glanced at your arm sling, before looking back into your eyes. Taking a deep breath, he stood from his chair and walked around his desk, so he can sit at the place previously occupied by Kankuro next to you. While his hands itched to reach out to you and just take you in a hug, he held himself back, choosing to rest his palms on his knees instead.

"Love, you are one of the most skilled and powerful sand shinobi", he started, carefully choosing each word, "I know you can handle both yourself and your team! But I am worried about you - you are the fiancée of the Kazekage, the dangers are-"

You shook your head interrupting him once again mid-sentence. Pressing your tongue against your cheek, you tried to control the urge to just stand up and leave. He had shared his worries with you before and while you understood his point of view, you felt like he didn't even try to get yours.

"Do you know how embarrassing this is? No wonder everyone in the team treats me strangely", you huffed, "I am your fiancée, but I also your subordinate and you are my leader and employer. You can't just... interfere with my work like this!"

Leaning back against the chair, you buried your head in your hand and waited for the long excuse which you knew was coming. It was not the first time you have discussed this and you also suspected it won't be the last.

"You are right. I shouldn't have done that", he said after a minute of silence, "I am sorry."

Here it goes-wait! ... Did he really said he was sorry?

Lifting your head almost cautiously you eyed him with a mix of suspicion and surprise, not expecting for him to apologize. While he was often good at self-reflection, it was no secret that apologizing was not really Gaara's thing- in the rare occasions when he was wrong, he always found a way to justify his decisions and actions, because the truth is, he did always have good intentions.

"Are you really?", the question came out sharper than you intended and once you saw him flinch back, you reached for his hand, your anger disappearing almost immediately. You rubbed small circles on his skin with your thumb, while you decided to be honest with how you felt.

"Look, I am just... Other ninjas are already thinking that I do get special treatment because we are together. And when you specifically ask them to act as my protectors, even if it is just your brother, it doesn't really help my case. I can take care of myself."

Gaara's pale eyes fell down to your broken arm before lifting to your face again, one invisible brow raising. You clicked your tongue while rolling your eyes at him.

"Hey, don't give me that look! I saved my teammate as any shinobi would do!"

He looked at you for a few seconds, before finally letting out a sigh and he brought your hand to his lips, placing a gentle kiss on top. His lips lingered there for a few seconds, before he pulled away, resting his chin on your intertwined fingers.

"I hate seeing you hurt", he finally admitted, "But you are right, I just... I can't help but think the worst every time you go away. I can't lose you! I really can't!"

"And you won't!", you squeezed his hand lovingly, your voice falling down to a whisper, "But I need you to trust me. Okay?"

The corners of his mouth twitched into a small smile and he leaned forward, placing his forehead to yours. If there was one thing you both hated doing, it was fighting. You felt his arms sneaking around your shoulders, carefully pulling you closer to him so he avoids hurting you. Before you can fully relax in his embrace, however, you lifted your head, searching his eyes:

"And no more scolding for Kankuro."

His body tensed and his expression twisted in disatisdaction.

"But-"

"No", you gave him one of 'your looks' and he watched you with a blank expression for a while, before he let out a huff and slowly nodded his head.

"Fine."

Little did you know, that while there was no scolding, their "talk" did take a long, long time afterwards... and maybe Kankuro was forced to give a few secret additional promises.

cc artwork: Ankush Sharma

[ziorre]

✨Commission info✨

I'm ready, I'm rested, I'm refreshed! And I'm completely charged to take care of your new ideas and characters!! I truly believe that every character is awesome and original and deserves to be shown with their own story! And I'll try to help you with this in a way that is more convenient for you! You just pick one below ;)

✨ PRICES:

- SEMI-REALISTIC STYLE (for the cases, when you want it looks more real without much stylizing)

- USUAL STYLE (for the cases, when you don’t mind it looks more stylized and a lil sketchy)

- CONCEPT SHEET (for the cases, when you want to present your character, their outfit and props)

* you can find more examples on my page by the commission tag ** a helpful post describing a right order for your refs

✨ DEADLINES: After you DM me with a brief description of your idea, I’ll tell you the approximate date when I’ll be able to proceed with your commission  !!!!Always warn me in advance if I need to draw art by a certain deadline!!!

✨ PAYMENT:  What: USD or RUB When: full pre-payment (when you sent me the email and we approved the art idea) Where: Boosty/Hypolink (russian platforms, support payment via PayPal)

✨ PROCESS: You write to me in private messages on Tumblr, briefly tell me your idea of our future art, what style and what slot you want (full body / half body / bust). Then I give you my email address and you send me an email (with your Tumblr name as the topic please) with all necessary references (your character's face claim, their pose, clothes, background etc.). You describe the idea of the art in details, where it takes place, and other things that I need to know so that I can base the sketch on all that info, because after you approve the sketch, I don’t change art much in the further stages of the work, just some details. I send you the payment link on my Boosty page. Send you the sketch. After you confirm that you like the sketch, I finish the work and send it on your email😊

✨ OTHER: - I don’t correct the art after you approved the finished version. - I don’t copy other artist’s work. - I publish every commission on my social media, if you don’t want it to be published, just let me know. - If you’re not sure about the art idea, I can suggest you 4 sketches with different poses/concepts/angles for extra $20 and you pick the one you like the most. - For significant corrections or a lot of small ones at any stage of work, an additional fee may be charged (this doesn’t apply to some small adjustments or details witch I missed). There are 3 free changes at the each stages of the work (sketch, finished version), further - $2-$5.

