#i'm gonna die mad about this show

[neuroticbookworm]

A brief list of the crimes of Dangerous Romance, episode 4

PSA: I never moved on from the rich entitled bully/poor but savvy classmate dynamic. You can't drag me through a dynamic change speedrun, show writers. I call bullshit, and so does @wen-kexing-apologist. And hence, this post

This oh-we're-studying-and-maybe-developing-feelings montage

These candles for romance vibes

The Wind/Windmill motif explanation double-down (WE GET IT, SHOW)

Sailom daydreaming about Kanghan while walking in the rain montage

Yet another montage in which Kanghan misses Sailom while eating his steak

PICKING UP THE FOOTBALL PENDRIVE WHILE STARING DEEPLY INTO EACH OTHERS' EYES. Do y'all remember how Kanghan posted on the internet that Sailom is a p*dophile to fuck with his job? These are the same boys, two episodes later

The end of Sailom's tutoring gig getting the same melancholic treatment as a breakup. Complete with longing eyes and deep sighs

The toothrotting soda ad insert. Just.. holy shit, why

This is NOT the show I signed up for. The tone has wildly shifted and the first two episodes are almost completely disconnected from the rest of the narrative. I feel gaslit into watching a fluffy romance, while they sold me a interclass romance with dark undertones. Like my pal, @lurkingshan, I'm never letting this go

[silverwhittlingknife]

can we have a hint about what the spring break tim patrol chapter of red letter day contains? (you kept having dick say "if the joker shows up" and tim's "he won't." for me to be convinced that goes off without any trouble)

i'm sure it'll be fine. :D

i am delighted you're enjoying the story <333 i haven't updated it in soooo long but i got some very sweet comments lately so i have been looking at my scribbles again <3

[emmabirb8]

WWDITS writers, please, I am on my hands and knees BEGGING YOU to take cues from OFMD in actually having the fortitude to follow through on plot points and actions from previous seasons and episodes. Emotionally repressed characters can in fact communicate about past events to a degree that is satisfying to the audience, continues story threads left hanging, and also manages to stay in character and make sense for the narrative. Traumatic events can in fact continue to affect characters for more than the duration of a single episode. Actions can have real, lasting consequences.

Shocking, I know, but. It's possible. It can be done.

IT'S NOT DIFFICULT AND CAN STILL FIT INTO A SERIES FOCUSED ON COMEDY. EVEN, DARE I SAY, HORROR SHENANIGAN-BASED COMEDY.

WITH JUST A BIT OF DEDICATION AND EFFORT, YOU TOO CAN CRAFT A SUCCINCT STORYLINE THAT WRAPS ITSELF UP IN MORE THAN JUST A THROWAWAY SENTENCE THAT'S NEVER MENTIONED AGAIN. YOU CAN WRITE CHOICES AND ACTIONS FOR CHARACTERS THAT MAKE SENSE.

I KNOW YOU CAN DO IT.

IT'S. NOT. HARD.

[arsenicpanda]

Riverdale very pointedly saying Tabitha isn't dead in hopes of avoiding accusations of killing her and building everyone's happiness on top of her sacrifice all for the sake of having one (1) episode of polyamorous core four is as hilarious as it is predictable and frustrating. But like, hot take: if a character is removed from her life, won't see her family or friends again, and sacrifices the future and family she would have had with the man she loves, then she is, for all intents and purposes, dead.

[depressed-writer9000]

I knew it was gonna happen and was still flabbergasted when it did

[jakemcdormans]

Jake McDorman as Murphy in every episode of CLASS OF '09 (2023) ➪ 1x06 “Hogan's Alley” ↪ Future!Murphy

[elytrafemme]

call the hairdresser and call the mediator because the way i'm splitting to the fucking ends right now

[ratspider]

i hate that thing i do where i prioritize drawing/painting/sculpture above like every other form of art. like if i fill a sketchbook that's more of an accomplishment than this cool hat i made. maybe the equivalent to that is crafting an entire outfit down to making the pattern myself. or filling a box with Stuff I Sewed. idk, i think drawing is just valued so so so much online and i watch all those sketchbook tours and i'm like Wow! these people are so motivated and these sketchbooks are so cool and filled with personality and just. so dense with creativity and I Wish I Could Do That but i already do. i just don't do the 'one sketchbook a month' thing. i have The Yearning but not the drive to draw that much and i need to just value what i'm already doing that's easy for me to do right now.

[ubeb0nes]

HCs of Sevika in Love ఌ

Congrats champ, you bagged a baddie!

**Reader is fem!

◈ ⁘ ⁘ ⁘ ⁘ ◈

◈ ⁘ ⁘ ⁘ ⁘ ◈

It's not that Sevika has crazy high standards. Her wants in a partner are actually very straightforward; it's just that most people lack the base integrity and self-accountability to even catch her attention in the first place

I really don't think she'd ever fall for anyone from Piltover, there's just too many generations of trauma accompanied by a life lived under their foot for her to get past. She loves Zaun too much to ever love anything to do with Piltover

That said, she's attracted to the ideals she associates with the Undercity; perseverance, strength (doesn't have to mean physical), adaptability and loyalty. If you have her love, you most certainly earned it bae

For her, it's probably an "oh shit"/"oh no" type of singular moment, when she realizes she's fallen in love

Either you got hurt or in some position where her true feelings were forced out of her, OR it's during an achingly soft moment where it's clear how loyal/devoted you are to her, and only her.

Absolutely spends months denying herself. She will try to distance, reasoning that you're both better off without the notion of love walling you in.

Zaun is no place for that, she thinks. She recalls Felicia and her husband, dying together on that bridge while a twenty-something year-old Sevika, at the time, watched them fall.

The pain to know you couldn't save your loved one in your final moments (even worse to leave two young children behind). She couldn't imagine it. Didn't want to. Sevika knew that her road would end at a violent last stop, and she didn't want you anywhere near that. She thinks about having met you in a different place.

…But she can't fully hide how she feels about you, not ever. She may oftentimes be rough and ruthless, but even at her worst moment Sevika isn't a cold individual. She's too passionate about you, cares too deeply for where you are and how you are

So when you show up at her apartment to yell at her for being so cruel, for shutting you out of her heart instead of being a grown-ass woman and telling you what the fuck you did wrong, she lets you.