___________________________________

And of course I can't skip to say a huge thank you to those who commissioned and continue commissioning art from me! It means a lot! For real! This is not only material support, but also moral one, saying that I’m not wasting my time and energy in vain, that I’m moving in the right direction, that people like what I do! I can't tell how inspiring it is!! 300 commissions! I’ve never imagined that one day I would draw so many art for others! Just.. wow!! Thank you again so much for trusting me bringing to life your ideas! I truly appreciate it!😌

____________________________________

I think this is it, right? If you have any questions, feel free to DM me ;)  

I’ll be VERY grateful for your reblogs!! ❤❤❤❤❤❤ (and thank you very much for this in advance, it helps me A LOOOOOOOOOT, you are the ones who keep me alive literally! I see each and every one of you doing that! You’re the best!!!) Thanks for your attention! Have a good day =)

[harmonic-intervention]

Please find me, I'm hungry

Well.

Tommy has a tramp stamp now. Buck kinda goes insane over it.

We're past the fix-its! Have some smut instead! This is the complete version of this post. Moving further in my mission to give Tommy things I think are hot - like eyebrow scars and tramp stamps. Have fun.

Word count: 13,147 - PWP, tattoos, dom/sub undertones, possessive behavior, cum play

Excerpt:

When they got back together, Hen, with a sly little grin, had teased Buck about them being all over each other. Buck had rolled his eyes, dropped his head, and knocked his knuckles into her shoulder. He got razzed all day by the others, because yeah, he and Tommy had a pretty active sex life before, and Buck had come into work with hickeys on his throat more than once.

Only it was different this time. They’d decided to take their time, and work their way up again. Buck was too giddy about holding Tommy’s hand again, he didn’t think he could handle anything more.

They did dates, and dinners, and hang outs. They didn’t even sleep over at each other’s places when they met up there. When they kissed, they kept it strictly above the waist.

His friends would never believe him if he told them. Hell, Buck wouldn’t have believed himself a couple of months ago! But all in all, Buck didn’t mind this. They had agreed to slow it down, not to rush ahead like they did the last time, where they’d skipped so many steps. It was nice, actually, really nice to do it like this.

Buck found out more and more about Tommy, saw things Tommy hadn’t shown anyone before, and he only loved Tommy more for it.

They navigated through their re-budding relationship, and Buck had never been this happy before in his life. And things were moving, steadily, felt so natural and easy in a way Buck had never thought it could. Even the harder conversations they finally had with each other seemed easy, their words flowing and miscommunication left behind.

Slowly, they made their ways through the stages and bases. Touching above clothes, getting below the belt. Tommy didn’t take his shirt off around Buck, and Buck would admit that was surprising. Tommy really didn’t have any qualms showing off, at least he hadn’t used to.

But then things got a bit suspicious when Buck noticed that Tommy didn’t seem to like him touching the small of his back all of a sudden. He was subtle about it, Buck had to admit. Like when he put his hand there, Tommy took his wrist and pushed it further down, and Buck was always up for that. Tommy had a great ass. But he also had a really nice back, and Buck liked pushing his hands under his shirt and trace along the line of his spine, and after the fourth time that Tommy shied away from the touch, Buck finally voiced his suspicions.

“Are you okay?” he asked, taking a step back from the kiss they had shared in his kitchen.

Tommy looked a little dazed, and okay, maybe it’d been more than just one kiss. Maybe it was more, maybe Buck had pushed Tommy up against the counter and thought about how he could convince him to climb up so Buck could stand between his legs, feel the insides of his thigh press against his hips.

“What?” Tommy asked, and Buck, for a moment, got distracted by how red and full and spit-slick his mouth was.

“Don’t you- you don’t want me touching your back? That’s okay, but is everything alright? Did you get hurt?” Buck got momentarily worried. He hadn’t thought about that. But they had agreed to be honest with each other, so if he was doing something that hurt Tommy, he needed to know. If Tommy had gotten hurt, he needed to know.

There was a blush high on Tommy’s cheeks when he shook his head. “Uh, no, I’m good. Not hurt.”

Which was a relief. “Then what’s going on? Is this a new thing? If you don’t want me to touch you there, that’s fine, but- it wasn’t a problem before, right? Did you not like it?”

“God, baby, calm down,” Tommy said with a slight laugh. “No, I liked it fine. But, uh … something changed.”

Buck furrowed his brows. “Like what?”

If anything, Tommy blushed harder. He pushed off the counter, made Buck take a couple steps back. He put his hands on the collar of his shirt as if to pull it up, but before he did that, he locked eyes with Buck.

“Okay, but you have to promise not to laugh.”

“O-okay, I-uh, I promise?” Buck said, but it came out more like a question.

It seemed to be good enough for Tommy who pulled the shirt over his head, and Buck would be lying if he didn’t immediately try to look his fill. It had been a while since he’d seen Tommy shirtless. And God, those pecs, the hair between them, that fucking happy trail …

Then, Tommy turned around, and Buck’s mouth dropped open. He blinked, stared, tried to form words. He felt frozen, because he had not expected this, because well.

Well.

Tommy had a tramp stamp.

[continue on ao3]

[highdio]

Pleeease, write your thoughts about the musical lol. I really like your Dio meta posts <3

Just a disclaimer: this is really opinionated but I don't like to drag media for its own sake. There were lots of things to like in the Phantom Blood musical, just ... Dio wasn't one of them. Also, Mamoru Miyano threw himself into the performance he was asked for, so it's hardly his fault. It's just always amazing to me that people feel the need to rewrite Dio into someone else when the way Araki's written him is already perfect, complete and a lot of fun.

So, where to start? Basically, the Phantom Blood musical re-writes Dio, giving him a different personality and different motivations through OOC stage direction along with a bunch of original dialog and scenes. What results is a version of Phantom Blood where "Dio" is just a normal guy without charisma who had a bad childhood and spends most of the story being miserable. Dio as he's written in canon has an uncommon charisma and appeal that's allowed him to remain relevant as one of those 'all-time great' villains. Scene after scene in the musical prove that its creative team either didn't read the manga or just really didn't like Dio.

fwiw Araki wrote Dio as thoroughly fleshed-out, with consistent traits and behaviors and consistent motivations behind his actions. He also left a paper trail of interviews and author's commentaries that develop Dio even more fully beyond the manga. So there's really no excuse for media that treat Dio as some sort of empty vessel waiting to be filled by narrative cliches we already know and expect.

It's annoying too, because, along with its OOC content, the musical is peppered with occasional manga-consistent moments. It's like the musical is camouflaging its Very Bad Take on Dio by having Mamoru Miyano periodically re-enact the canon character's most famous panels. The musical wants simultaneously to take credit for bringing Araki's vision to life on the stage, while at the same time completely undermining its most important element: a capital V "Villain" who, according to Araki, "accepts and embraces his evil nature, and follows his dark path without hesitation." This is the biggest change the musical makes to Dio: musical!Dio has none of the confidence that allows canon Dio him to move so decisively and destructively through the narrative.

Musical Dio is introduced by a scene where he's bullied on his way home, before breaking into a song about how terrible his life is, where "everything is always taken from [him]" ("it's hell …I feel nauseated …[I'm] under a cloudy sky.") The song is alternately tearful and hopeful. "I'm going crazy from being robbed!" he laments and then pollyannaishly muses, "hey, Joestar, can you turn my [cloudy] skies to blue?"

If Dio being introduced as a sad sap and self-described perennial loser hoping for any break sounds attitudinally unfamiliar that's because it is. Araki went in the opposite direction: he started his story by subverting the cliche - wide-eyed poor boy victimized by circumstance leaves his sorrow-filled life hoping for a new start - and instead gave us a kid with surprising, even sinister agency. Dio is not just given a hero's upward narrative arc (something Araki crafted very deliberately), he's introduced improbably in his first scene from a position of control. This fact is important because in the manga it's a position he won't lose until four chapters and nearly 100 pages in, when Jonathan finally fights back. From the time young Dio is introduced - reading a book with his back turned to his bed-ridden father who he's secretly poisoning -

- to the time he's systematically broken down his adoptive brother's spirit by alienating him from his friends, taking Erina's first kiss, and of course kicking his dog, Dio is shown as being in control and on top (Erina drinking the muddy water is the only exception). It's OOC to imagine 12-year old Dio feeling sorry for himself because at the time he's introduced, he's already made a habit of getting what he wants. By the time he sets off for the Joestars after killing his first dad, he's already developed full confidence in his abilities and the inevitability of his rise to riches (something Araki has him explicitly state and then underscores with a panel illustration of a steam train signaling the rise of Modernity).

But the writers and director of the musical don't find this characterization interesting enough or something. So they lose the canon entirely and in its place they invent a version of Dio who's despondent. And they didn't get Araki's steam train memo so they miss the Modernity theme (even though Araki's tied Dio so tightly conceptually to the idea of the Modern that he has him "use a 20th century boxing technique in the 19th century"); instead they double down on class difference being determinative. It never occurs to them that Dio is written specifically by Araki with the freedom to move outside of his social status because he sees it as artificial (the "evil elite" monologue later reveals Dio thinks of the whole social contract thing is arbitrary and voluntary).

Throughout the musical, Dio (although it's not fair to Mamoru Miyano since he isn't responsible for writing this mess, let's use mamoDio from now on because it's easier) seems to idolize the Joestars for what he calls their "beautiful blood." Not "beautiful" because usable calories for the vampire he will become but "beautiful" because noble. The Joestars' noble status and the honor that's apparently behind that status become the shining "star" toward which mud-bound mamoDio flailingly, failingly reaches. I don't need to tell you that in canon Dio doesn't have respect for nobility.

"Mud and stars" is heavy-handedly introduced as a dominant theme of the musical. According to the play, Jonathan, noble and bright, looks to the stars while human Dio, pathetic, conflicted and even confused, can only see life as a mud-soaked prison.

Now, the mud and stars thing was only used in Part 1 as a single text element on a Volume 1 illustration but, in spite of its marginality, it's becomes a liturgical text for some fans looking for an explanation for Dio's actions beyond what Araki gives them in the actual narrative. To this sort of fan, a guy who embraces his inner talent for evil and never had the misfortune of developing a moral compass isn't the right type of villain because he's unapologetic. If the villain doesn't have excuses how can you apologize for him? So they need Dio and by extension Araki to give them a "good enough" reason to accept Dio's ever-escalating atrocities. If the reasons Dio has for doing the things he does lie outside of what's considered good or acceptable, they are simply rejected and new reasons are invented in the hope of making Dio much less objectionable.

Now, like I said earlier, Araki's repeatedly told us in his writings that Dio has an upward narrative trajectory, not a downward, "mud"-bound one. The mud and stars duality fails to describe the narrative journey of the two main characters: both look upward to transcend their circumstances and travel along a shonen manga hero's rising path. (In fact, it's Jonathan who needs a good push to realize his potential, something Dio happily provides). And it's Jonathan, not Dio, who Araki first gives a downward arc, being handed defeat after defeat for those first four chapters before gaining his footing and progressively rising to Dio's challenges. "Mud and stars" isn't just a bad choice of metaphor, it's a misleading one.

Back to the musical, mamoDio is the exact opposite. An air of sadness and insecurity haunts his performance. An original scene where George presents the mud and stars dilemma as a lesson highlights Dio's lack of confidence and the depression that lurks behind it, as Dio bemoans how people doomed to "struggle and die" cannot possibly summon the hope it takes to look up to the stars (he's talking of course about himself).