She lets you yell until you've tired yourself out, and then she pulls you into that embrace you missed so much. You hit her shoulder or her chest, weakly, because you love her like crazy and never wanna actually hurt her, and tell her to fuck off.

"I didn't wanna push you away, dumbass," she'll say to you, softly, as she presses a kiss to your ear, "You think I don't want you with me all the time? To tell you I love you and shit without it coming back to bite us in the ass? Of course I do. Of course I do. I just… I don't know how. But I'm gonna fuckin' learn, doll. I promise."

"You… you love me? Really?" "Doll, I don't even let Silco talk to me like that." "You asshole-!"

You're mad, but not really. How can you be? You two will make this work, she already gave you her word.

It's more likely for you to move in with her than vice versa. She lets you go ham on adding your personality to her living space, she doesn't have any strong preferences besides cleanliness

Always says I love you before she goes to work. Just in case. If you mess with her and don't say it back, she will get up in arms about it within two seconds of silence

"I could die, you know." "Babe, I'm just joking!" "Do you see me laughing??"

Obviously, lets her drama queen side show more. She's just all-around looser once she confesses.

She makes sure you know how different you are from others, how special you are. Even her posture is different the moment you're within arm's reach

Body language and physicality are Sevika's main fluency. When in love, you notice the way she angles her body protectively around yours in public, or how she always urges you to link your arm with hers when you walk.

You notice that she almost looks… smaller at home. You realize this is on purpose. She makes herself less intimidating when it's just you, lowering herself to your level and opening her posture to you

At home, she likes kneeling by your side when you're sitting on the couch, checking you over or pressing slow kisses to your hands.

Devoted, devoted, devoted. She never wants you to forget.

Every time you call her name, she always stops what she's doing to give you her attention.

"Sevi?" "Yes, baby?" Every time. It's grounding for you both, in a way

Her henchmen become your henchmen. They know better than to say no to your requests for their help. (Ran is down for antics with you regardless!!)

People all over the Undercity start to recognize you as "Sevika's woman". Not her "girl", you garner too much respect for that

You are the only person Sevika answers to besides Silco. Her close circle teases her that you turn her into a little lovestruck puppy

It's really only them who are even capable of teasing her about this, because her changes in behavior are so minute but so important

She puts out her cigarillos when you sit down with her. She always shifts you over to her left side (the side most capable of protecting you). Her eyes start scanning the room more frequently than before you'd arrived.

She figures out over time that she was wrong. When she holds you against her while you sleep, and you grab her hand half-consciously to press kisses to her wrist, she knows you don't make her weak

When you whisper that you love her against her neck while you sway in the kitchen, moving to whatever music vibrates from the depths of her beloved city, she knows you don't make her weak

When you pull her back together without fail, remind her that she is more than just a grunt in a revolution, a soldier that can be replaced, she knows you don't make her weak

There isn't anything she wouldn't do to get back to you. She has to live long enough to know what a good life in a liberated Zaun looks like with you

[archangeldyke-all]

sev def lays on top of u whenever she makes u mad until you stop being mad

ASDJFPWEWFPJD:LDF this is so fucking funny and cute

men and minors dni

the first time it happens, you and sevika are in your first real fight of your relationship.

sevika had stood you up on a date, only to show up on your doorstep five hours later bloodied and beaten.

the simultaneous sting of rejection mixed with the heartbreak of seeing your love in such rough shape resulted in you angrily patching sevika up in the bathroom, ranting at her as you tended to her wounds.

"b-baby, you know i've got a crazy job. sometimes i come home bloody. some nights i won't be able to come home at all. and you should know by now that i wouldn't fuckin' stand you up without a good reason."

"i know that sevika, which is why i'd fucking appreciate it if you could send a fucking messenger to me next time you gotta bail on our plans! i thought you were dead in a fucking ditch somewhere!" you cry.

sevika blinks, seemingly not having considered this point yet. "oh." she says, her heart breaking a bit as she realizes how worried you must've been. you're always worried about her; pouting when you find new bruises on her body and giving silco dirty looks when he's been treating her poorly, and sevika knows how hard you work to accept her lifestyle and job-- but she can only fucking imagine how scared you must've been for the few hours where she was missing. she'd die if she thought something happened to you.

"did you hit your head at all?" you ask, glaring down at your girlfriend while your hands gently move her head back and forth, studying her pupils.

"no."

"good." you grunt, dropping your hands quickly and angrily packing up the first aid kit. "i'm going to bed. you need to take a bath-- you stink." you spit, storming out of the bathroom.

sevika blinks, the full gravity of her fuck up hitting her-- and then she rushes after you.

you're cursing her out under your breath and slamming drawers as you change into your pajamas.

sevika cringes, desperately trying to think of a way to get herself out of the doghouse. "baby--"

"i don't wanna hear it, sevika. not tonight."

she gulps, and then does the only thing she can think to do.

in three big strides, sevika's pushing you onto the bed and collapsing on top of you. you squeak, then start to squirm underneath her.

"what the fuck are you doing!?" you ask.

sevika shrugs on top of you. "you're angry at me."

"...so!?" you squeal.

"so i'm squishing you until you love me again." sevika says.

you can't help but giggle, smacking her shoulder. "i still love you, jackass, i'm just mad at you."

"so i'm squishing the mad out of you." she says simply. you laugh, your anger slowly melting away at sevika's sweetness. "i'm sorry. really. i didn't-- i didn't even think of how scary that could be for you. i-i'll send someone next time i gotta stay late. i promise."

with the easy way you melt underneath her after that, sevika starts laying on top of you anytime you argue after that, too.

you bitch at her about how she's always letting food crust on her plates in the sink-- she lays on you.

she skips her dentist appointment and gets a cavity and you're pissed when you find out-- she lays on you.

she spoils the end of the book you're reading on accident, and, you guessed it-- she's laying on you until you finally sigh and forgive her.

it's nice. sevika always uses the time on top of you to figure out her words-- figure out a proper apology and something to make it up to you. you like the pressure of her body on top of you-- it helps the firey anger inside you disperse and it's reassuring to know that even when you're pissed at her, sevika's gonna stay with you.

plus, most of the time your arguments end when you start running away from sevika, insisting she don't lay on you this time, and she chases after you, both of you forgetting your grievances to giggle and chase each other around the house.

taglist!