Likewise, and here's where mamoDio's failure as a character really comes into full relief, seven years after this, when Dio's machinations are revealed and he's about to be arrested, before he uses the stone mask, mamoDio drops to the floor and spends the better part of a musical number in tears, bemoaning his sorry life ("I'm trapped in a prison covered in mud… no matter how hard I struggle I'm crushed…") and his lack of noble blood.

(btw this is after the manga scene where Dio fake cries; here, mamoDio is genuinely distraught).

Contrast this to the actual scene in the manga. His expressions in these panels are memorable because of how assured Araki draws him. Dio's entire world - his poisoning scheme, his grab at what one can assume would have been the entirety of the Joestar estate - is about to end but instead of despairing, he launches into a philosophical soliloquy. His body language is haughty: this isn't mamoDio crawling on the ground and decrying his upbringing and lack of noble blood, instead this is a man who apparently, almost irrationally, perceives himself as noble. When he uses the mask, Dio is smiling widely. Metaphorically speaking, he's looking at the stars.

When mamoDio uses the mask? He's on his knees. He's in tears. On one night he interjects, "Mother…" In short, he's conflicted.

One of these depicts Dio. The other does not.

Now obviously the writers and director of the musical must think making these seismic changes adds something to Dio's character. But (and I feel like this is a theme whenever I write these things) I'd argue it only makes him more basic. It makes him predictable and formulaic, someone we've seen in countless other stories.

(Oh! and did I mention mamoDio repeatedly calls himself "useless"!! Because he does this.)

Now, because mamoDio has no confidence and as a human acts out of desperation, when he becomes a vampire he still isn't Dio. Mamoru tries to make his vampire Dio evil and scary by expending a lot of energy, running about the stage and sticking out his tongue ad nauseum. When you look at how Araki has Dio move physically throughout the manga, it's the opposite of kinetic. Dio is a point of fixity who's charisma draws others toward him (ask me for more on this if you want because there's enough here for its own post).

Now for the worst of the worst: at the very end of the production, after the manga ending that features Jonathan's death and Dio's (presumed) defeat as a head imprisoned in Jonathan's arms, the musical takes an original twist in which, following a finale number featuring most of the cast, mamoDio is lead offstage by Jonathan. You read that right. mamoDio is hunched over, resigned, and Jonathan seems to take on a paternal role. Although the lyrics would have you believe this has something to do with "two fates becoming one," it's clear from the stage direction that any embers of Dio's ambition are being tamed and extinguished as Jonathan takes Dio's grasping hand, subdues him, and leads him docilely into the darkness.

It turns out Dio's vampire arc was just a phase, a hurt and lonely child lashing out and making a mess for attention.

His body language here is obscenely out of character. Consider the following because, as I said in the opening, in spite of what all these re-writes of Dio would have you believe, Araki crafted Dio with specificity and consistency: Araki only draws Dio (with very few exceptions) 1) standing tall, looking down at you; 2) back turned, looking back and down at you; or simply 3) back turned, (performatively?) ignoring you. Dio is never on the ground except when he's knocked down (think, young Jonathan finally fighting back in the Joestar home or, much later, Jotaro stopping time and landing those punches). By constrast, mamoDio has spent an incessant amount of time of the ground, crouching, kneeling,, bowing, hunched down. Who is this guy? So his hunched-down exit in the final moments of the production, literally being led by Jonathan (controlled??), is so amazingly stupid that if I didn't have a gif as proof, you might think I'm just making this stuff up:

There's plenty more to unpack that I won't address here: ghost Dario. The lack of grave-spitting. The complete absence of true joy or leisure expressed by Dio especially during his vampire era: no woman eating her baby, no owlcats, no Poco's sister. No chaise lounge. No roses(!). No fun. Not for Dio. That would be too manga-consistent. That might mean Araki wasn't giving us the appropriate message that bad guys are actually just sad guys.

tl;dr Dio isn't in the Phantom Blood musical. He's replaced by a normal guy who's motivated by a lack of self-esteem and despair that he wasn't born into an upper-class household, or something. He's boring. The result? There can be no Part 3 in this musical's world (and presumably no Parts 4, 5 or 6, no Giorno, no Jolyne, … you get the picture) because mamoDio just gives up. It's a nicely produced little tale about Jonathan Joestar and some random other guy who at some point gets a funny green coat.

[e-vay]

My In-Depth Review of Sonic X Shadow Generations (Spoilers!)

I completed Sonic X Shadow Generations so I'm ready to talk about it! Remember, these are just my personal opinions about the game, so don't take this review as me saying that my opinion is "right." I'd hate to accidentally spoil the game for you, so all my thoughts are below the cut:

Did you mean to click "Keep Reading"? I warned you, there's gonna be spoilers here! One last chance to back out...

🖤

❤️

🖤

❤️

Okay here we go!

THE SHADOW PORTION

Let's start with what we've all been hyped about: the Shadow portion of Sonic X Shadow Generations. If you single out the Shadow story of this game, I think it is an absolute masterpiece! Everyone who worked on it gave it their all, and it clearly shows. I'd give it a 9.75/10.

THE GRAPHICS

The visuals of this game are STUNNING. These new models for Maria and Gerald Robotnik are perfection! I am so glad they went with the more 'cartoon' style for the human models, similar to what we saw in Sonic Unleashed. They feel like they belong in this world among these peculiar looking anthropomorphic animals, but they aren't so odd looking that they feel goofy. They found a perfect balance and I couldn't be happier with them. Speaking of character models, to see all the bosses throughout the years in this new high definition was a sight to behold! Though I do feel nostalgia for the lower-poly version of the Biolizard, it was great to see it as the creators originally envisioned. It went from this loveable (and admittedly silly-looking) salamander to a truly intimidating and disturbing looking beast. The animation is superb. The characters move so fluidly and the poses are dynamic and striking! The frame rate makes everything look and feel fast and smooth which is exactly what you'd hope for in a Sonic game. I also appreciated the variety of poses/animations even just for the different stage ranks. I found myself purposely replaying stages to get different ranks just so I could see the different animations Shadow had regarding his "performance" evaluation. That really adds to the replay value! I am a graphic designer for a living, so of course I have to gush about the design, too! The graphic elements that appear before, during, and after each stage are straight up BADASS! I love the 2D animated flame that appears along the stage name and the color scheme and sharp lines are so appropriate to Shadow, and are a very strong contrast to Sonic's graphic elements that are colorful and round in shape. These are small details that most people might not outright notice, but it really enhances the overall aesthetic of the game.

THE STORY

LOOOOORE! Sweet nectar of the gods, we were given so much more lore with this game! Even though the Shadow portion of this game was fairly short, they jam-packed a ton of information and I am forever thankful for it! If you didn't do so while playing, I highly recommend playing again and talking to the NPCs regularly for little nuggets of lore. I was initially worried that this was going to be a rehash of the same 'origin' story we've heard a dozen times already, but that was not the case! Instead of focusing entirely on the tragedy that happened on the ARK, we got to learn what life was like on the ARK while times were still good! Learning that Shadow didn't used to be confident at all, to the point where Maria basically doesn't recognize this confident version of him that we've all known him as. And that Shadow never did his homework??? HA! I loved the confirmation that yes, Maria WAS INDEED the person who gave Shadow his name, and the meaning behind it was EVERYTHING TO ME! (Also works so well for my my AU. IYKYK hehehe) Plus all the Robotnik family history?! MARIA HAD A LITTLE SISTER?!?! She'd be old now, if she's even alive, but will we ever meet her? Will Shadow ever meet her (and would he even want to, or does he feel like that chapter of his life is closed now)? What was she like, and how did Maria's death impact her and her parents??? I hope we'll find out some day! Plus getting to learn a little bit more about Gerald's sons was exciting too. Will more Robotnik family members make appearances down the line? What do they think of Eggman's misdeeds? I'm so curious for more! It was heartbreaking in the best way for Shadow to get to interact with Maria and Gerald again, especially knowing he can't do anything to change what will inevitably happen to them. His sense of desperation paired with the growing affects that Doom's powers were having on him really had me worried about what was going to happen to Shadow's state of mind and overall well-being. It was amazing to see the toll it was taking on his body and his mind. In particular, I'm thinking of the scene where Shadow goes to fight Sonic and you see him having to actually restrain himself and go easy on Sonic. I thought it a great scene to demonstrate how easy it would have been for Shadow to just give in to the rage and take Sonic out without hesitation, but his willpower was able to win in the end. I have heard some people saying they're disappointed that Shadow lost his Doom abilities by the end of the story, but I think it made complete sense for the story. Black Doom is insistent that Shadow isn't 'complete' yet and he has to be more like him in order to be 'perfect.' But that isn't true! Shadow is already the ultimate life form, especially because there's more to him than his Black Doom DNA. By rejecting Doom's influence in the end, that was Shadow's true evolution. He's perfect as he is. Obviously I could gush forever and ever about all the Shadow and Maria scenes, but words aren't going to do it justice. It was just so moving to see how different he is when he's with her. In fact, at the end of this game I believe this is the first instance we ever see a true, genuine, heartwarming smile from Shadow and it DEVASTATED ME! We are used to his smirks, but when he's trying to reassure Maria that everything's going to be okay, we get to see him truly smile and we aren't seeing Shadow the Ultimate Lifeform or Shadow the Destroyer/Weapon, we are seeing Shadow the Brother and it felt like the warm embrace of a security blanket. God bless the writing in this game.

THE ACTING

The acting in this game is incredible from a visual and auditory performance. The animators really pushed the acting of the character models and you can feel Shadow's transformations throughout the game and the toll it's taking on his body. The emotions are cranked up to the max and they didn't pull any punches. In the past, Shadow was often limited in his portrayal of emotions, but that wasn't the case in this game at all. We saw anger, we saw resentment, we saw panic and sadness, and affection. There was so much thought put into the shaking of his hands, the gritting of his teeth, the shrinking and dilating of his pupils, all to show what's going on in his head without even resorting to words. SO MUCH ATTENTION was put into how these characters moved and interacted with each other and it truly tugged at my heart strings. There were too many wonderful moments for me to break down, so I will just single out one for now and applaud the creative direction and the animators for these scenes as a whole. There's this moment right near the end of the story, when Shadow is trying to stop Gerald and Maria from disappearing for good. His gestures are wild and panicked, his pupils and irises are small due to fear, but then Maria simply frames his face and rests her forehead against his. It's subtle, but Shadow's eyes widen and then return to their regular size and everything from his stance to how his shoulders fall show what a calming presence Maria has and how she helped (and will continue to help) him find his inner piece. Those performances are going to stick with me forever! Mike Pollock as Gerald Robotnik was truly *chef's kiss* MP is such a fantastic actor with great range. Though his voice is easily recognizable, the manner in which he speaks as Gerald is so different compared to Eggman, that you couldn't mistake the two characters even just by listening. We have been so used to only hearing from the angry, driven-insane-by-grief Gerald that it was so refreshing to get to see and hear the calm, brilliant, caring genius that created The Ultimate Life Form. P.S. I'm going to be crying over hearing Gerald call Shadow "son" for the rest of my life, thank you very much. I don't care about the future crimes he commits, we got to witness Shadow's father in this game and I'm weeping. Kirk Thornton is not my favorite Shadow. That being said, he really gave it his all and I was pleasantly surprised by what he accomplished. One of the performances that surprised me the most was Mephiles! This is a credit to the writers as well as the voice actor. The sense of wild desperation in his voice as he fights to even 'exist' in this timeline was so visceral and terrifying. Sure the other villains had their "I'm the best, this world belongs to me" lines, but Mephiles' voice lines were on a completely different level to me. What a treat! Lastly, if you can, please replay the game in Japanese! Kōji Yusa's performance is STUNNING. Ooh I'm getting shivers just recalling his voice lines while you're playing through the stages. I don't mean to discredit the English voice actors, but I think this game is even better when listening in Japanese. Give it a try yourself!