@fyeahnix @lavendersgirl @half-of-a-gay @thesevi0lentdelights @sexysapphicshopowner

@shimtarofstupidity @chuucanchuucan @badbye666 @femme-historian @lia-winther

@sevikaspillowprincess @emiliabby @sevikasbeloved @hellorai

@glass-apothecary @macaroni676 @artinvain @k3n-dyll @sevsdollette

@ellieslob @xayn-xd @keikuahh @maneskinwh0re @raphaellearp

@iamastar @sevikitty @mascdom @nhaaauyen

@mirconreadzztuff22 @veoomvroom @lushh-s3vik4s @katyawooga @lesbodietcoke

[psychotrenny]

To all the Anarchists who don't read, could you please understand why people would like you to answer basic questions on the principals of how your planned future society functions. You don't have to produce a hundred pages of technical documents and 5 year plans, but at the bare minimum when people ask "Could you produce the things I/my loved ones need to not die badly?" you need a better answer than "Yeah man we'll work something out. I gotta buddy who's really into biochemistry I'm sure he'll cook something up". If you are unwilling or unable to provide said better answer, then it's only natural that people will be unsympathetic to your ideology and getting mad about it only makes things worse.

Like if you wanna pursue Anarchism as like some sort of Philosophy/Lifestyle/Mindset or whatever that's your business, it's not as though I can send you to a re-education camp* or anything. But doing that is not a very effective way to bring about actual change in the world, and you look fucking ridiculous when you act as though it is. You need to take your ideology serious if you want anyone else to

And to all those Anarchists who do read, do keep in mind that the largest and most vocal contingent of self-identified "Anarchists" are the various political illiterates and LARPers who therefore provide most people's primary point of reference for Anarchism. I'm sure it's very infuriating to see all the contemptuous mockery directed towards the the most weak and incoherent version of your ideology, but you have to understand this is mainly a reaction to what people actually experience rather than a deliberate attempt to strike at strawmen. Like if you're sick of seeing this then getting mad isn't gonna do anything either; your only real option is to improve your collective efforts at education and agitprop. And not only towards the "Statists" and undecided, but towards your supposed Anarchist comrades as well. It's worth preaching to the choir when none of them show up to church

[pyrodolls]

can you write sounding with one of the yan boys or ignoring them because of something?

GIVING SUPERFAN! AND STALKER! YANDERE BOYS THE COLD SHOULDER HCS

WARNINGS: obsessiveness, sfw, some slight su!c!de references, bayani is basically a servant and victor needs a therapist, just overall unhealthy behavior cuz they're yanderes. (i do not condone yanderes irl and this is for writing purposes) gender neutral reader, no use of y/n.

A/N: hey guys i just found out my best friend might be dating my ex bf (that made me hide in my house for a year) which is funny bc he told me "not to worry about her" while we were dating. and my birthday is in 2 hours so it's quite an unfortunate time to find out that they've apparently been dating for a few months. if it's true, then whatever LMFAOOO now she's gotta deal with him and it ain't my problem. also thanks for 1k followers, you guys are awesome!! sorry for not updating much, i just don't have a lot of motivation these days

if you ignored bayani...

bro do you *want* him to jump off a cliff???

he is panicking. he is having a CRISIS

bayani lives to please you. if he's talking to you and you just ignored him for whatever reason, he would be heartbroken. absolutely crushed.

he would attempt to ask what's wrong, and fix it as soon as possible. as much as he enjoys being mistreated by you, he'd hate for you to be upset with him for an extended period of time.

his first instinct is to fix whatever he did wrong. he would automatically blame himself, even if it wasn't actually his fault.

he always seeks your love and validation. if you were to ignore him, he would literally sink into the floor and die.

if you forgive him and stop ignoring him, he would be overjoyed. and he'd be less clingy, and a lot more careful around you. he wouldn't want you to get mad at him ever again. that would be his worst nightmare. if you want him to return to his old self, let him know he can be clingy again. if you don't, he'll remain cautious around you for the rest of his life. he just wants you to be happy with him. he can hold himself back from showing too much affection if it means you'll approve of him.

if you ignored victor...

yeah no he's not having it lmao

he'd be so butthurt. and unlike bayani, victor would be very annoying and start hanging around you more. usually he lets you do the talking, or follows you around from a far distance. but if you started ignoring him, he'd become more talkative just to piss you off.

he hates being ordered around, so he's not gonna let you stop him from interacting with you. he's gonna keep talking to you and hanging around you no matter what.

it'd take about a week for him to get agitated. he'd wonder what he did wrong, and try to ignore his insecurities by pushing them on you. instead of drowning in his sorrow, he'd turn it into anger and blame you. you're the one being unreasonable, he did nothing wrong. of course he doesn't believe that, but that's what he would convince himself. he would rather take his anger out on you, the love of his life, rather than admit how unhappy he is with himself and how he treats others.

he'd find ways to punish you for your behavior. as much as he loves you, he won't accept any disrespect. he takes it as a huge blow to his (very fragile) ego.

BUT if you gave up and started talking to him again, he'd get a huge ego boost. of course you'd talk to him again, he's just irresistible! this was totally expected... even though he was crying in his bedroom every night wondering why you weren't talking to him and got very insecure, wondering what he did to make you mad at him. would he ever confess this, though? nope.

he's too prideful to admit that he missed your voice and attention, but he'd show how sorry he is by helping you with chores and work. if you bring it up, he'll say something along the lines of: "i'm not doing this because i'm sorry... i just think you weren't doing it right. i know how to do it better."

this insecure and bratty ass man child would rather sit naked on a hot grill than verbally say sorry lmao

[nightprompts]

&. 𝐟𝐮𝐫𝐢𝐨𝐬𝐚 𝟐𝟎𝟐𝟒 𝐬𝐞𝐧𝐭𝐞𝐧𝐜𝐞 𝐬𝐭𝐚𝐫𝐭𝐞𝐫𝐬.

(  dialogue  prompts  taken  from  furiosa: a mad max story  (2024),  directed  by  george  miller.  feel  free  to  edit  and  change  as  you  seem  fit.  ) 

❛ as the world falls around us, how must we brave its cruelties? ❜

❛ we should go back now. ❜

❛ i'll come with you. ❜

❛ the stars be with you. ❜

❛ who's coming for us? ❜

❛ who do we have here? ❜

❛ what do they call you? ❜

❛ now, you have had a hard day, haven't you? you must be exhausted. ❜

❛ there's only one thing i need you to do and that is rest. ❜

❛ you don't have to say a word, i promise. ❜

❛ tomorrow, i'll take you home. ❜

❛ keep an eye on her, keep her safe. ❜

❛ you're bleeding. ❜

❛ i'm not gonna leave you. ❜

❛ whatever you have to do, however long it takes, promise me you’ll find your way home. ❜

❛ no, no, no. don’t look away. we mustn’t look away. ❜

❛ why would you run from me? ❜

❛ you’re gonna have to show me who you are. ❜

❛ you don’t have to watch if you don’t want to. ❜

❛ you may wanna close your eyes. ❜

❛ you will rule with me in the splendor of a new wasteland. ❜

❛ i’m afraid for you, sweetheart. really afraid. ❜

❛ witness me! ❜

❛ you’re all fools for coming here. ❜

❛ when things go bonkers, you have to adapt. ❜

❛ she looks nothing like you. ❜

❛ she has her mother’s perfections, and none of my deficiencies. ❜

❛ she’s perfect. not like the genetic absurdities you have for sons. ❜

❛ would you like to stay here in the citadel? ❜

❛ if i let you stay and you grow to become a strong, healthy woman, you could become one of our wives. ❜

❛ no! she’s not for sale, she’s mine. ❜

❛ you behave, i’ll behave. ❜

❛ where have i seen you before? ❜

❛ we're going to build ourselves a war rig. ❜

❛ he done the most runs on the fury road. and brung back the booty every time. ❜

❛ eyes left. they’re flanking us. ❜

❛ you’re going to pull over and get out. ❜

❛ where did you think you were going? ❜

❛ there is nowhere else. this is the wasteland. wherever you thought you were going does not exist. ❜

❛ i lost my convoy. i lost my crew. i’m gonna have to start again. and i’m driving off thinking i ought to start with you. ❜

❛ you may be raw, but you have about you a purposeful savagery. ❜

❛ you give me time, i’ll teach you everything you need to know about road war. ❜

❛ if you survive everything we take on together, you’ll have all the skills you need to get wherever you wanna go. ❜

❛ keep it. you’ll need it. ❜

❛ for you. for your travels. you’re done here. you’re free to go. ❜

❛ food, water, wheels, whatever you need. i'll help you put it together. give me a couple of days. ❜

❛ i want what you want. a full belly... and a fistful of bullets for a tank of gas. ❜

❛ we’re not leaving without our tankers full of gas. ❜

❛ you wanna get out of here, follow me. ❜

❛ let’s kill him. right now. ❜

❛ this place at the end of your map of secrets... where is it? ❜

❛ i wanna help you find this place. wherever it may be. ❜

❛ come with me. ❜

❛ there is no hope! not for them, not for you! certainly not for me! ❜

❛ it’s the price we all pay to survive in the wasteland. we cannot be soft! ❜

❛ stay! you’ll find peace here. ❜

❛ if you find him, he’s mine. ❜

❛ gentlemans, it’s time. time to do war. ❜

❛ here, no time for long goodbyes. we’ve done some mighty things together. goodbye. ❜

❛ you’ve found me. ❜

❛ you could have necked me in the night, but you didn’t. ❜

❛ i have nothing. i am nothing. ❜

❛ remember me? ❜

❛ you crawled out of a pitiless grave, deeper than hell. and only one thing’s gonna do that for you. and not hope. hate. ❜

❛ no shame in hate. it's one of the great forces of nature. ❜

❛ so... this is the day i die. i’ve always wondered how. ❜

❛ my childhood. my mother. i want them back. ❜

❛ i'm right there, i’m right there with you. i too craved nothing but revenge. ❜

❛ if the shooter goes around the back, the shootee won’t know the precise moment of the execution. ❜

❛ what you want, dear, are my cries of anguish. anguish without end. and if i could give you that, i would. ❜

❛ if you can’t do me quick, you’ll have to do me slow. ❜

❛ i’ve been waiting for someone like you, someone worthy of me. ❜

❛ no honor, no rule of law to sort things out. just two evil bastards out here in the wasteland. ❜

❛ you do this, you do this right, you become me. ❜

❛ i am nothing like you. ❜

❛ you are me. already dead. ❜

❛ to feel alive, we seek sensation. any sensation to wash away the cranky black sorrow. ❜

❛ the question is... do you have it in you to make it epic? ❜

[soft-pine]

spn20rewatch: 1.18 something wicked

say your desk is covered with a pile of paperclips. something wicked is the magnet you drop in the middle and then they all stick to it; they're all connected.

it's all here. the parentification, the neglect, the way john treats dean which sam doesn't witness, the extreme likelihood that john was using his kids as bait, and the intentional, specific, glorious, lovely ways dean has specifically chosen not to be like his dad.

in the flashbacks, we see dean is in charge of feeding and looking after sam for (at least) three days in some random motel room with the shades drawn. he's not even supposed to go outside. he doesn't have a number for john, just the instruction that if john's not back by a certain time, he's supposed to call pastor jim.

we see john giving dean instructions and responsibility (and criticisms) which he's not giving to sam.

dean is at most 11 years old (ep takes place in 2006. dean says the case from when he was a kid was 16-17 years ago (1989/1990). john's journal places it in 1988; dean was 9)

crucially, even as an adult, dean barely talks to sam about what he remembers of the case when he was a kid. he lets go of little bits at a time and absolutely necessary to the case. but he does not want to process what happened. even when he's so torn up that he breaks down and explains what happened, he doesn't want to talk about it. in part, of course, because he's ashamed of failing to kill the shtriga. but also because dean keeps john's secrets (9.07). and even when he doesn't, sam is not who he tends to process with.

but it's deeply impactful to have an episode where we get to see how dean was treated as a child versus how he treats the kids he meets.

dean is so kind to children throughout season 1, from lucas in 1.03 to lily and charlie in 1.05 to michael here. there is something so great about the way he is both clear that the bad things aren't these kid's fault, while also understanding kids have agency and insight.

i know dean is torn up about using michael as bait for the shtriga but feels he doesn't have much of a choice in order to stop the thing. but the conversation he has with michael is so thorough it really gets me.