THE MUSIC

This is a Sonic game we're talking about, of course the music is going to be fantastic! The score did not disappoint one bit. It was great to hear all the callbacks to songs in the past as well as new tracks that were catchy and enjoyable even after playing the stages several times. "All Hail Shadow" has always been one of my favorites, but the new instrumental version used for majority of this game was so haunting and eerie. It was a delight to my ears as well as my emotions.

THE BOSSES

I loved the chosen bosses for Shadow's story. It was great fun to revisit some of the more iconic baddies throughout Shadow's history, and even though some of the gameplay was the same, the battle would then shift and offer the player something new. However, it's actually the boss fights where I dock the game a few fractions of a point. The boss battles were far too easy to defeat, and I actually found them easier and easier as the game progressed. I beat Mephiles and Devil Doom so quickly that I didn't realize their fights were over already. One could argue this was intentional by design. After all, throughout the story Shadow is evolving more and more into the 'perfect' killing machine. It would make sense that the more Doom Abilities he acquires, the weaker these bosses would seem. Still, as a life-long gamer, I appreciate when I have to actually work to achieve the ending of a game. I would have liked more of a challenge.

OVERALL GAMEPLAY

Whether you're roaming about White Space or you're actually playing through stages, the Shadow portion of this game is an absolute blast. Even having played the Shadow the Hedgehog game (which I'm a fan of, btw), I feel like this game really gave you a better feeling of what it's like to be Shadow. I LOVED that I got to use Chaos Control way more than ever before in previous games. If you had the ability to stop time, wouldn't you take advantage of it every chance you could??? The opportunity to use Chaos (and Doom) Spear as frequently as you wanted and Chaos Control almost constantly really shows how formidable of a character Shadow is and just how different it is to play as him compared to playing as Sonic. I loved the 'free-roam' aspect of White Space compared to the 2D version in Sonic's story. Hunting for rocket parts or figuring out how to unlock collectibles was a lot of fun and let the player really explore these new Doom abilities to the fullest. I'll admit that I struggled with navigating some of the Doom abilities, but even so I still had a ton of fun. I already mentioned replay value, but before you even have to go about replaying the game, there is SO MUCH to this portion of the game! The amount of stages, challenges, collectibles within stages, FINDING the unlockables USING the collectibles you obtained from stages, even the mini challenges available AFTER you've completed the key challenges (I'm talking about the bell that's located above the challenge portal), all of it made for a ton of opportunities for play. I found myself wanting to take on every quest instead of begrudgingly going through it just because I'm a completionist.

My biggest gripe is that the game was too short. Am I greedy for wanting more? Probably, but I can't help it. The developers gave us a ton of content in the Shadow story, but I still would have loved to have a full length game of just this gameplay. I managed to complete the Shadow portion in a few hours, and that was even with me leisurely taking my time to get collectibles and get S ranks for stages before progressing through the story. I miss the days where games took much longer to complete. But hey, I'm a nostalgia-prone 33 year old, so I guess that's to be expected of me haha.

THE SONIC PORTION

Here is where Sonic X Shadow Generations loses more points for me, which is a shame because I think it's a great game overall. Admittedly, I was disappointed when I first learned that the Sonic portion of the game was just a remaster of Generations. I had really hoped we were going to receive something new to help elevate SXS Gens as an entirely new game, instead of just "Sonic Gens + Shadow DLC".

Don't get me wrong, the stages in Sonic Generations are fun to play. However, when you go from playing Shadow's story to Sonic's story, Sonic's side drastically pales in comparison in my opinion.

My other complaint is that for a remaster, they really didn't improve Sonic's portion of the game significantly (at least from what I can recall, as I haven't played the original Sonic Generations since it first came out in 2011). This was a missed opportunity to correct more of the drawbacks of the original game. However, I will admit there are some minor changes that were made that I was thankful for. Let's start with the positive before I point out some of the negatives.

THE STORY

As mentioned earlier, I acknowledge that Sonic Generations is just a remaster so it makes sense that the story didn't change much. That being said, there were some small changes that I did really appreciate and helped improve the story. One of the things that always bothered me about the original Sonic Generations was how indifferent/annoyed Sonic was regarding his friends. I mean, the story is about time being erased! His friends and home are literally getting removed from the fabric of time and Sonic seemed more inconvenienced than concerned. In more recent games, the writing has really focused on the value Sonic finds in his friendships and found family. He always has his signature cool, aloof attitude, but I think the writers in recent years have successfully showed just how much he cares about his group, whether the games were serious (Sonic Frontiers) or silly (The Murder of Sonic the Hedgehog). The story wasn't drastically changed for Sonic X Shadow Generations, but some altered dialogue and blink-and-you-miss-it edits helped to cut that jackass attitude from the original and gave him more realistic reactions. Especially by having him respond when he rescues everybody this time! It never seemed right when Tails was first rescued and he's trauma dumping on Sonic about how awful the experience was and Sonic just sits there in silence haha. At least in the new version, Sonic reassures Tails that he's safe now. Also, huge kudos to whoever decided to alter that scene where Sonic is shoving Amy away by the face. I always hated that. Ship or not, you don't treat your friends like that when they're throwing you a bday party!