DEAN: This camera has night vision on it so we'll be able to see clear as day.... Are we good? SAM: A hair to the right... There, there. MICHAEL: What do I do? DEAN: Just stay under the covers. MICHAEL: And if it shows up? DEAN: We'll be right in the next room. We're gonna come in with guns. So, as soon as we do you roll off this bed and you crawl under it. MICHAEL: What if you shoot me? DEAN: We won't shoot you. We're good shots. We're not going to fire until you're clear ok? Have you heard a gunshot before? MICHAEL: Like in the movies? DEAN: It's gonna be a lot louder than in the movies. So I want you to stay under the bed, cover your ears, do not come out until we say so. You understand? DEAN: Michael, you sure you wanna do this? DEAN: You don't have to, it's ok, I won't be mad. MICHAEL: No I'm ok. Just don't shoot me. DEAN: We're not going to let anything happen to you. I promise.

what a specific contrast that is with

DEAN hesitates, terrified. As he does JOHN bursts through the front door, gun raised. JOHN: (Shouting) Get out of the way! DEAN ducks and JOHN shoots the shtriga multiple times with his hand gun.

something wicked is up there with monster at the end of the book for episode titles that'll make you crazy if you think about it too much.

some other thoughts are just, the first time i watched this scene i thought i was going to explode with love:

DEAN: Yeah well, first of all, I'm not going to open fire in a freakin' pediatrics ward.... Second, wouldn't have done any good, because the bastard's bullet proof unless he's chowing down on something. And third, I wasn't packing, which is probably a really good thing cause I probably would have just burned a clip in him on principle alone.

moral compass boy i would die for you a thousand times and get up and gladly do it again.

and nothing - i mean nothing - hits like dean's voice cracking over the "if it means anything sometimes i do too." like i could actually go insane.

also watching supernatural is how you fill up a computer disc with pictures of dean looking ever so beautiful. like. look at him!! ethereal!!

also also ilu microaggression michael. they should have brought you back in the finale, king.

[cryptidghostgirl]

so sorry for this (very) specific request hope it's not ocish

anyways alastor x wife reader who's a virologist / kinda a mad scientist??(girl just wants to start a apocalypse without anyone to bother her)

Like they got married for mutual benefits (whatever benefits he would gain and her having access to money for her wildest dreams) when they were humans (whether he actually loves her or not is up to you lmao)

They both die (I assume that she would die around when he died from her own negligence caused by her 'freedom' to do her work more often without actually worrying about him finding out) and she avoids him like the plague (not that hard to realize this so called radio demon is your 'husband' when you find his secret stash of 'local cuisine' in the fridge)

Then he goes missing and she finally kinda goes out of makeshift hiding, just chilling doing her evil deeds before finding about the Hazbin Hotel from some gossip

Deciding that, while redemption is most likely not gonna happen mostly for the fact she does not care, she joins Charlie's little program. For her own little project (just wants to have a angel test subject, gotta see if they can be a good carrier for her little virus)

The reader doesn't know that Alastor's back (you think she's gonna use vox tech? Or listen to the radio? Girl uses a non vox tech phone and maybe a computer and does her work) so she goes and knocks on the door to the hotel

Thinking that this shit is gonna be easy, after all her husband is gone so she won't be bothered by him. She can focus on her beautiful creations and maybe destory hell and heaven with a apocalypse for some laughs. While also getting access to heaven through Charlie somehow (maybe even Lucifer, girl doesn't know nor care)

Anyways you can just IMAGINE her surprise that right after Charlie greets her (Vaggie ofc suspicious af cause she knows damn well no sinner wants to be redeemed for the most part) then here comes the strawberry pimp coming to say hello

Would he recognize his lovely wife? Maybe

Ofc reader had a plan, and by plan I mean she just says they were married and now acts like their divorced (death do us part and we fuckin dead)

(Just for example, do what you want <3)

Anyways I'm sorry again (can you tell that I've been watching a lot of mlp infection aus :') )

A/N bestie,, i love an overly detailed request. no apologies. i hope i did it justice <3 <3 I have literally been obsessing over the whole 'we're dead. we've been parted.' reader idea. It's so fun. Also I am very sorry it took me so long to get to this. Also, I am not a woman nor am I in STEM (I'm an enby in history) so apologies if science stuff in this is bad. I'm basing the character off of Entrapta (my love) from Nate Stevenson's She-Ra remake.

Till Death Do Us Part (Alastor x Mad Scientist!Reader)

Pairing: Alastor x Reader

Warnings: Gore. Murder. Bodies. Animal cruelty (not detailed at all just like test subjects and burning ants as a kid). Viruses/plague talk. Just capital d Death all around in this one folks. Suicide and starvation briefly mentioned.

Word Count: 2,584

Master Lists:

Master Lists 

Hazbin Hotel Master List

Y/n hadn't been sad when Alastor died. It didn't really even register on her radar that he was gone until the police showed up at her door. Their marriage was more of an agreement than anything else, a division of labor. Y/n was a talented virologist who came from a rather wealthy family. He got access to her money, using it to start his own radio studio, and Y/n? Well Y/n got a clean up crew.

She had always been fascinated by death. It was a morbid curiosity that had followed her since childhood. The typical 'burning ants with a magnifying glass to mass murderer' pipeline only, murder was not exactly her objective. Since learning of the Black Death in school, she had been fascinated by biological warfare and weaponry. The stories of soldiers throwing infected bodies over the walls of city's to break down their defenses? It was magnificent, masterful, absolutely awe inspiring. Living through the Spanish Flu epidemic in 1918, watching how it tore through her city of New Orleans, only furthered her determination.

As soon as she had had the knowledge base to do so, she began working on bio-weapons on her own. She wanted to create a disease, to devastate the world. She wanted to watch the things around her crumble into ruin and know it was by her hand.

She'd found out about Alastor's hobby by accident. They were friends, of a sort, in that Y/n would show up randomly where ever he was and quiz him about radio waves. He worked at a radio station and she knew that. She had followed him, tracked him down. There was no reasoning behind it save he was the first person she'd really found out about that was involved in the business in New Orleans. She would pick his mind about getting the word out about things, marketing, advertising. She was prepping for the main event, for the day she finally created her magnum opus.

One day, when she had shown up unannounced at his door and broken in when he didn't respond to her knocking, Y/n had discovered him dismembering one of his victims. Alastor had stared at her, wide eyed in shock, fear and adrenaline mixing into an intoxicating combination in his veins. Y/n had just smiled.

She had been wondering about human experimentation for a while now. Animals were easy to cover up, easy to bury in the back yard but people? It had always been too risky, up until now anyways.

So it went like this: Y/n funded Alastor's dreams and he hid the side effects of hers. When he died, Y/n didn't really feel anything too strongly about it at all. Yes, it made life harder in that if she wanted to keep using human guinea pigs she'd have to figure out a way to dispose of them on her own but it also made it easier. Alastor had always been so obsessed with image, dragging her to office parties and forcing her to sit down to meals with him. Now that he was gone, she could work on her projects in peace once again. The body thing was something she would figure out along the way. She was smart and she wasn't going to let something like that stop her, not when she was this close to cracking it.

As it turns out, Alastor had been more of a help than Y/n believed. So used to his nattering and persistence, she had stopped eating. It wasn't long before she joined her husband in death. The papers of course had a field day with it. Heiress and Virologist Y/n L/n Withers Away Due to Heartbreak. Y/n L/n Starved Herself to Death and Joins her Murderer of a Husband. Virologist Commits Suicide After Revelation of Dead Husband's Criminal Deeds.

When Y/n had woken up in Hell, her whole world had been turned upside down. If there was life after death, what was the point of killing everyone on earth? She was back at square one.

Rumors were already buzzing through the streets of Hell about some new overlord, some Radio Demon, who had a strikingly similar MO to her husband. Not wanting any distractions this time around, Y/n secluded herself in the outskirts of the pride ring to reformulate her plans.

For decades she worked, trying to create a poison to wipe out the dual planes of the underworld. Work was easier here. No one questioned why she bought the things she bought, no one got upset when people went missing. Hell, no one even blinked twice if they saw her burying a body. It was a veritable paradise for Y/n.

Eventually, news reached her of the Radio Demon's disappearance. Y/n had never been the biggest fan of technology that wasn't involved in her work. In the world of the living, she had barley read the papers. All the machines in her laboratory were ones she had built herself through trial and error. But still, somehow, the news reached her and she felt elated. The last thing weighing her down, the last road block had officially been lifted.

Within seven years, she had perfected the disease. Having run tests on lower rings of Hell, she prided herself on her ability to make it so infections, so deadly. The survival was on par with that of unvaccinated human's infected by rabies. But her plan wasn't complete, no. Taking out everyone in Hell wasn't good enough, she had to figure out how to get it into Heaven as well.

That was when the perfect opportunity fell in her lap. Y/n nearly cried when she caught sight of the interview through the window of a shop selling Vox branded TVs. Charlie Morningstar, Lucifer's little brat, was creating a hotel for sinners, where they could be rehabilitated and sent to Heaven. It was perfect, almost too perfect. Y/n didn't question it, her own excitement blinding her. She barley even took the time to come up with a plan that consisted of more than get into the hotel and get her hands on an angel. She figured that was something that could be dealt with later on.

After a few days of research and snooping, she finally made her move. Having packed her bags and woven her way through the streets of Pentagram City, she found herself before the brightly lit marquee of the Hazbin Hotel. Placing her bag on the ground beside her, the test tubes and various paraphernalia inside clinked gently against one another. Raising her hand, she knocked on the door.

It was Charlie herself who answered, with wide eyes and an earnest smile. A smaller moth demon beside her crossed her arms, eyeing Y/n with doubt. It barley registered with the excitable demon, she was used to the strange looks. The new form Hell had granted her with when she died was odd, after all. She was still the same height, still held a roughly human shape, but her hair had become its own beast. It moved like secondary limbs, falling nearly to the floor from the pigtails she had tied it up into. It shot up into the air around her in joy at the sight of yet another open door in her path, this one literal rather than figurative.

"Hello!" Charlie exclaimed, "Are you here to check in?"

"Yes, check in." Y/n nodded, using her hair to pick her bag back up.

She took a step forward, trying to enter the hotel, but found her path blocked by the smaller grey demon. Her arms were uncrossed now, one of them pointing a spear right at Y/n's neck. Y/n didn't flinch, she simply looked down at it in curiosity, reaching a finger up to touch the end.

"Ow." she said flatly as the spear's tip pressed into the pad of her finger.

Raising it to her eyes, she rubbed the droplet of blood that had pooled on her pointer finger with her thumb before turning back to the spear.

"Is this..." Y/n leaned forward, grabbing the spear's shaft.

"Hey!" Vaggie yelled threateningly as Y/n crouched down, examining the weapon carefully.

"Oh my stars, this is an angelic blade, isn't it?" she exclaimed, her eyes still fixed on the spear.

"Uh..."

Vaggie was more confused now than anything and she took the slightest step away from the excited demon. Y/n followed her and soon, they were in the entry way to the hotel. Charlie watched the scene play out with mild amusement, finding her girlfriends bewildered state rather charming. She let the door fall shut.

"It is, isn't it?" Y/n asked again, "But how did you get it? Did you make it? What do you do with it? Is it more effective than normal weapons? Why a spear? I-"

"What's this, we have a new guest?" a crackling voice cut Y/n off.

"Uh, yes!" Charlie stepped in, turning to face the newcomer.

Y/n, still preoccupied with the spear, was now engaged in trying to get Vaggie to let her hold it.

"I think..." Charlie doubtfully added, her brow furrowing at the site.

"Well well well, a little devil." Alastor hummed, turning to watch the show as well, "Honestly, reminds me of someone I knew back when I was alive and kicking. Ah well, what's her name?"

"I don't... actually know that yet." Charlie admitted, fiddling with her hands a bit as she spoke, "But she seems really enthusiastic about being here!"

"It seems she more interested in that spear of Vaggie's than the idea of redemption." Alastor noted in response.

"Are either of you going to help me or are you just gonna sit and watch?" Vaggie exclaimed, trying her best to pry the spear out of Y/n's grip.