This is me getting nitpicky, but there were a few things I had really hoped they were going to improve, but remained untouched:

THE GRAPHICS

I was never happy with the visuals of this game outside of the stages (the visuals within the stages are great!). The colors are extremely oversaturated and the characters are way too intense and some are even off model (ex: Amy is so blindingly vivid magenta in this game instead of her signature blush pink. What the heck?!). What's worse, the cutscenes during the birthday party scenes are SO GREEN. The light bounces off the neon green landscape and reflects onto the already oversaturated characters, giving them an unappealing green glow. I get that the Sonic world is not realistic, but it felt like the scenery in these cutscenes made it look like we were watching a bunch of toys interacting on a playset instead of characters living in their world. Sure the visuals during the levels are great, but it's a real disappointment when I'm specifically not looking forward to the cutscenes in a game. I wish they would have tweaked that.

THE ANIMATION/GAMEPLAY

I have zero complaints when it comes to Act 1 (the "Classic" version) of the different stages. These look great, play great, and if you've played classic Sonic games then you can appreciate how identical the map of the level is compared to the originals. The issue for me lies in Act 2, aka Modern Sonic's gameplay. For the most part these levels are good, but there were a couple of small things that always bothered me that I was sincerely hoping they'd fix (and they did not). There are portions of Modern Sonic's gameplay that is SO. SLOW. I'm referring to when you are jumping from one Grind Rail to another, or when you are sliding under an obstacle. These animations are so bizarrely slow and make absolutely no sense when your character is running blindingly fast. I don't understand why they didn't use this opportunity to fix those animations. When you're playing the Shadow side of the story, his animations are constantly fast moving and appropriately paced. Why wouldn't they apply these physics to the Sonic side?

As a whole, the Sonic portion of Sonic X Shadow Generations is still a fun game, but I think it could have used a little more attention to help it feel more balanced compared to the Shadow portion.

-

This game also has some notably fun DLC and the promise of more DLC in the future! I have my Sonic side of the story set to the Sonic Adventure Legacy skin and Sonic Jam Legacy skin and they are so CUTE! They win all the nostalgia points! I'll be honest with you, I have never been a fan of Terios' design hahaha. BUT! I love that they made a Terios skin for this game so players have the chance to play as him if you choose and we get to see how he was intended outside of the initial sketches we've all seen. (Still, y'all can keep your Terios skin. I won't touch it LOL!). And I am OVER THE MOON ECSTATIC for the upcoming Movie Shadow addition to the game! I still can't believe they got Keanu Reeves to voice lines for it! I'm sure it will be a small thing, but I am on the edge of my seat to see what that will be like.

-

Overall, I'm super happy with the game as a whole and I enjoyed every minute I played of it!

If you read all of this, thank you for reading! Again, my opinion isn't fact and if you disagree with what I had to say, that's totally fair. And if you haven't played the game yourself, please go play it and see what you think for yourself!

[raymuratadraws]

Commissions Open!

Hi everyone! I've just moved countries and life has become hectic and uncertain, so I'm opening commissions so as not to be income-less in these trying times.

I am offering a few different styles! Click read more for samples and values (all prices per character).

If you're interested, here are some things to keep in mind before requesting:

Payment through paypal or transfer, half upfront and half upon completion.

The more details you give me, the better I can match your vision. Got a specific reference for your character's hairstyle, for their shoes, their weapons? Be encouraged to send them all my way! Send me color palettes, pose refs, outfit boards with pictures for each accessory, etc. The more the merrier.

I do NOT design outfits for the outfit charts. You must send me references for each outfit and hairstyle individually.

Contact me at eogomes1@gmail.com with the style you want to commission, references, and description. I will send you the final quote and start work upon confirmation and transfer of the initial payment.

I will send you progress pieces at each stage. Please let me know of any major edits before I start coloring, but feel free to request minor edits and color changes at any point.

Quick sketch (visibly messy lines) + simple colors -- bust: 20usd / half-body: 28usd / full-body: 35usd

2. Character concept art (cleaner sketchy lines with more details)

2a. BW: half-body: 30usd / full-body: 40usd

2b. Flat colors: half-body: 40usd / full body: 50usd

2c. Simple shaded colors - half-body: 50usd / full-body: 60USD

3. Full-body character outfits chart (cleaner sketchy lines)

3a. BW: 70usd for smallclothes base + 2outfits (+20usd for each extra outfit)

3b. Flat Colors: 100usd for smallclothes base + 2 outfits (+30usd for each extra outfit)

4. Interactive sketch illustration (two or more characters doing something other than posing for the camera) + optional background (sketchy b&w background included in price. Bgs/fgs with cleaner lines, more details and/or color starting at 15usd, but values will depend on complexity. please contact me with your request for exact pricing)

4a. BW sketch -- half-body: 35usd per character / full-body: 45usd per character

4b. Sketch + flat colors -- half-body: 45usd per character / full-body: 55usd per character

4c. Cleaner sketch + shaded colors + color tint -- starting at 65usd per character. Contact me with your request for exact pricing for this style of illustration.

Final notes: This post and prices are dated from Sept 12, 2024 and may be subject to change when I open commissions again in the future. I reserve the right to refuse requests I am not comfortable drawing (furries and complex armor are difficult for me to draw, for instance, but I can try). Suggestive, sensual pieces and partial nudity are perfectly okay to request, and I am happy to draw explicit NSFW art (browse my blog for my nsfw samples) in styles 4a or 4b for higher fees (contact with offer).