Alastor sighed and with a twirl of his microphone, a shadow arose, pulling Y/n off Vaggie. There was a split second where the smile on the girl's face fell. It quickly returned as she caught sight of what exactly had interrupted her escapades. Placing her bag on the floor with her hair, she wormed around in the shadow's arms, turning to face it. Tentatively, she poked it.

"Would you stop that?" Alastor asked, his voice thick with irritation.

Y/n poked the shadow again.

"What is this? How are you doing this?"

When no response came from the demon in question, she at last turned to face him.

"Oh."

She stilled in her movements and Alastor allowed the shadow to disappear.

"No reason to be scared." Charlie quickly stepped in, "I know Alastor here has a bit of a... reputation, but he is actually helping us at the hotel. He's really a great once you get to know him."

Alastor's smile widened as he bowed his head slightly in recognition of the praise.

"If you're going to be staying her-"

"You can't seriously be thinking of letting her stay here, Charlie." Vaggie cut in, "She's been here what, five minutes? And all thats come of it is chaos."

"Vaggie, come on, don't be like that." Charlie turned to her girlfriend, "Everyone deserves a second chance, that's the whole reason we built this place."

"But does she even want to be redeemed? I mean, what if she's... I don't know, trying to take us down from the inside out? What if she's a journalist or some shit trying to write us bad reviews?"

"You flatter me." Y/n smiled and Vaggie scoffed.

"See?"

"Isn't that all the more reason to let her in? Vaggie, if she is undercover as a journalist or something, we just have to prove to her how amazing what we're doing here is."

"I don't know... I've never seen her before, what if she's another one Vox sent?"

Y/n shook her head, sticking her tongue out slightly in disgust at this notion and Alastor chuckled. There really was something so familiar about this demon and her antics. Even if she was a tad irritating, it was a comfortable familiarity.

"Then we will figure it out, same way we did with Sir. Pentious. Okay?"

"Fine." Vaggie relented at last with a sigh.

Smiling brightly, Charlie turned back to Y/n.

"So, hi. I'm Charlie, welcome to the Hazbin Hotel! What's your name?"

Y/n's eyes flicked back and forth between Alastor and Charlie for a moment before settling on Charlie.

"Y/n L/n."

Alastor let out a little laugh of disbelief, a sound he had meant to keep in. He couldn't help it. Of course this little mess of a demon was his favorite crazy wife. Alastor had looked for Y/n on occasion, always keeping an eye on news involving anything scientific but, he had never found a trace. Not that he'd admit it but, in their time together, he had grown rather fond of the girl. Not love, never love, but a sort of familial feel. Everyone turned to face him.

"Are you alright, Alastor?" Charlie asked, walking over to him and placing a hand on his arm which he quickly brushed off.

"Yeah, do you know her or something?" Vaggie added, "Is she dangerous?"

"No..." he paused, his brow slightly furrowed, "She's my wife."

The room fell silent.

"You... you didn't recognize your own wife?" Vaggie asked in disbeleif.

"Ex-wife." Y/n corrected with a little sigh.

This was all becoming so tedious. She hadn't come here to sit and talk with people. While the spear and the shadow had been fun, they had both run their courses and she just wanted to get to work.

"I..." Alastor turned back to Y/n, "Ex-wife?"

Y/n shrugged.

"So you didn't recognize your wife and you didn't know you were divorced?" Vaggie asked, rubbing her temples, "Jesus fuck, man."

"I..." Alastor cleared his throat, "We were married when we were alive. I didn't even know she was dead yet."

"Yeah." Y/n shrugged, "Turns out all your nattering was what was keeping me alive. I forgot to eat, starved to death."

Alastor's eyes softened slightly for a moment at the notion. She had needed his care so badly that she had died with out it. It felt good, in a strange way. Satisfying. They darkened again as he recalled her earlier statement.

"Ex-wife?" he asked again, taking a step towards Y/n.

She looked up at him, her expression blank.

"Yeah?"

"When did we get a divorce!" Alastor exclaimed once he realized she would say nothing else on the matter without his prompting.

"Oh! We didn't." Y/n nodded, smiling slightly, "Now, can I go to my room?"

"No, Y/n. Why are you calling yourself my ex-wife? We are still married."

Y/n looked around at Charlie and Vaggie, seeing if they were going to back up her claim. Sighing, she turned back to Alastor.

"Do I really have to lay it out for you?" she paused and Alastor just stared at her, eyebrows raised, "Jesus. Uh, Al, we died."

"Yes...?"

"Till death do us part? That was the agreement."

"I... Well..." he was at a complete and total loss for how to respond.

She wasn't wrong, he just didn't like her answer very much.

"So... the agreement is done... yeah?"

"I mean," Alastor shook his head slightly, "I guess?"

"Great! Can someone please show me to my room now."

---

Next Part -> Till Death Do Us Part pt. 2

[rootspiral]

Agatha All Along deep dive: episode 3 part 3

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2][3][4][5] ep6 [1][2][3] ep7 [1][2][3][4][5][6] ep8 [1][2][3][4][5][6][7][8][9] ep9 [1][2][3][4][5][6])

lilia: falling through time, desperately trying to help alice

agatha: bitch I'm trying to save myself!!!!! oh she's so awkward when she thinks lilia's going mad. she's a moment away from grabbing a broom and going there, there like in that 30 rock scene

I know they had a relatively low budget for this show and it was such a blessing in disguise. they invested in great sets and instead of cgi they relied on classic cinema tricks that I find so satisfying?? Idk if it's just nostalgia talking. here they simply move the camera away for a moment, lower the lights and move the actor in position, and it makes for an amazing jumpscare.

baby lilia asking 'vuoi vedere?' do you want to see? because it is a choice for lilia. for a long time she chose not to use her gift- she was simply too powerful, she saw too much, and the knowledge of the future scarred her and made her an outcast among others

alice's smile at seeing a vision of her mom T-T

why inconvenient? what was jen doing? she was an obstetrician and midwife. she was helping women out with herbs and pagan knowledge passed down from mother to daughter. Back in the day midwives were struggling to get their skills recognized in an increasingly male dominated field, they were advocating alternative treatments for women constantly humiliated by condescending modern doctors - from forced bed rest to insane asylums to lobotomy in worst case scenarios. think Charlotte Perkins Gilman's short story, The Yellow Wallpaper. think about everything that happened to Virginia Woolf.