[shyfoxsky]

Video Credits: jabcecc on Instagram

Well, I'm officially done with college. I took my last final exam this morning, finished it in under 30 minutes, so now all that's left is to enjoy my time alone until I walk across the stage and enter the workforce. I plan on taking whatever job I can get for the next few months, something I can save up with until my mate and I are ready to move somewhere out of state and get a place together. He and I are both absolutely ecstatic to have this future before us.

It's a weird feeling, completing my degree. I don't feel any different, like I just completed a huge life milestone. It just feels like a Thursday, like I have the weekend to myself. I feel like I need to check my student board to be sure I'm not forgetting some assignment, even though there are no more assignments, and there never will be again.

What a strange thing, for a creature who isn't supposed to know the concept of school, to be given an earned college degree.

[harrysfolklore]

grammys night

not my best but i needed to post something for the grammys, congrats for the wins harry ilysm

gif credits to @chriswevans

MASTERLIST | MY PATREON

Adrenaline and anxiety ran through Harry's veins as he sat on his table, the night had been excellent for him so far, winning the first award they announced and delivering an outstanding performance that he was very proud of despite all.

However, you knew that his nerves were through the roof before the most important moment of the night was coming up. The Album of the Year category.

You had endless conversations with Harry about how he made an amazing album and he didn't need any awards or nominations to validate that he's a great singer and songwriter, and you were still going to be proud of him no matter what, but he still felt pressured and nervous when it came to award shows as prestigious as the Grammys.

"Baby," you quietly spoke, making him look up at you after spending minutes staring into his clammy hands on his lap, "It's going to be okay," you smiled softly grabbing his hand and caressing his knuckles, "Even if you don't win it, you still owned the night and I'm so proud of you."

"Thank you," Harry simply said, and pressed his lips to the back of your hand for a moment, "For being here and for everything, really."

"Oh don't mind me, I only came with you because I knew Taylor Swift was going to be here." you joked, and the small laugh he let out made your own never cool down.

"I love you," he stared right into your eyes, as if you were the only ones in the room, "I know I've said it more times that I can count, but none of this would be possible without you."

"I love you too, baby. More than you can imagine."

And despite not being a fan of PDA, he connected your lips with his in a small kiss, a kiss you knew he needed.

"It's show time." you heard Jeff say when the lights went down again and Trevor Noah came on stage to announce the most important award of the night.

Harry's eyes were fixed on your hands holding his own on your lap, his nerves not allowing him to put his gaze anywhere else.

The fans the recording academy invited to talk about the artists nominated for album of the year stood in a line behind Trevor, and you couldn't help but smile tenderly at the old lady that adored Harry just as much as you did.

"And the Grammy goes to..." Trevor spoke into the mic, and when he opened the card and moved to stand in front of Harry's fan, you knew the award was his,

"It's you, baby!" you whisper-yelled into his ear, and he turned his head to give you a confused look.

"What do you-" and before he could even finish his sentence his name was being called out and the trumpets from Music for a Sushi Restaurant filled the place.

He covered his face and shook his head in disbelief, and you could only let small happy tears come out of your eyes.

"Baby! You did it! It's yours!" you said as he stood up in shock and wrapped his arms around you, swaying you for a moment before grabbing your face with both of his hands and placing a firm kiss to your lips, the cameras capturing the moment that you knew would make his fans go insane.

"I love you so much." he pecked your lips one final time before he got on stage with Tyler and Tom.

With his Grammy in hand, Harry stood in front of the mic, "Shit!" he begun, "I mean—shit! Man—um—I’ve been so, so inspired by every artist in this category with me. At a lot of different times in my life I listen to everyone in this category when I’m alone.” he took a breath, "I think on nights like tonight, it’s obviously so important for us to remember that there is no such thing as best in music. I don’t think any of us sit in the studio thinking, making decisions based on what is gonna get us one of these.”

You looked at him in complete awe, you weren't looking at a Harry Styles winning album of the year at the Grammys, you were looking at the love of your life accomplishing one of his biggest dreams.

"I would like to thank my family for always supporting me, my collaborators for creating this record with me," he paused to smile, "And I would love to thank the amazing woman who's here with me tonight, my girlfriend. Thank your being my muse and my biggest supporter, I love you."

And as if it was the first sentence you ever learned, you instantly mouthed an "I love you" back to him, unaware of the cameras catching your reactions.

"This is really, really kind. I'm so grateful. This doesn't happen to people like me very often. Thank you."

After Tyler and Tom took the mic to say their speeches, the three of them were off the stage.

"How do you feel?" he asked you as soon as he approached you, wrapping his arms around you in a hug.

"I'll give you a sappy speech later, right now I just really want to kiss my Grammy winner boyfriend."

taglist: @cucciolafaerie @eleanordaisy @sunflowersndpeaches s @golden-hoax @alienorknight @daydreamingofmatilda @ivyproblems @ayeshathestyles s @stylesmygucci @gimsaysay @rosaliedepp @dontworrysunflower @milfrrynation @manifestrry @iceebabies @harrystylesrecs @pleasingrryyy @harianaswhore @noitsmebecky @abeanontoast @grapejuice-rry @vrittivsanghavi @msolbesg @tati813 @sad1esgf @eviesaurusrex @itsgabbysblog @theekyliepage @watermelonsugacry @be-with-me-so-happily @a-strange-familiar @reveriehs @musicforcinemas @harrybabyyyyyyy @tinydeskwriter @noooovaaaaa @tenaciousperfectionunknown @mxltifxnd0m @rach2602 @balletdancerry @b-reads-things @juiceboxrry @lomlolivia @itsgigikay @goldensstateofgrace @missmielyhoran @fdl305 @lightsoutstyles