we know that alice was a teenager when lorna died in a fire. she wasn't well, alice says, and we see now that she had a drinking problem. it's equally possible that the demon got to her or that she set herself on fire out of desperation. and if lorna could feel her own mother dying, alice could too.

daang great zombie makeup on the teacher lady

lilia when her incredible abilities made her able to see Death: burdened by knowledge way beyond the scope of humanity she goes into exile

agatha when her incredible abilities made her able to see Death: you know what I'm gonna tap that

I saw people saying that because the Road wasn't real nothing that happened in the show mattered, that they all died for nothing. I disagree completely, and not only because Billy's chaos magic is so astonishingly powerful that he can create a functional Road out of thin air. like, it wasn't a trick, he made it real. But more importantly, what happened to these women, their experiences, their growth on the Road is real. Even if Billy didn't do it on purpose, even if it's fucked up that a teenager can essentially go, you know what would be cool? if they all experienced their deepest trauma! but that's the point, that's the point, that's the whole damn point of the show. life is chaos and nonsense and heartbreak, it's up to you to find a meaning where there isn't any. look at lilia! the lesson is not that you're going to die, but what you choose to do with the cards that you're dealt, with the time that you're given.

while Patti clearly has an american accent, she is speaking correct sicilian, tutti morti su' - they could have had her talk in italian and hardly anyone would have noticed, but they went above and beyond with the details. the latin in the show is also rather impressive, like they actually hired experts rather than relying on google translate

agatha has gotten too used to run leaving a pile of bodies behind. not so easy to consider them just food when you have to live alongside them and witness their feelings, is it?? first wanda and now this!

@perpetualanon pointed out yesterday that agatha also had selfish reasons for wanting to save billy, i.e. she didn't want to risk him being poisoned because who knows what horrors a hallucinating billy could create. Yes! exactly that! it's always worth saying that when agatha has these fleeting moments of compassion and altruism it's in the context of a whole lotta selfishness. i think of her as that drawing of Stitch's badness level, her whole body is almost filled to the brim with awfulness and there's only a thin layer of goodness that she's constantly trying to smother. her actions on the Road are almost entirely selfish, but for the first time in centuries she's surrounded by people, like Lilia here and Jen and Alice and especially Billy, who are accidentally nurturing her almost atrophied good side. and lemme tell you she's pissed about it!

of course these two don't know what a sous vide is, one is dirt poor and the other eats people.

I'm gonna take a stand for zoomers here, he might have never learned what counterclockwise means, but millennials like me would also have hesitated and tried to picture it in our minds. because a lot of us lack spacial intelligence and are generally rather dumb

the shock and terror on her face when she hears nicky crying

another great special effect achieved only with lights and the cast shuffling out of frame

they show the darkhold because they need to mislead viewers and can't give nicky's story away just yet, but doesn't it make sense that agatha would see it? all these centuries blaming rio, and deep down agatha is haunted not by Death, but by her own actions and choices. the way she kept Nicky isolated and unsafe. the way she insulted his memory by going on killing sprees instead of letting herself mourn. the way she used the darkhold to corrupt her soul more and more, because she was never brave enough to confront her guilt.

kathryn hahn really said, do you want Emotional Devastation???? do you wanna see a woman SUFFER? do you want your heart put through a blender??? I can do that in TWO seconds

agatha wants to NOT DIE so badly that she has to drop the clown act and give jen a proper pep talk. because she knows what makes people tick and she can uplift just as well as she can destroy, she can help jen because she knows her so well. there's always that potential there, all of agatha's talent and her intelligence and experience could shape her into a great mother and sister in a coven. a potential that evanora refused to see and that will likely never be fulfilled.

and the irony, the irony of never wanting to hurt jen, to deliberately avoid going after her - because she's a midwife. because nicky was stillborn, because she had to give birth alone in the woods. agatha believes with all her heart that jen's work is fundamentally good and important. and yet she was the one who bound and tortured and violated her. she was so fucking focused on herself that she didn't even realize she was tramping and destroying everything in her path like a mad steamroller. she allied with the enemy, she went against her community's best interests. there's a lot to think about there, I really want to explore it more

patti during that hot ones episode

NOW YOU GUYS REMEMBER HER. and of course it's alice who does

your internalized stereotypes are really testing lilia's patience, billy (and while they consider the oven sharon is writhing and dying on the table)

how it started: jen pushing lilia out of the way

how it ended: "you are my sister in the craft" 🥲

I love you patti lupone

alice is strong! alice is noble! alice is pure of heart!

gee i wonder why

they had to add a goonies poster in billy's room because of this scene, but i guess disney didn't want to buy the copyright so the poster says "the goofballs"

agatha shoving everyone and then kicking jen twice for good measure

my guilty pleasure is watching reactors on youtube (don't judge) and everyone, everyone had my same reaction to sharon's death: she is not really dead. it was too unceremonious, too sudden. you cannot have debra jo rupp unconscious for half an episode and then get rid of her like that, she's too talented, too funny, how can they keep the humor up without her? if sharon is gone they don't want to watch anymore! no, they're gonna bring her back for sure, they're witches, they're going to find a way.

And then Alice dies, and it's unfair, it's too sad, she just had her big victory! that doesn't sit right with you, that the writers would do her so dirty. And then Lilia dies.

Wanda said it from the very beginning: we cannot reverse death, no matter how sad it makes us. Some things are forever. Sharon's death was horrible and uncomfortable and senseless on purpose, because these shows are about the exploration of grief. How can you make peace with the impossible? How can you reconcile yourself with a nice fun lady dying after losing her last shred of agency, scared and alone and forgotten? Didn't she deserve so much more than being just a casualty of witchfolk drama? And how can you reconcile yourself with someone as good and as wonderful as Alice dying in such a cruel way? What about the death of a parent? of a spouse? of a child? What about your own death, as inevitable and inescapable as your birth?

I'm posting this one early cos I didn't sleep last night and I wanna take a nap now 🥲 when I'm tired i ramble, I knew that already. sorry-y!

we get to episode four tomorrow, and y'all know what, or rather WHO, that means!

go to episode 4 part 1